#writing fics tips

[moccabunie]

things I've learned after a year writing fanfiction

This is a post from a non-writer who, apparently, now writes (❓) And this is a little crazy to me, considering that a year ago writing less than 1k decent words took a lot of effort. But this year I have completed a +100k project. (It's still difficult, though.)

I found out that the more I wrote, the easier it was to get into the story. So I think that being captivated by my own story has made a lot. I am an eager fanfiction reader, but I had yet to really try to write something on my own.

That was until I got hyper-fixated on three characters and wrote a small story about them sharing a room, and it was one of the funniest and most rewarding things I've done. So I was like "oh, maybe I can try to imagine stories I would like to read?"

(1) story one - a bird told me to wait

The first thing I considered was to make it completely self-indulging. The second was to make it as evocative as possible, not only telling what was happening. I like sensations and emotions, so I really wanted to write things I would like to feel as a reader. I wrote this story, and after that, I added a second longer part because I was enjoying it a lot. I used to doodle about the characters and make small annotations about their dynamics, but there wasn't really a lot of planning here.

(2) story two - beneath the moonlight

My second attempt was a three-chapter story (not so distant from the previous one that can be read as three parts too). But for this one, I wanted to challenge myself because I wanted to explore new themes and tropes, so I made a brief list of the things that should appear here. (but honestly, I just wanted to write a soft mating bite scene lmao, because I was super into a/b/o at that time.) I used keep notes app this time.

I barely showed explicit themes here but I got to enjoy the story anyway. This one wasn't difficult to write because I felt familiar with the characters. It's a light story but these 20k words gave me the courage to take a step further. I said to myself

"stop being a coward. you have enjoyed this. keep writing."

(3) story three - lucid dreams

This one was planned for four or five chapters, quite in the same line as beneath the moonlight. But, and the keyword is planned, it became a full 13 chapters as I developed the story and the characters. If I wanted it to be coherent then I needed to explain the things, build the context, and introduce the world. But it was also an experimental work. I took my notebook and listed the new things I wanted to try, such as - write in past tense - write first and edit later

my process was something like this • imagine random scenarios with pretty imagery as I listened to music • doodling the characters doing things so I didn't forget • open the notes app to write random sentences and dialogues in the middle of the night, I'll find a place for them later • dream about the story and daydream about the story

as for the physical notebook, I have scribbled A LOT there during the writing process.

(a little bit chaotic but functional enough)

One thing I wanted to keep in mind was the evolution of the characters, or in other words, how they were gonna be at the start and the end of the story. And this made things a lot simpler because it gave me an insight that was helpful whenever I had to decide what kind of decisions the characters would make along the story.

Parallelly, I was aware of my narrative flaws, as well as there was a lot of vocabulary and grammar that would escape me in a different language. So I used the notebook to do writing research. Some of my pages were like "how to write action scenes," or "tips for flat scenes." Whenever I felt blocked I read again these pages.

I'm going to copy down here some tips that were useful during the writing block days.

• read another book or fic you like, since sometimes, getting yourself caught by another writer's style can help you to flow through your own. • scroll on pinterest and try to find pictures that capture the vibe of your story, maybe try to describe them or setting a scene in a similar environment that you can see? • changing the setting (for example, day to night, or sun to rain) can add more variants and ambiental tools to play with. • or, changing the character's pov. maybe a scene feels flat because it's narrated by the wrong character. • use objects, not just the characters.

(4) finishing a story

To have an insight into the plot, I wrote the main scenes in really short sentences. That was useful for the first chapters, but suddenly I had 70K words of the story and a lot of details to track. Frequently I had to split chapters into two parts because the "short sentence" became a very long scene. See this comparison: the scenes' guide in the last chapters usually are fragmented into shorter scenes. That's how I avoided losing my mind as I wrote (?)

These are a few tips that were useful to me during this last part.

• write the important plot points as they are mentioned so you can come back to them later and don't forget about them. • keep a scrip to annotate significant things about the characters to make the story consistent. • notion pages is a great place to make inspo boards (usually I added 4 pictures for each scene). During the last chapter, I used the to-do list tool to keep track of the closed story points and the things that were yet to happen • list some of your favourite past scenes, those that have been nice to write, so you can pursue the same vibe again.

The last two months writing the fic I joined the nanowrimo to keep myself motivated but also to have an impulse. My only goal was getting the habit of writing everyday, not minding how many words (usually it was around 400-600 daily). I ended that month with 16k added on my wordcount (to me, that was a lot!). Since I enjoyed that little challenge, I did the same on the next month, resulting in finishing the fic :)

The most important thing during this time was remembering myself from time to time why I am doing this. Let me say I am an utter perfectionist, so I would easily get trapped in making-the-story-perfect, which would end in a writing block. So each time this happened I repeated to myself that I didn't want to write a good story. I just wanted to enjoy and have fun while writing a story, so I should write only things I enjoy. And this simple thing was incredibly helpful whenever I wasn't able to continue a scene.

I think that this is what most writers say, but now I have come to understand that it's true: just have fun. Write what you wanna read.

(5) the next story - requiem of the sleepless

This would be the third part of my first fic. I miss these unhinged boys and I have a little draft of (unholy) things I want to happen to them! Now I want to unlearn everything I know. I want this story to be zero planned, I just want to ~feel~ the characters and make a lot of random things happen. This is about not forgetting why I started, so here I am again.

Being a non-writer writing.

thank you for reading ♡ 

[heywriters]

If you want to write a dumb little story with a dumb little plot and ridiculously silly characters. No one's stopping you. Genuinely, no one should be allowed to stop you. Write that dumb story with your whole heart and don't hold back.

[xyywrites]

Tips for writing flawed but lovable characters.

Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk. 

1. Flaws That Stem From Their Strengths

When a character’s greatest strength is also their Achilles' heel, it creates depth.

Strength: Fiercely loyal.

Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.

“She’d burn the whole world down to save her sister—even if it killed her.”

2. Let Their Flaws Cause Problems

Flaws should have consequences—messy, believable ones.

Flaw: Impatience.

Result: They rush into action, ruining carefully laid plans.

“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”

3. Show Self-Awareness—or Lack Thereof

Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.

A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”

4. Give Them Redeeming Traits

A mix of good and bad keeps characters balanced.

Flaw: They’re manipulative.

Redeeming Trait: They use it to protect vulnerable people.

“Yes, I lied to get him to trust me. But he would’ve died otherwise.”

Readers are more forgiving of flaws when they see the bigger picture.

5. Let Them Grow—But Slowly

Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.

Early in the story: “I don’t need anyone. I’ve got this.”

Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”

End: “Thank you. For everything.”

The gradual arc makes their growth feel earned.

6. Make Them Relatable, Not Perfect

Readers connect with characters who feel human—messy emotions, bad decisions, and all.

A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.

A messy emotion: Feeling guilty afterward but doubling down to justify their actions.

A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.

7. Use Humor as a Balancing Act

Humor softens even the most prickly characters.

Flaw: Cynicism.

Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.

“Love? No thanks. I’m allergic to heartbreak—and flowers.”

8. Avoid Overdoing the Flaws

Too many flaws can make a character feel unlikable or overburdened.

Instead of: A character who’s selfish, cruel, cowardly, and rude.

Try: A character who’s selfish but occasionally shows surprising generosity.

“Don’t tell anyone I helped you. I have a reputation to maintain.”

9. Let Them Be Vulnerable

Vulnerability adds layers and makes flaws understandable.

Flaw: They’re cold and distant.

Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.

“It’s easier this way. If I don’t care about you, then you can’t leave me.”

10. Make Their Flaws Integral to the Plot

When flaws directly impact the story, they feel purposeful rather than tacked on.

Flaw: Their arrogance alienates the people they need.

Plot Impact: When their plan fails, they’re left scrambling because no one will help them.

Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.

[kacchanot-fucking-deal-with-this]

So you know when you're writing a scene where the hero is carrying an injured person and you realize you've never been in this situation and have no idea how accurate the method of transportation actually is?

Oh boy, do I have a valuable resource for you!

Here is a PDF of the best ways to carry people depending on the situation and how conscious the injured person needs to be for the carrying position.

Literally a life saver.

(No pun intended.)

[crazywolf828]

To all my writers who have a tough time with smut terms and not knowing which ones to use, I have found the holy grail for us.

This reddit user, who I've recently found out is @kjscottwrites here on tumblr, took a poll of 3,500 people and went really in depth with asking their favorite terminology, along with actual pie charts on what the readers preferred to see in their smut.

Check out their post with the link to the Google doc here!

[frownyalfred]

want your favorite author to update but don’t want to be too pushy in their comment section?

here’s 5 things you can do to encourage them:

Reblog their fic link on tumblr (bonus if it’s with tags)

Bookmark the fic with a note about what you’re excited about/love in the fic

Recommend the fic to your friends or local discord channel

Draw art or create other media for the fic (as indicated by the author’s comfort level)

Leave them a comment when re-reading about the parts of the chapter/story that stood out to you the second time

[me-writes-prompts]

-:“We’re definitely just enemies, and not anything more” Enemies to lovers prompt :-

(*Wink wink* tag me if you write these.)

By @me-writes-prompts

“I want to wrap my hands around your throat, and choke you until the life in your eyes die down.” “Kinky.” ;)

“It’s funny, isn’t it? How we always end up, in the same place, at the same time.” “It’s not funny, I know you’ve been stalking me. That’s how we always end up together.” “Stalking? You? *scoffs* in your dreams.”

“Well, if it isn’t my favorite human being on the earth!” They say with fake excitement. “Oh thank you, but I regret to not say the same.”

“If you don’t care, then why are you holding my hand?” “So I can drag you down with me if we fall from this cliff/edge.”

Just deadass staring daggers at each other, and communicating with their eyes.

“Fuck you!” “Love you, too.” They say, blowing a kiss.

“I hate being in your presence, I hope you know that.” “You’re literally sitting half on my lap.” “Because there is nowhere else to sit!” (There was only one couch *snickers*)

“It just so happens that I put on my nicest outfit, just to find out that you’re my blind date.”

“Don’t look at me like that.” “Like what?” “Like you want to murder me but also like…you want me.” 😏

“It’s impossible not to hate you.” “It’s impossible not to hate you.” *mocking*

“Look, I win. So back off okay?” “Stepping on my toe and reaching the ceiling is not winning.”

“Shut up before I-” “Before you what, huh? No, say it. Let me see if you can finish that sent-” *shoves the nearest thing into their mouth*

“Come here, let me see the cut.” “No.” *sighs and walks up to them* “Let. me. see.”

“You’re not that good looking, alright?” “So you admit I’m good looking?” “What? N-no. Never.”

“I love you.” “Huh?” “Is the last thing I would be saying, so get that delulu thought out of your mind, and leave me alone.”

“You’re such an idiot. Who steps on a knife unknowingly?” “It was in the middle of a dumpster, I didn’t see it!” “Someone needs glasses.” “Shut up!” (This is so random lmaooo)

[angelilacs]

enemies to lovers ˎˊ˗

⭑ “are you okay? no fever? i’m a little worried with the lack of daggers to my throat recently.”

⭑ “you’re not hurt, are you?” “no, obviously not.” “that’s unfortunate.”

⭑ he liked her in ways he couldn’t explain, so he hated her instead.

⭑ he hates that he knows she fiddles with her ring when she’s nervous, and that her seashell necklace was given to her by her late grandma, and that she hides it underneath her shirts so people take her seriously.

⭑ “my brain just goes blank when i try to find a solution.” “huh. interesting.” “what is?” “didn’t know you had one.”

⭑ heated argument turns into make out session

⭑ “despite how we feel about each other i wouldn’t leave you for dead.” “how romantic.” “i take it back.”

⭑ forced proximity

⭑ one of them is egotistical and sure they’re always right which riles the other one up to constantly point out their mistakes

⭑ “you come to me. when shit goes down you come to me, you don’t fucking run away from me.”

⭑ “if we don’t get out of this alive—” “shut up, you do not love me.” “i was going to say thank god.”

⭑ “is he losing a lot of blood?” “yes.” “i love it when the universe is on my side.”

⭑ eye contact that one of them breaks just to hit the other one in their leg

⭑ one of them is a walking encyclopedia of fun facts and constantly remind the other that what they’re doing will one day kill them: you shouldn’t smoke, being on your phone for too long causes immense radiation, brushing your hair with that type of brush is harmful.

⭑ “if we don’t get out of this alive—” “that’s not funny, we could actually die this time.” “i love you.”

based on this ask !

[artistmarchalius]

Cockney Rhyming Slang Phrases Part 2

In a previous post I went into Cockney rhyming slang history and gave some tips on how to use it.

This is the second post in a series where I’ll give you some commonly used Cockney rhyming slang phrases, phrases that I find funny, as well as some phrases that I think would be useful for Spider-Verse fic writers specifically. Part 1 of this series can be found here.

So let’s get started on Part 2!

C-D

China Plate - Mate

E.g. “How are you, me old China?” Or “I’m meeting me old China at the pub later.”

Cobblers Awls - Balls

E.g. “Ooh! Got him right in the cobblers!”

It can also be used to mean “Nonsense”. E.g. “What a load of cobblers!” is another way of saying “What a load of nonsense!”

Cream Crackered - Knackered

E.g. “Sorry mate, I’m creamed!” Or “I’m cream crackered!”

Custard and Jelly - Telly (Television)

E.g. “Shh! I’m watching the custard.”

Daisy Roots - Boots

E.g. “Hang on, I need to put my daisies on!”

Dicky Bird - Word

E.g. “Not a dicky bird, mate.”

Another example of where you usually use the whole phrase. Also, “word” can also mean “a brief chat”. E.g. “Can I have a dicky bird?”

Dog and Bone - Phone

E.g. “You know what, give me a call on the old dog and bone and we’ll sort it out then.”

Duck and Dive - Skive

E.g. “Let’s duck!” Or “I gotta duck.”

Skive means to avoid work, usually by leaving early, similar to what Americans might call “playing hooky”.

Dustbin Lid - Kid

E.g. “How’s the dustbin lid?”

As mentioned in Part 1, it’s good to keep in mind that there can be multiple Cockney rhyming slang phrases for the same word, as well as multiple Cockney rhyming slang phrases that start with the same word. For more information, see Part 1.

As always, I’m not an expert; a true Cockney would know far more than I do. I just want to share the knowledge that I have. I hope someone will find this helpful, informative, or entertaining at the very least.

I’ve got more Cockney rhyming slang phrases coming, but if there’s any other areas of British slang you’d like me to go into, let me know and I’ll see what I can do!

Happy writing and happy speaking!

My other British slang posts: Cockney Rhyming Slang, Cockney Rhyming Slang Phrases Part 1, British Police Slang, Terms of Endearment, Innit VS In’t - a PSA

[luna-azzurra]

Family Secrets Prompts

A character discovers they have a sibling they never knew about. How does this revelation change their family dynamics?

Your protagonist finds a box of old letters that reveal family secrets. What do they learn, and how do they handle it?

A family heirloom is discovered to have a hidden power or curse. How does this impact the family?

A disowned family member returns with shocking news. How do they reintegrate into the family?

A character learns they were adopted. How does this change their identity and relationships?

The protagonist discovers their family is secretly wealthy. How does this affect their life?

Uncover a hidden romantic relationship between family members (e.g., a grandparent had a secret lover).

[coline7373]

How to comment 101

A fandom is the subculture inherent to a group of fans. It touches anything related to the field of predilection of such a group of people and is organized or created by these same people. And, like everything that comes from people, it is alive and requires exchanges to continue to exists.

People who receive no comments have often and at length express how lonely it can feel to be shouting alone in the void and how discouraging such silence can be.

I have found after asking around that readers aren’t unwilling to comment, but mainly don’t have the energy or know what to say.

Some readers have also expressed a fear of annoying the author, as they are clumsy with words, or feeling intimidated in front of an author who has such a talent with words that the reader's own words feel too embarrassing. Or not feeling that their own five word sentence is worth the bother.

Every word matters.

Every comment is worth its writing to the author.

I refer you to this post if you doubt the importance and impact of comments on fanfics.

To help those willing to comment, I have done a very modest survey of roughly 20 persons, writers and readers alike, and here is what I have come up with.

For writers:

Write in your notes, at the end of the fic, clearly what type of comment you do not want. 

Clearly stating your limits and preferences helps readers who are uncertain or not very verbose to write in a relaxed way.

If they do not have the anxiety of offending, vexing or annoying the author, they will be more comfortable and therefore more inclined to write.

If you have repeated commenters, try to reply to their comments, even with just a few words. Some people who do not receive replies to any of their comments take the lack of response to mean the author is not reading comments at all, feel discouraged and stop commenting in turn.

If you do read the comments, but don’t want to reply for whatever reason, do say so at the end of the fic, in the notes, so that readers know what to expect and not be disappointed.

For readers:

Do:

About the story: 

You can write about a particular line that you liked, the themes, parallels with canon or within the story, the characterisation, a character’s exploration, a/several character’s motivation, a/several character’s mindset/thinking/emotional reaction, a/several characters’ interaction, the plot, the action happening, the worldbuilding, emotions within the fic, subtext, pacing...

If you liked everything and are overwhelmed on how to narrow it down, you can just say exactly that. “I loved everything!”

You can also focus on pointing out just one moment, one line, one specific thing and why you liked them, specifically. What matters is not that you wrote a novel but that you communicated to the author what made you happy, what you enjoyed.

About you: 

What emotions the fic made you feel, what you think is going on in a wip or what you (think you have) figure(d) out, what you are doing in real life while reading the story, afterward, because of it, and/or how the fic impacted your life (yay! motivation to make art!), how the fic is meaningful on a personal level because x, y, z, what it made you think of, like another fic, a book, a song, a movie, what subject/fact it prompted you to discover more of…

How: 

You can write an essay, a prose, or some serious, meaningful, impactful words but you can also joke with the author as long as you stay mindful or polite. A lot of authors have said they love when people make jokes or break the fourth wall. 

Unsure about your sense of humor? Here is an example: do not write "I hate you! How could you do this to me!” Write "How could you do this? The betrayal! die offscreen.”

Making a parody of what is going on with the characters with a few lines can be funny! Keep it positive. Not everyone has the same degree of sarcasm. But levity and good humor are always welcomed.

Small fics vs longer fics:

Emojis, keysmashing and incoherent yelling are very often correct comments for small fics or drabbles. (Unless otherwise specified.)

They are also loved in longer fics, (unless otherwise specified,) but people who have been writing a story for literal years appreciate you taking at least five minutes to say a bit more than that.

Try to go through all the “about the fic” and “about you” points above, methodically, and choose just two or three of them. Then write just one sentence per point.

If you really don't know what to say, look at other people's comments. Sometimes, you will recognise something you liked too or that you thought was really good. It can help and be the starting point of your own comment.

Long WIPs:

For long fics that you follow while they are being written, people have said they have at first a lot of enthusiasm for commenting, but find it harder and harder to know what to say as the number of chapters accumulate, and so does the number of comments they feel obligated to give in turn.

Please, keep commenting! Love keeps the writers motivated and helps creativity. It’s like shouting in the void and getting a high five back.

Even one line about something specific (a dialogue bit, a reaction, a plot maneuver) can make an author happy.

Writers are not really looking for length or details. They are looking for care. If you read something you liked, just point out what you enjoyed. That's engagement enough. 

Comments aren't really about the act of a compliment. They are about the shared joy of a fandom or a ship or a character. 

Example: “'X character diving headfirst into the sea like that is so like him!”

It’s good. It’s fun. It’s nice.

Some people have said to “save” a chapter, give a kudo and say “looking forward to reading this when I have time!” and wait until they do have time and energy to comment more at length, sometimes two or three chapters at the same time.

It let the writers know their fic is still being read. You just have to be mindful to not let months go by, otherwise, it goes back to leaving the author the impression they invested hours, weeks, months, into something no one interacts with. You can alternate strategies, lengthy comments, short comments, and commenting on several chapters saved.

If all else fails, go back to the tried and true. Choose one of the points above, choose just two or three of them and then write just one sentence per point.

If you are not a native speaker:

Google can help with the bare minimum. It's not great, but it lays the foundations. Write what you think in google translate and the translation will help guide your answer. You can always ask for help from someone else or warn the author that the fic’s language is not your native language, if you are unsure if your words come off in a tone not intended.

At the start of your comment, say “I am not a native speaker”.

Do not apologize. It’s not necessary. Just provide context. Use your words. Be clear.

Remember: 

The writer isn't what they write. They do not necessarily headcanon what they write, nor do they necessarily approve of it in real life. Be mindful to not approve or disprove of x, y, z going on in the fic as if they do. You do not know that.

It’s not about the length or the wording or the quality of your comments. Of course authors love that. But what they love most of all is to hold hands, jump up and down with you and squee and gush about the fandom, ship or character.

It’s about the sharing of the joy.

Don’t:

Do not ask for another chapter and for the author to finish a fic.

Do not threaten the author to put their fics in an AI if they do not finish the fic.

Do not say "I didn't like it" or "I liked but not that" or "It would have been better if x, y, z." If you want to talk about what you didn’t like, whether it’s part or all of the story, discuss it with willing friends. The author is not responsible for you reading something you didn’t enjoy (how it made you feel) and persevering.

Do not “offer” to correct typos, grammar, vocabulary, facts, canon facts, characterisation, ect. unless you know the author and know they are fine with it or they say so explicitly in the notes. 

Do not make demands. Do not.

Like that tumblr op said, “this is not the bespoke zone.” This is off-the rack. If the free suit is not to your liking, look for another free suit rather than demand to speak to the manager for "adjustments."

Tags are not owed to you. Ao3 is not a safe zone. Not everyone agrees on what degree of content merits each tag. Or what qualifies for a tag. So, if you found a fic that was more angsty than you expected and it broke your heart, comment on a part that was good and didn't make you sad, without saying you want a happy ending to the angst fic that was written for angst purpose. Off-the rack, remember?

Exemple:

"I found x,y,z to be upsetting. Would you consider tagging it?"

Vs "Your work is totally x,y,z triggery. You ought to tag it."

Vs "Hey, you do know some people find x,y,z, triggery, right?!? Because they do! So tag it!"

One of those answers is correct. The others aren't. No demands in the comments.

Your emotional well being while reading fic is your responsibility. If your expectations have been disappointed, do not say so. Talk about a point that was positive for you. If your expectations have been exceeded, do share!

Also, if you're mad, I have found that it helps to write your comment, leave it to decant, and wait a week or so to see what it looks like when you're in a different emotional mindset.

Some elements of fics can be very upsetting unexpectedly. It is not the responsibility of the writer to answer that. Nor comments are the place for it.

Once some time has passed, if you still want to talk about it, try to communicate in a way that is neither demanding nor negative. If you can't, talk about it with someone who is not the author.

My own personal opinion:

It can be so easy to focus on the fic and your own inner imaginary garden/cinema, that we sometimes forget to switch from "inner life" to "outer life" and exchange actively with people on both sides of the fence.

But it can also add so much more to the experience <3

Clear communication is always good. Even if you disagree. At least you know where you stand.

Say thank you. Fanfics are a gift. You have been given one. Say thank you. 

[idliketobeatree]

dead boy detectives contrapuntal poems — 1 — (2) (3) (4)

[xyywrites]

The Power of Silence in Dialogue

We often think of dialogue as something that’s just about what characters say, but let’s talk about what they don’t say. Silence can be one of the most powerful tools in your writing toolbox. Here’s why:

1. The Unspoken Tension

When characters leave things unsaid, it adds layers to their interactions. Silence can create a tension that’s so thick you could cut it with a knife. It shows things are happening beneath the surface—the real conversation is happening in what’s left unspoken.

Example:

“So, you’re leaving, huh?” He didn’t look up from the table, his fingers tracing the rim of his glass, slow and deliberate. “Yeah.” “Guess I should’ve expected this.” (Silence.) “You’re not mad?” “I’m not mad,” she said, but the way her voice broke was louder than anything she'd said all night.

2. Building Anticipation or Drama

Sometimes silence can heighten the drama, creating a pause where the reader feels like something big is about to happen. You don’t always need words to convey that sense of dread or anticipation.

Example:

They stood there, side by side, staring at the door that had just closed behind him. “You should’ve stopped him.” She didn’t answer. “You should’ve said something.” The room felt colder. “I couldn’t.” (Silence.)

3. Creating Emotional Impact

Sometimes, saying nothing can have the biggest emotional punch. Silence gives the reader a chance to interpret the scene, to sit with the feelings that aren’t being voiced.

Example:

He opened the letter and read it. And then, without saying a word, he folded it back up and placed it in the drawer. His fingers lingered on the wood for a long time before he closed it slowly, too slowly. “Are you okay?” He didn’t answer.

TL;DR

Silence isn’t just a pause between dialogue—it’s a powerful tool for deepening emotional tension, building anticipation, and revealing character. Next time you write a scene, ask yourself: what isn’t being said? And how can that silence say more than the words ever could?

[ao3-anonymous]

Two authors I subscribe to just posted this awesome guide for fic writers who are writing fics set in the Los Angeles area. As someone who grew up nearby, I skimmed it and can verify it seems pretty accurate!

Also, I've never seen something quite like this before, but would love to gather more of these in one place. If any of y'all have links to similar location-specific guides, add them in the reblogs and we can get a little repository post going!

[ch4inzsw]

Okay so this is a repost cause I FLOPPED but here are the sleepy prompts! (again lol)

☽ “You should get some rest. You’d feel a lot better.”

☽ “Sleep. I’ll keep you safe.”

☽ “I’m going to carry you to bed if you don’t stop arguing with me about not needing sleep.”

☽ “You’re obviously tired. Go lay down.”

☽ “You always look like you’re about to fall asleep when I play with your hair.”

☽ “Do you want to hear about the dream I had last night?”

☽ “It usually takes me a while to fall asleep too.”

☽ “I can’t sleep when you don’t cuddle with me. Please.”

☽ “Don’t think I don’t notice you yawning.”

☽ “Look me in the eyes and tell me that you slept last night. Better yet if you slept last night.”

☽ “Those energy drinks really aren’t good for you. They don’t even work.”

☽ “I understand you want to get things done but you really can’t pull anymore all-nighters, babe. You need sleep.

☽ "It was just a nightmare, sweetheart. It wasn’t real.”

☽ “You don’t know the wonders a 30 minute nap could do you right now.”

☽ “So then I- oh. You’re already asleep.”

☽ “You look dead. When’s the last time your head hit a pillow?”

☽ “I didn’t mean to wake you. Go back to sleep.”

☽ “Umm this is just a dream?”

☽ “Sorry. Were you sleeping?”

☽ “You’re up late. Something on your mind?”

☽ “Hun you’re shivering. C'mere, let me warm you up.”

☽ “Give me a goodnight kiss?”

☽ “Stop fighting it. You need sleep.”

☽ “Did you know you talk in your sleep?”

☽ “Are you afraid to fall asleep because of nightmares?”

☽ “That’s, what, your fourth cup of coffee?”

☽ “That’s the fifth time you’ve yawned in two minutes.”

☽ “Put the homework away and go to bed.”

☽ “Let me be a mom for a second and tuck you in.”

☽ “Go to sleep. I’ll deal with it.”

OKAY! I hope more people see this and actually enjoy it!!!

[writingwithfolklore]

Emotional Exhaustion

While your characters may just literally be a bunch of squiggles on a page, they still carry very real relationships with your reader because of the amount of emotional investment readers put into the story. Readers can share in characters' dreams, learn more about them, get annoyed with them or feel endeared by them, but that also means that they can be burned out by them.

              In real life, relationships with your friends have a give and take. You’re there for them for both their good times and bad. If a friend, say, shares only their good times with you—you may feel cheated out of a deeper intimacy and vulnerability with that person, whereas if they only share their bad times, you may feel emotionally exhausted or burnt out by them. In both cases, real life people can make boundaries and still maintain these friendships. (And by the way I’m making hugely broad generalizations of friendships, so call it an example)

              However, readers can choose at any point to walk away from a book with zero consequences. You, as the writer, play the role in being the balancer between good times and bad.

              Asking your reader to stay invested in, say, six chapters of intense, all-consuming, deep emotion is asking a lot of them emotionally. We can become burnt out from a constant flux of strong emotions and reactions. You’ve probably had a time in your life where you had one of these big reactions—like sobbing or screaming. It doesn’t really take that long to tire yourself out, we’re not really made to feel huge things 24/7. (Again, super huge generalization, stick with me here)

              So how do we keep readers on-board when a lot of really devastating things need to happen? The answer is in pacing out your downs and ups, and making use of the reflective scene. Allowing characters to reflect on what’s just happened to them or how they feel about things not only allows for this bit of emotional break, but also gives the thing that happened a bit more weight and demonstrates its impact on the character. During these scenes, characters can:

Reflect on their own

Talk to someone trusted about what just happened

Plan ahead

Avoid facing what happened through an easy distraction (think gambling, catching a movie, etc. if that’s how they’d rather deal with things)

Visiting family or people outside of the drama

Or even travelling, if the plot demands of it

As well, consider that if a series of very emotionally draining things needs to happen, your character is unlikely to react to the last one with the same intensity as the first. Just like the reader and in real life people get burned out from strong emotions, your characters can’t be expected to react to every horrible thing with the same intense screaming-crying-raging emotion. Your reflective scene will still give these moments weight, if that’s what you’re concerned about, and feeling guilty over feeling little or nothing can add an additional interesting dynamic to a character facing down challenges.

Happy New Year everyone!