#writing and song lyrics

[lucidloving]

Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"

[whendidmythoughtsgocrazy]

One day I will stop falling in love with you. Until I do, I'll be thinking of you.

k.b. // laufey, philharmonia orchestra - let you break my heart again

[p0nur4k]

[cowboylikesubai]

👍💗💗

pamper me to hell and back by hera lindsay bird / @ /bipdf / @/ manincaffeine / close to you by gracie abrams / love will find a way, by alivia horsley / @/tacobort on twt / fallingforyou by the 1975 / alfonsina storni / pinterest

[clcmentines]

the two most horribile people you know deserve each other.

tumblr user @/inkskinned / i want you to know that i'm awake/i hope that you're asleep, car seat headrest / familiarity breeds contempt, google / no children, the mountain goats / tumblr user @/willowcrowned

[tioraidh-tux]

an ageless, plastic poem

[lesbicosmos]

when hozier said "if im a pagan of the good times, my lover's the sunlight" and when hozier said "no grave can hold my body down, i'll crawl home to her" and when hozier said "i slithered here from eden just to sit outside your door" and when hozier said "heaven is not fit to house a love like you and i" and when hozier said-

[marlowe-art]

[to the tune of mother mother's burning pile] all my apples in a little pile. all stacked up and i start to smile :)

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[creativepromptsforwriting]

Fic Titles: Song Edition

Part V

Baby you gave me bad ideas - This is the last time, The National

All of your demons will wither away - Demons, Fatboy Slim feat. Macy Gray

His love is my favourite - Kill this love, Blackpink

Three points where two lines meet - Tessellate, alt-J

Kings of imagining things - The long haul, NO

Swallow all our pride - Fairytale gone bad, Sunrise Avenue

Keep your hand in mine - So cold, Breaking Benjamin

Take this veil from off my eyes - Doin' time, Lana del Rey

Unforgiven, I'm a villain - Unforgiven, Le Sserafim

Let me sleep in your arms - In your arms, Stanfour

All of my thoughts of you - Graceless, The National

Stay cool (it's just a kiss) - Talk too much, COIN

There was nothing to fear and nothing to doubt - Pyramid Song, Radiohead

I know it's pain (but I really want it so bad) - Want so bad, Lee Know + HAN

We could leave in the morning (and go all night) - They own this town, Flora Cash

You'll be the saddest part of me - The Loneliest, Måneskin

Don't need to say goodbye - The Call, Regina Spektor

When I'm alone, I'd rather be with you - 3005, Childish Gambino

It's just me and your ghost - me & ur ghost, blackbear

Tell ′em all I said hi - I said hi, Amy Shark

We don't gotta be in love - One of your girls, The Weeknd feat. Jennie, Lily-Rose Depp

The distance between you and me (it never seems to disappear) - Maybe if, BIBI

Say what you want (I'll keep it a secret) - One of your girls, Troye Sivan

I'm surrendering tonight - Collide, Rachel Platten

That's what you get when you let your heart win - That's what you get, Paramore

Give me a sign, I want to believe - The Ballad of Mona Lisa, Panic! at the Disco

Just a game that can't be won - Always on the run, Isaak Guderian

Your lips should be saying the same thing - Really, Blackpink

Still, I'm under your control now - Number 1, Nico Santos

Embracing all my scars and imperfections - Comflex, Stray Kids

More titles!

[screams-of-the-damned84]

oh, you’ve really done it now!

[lucidloving]

Emily L., Marguerite Duras // Bertrand Russell, What Desires are Politically Important? // Octavio Paz, "The House of Glances" // Mitski—Francis Forever // Chen Chen, When I Grow Up I Want to Be a List of Further Possibilities // VIVINOS and QMENG, Alien Stage (Round 6) // Bryan Fuller, Hannibal (2013) // Richard Siken, "Little Monster" // Christa Wolf, Cassandra: A Novel and Four Essays // Mitski—I Bet on Losing Dogs

[whendidmythoughtsgocrazy]

You can't wait until life isn't hard anymore before you decide to be happy.

k.b. // r.i.p. jane nightbird

[ljrmsc]

Bienvenue sur mon Blog / Welcome to my Blog

C'est mon premier post, j'espère qu'à l'avenir j'aurai une grande communauté avec laquelle je pourrai partager ma passion pour la musique et plus particulièrement l'écriture de chansons avec d'autres qui pourront faire de même.

// It’s my first post, I will hope for the future have a big community with I can share my passion for the music and more specifically the songwriting with others that can make the same.

[dreadark]

I always thought it was interesting how, despite "love" being such a huge theme in ALNST, the only song that actually uses the word directly is Till's

now...I see...

(translation source)

Till was loved from the very beginning... born of love so how could he not express his own love...

[madbard]

I just realized another reason I love Hozier’s music. It’s not just that the lyrics are complex, or the music itself is beautiful - it’s that Hozier is a musical liar.

Take Cherry Wine. This is a song about an abusive relationship, told from the perspective of someone very much in love with their abuser. Throughout the song, the narrator describes their lover’s cruelty. Lyrics like “I walk my days on a wire” and “open hand or closed fist would be fine” make the darker aspects of their relationship all too evident. At points, the song suggests that they are defending this relationship to someone else who cares about them (“it looks ugly but it’s clean. Oh mama, don’t fuss over me”) and even the more beautiful and seemingly romantic lines later in the song (“oh but she loves like sleep to the freezing”) have dark undertones (what else is sleep to the freezing but death?) Still, I often come across the song being used in a wholesome, romantic context. A lot of factors contribute to this, but I would argue that this song mainly gets mistaken for a romantic song because of how soft and gentle the music is - it presents as a sweet love song in every way except the lyrics. Even those lyrics are told through the lens of someone defending their broken and abusive relationship, deepening the lie. Our narrator wants to portray this relationship as something dark, yet also immensely beautiful and encompassing. The result is a song about the agony and pleasure of a broken relationship, disguised so well as a love song in every possible way that it gets mistaken for something romantic. (Even if you are aware of the meaning, there is still that deep urge to experience the song as something romantic. Just like the narrator, the listener is drawn in by beauty and the powerful idea of love, so much so that it can blind them to reality.)

Variations of this can be seen in Talk. In this song, the narrator makes their intentions very clear - they are sweet-talking someone in order to hide their own thoughts and desires (“I try to talk refined, for fear that you find out how I’m imagining you”). Despite knowing this, the sheer power of the lyrics (“I'd be the voice that urged Orpheus / when her body was found. / I'd be the choiceless hope in grief / that drove him underground. / I'd be the dreadful need in the devotee / that made him turn around, / and I'd be the immediate forgiveness in Eurydice”) overwhelms the listener. We know the speaker is putting on a show. We know they have ulterior motives, and likely don’t even believe what they are saying. But their words are so beautiful that we don’t care. The intense, almost mythic music in the background is so lovely and deep, it makes the lyrics seem genuine, because what lie could sound so astounding and true? In this case, the song about smoke and mirrors and empty talk becomes a love song because the narrator is just that skilled at lying.

Even songs like Too Sweet, sung by a narrator who refuses to be with someone unless they allow their standards to slide, become ‘romantic’ and ‘sweet’ to certain listeners - not because the lyrics are impenetrable, but because so many of Hozier’s narrators are unreliable. His songs spin sweet stories, lies so stunning that listeners are willing to deny what they know in order to experience the beauty of that untruth, the complexity of that space between what is real and what we want to believe.

And isn’t that more true to the experience of being a person, and loving other people, than the simple truths we often see in these types of songs?