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sincerelyneo · 7 months ago

Note

could i request a mark smut 😣😣 where reader and mark just had an intense argument but in the end, they cant be mad at each other for long so they just fck it out of each other 🤐🤐🤐🤐

mad at you | l.mk

“then i try to leave, but baby i just can’t stay mad at you”

💿now playing: mad at you by why don’t we

❯ summary: Mark learns that you’ve made a ‘selfish’ decision that’s bound to put a strain on your relationship. Next thing you know, you're knee-deep in an argument that somehow ends with you sprawled out beneath him; because, let’s be honest, he’s never really been any good at staying mad at you.

❯ pairings: idol!mark x fem!reader

❯ genre: angst, smut, established relationship, make up sex

❯ words: 4.3k

❯ tags: 18+ minors dni!, lots of arguing, swearing, reader is lowkey dramatic, makeup sex, unprotected sex (don't do this!), nipple play, dry humping, brief clit play, slight needy mark bc i can't help myself, creampie, reader uses she/her pronouns, reader and mark argue and resolve it by fucking.

an: i love writing angsty arguments (testament to my real relationships lol) so thank you so much for this request. it lowkey brought me out of writer’s block.

The honeymoon stage lasts approximately thirty months or two and a half years – which would make sense considering you and Mark were approaching your third year together and have argued more recently than you ever had.

But this time it’s different. You’ve never seen Mark like this, so angry that his face is bordering red and his jaw ticks so hard it might crack as the both of you drive in complete silence from your work dinner. He doesn’t even bother sneaking his usual glances at you when he pulls up at stoplights, the hand he likes to place on your thigh is gripping the wheel instead, and the only noise in the car is his rugged and frustrated exhales.

You could feign ignorance about why he's upset, but you know the reason all too well. And while a part of you acknowledges his right to be angry, another, more prideful part, resists the idea of apologising, especially when you think his reaction seems so disproportionate to your mistake.

So you sit in the passenger seat, arms crossed and body frozen, contributing to the cold silence settling between the two of you. You prepare yourself for the earful of a lecture you’re about to get when he pulls up outside your shared apartment.

He parks the car, slams the door shut, and strides towards your building without a backward glance. You scoff at his pettiness; he's never been so angry that he wouldn't at least wait for you to get out of the car with him. He doesn't even slow down when you trail behind. And when he nearly lets the elevator doors close without you, any chance he has of receiving an apology from you flies out the window, you think.

He does, however, show some decency by leaving the front door open for you as you both step out of the elevator and head towards your apartment – how chivalrous.

The chivalry doesn’t last long because the minute he hears you clasp the door shut, he’s glaring at you, arms crossed tightly over his chest, and you can't help but notice that he's rolled up the sleeves of his dress shirt in frustration. If he weren't on the brink of yelling at you, you'd be tempted to make him do more than just roll up those sleeves — you'd want the fabric torn off and thrown on the floor in an instant.

“Paris, Y/N?!” Mark seethes, voice deep and uneven. “You signed a fucking contract to work in Paris?!?”

You pause, attempting to gather your thoughts, but the momentary silence doesn't offer much clarity. Eventually, you settle on, "It's just a six-month gig..." – a statement that seems to send him into a frenzy.

“Just six months?” He rubs his jaw repeatedly in disbelief, “That’s six months that we won’t get to see each other, did you even think about that huh?”

You scoff, “You’re one to talk, need I remind you that your job takes you away from me for months at a time.”

"That's not fair," he protests. "You knew exactly what you were getting into when you agreed to date me. I didn’t agree to not seeing my girlfriend for months because she’s gallivanting away in Paris without me."

Your eyes narrow and your nostrils flare, “So what? If you would have known, you wouldn’t have wanted to be my boyfriend?”

His eyes widen and he shakes his head. His hands fly to his hair and he tugs at the strands as he huffs out a breath.

“How the fuck did you get that conclusion from what I said?” He asks, voice sounding baffled. “The reason I’m so mad is because I like being your boyfriend, but I’m not going to see you for the next six months.”

“You’re being a hypocrite right now.”

He rolls his eyes and scoffs, “Right, because I’m always the one being unreasonable.”

“Yes, you are,” you scorn, “This job is my dream, don’t you see how selfish you're being?”

“I’m selfish?” He gasps, “That’s rich considering you didn’t even consult me when making this decision, I had to find out from your smug little co-worker in front of everyone. You were thinking solely about yourself, Y/N.”

You're on the verge of screaming. How is he not seeing things from your perspective? He's usually so understanding, so open to hearing your side. But the razor-sharp look in his eyes tells you that there's no getting through to him. He's convinced you're wrong, and nothing will change his mind.

“It’s for my job, Mark,” you cross your arms and shrug.

“And how many times have I told you that you don’t need to work? How many times do I need to tell you I can look after the both of us?”

“And how many times have I told you that I don’t want that? I don’t want to have to always rely on you!” You snap.

Your teeth grit as the words spit out of your mouth. They seem to hit Mark, deep, his eyes softening for a fleeting moment before sharpening again. He swallows thickly and blinks before running a hand through his hair.

“Then what are we doing, Y/N?” He asks deflated, “What are we if you don’t want to rely on me?”

You're not sure what compels you to say it – whether it's the way you're all worked up, the entire context of the argument, or some inner recognition that you're the one who's fucked up this time despite you both having stuff to apologise for. Still, you escalate the situation from zero to one hundred without a second thought.

“Oh, so you want to break up?”

He shakes his head and tongues the inside of his cheek, “When did I say that?!”

The fight only gets worse after that, the two of you blowing up after every sentence. You run around in circles, throwing accusations and insults at each other to the point the original premise of the argument is lost along the way of a thousand new arguments. It’s like every little thing you’ve both done to irk each other over the last month is brought up; and by the end of it, the two of you swear you’re done with each other.

Sure, you've had your fair share of arguments, but the biting finality of the word "done" as it leaves his lips sends a sharp pang through your stomach – it hurts like hell. You've reached your limit with this endless cycle of back-and-forth; you've had enough of him. Storming past him, you head towards your shared bedroom.

Mark sighs and reaches out for your arm, but you pull away. He doesn't like this, doesn't like the chilliness he feels from you. He doesn't want to end the argument like this; it's never gone this far without a resolution before.

“You can’t just storm away when we argue Y/N, it’s childish.”

“If you don’t like it then leave!” You slam the door shut after you and lock it.

Mark hates this more, not being able to talk this out because you’ve put a wall between the two of you. Then your words register in his mind and he’s the most hurt he’s ever felt. You want him to leave. Fuck that, he thinks. He’s not going to watch his relationship go down the drain over a petty argument.

He knocks on the door a few times, then jiggles the doorknob, calling out your name and pleading for you to let him in. But you remain unmoved, denying him even the satisfaction of hearing your voice telling him to go away. This only adds to his frustration. He's the one you've upset, and yet here he is, begging for you to open up so he can fix things.

After a few more tries he scoffs, your words echoing in his mind once more. Leave. It crosses his mind as he makes his way to the front door of the apartment. He swings it open, ready to clear his head and crash at Johnny's for the night. But just as he's about to step out, he catches sight of a picture of the two of you on the coffee table where he keeps his keys.

It’s from your honeymoon phase when it was easier for the two of you to say you’d never let anything come between you – when love seemed to blind you both. Mark picks up the photo, memories flooding back to the day it was taken. It was the day you met his parents and shared your aspirations of becoming a fashion designer. You reassured them that you had your own dreams and weren't just with their son for his wealth – though his parents wouldn't have minded either way; they would have been content with any girl that made their son happy. And you made Mark happy – you make Mark so fucking happy.

Which is why he can’t believe he’s even considering leaving you in this apartment on your own after a fight. He shuts the front door and makes his way to the couch. He's eager to resolve things with you now, but both of you are too caught up in emotions, spouting shit you'll likely regret in the morning. So he opts to grab a few sofa pillows and a blanket from the storage closet instead. He strips down from his dress shirt and pants, throwing them to the floor before lying back and resting his eyes with a heavy mind.

Regret doesn't hit you until 2:00 am the following morning, when you're met with the chill of an empty space beside you as you reach out to cuddle your boyfriend, only to find him absent. Sure you thought he was overreacting to the news, but you're also painfully aware that your own words were uncalled for. You shouldn’t have asked him to leave – you didn’t want him to.

As you heard the front door open and then close with a clink, a thick lump formed in your throat. The realisation that you had driven him away hit you hard, and you lost all motivation. You lay on your bed, makeup still intact, as you sniffled and sobbed quietly into your pillow. And even now, after tossing and turning from your mind running laps, you’d only managed to sleep for a few minutes.

You stretch your stiff legs and reluctantly leave your bed, unlocking your bedroom door with sleepy eyes. You're taken aback when you see Mark sleeping soundly on the sofa, his breath steady with his eyes closed. You thought he had left, but there he is, covered only by the blanket from the storage closet. It breaks your heart to see him like this; he's likely cold, and he'll probably have a stiff neck in the morning for practice. And you know it's all your fault.

The guilt eats away at you, and without hesitation, you rush to the bedroom to grab his pillows and an extra blanket. Realistically, you should wake him up and insist he sleeps in bed, but the fear of his lingering anger keeps you from doing so. Instead, you kneel in front of him, attempting to swap the sofa pillows for his own bed pillows.

However, your efforts prove futile because Mark is a light sleeper – a detail you foolishly overlooked in your worried state of mind. He blinks as he wakes up once, then twice, appearing confused to find you in front of him in the living room instead of beside him in bed.

“Baby?” He whispers, his eyes hazy as he tries to make sense of what you're doing. It doesn’t take him long once he spots the sofa cushion in your hand to put the pieces together.

You bite your lip and sigh, “I know you're mad at me, but I didn’t want you to wake up stiff in the morning.”

Mark's chest constricts. How could he possibly stay mad at you when you're so cute, fussing over him like this? He notices the smudge of black makeup beneath your eye, and his heart tightens once more – this time with sadness rather than affection.

His hand reaches out to touch your cheek, and you’re shocked at the touch. “You’ve been crying?” He asks and you bow your head.

"I thought you left..."

Mark wants to laugh at the irony. You asked him to leave, and yet here you are, upset at the idea of his departure. He swears if he weren't so in love with you, he'd rant about how much you mess with his head, pushing him to the edge only to pull him back again.

“Would never leave you, baby, you know that,” his voice is soft and comforting as the rough edge of his fingertips finds your jaw.

You can't control it; tears fall freely from your eyes. He's being incredibly considerate and gentle with you, even after you acted like a bitch. Honestly, you almost wish he'd just yell at you instead. But he doesn’t, his eyes widen and he immediately sits up straight letting the blanket fall to the floor as he pulls you up to sit on his lap.

He shushes you, his hands finding your waist where he rubs soothing soft circles into the fabric of your tank top, “Hey, why are you crying? I’m here…please don’t get upset, Y/N.”

His kindness only amplifies your guilt.

"I'm so sorry," you stifle in short sobs, your voice almost cracking. "I should've talked to you about the job offer before signing the contract... I-I didn't mean to act so selfishly. I just... I wasn't thinking."

Mark gives you a half-smile as he runs a hand through your hair. "It's okay, baby... You got caught up in your dream. I'm sorry for not realising that. I'm the one being selfish by always expecting you to put me first."

"No—"

He interrupts you to continue his apology. "You were right, you know. I always expect you to wait for me while I'm on tour. I never considered it from the other side, with me waiting for you... But I will. I'll wait because I know how much this job means to you."

Your face buries itself in the crook of his neck as you cry even harder, and he tuts gently while rubbing your back.

"Please don’t cry, Y/N," he murmurs softly. "I hate seeing you upset."

"Can’t help it," you muffle. "I hate that I upset you…"

Mark pulls you away from his neck, needing to look into your eyes as he speaks. "It's normal for couples to argue, baby. We just need to promise to communicate better, okay?"

His fingers stroke your cheeks again, and you lean into his touch. The warmth of his hand feels so comforting as if he was made to soothe your skin, the only person capable of bringing you relief. You bite your lip and nod against his palm, because you're more than willing to work on your communication if it means never feeling like this again.

"Now, give me a smile. You know, the pretty one I like," he says with a laugh. "If I'm not going to see you for the next six months, I don’t want one of our last moments together to be so... sad."

You smile at him and press your forehead against his with a whisper. "Me neither.”

You’re so close to each other that you’re practically sharing the same breath, if you had said that two hours ago you wouldn’t have believed yourself. But here you are, lips so close that your heavy breathing practically begs him to kiss you.

Mark feels it too, so when he does, it's like the softness of his lips is a bandage, mending the angry tension between the two of you. It patches up the last few hours that have transpired, and when he pulls away, it feels as if nothing even happened.

His hands grip your hips firmly, his fingers pressing down as he guides your body to grind against his clothed crotch. His lips find yours again, accompanied by a groan that escapes into your mouth. It's only when you feel him harden beneath you that you remember he was half-naked on the sofa – clearly after you locked him out of the bedroom.

Suddenly feeling suffocated by your own clothes, you pull away from him to strip off your tank top, tossing it over your head before discarding it somewhere in the living room. You yearn to meet his lips again – the only place you truly feel safe – but Mark wants to savour the way you look. Your clothed cunt eagerly grinding against his hard-on, hips chasing a high so eagerly that your bra strap has slid loosely down your arm.

You're a vision, Mark thinks, one that has him salivating and desperate to fuck you. He almost curses at himself for nearly ruining it all, for nearly walking out on the most beautiful person on the planet, the best sex he's ever had – and not only that but also the funniest, sweetest person he knows he'll ever meet.

He leans into your neck, his nose nuzzling into you as he whispers softly, "I'm sorry... so sorry, Y/N." His hand leaves your hips to cup your breast over your bra, massaging the mound with just enough pressure to elicit soft moans from your lips.

“‘s okay,” you whimper.

Your head falls back as his hand snakes around to unclasp it. He wastes no time brushing his intrusive fingers down your chest, wearing a filthy smirk because he knows just how sensitive you are there. The tip of his finger circles around your nipple until he’s right in the centre, feeling it harden under his touch. He pinches it, and you jolt forward on his cock, making his boxers tighten, and he groans.

He loves how responsive you were to him, watching you writhe over him as he touched you in torturous pleasure. Just the way you arch your back into his touch has pre-cum leaking out of his cock.

He leans in this time, sucking on your nipple and opening wide to get as much of the tender tissue of your breast in his mouth as possible. He holds your waist in place to keep you grinding on him to entice enough friction for him to feel good too.

And when he looks down to see where the two of you meet, he moans when he sees the wet patch leaking through your shorts onto his boxers.

“Fuck, so wet for me, baby. Just for me.”

You whimper, and his hand slips into the hem of your shorts. You’re glad you never wear panties to bed because his fingers find your clit immediately, relieving you of some of the neediness you’ve been feeling from grinding down on him. He rubs small circles as his mouth licks and sucks and nips at your bud.

“Mark…”

“Shhh baby,” he coos, “wanna make it up to you. Please let me make it up to you, let me make you feel good.”

You whimper with a nod of your head, humping into his hand, legs opening wider to give him easier access to the place you’re most sensitive. You let out mild pants, hips bucking more aggressively from the stimulation on both your nipple and clit.

And when Mark notices you getting close, he pulls off your tit to look up at your face. It’s his favourite part — watching your features contort when the bliss is at its highest. It makes his chest swell with pride knowing he’s the one making you cum, knowing his touch is enough to make you shake and moan. And if he wasn’t such a selfish lover, he’d think the sight is something everyone should see at least once.

As you come down from your orgasm, your eyes flutter open to meet him. Mark doesn’t know whether it’s from seeing your orgasm paired with the argument from earlier but he’s the hardest he’s ever been.

You notice it too, looking down and giggling. “Now it’s my turn to make it up to you.”

He lets out a soft huff, and a muscle in his jaw twitches with his Adam's apple bobbing in his throat before he nods. You free his cock from his boxers and shimmy yourself out of your shorts. You let out identical gasps when your bare cunt brushes against the tip of his cock.

Slowly, you sink onto him, fully feeling him inside of you. Your head falls forward, your forehead resting against his shoulder as you take in the size of him, the way he fills you just right — the way he always does.

The stretch as you take him in never gets old, eliciting the same whimpers and whines. You can feel his hands resting on your hips, then slipping to the bend of your waist, silently urging you to move as he presses you downwards.

You lift your hips, slow and steady as you let the sensations wash over you, drawing a low groan from deep in his chest. His grip on your body tightens as you sink back down, blunt nails digging into your skin. The sounds he makes only drive you further into finding a teasing rhythm because his voice is just so pretty. The sounds are soon muffled to your disappointment when his mouth presses into your skin, so his tongue can slide along the top of your breast — making the disappointment fade away real quick.

You let out a breathy cry, hands rising from where they’ve been resting, flattening against his chest, to wrap around his shoulders. The slow pace you’d adopted was becoming not enough. And you could tell from the way Mark is rutting his hips up to meet you, he shares the same sentiment.

Your mouths collide as you pick up the pace, using his shoulders to leverage yourself as you bounce up and down on his cock. When he breaks from the kiss, an unrestrained groan slips past his lips, low and rough, followed by another, and you have to bite back a whimper of your own.

Mark can’t help the noises, he just loves the way you swivel your hips in a way that makes him see stars. He loves watching you work yourself on him for pleasure – he loves when you ride him.

And right when you squeeze around him, he rewards you with a loud, obscene groan, a sound that makes you dizzy and limp. Everything about Mark is intoxicating and downright addicting, and you were in no hurry to kick that addiction. In fact, you craved more of it – needed more.

You grab his hands and guide them across your body. He squeezes them at your hips, smoothing across your thighs, your stomach. His hands were everywhere, eyes dark and desperate, wordlessly begging for you to give him what he needed, the same thing he’d been kind enough to already give you.

So you rock yourself forward, providing a new type of friction that makes you whine helplessly into his skin. Blunt nails mark into the plush of your thighs, a futile attempt at grounding himself. The upward thrust of his hips and the strained catch of his breath tells you that he's growing impatient. You know the pace was slow, but damn it, it felt so fucking good to feel him like this, every inch of him sliding into you, hitting all the spots that makes your brain stop working. It also felt like a sick little way to get revenge...

“Faster,” you hear him say. “Please baby, need it faster.”

You could feel his hips bucking up to meet you. Then his thumb finds your clit, working in circles and making you squeeze around him with a shrill, gasping cry. It was his attempt at bargaining with you, doing anything to make you speed up and shamelessly fuck yourself on his cock. Maybe if he pleases you, you’ll let him cum.

“Please fuck me properly baby, need it,” he rasps, “You want me to forgive you right?”

And then you remember what led you here in the first place. You’d upset him and now you’re teasing him – you suppose it’s only fair if you pick up the pace a little more, fuck him messily and desperately enough to have him dizzying towards his climax.

And once you do, his thrusts grow sloppier, and your thighs start aching. It feels too fucking good so all that you can do is cling to him and let him take the lead, strong hands guiding you as he sucks against your neck. And even though you’re supposed to be the one making him cum, you find yourself buried in the crook of his neck, gasping as your walls clench and nails dig into the skin of his strong back.

The slight stinging sensation is enough to work Mark over the edge, and you feel him twitch inside of you, sending shock waves up your spine as he fucks his cum inside of you with a final powerful thrust. You roll your hips to help him along, taking all you can get from him and he moans his appreciation as you do.

You remain tangled up in one another as you come down from your respective highs with foreheads pressed close. You wrestle to find his hand, lacing your fingers with his as he rubs his thumb over your knuckles. He kisses your nose, then your lips, with a tenderness that makes your heart feel like it’s being squeezed.

You don’t want to move just yet, so you release your hands and wrap them around his neck, nuzzling your nose against his before you speak.

"Mark?" You mumble, your voice tired and hazy. He hums in response.

"I’m sorry," you say softly.

You feel his smile against your mouth before he kisses your lips. "It’s okay, baby. I don’t even remember what we were fighting for."

#🏷frompaige #mark lee smut #nct dream smut #nct 127 smut #nct smut #mark lee x reader #nct dream x reader #nct 127 x reader #nct x reader #kpop smut #nct hard hours #nct oneshot

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emeryleewho · 1 year ago

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I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.

We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.

This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.

But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.

On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.

Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.

If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.

Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.

#Books #diverse books #author #publishing #sag aftra #writers strike #writers #labor rights #workers rights #wga strike

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gghostwriter · 1 month ago

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A Series of Happenstance

Spencer Reid x House!Daughter!Reader

Summary: The three times Spencer loathed to see you and the one time he pleaded to Trope:Angst; think post Tobias Spencer Reid w.c: 5.2k Disclaimer: I am no way a medical personnel, least of all a psychiatrist so there will be medical inaccuracies A/N: this is part one of my house!daughter series and it’s angst, babes. Spencer is just mean and lashing out here which is totally understandable. It also took a while since writing such heavy pieces of fiction takes a toll on me but I hope, especially to the ones who were excited for this series, love it still. Comments and reblogs are greatly appreciated! �� masterlist

The first meeting

Spencer didn’t want to be here—here being in this cream colored, four cornered room, facing off the ultimate nemesis of profiler. Not an unsolvable case, not an unsub, but rather a psychiatrist contracted by the FBI for psych evaluation.

He was fine, he insisted to Hotch. He can compartmentalize well, he rationalized to Gideon. He just needed rest and the comfort of his own bed, he stated to the whole team. But protocols were protocols and his unit chief was a stickler to rules especially when it involved the care for his team.

That was how he found himself on a Tuesday afternoon, sitting in silence and watching the ticking of the clock as if it was the most interesting piece of art there was.

The tension was stifling. Spencer could almost see it tainting his vision red. Biting the insides of his cheek, he wanted to keep everything in.

No, he needed to.

He knew he was being rude, petulant even but for once, he didn’t have it in him to care. He didn’t know you. You were a complete stranger being paid by the government to report back any findings that could keep him out of the field. It wasn’t fair. You were just accepting the call of duty but you bore the brunt of his ire and hostile gaze.

In the normal setting, he would have found you intriguing. Your office colored in taupe—cold, distant, and linked to the desire to escape from the world but in the farthest side of the room was a shelf littered with books and small knick knacks that seemed to be collected over the years rather than curated to match the professional setting. The books ranged from published psychology dissertations, medical teaching materials, and collections of essays from well-revered and obscure writers.

You were dressed in black and white, standard for your importance, but your nails were painted in a pale pink color—close to looking natural but not quite. And lastly, your looks.

You were beautiful, don’t get him wrong, he may not have the same experiences as Morgan did with the opposite sex but he knows a beautiful attractive woman when he sees one. No, it wasn’t that, it was how young you looked—almost or maybe even sharing the same age as him.

A genius, then.

A prodigy in your own field just like him.

“Doctor Reid,” the low timber of your voice bringing him out of his musings. It sent a shiver down his spine when he first heard you speak. A reaction that he catalogued in his mind as a mystery to be revisited later on.

He subtly tilted his head to the side, an indication that you had his attention albeit reluctantly.

“Anything you say in this room is strictly confidential,” you gestured with your hand. “No file or notes will be passed to your unit chief or any personnels of the brass. I promise you.”

He scoffed, breaking his vow of silence. “That’s not a hundred percent true, Doctor. Lying to get your patient to talk can only get you so far.”

“I understand where you’re coming from but all I submit to the FBI is my conclusion if you’re fit to go back to work or not, patient-confidentiality still stands—” your delicate fingers feebly holding your pen. “Now, I sensed a little resentment. Is it coming from your self-loathing about having to choose a victim for Tobias Hankel or is it your displaced anger from separating with your team liaison, Agent Jareau?”

He glared at you. How dare you imply the seething anger from within him is directed at anyone but himself. “What? No, no, no. I’m not angry at anything or anyone! Maybe at you and this whole evaluation but never at JJ or—” he cut himself off.

“The suspect,” you continued on for him, jotting down notes on your black leather journal.

“The unsub. Unknown subject.” He corrected, second nature of him to do so. “We call them the unsub.”

You nodded, a lock of hair falling away from your bun. A distracting motion that momentarily rendered him speechless. “Alright. Are you angry at yourself and your decision to separate with Agent Jareau during the case?”

He scoffed but opted to stay silent. Spencer had already given too much of his emotion away by answering the earlier questions.

For any regular citizen, it may seem like the opposite but given the sound of you scribbling away on the pages of the notebook, you beg to differ.

You crossed your pant covered leg and stared into his eyes, a maneuver that could mean two things: 1) you were sizing him up, which was highly unlikely given the dynamics, regardless of his hostility or 2) you were trying to connect with him, a move backed by science that stated eye contact releases oxytocin—a bonding hormone.

A study he didn’t want to prove right at the moment.

“Do you perhaps feel remorse for the unsub?”

His left eye twitched. “Tobias Hankel.”

“Is there a reason behind why you’d prefer to call the unsub by name?” You further asked, having found a sore subject to poke and prod to elicit a reaction.

The answer was yes, of course. Tobias was just a victim as much as he, Spencer Reid, was—the unsub, in his eyes, was a victim of bad fate that resulted in fracturing his psyche but a shrink didn’t need to know that.

To be exact, the FBI didn’t need to know that he, an active and upstanding agent, felt remorse and guilt for not being able to save Tobias. Human emotion rarely had a place in bureaucracy and paperwork.

“How old are you?” Spencer nonchalantly inquired to throw you off his trail. “You look too young to be a Doctor contracted by the brass.”

You scribbled something again in your notebook before answering in a monotone voice as if your reply has been well rehearsed. “24, about to turn 25 and yes, I do look young. I graduated early due to my intelligence which I believe is the same case for you, Doctor—” you clasped your hands in front of you, leaning slightly forward. “—which brings us back to the topic, the anger inside of you, who is it directed to?”

His eyes shifted to the clock—5pm.

A small smile graced his face. The time was up.

“Well, I believe we’re done here, Doctor—” he proceeded to stand up, picking on an imaginary lint as he did so. “—I would say it’s been nice meeting you but that would be a lie you’d no doubt catch and analyze.”

Your lips pressed thinly together, imitating a smile but Spencer knew that move quite well—you were reining in any unsolicited and possibly inappropriate comment regarding his snappy behavior.

A small chuckle escaped his lips. If he, a profiler, considered you, a psychiatrist, his number one nemesis, there was no doubt you consider him the same.

As he was about to step out of the office, your slender fingers brandished a calling card.

“Here’s my number—” he gingerly took it as if it contained some unknown pathogen. “—and my door is always open when you’re ready to talk, Doctor Reid.”

He nodded once, a goodbye. “Doctor House.”

There was little doubt in Spencer’s mind that he’d never willingly stop by your office again but if he had been paying attention to your subtle patronizing words of farewell, he would have picked up that this encounter was far from over.

Especially when he found out on a busy Tuesday morning from Hotch that you had deemed him unfit to return back to the field—effectively barring him from the jet on its way to Idaho.

The second meeting

There was a series of rapid knocks on your office door.

As a psychiatrist with your own practice, it was highly unusual for clients to suddenly show up with no prior appointments or even a customary phone call.

It was a Tuesday morning and like clockwork, you’ve allotted the first half of the day in catching up with paperwork dealing with your office and evaluations for the FBI.

That gave you a pause, remembering a snipping agent who you deemed unfit for duty. Dr. Spencer Reid. The genius profiler who joined the ranks at the tender age of 22. A prodigy in his old field, just like you.

He was closed off, simmering with rage almost, and there was little doubt in your mind that he was the one behind the door, ceaselessly knocking. After all, when you sent in your evaluation directly to his unit chief, the stoic man’s face twitched with concern and maybe a little bit of annoyance in the paperwork it would entail.

“Come in,” you called out, hands clasping together on top of your desk. A perfect picture of professionalism.

The door swung open, revealing a tightly wounded Dr. Spencer Reid.

With a thick cardigan adorning on his body and a leather satchel draped over his shoulders to his front, he looked normal. But you knew better, his choice of outerwear represented a security blanket in the middle of September and his placement of satchel acted as a shield and its’ straps a stress ball. With just that one look you knew he wasn’t ready to back with his team.

“Dr. Reid, what can I do for you?” You asked, hand unclasping and indicating to the seat in front of you. “Please sit.”

Closing the door behind him, he shuffled closer to your desk but made no indication to sit down. “I’d rather stand, Dr. House, and I think you know why I’m here.”

A show of dominance. Right away, he wanted control the outcome of this conversation to his favor. It was textbook psychology, a taunt you wanted no part of.

A slight smile appeared on your face, one that could be translated as friendly for those open and condescending for those closed off. “I believe I don’t follow.”

“My evaluation, you made a mistake,” the left corner of his mouth lifting for a smirk. There was a vein visible on his temple, his anger and will to bottle it up manifesting physically.

You tilted your head to the side, unwavering in your gaze, hands clasped and index fingers tapping together. The pause and silence was a standard tactic to get a patient to break, similar to what law enforcement uses with suspects but results may vary especially when used on a seasoned profiler.

Right away, Spencer understood your tactic. “That won’t work. We use that in every case, I know the standard—” he looked around the room. “—should I lower the temperature too?”

You answered with silence. The agent in front of you now was no longer thinking clearly. His objective mind that would deem him fit to return for duty clouded with emotion, anger and something else.

His right hand touched above his left wrist. A subconscious move provoked by your unrelenting gaze. A move that gave away an important piece of information that his unit chief no doubt omitted in the reports.

Ah.

Tobias Hankel was a drug addict.

And in turn has subjected the agent in front of you to his vices.

You sighed. Suddenly the case no longer felt black and white, it was treading close to home as you remembered your father who’s abusing Vicodin in lieu of his leg pain. It was a sore spot for you—a clink in your armor.

“Sit, please,” you indicated to the chair in front of you again.

Spencer complied this time, having heard a change in your tone.

“Dr Reid,” you started. “I believe my evaluation of you is still correct—”

He opened his mouth to argue.

“—but, please let me finish, perhaps we can compromise. As a psychiatrist, it’s not in my practice to give in to my client’s demands but as you are not a regular client, I believe it would be beneficial for the both of us to reach an understanding.”

You walked towards the locked cabinet to your right. It was where you kept all medical equipments—including medicine for patients. Reaching back to the depths of the lower shelf, your hand brought out a non-descriptive black pouch from its hiding. You sat beside Spencer, effectively communicating that you are both on the same level.

“I will approve your return for duty as long as you come back for a couple of sessions, not FBI contracted, strictly confidential, and you—” handing him the zipped pouch before continuing on. “—get drug tested.”

Spencer narrowed his eyes. Perhaps he knew that his unit chief and mentor kept the delicate nature of his case out of the bureau and wondered how you pieced everything together. He underestimated you, you realized. A mistake on his end.

“I’m a psychiatrist, I know the signs Dr. Reid, and besides, I’m a genius just like you,” you adjusted your posture, slightly leaning back.

Check.

He smiled, one that you could say no longer contained malice. It was instead filled with resignation and relief. “You’re right. I underestimated you, Dr. House.”

Standing up, you dusted imaginary lint from your black pencil skirt before extending your hand out for a handshake.

He hesitated before reaching over shaking it once. His hands were rough and calloused from frequent holding of his gun but felt oddly warm and soothing. It represented who he was in your eyes—prickly and rough around the edges but soft and good on the inside.

As he exited your office with a soft thud of the door behind him, you admitted to yourself that you took a huge gamble. Rather than a checkmate, all you did was check his king. You didn’t ask if he had built his own stash of drugs after the case was finished. It was a risk you were willing to take just to take a step closer in getting the agent to trust you. Baby steps were better than nothing. You could work with that.

There was still the drug test you could rely on. A black and white piece of paper that would tell the truth if done at the right time. After all, the most important teaching your father, the older Dr. House, has imparted on you was—

Everybody lies.

The third meeting

The bar at the corner Main Street on a Friday night was a rare place for you to be. The echoes of its pulsing music could be heard a couple of shops away, luring bodies than the space could ever handle like it were Pied Piper and the people—by extension, you, were the unsuspecting kids. The lights were colored orange, giving the area a tint of good times and bad decisions. The aged brick walls discolored in a multitude of shades and the decorative posters were aimlessly nailed to the wall. There was a section far from the bar that was filled with moving bodies—people letting loose and exhibiting what you’d call a mating dance for anyone interested and beside the bar were two dart boards, popular with the crowd, but had seen better days.

This wasn’t your usual scene as you excused your way to the bar tucked at the center space. It wasn’t due to snobbery, like what your friend Kyle once joked, it was preference.

The sticky floor beneath your sensible nude heels had you wishing that your feet were tucked in a soft blanket with mind numbing television playing in the background instead of navigating the throng of people holding their drink of choice and inhaling the musky scent of liquor and sweat.

“Haven’t seen you around here,” a tenor voice flirted from beside you.

Your eyebrow raised as you took in the source—a burly African-American with a buzzcut. There was something distinct about him that set him apart from the rest. It wasn’t his built or the way his grey shirt stretched to fit around his biceps. It also wasn’t the twinkle in his eye as he tried to entice you to flirt back. One of his hands drifted down to his waist and with his wide leg stance, you knew.

A cop. An off duty law enforcement officer.

You laughed. “Does that line usually work on women, especially from—” you paused for suspense. ”—a cop?”

“Okay,” the stranger chuckled. “Close, want to try again?”

A smile stretched your glossed pink lips. You were never one to back away from a challenge—it was one of the traits you inherited from the other Dr House.

“Well, if we’re basing it on where the bar is located nearby and my fifty percent guess from a while ago, I’d say you were a cop—maybe for a couple of years, before joining the FBI. Maybe counter terrorism—” the memory of Dr. Reid talking about his team found its way to the forefront of your mind. “—or by any chance, the BAU?”

He could no longer hide the surprise from his face. “Right, that’s right. What gave it away? Was it my ruggedly handsome looks or are you just a mind reader?”

You thanked the bartender before trying to find your way out of the surge of people behind you, clamoring to place their order. The stranger stretched out his muscular arms, guiding you away from the bar towards his booth.

“Just a mind reader,” you simplified—an action that came as second nature to you. In the past, when you would disclose your job as a psychiatrist, people would react in two ways. One, they’d get subconscious that you’d read into every body language they’d have, causing them to shy away or two, they’d become over-zealous and ask you to diagnose them all in good fun like it was some sort of magician’s trick.

A mop of light brown curly hair parked beside a long blonde hair caught your periphery. He had his back turned but it was a presence you’ve slowly started getting familiar with. It was Dr. Spencer Reid, out in the natural setting, a first.

Your eyes slowly widened as you realized where he was guiding you and who he might be.

“Huh,” you uttered under your breath before flashing a smile to the stranger beside you. “Are you by any chance, Derek Morgan?”

“Okay, now you’re starting to freak me out. How’d you do that, Ms. Mind Reader?”

A different timber of voice answered. “It’s because I told her—” a pair of hazel eyes turned to you, filled with accusation. “—Dr. House. Are you keeping tabs on me?”

“Dr. Reid, I didn’t think I’d see you here.”

He scoffed. “In a bar? Near my office? The statistics on seeing me here is actually surprisingly high.”

He was hostile, understandably so as here you were, a stranger, who knows his deepest, darkest secret mixing in with the otherwise innocent parties of his personal life. It was no harm, caused no click in your armor—he’d been cooperative as of the late within the confines of your office but seeing you beyond the four corners of your taupe walls threw him off the loop.

“I’m so sorry, I don’t think I caught your name,” the blonde woman beside Spencer, flashed you a smile, hand stretching out for a handshake. “I’m Jennifer Jareau, but you can call me JJ.”

You shook her hand. “Ah, it’s great to meet you, Agent Jareau.”

“So, how do you know Spence?”

You smiled, unsure on how to disclose your psychiatrist-patient relationship with someone he works with. You didn’t know how much his team members knew about his scheduled Saturday meetings with you or if they even knew at all what Dr. Reid was going through.

From the past appointments, you’ve categorized the agent as an anxious avoidant type—something geniuses who grew up in a non-secure household tend to share. Yourself, included.

Your eyes glanced at Spencer before drifting towards the table behind him, subtly trying to figure out his choice of drink. You hoped it was non-alcoholic. He’d be suffering from withdrawals and if he clung to a substitute vice, you’d have to find a roundabout way to tackle the issue without pushing him to close off again. You didn’t need that, he was just starting to open up after all, plus if he stopped cooperating, you’d have no choice but to bring it up to his supervisors, jeopardizing his career.

A clear glass came into view as he shuffled his weight from one foot to the other.

Water. It was water.

You breathed a sigh of relief before slowly panning up, locking eyes with Dr. Reid. His gaze narrowed, having understood what you were checking on.

Checkmate.

“She’s FBI’s contracted psychiatrist,” he explained, jaw tight from anger.

You flashed him a little smile before averting your eyes in chagrin.

“I hope you don’t mind me saying this, but you look a little to young to be a licensed doctor,” Agent Jareau observed.

“I graduated early.”

Morgan’s left hand pats your back while the other pats Dr. Reid’s. “Another genius, then. You’d get along great with our pretty boy over here. He’s always going on and on about facts and statistics—“

“No offense Morgan, but I don’t think we’d get along at all,” Spencer sneered. “I’d rather not get to know someone who has an ulterior motive.”

Your hand tightened around your glass. “It’s great to meet you, Agent Jareau and Agent Morgan but I think my friends would be looking for me,” you flashed the young agent a dejected smile. “Dr. Reid, hope to see you again soon.”

“I don’t,” he sardonically replied.

You nodded once before turning back to where you friends would be, settled in the four seater booth, unaware that you may have just burned the rocky bridge you’ve built with a patient in need.

The fourth meeting

A warbled hum roused you from slumber.

With one eye straining to stay open, the digital clock on your dresser displayed 12:21. Midnight—the time for humans to all be in stupor but based on the humming, subdued underneath your pillow, there was one exception.

You sat up, blindly reaching for the phone. There was no programmed name for the number and right away, an eerie feeling started swirling in your gut. This was no social call. A call this hour could only be one thing, an emergency.

“Hello. Who is this?” Your voice still rough from sleep.

No answer.

You pressed the phone closer to your ear, hard enough to possibly leave a mark. There were light rustles on the other end that indicated a presence, a person that wouldn’t or couldn’t answer your inquiry.

“Hello,” you tried again, voice raising at the end from tension. “Is anyone there?”

There was silence. The dread in your stomach further worsening as if group of bats decided to wreak havoc in its dark crevices. There was no indication that this was a prank call and there was also no indication that it wasn’t.

You bit your lip, torn between hanging up and waiting for an existence to make itself known. It could be nothing or it could be—your train of thought suddenly taking a sharp left turn to the corner that a certain FBI agent unknowingly occupies. You had given him your number, having scrawled it at the back of your calling card during the very first meeting, purely out of the goodness of trying to put back the broken genius that graced and intrigued your doors.

“Dr. Spencer Reid?” You hesitantly asked, hoping that your intuition was wrong. That this wasn’t the agent calling for help.

A deep groan answered.

“Oh gods,” you breathed out. “Okay, okay. Just—shit, just stay on the line. I’m coming, I swear. Just—fuck.” Your feet scrambled out of the apartment, never mind the lights or the chill that the midnight had cloaked the air with.

It was your worst nightmare. You knew what this call was, you knew his state on the other side of the phone by experience.

Hands trembling as you started the ignition of your car and speedily backing up the parking lot and out the streets in little time.

“Spencer,” formality be damned at this point as you turned a sharp right, your GPS indicating 8 minutes away from destination. “Spencer, are you still there?”

A light rustle replied.

“I’m almost there, hang on for me, okay,” your hand letting go of the steering wheel to push the tousled hair away from your face.

Each second felt like an eternity, each time passed threatened to push your mind into the fog of panic and memory of your very own father taking a whole bottle of Oxycodone and leaving a message for you and your grandmother. The panic, the fear, and the dread of that very moment had come back in two folds.

Your clammy fingers leaving pinch marks on the back of your palm. “Not now, not now,” you whispered to yourself. “I can’t have an attack now, keep it together.”

“Dr. House,” Spencer gravely slurred.

You haphazardly parked the car at the nearest available sidewalk space, uncaring if by some miracle you get ticketed. “I’m here, Spencer. I’m here.”

There was a groan as you hurriedly ran up the apartment stairs, grateful that the security below was surprisingly lax.

Third floor, get to the third floor. I need to get to the third floor—you repeated under your breath. You could have called an ambulance or better yet his team member, SSA Derek Morgan, but you felt the urge to make sure he was alright. To make him see that someone else besides from his mother and team care about him. To make him see that life was worth living, no matter the good or the bad.

“Spencer, I’m outside your door,” you tried to catch your breath. “Do you think you could let me in?”

And for a few seconds, there was only the tense silence before a series of gasps and groans crescendo’ed louder and louder from the phone speaker and on the other side of the door.

Shit. You knew what those grunts of pain and pleas meant, he was seizing.

Slamming down on the ground, uncaring if your exposed knees get bruised, you sent a silent thank you to your past self for leaving a hair pin inside the pockets of your sleep shorts. Breaking and entering was yet another skill set you learned from the other Dr House and his team of skilled doctors, you just never imagined you’d be applying that knowledge in breaking and entering a federal agent’s home.

The door unlocked and you barreled your way to the living space where a frightful sight greeted you—Spencer on the floor, laying still as if he was peacefully sleeping.

“No, no, no,” you slid beside him, mind cataloguing every detail for the right action. An empty needle near his exposed right arm and an empty glass bottle of Dilaudid.

No rise and fall of the chest.

And no pulse. Medical training kicking in, you tilted his head up, clearing the pathway, and started chest compressions.

One. Two. Three—

“C’mon, Spencer, breathe,” you grunted in between pumps.

One. Two. Three. Four—

You leaned down to his chapped lips, blowing air to his mouth. “I need you to breathe for me, okay. Breathe, Spencer.”

One. Two. Three. Four. Five—

“Breathe, c’mon Spencer,” you knew there was a high probability for the agent to have his own stash of narcotics and in by agreeing to keep his secret, lest he loses his badge, to get him to open up was a gamble. A risk you were now regrettably paying for.

One. Two. Three. Four. Five. Six—

“Dammit Spencer, I could lose my license for this. Breathe, I need you to breathe.”

A sputtering of coughs escaped his lips.

“Oh thank you, thank you,” you breathed out, arms sagging from the pressure of performing CPR and the weight of fear that you might have been too late.

Spencer groaned. “Dr. House?”

You nodded, the salty tears blurring your vision. The image of him lying still was burned into your memory, the same way the mirage of your own father lying in a pool of his own vomit. He’s alive—they’re both alive.

Your hands angrily erased the rivulets the tears left behind on your cheeks. Now wasn’t the time to give in to relief and emotion. Although Spencer was out of the woods, there was still a huge uphill battle to tackle.

“I’ll carry you to bed, lean your weight on me,” you huffed as you helped him up the floor, making sure to take in most of his weight that you could.

The form of you, tears still streaming down your face and steps away from a breakdown, and his hunched form, weak and pliant, was a sight to behold. It was a sight after battle—after the white flag had been waved and the injured tying their best to find their way back to life.

It was sad. It was hopeful.

It was a brush on humanity’s eternal friend, death. Death that still loomed in the corners of the apartment, biding his time to take what was promised.

You laid him gently on the bed before running back to the spied kitchen, grabbing a glass of water. The smell of books permeated the air as if to try and bring your panicked mind back to the present. If it were any other day, you would have found yourself perusing his shelves of eclectic classic literature but this wasn’t the right time and place.

Your bare feet sliding across the floor to make its way back to the groaning figure on the bed, threatening to sit up.

“No,” you tapped his shoulder to get him back down. “I need you to rest.”

“But—”

“No buts Spencer. Rest, I’ll stay here.”

His drooping eyes reading yours, trying to find any type of lie that would break his being further than it already was. Spencer was a broken man and this was the first time you could see written in his eyes his plea for help and company. “You promise?”

“I’m not going anywhere. I promise.”

His hands blindly groping across the bed spread before it found the treasure it was searching for, your hand. He enveloped his with yours, calloused fingers intertwining with smooth. A contrast that brought him comfort—you were here. You were real. You felt safe. You saved him.

He was alive.

And with that, his eyes closed to fall into a peaceful slumber, one that he hadn’t had in months.

Comments and reblogs are highly appreciated!

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riizegasm · 2 months ago

Text

Impure Intentions || L. CY (Anton)

❀ pairing: chaebol heir!anton x rival!reader, implied fem!reader

❀ genre: enemies to lovers (but not really), fluff, suggestive

❀ word count: ~6.7k

❀ warnings: explicit language, mentions of dysfunctional families, one heated kiss scene

❀ summary: From the day you were born, all you ever heard was, “don’t fall in love with Anton Lee.” A better heir to a multimillion dollar conglomerate would follow their family’s advice. But you…not so much.

❀ a/n: sheesh, talk about writer’s block. This work has taken me so long and so much effort, but i'm very proud of how it turned out! It may have even helped me out of my slump. Also, please don’t judge me too hard. I know nothing about business and corporate families!!! As always, likes, reblogs, and replies are strongly encouraged. Happy reading!

Your head aches. The lights in the banquet hall are too bright and the clink of gilded silverware is too loud. Polite chatter buzzes around you like a pesky fly evading a swatter. The air is suffocating, overly stuffy with high end perfumes and colognes clouding the space. This is torture; the Lee family banquets always are.

It would be better if you could enjoy the food or engage with the various guests like everyone else does, but this is enemy territory. Your family had made it abundantly clear that this was not an event for fun, but rather for scoping out the competition. Lectures about a corporate acquisition going south and details about poor contracting simply entered in one ear and left via the other. You didn’t care why you had to be there. The knowledge of your forced attendance did enough to damper your mood, especially once you were hit with all of the rules around your presence.

Sit still, look pretty, smile politely, eavesdrop on any corporate plans, and don’t talk to Anton Lee.

You never understood your family’s obsession with keeping you away from him, the prized son and heir of the Lee empire. Everyone made sure to fill your mind with negative opinions and baseless rumors about the young man, as if to deter you from even giving him a chance. It wasn’t like you had much of a choice, however. You’ve never even seen the man, let alone had a conversation with him. Anton Lee was much more of a mythical being than he was a person, in your eyes. He was always whispered about, but never seen.

From what you gathered, he was around your age, tall, broad, and supposedly extremely handsome. He was known for his overly harsh demeanor, rumored to command a room with a simple word. His presence apparently spoke volumes, enough to speak to his blunt nature and bad intentions. It made sense, your parents would always say. After all, he is a Lee.

“Fix your face, honey,” your mother snaps with a forced smile. “You’ll give yourself wrinkles before you turn thirty if you keep scowling like that.”

It takes everything in you to fight an eye roll, biting back the string of expletives waiting on the tip of your tongue. “Sorry. I’m going to run to the powder room.”

You don’t bother to wait for her response before excusing yourself from the cocktail table, getting lost in the crowds of people as you head towards the bathroom. Away from your family, the air feels somewhat lighter, although it still reeks of entitlement. The throb in your head is insistent now, forcing you to escape to find relief.

You find yourself heading towards a set of grandiose double doors, hoping they will lead you anywhere but here. Luckily, your prayers are answered as you step through them onto a stone balcony. The crisp nighttime air does wonders to cool your heated skin, a slight breeze ruffling the loose fabric of your dress.

This is exactly what you needed, space and solace.

“Rough night?”

A soft voice makes you jump out of your skin, whipping your head around to find the source. Its owner leans up against the exterior wall, somewhat bathed in shadow. All you can make out is a glimmer of white teeth, reflecting the moonlight.

“Sorry, I didn’t mean to scare you,” the figure apologizes, taking a small step forward into the light.

You feel your breath stutter in your chest as you take in the man. The first thing you notice is his sheer beauty, lips enticingly full and nose broad. His beauty is complemented by his tall stature, the height difference between you two becoming increasingly apparent as he approaches. Like this, bathed in the moonlight, it’s impossible not to notice the broadness of his shoulders and how they taper into a small waist. He fills out his all black suit beautifully, the garments clearly tailored to his every curve.

“Are you alright?” The man asks, stopping only a few feet away.

The concern in his tone is just enough to snap you out of your reverie.

“Yeah, I’m fine. I just, um, needed some air.”

The man nods in understanding, leaning over to place his forearms against the balcony’s railing. You struggle not to eye the way his suit jacket stretches across an impossibly wide back. Instead, you mirror his stance, looking out at the beautiful gardens below, bathed in silvery moonlight. Just beyond the seemingly endless maze of hedges, you can make out what looks like a small lake, it’s surface rippling under the nighttime breeze.

“It can be stuffy in there,” the man says softly.

You find yourself hanging onto his every word, shocked that such a mild tone could come from such an intimidating man. “Yeah, it really can be.”

The man lets out a small chuckle, no doubt amused by your clear annoyance. “So I take it you’re not in the business.”

“No, I’m–,” you pause for a moment, not sure how much of your identity you should reveal to the stranger. “I’m related.”

He chuckles again, this time turning to look at you. “Hm, I guess I could say the same for me, then.”

A round of applause sounds from somewhere inside, and you curse under your breath, knowing your family will kill you for your absence. The man next to you seems unphased, as if he’s used to the party going on without him.

“I think I should get back.”

The man flashes you a smile, its brightness almost blinding in the dark. “That’s okay. It was nice chatting with you…”

“Y/N. And you are?”

“Anton,” he whispers. “I hope I can see you again, Y/N.”

An icy chill travels up your spine, momentarily freezing you in place. But you force yourself to remain composed, plastering a smile on your face. You silently thank your years of etiquette training and the countless social events you have had to smile for. With a slight nod of your head, you disappear back through the double doors, instantly choking on the scent of Chanel No. 5.

. . .

It’s easy to believe that your first encounter with Anton Lee would be your last, especially as the weeks pass without a single sign of him. It makes sense that he wouldn’t start making regular appearances at events after attending just once. He has managed to spend twenty years staying out of the spotlight, and you can’t imagine that changing now.

But, for some reason, you can’t help but search for him in the crowd of every gala or at the tables of any grandiose banquet.

He would be easy to spot, with his overwhelming height and dazzling smile. Maybe his honey brown hair would be slicked back off his forehead this time, or maybe it would hang in front of his eyes to conceal his bright gaze. You’re sure that he would still talk in that overly soft tone of his, somehow managing to command a room without a change in volume.

Even his absence begins to feel like a presence in and of itself, drawing you in like a moth to a flame. You tell yourself that it’s simple intrigue and nothing more. The first time you had ever laid eyes on your supposed family nemesis had been on a balcony bathed in the moonlight. Where had he been all these years?

More importantly, why had he disappeared again?

The question runs through your mind as you accept a flute of champagne from a waiter, eyes flitting around the charity dinner in hopes of spotting a specific someone. Somewhere near the front of the banquet hall, the Lee family is seated at a table with a few other wealthy families, but their oldest son is nowhere to be found.

You crane your neck to get a better look. Just to be sure, you tell yourself. But the contorting you force yourself to do has you leaning right back into a waiter, your elbow knocking into his empty tray. The sudden movement has your champagne flute slipping out of your grasp, icy bubbles splattering across your chest and down the front of your dress. You can practically feel the daggers that your mother is shooting you from across the table, always having scolded you about the embarrassment that comes along with being a klutz. Before she can part her lips to tell you off, you excuse yourself politely, dashing out to find a restroom to freshen up.

You let your heeled feet carry you through a maze of hallways, side stepping waiters and party guests as you move further and further away from the event space. It’s only when you travel down a flight of stairs that you find yourself a seemingly private restroom, briefly stepping inside to clean yourself up. No matter how much you dab at the stain in the center of your bust, the wine doesn’t seem to budge. You thank the heavens that it was champagne instead of a red, saving you some degree of embarrassment.

After a few minutes in the restroom, you find yourself wandering around, ending up in a much more secluded lounge space, equipped with a couple of couches surrounding a coffee table. You immediately collapse onto one, sighing as the ache in your feet finally lifts.

It’s only then that you feel your eyes begin to sting, a familiar rush of heat striking your face as a lump begins to form in your throat. The sticky sweet smell of champagne still clings to your body, your dress uncomfortable where the alcohol seeped into it. You’re sure that you look a mess, knowing that tear smudged makeup would be the last thing to complete your disheveled look.

“Another rough night?”

The soft rasp of a voice instantly has you perking up, breath caught in your throat as you take in the tall figure approaching you. His crisply pressed suit hugs his broad shoulders and cinches at an impossibly small waist. His lips are quirked upwards into a small smirk, clearly teasing. Something about it is enticing, setting off a stampede in your stomach.

“How could you tell?” You mumble, trying not to stare as Anton settles into a lounge chair across from you.

The man’s smirk just deepens. “Wild guess. What happened?”

“I spilled champagne on myself and now I look a mess.”

“You don’t,” Anton states, smirk dropping from his face. “You could never look bad.”

You fight the urge to roll your eyes. “How would you even know that? You’ve only seen me twice.”

Anton chuckles, finally relaxing into the plush of his chair. His legs separate ever so slightly at the action, allowing you to admire his mile-long legs. It’s almost frustrating, how perfect he looks. You imagine that if anyone never looks bad, it’s him.

“I’ve seen you way more than twice, Y/N.”

The simple statement has you turning your eyes away from his figure, meeting his open gaze. He seems so casual, so unbothered, as if that one sentence hasn’t turned your world upside down.

“Wait, what?” You find yourself tripping over your words in the rush to get them out. “Wh-what do you mean you’ve seen me more than twice? I only met you the first time at that contracting dinner a few weeks ago.”

Anton chuckles again, cocking his head in a puppy-like manner. “Yeah, that was the first time we’ve met, but I’ve seen you so many times. You and your family have been at every major event since we were kids. How could I not see you?”

“But, I’ve never–,”

“I know,” Anton interrupts. “I like to stay outside or in whatever lounge areas I can find. These things always make me really anxious.”

Wow, you didn’t expect such an honest admission from a man of Anton’s status. If anything, his candor makes him much more attractive, as if he could get even more perfect.

“You know we’re supposed to hate each other?” He asks, a small smile making his eyes crinkle at the corners. “Apparently you’re my rival in the field, and I’m supposed to hate everything you say and do.”

Unfortunately, you know the feeling, causing you to let out a small giggle. “Oh trust me, I know. Do you, though?”

“Hate you?”

You nod, fighting a smile as Anton pretends to think.

“Nah,” he eventually answers. “My grandfather taught me from a very young age that I should never harbor negative feelings for beautiful women.”

The implication has heat rushing to your face, forcing you to struggle to keep your composure. “Well, my family has always told me that attractive men always have impure intentions.”

Anton chuckles, shaking his head slightly. He takes a beat before standing, letting his eyes rake over your still seated figure as he begins to retreat down the hallway. It’s impossible to decipher where the intensity of his gaze stems from. He eyes you as if he were hungry, trapping you against the couch with his stare alone.

“Then let me show you just how impure my intentions are.”

The man is gone with little more than a wink and a smile, leaving you with warm cheeks and the scent of champagne clouding your nose.

. . .

You’re surprised to see Anton as soon as the next event, only three weeks later. It’s a simple charity ball for some rare disease research, but for some reason, Anton has decided not to hide in the shadows for this event. It’s interesting to watch how despite his supposed anxiety, he is clearly in his element. He greets everyone kindly, shooting various guests a charming smile as he is introduced to them. His father looks proud of him, a hand kept clapped over his shoulder the entire time.

You wonder if he’s comfortable like this, with a blur of people and faces constantly passing by him. However, you are instantly snapped out of your wondering when a manicured hand grips your shoulder. The feeling of your mothers lips close to your ear sends a shiver down your spine, a perpetually bad omen.

“Straighten up,” she scolds. “We’re going over to talk to the Lees. Their son is making a public appearance at an event like this for the first time. No funny business.”

You would laugh if not for the uncomfortable way her nails dig into your shoulder. It forces you to instantly fall in line behind your father, taking a deep breath as you get closer to the Lees. What is only a few seconds feels like hours until you finally stand face to face with your supposed rival.

“Yoon Sang, it’s a pleasure to see you again,” your father greets, shaking the hands of the head of the Lee family.

He even leans in to place a friendly kiss on Mrs. Lee’s cheek. You find yourself standing frozen in place as the parents exchange greetings, unable to do anything but stare at the man before you. He sports his signature charming smile, mouth full of perfectly white teeth on display. Not for the first time, you feel your face grow warm.

“We thought it was about time for our Y/N to meet Anton. After all, they will be competitors when they take over the respective businesses, right?”

Your father’s comment snaps you back to attention. However, you are immediately distracted by the feeling of Anton’s large hand engulfing yours, his palm both warm and surprisingly soft to the touch. You have to glance upwards to meet his eyes, but it’s impossible to miss the amused glint in his stare.

“It’s a pleasure to meet you, Y/N. I have heard so much about you.”

You force a smile on your face. “The pleasure is all mine.”

It’s easy to tune out the conversation after that, letting the adults blabber on while you reminisce about the feeling of Anton’s hand in yours. The man seems to be similarly distracted, clearly eyeing your figure. The silence between you speaks volumes, and you hope your parents are too deaf to hear it.

“We would love to have Anton over at our headquarters sometime,” your mother suggests, her piercing voice rising above the noise of the ball. “I’m sure Y/N would be happy to show him around!”

You don’t even have time to process the full body panic that begins to overcome you before Anton’s family is readily agreeing.

“I agree that it would be great for them to know the ins and outs of the business,” Mr. Lee replies with an overly saccharine smile. “We would love to have Y/N over for lunch at the estate as well. Who knows? Maybe they’ll find themselves to be friends.”

Your dad chuckles, obviously disgusted by the thought. “You’re so right. The two might even do a merger some day!”

As the group erupts into phony laughter, you feel the beginnings of a migraine tingling behind your left eye. Something about the cacophony of laughs and the dull classical music is making you ache, your stomach starting to swim with nausea. You dare a glance upward, fighting the pain that blooms in your head with the motion.

Anton’s gaze is bright where it meets yours, a soft smile poised on his full lips. His cheeks are dusted with a slight blush, clearly flustered by the implications. There’s a slight fidget in his fingers, twirling expensive rings as a means of soothing himself.

He’s cute, you realize, not for the first time.

It’s only after a few more moments that the families say goodbye, the Lees promising to send a lunch invitation soon. Anton shoots you another smile before he follows behind his family, suddenly looking small despite his large stature. You can’t help but smile as you watch his departure, suddenly realizing that your migraine has disappeared.

. . .

The Lee estate is just as gorgeous as you expected it to be, with tall stone gates and artfully placed landscaping. It looks impossibly large from where you’re seated in the car, causing nerves to begin to creep up your spine. You pass off the butterflies that begin to flutter in your core as obvious intimidation that comes with being on the property of your family’s biggest rivals. It surely has nothing to do with an overly soft voice, broad shoulders, and kind eyes.

“Remember,” your mother had told you before sending you off. “This is business. Reveal nothing and absorb everything. And most importantly, remember that Anton Lee is not your friend.”

You take a step out onto the perfectly paved driveway, surprised to already see someone standing by the door. Anton seems to perk up when you lock eyes, shooting you a polite smile. His wave betrays his excitement, though. You imagine that if he were a puppy, his tail would be wagging.

“Y/N, hey! I’m glad you actually came.”

“Please,” you shoot him a cheeky smile. “As if I could ever turn down an invitation from the Lee family.”

Anton lets out a slight groan. “Don’t remind me that this is ‘business.’”

“Well then what would you like for me to call it?”

Anton shrugs, turning to hold the front door open for you. It’s only when you pass through the threshold, Anton still standing behind you that he responds.

“A lunch date.” Before you have the chance to respond, Anton is shutting the door behind you both. “Come this way. Food’s on the patio.”

It takes a few turns down intricate hallways to get to a set of double doors that lead to the patio. As promised, there’s an assortment of sandwiches and salad laid out on a round table, two seats set across from each other. You would be impressed, if not for the even more stunning view that lay before you.

The patio looks out on sprawling gardens, tall bushes and blooming flowers swaying softly in the breeze. A little beyond the landscaping, a wooden dock leads out to a large pond, its greenish-blue water seemingly sparkling under the midday sun.

“Wow, this is beautiful,” you breathe out, unable to take your eyes off the sight before you.

“Yeah, it is, isn’t it? My parents have always had an affinity for water.”

You imagine that all of their properties have pools or lakes, much like this one. Meanwhile, your own family prefers the hustle and bustle of the concrete jungle, never expanding beyond brutalist modern penthouses in the tallest apartment buildings in the city. It must be nice, you imagine, to have a space that feels like a home and not just another office.

Eventually, the two of you sit, settling into a comfortable silence as you distribute food amongst yourselves. It’s quite amusing to watch Anton as he eats, clearly possessing the hunger of a growing young man while forcing himself to take small bites and practice the etiquette of an heir. You wonder if you look the same, so obviously restrained while you want to let loose, if only for a bit.

Despite the fact that you haven’t seen another person since you set foot in the Lee estate, you know that people must be somewhere. There are always eyes on you.

“I’m surprised that your family was so adamant about having me over,” you begin, settling back in your chair. “I thought I was the enemy.”

Anton smiles, eyes crinkling at the corners. “Well you know what they say. Keep the enemy close and all that.”

“Is that what you want to do? Keep me close?”

You know you’re treading in dangerous waters. All it would take is one word about the obvious flirting to Anton’s parents for you to become your family’s disgrace. You can practically see the headline now: Conglomerate Heiress Gets Rejected By Rivals’ Son. Your family would disown you. And yet, as color begins to flood Anton’s cheeks, you can’t find it within yourself to care.

“Yeah,” he says, voice coming out even softer than usual. “I think that is what I want to do.”

You duck your head, clearing your throat in an attempt to settle the flutter in your stomach. “I’d like that.”

A sudden interest in lunch leaves both of you munching away in silence. It’s peaceful, despite blushing cheeks and racing heartbeats. It allows you to realize that being around Anton is unlike being around anyone else in your family’s circle. Here, there’s no pressure to be prim and proper, no pressure to listen out for secret ins and outs of business.

It’s odd to find comfort in the one person who is supposed to bring you anything but. And yet, with the warmth of the sun on your face and the pleasant fullness in your belly, you’ve never felt more at home.

“You know,” Anton starts once you have both cleared your plates. “I think we’re supposed to be talking about business.”

You fight the urge to roll your eyes. “Can I be honest?”

Anton nods slightly, honey brown hair shifting across his forehead.

“The business is the last thing I want to talk about.”

Anton smiles. “Trust me, I feel the same way.”

There’s a beat of silence, the two of you content to simply sit as the breeze ruffles the flowers that dot the landscape. When Anton speaks again, you watch his mouth, noting the way that his lips hold the same hue of the red tulips in the nearby flower bed.

“Can I show you something?”

The simple question has your gaze flickering back upwards, trying to ignore the way your heart races when his eyes meet yours.

“Sure,” you whisper, words instantly carried away by the wind.

Following behind Anton through the grass proves to be harder than you imagined, his long legs allowing him to move with a grace and speed that is difficult to match. He leads you in between a maze of flower beds, bringing you deeper into the garden until you’re surrounded by tall hedges on either side. From here, it’s impossible to see the house, so you just continue to follow behind Anton. You find yourself eyeing the broadness of his shoulders and the way his shirt shifts across the muscles of his back as he walks. It’s hypnotizing, so much so that you don’t realize that you have arrived at your destination.

“This is my thinking spot,” Anton says with a little flutter of his arms, clearly trying to present the space to you.

The hedge maze has opened up to a small central pocket, not housing much except for a small fountain and a stone bench. Anton is quick to take a seat, motioning for you to occupy the space next to him. It’s a bit of a squeeze, putting you and Anton close enough that you can feel the heat of his skin on your own. You dig your nails into the stone of the bench, hoping that it will steel your nerves.

“I like to come out here when my parents get in my head about the business. It’s pretty peaceful.”

“Yeah,” you say softly, despite knowing that no one is within earshot. “It’s beautiful.”

“Yeah, it really is.”

There’s an airiness to Anton’s voice that has you turning to face him. You take in a sharp inhale when you notice that his eyes are already on you, the close proximity leaving your faces mere inches away from each other. The overwhelming rush of blood in your ears forces you to turn away, taking a deep breath to calm your thundering heartbeat.

“You take all the girls here?” You aim for teasing, but the slight break in your voice makes it err more on the side of desperation.

Anton shakes his head earnestly. “You’re the first person I’ve brought here who isn’t my family.”

The admission feels like a sucker punch to the gut. Except there’s no pain, just a rush of warmth that climbs up your throat like ivy. Anton is clearly surprised as well, his own words deepening the pretty flush that has taken hold on his cheeks. His bottom lip is trapped by his teeth, its plushness oh so enticing in the afternoon sun.

“Y-you know,” you stutter out, swallowing thickly before continuing. “When you said you had impure intentions, I thought you were joking.”

“I don’t think I could joke about how bad I want you.”

It should feel like a corny line. It should feel like something he says to all the girls. After all, he’s Anton Lee. He could get anyone he wanted at the drop of a hat. So why does it feel so real when he says it to you? Why does it feel like those words are meant for you, and only you?

Anton’s gravity is pulling you closer, allowing you to lean further into his space. You’re close enough that you can feel his warm breath fanning your face, coming out in gentle puffs that reveal just how fast his heart is racing. He has released his bottom lip by now, leaving it glossy with saliva. It’s impossible not to anticipate the smooth glide of it against your own.

A sudden vibration snaps you both out of your bubble, the two of you popping apart as if you were repelling magnets. It takes a few seconds for you to realize that the vibration is coming from your own phone, buzzing incessantly. You shoot Anton an apologetic look before stepping away to take the call.

“We need you back home,” your mother rushes from the other side of the line, not bothering to waste time greeting you. “Your father wants to hear about your business with the Lees before he heads to his strategy meeting in an hour.”

“But the Lee house is thirty minutes away!”

You can practically hear your mother’s eye roll over the phone. “Then you better get going.”

. . .

Business meeting, my house at 4pm?

The text comes as both a surprise and the most expected invitation in the world. In your flurry to leave his house the week before, you had made sure to leave the man with your number. In turn, he smiled wide, promising to invite you over for another “business meeting” soon.

Before you can inquire about how much business will actually be necessary to discuss, your phone buzzed again.

My parents just left for a business trip to Milan.

A flutter rushes through your stomach at the implications. It’s clear what that means, that the two of you will finally have a chance to act on your chemistry without the watchful eyes of competitive families. The two of you will finally get to exist as your own people, and not as rivals and heirs of major global conglomerates.

The thought alone has you spending extra time on your appearance as you get ready. You make sure your hair sits just right and that your lips are perfectly glossy before pulling on a swimsuit and heading over. You try your best to remain as still as possible during the entire ride there, knowing that nerves in combination with the late summer heat will be enough to set you aflame.

Your heart is slamming in your chest by the time you finally pull into Anton’s driveway. It’s accompanied by a soft flutter of affection when you spot Anton’s figure, waving at you from the doorway. The wide smile on his face alone is enough to melt you. But the relaxed fit of his muscle tee and the way his swim shorts sit low on his hips has your face flooding with heat.

He greets you with a tight hug when you cross the threshold into the house. You try not to swoon at the firm pressure of his arms around your torso, ignoring the heat of his bare skin on your own. Anton had never touched you before, not beyond a simple handshake exchanged in front of parents, always respectful to a fault. For the first time, you find yourself grateful for that fact, knowing that now that you’ve had a taste of his touch, you will forever be addicted.

“I’m so happy to see you,” Anton gushes. “My parents have been really getting on my nerves about business and competition lately.”

“So you decided to invite the competition over to chill?”

Anton smiles, cocking his head in a puppy-like manner. “No, I invited the competition over to swim!”

So that’s why he reminded you to wear a bathing suit mere minutes before you left for his house. It makes sense, from the minimal texts that the two of you exchanged. Anton was always excited about the balanced heat of late summer, citing it as the perfect time for a lakeside swim. You wouldn’t know, of course, never having the luxury of having a lake in your backyard.

“What about your staff?”

“I let everyone have the afternoon off,” Anton responds proudly before letting his smile sink into something softer, more private. “I just wanted us to have some time alone.”

The simple admission rings out loudly in the otherwise quiet house. It’s clear how badly Anton wants this, how bad he wants your company despite the taboo that comes with it. Unsurprisingly, you find yourself wanting it just as bad, if not more. You’ve never craved anyone’s presence the way you have craved Anton’s, despite him being the one person in the world that you supposedly need to keep your distance from.

A small nod on your end is enough for Anton’s smile to grow once again, pearly whites on full display as his eyes wrinkle at the corners. The sight alone has your heart beating a little harder in your chest, the minor flutter in your abdomen growing into a full stampede of emotions. The feeling only intensifies as Anton engulfs your hand in his, lacing your fingers together as he leads you out into the backyard.

The late afternoon sun sparkles against the water, illuminating everything in a blue-yellow glow. It’s the most captivating sight for miles, you’re sure, until Anton begins to take his shirt off. The way his muscles shift under his unblemished skin rivals the beautiful surface of the lake, sparkling in its own way. His shoulder blades dance across his back enticingly as he leans down to remove his socks and shoes.

He shoots you a smile over his shoulder before cannonballing right into the water.

It takes only a few seconds for the man to reemerge, slicking his honey brown hair off of his forehead. His biceps bulge with the movement before waving you into the water. It’s as clear of a signal as any, but you can’t help but hesitate, suddenly shy at the thought of stripping down to your bikini in the presence of such a man. But the delicate reflection of sunlight in his eyes and the easy smile on his face is enough to draw you in.

Before you know it, you’re discarding your clothes, taking a running head start to join Anton in the water.

Your skin is submerged in an icy chill, the water surprisingly cool for so late in the day. But soon the warmth of another body is nearing, making the cold that much more bearable. You resurface with a giggle, giddy from the feeling of swimming so long. Instantly, Anton is joining in, clearly happy seeing you filled with such glee.

“Fuck, it’s cold!” You exclaim, shrieking when Anton splashes a bit of water your way.

“It’ll get better,” Anton grins. “You just gotta keep swimming.”

It’s easy to do as told, letting your body relax as you continue to wade in the cool water. Eventually you let yourself fall into your back, feeling the contrast between the warm sun on your face and the cool water surrounding your body. It’s serene, allowing you to let your worries quite literally float away. However, the feeling of a chilled hand grazing your hip is enough to snap you out of your relaxation, scrambling to right yourself in panic.

“Sorry!” Anton chuckles. “I didn’t mean to scare you. I was just getting bored without you.”

“It’s okay,” you soothe, finding that the pace of your heart is beginning to quicken for an entirely different reason.

Anton looks especially beautiful like this, with his damp hair splayed messily across his head and drops of water dripping down his face. The sun has just begun to set, painting Anton’s skin with a beautiful golden hue. His eyes glisten just like the water, sunlight sparkling as it dances across the reflective surfaces. Like this, Anton seems so bright, so luminous, that hating him seems impossible.

“I’m really glad you came today,” Anton says, his voice dropping to that soft shy tone he always uses in the presence of others. “I’m glad to have someone who gets what it's like.”

You can’t resist the smile that begins to tug on the corners of your mouth. “You’re not just saying this to get my family’s business secrets?”

Anton huffs out a laugh. “No. I’m saying this because I really like you. I like spending time with you, even though I’m supposed to hate it.”

With every word, you find yourself drifting closer to the man, his hand remaining steady on your hip as you tread lightly. Despite the obvious effort to keep your head above water, you feel like you’re drowning. But the slick feeling of Anton’s skin against yours reminds you that you won’t drown. Anton won’t let you.

“I like you, too.”

The simple admission has Anton’s face flushing, the pretty rose color glistening orange in the light. It’s beautiful. He’s beautiful. You hate to dull his beauty in this moment, but you have to.

“But what about our families? It’s not like the two of us can ever be anything.”

Anton sighs, his face dropping with realization. “I know, but…is it crazy to say that I don’t care?”

The hand on your hip tightens, pulling you even closer into Anton’s space. It’s close enough that the two of you end up bumping knees every so often, constantly moving to keep yourselves afloat. Here, in his space, you can see the way that his lashes cast subtle shadows on his cheeks. It’s easy to count the few moles that pepper his face and neck, sitting stark upon unblemished skin.

When his eyes meet yours, it becomes clear what you wish to do. No, what you need to do.

“Anton,” you whisper. “What did you mean when you said you had impure intentions?”

The man moves to open his mouth, but before he can get the first syllable out, you cut him off.

“Don’t tell me,” you coo. “Show me.”

You would be lying if you said you never thought about the feeling of Anton’s plush lips on yours. In reality, you spent too many nights lying awake, thinking about the slick feel of his mouth on yours, of the way his large hands would feel clutching onto your body, of the feel of his soft brown strands underneath your fingertips.

But dreams never compare to the real thing.

Nothing could compare to the pure bliss of having Anton’s mouth slide against your own. He moves fervently, letting the kiss carry the twinge of desperation that you both have felt since you’ve met. It’s far from the polite way that you expected Anton Lee to kiss, but that makes it that much better.

His nose grazes your cheek as he tilts his head, angling himself to kiss you deeper. His tongue is warm as it eases its way into your mouth, the warmth a welcome contrast to the chill of the lake. The hand that was once grasping your hip travels down to your backside and thigh, lifting you up to wrap yourself around his waist. It’s improper, at the very least, but you can’t find it in yourself to care when Anton sighs softly into your mouth.

It feels like ages before the two of you part, chests heaving where they remain pressed together. You’re so close that you imagine that even water can’t exist between you two. Anton’s abdomen is solid where your core is pressed up against him, supporting your weight so that neither of you are at risk of sinking.

“That,” Anton whispers, “is what I meant by impure intentions.

You can’t help but giggle at the boy’s breathless tone, suddenly feeling giddy that you were the one to make him this way. You were the one to fluster the ever-perfect Anton Lee. It was you. It’s always been you.

“Our parents…” you mutter reflexively, your mind a war zone.

“Hey,” Anton coos, bringing a hand under your chin.

With just a gentle tilt, you meet his eyes, instantly getting lost in the way his gaze bores into yours. As if he can’t help himself, Anton leans in to place a quick peck on your lips. When you part, a soft whine escapes your lips, mourning the loss of your lover’s kiss.

“Y/N, we’ll figure it out. I won’t let this go south because of our parents.”

You nod nervously, trying your hardest to believe in the reassurance that Anton is trying to provide you. As if he could sense the residual nerves, Anton presses his lips against your forehead in a soft kiss. The sensation makes your eyes flutter shut, a content smile beginning to grown on your face. After a brief moment, Anton chuckles.

“Who knows?” He mutters. “Maybe our parents will get that merger after all.”

. . .

[8 years later]

BREAKING NEWS: Lee Enterprises and TOTAL, Inc. have announced a historic merger to form one mega-corporation. This announcement comes one year after CEO and President of Lee Enterprises, Anton Lee, and Chairperson of TOTAL, Inc., Y/N Y/L/N, announced their marriage. The new multinational conglomerate will be known as Lakeside, LLC, and is said to have a current stock value of over five billion dollars.

.FIN.

#anton imagines #riize imagines #riize #anton lee #riize fluff #riize smut #written in the stars

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little-mari-on-a-roof · 1 year ago

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Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

#miraculous #miraculous ladybug #ml #mlb #ml s5 #miraculous season 5 #ml s5 finale

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markrosewater · 6 months ago

Text

Elegance

Here’s my original article for Elegance.

This is a topic I’ve wanted to write about for a long time. Ironically, the words needed to explain the concept kept the column from being elegant. So I did what all artists do. I found a way to say a lot in a little space.

Enjoy,

Mark Rosewater

[NOTE: EACH OF THE ABOVE FIFTY WORDS IS HYPERLINKED. BELOW IS THE FIFTY HYPER LINKS. THE HEADERS SHOULDN’T BE ON THE LINKED PAGE. I’M JUST INCLUDING THEM SO YOU KNOW WHAT EACH LINK IS.]

ELEGANCE

Merriam-Webster’s Collegiate Dictionary has five definitions for elegance:

• refined grace or dignified propriety

• tasteful richness of design or ornamentation

• dignified, gracefulness or restrained beauty of style

• scientific precision, neatness and simplicity

• something that is elegant

The common elements appear to be dignity, simplicity, and taste.

THIS

Elegance requires thinking, but it also requires feeling. Elegant prose is judged by how it makes the reader feel. It needs to generate a sense of calm that puts the reader at ease. Everything in your writing should feel as if it was carefully positioned to create the proper effect.

Pound for pound, the writer’s greatest writing tool is the verb. Nouns add substance and adjectives add flourish, but it’s the verb that drives the sentence. Choose a strong, descriptive verb and the sentence has flair and purpose. Choose a weak one and the sentence lacks any sense of drama.

Here’s a little game to test an elegance relevant skill (based on an old game called Inklings). Randomly choose a noun. Try to convey that noun to the other players using the least number of letters possible. You’ll be surprised how much you can communicate in just a few letters.

TOPIC

One of the greatest stumbling blocks to elegance is the inability to choose a single focus. Elegance requires simplicity. Simplicity requires a single purpose of thought. This means that elegance starts before you write a single word. A good sculptor must know his image before he picks up his chisel.

I’VE

One of the common misconceptions of elegance is that it requires a writer to be fancy. Elegance though is more about familiarity than formality. You shouldn’t be afraid of friendlier language such as slang or contractions, assuming that such language adds an element of ease rather than one of laziness.

WANTED

An important element of elegance is a sense of passion. Brevity does not mean pulling away emotionally from words, but rather the opposite. When you find yourself limited to fewer words, you must pack each individual word with extra emotional punch. You are not reducing your message, simply your messenger.

A good tool in understanding elegance is studying poetry. Poetry is the most concise of all written art forms. It strives to maximize impact while minimizing expression. Each word carries the burden of evoking some essence of the poet’s message. If it cannot carry its own weight, it is excised.

WRITE

To be an elegant writer, you have to become a student of prose. You have to study the mechanics of language to understand how it can be shaped. Once you have learned how to transfer the feeling in your head into meaningful words, you are on the path to elegance.

ABOUT

Be careful not to fall in love with ambiguity. While intoxicating in its beauty, it is the enemy of elegance. Remember, the goal is not to make the reader struggle for comprehension. Rather it is to lead them to the obvious conclusion. Elegance should be used to illuminate, not confuse.

FOR

Elegant prose requires connecting with your reader. To do this, you have to understand who that reader is. Nothing should come before this task. It needs to be done before writing can begin. I like to compare this to planning a trip. Maps are useless until you know your destination.

Another major key to elegance is the understanding of the importance of the tiniest detail. Just as a chain is only as strong as its weakest link, a piece of prose is only as tight as its messiest detail. A good writer doesn’t stop at the nouns, verbs and adjectives.

LONG

Don’t confuse elegance with brevity. Elegant things are short not because they have to be but because the difficulty to craft an elegant piece of prose combined with the limitations of time forces writers to be brief. Elegant novels, for example, do exist, but they are few and far between.

TIME

To quote Roman orator (and letter writer) Marcus T. Cicero, “If I had more time, I would have written a shorter letter.”

Simplicity takes more time not less. Anyone can get a point across with ten thousand words. But a true artist can do it in ten (or possibly fifty).

IRONICALLY

Irony is a potent tool for commentary. Its genius lies in the fact that it comments not on what is, but rather on what isn’t. Like all good humor, irony makes you laugh. But like the best type of humor, it also makes you think. It’s both funny and funny.

THE

Elegance in writing is about more than words. Equally important is how the words are woven together. Tempo, pacing, rhythm – these are the tools that set the mood for the piece. Try reading aloud your text. The natural beat of language is more suited for the ear than the eye.

WORDS

To realize the power of words, you must first understand how they work. Art is expressive; words are connotative. That is, words draw their power from their ability to extract different ideas from different people. A circle is a circle, but the concept of “scary” varies from person to person.

NEEDED

Elegance is not the result of any one attribute. It is the combination of numerous factors coming together in harmony. This is why it’s such a hard skill to master. Most people can pat their head or rub their tummy. But put them together and it’s not quite so easy.

An elegant piece of prose needs to hit the reader at a gut level. Often they won’t know exactly why they like it, but they will recognize that something about the piece moves them. There are many types of writing where subtlety is lost. Elegant writing isn’t one of them.

EXPLAIN

There are many ways for you to explain an idea. The most elegant one though is not through definition but by example. By connecting your idea to one already known by the reader, you’re leaving the work of teaching to someone in the past. Education is hard. Comparison is easy.

THE

If writing is like building a house, the structure is like the foundation. Its design will dictate how the house is built. If it’s faulty, no amount of fancy brickwork will undo the damage. So take the time to ensure your structure is building the kind of prose you want.

CONCEPT

Never underestimate the power of a concept. An important part of elegance is condensing big ideas into little words. This is far from an easy task. It often takes a genius an entire lifetime to create a truly innovative concept. So take advantage of all their hard work and inspiration.

KEPT

A common barrier to elegance is the belief that only one way will work. Often a writer is unable to abandon a beloved piece of prose even when evidence demonstrates otherwise. If something doesn’t add to the larger sense of the piece, you have to learn to let it go.

THE

Readers notice things at a minute level far beyond their mind’s ability to interpret. This means that although they may not consciously notice many of your tiny details, they will do so unconsciously. Aesthetics teach us that it’s this unconscious structure that will determine whether or not it feels “right”.

COLUMN

All communicators, whether through speaking or print, need to find a voice. A voice provides familiarity and it teaches the listener or reader how to more quickly absorb the information. Elegance is all about the conservation of ideas. Having a pre-learned voice to guide you is a very valuable tool.

FROM

I’ve spent some time talking about understanding your reader. But there is one more person who is even more important to understand – yourself. Writing is about sharing your ideas with others. If you haven’t spent the time to figure out what you think, how can you possibly communicate it?

BEING

“A picture is worth a thousand words.”

Or so the saying goes. What the cliché forgets to mention is how many words a single word is worth. For example, take the word “being”. To capture the essence of what “being” represents is tens of thousands of words if not more.

ELEGANT

What is the value of being elegant? Why should you care? Elegance adds aesthetics. It evokes poetry. It grants beauty. Elegant prose draws the reader closer because it gives them something to not just learn but to admire. Good prose stimulates the head, but elegant prose resonates in the heart.

Who, what, where, when, how - all important questions. But for a writer they pale next to why. If you don’t understand the reasoning beneath the surface, the other details are irrelevant. The act of elegance is cementing the why. It’s taking the purpose and engraining it into the piece.

Elegance is a very personal thing. If something doesn’t resonate with you, there’s no way for it to resonate with your reader. Writing is an art, not a science. There is no rulebook for how things must be done. If your instincts are telling you that something isn’t working, listen.

DID

An important tool in your toolbox is time. Elegance cannot be rushed. Mental ruts only get deeper the harder you focus on them. Make sure to work time into your schedule so you are able to walk away from your writing. An hour next week is worth a day today.

WHAT

Don’t let attention to detail pull you away from having a larger sense of what you’re writing. Take this column as an example. While I spent a lot of time fine tuning each entry I never lost sight of the effect they created when all the entries were put together.

ALL

Elegance requires taking a holistic view of writing. Every word, every sentence, every paragraph is a piece in a larger puzzle. It’s not enough to understand the impact of a single element. You must understand how any two elements interact if you want to understand the potency of your text.

ARTISTS

Elegance and art are very intertwined. Both seek to achieve a similar goal: to illuminate and inspire with a conservation of expression. If you’re trying to be elegant, I think it helps to think of yourself as an artist. The instinct for the latter mirrors the needs of the former.

An important part of any writing is understanding the feeling you’re trying to evoke. And then realizing what mechanic tools you have available to evoke that feeling. Diction, verb tense, sentence length, alliteration, word flow, phonetic juxtaposition – each of these will control the mood and tone of your piece.

A writer’s life is the ultimate fodder. Don’t be ashamed to plumb your own experiences. You understand them deeper and more personally than anyone else. No painter would refuse to use his finest paints. And, as a bonus, by using your own experiences, you will become better educated about yourself.

FOUND

Don’t forget that the act of revealing is also an act of exploration. Don’t be afraid if you learn more than the reader you’re trying to educate. Writing is not an exact science. (Or even an exact art.) Often you will find that the road to salvation has a fork.

Your future is paved with your past. If you want to learn how to grow as a writer, you need to look back at what you’ve written. With time and a detached eye, your will find your mistakes become clearer. Remember that it’s failure, not success, that bests drives education.

WAY

The problem with looking for a single solution is that you’ll never find more than one. And the first one isn’t always the best. But if you’re open to the possibility that every problem has an infinite number of answers, you’ll have the freedom of choosing the solution you want.

Sentences are filled with freeloaders. Because writers seem to love overwriting. (I include myself in this camp.) Make sure to create time for the editor side of you to prune unnecessary words. If a word can be excised without any harm to the sentence, it has no right being there.

SAY

I’m spending my time today talking about elegance in prose, but most of what I’m saying is applicable in speech. The key difference is that prose has less defining attributes like appearance or tone. The key to elegant speech is making people focus on the words rather than everything else.

It’s ironic that something designed to be so simple can be so complex. But that, my faithful readers, is the joy (and mystery) of elegance. Like an onion, elegance has numerous layers that reveal themselves as you slowly peel them away. Oh yeah, and it can sometimes make you cry.

LOT

An interesting exercise is to look at each word you’re using and think about how much content is loaded in that word. Then explore what other words exist that fulfill the same role but with added content. Once you’ve found the word you can’t best, move onto the next word.

A good way to get better at understanding elegance is to look for it in every day life. I think you’ll be pleasantly surprised where and how often you find it. Study each example carefully and try to see if you can put your finger on what makes it work.

Writing is a shared endeavor. No one owns the words. If someone uses a technique that works, there’s no shame in borrowing it. Like science, writing creates technology that’s brought back to the group to spur further advancements. Elegance is hard enough to accomplish without refusing to use the toolbox.

LITTLE

How big should a piece of text be if you want it to be elegant? The answer is as big as it needs to be – and not a word more. Just think of it as playing the game Jenga. Keep pulling words out of your prose until it collapses.

SPACE

One of the most important lessons in art is learning the value of negative space, the idea that the eyes are equally drawn to what isn’t there. Prose has a very similar quality. When writing pay careful attention to what you aren’t saying. Often it will speak the loudest volume.

ENJOY

For some reason people tend to equate dignity with seriousness. And as such they come to the false conclusion that elegance has no room for humor. Ironic as humor is one of the most elegant of styles. A good joke is no longer than is necessary to do its job.

MARK

As is always true when I head off the beaten path, I am curious to hear your feedback. What did you think of this article? Was it entertaining? Was it educational? Did you actually read all fifty links? And if not, why not?

Tell me. Inquiring mind wants to know.

ROSEWATER

I couldn’t end this week’s column without my trademark closing. I mean, how inelegant would that be?

Join me next week when I go from being a letter man to a Letterman.

Until then, may you learn to appreciate now just the “what” but the “how” and “why”.

Mark Rosewater

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