#wood primer

[jkmaxpaints]

Premium Wood Paint at Jkmaxx Paints – Long-Lasting Protection for Wood

Looking for high-quality wood paint? Visit Jkmaxx Paints for premium wood finishes that provide excellent protection and enhance the beauty of your wood surfaces. Jkmaxx Paints offers a wide range of durable wood paints, perfect for any indoor or outdoor project. Explore our collection of wood finishes today for professional results that last.

[nebulonpaints]

Difference between Wood Primer and Wood Coating

A perfect premium look of a home comes from the wooden furniture. It not only offers a classy look but makes your home appear more natural. Although maintaining the wooden furniture to keep it in the best form for a long time can be a bit challenging task. That’s where you need wood primers and coatings. Primers protect the surface from household chemicals, dust, sun rays and water. But it’s essential to select the products from the best wood primers wholesalers or manufacturers and also understand the basic difference between wood primers and wood coating paints. Continue reading to find the differences in detail. 

Wood Primer

The preparatory coating that is added to the wooden surface before applying any other coating of paint is known as wood primer. The wooden surface can be wood or any other surface related to wood like plywood. When applied in the right way it serves multiple purposes. Below mentioned are the benefits of wood primers:

Applying wood primers increases the durability of the wooden surface. When you use good quality primer then it protects the wood and ensures better longevity.

Priming offers protection to the wood from pests as well as from harsh environmental factors like the chemicals of household cleaners. 

Unwanted stains can be avoided and it also improves the adhesion of the paint and as a result it lasts for longer. 

When primer is applied before painting then the paint is prevented from being absorbed and thus offers a better finish. 

For applying wood primers on fresh wood that has not been painted before, you should prefer high-quality latex or oil-based primer from a reliable wood primer wholesaler. The same is applicable when your surface is old and weathered. Just in that case, you have to prepare the surface by cleaning it with sandpaper. Apart from that make sure to wipe off the surface with a damp cotton cloth and allow it to dry completely before starting painting it. You should apply at least two coats by providing it sufficient time to dry in between. 

Wood Coating

Usually wood coating is also known as top coat and it is applied on the wooden surface to protect it from different environmental effects like water, sun, grease, dust and household chemicals. Often people confuse them with primers but the topcoats are clean polyurethane-based chemical solution that offers a glossy and matte finish to your wooden furniture. As a result, it improves the longevity of the paint that is applied over it. Even over-paint or varnish wood coating can be applied after completely removing the dirt particles and grease from it. Mostly, it is applied using a brush or spray machine. Make sure to apply two to three coats of it by allowing sufficient drying in between to get the best results. 

Be it wood primers or wood coatings the main purpose is to make the wooden surfaces better. So, always choose the products from reputed wood primer wholesalers so that you get the highest quality products. Only better quality products can ensure longevity and premium finish. 

[yourwallcolours]

Halo Aquaglo Wood Primer is a high bonding water based formulation which ensures that the wood or masonry work is ready for a top coat of superior & lasting performance.

[ganja-hq]

Listen ok maybe spray painting my stuff pink isn't the solution to all my problems but it sure helps

[singing-not-sleeping-beauty]

HEY! look at me! We don't diy shit cuz it's cheap or easy, we do it, because we need something to distract us from the crushing weight of existence, and because we crave the sense of accomplishment that comes with looking at something you made yourself

[sol1loqu1st]

hmmmm i thought i had a game to gm today but we'd actually planned it for the 18th and i just forgot, so perhaps i will go to a craft store and acquire Cosplay Things after grocery shopping

[hydrogenperfoxide]

I think we should teach kids about panic attacks and PTSD and stuff in school.

I went to a corn maze and got peer pressured onto a haunted hayride as a teen. I had some sort of PTSD or something driven panic attack. I was sobbing with my eyes closed in the fetal position. Luckily my older sister was there to rub my back and protect me.

I remember her saying to one of the actors "If you touch them, i'll kill you." which is pretty intense for her, she's not generally violent.

It took me another decade to have language to talk about my experiences with anxiety and I still don't know all of my triggers for whatever the fuck my intense panic attack like things I experience actually are

I really think it would be helpful to people to know about this stuff

[k4saneterritory]

love being an art student (giant board)

[rainphee]

pro tip do not ever fucking buy ace premium wood primer it'll ruin your life

[10odmdigital]

3 main enemies of wood furniture

Learning how to take care of your wood is all about understanding what things can put wood at most risk. While most wood types are regarded and tested as durable, this does not mean wood should be treated in a harsh and careless manner. It is even important to understand that many external factors come into play when we discuss taking care of wooden furniture, so here are some things you can look into and help keep your furniture safe.

https://sheenlac.com/wp-content/uploads/2021/10/imgENEMYsunlight.jpg

Natural sunlight

The ultraviolet rays from the sun can ruin the finish of your wooden furniture over time, and the polish is one of the most important things keeping your furniture from chipping and rotting. To avoid this, you can move your furniture away from direct sunlight or at least limit the exposure to sunlight as much as possible. By opting to drape furniture clothing over the wooden furniture or by rotating its placement in your home throughout the year will definitely help the wood polish to stay longer and protect the wooden furniture.

https://sheenlac.com/wp-content/uploads/2021/10/imgENEMYhumidity.jpg

Level of Humidity

Extreme levels of humidity can sometimes cause wood to swell up and warp. Therefore, it is key to maintain a zone in between too much and too little humidity. With very low humidity, it can cause the wood to lose moisture and shrink, while with extreme humidity wood tends to soak up the moisture and swell up. in order to avoid any splitting or cracking of wood over time, ensure that the humidity level stays balanced wherever the furniture is kept.

https://sheenlac.com/wp-content/uploads/2021/10/imgENEMYliquid.jpg

Liquid spills

It has been passed down from generations that placing a coaster underneath your drinks is absolutely necessary when dealing with a piece of wooden furniture and liquids, and this one has proved to be one of the most helpful suggestions. The thing with liquids is that tend to get soaked up by wood and leave a mark on the surface, which is something you want to avoid even if you are using the best wood polish in town! The water droplets could potentially cause rot and chipping, which is something you do not want for your wooden furniture. Hence it is very important to use coasters or saucers while placing liquids, this can even be substituted by placing a furniture mat and avoid liquid spills.

Now that you’re familiar with the top three enemies of wooden furniture, keep your eyes open and make the necessary arrangements they need. Although most woods are durable and can start strong for a longer period of time, there are some cases where they could appear damaged and would need repairs are done, which could cost you. Keep your furniture safe and your home happy!

To get more information https://sheenlac.com/ No.76 B, GKS Estates, Block B, Ambattur Industrial Estate, Chennai - 600 098, India. Mail: ccc@sheenlac.in | Tel: 044 - 4394 9900 / 2642 3380 Customer Care: +91- 8300 03 04 04 / 05 05

https://sheenlac.com/

[odm10]

High-Quality Industrial Furniture Paint & Wood Coating

Industrial wood coating and furniture paint are essential components in the manufacturing of furniture, cabinets, and other wooden items. They provide protection against wear and tear, weathering, and corrosion. They also add aesthetic value to the wood, making it look more attractive. Industrial wood coatings come in a variety of colors and finishes, allowing manufacturers to create unique pieces that stand out from the rest. Furniture paints can also be used to enhance the look of existing furniture or create entirely new designs with a wide range of colors. Both industrial wood coating and furniture paint play an important role in creating beautiful pieces that last for years to come.

[nebulonpaints]

Why Wood Primers are necessary before painting?

For a classy interior, apart from sheen-finished walls, you need to have high-end woodwork. Usually, people prefer to do panellings in the interiors and ceilings. Besides that, the wooden doors and windows also need proper finishing and shine. For that, you need to paint them with high-quality paints but before that, using wood primers is highly recommended. That’s too from a reputed wood primer supplier. In this article, let’s discuss in detail about wood primers and why they are necessaryl before painting a wooden surface. 

What is a Wood Primer?

This is for you if you are planning to start painting on wooden surfaces. Always use a high-quality wood primer before that. Wood primers are an undercoat that is applied to wood before painting. It can be considered as a preparatory coating that is put on wood. No doubt, once you use it on the surface you can feel the difference. It will make the surface smoother and that will also make the paint job easier. Besides that, using a wood primer enhances the durability of your paint and ensures that there is better adhesion of paint to the surface. It will help to protect the wood in the long run as well. 

When Wood Primer is necessary? 

The necessity of using wood primer depends completely on the type of wood you’ll be painting. Professional recommends that when you have plans to paint a new wood that doesn’t have any stain then you can use high-quality latex primer or an oil-based primer. However, if you have plans to paint a wooden surface which have been already painted or is stained then you should use a stain-blocking primer. Usually, older wood means more weather wood high-quality primers. So, always prefer the products from the best wood primer suppliers. 

What are the steps to use wood primer? 

Whenever you start priming the wooden surface before that there are a few steps that you have to follow. The steps may slightly vary depending on the fact that you are going to paint a new wood or already painted, stained old wooden surface. Here are the steps that you must carefully follow before applying primers:

The first and foremost thing that you must do is to thoroughly clean the surface where you are planning to apply primer. Make sure there are no dust particles on the surface. 

For old and weathered wood use sandpaper and clean the surface using the sanding process. Once sanding is completed, remove all the dust accumulated during the process.

Select the right brand of wood primer and apply it on the surface. Let it dry for some time as mentioned on the packaging of the primer. Again, apply the second coat of the primer and it will eventually look chalky and give a smooth feel. 

Once you follow these steps and apply primer on the wooden surface, it is completely ready to be painṭed. Select the best wood primer supplier like Nebulon Paints for priming. Now you can have the desired smooth finished woodwork for your interiors.

[kuwdora]

A Vidding Primer

A guide written for @wren-of-the-woods who asked for advice about how to start vidding! This is far from comprehensive and I tried not to make it too dense because it's a big subject. I still wanted to share a variety of topics about getting into vidding because it's a hobby and art that is near and dear to my heart.

First Piece of Advice

watch a lot of vids and rewatch vids multiple times. Seek out vids on YouTube, AO3, Watch the TikTok and Twitter/X vids that show up on tumblr or wherever you’re browsing. They all have distinct styles and tools/techniques they use to make their vids and edits. Rewatch the vids and ask yourself what you like or dislike about them. The song, the editing, the source. That can give you a good starting point about how you might want to approach making your own fanvids. The TikTok style of 30 and 40 second edits are very different what you find on YouTube. YouTube editors tend to use a full song and a lot more effects and a lot more overlapping dialogue. Whereas the fanvids - Vids - from people who came into vidding in the mid 2000s/2010s have their own culture, different ways they approach song choice, clip choices and narrative. I also suggest watching vids for shows/films you’re not familiar with as well as your fandom favorites. You can learn a lot about how vidders try to tell a story even when you might not grasp the context behind certain scenes but you can still follow along with the emotional arc of the vid.

Second Piece of Advice

Have fun and enjoy yourself. Everyone starts a new hobby as a newbie. It can be a lot of effort to make 30 seconds or a 3 minute vid, but it’s such a unique type of fanwork that is fun to watch and fun to make. It can also be migraine inducing because of all the learning and technical issues along the way. But!! omg when you make a clip fall on the perfect beat with your blorbo crying that perfect tear or you find an idea and sources for the bestest perfect lyrics of the song, it’s a magnificent high. It can make you feel like a god. At least that’s how I feel a lot of times!

There are about 10 steps* to creating** a fanvid/edit:

• select your platform and software (phone/computer video editors) • gather your video and audio files • create a new project in your video editor • import audio into the editor • import the video into the software and mute audio tracks that contain your video’s audio • review, label and cut up the video into shorter clips - this step is known as ‘clipping’ in vidding parlance, but it’s also optional. Some people pull in movies and scrub through the whole film and just pull it directly onto the timeline • move the various video clips around on the timeline to match the audio track you’ve chosen for your project, add video effects and additional dialogue if you like • export the finished timeline • upload the video to a streaming platform and/or downloadable service • share your project!!! posting to ao3 and/or social media or share on discord, etc * there are a lot more steps involved with each of these steps. What what software to use, where to find video, how to deal with copyright blocks on Youtube, etc. Some of that will be covered in the links below but is not comprehensive. That would require separate posts and links and I don’t want to drop an encyclopedia on you right now! I’m happy to provide more resources that I can curate if you want more direction and pointers to resources and amazing vidders.

** like any hobby, there can and will be a learning curve and frustrations. Blank page for a writer, blank timeline for a vidder. Is anything you put down is any good, self esteem and confusion about what actually makes sense is part and parcel for any creative work. Once you're in the vidding process and committed, as long as you're enjoying yourself you gotta just keep going to get it done.

Getting Started Vidding

My knowledge and background and learning how to vid from people on livejournal and dreamwidth from 2007. I don’t have any experience in editing with a phone but if that’s something you’re interested in, YouTube will be a place for you to start finding tutorials for various apps and tools. Probably discord communities, too. Vidding Workshop - a great how-to/guide when you're starting out. This is on dreamwidth from the WisCon vidparty in 2014. Some of the tech discussions might be a little outdated but there’s a ton of relevant information. It covers technical subjects as well as developing vid ideas and actually getting started. If you have any questions about what you’re reading you can leave an anonymous comment and ask - some of these vidders responding inthe threads are still active. You can find them on AO3/YouTube, tumblr, discord and actually leave them questions about their vids. Many vidders are more than thrilled to talk about their vids and answer questions. Vexcercises - this is a dreamwidth community for short-form vid excercises. This is a very structured way of introducing vid concepts and constraints so that you can produce a vidlet. I highly recommend you check this out and participate! There’s even an AO3 collection so you can check out how people have done the different exercises, too.

The Process of Vidding

Watch Me Edit - @limblogs put together a fantastic playlist of YouTube editors who will show you beginning to end how they made their vid. A lot of these editors appear to be using Sony Vegas but the general process of vidding end-to-end will be similar with other nonlinear editors like DaVinci Resolve, Premiere, etc. It’s a great way to actually see the vid come together if you don’t know what that even looks like. Every vidder will develop their own workflow and approach (which might even change from vid to vid), but it’s useful to see in video how people actually DO the thing. @limblogs also created a handy YouTube playlist some vidders from Bradcpu’s Vidder Profiles (Fanlore page). These profiles are basically like a director’s DVD commentary on their vidding process, featuring the vidders talking over their own vids! So cool. Phenomnal insights from these vidders about how they choose song, use effects, think about their narratives.

Self Rec: I recently did a vidding textpost series called: do it for the process - a naked vid draft: What (Yennefer of Vengerberg). How I Edit by @vimesbootstheory is another textpost about their vidding process. Self rec: Here’s my text interview: Vidder Profile - Kuwdora 2011. I talk about my process with a lot of specific examples from my previous work and lots of screenshots. This profile is over a decade old but a lot of this still holds true for me today! videlicet - this is an incredible vidding zine that @limblogs put togegther with a lot of amazing contributors. These articles and discuss about specific vids and aspects of vidding. It’s really detailed and a fantastic piece of vidding culture. I highly reading recommend the Demystifying Vidding article by lim and the A History of Vidding by @meeedeee and…pretty much every article in the zine!

Doing the vidding!

I recommend joining exchanges and watching vids that come out of exchanges and checking out fannish cons that have vidshows and discords to get more exposure to vidders and vids. Many people have joined @festivids (AO3 collection here) and made their very first vid, it's a very fun and great way to get into vidding. It’s not quite festivids season right now but time flies and it will be time to nominate sources and do sign-ups in the blink of an eye. Follow @festivids and check out the AO3 collection and see what people are making. Join the Vexcercises community and make some short vids and share them on your tumblr or on discord or somewhere and bask in the thrill of making your first fanvids. Check out who reblogged the vidder ask game - go and read other vidders responses and ask some new-to-you vidders questions. Everyone has their own take on process and tech and everything. It's great to hear and see what a lot people are doing and making.

Final Advice - talking about vids and doing the vidding

• watch vids • rewatch vids • leave a comment and ask a question about something you saw in their vid! • Again: find someone’s AO3 page of fanvids and ask them something about their vid in a comment or send them asks on tumblr (people usually have the same alias or link to their tumblr or dreamwidth pages somewhere.) • YouTube can be a valuable resource for tutorials so if you don't know something, there is likely someone who has made a tutorial about how to use a cross dissolve transition or anything else you might want to replicate in a video that you've seen in a vid. • start making a vid, scream and cry, ask for help, and keep going until you get it done. Celebrate and bask in your completed vid and share it with everyone! • Follow vidders on tumblr that you find from the vidder ask game • Check out the vidding discord for community and questions and vid recs and news about vidding exchanges and cons. • Have fun!

Hope this helps you get started! Thank you so much for the ask! Let me know if you have more questions and I can help you out or send you to cool vidders who have great advice and suggestions. And please send me your vid if you make one!

[goatskickin]

hi goat! do you have any tips/ideas on making 4t2 items look less plasticky? would new textures work or is it maybe something with the shading? or maybe it's the rounded edges on everything....

hi anon! I know you sent this a while ago. Thanks for waiting. I do indeed sometimes retexture TS4 converted objects.

I am no expert! But! Here's what I usually do:

For this tutorial, I will be using @janika31's 4t2 conversion of the Siten-Ze Reclaimed Wood Sofa.

It has the rounded edges you speak of (typical of TS4 objects) and a texture that could be considered 'plasticky' too.

What you will need to do first is open SimPE. We need to be able to look at this mesh nice and close!

When the mesh is opened in SimPE, go to the 1. Geometric Data Container and click on it 2. find the main object in the Models list (sofa) and make sure it's checked 3. Export the object.

You'll need to load said object into a 3D Modeling program in order to look at it.

I like UVMapper, because it's free (well the free version is anyway lol) and it's very easy to use.

While you're in SimPE, extract a texture or two from the original object. You will need them. Light or white recolors will be useful.

With the object loaded into UVMapper, this is what it looks like!

UV map of the object on the left, object (with no texture) on the right.

Add the texture in.

UVMapper is going to be our main working area. Other than an image editing program like Photoshop or Gimp. You'll need that too.

Let's get a good look at this base texture - we can see it has the wood parts of the couch, the main couch texture and some pillows.

If you find UV maps helpful (I do!) you can extract one from your 3D program.

With UVMapper, I needed to make sure that I've specified the size of the image so the UV map will match. This texture is 512 x 1024.

Now for the fun part! You should be able to copy in the base texture as a new layer, and then delete everything that is not the wood part on the UV map.

I've actually missed the foot of the couch here, but I will fix it.

If you're not already working with a white texture, make one. I like to use @pooklet's Primer and Time Bomb for this.

This white texture is very important as it will serve as the shadow and highlight that the new wood texture will be sandwiched in between.

With the new white texture created, when loaded into UVMapper and displayed on our couch, it looks like this. ^

This rounded edge here, this is a problem area!

With retexturing clay hairs, we want a rounded or 'bumped out' part of the mesh to be highlighted, to give the illusion of shine on hair.

But in objects, especially wood ones that we'd prefer to not look like plastic, we want the opposite effect; this shine should be reduced.

This is pretty easy to remedy in your image editor! But first:

Remember how I talked about how the white base texture was going to sandwich the wood texture? Here's what that means (layers):

1 The white base texture, Normal, 100% opacity

2 Our wood texture. This is something lifted from a Maxis endtable?

3 The white base texture, Multiply, 100% opacity

4 The white base texture, Overlay, 22% opacity

5 The white base texture, Soft Light, 22% opacity*

Optional layers: 1) another white base texture, Multiply, 100% opacity if this is a dark recolor, as it will add more depth 2) the base texture, but in an orange or yellowy color Multiply, 100% opacity (when this is added, it will help when a warm recolor looks too ashy)

*these percentages of how opaque the layer is are arbitrary. They work for me, do what works for you.

Okay! Back to the 'problem area'

This highlight here ^ on the rounded arm of the couch; if you don't want it, here is what I would do:

Locate where that highlight is in the texture. Found it!

Here's how to REDUCE that shine:

1 Locate your base white wood texture layer, Normal opacity.

Notice how the whiter part of this texture, when layered as I've described (Multiply 100%, Overlay 22%, Soft Light 22%) translates as shiny when it's laid on an object.

The way to make that appear less shiny is to make it less white. Less white means less of that shine that can read as artificial aka plasticky. When you make that more grey than white, more of the background wood can show through the semi-transparent layers.

2 Take that noticeably white part of the base texture and make it grey! Copy a chunk of the greyer texture, paste it on, blend in or erase the edges to make it look smooth. Merge the layer.

3 Change your Normal white base layer (now edited to be greyer in that one specific spot) and copy that as 3 new layers: Multiply 100%, Overlay 22%, Soft Light 22%. With the wood texture underneath all of them. Base, wood, Multiply, Overlay, Soft Light, in that order.

Before...

...after! it's subtle okay

The same kind of sandwiching method with image layers can apply to the cushions too.

There! A method for retexturing TS4 conversions that helps them not be as plastic looking. 😊

One last tip before you go off and try retexturing conversions yourself: @pforestsims's Easy Shine Removal kit for SimPe. A must if you're looking maintain that matte look.

Let me know if you have any questions!

[powerfulblob]

puts on my clown hat

behold, as requested: The Trans Franky Essay. Like most of this is still jot notes and I wrote this when half-asleep so like. I don’t know

Please don’t shoot me.

Section 0: Most importantly...

Due to the Somerton stuff, I really am trying my best not to plagarize.

Unlike TikTok user @theyboss._.franky, I’m not planning to talk about if he’s trans based on physical features, personality, etc.

I’m here to talk about the narrative in particular, and allegory.

also kudos to @punkitt-is-here

[ID: A screenshot of an X post by @punkittdev that reads “this is also partially why i am a franky one piece trans man truther” It features Franky, a cyborg with a shirt that reads “I HRT”.with a sun between the words “I” and “HRT” Franky is a tall man with tan skin and blue hair, and has part of his arms replaced with blue metal with a star at the end. end ID]

Section 1: Cyborgs are inherently trans

I’m literally just going to link The transgender cyborg: an inexhaustive primer because the article does a much better job than I can, but to summarize:

Trans people are not only cyborg-adjacent because of the transphobes who call us that, but primarily because we are used in the same way cyborgs are in text: As a talking point, a disruptive metaphor about humanity as a whole.

That brings us onto the next place...

Section 2: Cyborgs are extra trans in this case.

The reason why I latched onto this in the first place is this character’s backstory.

Franky, who eventually becomes the Straw Hat’s shipwright, starts as a joke character in the Water Seven Arc.

He’s a 40-ish year old man who runs around in a speedo and shoots lasers at people, making a living off of dismantling ships.

However, as more information is revealed, the story starts to humanize and give him a backstory.

quotes from Chapter 358:

“My body got wrecked and parts of it weren’t working anymore... So I transformed myself using scrap metal. It’s how I survived!” 

“Waste wood, scrap iron... I fit right in. First I’ve got to... ... Do something about this useless body of mine!” 

What do these have in common? Retrofitting the self, and rebuilding the body. I think there’s something trans there but IDK

Deadnames (partially joking here): As said by another character “Cutty Flam of Tom’s Workers is dead. As long as you don’t use that name... ... There’s nothing connecting us”  (for context, Franky was changing his name to evade government capture, but shhh let’s just pretend we’re talking about deadnames)

Actual Section 2: The Boats are trans now

speaking of the self as a construct...

I think it would be giving Oda too much credit for doing this on purpose.

But, he also accidentally created one of the best analogies I’ve ever heard for gender identity and against gender essentialism:

And of course, it has to be boats.

chapter 353: “Franky, there’s no such thing as blueprints for a pirate ship!! If the sailors who board that ship run up a skull-and-crossbones, then it’s a pirate ship. If they fly a seagull flag, it’s a navy ship. Build whatever you want to build, Franky.”

Like again: It’s the idea that there’s no instructions for a person, it’s what you decide to create out of oneself?

Alright. So, in terms of most manga, he actually does a rather good job. One Piece is primarily a series about misfits and outcasts: The series is goofy and over-the-top as a rule. So, one could argue the extreme way in which he portrays trans people up until the Wano arc is just a part of the series.

yeah idk

[wri0thesley]

the solace of banality - lucas (yandere oc) x reader (6.6k)

your time in the hospital has made you miss the simplicity of a life not held captive by a madman in the woods - and has made you just foolish enough to ask him about it.

cw: dark content, yandere, kidnapped reader. hospital setting. chubby fem reader, references to past dub-con and non-con, references to cannibalism, forced intimacy and domesticity, physical abuse.

a/n: for a primer on lucas, see here or his tag on my blog.

this was a commissioned work.

Lucas had not taken his hands off of you the entire ride from the hospital, back into the woods. He'd mumbled something about needing to make sure he moved the truck later on, as he'd stepped out and helped you down in return, strong arms wrapping around you so that you have to do the bare minimum of exertion yourself. His grip is as assured as ever, but there's a tightness there that you haven't felt for some time - as if he needs to press himself into you, just to be sure that you're still there.

And, too, to make sure that you don't run. 

You suppose he doesn't like the idea of you knowing where the truck is parked, but it's not like you could drive it even if you did remember. Lucas treats it like a spooked animal, a strange little creature whose quirks and foibles he has learned over time - you're almost certain that if you were to get behind the wheel, it would not obey you the way that it obeyed him. So you keep your mouth pressed shut and concentrate on the slow journey from the truck to the front door of the cabin. Your gaze returns to it, just once, parked closer than you've ever seen it - but Lucas coughs, and his brows draw in, and you guiltily return your gaze to your feet. 

It's getting colder. It's the end of November, and the ward at the hospital had been decorated early (to give some festive cheer to the people who were stuck there, you suppose). Frost crackles beneath your feet. The moment you'd been signed off as able to go home, Lucas had rushed you out of there, tension tight in his shoulders - so the sun has barely risen, and there's been no time for the cruelty of winter to be tempered any by what warmth it has to offer. 

"Want you home, sweetheart," he'd grumbled, as he'd signed papers at the hospital desk with a surname you do not recognise. He'd let you keep your first name, but he'd given 'Smith' at the hospital as your surname (are you missing, you wonder? Would your real name have been too much of a giveaway?), calling you his wife, smiling tightly as he'd said you'd wanted to keep your maiden name in a very good imitation of a husband a little frustrated by this. "Sooner the better. This place makes me nervous." 

His hands do not move from you as he unlocks the front door, either. As he ushers you in, as he breathes a sigh of relief at the comfort of the cabin around you. 

He'd gone home, just to tend to the chickens. It was the only moments you'd had free from his stifling company - well, that and the surgery. You breathe out, tight and controlled, counting in your head as you feel the twinges of pain. Cold air. The doctor had said you might feel it in the scar for the rest of your life. You'd had maybe an hour and a half at most a day, to be alone with your thoughts and the room--

You'd thought, only once, about telling the doctors the truth. About begging them to help. Do something. 

But you'd remembered the hissed warning in your ear, when he'd driven you to the hospital with a fear you'd never seen spread over his features. If you did that - if they knew - he'd said he wouldn't hesitate to bring as many people down with you both as he could, and the thought of what he might do in an enclosed space to strangers and doctors with no worries as to who got hurt--

No. Better to keep your mouth shut, and pretend everything was fine. 

"Let's get you on the couch, darlin'," Lucas murmurs, still tightly holding onto your waist as if you don't know every inch of this cabin as intimately as you know the back of your hands. "They said for you to stay restin', didn't they? I ain't lettin' you get worse. Not takin' you back there if I can damn well help it." 

You nod, as he lifts you up with ease and deposits you onto the crease of the sofa, the deep comforting dip that is usually Lucas's space. For a moment, you look up at him, and he looks down at you. 

You take in everything about him. The worry etched into his features, the bags beneath his eyes, the coiled tension ready to snap at any moment if you don't do exactly as he says. You take in, too, that he's been wearing the same shirt for three days, that his stubble has grown out some, that he looks at you like he can't believe you're back here on the couch. 

(He'd been afraid he'd lose you, you think. It's the only explanation you can possibly conjure for why he'd taken you out of the cabin, to a place teeming with life, risked everything he had here in order to make sure you didn't die. You'd been here, in this exact spot, the night he'd taken you to the hospital, curled up and sweating and nauseous and too weak to make it to the bathroom to do anything. You'd thought you were going to die right there too). 

You wonder what he sees in you, in turn. 

He'd brought you new pyjamas from the hospital gift shop. They were cheaply made, pink and white stripes, that kind of satin that pulled if you so much as rolled over in bed. But they were new, and they'd been bought for you, so you hadn't mentioned the pulls under the armpit to Lucas. You're wearing them now (they'd laundered them at the hospital for you), with an old dressing gown wrapped around you that you've only ever seen Lucas wear. It smells like him. 

You wonder if you look wan yourself; if your eyes are shadowed, if your mouth is drawn, if your hair is lank. You'd been able to shower, you'd been able to use the bathroom on your own - but you'd almost . . . missed his cloying presence. The nurse had helped you, when you were still too weak, but . . . her hands lathering shampoo through the strands of your hair had not been as gentle, as slow, as thorough as Lucas's always were--

He lets out a slow, controlled breath. 

"You really gave me a fright there," he rumbles, and summons a smile from the pit inside of him for you. "I really thought . . . Well. Don't wanna dwell on nothin' too dark there, do we?" 

It's a question he expects an answer to, you realise, that stern green gaze stuck on you. You shake your head - and then, trembling, put forth;

"I . . . I was scared too. I . . ." Swallow the confused feelings that come swimming up in you before you say it; you've learnt to play this game. It's better to be alive than it is to be chopped to pieces, and if you weren't so good at this part you're certain Lucas wouldn't have bothered to take you to the hospital. "I didn't want to leave you."

His face softens. 

"Sweetheart," he murmurs, leaning forward, to press a lingering kiss on the crown of your head. "I wasn't about to let you go nowhere, y'hear? Now. Let's get a blanket 'round you. Let's get you tucked in, and I'll bring you somethin' to eat. I don't trust the food they gave you in there."

When they'd done the blood tests, the nurse had said that your iron levels were the most perfect she'd ever seen, and you'd thought about Lucas's meals. The meat bleeding dark juices onto the plate. You'd swallowed your disgust and smiled at her, shrugging modestly, telling her that your husband handled the menu and you just ate what he gave you. 

He'd been sat beside you, and he'd shifted when you'd called him your husband, his mouth twitching at the corners. She'd congratulated him on it, a smile on her face - taken in by the size of him, the dog tags shining around his neck, his obvious care for his poor invalid wife--

If only she'd known. 

It's strange to be back in the cabin again. 

Altogether, you'd been in the hospital for nine days; there'd been some complications, they'd wanted to keep an eye on you, they'd had to do a more complicated surgery type than they'd originally thought-- and those nine days had been . . .

You don't want to call them blissful. Nearly dying is not blissful, oxygen tubes and cannulas and blood tests and the smell of antiseptic are not blissful things, really. But it had been so different from the life you'd been accustomed to living! It had been so different to be somewhere else, to see other people--

You don't know quite how long you've been with Lucas, but if it's November again you think it's been over a year. You'd been taken in September, you remember - and he'd mentioned Christmas, that first year, but you'd still been too scared to really think much of it beyond giving him a trembling kiss on Christmas Eve and letting him dress you up in one of the more scandalous pieces from the wardrobe, as a gift, that night-- 

A year of solitude can do a lot to a person. The only other human being you've interacted with is Lucas - and one lost hiker, once, who'd come limping out of the trees whilst you were feeding the chickens with Lucas in the doorway and had called out to you. You'd been too startled to call back, but you'd waved your hand in greeting - and then Lucas's own hand had been on your shoulder, and you understood in no uncertain terms you were to go back inside, and you'd put the record player on when you'd heard the first scream. 

You don't know if that really counts, all things considered. 

But suddenly, you had found yourself surrounded by people! Nurses came and spoke to you, and doctors, and other patients (though Lucas had insisted that you needed a private room, you'd still come across them in the hallways and the corridors when you'd moved around, when they'd taken you out for walks to ensure that you were recovering well). You'd heard more voices than you had in forever, different accents and different inflections and you'd been bombarded with names you didn't always remember. 

Some of the strangers stuck in your mind more than others. There'd been a nursing student who got all red and awkward and stuttery when Lucas spoke to her. There'd been a doctor who had also been a veteran, who had made Lucas's spine stiffen and his words go clipped and rough. There'd been a mother of a young woman who had her granddaughter with her for visiting, who'd mistakenly barged into your room thinking it was her daughter's - and though you'd expected Lucas to lose his temper at them both, he hadn't. He'd crouched down on the floor and asked the little girl about the stuffed bunny she was carrying with a perfectly serious expression, and for a minute you had forgotten about the axe and the blood and the snarl and the lies, and you'd thought what a good father your husband would make. 

You'd had to give yourself a stern talking to inside your head, when the visitors had been sent to the right place and Lucas had turned back to you to fuss over your blankets and his eyes had still been soft with a longing that you did not want to think about. In a different world, maybe. In a different time. In different circumstances-- 

And there was everything else, too. All of the other little freedoms you'd forgotten about.

Food and television and human contact, being alone, a bed to yourself. 

You'd thought, then, how much you'd taken it all for granted.

"Is your husband not here?" The nurse says, cheerfully bustling into the room with your breakfast on a tray. She looks around for him, before she winks at you and pulls from her pocket a tiny packet of chocolate spread, which she lays on the plate next to the toast and the packet of butter and the tiny jar of jam. 

The first time you'd asked for toast, they'd brought you chocolate spread, and Lucas had shaken his head and taken it off your plate before you could even think about it. 

"It ain't good for you," he'd said, sagely, with all of the assurance of a man who was used to being listened to. "Have the jam instead, if you've gotta. The butter on it's own's plenty rich enough though, I think."

He'd watched you like a hawk, and you'd been too scared to put more than a sliver of the strawberry jam on the toast, so you'd eaten exactly what he wanted. 

"He's gone home," you say to her. Your voice still feels a little rough and croaky - you'd been told that they'd put a tube down your throat for breathing, during the surgery. You haven't had much experience of hospitals before, so all of this is a novelty in more than just the freedom from Lucas. "He has to feed the girls - h-his . . . o-our chickens, I mean."

She shakes her head, smiling. 

"I'm sure he means well," she says, perching for a moment on the chair by the bed that Lucas usually occupies. "I mean! He clearly cares about you - I almost never come in here and see the room without him, he's part of the furniture! - but sometimes a girl just needs a treat, you know?" She winks again, and you laugh. 

A part of you feels guilty about it - that same part of you that occasionally looks at Lucas and does think about him as a spouse, that same part of you that sometimes drives you to press a kiss onto his cheek when you're not thinking because he says something sweet. It's the part of you, you think, that wants you to give in and accept and be what Lucas wants and forget everything else, just to make it easier. 

But it's a part that's easier to quell amongst the hustle and bustle of the hospital. 

"Now," she says. "You're going to be in here for a few more days, so I've brought you the menu - just circle what you want and I'll take it to the kitchens. If he doesn't see it, he doesn't know if you chose the unhealthy options!" You laugh aloud again, and reach for the menu, flicking through to see all of the other options. So many foods you haven't had in over a year - so many things you'd never dare ask Lucas to make--

You feel another twinge of guilt when you circle the roast chicken and vegetables, but you tamp it down as you circle apple pie. You'll give Lucas a bite or two, and he'll forget that he'd said you were a vegetarian--

"Good choice," the nurse says approvingly, as she takes the menu from you and tucks it into the pocket of her uniform. She gives you a conspiratorial nudge. "Honestly, I shouldn't say it, but you'd be amazed how many vegetarians take the meat option in here! Good for them, I say. You need to keep your strength up! Now - where's that remote? Shall we put it on that horror channel you wanted and I'll take it with me, so you can say it's lost and he just has to put up with it?" 

You do war within yourself before you dare ask him. You know Lucas's temper - it's hard not to know it, living out here with him for so long. Ordinarily, you do anything possible to make sure that it doesn't flare too openly; you act soft and sweet and agree with him and avoid any topic of conversation that you think might set him off. It's terrifying to see how the way he stands change, the curl of his lip and the grit of his teeth and the slightest tilt of his brows - it reminds you of all of those other people, out there, who have not been so lucky as you. All of those people who have seen him get angry and then learnt his anger in the swing of his axe instead of in the blade of his words. You could so easily have been one of them, you are usually able to sternly remind yourself when the whisperings at the back of your mind get almost too loud to handle. If you hadn't been soft and sweet and scared and what Lucas had found pretty, if you'd screamed instead of begged or fought instead of cried, you would have met your end in the woods too and your flesh would have been parcelled up into the old chest freezer and none of this would have happened--

But that was before the hospital, wasn't it? 

That was before he'd shown you that he cared about you enough to take you into town if things were dire enough - before you'd shown him in turn that you could be trusted to keep his secret. You'd had so many chances to blurt out the truth, but every time you'd held your tongue and you'd smiled and laughed and called him your husband as if it were real. 

The fourth day, Lucas had come in and had slipped a plain gold band onto your finger as a doctor had watched, taking your blood pressure. 

"Found it," he'd said, gruffly, and you'd seen that there was a matching one on his own. "I know y'don't like to be without it." 

You'd kept it, even when you could take it off and you were back in the truck and were free of the ruse. Now, as you slowly bring yourself to the kitchen doorway with a blanket wrapped around you, you play with the ring on your finger and hope he notices that, and that the little movement wins you points. 

"Lucas?" You ask, to get his attention - but you don't need to. He has already heard, his head up and cocked, and he shakes his head and sucks his teeth when he sees you standing there, bare feet on the cabin floorboards. Of course he'd heard the couch creak, of course he'd heard the pad of your footsteps - this is a man who'd heard you so much as sit up in bed from the couch, back when you'd first gotten here and he'd slept on the sofa instead of intertwined with you. He'd always come, always asked you if you were alright, if you needed him to help . . .

"Darlin'," he says, shaking his head. "You shoulda just called. You ain't s'posed to be on your feet too much. I'll bring you anything you want."

You swallow, still absent-mindedly twirling the ring on your finger. It's perhaps a size or two too big; if it were really your wedding ring, you're sure you'd have lost it doing the washing up or getting it caught in your clothes or something by now. 

(It's not yours though, is it? You wonder if Lucas bought them in a pawn shop - but no, that would have caused whispers around a small town that might have gotten back to the hospital eventually. You know the far more likely scenario is that he's had them this whole time, pried from the fingers of some poor unsuspecting camping couple who pitched their tent a bit too close. You don't like to think of the little metal band that warms your own wedding finger on the cold hand of a corpse. You haven't taken it off since he gave you it. 

You're too afraid there'll be an engraving inside, a name that isn't yours, a promise that only means something to two people who are no longer on the earth. 

At least, you suppose, they died together.)

"I . . . I've just been thinking," you say, gathering all of your courage up to try and screw it to the sticking place. Lucas is still being a little too indulgent with you; letting you get away with things that he wouldn't normally. A later bedtime, a bit of pouting, a VHS he'd gotten for you of a fantasy film that he didn't much like played at night instead of one of his own. He's still too raw and open at the thought that he could have lost you, and you don't think you'll ever get a better chance than this one. 

And he's noticed the ring, still on your finger, and there's the faintest dusky flush up his cheekbones. You let your gaze flick down to his own hands, to see that the matching band is still in place on his finger. 

(Lucky, then, that they both almost fitted. You're certain that Lucas would have taken that as a sign; another piece of proof that the two of you were always meant to be. That thought makes your stomach roil uncomfortably, but you try to ignore it. The more he thinks the two of you were destined, the more attached he is to you, the more he loves you - the more likely he's going to be to agree to the thing you're about to ask him). 

"C'mon then," he says, shaking his head in fond exasperation, moving from the kitchen counter to come and take you by the waist and propel you back towards your comfortable nest on the sofa. "You can tell me just as well in there as out here, an' I won't worry half so much. I bought some ice cream one of the days we were in town, y'know. Been waiting for you to feel a bit better. How's about I go grab it from the freezer and make us a bowl and you can tell me what it is that's on your mind, huh?"

"That would be nice," you say, fluttering your lashes, looking up at him from under them in a way you've learnt makes him swallow, his throat bobbing. "Thank you." 

"Aww," he says. "Anythin' for you, darlin'." 

You wrap yourself back up in the other blankets left on the couch and let Lucas leave the room to go out to the freezer and fetch the ice cream. You force yourself not to think of it nestled in the chest freezer, surrounded by cuts of meat - an incongruous tub amongst flesh and bone, a ropy thigh pressed against the lid, a fleshy cheek pressed against the bottom. 

There's no sign of that when he returns with a chipped willow-pattern bowl full of vanilla ice cream and he passes you a spoon, cuddling up close to you on the sofa. You let yourself be manipulated half into his lap, his chin on the top of your head, the warmth he kicks off enough to make the ice cream melt to a pleasing consistency. He insists on feeding you the first bite, and you do not protest it - all the better, to make him soft and adoring. You even force yourself to giggle like an idiot, in a way that makes him growl in approval. 

"Well then," he says, between spoonfuls, and you're grateful that at least you won't have to look him in the eyes when you ask the question. "C'mon, let's get it outta you. What did you wanna ask?" 

Last chance saloon, if you want to backtrack. If you want to think of some other silly question that might not set him off - for another pair of new pyjamas, a colouring book and some fancy pencils, anything that he'll see as an indulgence but not as a declaration of war. 

But, oh . . .

The freedom of those days. The sound of people around you had made you miss the sound of the city, the smell of antiseptic had made you miss any smell that wasn't Lucas's aftershave and the chickens and the frosty air. Controlling a television, choosing your own menu, seeing other people going about their days and knowing that despite the isolated existence you're now living, people are still out there living their lives in a way you know Lucas will never let you. 

It doesn't matter, you force yourself to think, if you will never get that freedom back. Lucas would never let you go, and you're not foolish enough to so much as think about it, let alone ask. You're never going to fulfil so many of your dreams (you'll never see Tokyo, or Paris, you'll never see the Northern Lights or try that fancy hotel in your hometown and you'll probably never know how your favourite manga ends) - but just a taste of it, every so often, with Lucas's hand in yours and him beside you to watch over you--

That's not too much to ask, is it? 

You swallow again, feeling heat rising to your own cheeks. 

"I've just been thinking," you say to him, careful and calm. "About . . . the town? The one that the hospital was in?"

He stiffens all over, and you feel it where you're pressed against him. Like a coiled up spring, tension in every curve and line of his body. 

"Yeah?" He says, his tone warning - if you were smarter, you'd stop there, but you've opened the floodgates now. Your mouth seems to be operating without the express consent of your brain, and the words come flowing out awkwardly smashing into one another in a rush of noise. 

"It's just - couldn't we do something there? Together? See a movie? Run errands or go shopping or surely they have a bowling alley or something we could go to on a date?"

"Sweetheart."

It's rough and dark and angry, but now you've started you cannot stop. 

"I mean, they've seen me! They know I live with you, they're going to ask questions about me, and I don't mind I'll tell them exactly what you want me to tell them but it would be so so nice to do something with you, even if it's just once every few months, I'd just like to be outside--"

The bowl of ice cream clatters to the floor, the remainder of the sticky yellow-white treat oozing across the floorboards like spilt blood, and your brain finally catches up with you and you go stock-still like a deer in headlights as Lucas eases his arms from around your waist and shifts so that he can be next to you, so that he can look you in the eye before he tells you he's going to kill you. 

His gaze catches yours, stern and forbidding and cold as the frost had been when you'd stepped out of the truck. Your hands start to shake as you desperately try and reassure yourself that, if you're lucky, the first blow will kill you and you won't feel any of the rest--

But to his credit, Lucas doesn't jump straight to blazing anger. 

You can feel it simmering in him, like it's rising off of him like steam - but instead, he says, his voice cold and deep and barely restrained;

"No."

"Lucas--"

"I said no." 

He doesn't soften the phrase with a pet name, and this is a bad sign. His gaze remains affixed onto yours, pinning you in place, as much a captor as the man himself. You feel like you will bow and break under it, but you have gotten this far - your foolish heart cannot resist just one more attempt, as if you will somehow find the chink in his armour that will allow you this one tiny freedom. 

"Not often. Just--"

He stands up suddenly, like a tree being shaken to its foundations, and your heart jumps into your throat. He's going to pull down one of the weapons mounted on the wall in the hallway, you know it - he's going to drag you outside and you're going to bleed out on the frosted grass and he'll prise the ring off your finger and wait for someone else it will fit, he'll bury you in an unmarked grave, he'll spin some story next time he's in town about why you're not there--

"I need some air," he says instead, shortly. "I'll be back home in a bit." He reaches to pick up the bowl, not looking at you now. You can see that his grip is white-knuckled, that the veins in his wrists are more prominent than usual. His mouth is set in a grim line. 

"L-Lucas--"

"When I get back," he says, as if he hasn't heard you at all. "I don't wanna hear another word about this nonsense, understand? I keep you safe. I keep you fed and warm and safe an' loved, and I'm not gonna take you out back into a world that doesn't deserve you just so it can fuckin' chew you up and spit you out." 

He turns away and walks, the thud of his boots heavy on the floorboards. 

"We're gonna have an early night," he says, pausing at the door. "I think all that time in the hospital's scrambled your brain good and proper. But don't worry, sweetheart," he looks over his shoulder, gaze like frosted green glass, words a bladed threat. "I'll make sure t'remind you." 

You know you have gotten off lightly. 

It is hard not to think that if you had been someone else, if you hadn't played your game so well, Lucas would not have suffered the question as coolly as he managed to. Or even if you had asked such a thing a few months ago - he would have taken it as a personal attack, as you saying he was not enough for you. 

The fact that he comes back, that he manages to give you a tight smile when he sees that you haven't moved from the sofa where he'd left you except to pick up a battered old fantasy book from the shelf full of mismatched paperbacks - that seems to calm him. You suppose that he's thinking at least you listened to him, hopefully you've taken everything he's said to heart . . .

But that's not the truth. Not really. 

Despite what you know is sensible, you have been thinking about freedom for every moment whilst you've been alone. 

Or, 'freedom' in a sense. You have been thinking about the laugh of the nurse and the buzz of the television and the food in front of you on a clean white plate that has never before played host to a hunk of meat that was once a person. You've been thinking about the sounds of the city and the feel of warm worn leather beneath you in Lucas's truck. You've been thinking and plotting and rewriting in your head exactly what to say to try and convince Lucas that maybe, just maybe, it might be alright. 

Once or twice a year, even! Christmas shopping, perhaps. A Valentine's Day movie - a sappy romance, or a musical, or something he couldn't object to. Something all romantic and soft and chosen specifically to be done with him, so he doesn't feel as though you're trying to escape. 

Lucas lifts you from the couch and guides you into the bathroom - kisses the top of your head and presses against you wanting and needy in the shower, as the hot water cascades over you both, as his fingers brush oh-so-gently the scar left on the soft roundness of your flesh in wonder. His eyes soften as he looks at it, as you suppose he remembers how close he came to losing you - and it's that look, the soft devotion in his gaze, knowing that despite it all Lucas cares about you enough that he broke his own rules to take you somewhere safe, that makes you think that perhaps it might be safe to bring it up again. 

He brushes your hair before bed; helps you put on one of the pretty cotton nightgowns patterned with sprigs of flowers that he always chooses, when he gets the choice (your pink and white striped pyjamas are in the laundry basket, waiting to be washed, Lucas wrinkling his nose and mumbling about the smell of that place). 

You sit up in bed as he pulls out his own sleepwear, and you clear your throat before you speak. 

"A-about earlier . . ."

"If it ain't an apology," Lucas says, voice tight, his back to you - your eyes are drawn to the scars that decorate his body like badges of honour as he pulls the old shirt he sleeps in down, "I don't wanna hear it."

"C-can't we just . . . talk about it? Like a . . . like a married couple would?"

Lucas turns around now. He does not lower himself onto the bed, as he stares at you with something inscrutable in his gaze that makes you trip over your words. 

"I don't want to run, Lucas! I love you!" That's a lie, but you hope he won't notice, won't care, because you said it yourself and not because he demanded you did so. "I just . . . I want to show you off, I want to do normal things with you! Even if it's just the groceries, even if it's just picking up flour or sugar--"

"I've already said no," he bites out. "I've already said no, and I've already told you to stop askin'."

"Lucas, please--"

"Stop."

You'd been wrong. You feel it slipping out of your grasp - the thought of that tiny freedom, grabbed with both hands, slipping through your fingers like fine sand. His words are horribly final, obviously designed to get you to stop asking, to keep your pretty mouth shut and be the quiet and well-behaved little spouse he wants you to be, but . . . 

The thought of something that is so close just being stolen from you like this is too much for you, and you can't let yourself be cowed.

"Can't we just talk about it--!"

"I think you've done enough fuckin' talkin'." 

He looks at you with murder in his gaze and you cringe back into the pillows. Here it is. He's going to beat you to death. He's going to kill you. You've really fucking done it now, haven't you?

But he doesn't.

He looks at you for one more beat, before suddenly a slow smile spreads across his face. 

"Okay," he says, and the change in his demeanour is scarier than anything else you've seen in months. "Okay, yeah. Get outta bed, sweetheart. C'mon. Let's talk this through in the kitchen like grown-ups."

He doesn't help you to the kitchen, this time. He leaves it to you, and you're slow about it - your body protests being taken from the warm embrace of the bed and back out. The nightgown tangles uncomfortably around your ankles, and you stumble more than once.

Lucas, though, had left immediately. Consequently, you're not surprised to see him up and at the stove when you get into the kitchen. The kettle is on the hob.

"We'll talk it through with a hot drink," he says, pleasantly enough. "The way real married couples do, yeah? Sit down, darlin'. Just let me get this to boilin'."

You can't believe how reasonable he's being. You wonder what it is that you said that brought him to this point - the married couple thing, perhaps? The profession of love, that maybe hadn't pierced him properly until a few minutes later? Whatever it is, you're grateful for it, as you sit down on one of the wooden kitchen chairs and let out a soft sigh. 

"Y'know," Lucas says, from over by the stove. "I thought about just fuckin' cuttin' your tongue out so you couldn't ask me anymore."

A cold shiver down your spine, but Lucas's tone is conversational, and you do not see one of his big knives out in the kitchen anywhere. Maybe he is going to apologise, you think. 

"I . . . I'm glad you didn't," you say, voice soft and thready. "Thank you."

Lucas snorts. 

"Yeah. Thought 'bout what you said . . . People in that town sure do know you exist now. And though I ain't planning on takin' you back, just in case . . . Thought that a missin' tongue might be kinda hard to explain, y'know?" 

The kettle whistles, high pitched enough to make you flinch. You notice, suddenly, that he has not put any mugs or cups on the table, and your entire body seems to feel as though it's made of ice. 

He has one of those old-fashioned kettles; enamel, white and blue, a long spout and a metal handle that needs to be warmed through on a hob. He picks it up by the handle now, and walks towards you. 

"So I thought," he says to you, his tone still pleasant, but his voice rough and low. "How am I gonna stop her runnin' her mouth? How am I gonna teach her that when I tell her to stop bringin' somethin' up, she oughta heed my words?"

"Please don't--" You babble out, as he lifts the kettle up. You can hear it bubbling inside, boiling away against the enamel and tin. You've burnt your tongue on a hot chocolate before, sure, tried to drink a coffee before it was cool . . . But the thought of what Lucas is about to do seems far, far worse than that. 

With the hand that is not wrapped around the kettle's handle, he grabs a fistful of your hair and pulls it back fiercely until his hand meets the back of the chair, forcing your face up and pinning you in place. 

"It's just a lesson," Lucas says, infuriatingly calm. He lifts the kettle up, and you feel the heat radiating off of it as it comes too close to your skin. "I didn't wanna do this, darlin'. But you ain't left me much of a choice."

"I won't bring it up again!" Lucas lets out a snort, and the barest drop of water snakes from the spout. It splashes onto your bare neck above the nightgown's collar, and you swear you hear the flesh sizzle as you squeak out in pain. 

"It's a bit too late for that now," he tells you. "C'mon. We don't want this to get cold now, do we?"

"Lucas, please--!"

"Open your fuckin' mouth," he says, his eyes glittering. "And swallow like a good girl, and I'll only make you drink this one kettleful. I can boil another as easy as pie. I can keep fuckin' going until you can never talk again, y'hear me?"

You're shaking, but he has slowly, slowly started to tip the kettle now. The spout is coming far too close to your lips for comfort. 

"You'll wanna wrap your mouth around it," he says, and you do not miss that it's not the first time he's said that kind of thing to you. Hot tears of fear and frustration well in the corner of your eyes. "If you make me pour it into you like you're a teacup, you're gonna panic and just get burns all over your pretty face too."

The spout nudges your lips. 

"Open your mouth," Lucas coos to you, and you squeeze your eyes shut. "Open your mouth, and we'll just do one kettleful, and I'll get you s'more ice cream once you've learnt your lesson. One kettleful and it'll prob'ly only be a week or so 'fore you can talk again." 

You try and will yourself to think of something to get out of it, but Lucas is getting impatient. He tugs roughly on the hair in his fist and lowers his own mouth close enough to hiss into your ear;

"Don't open it and . . . well. You don't really wanna find out, do ya'?"

Outplayed. 

You open your mouth.