#won’t get a job won’t get published

[peri-helia]

Dyou think I could email my thesis supervisor and just be like ‘I’ve lost all faith in academia and don’t really know what the fucking point of me doing this is?’ Or —

[acebytaemin]

the fucking shitshow i experienced today…

[whumpyourdamnpears]

when I get bored, I like to look at self-publishing and the work associated with it. finding out it’ll take $9k+ to self-publish was not it

[redgoldsparks]

My very last comic for The Nib! End of an era! Transcription below the cut. instagram / patreon / portfolio / etsy / my book / redbubble

The first event I went to with GENDER QUEER was in NYC in 2019 at the Javits Center.

So many of the people who came to my signing were librarians, and so many of them said the same thing: "I know exactly who I want to give this to!" Maia: "Thank you for helping readers find my book!" While working on the book, I was genuinely unsure if anyone outside of my family and close friends would read it. But the early support of librarians and two American Library Association awards helped sell two print runs in first year.

Since then, GENDER QUEER been published in 8 languages, with more on the way: Spanish, Czech, Polish, French, Italian, Norwegian, Portugese and Dutch.

It has also been the most banned book in the United States for the past two years. The American Library Association has tracked an astronomical increase in book challenges over the past few years. Most of these challenges are to books with diverse characters and LGBTQ themes. These challenges are coming unevenly across the US, in a pattern that mirrors the legislative attacks on LGBTQ people. The Brooklyn Public Library offered free eCards to anyone in the US aged 13-21, in an effort to make banned books more available to young readers. A teacher in Norman, Oklahoma gave her students the QR code for the free eCard and lost her job. Summer Boismeir is now working for the Brooklyn Public Library. Hoopla and Libby/Overdrive, apps used to access digital library books, are now banned in Mississippi to anyone under 18. Some libraries won’t allow anyone under 18 to get any kind of library card without parental permission. When librarians in Jamestown, Michigan refused to remove GENDER QUEER and several other books, the citizens of the town voted down the library’s funding in the fall 2022 election. Without funding, the library is due to close in mid-2024. My first event since covid hit was the American Library Association conference in June 2022 in Washington, DC. Once again, the librarians in my signing line all had similar stories for me: “Your book was challenged in our district" "It was returned to the shelf!" "It was removed from the shelf..." "It was moved to the adult section."

Over and over I said: "Thank you. Thank you for working so hard to keep my book in your library. I’m sorry you had to defend it, but thank you for trying, even if it didn't work." We are at a crossroads of freedom of speech and censorship. The future of libraries, both publicly funded and in schools, are at stake. This is massively impacting the daily lives of librarians, teachers, students, booksellers, and authors around the country. In May 2023, I read an article from the Washington Post analyzing nearly 1000 of the book challenges from the 2021-2022 school year. I was literally on route to a festival to talk about book bans when I read a startling statistic. 60% of the 1000 book challenges were submitted by just 11 people. One man alone was responsible for 92 challenges. These 11 people seem to have made submitting copy-cat book challenges their full-time hobby and their opinions are having an outsized ripple effect across the nation. WE NEED TO MAKE THE VOICES SUPPORTING DIVERSE BOOKS AND OPPOSING BOOK BANS EVEN LOUDER. If you are able too, show up for your library and school board meetings when book challenges are debated. Send supportive comments and emails about the Pride book display and Drag Queen story hours. If you see a display you like– for Banned Book Week, AAPI Month, Black History Month, Disability Awareness Month, Jewish holidays, Trans Day of Remembrance– compliment a librarian! Make sure they feel the love stronger than the hate <3

Maia Kobabe, 2023

The Nib

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[paleopinesofficial]

An important update to our Paleo Pines Community🦖💙😞

Transcript Below;

Paleo Pines Needs Your Help

A lot of you have been asking what’s next for Paleo Pines and we wanted to provide our community with an update on the challenges we are facing. The sad truth is, the future is uncertain. 

For the better part of this year we’ve been working behind the scenes to create a plan for the next iteration of Paleo Pines, filled with stunning new regions, quirky new NPCs, plenty more adorable dinosaurs, plus eggs, babies and - yes - multiplayer. The job after launch seemed simple - listen to our community, provide a roadmap full of updates and DLC to ensure that our players can continue to enjoy the existing world… and double-down on that enjoyment with the plan for bigger, better, shinier Paleo Pines for you to enjoy with friends and family.

We've been searching high and low for a production partner, one that felt your love and passion to help us bring the next Paleo Pines to life. On several occasions in our journey, we were within a few small steps of the finish line, only to have circumstances beyond our control cause the future to fall through.

This isn't happening just to us. It seems the whole indie game scene is facing a sudden drying up of publishing and investment opportunities. Thanks to the unwavering dedication of our small team and the massive love from all of you, we've been able to support the first year of Paleo Pines on a shoestring budget. 

We’ve managed to keep the lights on… until now. Unless we can find a partner who is keen to see the Paleo Pines universe grow, we won’t be able to keep our team together for much longer. 

So, we’re making our situation public. Here's how you can help:

Do you know a publisher/investor who would be a great partner for Paleo Pines 2? If you're a serious publisher or investor and are interested in seeing a production plan, financial model, game design document and more, please reach out to kevin@italicpig.com. (By the way, Paleo Pines isn’t the only property we’re working on... Our talented team has a diverse collection of small, medium and large scale projects, for PC, console and mobile. If you’re looking for something fun and a little bit different, get in here.)

Can you help in smaller ways? Every little bit helps! Here are a few ways you can directly support the devs:

Have you got our DLC yet? We've just released our very first Halloween DLCs – a great way to support us while getting more gameplay for yourself.

Still playing the demo? Are we on your Wishlist? Please consider buying the full game today, or in the next sale. We promise it'll bring you hours of dino-tastic joy! 

Befriend a Paleo Pines plushie. These adorable creatures aren't just cute, our portion of the sales goes towards development. Our latest, Boo, the albino Styracosaurus, is available now. Our previous plushies helped fund our new Halloween DLCs and free update.

Order Paleo Pines merchandise. We’ve got dozens of fun items celebrating your favourite dinos available in time for gifting this year.

Even if you can't offer financial support, you can still be a hero! Share this post with anyone who might be interested in helping. Wishlist us, buy the game, talk about how it makes you feel, and share share share. The power of community is real, and every share brings us closer to making more Paleo Pines!

The team here can't express enough gratitude to the incredible Paleo Pines community. You've been with us through every step of this amazing journey, from the demo launch to the release last September, and through our adorable plushie collaborations with Makeship. You've become more than players and we couldn't have imagined building this world with a kinder, more supportive group.

Thank you from the bottom of our hearts for supporting us on this roller coaster of a year since launch, and your patience and understanding with our current situation. Hopefully with your help, this won’t be the end of the Paleo Pines adventure.

Lots of love, The Paleo Pines Team

[kaile-hultner]

Help me dig upward: the Tumblr post

In which I talk a little bit about the hole I’ve been in for a hot minute—and what I want to do to dig out of it.

Hey y’all,

For the second time in a few years I’m starting a GoFundMe. This time, though, it’s not for the site, at least not explicitly. It is to help me get out from under the weight of debt that I’ve been carrying for more than a decade at this point, but which has finally gotten so bad that it’s affecting everything from my sleep patterns to my overall mental health and ability to do the thing that you likely already support me for: this website. 

If you’ve been wondering why the posting has decreased here, or reduced in quality, or why we started 2024 off publishing other writers and then just as suddenly stopped doing that again, this is why: I am out of money, I am in debt, and it feels like I’m living every day in pure, basic survival mode. 

This GFM, in which I’m asking for $10,000, is a moonshot, a Hail Mary. I don’t expect it to raise anything; it will be the last time I ask the Internet for money, whether it works or it doesn’t. If it works, obviously it’ll mean I’ll be able to post more and maybe my mental health will improve and I won’t feel like every moment is a countdown to a terrible ending, and I’ll be able to think of compelling angles to talk about video games again. If it doesn’t work, maybe I’ll figure something else out. Bankruptcy, probably. I don’t know. 

I hate doing this. I hate being in this position. I hate that I’ve already asked for money this year and people have been extremely generous and it just feels like all that generosity just went into a hole. I wish I had something to show for that generosity, or proactively for anything I gain from this campaign. So, if there is something you want me to cover or talk about or look at in exchange for your support on this campaign, just shoot me an email with proof of your donation, no matter how small. It’s kaile@noescapevg.com. I can’t promise I’ll write a bunch of magnum opuses at your request but I will do what I can just simply to show appreciation for your support. 

Anyway, this feels bad to me and I’m already starting to regret it, so I’m going to wrap this up by saying thank you in advance and I owe you my life. I wish that was figurative.

Edit: here is the text of the GFM I posted. 

Hi y’all,

My name is Kaile Hultner. I am an online cultural critic who has been running the video game criticism website No Escape since 2019. My work has been featured in other places like PC Gamer, Polygon and Bullet Points Monthly. And like a lot of people, I have been deeply in debt for years. 

Debt is a very strange phenomenon. As anthropologist David Graeber demonstrated in his book Debt: The First 5000 Years, it is a phenomenon that imparts a kind of moral valence on a person; whether or not that person can pay their debts is a sign of their trustworthiness or virtue as a member of polite society. Yet you can’t go without debt: at some point, at least in the United States, you have to pick up a form of debt – credit – to establish your credit score, without which you can’t rent an apartment, buy or lease a car, or, in some cases, even get a job. Being debt-free can harm this score, as can having a credit history that is “too young.” 

I’ve been in debt for a long time. I’ve been managing my debt for over a decade. Every year for the last six or seven years in particular it feels like I’m losing progressively more and more ground. Seven years ago I had a car; I could do things like deliver Uber Eats and DoorDash and make extra money whenever I ran out. It broke down in my driveway in 2022 and I couldn’t afford to take it to a mechanic to get it fixed. I sold it for $200. I haven’t been able to replace it. I don’t know what I’ll do if I ever need a car for anything. Luckily my day job is WFH. 

Recently, I’ve been fighting with my old bank over charges it erroneously applied to my account in excess of $1000, causing it to go deep into the negatives. I’ve been slowly, slowly digging myself out of that hole thanks to some close friends and some very kind folks who follow me on the Internet. But it’s caused other debts to exacerbate. And tonight I realized that I am at the end of my rope. I can’t do this anymore. I won’t sit here and say that I’ve done everything right; certainly, more than one bad decision made out of desperation has put me here. I won’t make excuses for that. But I’m tired of being here, in this position. I’m tired of waking up in the middle of the night with heart palpitations because I got an alert from my bank that I’m in the negatives. I’m tired of getting emails and phone calls from debt collectors. I’m tired of living in basic survival mode with no discernible path forward. I’m tired of being tired, of not having the energy to be creative and do the work I’ve built an online presence around for five years. And paradoxically, I’m tired of asking people on the internet for money. 

So I’m going to ask people on the internet for money, one final time. 

I’ve set the goal at $10,000. This is far more than I’m honestly expecting to get, but if I get even a fraction of that I could finally obliterate my debts in a meaningful way. I do have specific milestones that I basically need to meet, otherwise this GFM doesn’t hit its maximum effectiveness, but otherwise the sky is the limit. If I reach the whole amount… I don’t really know what I’ll do. Cry, maybe. 

Milestones – bolded are high-priority

Milestone reached! $750 – gets my old bank account out of the negatives. Eliminates one vector of harassment, allows me to close that account and move on. 

Milestone Reached! $1800 – does the above and allows me to fully pay any late or past-due loan payments missed as a result of the bank issue.

Milestone Reached! $6000 – does the above and allows me to fully pay off all installment loans 

$8000 – does the above and allows me to pay off any remaining debts. 

$10,000 – does the above and allows me to start saving. 

$10,000+ – basically a moonshot, I have no idea what I’ll do with extra. 

I fully do not expect you to donate to this. There are people trying to escape genocides, much more abject poverty, crushing medical debt, and so much more that feel – at least to me – so much more worthy of your attention and money. But just know that if you dodonate something, you have my undying appreciation. I will quite literally owe you my life. 

I’m going to post this now before I get too emotional or lose my nerve entirely, but again: thank you. Even if all you do is read this. 

—Kaile

[halcyone-of-the-sea]

To Be Alive In Summer

PAIRING: Simon 'Ghost' Riley x F!Reader

SYNOPSIS: Betrayal had never been in your cards, and you definitely didn't see yourself being the one responsible for the act. When having to go undercover, first comes the problem of staging your death.

WORDCOUNT: 8.3k

WARNINGS: Angst, betrayal, intense gore, violence, death, allusions to intimacy, weapons, vulgar language, recovery, torture, happy ending, etc.

A/N: The final request is finished, hope you enjoy it @l-inkage! Onto the AUs next.

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

You didn’t want to do it, but in this job, comfort was always an option and never a guarantee. It needed to be done. And that meant sacrifices had to be made to the dark altar of your contract with One-Four-One.

But this one just might break you in the process. 

“Are you sure that,” you pause and think over the instructions that Price had just given you—straight from the top of the line. “Are you sure that this is the best way, Sir?” 

The man’s lips are flat, eyes narrowed, he doesn’t like this either—especially if you don’t. John’s a Captain, he tallies out orders and expects people to listen without hesitation; doesn’t express his worry about their safety because that isn’t what this is about at the end of the day. It’s about keeping the good people outside of bases like these alive and breathing.

And right now that hinged on you being dead.

“Berto needs mercenaries,” Price grunts, “and any record of you needs to be wiped before we send you in.”

Vito Berto—head of a crime family that had been picking up traction in recent years, so much so that One-Four-One had to be put on it for covert reconnaissance before any more people ended up dead.

You would be sent in under the cover of an experienced mercenary; one among the ranks that Berto would need for a hostile takeover planned in three months on the Palace of Westminster in London. The House of Parliament. 

Vito was one cocky son of a bitch if he expected no one to get word of this.

Your job was to uncover the exact date, time, and the mission plan before getting out as quickly as possible. In order to do that, the soldier holding your name needed to be dead so nothing could be traced back to you, your task force, or your loved ones. 

And people needed to believe it.

“Can’t the records just be forged, Sir?” You ask, the meeting room dark and pulsing with the cold air from the vents. “What about Gaz and Soap?” Your throat closes for a moment and you speak slightly lower. “Simon?”

Price sighs and crosses his arms, fixing the stance of his feet.

“They’ll deal with it.” Inside of your pockets, your hands twitch. 

He won't. Not inwardly.  

“I…” your jaw clenched. 

Your relationship with Ghost was…strange. You’d both had your fun, of course, and you had a casual air about that sort of thing—it had happened, but nothing more could ever come of it. There was a modicum of soft care with you two; an acknowledgment of partnership in the field and out of it. 

You didn’t have to explain to people that Ghost was closer to you than others. You’d seen his face; that says enough. 

“It needs to look real,” Price explains, tilting his head down to you. “Not only for Laswell's state of mind but yours. I won’t be putting you in without giving you the best chance.” 

“You can’t tell them?”

“Negative. Security measure.” You frown, biting at your lip.

John closes his eyes and shakes his head. A second later a hand is set on your shoulder and the man leans in slightly to reassure you like a relative. You look up into your Captain’s gruff face, seeing the small amount of care he levels into his cerulean irises for you. 

He squeezes your flesh, watching hard.

“We need you for this, Trick.” The nickname was exactly why you were the only one who could do this. 

You were the first choice. No one was better at undercover work.

“How long would I be gone, Price?” Shifting out of the hold, you cross your arms and level him with a dead stare. “How long do they have to live with this lie?”

John grunts. “Less than three months, yeah? But all of it’s up to how long it takes to gather intel. Full black.” 

“Exfil point?” 

“Town five miles from Berto’s estate. Cafe with a red door near the bookstore. Woman inside’ll be your handler.” You turn away to glare at the far wall, hesitant even when you know you shouldn't be. This was your job. 

Brown eyes keep flashing behind your eyes—a skeletal mask that stares with stained glistening blood, blood you yourself feel reflected on your own visage. A shared damning of two people who would never see those great halls of the afterlife. Neither of you are good.

Simon had to understand. 

The Captain sees the shift in your expression.

“You in?” He asks you with a blank look. 

You take a deep breath, chest heavy and heart hurting. “I don’t like it,” your voice is low, monotone. “But, yeah, Sir, I’m in.”

“Good,” the man nods, hooking his thumbs into his belt. “It’ll happen in three days. Be ready.”

You watch him walk out of the room, patting you on the shoulder one last time before the door shuts behind him with a click of finality that pierces your lungs. You clear your throat and swallow down saliva, turning your face away as if ashamed. 

It’s the quiet that gets to you in that moment—the encompassing nothingness. So often you would have moments like these with Simon. Just sitting; not taking. But this silence was so different. 

This was betrayal. 

After you steady the slight tremor in your hands, you scoff and shake your head backing up a step before leaving the room; turning off the lights. 

You walk down the long hallway, feet heavy as your mind runs, and overhead the lights buzz like flies. Eyes stuck to the floor, your shoulders are hunched in with thought and your lids half-closed in a display of obvious inner turmoil. 

The shadow that waits for you, leaning against the wall, you walk past entirely—missing it and not hearing the confused call of your name behind you because of it.

“Trick!” Your hand comes up to itch at your chin, fingers pushing into your flesh. The aggressive Manchester accent slides off of you until large fingers curl into the back collar of your vest rig. 

You breathe in sharply, blinking in surprise as your feet get pulled back a step or two, pace halting as Ghost curls around your body, staring down at you. His brows are narrowed, that mask still on and the bottom fabric twisted in the obvious downward press of his lips.

“Bloody hell is wrong with you, then?” 

Sighing, you scowl and shake him off of you, moving back to allow yourself some air. Did he really have to show up now? Why was he even here, you had to ask yourself. Was he…waiting for you?

“Nothing,” you don’t look at him, speaking low. “Distracted, is all.” 

Ghost crosses his arms slowly, his brows flinching briefly as he makes a sound in the back of his throat. “Meeting go well?” 

“Fine.” He can tell something’s wrong; you know he can—he’s the best at interrogations for a reason. Ghost knows when someone is lying to him. 

You glance at his chest before you begin to open your mouth. 

What could telling him hurt? Just a hint. He’d get it—I know he would. Berto had the nickname ‘The Tanner,’ given to him by his men. When he found out anyone had double-crossed him, he’d take a large breaking knife and separate the thin layers of skin from his victims. Intel suggests he keeps them awake for all of it, stopping when they pass out only to start again when they wake back up. 

If there was any leak in this base…any at all…you wouldn’t be coming back. 

You wouldn’t be coming back to him. 

Simon’s thighs shift.

“Talk to me.” He always speaks like he doesn’t care about the answer, but you’d be a fool this far into your… relationship? To believe that he didn’t. You’d seen Simon panic over your injured body before—it told you enough. 

The easy moments and the side-eyed looks when he thought you didn’t notice or weren’t doing the same to him. 

Your fingers twitch, forcing a smirk that didn’t convince even you. Your heart was telling you to explain it to him, but your brain was firmly set behind iron doors; tongue held back by iron tongs. 

“Personal matters, Simon. Nothing you need to worry about, Big Guy.” He doesn’t look away from your eyes. Brows set in a line and that mask jeering at you; almost mocking. 

The Lieutenant doesn’t answer and your heart is visible from under your gear.

“J-just,” you stutter, face getting hot as you look away. “It’s not that I don’t want to tell you, it’s…” 

Trailing off, you rub at the back of your head in a self-soothing motion. 

Simon blinks slowly and you hear a large chest-rattling sigh. He shrugs in that way only he can—a fast jerk of shoulders that looks more like he’s trying to push off a bug than simply trying to move past what you’re saying to him. 

“Doesn’t make a difference,” it does. “Garrick and MacTavish are waitin’ down at the firing range. Best get down there ‘fore one comes looking like a kicked dog.” You can still feel him digging into you. Knives and the suspicion in his tone. 

You don’t want to do this to him. Not after all that you’ve gone through together. 

“Right.” Your feet are moving before he is, planted into the floor and pushing off through the small pinches of electricity in the nerves. Pushing out a hard laugh, you try to send him a light smile. “Did you tell them to be ready to get their arses beat?” 

Simon looks down at you as he walks beside your form in large steps; arms swinging. “Haven’t seen ‘em yet. Waiting for you.” 

If it were possible to shrivel up from guilt, you’d be nothing but bones.

“O-oh,” you huff, but it sounds like all of the air has been expelled from your lungs. “You didn’t have to do that, y’know.”

Simon grunts, accent grating as he stares ahead. “Wanted to.” 

“Good. That’s nice.” You feel like screaming. “Thank you.”

It’s nearly instantaneous how fast his eyes go dark with concern. “You sure that head of yours is on straight, Trick?”

You push open the doors outside and wonder if you even have the ability to answer him; out of everyone, you can’t lie to Simon.

“No,” your lips admit quietly, self-degrading in its own right. 

A hand grabs you by the wrist and before you can slip out, you’re being pulled back into the building and pushed into a side room. 

“Hey!” You shout, eyes flashing as the door is shut behind you. You’re released and the light is immediately turned on. “Simon, what the hell are you doing?” 

“Enough,” he levels, and your arms are clasped so you’re facing his chest, looking up into his serious and hard gaze. “Fuckin’ speak to me.” 

You’re surprised at how insistent he is about this. 

“I’m not telling you anything,” you speak through stutters and he growls in his throat. His hands are like motel lava even under his gloves and above your skin—burning like a brand.

“What happened in that meeting room, Trick?”

“It’s classified,” you say, harder than intended, spitting the words with a hint of desperation. If not for your own safety, then for his, but you know that if he keeps asking then you’ll tell him the truth. 

They were going to stage your death, and they won’t be making it pretty. 

“Fuck classified,” he leans in closer, curling over you. “You’re acting like someone’s bloody taking you hostage.”

“Simon! It’s not—”

“Cut the bullshit!” You growl and try to shove away from him, struggling with glaring eyes that go sharp with the onset of tears. “Somethings got you worried and I wanna know what it is.”

Simon wasn’t the greatest at articulation, but neither were you. 

You knew he was trying to tell you he was concerned. The man was holding you tight, but not hurting you; his face close and his shoulders wide. Along your face his eyes were darting, as if he could peel back your skin and make you explain what Price had told you. 

The Captain had given the Lieutenant a look as he’d seen him waiting for you but had said nothing. That alone had tipped Ghost off to something being wrong. 

But you weren’t having it.

Yanking out of Simon’s hands, you shake your head and put on your worst glare—meeting muddy brown and huffing. 

“Mind your own business, Riley. It’s for your own good.” The man blinks in mute shock, fingers in the air twitching before they fall to his sides.

You speed-walk out of the room before he can speak, lips slightly parted at your strange behavior. 

For his own good? What in the hell did that mean? 

Simon’s jaw clenches, a grunt in his chest as he aggressively rolls his wrist. He turns to follow after. The both of you don’t talk for the rest of the day.

—

Your body shakes along with the helo as it takes off, carrying you away from the scene of gunfire down below. In your earpiece, you hear the loud calls and yelling from your friends. Gaz is calling out to Price to give him permission to move up; the Captain too busy grappling Soap to the ground. 

Ghost is taking cover behind a wall, but he’s not quiet. 

“Trick’s in the damn building!” 

No, I’m not, you want to flick on the line and tell him. Over the three days before this operation you'd barely spoken—in fact, you’d been avoiding all of them fervently by the mass amount of guilt in your stomach. 

In the nights, you hadn’t even slept, and now you’re sure it’ll take even longer too.

Their forms become tinier, and you grasp the roof’s handle as the helo rises farther and farther. 

“Price!” Simon barks. “We have to get her—”

“There’s no time!” John responds, grunting and forcing Johnny down as he spits curses and tries to call your name over the comms. You flinch violently, looking away for a moment. “We’re surrounded!”

“I can get through!” Bullets wiz through the comms, and you can nearly imagine you are down there—trapped in the house down the way after being shot and injured by hosties. But you’d never been in that house. Never been alone down the way for recon. 

You’d been at the second exfil point. Price knew it. Laswell knew it. 

But Simon had not. 

“Negative, Ghost! Keep where you are, we can get to her later. We need to—” The building you were supposed to be in explodes in a fiery wreck; a great bloom cloud going into the air as the helo shakes from the after-blast. 

You have to turn your face away, shielding your eyes. The pilot calls to see if you’re alright, but you don’t answer. All you can hear is the screams.

“Trick!”

“Simon, get back into bloody cover!” 

“Fucking Hell! Trick, answer me!” It gets too much—the bareness of his panic for you. The panting breath; the running stomp of feet.

You rip the connection from the radio on your vest and place a hand over your mouth, breathing as if you had really been in an inferno like a piece of fodder. 

Simon had already been through so much in his life, and doing this to him as well as the task force was the definition of betrayal of the loyalty you’d cultivated.

Of the love.

Because you did love him—even if you’d never say it to each other. If he found out about what you did, which he would eventually, in one way or another, he’d hate you for the rest of his life. So perhaps you were mourning, as you stare below as the helicopter takes you higher and higher up. Farther away from him. You were mourning what you had, because you knew it would never be the same. 

Simon Riley would never trust you again, and all you had to blame was yourself. 

The tiny tears dribble out of you and fall all the way down to the ground, where the man still screams for you to answer him; John barks orders with a sheen of panic in his eyes from the bare-bones ferality of the Lieutenant. Brown eyes blazed and cities burned in his pupils. 

John had underestimated the bond that the two of you shared. 

And he just might pay the price for it.

—

Getting through selection was far easier than getting through SAS training, Vito Berto seemed to only want mercenaries that had the faintest hint of the ability to hold a smuggled weapon. It made sense because if the people he was planning to send in were well-trained, it would be easier to trace to him—ability equaled a higher level of intelligence. Planning. Resources. 

To fit in, you made sure to miss a few of your shots, even if it made your instinctual perfectionism rise. John would have torn you a new one if you’d missed this many during your selection all those years back. Probably would have asked how a Muppet like you had gotten this far with shite aim like that.

But Berto ate it up like Sunday dinner. Gave you the nickname Cross, actually. Like the crosshair of a scope.

It was safe to say you despised him. 

But the days grew longer and the nights short with all of your running around. You’d found out that your Captain’s timeline was incorrect—the attack wasn’t in three months, it was in two. And while Berto was cocky, he wasn’t reckless. 

He somehow knew there was a breach in the ranks; you could see it by how he looked over the squads in the underground bunker, all of you hidden under rock and stone like prisoners. The man would sneer, eyes filtering back and forth from the perch. 

Sometimes you had to stop yourself from simply taking the shot presented in front of you and deal with the consequences afterward.

Price had been clear: all of the people gathered here needed to be taken care of quickly and quietly—if you snapped, the rest would disappear like roaches. Alive and biding time.

During those two months, the thoughts of Simon wouldn’t leave you. 

Moments that seeped in behind closed eyelids after you’d slunk back into bed, the USBs full of vital intel stashed into the lining of your uniform in a small hidden pocket. His twitching smile and those deep scars along his face; the ones that would never go away. 

In those moments you wondered what it would be like if you had told him how much you cared for his quiet company or his dark humor. The way he would level a hand on the small of your back off duty at the bars as a way to silently shield you from the stares from patrons. 

You’d never be able to tell him now. 

Vito “The Tanner” Berto knew of a leak, and when you came back to the bunker after sending out the multiple USB sticks, the physical files, and the first-hand accounts of what was going on—eager for just a little more to make this betrayal worth it…he was waiting. 

You could only fight off so many others, no matter how subpar the training on their part, before sheer mass overtook ability. Like a house of cards with a bowling ball, you were shoved to the ground surrounded by multiple dead bodies of those you’d taken down with you—writhing and hissing as if a feral animal. 

Restraints were leveled with your wrists; your head pulled back so your nose faced the ceiling. You only stopped struggling when the chilled barrel of a pistol was set under your chin.

Breath stilling, it was hard to understand how, even then, all that was in the front of your mind was Simon. Simon and his brown eyes. Simon and his screams when that building went up in fire and smoke.

“Trick!”

You could still hear the exact pitch and rhythm like it was yesterday.

“Cross,” Berto mutters, gun heavy as it digs into your flesh. Men pant and grapple to keep you back as you sneer and jerk your arms. “I should have known it would be you.” 

“Well,” you growl, teeth bared, “obviously you didn’t.”

A slow smirk runs on his lips. 

“No, but I’ll have to rectify this. I can’t have you getting in the way.” You can only hope that the intel gets out before the end of the second month—if not, then all of this was for nothing. 

Why couldn’t you have left when you had the chance?

“Fucking Hell! Trick, answer me!”

He was why. 

Simon—the source of all of your problems and the only person who could fix them besides yourself. It’s a sick joke really. 

Vito grabs your chin and you huff out a swift breath, heart skipping beats as he burrows his digits tightly into your skin; hard enough to leave marks. He sighs and clicks his tongue and you have to keep back a whimper as his nails create crescents along your jaw. 

“You won’t tell me anything, will you, then?”

“Negative,” you spit, heated. 

He scoffs. “Of course.” 

Berto throws your head back as you try to snap out and bite at his hand, rabid, but the man’s already gone and the mercenaries behind you yank you back like a dog on a leash. Your knees slide along the floor and you rage trying to turn around before the others are forced to shove your face into the ground. There is a distinctive snapping in your nose bridge as the concrete comes up to meet you; the tears come instinctually after—unable to be stopped as you yell in pain. 

Blood floods your nostrils and mouth, making you cough as Vito’s voice echoes in your ringing ears. 

“Let me get my knives.” 

—

They had you chained in some damp back room, the corners riddled with mold spores and the air heavy with condensation. You were tied to the ceiling—feet dangling uselessly below you and the tips of your boots dragging across the floor with a quiet scrape and a creak of metal. 

Above you, on the hook, the chains were tied so ruthlessly that you’d lost circulation to your arms entirely, nothing but an electric buzzing far inside of your bones. Akin to the static of a TV screen in between connections. Your clothes had been shredded by blades—long sections of your flesh underneath, cut away. 

Blood stains most, if not all, of the floor. It drips from your nose; it falls like rain to pool at your feet in rippling crimson. 

Simon had been your partner during required interrogation training and he was far better at it than you. The man could go for hours through the mental strain that was leveled out by other soldiers on him; stoic and silent. It was the way his eyes would blank that told you he could live through far worse—that he already had. You’d had your fair share as well, but never before had you felt as hopeless as this. 

There was a slim chance that anyone would come for you here. Laswell and Price would carry the guilt of it, but you didn’t want them to. 

The blood slips over your lips, and the taste of copper makes you gag; spitting out saliva from your lips. 

It was half your choice, after all. 

You try to slip into a happy memory as the lights fade in and out, the footsteps and mutterings outside the door of little interest anymore.

ironic, that the man with the mask of a dead person brought you comfort when so little could. 

You never got to tell him how much you loved him. A thin smile comes across your lips. 

“Shouldn’t be out here this late,” the man utters as you lay out in the field, arms and legs splayed and twitching when the long grass brushes against them. “Past curfew.”

“Like you aren't out here with me?” You raise an eyebrow, looking up at the stars now that the large base lights have been dimmed. The air is cold, and the breeze makes you shudder through a chill. But you don’t wipe that smile from your lips. “Bit hypocritical, Simon.”

You hear a low grunt. 

“Out ‘ere because you weren’t answering your damn door.” A shadow slips to your side, and the man settles down with a huff on his lips. Simon retired his combat mask for a simple balaclava instead, and he sighed long as he settled his arm on the bent form of his right leg. 

You blink over at him, raising a brow. 

“Looking for me, Ghosty?” 

“Bloody hell, Trick.” You chuckle, shifting your arms to rest on your chest as you look back at the stars far above. 

“Oh, it’s alright, Big Guy.” The man shakes his head. “I won’t tell anyone you’re going soft for me.” 

“I’m not.”

“You definitely are.”

“Trick, I’m tellin’ you to—”

“Shh!” You wave a hand in his direction, silencing him and making him blink at you in deep annoyance and confusion. Ghost’s eyes were narrowed, the black of his face paint gone and smelling like standard issue body wash. 

He must have gotten out of the shower and come to see if you were still awake before making his way outside when you never answered the door. Funny how he knew where you would be.

“Fucking what, then?” He growls, shoulders wide.

You place a finger to your ear, shifting so you’re sitting up on one elbow and facing Simon. On your face, a wide smile lingers, but on his, the dark brows narrow with knowledge of a deceitful event incoming. “Listen.” 

A silence falls, Simon’s ears twitching for something in the long grass or across the field. Nothing. Nothing but the breeze and the way your face glowed as you watched him, eyes glinting with amusement. 

After a long minute or two, he looks at you with utter bewilderment. You lean in closer, poking a finger into his bicep.

“Can you hear it, Simon?” You’re one of the few he lets call him that, though never in public.

He glares. “No.”

You flutter your digits in the air, giggles trapped in your mouth. A whisper hits the Lieutenant’s ears. “Silence.”

“Bugger off,” he hisses as you reel back and belt out laughter, holding your sides and lightly curling into yourself. “You’re worse than Johnny. Jesus.”

“Aww, c’mon!” You let your laughter die down to chuckles, sanctity of night broken, but not so between the two individuals who look at each other with brimming affection none will name. 

“You’re the one that came to find me, remember?” Your tease makes Ghost roll his eyes, looking away across the open area with its wave-like grasses.

“You’re right, then, I did,” Simon grunts, his hand coming up to rub his neck. “Mistake on my part.”

“Jerk,” a soft slap is leveled to his arm and he chuckles deeply. “But you can’t fool me, Ghosty. I know you’ll always come lookin’ for me—I’m too important to you to lose.”

“Keep kiddin’ yourself, Trickster.” He doesn’t say how he would agree with the statement, it was true after all. “I won’t be dragged into your bloody messes.”

He wouldn’t leave you behind to drown in them, even if it was as simple as you sneaking out of your bunk to watch the stars. 

You’d both known each other too long for that.

You smile over at him as he sighs before slipping off his mask, itching at his stubble with hard fingers. The air settles. No comment about it entering in on the see-through waves—there didn’t need to be one. 

“Mhm,” you hum, beaming. “You keep thinking that, Big Guy.”

“Trick!” Your memory shifts, and you sit up immediately. You’d thought you’d just heard…

Eyes dart out over the field, jumping back and forth rapidly. You look to the side, but Simon is gone entirely.

“Simon?” Heart beating, you stand fully up and turn in a fast circle, confusion and fear infecting your mind.

“Trick!” Pain sparks in your body, and you hiss and grab at your clothes. You blink so fast that you half-believe the world is ending.

“S-Simon?!” What was happening? What was hurting so bad? Where did Simon go?

“Trick, fucking wake up!”

Your eyes snap open and you instantaneously feel the burning pain inside of your ribs. 

The ground is underneath you, hard and wet from your own blood as you yowl and cough, air entering your lungs in quick bursts. 

Hands encase your cheeks, shaking your head—keeping you present. 

A skeletal mask littered with droplets of human fluid stares down at you, and behind it, panicked brown eyes slash through your psyche in the small moment between agony and confusion. 

Simon?

“Holy hell.” It’s that same Manchester accent. The same scrape of vocal cords. “Alright, Sweetheart. Keep those eyes open—keep ‘em on me, yeah?” 

What was going on? You try to open your mouth to say something but all of it is lead. Were your ribs broken? How? And why was Simon’s bottom covering pushed up to his nose; his lips stained with blood? 

The man frantically goes to press into his radio.

“This is Bravo 0-7,” he breathes, and you whimper as your throat gets clogged with congealed saliva and blood. You cough violently, gagging, and Ghost quickly turns you on your side to help you expel it. His hand is hard on your shoulder. 

“I say again, this is Bravo 0-7!” Those browns never leave you, shocked and serious. “Price, I’ve got ‘er. It’s not good; had to revive but I don’t know how long she’s got.”

Revive? You’re spacing in and out, limp, and trying to breathe. 

Simon tears open his medical pouch and begins wrapping tourniquets—packing the wounds with gauze until you can get proper medical treatment on the helo back to base. 

“Bloody…” he trails, Price barking an order over the connection to bring you out; the firefight was moving to the East to give him an opening to sneak back out. “C’mon, Trick.”

Everything swims; you want to go back to that field—those stars. 

Simon was here? Truly? The thought was hard to understand in your state. 

“S-Sim—” Your voice gurgles, and you can’t feel your legs. You had to tell him. Tell him the good and the bad; all of it.

“Don’t talk,” he growls, moving you as your body seizes in a state of static shock. “I’m getting you out of ‘ere.” You’re lifted up in one grand movement, Simon grunting as he shifts you carefully into a bridal hold. “Then you’re going to explain this to me when you’re squared. Won’t take no for an answer.” 

You could feel the anger sizzling off of him even half-conscious. The mixing emotions that convulsed into a mess of adrenaline and desperation. Forcing your eyes to stay open, you blink up at him as he glances down at you at the same time, just before he exits the door he had broken down. 

The visible skin of his lips and chin tighten; going down with the twitch of with a serious frown. Something flutters behind his eyes as he stares before glancing away and clearing his throat. 

“Eyes on me, Trickster. Don’t you dare close ‘em.” You grimace as he begins jogging, heavy boots echoing along the empty corridor as the sounds of gunfire and pandemonium sound off from the other side of the bunker. 

It was hard to push back the black at the sides of your vision; already it was seeping back in. Ghost holds you tight, unwilling to even let you slip an inch from his grip as the lights above swirl, brightening and dimming. 

“Oi!” You’re jostled, and you snap back to it, tensing as your wounds flex and pull. Simon glares. “What’d I just say?”

Your weakly poisoned grimace makes his lips twitch up. 

“Good.” 

There’s the sudden flick of a safety being clicked off, and the Lieutenant halts in a jerking of feet and a ruffle of canvas.

“I’ve heard about a Ghost making his rounds, hm?” Berto stands at the end of the hall, pistol held in front of him. “I saw an apparition disappearing to find one of its own. No worries. She’ll be a ghost, too, soon enough. Perhaps I’ll have to put you both to rest together.” 

The voice makes you go panicked, remembering the tear of flesh and the sharp blades slicing your skin away, chunks that peeled, and the long stripes of flexible tendons. Your lungs fight for breath, your head weakly slapping into Simon’s neck after an attempt to move your body. Limbs shake and battle nerves; the fabric of your brain.

Your blood stains the man’s gear all the way down the front. It’s dripping to the floor, down his arms and off his elbows. You’re bathing him in it—a full-body baptism of betrayal. 

“Berto,” Ghost says, accent casual despite the gun leveled at him. The name is drawn out. “Apologies, but I’m taking back what’s mine.” He tilts his head. “Scratch that, I’m not apologizing for getting back on a Bastard like you, eh? Pity I can’t hang you up like a hog, I’m proper good with a blade too, but as you can see, I’m on a crunch.” 

Vito’s face goes confused, skin scrunching. “What—”

The bang of a bullet being discharged echoes down the way. The clatter of a great expulsion of air from lungs. Stumbling. Gargles. 

The slam of a body to the ground. 

Smoke spreads up from under the clutch of your knees, where Ghost holds the abyssal body of an M19 forward, his finger lightly on the trigger before he shifts it back in well-practiced discipline. 

“Slag,” he spits. 

Simon hikes you farther into him, lending over his available body heat as you shiver. He presses his face into the top of your head, sighing in relief before starting his pace again. The man’s lips brush your flesh as your lids flutter. 

“Still with me?” You whine into his neck, fingers twitching. “I know it hurts, Love. I know. Easy with it.” 

It didn’t just hurt, it burned. Buried like the nine layers of Hell. 

He keeps whispering to you, slinking around corners and stepping into shadows. By the time he makes it outside with you, the chill of the air on the bottom of his face he didn’t even bother to re-cover, you’re tapering on the edge of oblivion again. 

Teetering like a porcelain doll on the end of the high shelf. 

“Bravo 0-6, leaving the bunker now, I need that MedEvac prepped and ready to go,” Simon speaks quickly, not wasting a single instant. 

John’s voice wafts through. “Copy, 0-7. Helo is comin’ in, be ready it’s going to get hot!” 

“Affirm. Keep it frosty down ‘ere.” There’s a low chuckle and the swift wizz of bullets. 

“Get our Trickster back in one piece, Ghost.” Simon hears the buzzing of helicopter blades in the night, a slick form descending from the dark clouds not moments later. He turns away from the flurry of air, walking hurriedly backward so the air doesn’t aggravate you. 

“Trick,” Ghost calls to you above the noise, hearing the hurried feet of medics coming out to take you from him. Your face is scrunched and you burrow into him. “I’m handing you over!” 

You try to open your eyes enough to convey your unease at that. You have to tell him. You have to explain why you had to do it. The guilt is eating you; gnawing with red teeth and gripping with devil’s claws. You have to explain that you love him even if he hates you now. 

Medics grapple you away, and you are in pain, lips peeling back to gasp sharply, thrashing. 

No!

“Fuck,” Ghost growls, pulling you away from the men as they ask him what in the bloody hell he’s doing. He doesn’t even know—all he knows is that he’s pissed at you for what you did, but never in a million years did that mean he wanted to see you in pain. 

Simon can’t lie, when he was told you were alive, the universe had held its breath. A miracle. A ruse. But alive. Alive and trapped. 

“Stop it!” He yells, caging you into him. “I’m here! I’m right here, Trickster!” 

You’re already too gone for it, not recognizing the metal of the helo as you’re settled on your back, the loud slam of the door. Fingers pull and prob as you hiss and snap, suffocating. 

Ghost holds down your shoulders, his eyes right above yours—but you’re not looking. The helo takes off

“Bloody hell,” Simon yells. “Look at me!” 

You don’t know what compels you to do so, but your eyes open just the slightest bit wider. Brown melts into your pupils, taking you in and reminding you of chilled summer nights. Simon. You pant but stop struggling. 

The medics jump into action, ripping away the remains of your shirt and pants so they can get to the wounds; assess the damage done. 

“That’s it,” Simon sighs long, swallowing. “That’s a girl. There we go, Sunshine.” 

You blink, face peeled as everything swirls far more aggressively this time. 

“Listen to me, Trick. I’m right here. I’m not going anywhere, you understand. You said I’d always find you, yeah?” Hands grab your cheeks. “Well, I fucking did, eh? I found you. We’re gonna fix you up, Sweetheart. It’ll all be gone by morning.” You stutter down a breath, ragged throat stretching.

“Let ‘em fix you up—”

“I love you.” 

It all fades to black, but all you remember is the sweep of horror that spreads behind the man’s eyes.

—

“You went back,” Price’s arms are crossed, and he stares at you as your fingers play with the sheets of the hospital bed. “Why?”

You sigh and rub at your face.

“Trick.”

“I felt like I needed to,” you give away, twitching your fingers out in an expression of nonchalantness. “I felt…” Your voice trailed off into a growl. “Bad.”

“Feelings aren’t a part of this, Trickster, you bloody know that,” John hisses, leaning his head closer as you glare silently. “If you’d left when you could, none of this would have fucking happened.” 

“I feel bad, Price!” You break, snapping. “I fucking know! But I-I thought if I just got a bit more intel, then this would have been worth it.” Taking a deep breath you shake your head and rub at your face, all of the bandages and stitches pulling tight. “It’s eating at me. I can’t…I can’t just act like what I lied about can be forgotten.” 

You shrug as the man listens silently, monitors beeping and the small buzz of the overhead lights. 

“Soap barely looks at me—Gaz gave me that fucking pity smile and it makes me want to scream.”

“They’ll get over it.” The Captain repeats what he said months prior firmly. “They know the Op was top priority, they’ll grow up and be back to fucking around in days.”

You scoff, muttering in a dejected tone. “He won’t.”

John is still, fixing his feet from under him as he rolls his nose and looks away slowly. 

Simon hadn’t come to visit once in the time you’d been here in the ward—four days. That fact alone makes you restless. You don’t remember what you said to him, if you said anything. But you knew that he wasn’t going to be going out of his way to be near you anymore. 

You’d taken a grenade to the relationship you’d built. Toy building blocks are scattered. 

“Simon’s…Simon,” Price ends on. You groan and itch at the IV in your hand. “He cares about you more than anyone, yeah? He just needs time. Wasn’t himself after the set-up.”

“I’ve been told,” Gaz had informed you about the Lieutenant's self-isolation after your ‘death’. The snappy orders—deathly glares. He’d gone back to the ruthless man he was in the field and instead of being directed at his enemies, it was directed at them.

Kyle explained how he’d argued with Price about how he could have gotten to you, before abruptly falling silent and stalking away as if a flip had been switched. Snake eyes and clenched fists. 

They’d heard him in the gym late at night, reaming on the punching bags. They didn’t think he slept more than three hours per day if the red lines in his eyes were anything to go by.

And then they were told that you were alive but captured, and he’d gotten worse.

You’d nearly started sobbing when the Sergeant had told you all of that.

“I betrayed his trust, Price,” you level. “I…I never wanted to do that to him. Ever. Not Simon.”

A shadow passes by the door just as the Captain grunts. “That’s the job.”

“That’s not the job I signed up for when I got into this. We don’t lie to our own.”

“‘We get dirty, the world—’” You cut him off.

“Yeah, yeah, ‘stays clean’.” Your eyes level with his. “I can do the dirty work, John, you know that. Infiltration and undercover work is what I’m good at.” The man nods slightly. “But if you ask me to betray One-Four-One’s trust again, I’m out.”

Blue eyes blink in shock, but you don’t let him speak.

“Find someone else to get fake blown up in a building. I can’t get his fucking screams out of my head.” John watches you silently, eyes narrowed. 

You meet that gaze head-on, not backing down from this.

The Captain shakes his head a minute later. “Bloody made for each other,” he mutters under his breath, grunting. Another shadow slips past going the opposite direction, probably a nurse.

Without another word John turns and exits the room, tossing a hand behind his head casually in a way to say goodbye.

You huff and roll your eyes, heat on your cheeks. 

The day wains, and you let the nurses come in to do their checkups and replace the IV. As the curtains are pulled back into place, supper sits heavy in your stomach. 

You wanted to see Simon. 

You knew it wouldn’t go well, and wouldn’t be the goody-goody outcome you prayed for…but you felt wrong without apologizing in person. It went against your morals, and already those were incredibly skewed. Maybe he’d yell, or even ignore you as if you weren’t there.

Simon wasn’t above not speaking to people he didn’t like.

You had to try.

When all was dark, you shuffled out of the hospital bed and fought the weakness of your legs. Shaking like a leaf, you walked around with only your tied gown, unapologetic of the slit down the back showing flashes of your bra and underwear. 

It wouldn’t be anything the Lieutenant hadn’t seen before.

Walking through the silence, you sigh and stand outside of his door; dread in your heart and seeping from the pulled stitches of your wounds. Your bare feet on the tile make you shiver. 

Lifting up a fist, you hesitate. 

Your hand hovers over the wood, sliding forward before you pull it back to you. Closing your eyes tight, you clench your jaw once and take a deep breath.

Knock-knock-knock. Knock-knock.

The sequence was your call sign. If you knocked like that, he would know it was you—whereas Simon's own was just a single slam of the side of his fist.

The only real problem now was that he wasn’t answering.

You stare dumbly at the barrier, blinking like a fool. It takes you longer than you’d like to admit to understand the realization that he wasn’t ignoring you—he just wasn’t in his room. 

Taking a step back, you rub the back of your neck in exasperation and hurry to the nearest exit.

“Of course,” you breathe. You know exactly where he is at a time like this.

The field holds a standing shadow, a ghost of issued fatigues with a thick jacket against the chill that leaves you shivering. Simon stares out over the training grounds with his hands in his pockets, balaclava pulled all the way down to hide him from you. 

You come to a slow halt behind him and stare. 

It’s not long before the man gunts, turning his head back from over his shoulder to look at you blankly. He knew you were there.

The eye contact stays for a long, long while—until you’re hypnotized in the shades of brown and amber and the large build that seems to broaden because of your appearance.

“I’m here to apologize.” You say it breathlessly. “I’m not asking you to hear me out, but I have to let you know I regret doing it. Price said that it was time-sensitive and I—”

Stopping yourself, you look away. It sounded too much like an excuse, you hissed to yourself. At the end of the day, it was still your acceptance that pushed the pawn forward. 

“I’m sorry, Simon,” you breathe. “I betrayed your trust.”

His eyes are piercing you, but you still can’t look at him. The man slightly turns your way. His voice was monotone and grunting out like a dog.

“You think I couldn’t handle it?” Your heart starts, and you’re shaking your head instantly.

“No.” You explain quickly—honestly. “It’s that…I didn’t want you to.” 

You hear his lips take in a quiet breath. Simon rolls his shoulders before looking away from you. Nothing could have prepared you for what came next.

“You said you loved me.” Your body freezes, jaw going slack as your face drops. You don’t speak, mute as if the air in your lungs has been stolen.

You had done…what?

All of your tricks couldn’t get you out of this one.

“I,” you force a fake laugh, hands beginning to shake. “I, what? No, I’m sure that’s not what I said. A-are you sure it wasn’t, like, an ‘I appreciate you’ or maybe a…a,” your voice catches. “A whole ‘I’m fond of you’ sort of thing…? Hm?”

Simon takes a step forward and you take one back. This was worse than torture, you decided. The pain in your pulling stitches and re-set nose was welcome here.

“Trick,” Ghost utters, and you stare hard at his neck, humming. “Stop talking.”

“Copy,” you whisper quickly, shoulders falling. 

He’s so close you can feel his body heat melting into you, and you want nothing more than to touch him. Simon’s hand comes up to your chin, and he angles it up as you stop breathing, lips parted.

“I heard you in the med ward talkin’ to Price. Was outside the door the ‘ole time.” The shadow. 

He tilts your head to the side to stare at the medical tape over the slashes in your skin. The scars won’t bother you—you had plenty of others to show as well. But Simon was…studying you. Assessing. 

His eyes blink slowly with those long pale lashes, and they slide up to you as he leans in close to your ear. Still, you stand comatose.

“You put me through a fucking heap ‘o hurt, Love.” You stare over his shoulder, not speaking, not moving. 

Simon leans back and lets go of your chin, brushing a finger over your nose and the puffy skin there.

“Never do that again.” It’s final, how he says it. But the layers of depth are plain to hear. Simon speaks low and even—gaze trapping yours like a curse. 

You know he won’t talk about the things you’ve heard. The aggression or the late-night gym trips. You’ve known him for years, and know his brain like the back of your hand.

Shivering, you nod once, content with not answering verbally to break the sanctity of the moment. Seeing Simon like this made you ease your fears. You clear your throat to push back the stuffiness.

“Thought you held grudges, Big Guy?” Nearly not heard, you mutter and pick at where the IV needle is supposed to be. 

A hand catches yours and stops you from making it bleed.

“Do,” Ghost grumbles, turning your hand over and moving his face closer until you feel his breath. “Just not with my Bird.” 

His balaclava is suddenly up to his nose, and those lips that had been covered in your blood previously situated themselves perfectly to yours. 

You gasp, arm outstretched beside you in shock. 

You’d kissed him before, but this felt different. More intimate. Simon’s arms slip around your waist, and you retaliate by locking your shaking arms behind his back, feeling the gentle passes of his lips. 

Mouth to mouth, you breathe each other in as if grasping for the other’s soul in desperation. A desperation that tells you how much the beast of a man around you was terrified of your death and the body he had to carry into the helo—of the lengths he would go to stave death from touching your tender flesh. 

No, only he was allowed to do that, and he was a reaper in his own right.

A small death that infected you at every breath puffing into your mouth, every whine and whimper he could draw like water to swallow down as ambrosia. Nectar of the Gods, and it was right there in his arms. Back. Alive. 

To be alive in the summer field of this old military base was to accept that death, and into it, hope that the few moments you had together truly made a difference. 

Simon would hold you there—and when that was done, wrap you in his jacket and carry your battered body back inside; watching your swollen lips and the wide eyes as they gaze back at him. 

Because he could hate you all he wanted for this, for the lies, for the way you made him care…but the both of you would still be alive to do so.

He guessed that was all that mattered.

TAGS:

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[moonstruckme]

White Lies

summary: when you come back to work soon after getting injured on a case, all you can think about is keeping the public safe from your latest unsub; Spencer's thinking about keeping you safe

cw: case involves kidnapped and murdered women, but no details are given

Spencer Reid x bau!reader ♡ 981 words

You’re aching from sitting up straight in your chair, but you do your best to ignore it. You keep your eyes firmly on the screen as JJ presents an overview of your new case, doing your best to look engaged and attentive. A consequence of your job is extraordinarily perceptive coworkers, which means that when you have something you want to keep to yourself, you often have to go to inconvenient lengths to avoid notice. You’d hustled like never before when you’d gotten the call to come in, getting yourself situated in the briefing room a good ten minutes before anyone else arrived. That meant no one had been around to see you limping into the building, taking your time to sit down in your chair, or downing two extra-strength pain relievers with your coffee. 

Emily had expressed some surprise at seeing you back at work so soon after you were injured in the field and you’d gotten an odd look from Spencer, but neither of them had time to question you further before Hotch entered and began asking for details about the case. This one’s got to do with women being kidnapped and subsequently dumped in rural Texas, and not to be dramatic, but no physical pain can be worse than the torment of not being able to help catch the guy who’s doing this to them. All you have to do now is avoid giving anyone on your team reason to question your capability. 

“News networks have already published some details of the case, so we’ve got some damage control to do,” JJ finishes, “but the local law enforcement is very eager for our help and it seems like they’re going to be open to what we have to say.” 

“Good. Y/N.” Hotch isn’t even looking up from the case, but you snap to attention. “You’re cleared to travel?”

“Yes.” 

“Good.” He snaps the binder shut. “Wheels up in thirty.” 

Everyone else stands, and you stall, waiting until all backs are turned before pushing yourself up out of your chair with a grimace. Spencer turns around at the door, stepping aside for Garcia to pass through, and then you’re alone. 

“You’re cleared to travel?” he asks you.

“Yes,” you repeat yourself. 

Spencer crosses his arms, standing just barely in front of the door. You could push past him if you really wanted to leave, but he knows you won’t. You and Spencer haven’t been together for long, but he’s always had a way of reading you when even the other members of your team can’t. You keep your face carefully blank. “You’ve barely had any time to heal,” he says. “Who would clear you?”

“A doctor.”

“What doctor?”

You sigh, crossing your arms to match him. “My friend Maggie.” 

Spencer’s eyebrows knit together. “Doesn’t your friend Maggie live in Chicago?”

“She does,” you admit. 

“So how did she determine that you were safe for travel?” 

He’s frowning like he already knows. You think about not answering (what’s he going to do, whine to Hotch about it? They need everyone they can get for a time-sensitive case like this, and you know Spencer is just as aware of that as you are), but then you catch the flicker of worry in his gaze. It’s hard to be angry at him when he’s clearly doing what he thinks will help you most. “We talked on the phone,” you say, softly but still firm enough that you hope he won’t argue further. “I told her I feel fine, and she cleared me.” 

The sigh that leaves Spencer is so long and heavy you’re surprised his ghost doesn’t come out at the end of it. “Sweetheart,” he says, coming forward to wrap his hands around your arms. His thumbs rub synchronized paths, up and down on the skin above your elbows. “You know that’s not the same as having a doctor actually check you over. We both know you’re not fragile—” he gives you a small smile, and you feel a tug on the corners of your lips in response “—but your body is vulnerable right now. The last thing you need is to make it worse by getting hurt again in the field.” 

You can’t look him in the eyes. You can handle a verbal lashing, but it’s softness like this that wears you down, and Spencer knows it. You fix your gaze on his chin, trying to think past the sproutling of guilt he’s sneakily planted in your gut. 

Spencer gives your arms a light squeeze. “Let me just talk to Hotch,” he says, pushing his advantage. “I’ll tell him about the mixup with your clearance, and then he can decide if you should still come along on this one or not. I’m sure Garcia could use the help if you stay back.” 

You look at him, feeling like a kid chastened for being outside after dark. “Garcia’s a one-woman army, she doesn’t need me. You guys need all the manpower you can get for this case.” 

“I know.” Spencer’s tone is consoling, and that only makes it worse. He drops a kiss on the top of your head. “But I need you to be safe even more than that. Hotch might still decide to let you come, okay? Just…you have to be honest about these things, sweetheart.” He gives you a disappointed look, and you have to look away from his eyes, well-meaning as they are. “Your health is a serious thing. We need you for years, not just for today.” He ducks, catching your gaze. “Okay?”

“Okay,” you say quietly, and Spencer gives you a smile, kissing your cheek. 

“Okay, just give me a minute,” he says, and if he weren’t on the way to foil all your plans, you’d say he looks downright merry as he starts towards Hotch’s office. “I’ll let you know what he says.”

[hockeyassforposterity]

A beginner’s guide to goalie equipment

//

I’m taking a class dedicated to zine making and self-publishing this semester - and I made this for my first assignment. It’s twenty eight pages, printed on cream coloured paper, and saddlestitch bound with blue linen thread.

You guys seem to love goalies so I thought you might like this. I also love goalies, but in a sort of narcissistic way.

//

Full transcript with page numbers below the cut

(3) Under normal circumstances, there are six players on the ice from each team. One of these players is a goalie.

Hockey has a lot of rules, but to understand goaltending, you actually don’t need to understand most of them. All you need to know is that your team’s objective is to put a vulcanized rubber disk into your opponent’s net. This is called a goal. If you’re a goalie, then all you need to do is to stop your opponent from doing that to you. Most goals wins. Simple.

If items in pairs are treated as a single piece, then my goalie equipment consists of eleven pieces. They are as follows:

//

(4) It’s called a jock or a jill depending on your personal plumbing. This is the one that keeps you from getting hit directly in the junk.

They make ones specifically designed for goalies, but I don’t have one. After thirteen years as a full time goalie, this is the only piece of equipment designed for players that I still own.

“Jock and Jill went up the hill…”

//

(5) They look like shorts but they call them pants.

Goalie pants have extra padding to protect the front of your legs and very little padding on the back. If you fall on your ass, it’s gonna hurt. Ask me how I know.

//

(6/7) In comparison to the skates worn by players, goalie skates are shorter. The boot sits in this hard plastic dish called a cowling that keeps your feet from getting broken. New goalie skates have these built in.

Skating technique for goalies is based on pushing laterally rather than gliding forward, so the blades are straight instead of curved.

I’ve had my skates for almost ten years.

//

(8/9) Big, box-shaped pads made of synthetic leather that attach to your legs with straps, designed to take up as much space as possible. Hard enough that pucks bounce off, but soft enough to move in. Smooth on the sides so they can slide across the ice.

//

(10/11) If I needed a visual metaphor for goalie pads, I would represent them as wings.

//

(12/13) A piece of cut resistant fabric and padding that wraps around the neck and is secured with velcro, protecting it from cuts and from the impact of getting hit.

There’s an additional piece of hard plastic that hangs off the goalie mask by strings so you won’t get hit in the neck at all. These are known colloquially as danglers.

Neck guards are not mandatory in the NHL or PWHL. Some players wear them, but most players don’t. It’s your life, but I think you should wear one.

It is mandatory to wear a neck guard in minor hockey.

//

(14) One big piece of equipment that covers your entire upper body. A lot of little plates all connected to each other.

There is a lot of padding on the front.

And no padding on the back.

Goalie equipment is like a turtle shell, but in front of you instead of on your back. You have to learn not to be afraid. You won’t get hurt if you let yourself get hit head on.

//

(15) Why do they wear jerseys in any sport? So everyone looks the same, but with numbers to still be identifiable, I guess. In hockey, the number 1, but also the number 30 and 31 and other numbers in the 30s are widely considered to be numbers specially for goalies.

//

(16/17) A lot of goalie masks have custom paint jobs. My dream is to someday paint my own. If you know someone who could help me with that, please give them this zine.

I want to cover it in hands, because I love drawing them - but I’m worried that would make me look like a freak. Maybe that’s the point, everyone always says that goalies are weird.

Goalies wear pads and goalies wear art and goalies have special numbers just for them. Goalies do not have to look the same.

//

(18/19) It’s loud when you get hit in the head. If you get hit hard enough, the material of the mask will flex to mitigate the force of the impact and the straps keeping it attached to your head will pop off. So you don’t get hurt, your mask is designed to fail.

I once heard someone say they could never be a goalie because they aren’t mentally strong enough.

I don’t think this is true. Every kid cries at first when they get scored on and then sooner or later they stop. You will learn how to fail.

//

(20) Called a catcher or a trapper, but sometimes just referred to casually as the glove, it has a pocket to catch the puck. You have to break it in like a baseball glove. My dad and I spent years playing catch to break in my first glove.

My parents have two daughters and no sons. After we were born, people would ask my dad if he was disappointed to have no sons.

I don’t know why. You can play catch with your daughters.

//

(21) The blocker goes on your dominant hand and is the one you use to hold the stick. It’s a glove with a literal block of padding attached to it. If you position it properly, pucks will bounce off.

Like your pants, like your chest protector, like your mask, you have to face the puck head on. If you’re afraid, then you’ll get hurt. Do not be afraid.

//

(22/23) Hockey sticks are made out of molded carbon fibre and are hollow on the inside. Goalie sticks have a wider section at the base referred to as a paddle. The ideal paddle length varies depending on your height. You wrap the blade and end of the stick in tape for increased grip.

When I was fourteen I subbed as a goalie for another team at a tournament. My first crush on a girl was on a player on that team. She was blonde and wore glasses. I don’t remember her name. I haven’t seen her since.

There is a company that makes hockey tape with a rainbow pattern explicitly as a symbol of inclusion.

Last year the NHL banned its teams from wearing specialty jerseys in support of causes, any cause, on the ice. Later, they banned players from using pride tape on their sticks. When Travis Dermott used it anyway, the ban was overturned.

Marie-Philip Poulin is the captain of the Canadian national women's team. She plays on the same team as her wife, Laura Stacey.

We’ll get through this, please don’t be afraid.

//

(24/25) Goaltending works by covering as much of the net as you can. Obviously, the taller you are, the easier this is, but the way it’s actually achieved is with angles.

The closer you are to the puck, the less net there is to see. The better you face the puck, the less net there is to see. And of course, the faster you get to the puck, the better.

I am not tall, but I can get to the puck anyway.

If I needed a visual metaphor for goalie pads, I would represent them as wings. Why else would they call it the butterfly?

//

(26) How to be a goalie, in four simple steps:

Learn how to put on your equipment.

Learn to fail.

Learn to fly.

Do not be afraid.

[badlywritingmagazine]

Wanna help a by-and-for transfem journal?

Wanna get involved?

Thank you everyone for your interest so far! If you have a sec, I’ve written a quick post about a few ways you can help. 

Lili Elbe, painted by Szív királynő, serving “journal reader” realness Do you have trans female mates?

Let your girl friends know. Share it amongst your networks. 

Can you read? 

Wonderful. Subscribe to this substack to be notified when an issue is released. 

Can you think?

If you’re a trans woman and you have feelings about something, send it to us. If you’re developing an idea, come chat with us over email (or arrange a phone call) and let’s figure it out together. 

Do you sell books and zines? 

Wonderful. Email me. Stock it. Perfect. I can also send you a poster version of our invitation to submit to print out. 

Have you written?

If you’re a trans woman who writes about things relevant to our lives, send it to me. If it is online and you worry that it won’t stay up forever, it’s affecting your job and life prospects, or that it is a reflection of its time and not 100% wise anymore, send it to me and get it archived. Archiving is part of the goal here. We’re not uncurated, but that doesn’t mean you should shrug and let the internet, time, transmisogyny and linkrot eat your hard work. 

If you’re a trans woman with jobs and obligations and you don’t like having your essay ‘Why dickgirls should commit more assassinations’ or ‘transgender materialism: towards a de/coterminous understanding of post tipping point transmisogyny’ or whatever attached to your name then send it to me and get it re/published under a pseudonym.

If we get a large number of submissions like this we will publish it as a separate supplement, but else it will come as a section within WBM.

Do you know grants?

Rates for unfunded zines and pamphlets suck. We want to pay the women well. Let us know if you know of funds or grants you think we fall under. We’ll be sending off applications. 

Can you help us host a launch party in a major city?

We envision low-cost evening events with discussion, trans women, and piles and piles of essays to talk about. (Can we crash on your couch?) We’re based in the UK, but are happy to come anywhere Ryanair goes where there’s a willing audience. 

Got an idea I don’t have? 

Ultimately, I want to keep this dirt simple. Essays come in, paper goes out. No columns, shite graphics. Couple core editors. Schedules loose enough to spend half the year depressed and still get it out. Stolen printer paper. Something that won’t collapse after two years. Posterity. 

That said, if you have an idea (and maybe if you want to do it), email us. Think you know enough people to get this translated and shipped somewhere else? Can you translate and know of a non-English language transfeminist text that’s not got much attention in the anglosphere? Maybe we can submit an application for a grant and distribute your translation? Understand distribution better than me? Do you have the wherewithal to manage a personals board? Something else? Anything except an agony aunt section. I’ve called dibs on that one. 

Do you have agonies? Issues? Want bad advice?

Write to the agony aunt. writingbadlymag snail symbol gmail dot com.

Do you have something to say which won't make a whole essay but is still worth saying?

Write a letter to the editor. Same email.

Addendum: Can you help us set up a website?

Websites we think are beautiful are dirt simple. Low-tech Magazine has a beautiful low-energy website. Filmmaker Margot McEwan has a lovely fitting website. Any thoughts or suggestions should be sent to the same email.

(update: we're all set now! Check out badly.press!)

See a good stack cutter?

If you see a cheap paper stack cutter for cheap, let me know. :)

Thanks all!

Forthcoming posts: information for writers, extracts from the issue.

[humansofnewyork]

"My downfall was when I first got a Kindle. I went straight to the self-published stuff the authors were selling for nothing. A lot of it was Romance. I read stuff my eleven-year-old self should not have been reading. But my favorite was called The ABCs of Kissing Boys. I read it multiple times. It’s about a girl who’s never been kissed. She falls in love with the next-door neighbor. She’d grown up with him. But one day she looked up, and he was different. And he was there. It gave me hope. I’d never been one who was sought after. I’d get these big, all-encompassing crushes. And they’d always just devastate me. But when I read these books, it was like: I can be her. It can happen. I fell in love with Romance. I even wrote my college thesis on it. There are a few rules every Romance must follow. Rule number one: it has to be about the romance. The book could be set in outer space. But it’s not about space exploration. It’s about two people who fall in love. Toward the end there will always be some sort of fight, or miscommunication. That’s the thrill of it. But it’s also the hardest part to do successfully. Because in the back of their mind, the reader knows. Rule number two: every Romance has a happy ending. Right now I’m still in my first act. A small-town girl moves to New York. She hasn’t found her dream job yet at a Romance publisher. But she’s working at an academic publisher, so she’s in the solar system. On weekends she works at a bookstore called Books Are Magic. Maybe one day, somebody will walk in. Boy, girl, doesn’t matter. They’ll buy her favorite book. Then they’ll keep coming back to buy the books she recommends. She’ll become the first person they text whenever they want to chat. She loves Corgis. So whenever they see a Corgi, they’ll text her a picture. There will be fights. Because this girl has never been able to stand up for herself. But she’ll feel safe with them, so she’ll stand up for herself. She won’t be made fun of. Or judged. She can say the most inane things. Every time she finishes a book, she can talk about it for hours. And they’ll be charmed. They’ll never say: ‘My God. It’s the same plot over and over.’”

[unalivejournal]

imagine a tumblr simulator set in the velvet goldmine universe lmfao

2 notes

🎹 wilderatz Follow

DNI if you still support br*an sl*de after the shooting hoax. what he did was fucking unacceptable and pathetic. the panic and heartbreak on the dashboard that day was absolutely traumatizing. and the fact that it was all for cheap publicity makes it even more despicable. if you HAVE to listen to his records the least you could do is buy them secondhand

#so glad curt never cut that record with him

186 notes

⭐️ glittersisgay

i got new boots! seeing the flaming creatures tonight :-) life is good

4 notes

👨🏻‍❤️‍💋‍👨🏼 wildemons Follow

sorry but the sladewild narrative is CRAAAAZY. like imagine you start off as a nobody performer and becoming enthralled by this rockstar after he shows up your act and you end up becoming famous by being inspired by his stage presence AND YOU BECOME FAMOUS ENOIGH TO GO TO AMERICA AND MEET THIS GUY AND YOUR LABELS START FABRICATING A RELATIONSHIP BETWEEN U TWO TO GENERATE PUBLICITY FOR YOUR NEW ALBUM BUT THEN YOU ACTUALLY FALL IN LOVE AND HAVE TO KEEP IT A SECRET BUT THEN THE PAPARAZZI FINDS OUT AND YOU HAVE A HUGE FALLING OUT BUT THEN A FEW WEEKS LATER YOURE SPOTTED IN THE CROWD AT THE DEATH TO GLITTER SHOW

♻️ 🦷 roxytunes Follow

lmfao WHAT are you talking about. swear to god i’m sick of you invasive freaks trying to make things up about real peoples lives. the part about the labels trying to market slade and wild as a couple isn’t even true. yes they were heavily publicized as close friends but they never admitted to being in a relationship. also receipts on brian being at the death to glitter show???? stop spreading false information

♻️ 👨🏻‍❤️‍💋‍👨🏼 wildemons Follow

anyways watch out for my new sladewild maxwell demon tour era fic that will be published in my next zine 💋

#my mutual was literally next to him in the crowd.

58 notes

🪩 girlboydragdemon

at the Sombrero Club with the glamrocktuals YAYYYY

♻️ 🪩 girlboydragdemon

Hangover.

#we may have made. mistakes. #also we think brian slade’s former manager was in the booth behind us

11 notes

🌟 venusinpurrs

♻️ 🎸 balladofmaxwellsemen Follow

WHY ARE WE PITTING THREE BAD BITCHES AGAINST EACH OTHER

♻️🌟 venusinpurrs

better question WHY ARE VENUS IN FURS LOSING GUYS CMON ITS OBVIOUSLY THE RATS

♻️🌟 venusinpurrs

do you people hate dykes

244 notes

💋 jack-fairy-fan51 Follow

Anyone else feel like this Tommy stone guy showed up out of nowhere?

6 notes

❇️ 20th-cxntury-bxy

Well…. it’s been a fun time on the road with Malcolm & co. (@/theflamingcreatures) but in the months following the hoax and the death to glitter tribute I’ve been feeling more and more inclined to move on. idk. i know there’s still an active tumblr community but in the real life scene it feels like everyone’s just…. given up. I’ll be starting a new job soon and won’t have a lot of time to post. Might delete this blog in the near future. remember to support local shows and keep being yourself

#a.journal

0 notes

👨‍🎤 lipstickkissedelbowglove

word on the street is that mandy slade divorced brian???? lmao get his ass

♻️👨‍🎤 lipstickkissedelbowglove

[#finally i have a chance with her]

you’re funny if you think any of us on this site have an inkling of a chance with her

2,658 notes

🎸 balladofmaxwellsemen Follow

Just found this on the sidewalk. does anyone know what it is?

7 notes

[mydaddywiki]

Pat Conroy

Physique: Husky Build Height: 6' 1"

Donald Patrick Conroy (October 26, 1945 – March 4, 2016; aged 70) was an American author who wrote several acclaimed novels and memoirs; his books The Water is Wide, The Lords of Discipline, The Prince of Tides and The Great Santini were made into films, the last two being nominated for Oscars.

Recognized as a leading figure of late-20th century Southern literature (and as a hot chub daddy), who has written several acclaimed novels and memoirs. A former military brat with daddy issues, if he was born a woman, he would have turned into a stripper or whore. Instead he became an author that I'd still take to a back alley for a blow-job. Sure the comb over might be a problem, but I’m positive I won’t be focused on that whilst said dick was in him.

Born in Atlanta, GA, Conroy moved often in his youth, attending 11 schools by the time he was 15. He did not have a hometown until his family settled in Beaufort, SC, where he finished high school. During his senior year in high school, he was a protégé of Ann Head who was an influence on his future writing. His alma mater is The Citadel, The Military College of South Carolina in Charleston, where he graduated from the Corps of Cadets as an English major. He briefly became a schoolteacher (which he chronicled in his memoir The Water Is Wide) before publishing his first novel, The Boo.

Conroy lived on Fripp Island in Beaufort County, South Carolina until his death in 2016 at his home from Pancreatic Cancer. Living in South Carolina, I use to imagine running into him and offering him THE DICK. Then write his own biography about how we were secret lovers for years. Fucking like dogs in heat every time we get together. Yes… that would be a top seller.

Conroy’s first two marriages ended in divorce. He is survived by his wife, the writer Cassandra King; four daughters: Jessica Conroy, Melissa Conroy, Megan Conroy and Susannah Ansley Conroy; five stepchildren: Emily Conroy; Jake, James and Jason Ray; and Gregory Fleischer; and seven grandchildren.

Works: 1970: The Boo 1972: The Water Is Wide 1976: The Great Santini 1980: The Lords of Discipline 1986: The Prince of Tides 1989: Unconquered (teleplay) 1992: Essay on the Hidden Subculture of Military Brats at the Wayback Machine 1995: Beach Music 2002: My Losing Season 2003: Unrooted Childhoods: Memoirs of Growing Up Global 2004: The Pat Conroy Cookbook: Recipes of My Life 2009: South of Broad 2010: My Reading Life 2013: The Death of Santini 2016: A Lowcountry Heart: Reflections on a Writing Life

[storm-angel989]

🎀IM SORRY FOR BLOWING UP YOUR INBOX! But Val/Vox(idrc which one) x Anorexic Daughter Reader?🎀

PLEASE READ BEFOREHAND

Hi Friend,

You’re not blowing up my inbox- I keep every request in a google doc and when inspo hits I work on it! If I ever decide I won’t do a request I won’t just delete it- I’ll post and say it directly <3 

Preface for this work:

 I’m considered a plus sized equestrian/plus sized human. Eating disorders come in all shapes, sizes and issues. I believe it’s Blythe Barid who said “If you develop an eating disorder when you are already thin to begin with you go to the hospital. If you develop an eating disorder when you are not thin to begin with, you are a success story.”

Stories like these are based on my own experiences and issues- and on this topic, I’ve had quite a few. Please remember that all bodies are worthy of love and respect, care and concern. It's a tough concept to wrap our heads around, and admittedly I still struggle with it. 

A little background info: 

ED’s are a huge part of my writing that I haven’t published. Ana and Mia are characters I have created (or maybe my own food issues created them). Either way, they’re  separate entities for separate stories- demons that I imagine have their own place in hell as well as in my writings (all of which have been in existence far longer than Hazbin). That being said, naming your ED is something I did and I have done. Even for the purpose of writing this story, the entire thing felt wrong without Ana running the behind the scenes. 

With this one I tried to pain the pain, the anger and frustration behind that never feeling good enough feeling. I would be open to doing part two if folks would be interested. Please also know I’ve written on this topic in several other forms if you explore my masterlist (or I can directly send you the links if you PM me). 

<3 Mandy 

I stepped on the bathroom scale and looked at the number that flashed below. The words of my coach echoed in my mind- I needed to lose the summer weight, or else I would be benched for the rest of the season. She had helpfully provided me with a journal to keep track of my weight, what I ate in a day, activities I did and how many calories I burned in accordance with my VoxTech watch. 

A month ago, I had met her goal, thus ending the weekly weigh-ins. According to her, I had lost enough weight to maintain my place on the team. It was on me now to make sure that I maintained that weight, or lost more. In her exact words, you could never be too skinny. 

“Bebita? Breakfast,” my fathers voice called from the hallway. “Come on, before it gets cold.”

The number told me I hadn’t gained weight, but I hadn’t lost weight either. I picked my backpack up and slung it over my shoulder. 

“Sorry, Dad! I’m late! I’ll eat at school, I promise,” I answered back as I rushed out the door. 

Surely skipping breakfast wouldn’t hurt. 

Skipping breakfast turned into skipping lunch. Skipping lunch turned into avoiding dinner. Sugar free jello and skinny pop became my go to snacks as the numbers in my book slowly but surely began to get smaller. Somewhere, a little voice inside my head began to cheer my successes on the scale. Over time, I learned that she had a name. 

Ana. My secret diet partner. My invisible cheerleader. The willpower I needed to keep going on the hardest days. And most importantly, someone who paid attention to me, 

With each passing day, Ana grew louder. She encouraged me to keep my diet a secret from my family. After all, they wouldn’t understand. Pleasing her, it became almost like an addiction- a game I played with myself to see just how little I could become. Food became nothing more than numbers, an obsession that consumed every minute, every second of my thoughts and desires. 

In my household, it wasn’t hard to keep it to myself. Hell, one could argue that I wasn’t technically even keeping it a secret. My father had a very important job, after all. And my Auntie Velvette and Uncle Vox also wouldn’t have had the opportunity to make the connection. A quick, I ate earlier, sorry! And I got off scott free. Ana cheered with each no thank you I uttered. My head between my knees after practice had become a ritualistic practice. Waiting for the black spots to fade, taking deep breaths to try to regain the energy to stand up and walk out to the awaiting limo. It wasn’t like there was anyone waiting at home for me anyway. 

On the daily, I kept a careful eye on my voxtech watch. The first time my blood sugar dropped, I got a call from Vox. Paniced waves rushed through me. A suggestion from Ana to bribe to a friendly tech demon. A brief trade later, I had constant vitals being sent from my watch, my real ones hidden behind a password. With this newfound freedom, outside of homework and practice, my time normally devoted to hobbies or hanging out with friends became time to sleep. After all, I was working on the perfect body. I needed my rest. 

For almost six months, Ana and I were best friends. 

Saturday morning. Game day. One of the busiest days for my father. After all, lust and depravity raked through the weekends like wildfire. Or at least, that was what he claimed. I stood in front of the mirror trying desperately to tighten the drawstring 

“Hey bebita?” I heard my fathers voice call from the hallway. “Baby, are you up?”

“Yeah, Dad. I have a game today,” I snapped as I tied another knot in the string. 

Why the fuck wouldn’t these stupid shorts stay up? I fumed to myself. Every part of my body ached, and even yanking on my shorts sent black spots and exhaustion rushing through my body. I leaned my head against the mirror and tried to take a deep breath. I could do this. I had to do this. 

The next thing I heard was my fathers voice, felt his hand shaking my shoulder. It took every ounce of energy to open my eyes. 

“Bebita? Reader, can you hear me?” Valentino asked frantically. “Princessa, wake up, now!”

“I’m fine,” I muttered as loudly as I could. Somehow, I managed to push myself upright. 

“You most certainly are not fine,” he replied sharply. “I’m taking you downstairs to the doctor, right now.”

Doctor. That meant I would miss the game. No, I had an obligation to my teammates. Somewhere in my head, Ana screamed.

Get up, fatass!

You really want to fuck this up for everyone?

You better not let him take you to the doctor, you do that and you’ll never find perfection. 

“I’m fine,” I growled, louder this time. I pulled myself to my feet and black spots dotted my vision. I felt my fathers arms around me and in seconds, I was off the floor and in his arms.

“Put me down, I can walk,” I tried to yell. Inside my head, Ana screamed louder, demands and insults about my current predicament. I pressed my hands to my head and curled my fingers in my hair, “Dad let me down NOW!” 

He ignored me as he carried me down the hallway. 

“Vox? Velvette? Both of you, with me. Now. We have a problem.” He said loudly. 

“Woah, what’s going….” Vox’s voice began. 

I shoved my hand against my father as he walked through the living room.  To my relief, he set me down on the couch. 

“What?” I snarled as three sets of eyes stared at me. “What the fuck are you looking at?” 

Vox checked his phone and then walked over to me. With one finger, he lifted off my Voxtech watch. 

“Hey! Give that back!” I demanded. “I’m going to be late to my game!”

All three of them ignored me. Wordlessly, Velvette walked away and returned moments later, bathroom scale in hand. She set it infront of the couch and gave me a hard look. 

“Step on.” 

“Fuck you,” I snapped as I stood up. I tried to ignore the black spots that danced just out of sight. “My weight is none of your fucking business.”

“Reader!” Valentino said in dismay. “That’s no way to talk to your Aunt.”

“I’m leaving, I’m already late. Thanks, Dad,” I continued sarcastically as I kicked the scale aside. 

Inside, Ana cheered. I bent down to pick up my backpack and the world around me spun. Three steps,  and Vox’s hand gripped my upper arm. The last thing I heard was Ana’s voice screaming indistinguishable words. 

When I came to again, I found myself in a room of gray and blue. Wires stuck out from my chest, and I tried to cough and spit the feeling of something painful in the back of my throat. I tried to reach up, to shove my fingers down my throat, and my skin met padded white cuffs. 

What the fuck?

You’re going to have to work hard to get yourself out of this one, Ana taunted. Great job getting caught, fatass. 

“Hey, baby, it’s alright, Papi is here,” I heard my father’s voice say somewhere far away. 

“Mr. Valentino, I promise we’ll be in touch when she’s more stable,” a new voice said. “For now, it might be best to give her some space to…”

Indistinguishable arguments. My fathers refusal and reminder of who exactly was in charge here. My Uncle Vox and Aunt Velvette chiming in, a mix of talking him down and agreement. 

Panic shot through me as the haze slowly began to wear away. Realization. Through the fog, only one word came to mind. 

Fuck.

[mysafetycloset]

Pilot To Instructor Pipeline

Look, I’m not ungrateful. I’d be dead by now if I hadn’t enlisted. There’s nowhere else in Sol I’d have been able to take this shape. But the UGS isn’t a fucking charity; we wouldn’t get to exist if we weren’t useful, and only for as long as we’re useful. There’s a reason every single one of us…sorry, every one of them is terrified to ETS out.

What’s waiting out in the world for them? Best case scenario, their Handler takes them - if they want to, if they can, and if they’re actually at the end of their own contract. Otherwise? The Pilot Transition Program has always been a bad fucking joke. You get hacked up even worse to go work, I don’t know, at some hydrotherm farm down at crush depths or some flash-freeze deep space rig. Most are just too fried in the head to keep a "real person job" for more than six months. And that's being charitable.

Then comes the Instructor program. Finally - a path to a normal life for Pilots who qualify. Just agree to another minimum 4 year contract with “voluntary” renewal, then get ready for Reflash. It’ll be like you never let them put holes in your brain! Just sign right here on the dotted line.

Your average Pilot is too desperate and scared to want to look at the fine print. Yeah, I’m…y’know, I’m okay, right? I get by. I pass for something kinda like a normal human person, whatever that means. How many people didn’t make it? They won’t publish the fucking data, it’s all classified to the gills. I’d say maybe two-thirds of my cadre came out the other side, one way or another, to varying levels of functionality. The other third? Basically fucking vegetables, catatonic in some care home.

Even the best adjusted of us are…y’know, kinda buggy? We’re really cooked, neurologically speaking. Higher rates of psych issues, seizure disorders, acute onset dementia. I'm pretty lucky as far as that goes, for now, but sometimes I’ll be doing something and…just lose time. Minutes, sometimes hours. It’s weird.

The hardest thing, I think, is just that it’s…lonely, I guess. We have a lot more freedom, sure, but we don’t belong anywhere. We’re something separate. Apart. I miss belonging sometimes. Clear orders, no ambiguity, our only responsibility is to the mission, our siblings, and our Handlers. Things were simpler back then.

Moreover, like, I’ve never actually met a former Instructor. We’re all lifers. What the hell would I do after this? Go get a normal job? Get knocked up by some baseliner, raise some kids? Whatever. It’s bullshit. At least the Pilots get a chance to be something else, the ones brave enough to try. We’re more scared than any of them.

But hey. Thanks for the taxpayer funded tits and pussy. That’s pretty cool.

Interview with an Instructor, speaking on the condition of anonymity.