#women's march 2017

[tracychamberlainhigginbotham]

(via Monday Motivation: Hear My Story, Vote XX)

[greengableslover]

LITTLE WOMEN (1994) dir. Gillian Armstrong LITTLE WOMEN (2017) dir. Vanessa Casville LITTLE WOMEN (2019) dir. Greta Gerwig

[beetlejuices]

Kathryn Newton as Amy March in episode 2 of LITTLE WOMEN (2017) dir. Vanessa Caswill

[thestarlight3]

Kathryn Newton as Amy March & Jonah Andre Hauer-King as Theodore 'Laurie' Laurence

Little Women (2017) dir. Vanessa Caswill

[isaacsdevil4108]

Little Women (2017) dir. Vanessa Caswill

Jonah Hauer-King as Theodore Lawrence & Kathryn Newton as Amy March

[giffordmayfair]

[queen-paladin]

“We need more flawed, amoral, complex female characters with a look at morality from a complex standpoint!”

You bitches can’t even handle Amy March when she was twelve years old.

[joandfriedrich]

Ranking Portrayals of Amy x Laurie from Worst to Best

History- The best way to describe the couple is by alluding to another real-life story. David Bowie shared that when he met Iman, she was not at all interested in him, and if wanted to prove to her that he was serious, he had to work hard to win her; in his own words he described winning her as “it was as if she was a top a medieval tower, and in the process of reaching her, I became a better man, and never looked back.” This vibe is very much what makes Amy and Laurie a great couple, he the dreamer and emotional one, while she is the grounded and logical one. They balance each other out, and because they had known each other for so long, their love comes naturally and at ease that it makes sense they could love each other. They have known each other since they were young, and after much growth on their own characters, they find that they are meant to be.

2019- This is just bottom of the barrel when it comes to showing this couple. It’s funny, and while I am glad that people started to like Amy and the couple more because of this film, but let me tell you, they are not the best version. One issue that is had here is Amy’s character is so displaced. From the moment she meets Laurie, she is practically obsessed with him, plastering her foot so he may “remember what pretty feet I have” and running after him in a carriage screaming for him, when it is incredibly undignified for her to do. Amy plastered her foot because she wanted to try and explore other means of creating art, and it’s Laurie who sees her in Paris, chasing after her. This version really plays up the myth of Laurie “settling for Amy”, as he seems to not be that interested in her until she confesses her own feelings, and once again, Amy making a choice with the hope that Laurie is going to be waiting for her. I just didn’t see Laurie loving Amy as much as she loved him, and I didn’t find there to be much chemistry between the two actors as much as everyone said, not when he is so distant from her until the last moment.

1949- The problem with this film is that there is so little of them. I know that this was the same complaint of Meg and John in the 2019 film, so why aren’t I applying the same criteria to this listing? Because I would rather see so few of their interactions than see it played out incorrectly. The only real interaction they seem to have is during the party scene when Jo and Laurie get Amy and Beth food as they sit on the stairs. The only other hint of a relationship happening before the return from Europe is when Amy asks Jo, before leaving for Europe, if Jo would be alright if Laurie fell in love with another girl, hinting possibly something had happened while Jo went to New York. I think it’s a shame that we don’t see much of them, given that I think Elizabeth Taylor and Peter Lawford could have made a nice Amy x Laurie.

2018- This too suffers not having enough scenes with them, especially as adults, but I give this a pass given that the film follows Jo’s perspective more than the others. What I do like about this version is that we do see some sweet moments between them, both as children and adults, that it makes sense just how it could be possible that they fall for each other. Laurie was always so good to Amy as a child, so you understand why she, as a kid, would have a crush on him, which oddly bumps this over the 49’ film, but it allows me a better understanding why and how they fell in love. They are both creatives who are interested in what the other is doing, while Jo is focused on her own work, not necessarily caring what anyone else’s dream is, just what she thinks they ought to be.

1933- This one fare better than the 49’ film by showing more interactions between the characters that you can understand better here how they end up together. Notably, they share an interaction when Beth gets scarlet fever, and Laurie promises to take Amy out for a ride every day while at Aunt March’s, and then scene with Amy and Laurie in Europe after finding out Beth has died. I love their reunion in Europe, because it shows not only how Amy had matured from the start of the film, but also the incredibly tender look Laurie gives Amy as he comforts her, it’s so sweet and you can see the beginning of a romance blossoming between them.

1970- This is another one that really stayed true to text, and having that helps to get the audience on board with the pair. The first time they interact is when Laurie saves her from drowning, jumping in himself to save her and Amy clearly has a crush on him after this. When Laurie promises to take her out for a ride while she is at Aunt March’s there is a pretty adorable interaction where they make plans. At Meg’s wedding they already have hits of acting like a couple, when he spoke in French, “to you I surrender”, then taking her in his arms, and when dancing begins, Amy is the first person he goes to. Where they shine is when they meet again in Europe. This is incredibly faithful to the novel where Amy lays it out for him and Laurie chastises her for marrying only for money. I love the way Amy defends Laurie and is proud of him going away to London to do better things for himself. When he goes to comfort Amy, he promises to not go back to Paris as long as Amy wants him and promises to take care of her. This is the only version that shows them alone after being married, and the casual intimacy they share with each other is just precious. For book faithful, you are best to go with this one.

2017- This one was a surprise how much I liked it. I liked seeing scenes of them together, especially prior their trip in Europe, because it shows how much their relationship grows, especially the scene at Aunt March where they both talk about their faults and wishing to improve themselves. It shows their vulnerable side, which through the series, we hadn’t seen either of them show to anyone else. While we don’t get much of Amy reprimanding Laurie for his behavior, it still has them being honest with one another about their faults, encouraging the other to pursue their passions, and Kathryn Newton and Jonah Hauer-King have a wonderful chemistry together that I would very happily see them in another film where they are a couple. It’s in the looks they give each other, the simple gestures that help to show that, whether they know it or not, they are falling in love with each other, until it’s unavoidable. The scene where they admit their love, at the bank is an intimate moment, and has dialogue quite true to the book, as Laurie asks if Amy thinks they might be on the same journey that could last forever.

1978- Something I always like to see between Amy and Laurie is moments shared before going to Europe, and there is a great conversation between them about their desire to be skilled in art and music, and encouraging each other to chase their dreams. They are always so honest with each other, even if it is blunt and hurtful, in the end, they know they can take it. The scenes in Europe are so true to text that it made me so happy. I feel like so many versions do not play that out, and watching how their love went from being friends to how Laurie could realize that he never loved Jo, that his heroine of his opera stopped looking like Jo and was more like Amy, was adorable, you can really hear the sincerity in his voice when he says this. You can see how good of an influence Amy has on him, particularly when they see Jo after getting married, and she convinces him to speak to Jo about being married. I put this one higher than the 70’ miniseries, mainly because I felt the actors had a better chemistry together than the earlier version, and if you want something that overall shows the essence of Amy x Laurie, this one does the trick.

1994- I wasn’t expecting this one to be as high as it is, but I think the reason why is all the nuances that are in this version rather than just what we see. I always love seeing Amy and Laurie interactions before Europe, as it’s meant to be a softer version of friends to lovers, so to have a scene where Laurie and Amy are in the carriage, him comforting her as she worries over Beth and staying with Aunt March, and the precious moment where he promises to kisses her before she dies, and to have it come back later on was wonderful. His touching her nose, hinting at her little habit of the clothes pin on her nose, is the cutest little signs of affection between them, a sort of them thing. After their rather frank conversation of how they both are acting against their nature is very well done, showing that they can be honest with each other, and when Laurie goes to London to improve his behavior, it inspires Amy to do the same. What gets me hardest is when he receives the letter from Jo about Beth’s death and Aunt March in confinement, he doesn’t even finish the letter, just drops everything to rush to Amy’s side, proving that she was first on his mind, not Jo, and that he loved Amy more than her. This is the version to really get into Amy and Laurie, as it encapsulates everything that makes their relationship great.

[foreverinthepagesofhistory]

~ ☁︎︎ ☁︎︎ ♡︎ 𝑂𝑇𝑀𝐴 𝑥 𝐿𝑖𝑡𝑡𝑙𝑒 𝑊𝑜𝑚𝑒𝑛 ♡︎ ☁︎︎ ☁︎︎ ~

✽ 𝐴nastasia Nikolaevna + 𝐴my March ✽

“Talent isn’t genius and no amount of energy can make it so. I want to be great or nothing.”

“The youngest girl, Anastasia, was spirited, sly and playful…She has been described as a little inextinguishable volcano, with a world of her own.”

✽ ~~~~~~~~~~~~~~~~~~

[the-other-art-blog]

I don't know if you have seen these comments on social media, but I have noticed a large part of people hate AmyLaurie even if they think of Jo is aro/ace or lesbian. They just hate the ship. When I read the book after the movie, I thought it was very well developed.

I've seen it. I think most of it comes from the idea that Laurie and Amy's marriage is a direct consequence of Jo's rejection. I hear people talk about them in a simplistic and superficial manner. "Laurie loves Jo but she says no, so he goes to her sister," or "Amy married her sister's ex." Cinema Therapy referred to it as Laurie getting over Jo by marrying Amy! This really hurts the relationship because it makes Amy a rebound. I just saw this post (x) that perfectly contrasts the audience vs the actual book. In the book, Laurie has headaches over his feelings. He thinks he has to remain loyal to his "love" for Jo but can't stop thinking about Amy.

And the hate for Amy alone makes people furious because she got a happy ending. Laurie's money might not have been important for the Marches, but it certainly is for some readers/viewers.

And then adaptations have never really made an honest effort to promote the couple. I know the story is not a romance, but a coming-of-age. But the character's growth led them to a place where they can build a healthy relationship.

Neither Florence nor Timothee made one intelligent comment about them. Flo justified the relationship by saying Amy had always loved him, which doesn't really mean anything, and then focused only on Amy's ambitions. And Timothee literally said Laurie lost because he didn't marry Jo and he always talked about JoLaurie 🤬🤬🤬🤬🤬 (beware for a new wave of those stupid comments during Dune 2 promo). In general, the promo for that movie ignored AmyLaurie. Where were the photoshoots, the interviews?! And the movie itself doesn't care about the love story and makes it all about the economic proposition speech 🙄🙄🙄. If Greta didn't care about the romance, then why did she put so much emphasis on it?

Other adaptations have given them truly beautiful moments, but overall they fall short. The 2017 series made a video about JoFritz, but I don't think Kathryn Newton (Amy) did any press. It does have the best proposal scene, though 🥰🥰🥰🥰. And at the very least, Laurie does not publicly humiliate her and then just kiss her. And it shows that they were friends since they were children.

The 1994 film had the best shot because the actors were a real couple. But there's something about Samantha Mathis' acting that just doesn't work. Plus they added the infamous line "I always wanted to be part of the March family."

Most adaptations sideline that story or completely omit any scene in Europe. So you see Laurie proposing to Jo and in the next scene, he comes back married to Amy. Make it make sense. Because Europe is also the part where Laurie grows up so that also is gone. I keep hearing the 1970 BBC series does a good job, but it is the most difficult to find.

So, part of it is a lack of reading comprehension, plus oversimplification, and unsatisfactory adaptations. It's all part of the problem.

[screebyy]

he is like a babygirl to me

[beetlejuices]

Kathryn Newton as Amy March in episode 1 of LITTLE WOMEN (2017) dir. Vanessa Caswill

[thestarlight3]

Kathryn Newton as Amy March & Jonah Andre Hauer-King as Theodore 'Laurie' Laurence

Little Women (2017) dir. Vanessa Caswill

[urbs-in-horto]

[rmblythe7]

I never thought I’d see the day when I absolutely LOVE Amy and Laurie together but here we are.

[kodachrome-net]

Rally for Women, Chicago, January 21, 2017