#wolf’s personal stuff

[mossymenagerieart]

stuff on grief

[rayhantochtli]

Purrfect duo

[magnolia-sunrise]

one sided // mutual

still obsessed with the intimacy of body language when the faces are obscured. inspired in part by Mead Schaefer's limitted palette paintings

[ronkeyroo]

❌ A bunch of Animated WIP's i've had laying around! All parts for future animation meme's & AMV's!

[commsroom]

my guy doug eiffel from @.michfoolery on twitter!! 🧡

[revivalrequiem]

# gamer themed ✮

vaguely inspired by silver wolf from honkai star rail but also just general gamer things you would see all around. repost with credit, free to use.

[felassan]

Hello! I know a lot of elven lore stuff has been shared with us and confirmed but I was wondering if any dwarf lore or titan stuff maybe has been glossed over or if I just haven't seen anything, thought you might know if so

hello! ◕‿◕ speculation about plotbeats aside, in the marketing/info for DA:TV they haven't really mentioned much dwarf or titan stuff. Kal-Sharok was mentioned here (unclear if that means we are going there or not). The Deep Roads are confirmed as a location that we will visit. this looks like Deep Roads concept art (this one is also interesting). Rook can be a dwarf. creatures that look to be darkspawn afflicted by red lyrium (lyrium being called the blood of Titans) are known to be monsters that we will fight and a problem that we will encounter in the game. Harding, a dwarf, now has unexpected magical powers. given what happened to Valta in The Descent DLC, I [speculation] wonder if this has something to do with the titans.

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[mossymenagerieart]

Contents of my brain i guess. Having like 7 kintypes and two whole other guys in my brain doesn’t make things easy to catalog or identify I guess. What am I? Where do I begin and someone else starts you know

[lunaslogs]

Evil Benny was my Void Stiles

[blackhholes]

teen wolf meme: (1/1) season -> 5a

If she wasn't born, and she wasn't bitten, she had to have been made. Made? Someone is trying to make supernatural creatures with non-supernatural means. And, whoever they are, they're somehow managing to blur the lines between science and the supernatural.

[silverlyst]

Musing about an au where polites's ghost possesses antinous and changes the story in the funniest way possible

[commsroom]

let's kill hilbert is a great hera and minkowski episode in how well it displays some of the best and worst of their dynamic (and highlights the source of their ongoing miscommunication.)

"i'm doing the best i can here, so just, please, try to sound a little less patronizing?" / "i'm not being patronizing, i'm being critical." sums up the disconnect: that what minkowski sees as professional criticism and an attempt to combat future problems, hera takes as a personal attack. ultimately, minkowski's suggestions to lighten her burden are well-meaning and closer to what hera needs than any faith in her ability to do her job (there are things she can't do, and things she shouldn't have to), but she's been made to believe her worth as a person - and her continued survival - hangs in the balance. and so, the scene that leads to that one, where minkowski takes the navigation controls from hera: "no, it's fine! i can -" / "i don't care what you can, give me the controls right now." stands out for the wording used, the different things that are meant by it, and what it reinforces for hera: i can't do this. i'm not good enough.

it makes sense that the resolution, where minkowski tells hera, "you are the smartest person i've ever met, hera; focus that intelligence [...]" is one of the moments she thinks of at the end of memoria. because it's a turning point for their relationship, because it's a show of trust ("i trust you" coming very shortly after "i need to know that i can trust you."), because it's a show of respect and the only moment in the entire show where someone refers to hera by rank, but also...

i think there's something to be said for how minkowski's voice at the end of memoria is a direct expression of belief in hera's abilities, while eiffel's "use the force, luke" shows that what hera values about eiffel is... well, eiffel, but i think it's also true that both of these things show something about communication. they show hera's understanding of eiffel and minkowski's unique communication styles, what they say and what they mean by it, and that shows what they mean to her.

"you are the smartest person i know, hera" (a slight alteration from the original line that has a ton of implications re: context and memory) isn't really about her intelligence, or even her ability. contextually, it's a direct counterstatement to "i don't care what you can" and, by association, and through their connection - minkowski's voice becomes, quite literally, like eiffel's, another voice in her head counteracting what pryce has made hera believe about herself.

[hephaestuscrew]

Sometimes I think about Dominik Koudelka's assistant who takes Minkowski's call in Ep43 Persuasion...

In the moment, dismissing the voice on the other end of the phone feels like the right thing to do. She can't just put any random person who calls through to Mr. Koudelka immediately; if she did, there would be no point in him having an assistant at all. And when that random caller is claiming to be Mr. Koudelka's dead wife, of course it would be wrong to subject him to that. (Cont. below cut)

She's seen Mr. Koudelka in the denial stage of grief, if only from a professional distance. She knows that the only time he took off after he heard the news was the day of his wife's funeral. She knows he started working days so long it was a wonder he got any sleep at all. She's heard rumours that he tried to insist that The Times' coverage of the shuttle crash ought to use the word 'allegedly' more. Apparently he ignored every sensitively-worded inquiry about whether he wanted to have any input on his wife's obituary.

Mr. Koudelka certainly doesn't need some cruel joke reopening emotional wounds. It's better not to mention it to him. His assistant knows that she did the right thing. 

Or at least, she thinks she did. But she still can't stop thinking about that voice on the other end of phone, its desperation, its sense of urgency, its bizarre impossible claim.

So maybe she finds herself looking up Renée Minkowski, just to set her mind at ease. And there's surprisingly little information out there, but she eventually finds a clip of an interview from just before the launch of the Hephaestus mission. And that's when her stomach drops. She recognises the voice in the video. It's the same voice as the one she heard on the end of the phone. She's sure it's the same voice.

And what is she supposed to do then? Go to her boss and tell him that his wife is alive? Tell him that she lost him potentially his one chance to talk to his presumed dead wife? Admit that she didn't tell him about that call straight away? She's got no proof, just her memory. What if she's wrong about it being the same voice? Maybe it was a good impersonator, or a technological trick, or the power of suggestion. Is telling him the truth worth risking her job for? Is it worth risking giving false hope to a widower who has only just begun to move on? What if he doesn't believe her? What if he does?

[houstondoyoucopy]

mr. capgras is such a lovelace song.

[spikeface]