#wolf grrrl

[ariariarimu]

Know the difference!!

[foronly]

Bratmobile, photographed by Pat Graham

[fadedfrills699]

Pageant Politics from your fav radfem

Beauty Pageants have been the battleground for discourse regarding that of gender, power, and identity within the broader context of feminist movements, reflecting the societal obsession with female beauty which acts as the manifestation of patriarchal control over women’s bodies.

The origins themselves of beauty pageants and contests can be traced back to both the mediaeval period but also to that of ancient mythological traditions where female beauty was the focal point of cultural narratives, for instance contests as such were referenced in greek mythology; symbolising the roots of such idealisation and competition of beauty. However, the modern americentric beauty pageant which is relevant as a case study owed much of its development and early cultivation to P. T. Barnum who endeavoured to host a beauty pageant in 1854, although it was met with public disapproval it is said to have laid the groundwork for future pageant cultures. Barnum’s vision shifted the idea of the beauty contest from a mere cultural ideal and towards a commercialised spectacle.

This rise within mass media and popular culture is what gave rise to the emanation of Miss America in 1921 as it was originally brought about in order to extend Atlantic City’s tourist season. Evolving from a local promotional event and into a national spectacle, it became a symbol of American values surrounding beauty, femininity, and success. Leading to the commodification of female bodies and the reduction of them to objects of male desire through pageant cultures.

In somewhat ironic fashion, pageant culture shares a historical lineage with that of the women’s suffrage movement, wherein the suffragists of the early 20th century used pageantry as a means of political activism. And when the pageant, Miss America, was initially established in 1921 they used a sash which was their most recognisable and integral feature yet instead of bearing the political slogans that their predecessors fashioned, their sashes were adorned with the names of cities and states.

Naomi Wold sets forth the idea of a so-called “beauty myth” as a more modern means of control in the wake of the gains made by the second wave feminist movement. Her argument hinges on the basis that beauty is not universally or naturally standardised but a cultural construct designed to enforce and maintain gender hierarchies.

She introduces the notion of the “iron maiden” which describes the unattainable ideal of beauty which entraps women in relentless cycles of both self doubt but also regulation.

This is corroborated later by Bordo who analyses the body as a site of cultural inscription and aligns this with Wolf’s contention that female bodies are the vessels of patriarchal control. Bordo expands on this through her evaluation on how eating disorders, cosmetic surgery, and body modifications all reflect the pressures which discipline female bodies into conformity with patriarchal ideals.

One can look at this through Foucault’s concept of biopower, as Foucault explores the way in which power is not only filtered through and operated through institutions but also through the body and self-regulation. He proposes that modern forms of power and less overt and external but rest more on the subtle and internalised forms of discipline, a form a power which operates not through explicitly domination but through the shaping of the norm which leads individuals to regulate themselves to these prescribed norms. Therefore, beauty standards which are set forth by pageant culture operate as a form of biopower and on a collective level which has the ability to govern the behaviour and choices of women on mass decrees. Wolf’s propounded idea of the beauty myth not only oppresses women to an external degree but infiltrates their consciousness under the guise of personal choice or empowerment.

[andrrrgynous]

what the fuck is wrong with the person running theriotgrrrlproject on instagram

[rockinshots]

I honestly never thought I would see one of my most favorite bands live until Mosswood Meltdown announced Bratmobile was playing. Allison Wolfe is a legend and inspiration on so many levels.

She is one of the influences that ultimately started Riot Grrrl, and she is extremely flexible. Whoa!!!

[cosmoseinfeld]

looking through glenn's spotify playlists again... they are so emo gay tumblr girlie....

[random-nerd-posts]

I wasn't tagged, but I wanted to do this:

It's Me - Tryhardninja

Follow the Sun - Caroline Pennell

Wildflowers - Maddie Poppe

Forever Endeavor - The Altogether

Surface Pressure - Encanto Soundtrack (Sang by Jessica Darrow)

Forbidden Friendship - John Powell

Are You Satisfied? - MARIANA

Kings & Queens - Ana Max

T-Rex (from the Netflix Film "Nimona") - K.Flay

False Jeopardy - From "To the Bone" - The Kickback

@solarishashernoseinabook, @timefliesinadream, @jordanphoenixwrite, @zephyr-pepper, @thetinkeringnerd, @ink404, @intothefandomverse, @movebitchesimgay, @zyrafowe-sny, @parteehardy

Tagged by @wehavecometoanend--maybe, thank you!!

Rules: Shuffle your 'on repeat' playlist and post the first ten tracks, then tag ten people.

Pain - boy harsher

Brand new city - mitski

Heaven - mitski

Just like heaven - the cure

Mama - my chemical romance

Cities in dust - siouxsie and the banshees

Spellbound - siouxsie and the banshees

Your best American girl - mitski

Wax and wane - cocteau twins

Promised land - skeletal family

I tag @silvainea @teapartycrasher @allafey @lilydvoratrelundar @tiredandangry @lesbiansagainsttheatre @necrogardens @hoptism @fleshdyke and @sharksnespresso

[uispeccoll]

#VoicesFromTheStacks

Riot Grrrl and the Jen and Sarah Wolfe Zine Collection

On their 1995 track, “Criminal Boy,” female pop punk band Bunnygrunt begs the question: ‘what is a girl to do?’ The song chronicles a tough sister’s plans to break her all bark and no bite brother out of the slammer, which serves to be a fitting parallel to how the Riot Grrrl feminist movement of the 1990s got its start.

By the ’90s, the male-dominated U.S. punk movement, prominent in cities like Seattle and Portland, had been long ignoring the women participating in and moving forward the empowered anarchist agenda underlying punk music, media, and culture.

The Riot Grrrl Movement, aptly named and noted by its signature growling triple “r”, emerged as an opportunity for women in the punk scene to reclaim and redefine their identities as “girls” through expressions of anger, rage, and frustration. This subculture combined feminism, punk music, and politics by addressing issues of assault, patriarchy, anarchism, and female empowerment. The growth and success of the movement can be attributed to the multiple modalities used to spread their message: music, zines, art, and other DIYs that served as vessels for political activism.

Zines can be simply defined as self-written, often self-published and self-distributed “magazines” of narrow focus, created out of a desire to share. In the case of Riot Grrrl, this included, but was not limited to, punk and feminist literature, social commentary, news, gossip, music reviews, and other topical articles and musings.

The University of Iowa’s Special Collections and Archives’ Sarah and Jen Wolfe Zine Collection provides a dynamic, wide-ranging, and intimate glimpse into the zines created and distributed during the Riot Grrrl era. Donors of the collection, sisters Sarah and Jen Wolfe, were active Riot Grrrls throughout the late ’90s and early 2000s, with Jen playing bass for the band Bunnygrunt in 1995–1998 and later publishing her own zines: Bunnygrunt and Panophobia. The sisters also operated their own mail-order distribution service, out of Iowa City, Septophilia, for zines and records both, leading to their large collection of various independent, underground, and occasionally personalized zines.

With an established interest in the DIY and communal nature of zines, the Wolfe sisters have curated a thorough and impressive collection that will continue to provide insight of a first-person narrative in both collecting and creating at the height of the Riot Grrrl movement. To learn more about the Jen and Sarah Wolfe Zine Collection, the complete finding aid can be found here.

– Kaylee S., Special Collections Olson Graduate Assistant and M Clark, Instruction Graduate Assistant

[blackstarchanx3new]

What theme songs would suit the characters of Four Swords? This includes songs that reflect their personalities, relationships, and dynamics with each other. Because I'm curious what you think suits them.

Bro basically asked for my personal playlist lmfao. Link:

Haunted House - After School Surf Club Notion - The Rare Occasions Sugar Pills - IDKHOW Take Me Out - Franz Ferdinand Double Life - Pharrell Williams still feel - half alive Ghost - Mystery Skulls Dead Inside - Younger Hunger Why Did I Say Okie Doki? · The Stupendium Ghost Town - Trickle Losing My Mind- Mystery Skulls Dr. Gaster - Shadrow

Green: the perfect pair - beabadoobee Mr. FEAR -SIAMES Vending Machine of Love · The Stupendium Blue: Cold Cold Cold - Cage The Elephant (lmfao) Wild Side - ALI My Way - SIAMES Dancin - Aaron Smith Red: Copycat - CircusP/VocaCircus (This song could also fit Dark haha) The Red Means I Love You - Madds Buckley Wonderful Nothing - Glass Animals I Only Paint in Red Now - Lydia the Bard / Tony Halliwell Don't Come Crying - TryHardNinja Vio: Out of My League - Fritz and The Tantrums Lone Digger - Caravan Palace A Tear in Space (Airlock) - Glass Animals I’m So Sorry - ImagineDragons Ghost Town - Veorra & The Tech Thieves

Shadow Link: Love Away - SIAMES 505 - Arctic Monkeys Do It All The Time - IDKHOW Rasputin · Majestic Freaking Out - Mystery Skulls GRRRLS · AViVA TERRIBLE THINGS · AXIE Wolf In Sheep's Clothing [REBORN] - Set It Off Alone In The Darkness - SIAMES

Dark Link: Gladiator - Jann Digital Silence - Peter McPoland My Love Mine All Mine - Mitski Christmas Kids - ROAR Loverboy - A-Wall 4:00 A.M. - Taeko Onuki ECHO - Crusher My Ordinary Life-The Living Tombstone Tongues and Teeth - The Crane Wives Villain Stella Jang Cover) · Umbratic Forest

Vaati: Lay all your love on me - ABBA The Wolf - SIAMES How I Learned To Love The Bomb - Glass Animals Enemy - imagine dragons

Ship/dynamic Specific songs:

Vidow: Pork Soda - Glass Animals Heat Waves - Glass Animals Hold Me Tight or Don't - Fall Out Boy The Bird Song - Noah Floersch Sex With A Ghost - Teddy Hyde Neovaii - Crash Snuff out the light - Eartha Kitt Stop The World I Wanna Get Off With You - Arctic Monkeys  (Greenvio and Darkblue also fit this) GreenVio: GIMMIE GIMMIE GIMMIE - Cover by Justine M. Vidoween: Jenny - Studio Killers GreenBlue: No lullaby - SIAMES (Not romantic but symbolic of them both dealing with Link's BS lmfao)

DarkBlue: Knee Socks - Arctic Monkeys (Arctic monkeys just IS their vibe tbh) Dissolve - Absofacto Horns - Bryce Fox This Is Hardcore - Pulp DarkVaati: Too Sweet - Hozier Take me to Church - Hozier Church - Fall Out Boy (IF YOU WERE CHURCH I'D GET ON MAH KNEEES- 😏) Soul on Fire - Mystery Skulls Paralyzed - Mystery Skulls Hide Away (feat. Holly) · Synapson · Holly (We damn well know who's hiding lmfao) Flowers - Dj Quads (Lmfao this one is sad as hell but I can't at all elaborate on why due to spoilers X'D) Toxic - Britney Spears rewrite by Lydia the Bard Me and the Devil · Soap&Skin (Could also be Vidow) DarkVio: I Wanna Be Your Girlfriend - Cameron Hayes (This just is THE DarkVio song as far as I'm concerned, the intense as hell almost manic pining specifically haha.) Mixed Messages - Tom C (The question is who's "Dad" is getting punched in the dick...)

DarkShadow: From the Start - GoodKid Cover (One Sided on Shadow's part.) Brothers -SIAMÉS

FSR In general coded songs:

The Walker - Fitz and The Tantrums Rhinestone Eyes - Gorillaz A Good Song Never Dies - Saint Motel The Future - Mystery Skulls Goya no Machiawase - Hello Sleepwalkers Kick back - Kenshi Yonezu Plastic Love - Mariya Takeuchi Blink Gone - BL8M, AKUGETSU Hammer Song To Itami No Tou · BUMP OF CHICKEN Tame Impala - Borderline Stay With Me · Miki Matsubara Curses · The Crane Wives The Rules - Hoosiers dumb dumb · mazie Coffee · Jack Stauber's Micropop Who Is She ? · I Monster Very Good Bad Thing - Mother Mother

This one's straight up Four Swords Returns Again coded but I'd be a fool not to include: The Fine Print · The Stupendium

Okay I'mma stop there for now haha. but I'm sure I'm missing stuff. XD

Hopfully I introduced some people to their new fave songs!!! I'd recommend all of these.

[ariariarimu]

A finished refrence sheet for lune...

More about her story:

On her 19th birthday Lune is cursed by her (totally NOT homoerotic) best friend Vivica after a huge fight. Of the lycanthropic nature, by the full moon she turns into something else... Working through her conflicting feelings on gender, sexuality and said curse she and her trusty ghost possesed harley bike head from BC to Toront to lift the curse. Pursued by the bimbo blonde monster hunter Amanda, who follows her trail of blood and destruction to "bring Lune to justice." Read more on my strawpage!! and on the intro post :)

[chelsamander]

riot grrrl was a free mini zine first published in October ‘91 by Molly Neuman of Bratmobile, with contributions from bandmate Allison Wolfe, both of whom also published Girl Germs. 💕🦠✨

[dress-up-bestie]

Idk how to capture properly anymore but WOLF GRRRL 🐺

[l-a-breeze]

Female & Female fronted Alternative Music List

I tried to compile some of the female musicians and female fronted bands I like. I didn't include extremely well known bands like Arch Enemy or Bikini Kill in this list, since you probably know them anyway. I don't know all of the listed bands super well, but tried to at least roughly backround check them.

I will add to the list in the future probably (I especially want to add more acts in different languages) and would love to hear your suggestions! ☺

Metal

Myrkur (Folk/Black Metal, female solo artist)

Ashtar (Black Metal, female solo artist since 2023)

Gallhammer (Black/Doom Metal, female duo)

Astarte (Black Metal, all female band)

Asagraum (Black Metal, all female band)

Chelsea Wolfe (Noise Rock/Doom Metal, female solo artist, also part of female duo Mrs. Piss)

King Woman (Doom Metal/Experimental Noise, solo project of Kristina Esfandiari, who has a bunch of other projects as well)

Darkher (Gothic Metal, female fronted)

Folterkammer* (Black/Opera Metal, female fronted)

Bathsheba (Doom Metal, female fronted)

Hela (Doom Metal, female fronted)

Generally if you are looking for female fronted metal you are most likely to find it in Doom, Gothic, Folk, Power and Opera Metal.

*Disclaimer about Folterkammer because they sing in German: Personally I love their first album (Die Lederpredigt) with it's varying lyrical themes, many of which are about some sort of malicious female devil. However the singles from "Weibermacht" (Women's Might) seems to be mostly about BDSM, which is very disappinting to me personally.

Rock/Punk

Deap Valley (Alt/Garage Rock, all female band)

Gully Boys (Indie/Punk/Garage, all female band)

Nostalghia (Alt Rock, female solo artist)

Emma Ruth Rundle (Post-Rock, female solo artist)

Jack off Jill (Alt Rock/Riot Grrrl, all female band)

Queenadreena (Alt Rock, almost all female band)

The Huntress and Holder of Hands (Post-Metal/Alt Rock, partly female band)

Angelfish (Alt rock, female fronted by Shirley Manson of Garbage)

Rosegarden Funeral Party (Post-Punk, female fronted)

Throwing Muses (Alt Rock, female fronted)

Darkwave/Electronica

Hante. (Darkwave, female solo artist, also part of all female duo Minuit Machine)

Kælan Mikla (Darkwave/Coldwave, all female band)

Void Vision (Darkwave/synth, female solo artist)

Sally Dige (Darkwave, female solo artist)

Winter Severity Index (Coldwave, all female band)

Alice Glass (Electronic, female solo artist)

Foie Gras (Noise/Drone, female solo project)

Honorable Mentions & Artists I Didn't Know Where Else To Put

Kaleida (Synthpop, female duo)

NINA (Synthwave/Synthpop, female solo artist)

Fifi Rong (Alt Pop, female solo artist)

Makthaverskan (Indie Pop/Post-Punk, female fronted)

Corpo-Mente (Dark Opera?, female fronted)

Emilie Autumn (Electronica/Classical/Industrial, female solo artist)

Josie Pace (Alt Rock/Industrial Pop, female solo artist)

[lizbethborden]

Hi again! Yeah, from your bookshelf! You seem well informed and I wanna know the type of stuff you read and might recommend. I don't even know what to tell you for my interests because I feel like I'm just begining. Sorry I'm young and dumb still haha.

#1 you're not dumb and #2 nothing to apologize for :)

Here's some books I've got on my shelves or that I've read:

Men Who Hate Women: From Incels to Pickup Artists, Laura Bates

Pro: Reclaiming Abortion Rights, Katha Pollitt

Women, Race, & Class, Angela Davis

American Girls, Nancy Jo Sales

Lesbian Culture: An Anthology, eds. Julia Penelope and Susan J Wolf

Lesbian Studies, Margaret Cavendish

Hood Feminism, Mikki Kendall

Against White Feminism, Rafia Zakaria

Sister and Brother: Lesbians and Gay Men Write About Their Lives Together, eds Joan Nestle and John Preston

Another Mother Tongue, Judy Grahn

Aimee & Jaguar, Erica Fischer

Mouths of Rain: An Anthology of Black Lesbian Thought, ed. Briona Simone Jones

Same-Sex Unions in Premodern Europe, John Boswell

The Mary Daly Reader, eds. Jennifer Rycenga and Linda Barufaldi

Hidden from History: Reclaiming the Gay and Lesbian Past, eds. Martin Duberman, Martha Vicinus, George Chauncey Jr.

Testosterone Rex: Myths of Sex, Science, and Society, Cordelia Fine

Speaking Freely: Unlearning the Lies of the Father's Tongue, Julia Penelope

The Resisting Reader, Judith Fetterley

The Double X Economy, Linda Scott

Not That Bad: Dispatches from Rape Culture, ed. Roxane Gay

Home Grown: How Domestic Violence Turns Men Into Terrorists, Joan Smith

Intercourse, Andrea Dworkin

The Trials of Nina McCall: Sex, Surveillance, and the Decades-Long Government Plan to Imprison "Promiscuous" Women, Scott Stern

The Politics of Reality: Essays in Feminist Theory, Marilyn Frye

Only Words, Catharine A. Mackinnon

Everything Below the Waist: Why Health Care Needs a Feminist Revolution, Jennifer Block

Witchcraze: A New History of the European Witch Hunts, Anne Llwellyn Barstow

Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture, Peggy Orenstein

Invisible Women: Data Bias in a World Designed for Men, Caroline Criado-Perez

Lesbian Ethics: Toward New Values, Sarah Lucia Hoagland

We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement, Andi Zeisler

Of Woman Born: Motherhood as Experience and Institution, Adrienne Rich

On Lies, Secrets, and Silence: Selected Prose, Adrienne Rich

Feminism, Animals, and Science: The Naming of the Shrew, Lynda Birke

The Female Body in Western Culture: Contemporary Perspectives, ed. Susan Rubin Suleiman

Borderlands/La Frontera: The New Mestiza, Gloria Anzaldua

Flesh Wounds: The Culture of Cosmetic Surgery, Virginia L Blum

Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, Patricia Hill Collins

Pornland: How Porn has Hijacked our Sexuality, Gail Dines

Backlash: The Undeclared War Against American Women, Susan Faludi

From Eve to Dawn: A History of Women in the World, Marilyn French

This Bridge Called My Back: Writings by Radical Women of Color, eds. Cherrie Moraga and Gloria Anzaldua

Seeing Like a Feminist, Nivedita Menon

With Her Machete In Her Hand: Reading Chicana Lesbians, Catriona Reuda Esquibel

The Disappearing L: Erasure of Lesbian Spaces and Culture, Bonnie J. Morris

Foundlings: Lesbian and Gay Historical Emotion before Stonewall, Christopher Nealon

The Persistent Desire: A Butch/Femme Reader, ed. Joan Nestle

The Straight Mind and Other Essays, Monique Wittig

The Trouble Between us: An Uneasy History of White and Black Women in the Feminist Movement, Winifred Breines

Right-Wing Women, Andrea Dworkin

Woman Hating, Andrea Dworkin

Why I Am Not A Feminist, Jessica Crispin

Sapphistries: A Global History of Love Between Women, Leila J Rupp

I tried to avoid too many left turns into my specific interests although if you passionately want to know any of those, I can make you some more lists LOL

I would suggest picking a book that sounds interesting and using the footnotes and bibliography to find more to read. I've done that a lot :) a lot of my books have more sticky tabs or w/e in the bibliography than in the text so I don't lose stuff I'm interested in.

Hope this helps!

[auniverseforgotten]

WIP Word Game

Rules: you will be given a word. then you share one sentence/excerpt from your wip(s) that starts with each letter of your word!

Tagged by: tagged by the WOLF @crazy-grrrl-on-the-computer

My word: heart

Wolfie gave me heart and so. I choose violence <3 I'm hopping around my WIPs for this since I have minimum 50 I am sure. Title is gonna be listed after the letter but the excerpts start with the first letter!

H - Now Cope [WIP title], Fate/Grand Order

He doesn't even have time to react to the frightening heat of Diarmuid's skin- his friend lashes out the second he touches his side, nearly catching Fionn across the face with a frantic punch before he manages to catch his wrists. He's far too weak. “Diarmuid, mo chara, you're safe,” he murmurs, holding his wrists tighter as he weakly tries to buck him off, “sweetheart, darlin’ it's me, it's Fionn. Look at me, mo cuishle, you're safe, it's me.” Diarmuid stops his thrashing, panting and shaking as he stares at him; his eyes are wild and fever-bright, so hazy and unfocused that Fionn wonders when he was last fully lucid. From the intense heat of his skin, it can't have been recently. The thought has him clenching his jaw, forcing back anger to focus on the problem at hand- heal Diarmuid now, break both of their contracts later if he must.

E - The Immutable Truth, Fate/Grand Order

Every nerve it has sings and burns with pain. It’s existence…is that of pain. It doesn’t exist. It does, it doesn’t, it does, it doesn't. If it still exists, it exists solely for pain. It is more dead than alive. A corpse that has not yet realized its death. And yet…and yet…There is. Something. Someone. It cannot bear to pain. Someone…it must protect. The cistern is full of blood and bile, poison and rot, hate and death. It would know; enough of it went into creating it. The liquid is a weapon. A living curse, created by a once living weapon. It is nothing, now, nothing but abandoned by God and forgotten by death. But that blood and black…that curse-filled draught…it cannot. It will not. It twitches the appendages it thinks it once had. Nothing responds, nothing but the barest pool of rage, locked into the depths of its mind. A roaring, biting creature to the end. Steel and fire, blood and magic, hatred and death. It reaches forward. The rage reaches back.

A - Tristan is Unwell [WIP title], Fate/Grand Order

A spear runs him through, air and sound punched out of his lungs with a spray of blood. Tristan grabs onto the shaft and holds tight as the lancer before him tries to twist and tear it free, tries to leave him bleeding out on the ground. Bad enough that he was caught unawares, Mordred will never let him live it down if he bleeds out before help can reach him. If anyone reaches him because Tristan can't find his voice as he chokes on blood and swallows down pain; the battle is fierce and enormous, there are plenty of archers to provide cover without ever alerting anyone that he's gotten himself into trouble.

R - O Fortuna (michi quoque niteris), Fate/Grand Order

“Rest? Recovery? What need would I have for that, Salieri? I am Wolfgang Amadeus Mozart.” Wolfgang Amadeus Mozart is not allowed to rest, to be weak, to be human. He is the composer of composers, eternal, everlasting, blessed by God and envied by many. Weakness in one such as himself is an unforgivable sin. Salieri's lips thin into a frustrated line. “And Wolfgang Amadeus Mozart is the man who played himself into his grave.”

T - A Liar's Game: I Will Love You All My Life, Irish Mythos/Fate/Grand Order

The night they return to find Sadhbh gone is the worst night Diarmuid has had since they met her. His throat is bloody and torn but he keeps it to himself, keeps out of Fionn's sight and mind. It's his fault, after all, that she has been lost. Diarmuid was her bodyguard, her friend, the person meant to keep her safe, and he failed her. He failed them both. The next flower that works its way free is vicious and vindictive, a zinnia so large that it nearly chokes him before it drops to the floor below. He welcomes the pain it brings. Diarmuid coughs up blood soaked alium and veronicas sparsely intermixed with heather and daisies throughout the night, the first new flowers to leave his lungs. It leaves him raw and aching, trembling as the morning sun rises; he stands and scoops up the entire bloodied mess, hurling it into the fire without a second glance. Someone has to speak to Fionn. It has to be him. No one else will dare.

THANK U FOR THE TAG WOLFIE THIS WAS FUN UWU

SInce this is our new Occasional back and forth tag game, I'm gonna give you a longer word so you can add to it as you wish uwu @crazy-grrrl-on-the-computer

Your word: friendship

I feel bad inflicting things on anyone else but if you want to you should do it too!!

[caramelribboncursetard]

Hatoful Boyfriend characters as 2010’s nightcore AMV songs

Yuuya: Angel with a Shotgun

Shuu: Devils don’t Fly

Hitori: GRRRLS

Kazuaki: Wolf in Sheep’s Clothing