#with her in that role armor so i went for it!

[bokettochild]

Not sure if people have already asked this before, but whose roles are whose for your Opera House AU doing Epic the musical?

No one has actually asked this before! I kept kind of hoping they would though, because I felt weird just throwing it out there unprompted, but trust me, I HAVE thought about it before! So, huge thank you for asking!

Odysseus: Warriors. Who else? I mean, come on, lets be real here, the Troy Saga alone has influenced my perspective of Warriors for so long now that it would be an utter and complete SIN to not have Warriors play the guy who is, in so many ways, so much like himself. Granted, OH AU Warriors is less like our Ody and more like Jay himself, but who cares? The vocals are there and Wars has the spirit and skill. Also, he has the range, from the desperation of the Cyclops Saga, the sadness of the Underworld Saga, the fury of the Vengeance Saga and the warmth and tenderness in both Just A Man and Would You Fall In Love With Me. He had the audience on the edges of their seats, and even though he's already a fan favorite at the opera, he reaffirmed that position with this role. It's also been one of his favorites of all time, because it's very rare he gets to play such a fleshed out and complex character, as he's usually cast as a knight in shining armor archetype rather than a blood-covered and desperate soul one second from snapping!

Athena: I actually had to debate this one a bit, but Imma say Lullaby. Warriors' own Zelda is too sweet, and while Dusk herself could do it, I have a better role for her, and Lullaby is so Athena in so many ways, so I went with her instead. She has that strong, authoritative energy, while also being old enough to sell the Goddess of Wisdom vibe, and also the agility to be a warrior herself. Also, I can kinda see her just actually sounding like that when she sings, y'know?

Zeus: They brought Dei in for this role. Time would have, but they needed a couple of convincing individuals for this, and Dei being bigger and physically of a brighter pallet than Time kinda gave him High King and Sky God energy that they just really needed for the stage performance.

Polyphemus: Also Dei. For a stage performance, they actually had a puppet and rigging for the cyclops itself, but Dei's vocal range allowed him to do the voice from off stage quite convincingly. (Four himself was the Puppeteer (lol) for the cyclops though, so he also deserves credit)

Polities: It was Ravio. Typically, Ravio doesn't perform, but he could capture that energy they wanted for Polities and his vocal range is a bit higher than most of the other cast. Wind would have done it, but because of his age, the crew divided against it. After all, Polities isn't a child, but a man, and having Wind in the role would have changed that perception. Hyrule was nervous for the part, but he's actually glad that Polities died within five songs because it meant that he only had to show up on rare occasion as a ghost after that, and spent less time in the spotlight.

Eurylochus: They actually had a bit of a struggle on this one, since none of the team actually has a voice that deep, but Twilight ended up filling the role, since it's got less major singing parts and more speaking bits than a lot of the other characters. It's not as demanding as some of the other roles he could have played (like the gods) and he looks the part of the big, strong, best-friend and advisor to the lead, or at least enough that he was believable. He's not the best actor, but he did a great job all the same; better than anyone else could have done it at any rate!

Poseidon: Time actually played this part! Being a former rock-star has it's advantages, and that includes being able to bleed rage and/or agony into his voice while leaving his audience totally and completely chilled! Being the blocking director and stunt coach also means that he was able to really sell any battle scenes because he was right up in there to guide, coax, and otherwise cover for the cast's mistakes when need be. He admittedly had a TON of fun with the role, and I'd be lying if I said that there weren't;t a few people in the crowd watching who didn't have to pause and wonder where they'd heard his voice before, never mind so many online forums comparing his vocal qualities to famously masked singer Major-A, but, hey, Time considers it worth it, even if the role might have blown his cover.

Aeolus: Who better to play the god of winds than Wind himself? It's a small role, so Time and Lullaby felt comfortable letting him take it, even though this would have been a major production and risk for the opera. The fact that he's kid only helped to sell the care-free and mischievous depiction. He had a TON of fun with the role too, and the audience was eating his performance up!

Circe: Artemis! I wanted one of the divas to do this, and Artemis has the right energy, as well as great on-stage chemistry with Warriors! They broke down into giggles so many times as she attempted to "seduce" him during practice, but it actually turned out really great. She's one of the only gals in the cast who could hit the high notes at the end of There Are Other Ways and really sell the emotional range of Circe's character

Hermes: I actually struggled on this one until it literally just jumped out at me. Wild plays Hermes. He's got the energy, physically and otherwise, and I'm going to say that any dancing included was actually something he just ad-libbed in there, rather than being told to do it by Time or Lullaby. They loved it though and totally kept it in, as well as a few other little quirks he added to the character (they sort of just set him free on stage in the end and told him to go nuts, so most of Warriors' reactions to him are entirely real and not faked at all, lol). Yes, this did result in Wild deciding to address everyone (short of his bosses) as "dawling" for the foreseeable future, but no one could deny that it's been one of his best roles ever!

Tiresias/The Prophet: This one was actually a huge struggle for the crew, because while they have a lot of actors, there's a sort of a limit to who can or cannot portray certain character, and in the end, it was Legend who took the role, despite having other parts to play and a prop and costume crew to supervise for most of the musical. He did a great job though, and you know those animatics that sort of depict No Longer You as a sort of twisted waltz? Yeah, the cast went with that, and it was a good thing Legend played the role, because he's the only one who can actually dance blindfolded! He also carried the weight of the song very well, and between him and Warriors, they gave the audience absolute chills!

Odysseus's Mother: Malon! It was a small appearance, so even though she's technically not an actress, and is actually a musical coach, she was happy to join on the production if it was just for one song. Yes, everyone cried. Warriors' tears were entirely real in that scene and everyone else was hard pressed to not show it when their turns came to sing.

Scylla: For some reason I Can Not Explain, I just really want Legend to have told everyone "I know a gal" and just dragged Hilda in to play this role. But, since she isn't an actress, and probably wouldn't want to be one, I'm going to say Fable took it instead. She doesn't give Monster Girl energy, but like her twin, she's very adept, and really gave everyone the creeps even before Styla made her up like a monster lady! Her vocals are chilling, and she really enjoyed reading up on the lore of her character and trying to let it bleed in through her voice to sound more like a tortured soul, punished by the gods and made out as a monster to mortals due to her horrific appearance (and man eating, but details!).

Calypso: Believe it or not, Sun sold this role like the queen she is! Her innocent, almost angelic look really contrasted the horrible behavior but also total ignorance of the character, and I actually think she'd sound similar to Barbara Wangui when she sings, so having her in the role feels right. Granted, she doesn't give "Island Goddess" in the same way that Marin would, but Marin is probably dead in the OH AU, and wouldn't join the opera anyway, so yeah.

Penelope/Siren: (I'm pretty sure it's the same actress for both, but even if not, that's how the crew did it!) Dusk was the only option for this role, and she rocked it! She's got the range, got the mature look of a woman who's been waiting 20 years for her beloved to come home (totally helped by the fact that she spent 17 years waiting for her actual love to reappear), and while she and Warriors did have to work quite a bit to sell the right dynamic on stage, they are both talented actors, and did a great job together. She actually really had fun with the siren role, and her screams as the sirens are slain were positively blood-curdling! She half sacred Warriors to death when he first heard it and he still shiver slightly even when they finally perform.

Telemachus: I debated this one so hard, because each member of the cast has a certain energy and none quite match Telemachus, but in the end, again, Legend filled the role, since he's good at taking the ones that no one else can do and adapting as need be to suit it. Is it sort of method acting if he can relate to the character and thus capture the emotion better? Who knows, but despite playing the prophet as well, a costume change and intermission can do wonders for helping a guy get into character as the opposite of what he was an hour ago! He's also got the stunt training and skill to pull off fight scenes well, and look like he's bad at it, as well as a good irl dynamic with Lullaby that they definitely leaned into for their songs together. As for the Ithica saga songs, well, he and Warriors had to work really hard, given their actual dynamic, to try and sell their parts, but they're both talented actors and they made it through in the end.

Antinous: Don't come for me, but Sky actually ended up taking this role! He's a talented actor, with a special skill for action scenes and fights, as well a great depth of emotion and, despite being an utter teddy bear in actuality, he plays a killer villain! Did Legend and he end up laughing their asses off after having to act like they hated each other? yes, but they kept in character as long as they were on stage and Sky's voice tends to give people chills when he sings, so he really could set the mood well, as well as keeping pace with Legend and giving their scenes together some great energy. It scares the rest of the cast how quick he can switch from softie to scary monster man, but there's a reason he's one of the best!

(Note: I feel like after a while if they decide to revisit the musical, Hyrule might be at a place where he'd be able to play Telemachus, but as it stands in the AU, he doesn't have the confidence needed to basically carry a whole act just yet. He has the vocals quality to sell the character though! And, while Legend's great at his job, Hyrule does look/feel more the part of the sheltered and stumbling young man without a guide or guardian to show him the way. Time and Lullaby probably wanted to cast him, but since Hyrule wasn't ready, they asked Legend instead.)

As for some of the other roles, the team had a ton of fun using puppets for the winions, and various not on stage actors got to voice them via mics! Think sort of Jim Henson style puppets though, since they are mental to be a sort of comedy relief.

The various suitors were played by all the guys who had been 'killed off' previously in the show, with the exception of Dei and Time, whose voices are too notable, and Legend who, of course, is currently playing Telemachus. Same thing for the army, although they did pre-record some of the bits where there's supposed to be more of a crowd, since they can only fit so many people on stage and wanted to really sell the idea of 600 men or 108 suitors, or the countless dead in the underworld, ect. They did hire a bunch of extras for crowd scenes, and used puppets and various other effects to sell the appearance of crowds where they could, but I don't feel the need to state who every extra is LOL.

So yeah! That's how it would go! Thank you again for this ask! It's been a delight to talk about a musical I actually understand, as well as adore! Especially considering I'm working on LU animatics for it even now!

Feel free to ask anything else you'd like, even if someone else might have asked already, because I have a big mouth and I like to talk, and I might have more thoughts now than I did previously!

[hiddencarpet]

Nearl in Polish-Lithuanian winged hussar armor

[qoldenskies]

Is Splinter still going to make Leo the leader in your wwww au?

Nooooo...... noo that'd be a horrible idea

leo is already going to have similar angst about this with draxum so i'd say it really just wouldnt be anything but redundant. i'd say that responsibility needs to be out of his hands more than it does raph because it tore him apart-- they're a lot happier settling into being co leaders at the end, because raph hasn't had anyone to be there as a line of support and leo has never had a big brother to look up to. there will be a lot of fights over taking control once theyre forced to work together, because BOTH of them are stuck in their old roles of being the oldest of their families/the ones that are meant to keep their younger brother in line, but they'll eventually get it together and come to that conclusion pretty early.

and as unaddressed as splinter's reasons are in canon, ive always seen it as him recognizing this untapped potential in leo (i kind of wonder if this was meant to be set up in many unhappy returns?) AND him understanding that raph needs some of the weight off his shoulders. they're not going to be able to flourish with raph there constantly fixing their mistakes and sheltering them, and that's really not a good thing seeing how much stress it puts on raph. i kind of see the trust fall as him giving up responsibility and putting it in their hands like that ngl

he wouldn't do this in wwww. mikey's still the littlest brother and family baby but he's already been established to be VICIOUSLY independent, and splinter really doesn't have any authority over donnie and leo. he's too lenient, too unlike draxum, and they dont like how he does see them as children. although donnie is kind of a suck up to him for approval because he's still donnie in the end and leo is more the type to lash out to test his patience/be "punished" because he doesn't trust him.

splinter doesn't really have the right to intervene, and they've settled into something great independent from him. i plan on giving him a more concrete emotional conclusion with raph because their relationship is extra complicated, though. like raph trusts LEO who is a category 5 freak that desperately needs an exorcism who also tried to kill him repeatedly with his problems more than he does his own father, and that's saying something. raph spent his whole life feeling like he had NOBODY except for occasionally april (who is closer to mikey than him) and that takes a toll on him. i plan on sinking my teeth into it more than canon does.

[mageofspace924]

i was casually thinking about fiyero's costumes and how he went from musical red to movie blue bc fiyero is associated w blue in the books, and then i thought: why give the dancing-through-life-flirty-i-dont-really-care-but-i-do guy a full uniform suit when he arrives at school versus in the musical he's just wearing rolled up sleeves and a vest? its a reflection of his vulnerability. ofc its a well-known very much used symbol of vulnerability but still one nonetheless.

1) first outfit change: when movie fiyero meets elphaba, he's wearing the blue vest and the white sleeved shirt, the coat isnt in sight. when he's alone he allows some honesty/truth to himself, hence the uncovered sleeves. and when he does interact w elphaba, the exchange is quick fire yet subtly genuine (as much as one can get from meeting someone for the first time) not from his rehearsed lines as he does when he meets glinda for the first time (a crowd he knows how to charm, act around, fall into line with).

2) 2nd outfit change: arrives at shiz in full garment uniform wear, coat, vest, everything. he's fully prepared to play the role he's been uptaking: rich vinkun playboy prince looking to have a good time. the glimpse we had when he met elphaba is gone, no more trying to banter, moreso rehearsed flirting both glinda and fiyero know well. no one gets to see a crack in that armor.

3) 3rd outfit change: his shiz coat is open and we see his white garment underneath, a hint that yes, he's loosening up at shiz, but also matches the disagreeing expressions when dr. dillamond is taken away and the cub is kept in a cage. it's a bit of the genuine caring fiyero coming thru, who feels a bit of injustice esp bc his friend is a horse.

4) 4th outfit change: the coat is taken off and we get fiyero at his most vulnerable so far. his sleeves are rolled up as opposed to the first outfit with billowing sleeves to his wrists. and here is the most vulnerable scene between him and elphaba bc she saw right through his existentialism in dancing through life (could argue she saw a bit of him when she met him first bc she had a small smirk). he's laid completely bare and like the scene went, he had no clue how to deal w it.

5) 5th outfit change: at the train station, hes back in full uniform, bc that vulnerable moment shocked him and shook his foundations of his image/front. he maybe didnt know he had the capacity for that vulnerability until it happened and thats why hes so off kilter and shaken, starting to rethink his everything bc of elphaba. that vulnerability now persists through that uniform, his self-proclaimed image he's built up between countless schools and several dates etc. could be said that crack in the armor is visibly represented through the flower he gives to her bc it's tucked in his collar first VERSUS the musical when he runs up w a bouquet already in hand.

ALL IN ALL the move has the opportunity to tell REALLY AMAZING STORIES through the clothes/fashion, and they've really stepped up to the challenge and are making the most of it AHDJDJS so good + itches my brain

i didnt add in the dance uniform bc i forgot lmao but that plus the uniform he wears in thank goodness are also more decked out than the other stuff he wears, the cpatain uniform WAY more decorated and thats when he hides the most (dance scene he is fully in his element, he can hide safely in that playboy persona). cant wait to see all of that disappear in as long as youre mine HAHDJDJSS

[alexander-23]

Come Home

A/N: This made me so happy to write because I’ve missed writing and I know what happens next since it’s my story lol. Anyways, sorry for any grammar issues, I’ve got the sprinkle of dyslexia and such and messes with me lol. Part two is coming soon!

TW: angst, mention of torture, mention of injuries, fluff, fear, comment if I missed anything please

Masterlist

Not many know, but Ambessa and I have been an item for quite some time now. At first, the secrecy was due to the fling, then emotions taking hold and she couldn't risk the damage to her reputation, now it's to keep me from being a pawn in war against her. I understand, if I was in her position and they took her from me, I'd be weak, my emotions coming into play, controlling my actions. I would do anything, even lose a war and all power if it meant she was alive and safe. I understand Ambessa’s need for secrecy. We simply want to protect each other this way, and it works for us.

Ambessa is extra protective of me because I’m not like her, not a fighter. I know enough to defend myself until I can get help, it was a requirement from Ambessa, to ease her nerves. She is the all mighty warlord of Noxus, feared by many, and she has many enemies. Ambessa was the one to train me until she was satisfied with my skill level. If I was a soldier of hers, she would have pushed me harder, but when I reasoned with her, she understood my role in war was far from enemy lines, a safer place where fighting was barely even needed, at least for her army. I played my part in wars though, typically her strategist, and a good one at that. Ambessa appreciates my input when planning, I always think of things she doesn't, my mind thinking of things that would keep her safe when she is fighting for her life and victory. War strategy was never something I saw myself doing, but it became a talent when I realized I enjoyed the research; more so when it meant I was contributing to the protection of my love.

The day of the war was stressful to say the least. Ambessa always gives me five minutes to share my feelings, my concerns and clingy behavior, talking through my anxiety about her going into battle, scared she won't come back. She knows my concern isn't about my belief in her abilities, but rather the fears that scream in my head out of love for her. She displays a gentleness no one else has ever seen, something for my eyes only. Cupping of my cheek, arm around my torso that pulls me close, and her soothing voice reassuring me of her return, but validating my feelings. She will pepper my face with kisses before I help her with her armor, and her with mine. This was a month ago and the last time I saw her.

While she was fighting, a team made a strike on us in our camp, taking me as well as a few others. I don’t remember much of the ambush, just some yelling, a hit to the back of my head, then everything went black. Now its a month later and I'm stumbling through the battlefield. I can feel the dirt under my bare feet, a cool breeze causing a shiver to run through my body. They had stripped me of my armor and kept it, the armor Ambessa had made specially for me, an extra layer of protection from weapons and any environment our battles brought us to. I’m thinner from the lack of food I was given to scrounge on when they felt it was time to feed me, which wasn’t often enough. My body is covered in cuts and bruises from the interrogations as they called them trying to get information out of me, but I gave them nothing. I’m frigid, weak, and exhausted, but I push on, determined to get back to the love of my life, my safe haven.

When I look up, I can see our base camp far in the distance, it’s so close, but so far still. Smoke rises from what must be fires in the camp, and torches at the entrance to the camp. I want to scream out for help, anything to get their attention, but I can’t. My voice is so weak from my screams of pain when I was being tortured, my voice doesn’t even reach five feet in front of me, but I keep trying.

“Hel-“ *I immediately cough, but try again, “Help”.

I can just barely see movement up by the entrance, hoping they will see me and help me. I keep pushing forward, scared as my vision starts to blur.

“H-help”

The edges of my vision start to fade and I trip over my feet and fall to the ground, too weak to move again.

“H-h-help”

I look towards the camp while I lie on the ground, my eyes are starting to water. My eyes shut for a long period of time, but when I finally open them again, I see a shadowed figure running towards me. Tears stream down my cheeks as they get close, but my vision starts to go black again.

[love-byers]

DM-GATE (a st/byler theory)

if you saw this last night, strap in. because this post is about that

so me and @reo-bylerwagon were talking about how weird mike's dialogue is in s4, specifically in his monologue. it's so....corny. his monologue just doesn't sound like stranger things. mike just doesn't talk like that ever. characters who are overly dramatic and corny are made fun of by other characters. the show just doesn't train you to accept something as corny as mike's monologue, especially from MIKE. mike just isn't that kind of character.

we also pointed this dramatic dialogue between mike and will in the van. will's monologue to mike is very sweet but the dialogue is kind of corny too. will compares mike to a knight in shining armor, leading and inspiring as the heart of the party.

and i, in a moment of completely oblivious genius, said "honestly in the monologue he uses the same voice he does when he's dm"

if you don't know what dm is, it means dungeon master. the dungeon master is the one in dnd who leads the adventure, the organizer.

this is the role mike has in season 1 when they're playing dnd. will is also dm in s3 when they briefly play, right before the byler rain fight. eddie is the only other character we see be dm.

dms have to be eccentric, they have to act. they have to be convincing. they have to lead and guide.

in the painting will gives mike, the party are depicted as their dnd characters. so no one can even say this isn't connected to dnd.

"See how you're leading us? You're guiding the whole party, inspiring us. That's what you do.

See your coat of arms here? It's a heart. I know it's sort of on the nose, but that's what holds this whole party together. Heart. Because, I mean, without heart, we'd all fall apart."

in the monologue when will calls back to their conversation in the van, this is symbolic of mike reverting back to his role as dungeon master, as leader. if mike has to lie in the monologue, of course he would pull from a role he's played where he makes things up and sounds convincing.

@reo-bylerwagon gave the best line ever, "he's being the mike in the painting"

and the craziest part is that's CANON. mike is inspired by what will says, he takes it to heart. he feels more confident. he tries to be the mike in the painting. it should be easy, to speak from his heart to el, but it's not, because he's not in love with her. in the monologue, mike is doing the same thing he does when he's dm. he's performing. he's trying to be convincing. he's trying to guide, to inspire.

also, @reo-bylerwagon said that will pushing mike to giving the monologue is giving "MIKE YOUR ACTION!!" WHICH IS SO FUCKING TRUE😭😭

after this realization i went back and watched the scenes where mike is dming. the VERY FIRST LINE OF DIALOGUE we hear in the show is mike dming. "Something is coming, something hungry for blood." and the second line?

i could never put a finger on why mikes language in the monologue seemed so weird. it's because he's talking like a dm. he's using the dramatic language dms use during a dnd session.

@reo-bylerwagon also pointed out that mike and will are piggybacking off of dnd to save el. everyone in the final fight was piggybacking.

will set the stage, mike executed. 

also, i mentioned the only other character see be dm besides mike and will is eddie.

and what is eddie's big moment in s4?

Master of Puppets.

MASTER. OF PUPPETS. DUNGEON MASTER. DUDE.

and another thing

we've all seen this, but it's not only that mike and will's characters are on the book.

it's a dungeon masters guide.

with mike and will's characters on it.

mike and will. the only party members we've seen be dungeon masters.

COME THE FUCK ON.

AND ANOTHER THING

"Dude, that's the donation box."

"I know, I'll just use yours when I come back. I mean...if we still wanna play."

"Well yeah but...what if you want to join another party?"

"Not possible."

this is a dm i got like 2 years ago that changed my brain chemistry:

this is NOT a reach. everything in st is compared to dnd. the duffers are massive dnd nerds. it is not unbelievable that they'd connect this to dnd as well.

[starshipdecay]

Toon Zelda redesigns! I've never been fond of the Toon Zelda design, and these girls deserve some individuality. Design notes and rambles below the cut :D

(time to turn the proper grammar off i aint capitalizing all this. warning: i am verbose)

first up, tmc zelda!

shes the one most like toon zelda, since i felt like the vibes fit the *most* (though not a lot). also, with her place on the timeline, i could justify a lot of bits, like the wings and the cape

the cape! obvs it comes from the toon zelda base design, but also it involves skyloftian fashion! i take the timeline as a challenge, and i once saw a take somewhere that the skyloftians all wear their family crests (most often birds lol) on their person. zelda here (and link too) do just that, wearing their family crests on little caplets. on the back is, of course the royal crest

i went very cutesy princess for her. tmc has such a *whimsical* vibe that i feel is very. muted? by the fact its stuck with the toon style. so i wanted to put in that vibe here. also her sprites make it look like her skirt is super poofy, so how could i not?

curly hair: i wanted something interesting, and most zeldas have straight hair. so! adds to the cuteness

i didnt draw it so well but she (and link) both have very sleepy expressions. zelda especially just has a sleepy expression in her sprite, its quite adorable.

shes not as decked out as other princesses, cuz i see tmc taking place before the royal family really starts to get *royal* as we see it. shes still of course got a tiara and some embroidery tho.

Tetra! her base design isnt all that changed from the original. her name is a fun hc of mine tho. i think "von Hyrule" sounds better as a surname than just "hyrule". shes not zelda, but shes still a descendant.

(WW) princess z (as i call her)

I went more oot zelda vibes for her, since she would be closer, temporally, to oot. i also went very warm, since ive never seen the flood as a *warm* endeavor.

shes got the shoulder danglies, as most zeldas have shoulder armor of some kind. the danglies instead of actual armor are supposed to kind of evoke a royal sea captain kind of vibe.

shes ghostly, with a fish-eyed stare. shes been dead and gone for a long time. shes also a bit taller and a few years older than tetra (as of ww). shes just some spectre the king saw in tetra, not at all a close match

tetra, being smaller than princess z, doesnt fit into the clothes. the dress is too big for her (as is in canon gd that skirt is WAY too long for her), the coat is baggy. the role of a princess *literally* does not fit her.

the ribbons! theyre my replacement for the wings, and they represent the wind in the game! since its represented by white lines, the ribbons are a perfect symbolic match. (also, a note, tetras hair is shorter and coarser than princess z's)

i mostly bullshitted the blue panel but the vague idea i gave it was 'a hope for the triforce to give good fortunes to the people' (pictured as dots, mostly behind her arms)

Pirate Queen Tetra

ph! about a year has passed, and tetra has really grown into her own! as well as literally grown!

shes still tetra, pirate and captain, but shes incorporated that royal heritage into her identity: quite literally! she made piecemeal of the original outfit (what was left of it anyway after the fight), and added bits and pieces to her new life.

she also takes full advantage of said heritage to call herself pirate queen. its great for branding. whos gonna say she CANT go by pirate queen?

the seagull feather is from Aryll. only crew member tetra wears a trinket from (who can say no to that ball of sunshine! certainly not tetra)

not many notes. yall can see whats there. (also she still wears her hair in a bun, its just in a low bun (you can almost see it) when she wears her hat)

st zelda!

first note is: shes not a princess! shes an heiress of the company tetra had made and left behind. hence her title of Lady zelda. ("new hyrule" rly just like-- the ending of ww was *literally* that hyrule is dead and thats okay. how did they miss that :sob emoji:) also calling her Lady Zelda fits with the train vibes

shes in a 1880s style bustle dress because 1) i am OBSESSED with bustle dresses. i love them. so much. 2) the more historical vibe works really well with trains! also a lot of the other outfits in the game have late victorian vibes, so shes certainly not out of place.

her hat (and gloves): any proper lady has a hat on when going about town, however, when she gets body snatched, she pulled out her hatpin to use (ineffectively) as a weapon (she IS tetras great-great-granddaughter), causing her to lose her hat *and* hairdo.

shes still got the hatpin in her ghost form, too. she uses it to threaten people for funsies

Ribbons! on the topic of hairdo, her ribbons! visually tying her to tetras design, the ribbons here instead take on the image of train tracks, with her pin (on the left side) evoking a train engine. the pin also makes her look rich and girly. when her hair comes undone, this makes the ribbons all loose, like how the train tracks disappear in game. (the hat also kinda connects her to tetra)

thanks for reading :D i hope you liked reading this as much as i liked typing it

[1d5soslittlemixonechicago]

Protectiveness

Clarisse La Rue x fem!Apollokid!reader 

Warning: violence, some blood, protective clarisse

Notes: I have not read the books or anything so please forgive me if this sucks

Request

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You were in your cabin, getting ready for capture the flag. You hated capture the flag because you weren't that great at fighting, but you have been working with Clarisse on your fighting. You have gotten a little bit better at fighting, but not the best.

You started putting your armor on when you heard a knock, which made you turn around and see Clarisse making you smile. "Hey," you said, making Clarisse smile a little as she walked towards you. "Hey," Clarisse said as she stopped right in front of you. You put your hand on her cheek, pulling her into a kiss. You guys kissed until you were interrupted by one of your siblings.

"Its about to-" your sibling went to say but froze when seeing Clarisse glaring at them for interrupting you guys. You smile out a little, moving your hand to her shoulder."I'll be out in a minute," you said, making your sibling nod before leaving as quick as they came. You look back at Clarisse. "I'll see you after, right?" you asked, making Clarisse nod. You turned around, grabbing your helmet and putting it on.

"You would look so much better in red," Clarisse said with a smirk, making you laugh a little while pecking her lips. "Alright, I'll see you later," you said as you pulled away.

You walked out of your cabin with Clarisse behind you; you went the other way but were stopped by Clarisse grabbing your wrist and pulling you toward. "We have to go," you said with a small smile. "I know; just be careful," Clarisse said with a hint of worry, not wanting you to get hurt.

"I will," you said, giving her one last kiss before finally parting ways. You reach where your siblings are and where Annabeth is standing, telling everyone their role. When you reach them, Annabeth looks at you. "You're with Luke," Annabeth says, making you nod. Annabeth walked away, and you looked toward the opposite team, where you met Clarisse. Her eyes were giving each other nods of good luck, but when Chiron talked, they took the attention off of each other.

After he finished and the horn went off, you followed Luke and some of your siblings with the flag before setting somewhat ahead of the flag.

As you were standing away from the team, you heard a noise, making you turn to see some of the red team come up and say, "There, here!" You yell to Luke, who nods his head. What you didn't notice was someone behind you coming towards you until it was too late. You were rolling down a hill with your helmet coming off. The fall knocked the air out of you as you saw the same person who pushed down the hill, Kyle, the son of Hades, who didn't like you. You didn't know why he didn't like you, but he always went after you. You didn't tell Clarisse for the sake of his life.

You stood up, groaning in pain. You had a small gash on your forehead. You grabbed the sword just as Kyle reached forward to bring his sword down, but you quickly moved out if the way made his sword hit the ground. "What is your problem?" You said getting up, "you," Kyle said as he charged you. "Really, I couldn't tell," you said sarcasm lacing your voice as you blocked his hit. He pulls his sword away, but not before cutting your arm.

You see Luke out the corner of your eye as he creeps behind Kyle, and you nod your head, which made Luke charge forward, putting the sword to Kyle's throat. "Drop it," Luke said, making Kyle grip his sword and raise his sword. "Did you hear him? He said drop it," you said, walking towards him with your sword pointing at him. He rolled his eyes, dropping the sword. Luke pushed him away as he looked at you. “You okay?" Luke asked, pointing to the cut on your head.

"Yeah," you responded, touching your cut and hissing in pain. You took your hand down, noticing blood on your finger, and glanced up at Luke. "Don't tell Clarisse, okay?" you said, and Luke gave you an unsure look. "I'm fine now; go get the flag," you added, making Luke nod and walk away without giving you one more look.

You looked where Kyle was, but he was long gone. "Asshole," you said, bringing your arm up and seeing the cut on it before you started heading back to your cabin to clean up, not caring about capture the flag.

You get to your cabin, and you walk toward your bed, taking off your shirt to see a bruise on your side. "Great," you whispered as you grabbed a rag, getting wet and cleaning your cuts.

~~~

Capture The flag had finished and the red team lost, so Clarisse was mad, so she was looking for you, the only person who could calm her down. So she went to the place you guys normally meet after the game, but you weren't there, which is weird because you were normally the first one there, so she went to your cabin.

She knocked on the door, hearing a silent 'come in' which made her open the door to see you pulling your shirt down, but before you pulled it down, she saw the bruise on your side. "What the hell happened?" Clarisse said angrily as she walked toward you.

You turn around, and Clarisse notices the cut on her forehead. "I'm fine; I just fell," you lied. Clarisse squinted her eyes, knowing you were lying to her. "What happened?" Clarisse said you looked down, knowing you couldn't lie to her anymore. You knew she wouldn't believe you, "Kyle," you whispered.

Clarisse didn't say anything, and walking out of your cabin, "Clarisse," you said, but she ignored you, looking for Kyle. She found Kyle, who was talking to his friend. She grabbed his shoulder, spinning him around and punching him in the face, making him fall to the ground. "What the hell?" Kyle shouted, holding his face.

Clarisse went to lunge at him, but you grabbed her as Luke got in front of her. "Clarisse, stop," Luke said. Clarisse glared at him. "Touch her again, and I'll kill you," Clarisse said before gently grabbing your arm and pulling you guys away. You could tell she was tense.

She didn't say it the whole time. "Clarisse," you said, making her stop. You spun her around, grabbing her face and making her calm down. You pulled her into a kiss. Clarisse put her hand on your waist, kissing you back with a small smile. You guys pulled away when air had become a problem, resting your forehead on her. "I love you," you said, which made Clarisse freeze, pulling away. "You don't have to say it; I just wanted you to know," you said, looking at her.

Clarisse just looked at you, pulling you into another kiss. You know that she loves you; she'll do anything for you. That's what made you fall even more in love with her. She pulled away. "I love you too," Clarisse said, making you smile. Hearing those words come out of your mouth, you pull her into a hug. "If he ever touches you again, I'll kill you." Clarisse said, making you laugh. Knowing she was not lying, you pulled away. "I know." You said you were smiling at her as she pulled you into one more kiss.

[buildingmycottage]

I saw a post here on Tumblr once that went something like "in a world where god, Jesus, and the apostles are all men, that has to do something psychologically to women" and it made me think: The Netflix version of the show "She-Ra Princess of Power" is a show that is HEAVILY women centric. We know maybe three guys in power, King Micah (who, after his return from Beast Island, wasn't *really* in power), the head sorcerer in Mystacor, Hordak/Horde Prime. (please do correct me if I am wrong) The show, albeit about princesses, has the princesses have actual roles. Even the ones that are "weak" or perceived to be weaker than the others (read: Perfuma), are extremely powerful.

The two men whom we consistently meet in the show other than Hordak, Bow and Seahawk, are not the "macho man" in most shows. Seahawk sings an entire shanty as to how lonely he is and how he just wants to be friends with Mermista, and Bow cries and even hugs frequently all the other characters in the show. Both talk about their emotions and work through them in /relatively/ healthy ways (the Dragon's Daughters 1-3 will be sorely missed). My point being, is that the women in the show are shown as strong, beautiful, muscular, fierce, sad, frustrated, loving, traumatized, hurt, laughing, and more. They all have different body shapes/ types of bodies. There are three openly gay couples: Bow's dads, Spinerella and Netossa, and Catra and Adora. Incredible! In a kids show (and adults too lets be real) there are three openly gay couples. No one treats them any different. Bow is one of 13 kids of George and Lance. No one bats an eye. In fact, according to She-Ra Wiki page (https://she-raandtheprincessesofpower.fandom.com/wiki/LGBTQIAP%2B), so many characters are queer. Besides the ones listed above: - Scorpia and Perfuma are romantically involved - Bow is Bisexual - Glimmer is Bisexual - Mermista is Bisexual - Seahawk is Bisexual (dated Falcon) - Falcon is Gay - Lonnie is Poly and Bisexual (dating Rogelio and Kyle) - by extension Rogelio and Kyle are queer - Entrapta is bi - Jewelstar is trans - Peekablue is gender non-conforming - Double Trouble is nonbinary and there is MORE In the show, as there are a ton of non humans, almost any time we meet someone, she/her pronouns are used (see episodes when Best Friend Squad are in the crimson waste). Can't you see how amazing this is? A show where there are no one-dimensional characters, women are constantly having intelligent conversation with one another, women are leaders, women working together, openly queer characters, and a beautiful plot line where there's magic???? When the princesses work together, they turn into the colors of the rainbow and their powers are enhanced. Little girls are getting to see themselves as normal. Women aren't treated as secondary citizens. Hell, almost every Bright Moon guard we see is female. How would the world be different if shows like this were the norm? Where women are able to be magical, and they aren't dressed to show off their bodies? Where women's armor actually protects them? Where they grunt and are sweating after they fight? Where womens' love wins? Why can't this be normal? (Happy Pride!)

[yuikomorii]

I got a question but I need an objective answer please. So I saw a lot of people complain about Yui being written in a very bad way in Ayato’s routes starting with More Blood and was curious if you think that she became a bad girlfriend as the story progressed?

// I will analyze Yui’s versions from Ayato’s routes and provide an answer at the end of this post.

More Blood:

Even from the first two chapters we are aware of the fact that Yui got a big crush on Ayato merely because of his looks and pleasure he gave her. At first sight, these reasons seem very superficial, but at the same time you can’t blame her completely for that. Yui went to a normal school and used to read magazines for teens, therefore it’s obvious she would have hormones and fall in love with someone who got features portrayed as the beauty standard.

It's understandable why some found her annoying, as she repeatedly cried for Ayato's love without making any real effort to earn it. Apart from giving him her blood, she didn't try to understand what he was going through, even when she noticed changes in him that made him crave so much blood.

Nevertheless, I believe that she did redeem herself in the last chapters, where she admitted being selfish and only thinking about her own desires, instead of focusing on Ayato’s struggles too. I know she paralyzed him out of jealousy and cheated on him in the bad endings, but in the good one, she’s actually a really loyal person. Yui waited years for Ayato to wake up from the coma and Ayato searched for Yui for years in his dream until he finally woke up. This ending confirmed the genuineness of their love.

In the After Story, Ayato planned to attend university for Yui's sake, aiming to get a job and buy a house. Yui helped Ayato with his studies and praised his skills. Initially, she fell for his looks, but in the After Story, she mentioned falling in love with him again because of his caring, determined, and hardworking personality.

Vandead Carnival & Lunatic Parade:

I really liked Yui in both of Ayato's routes and honestly, I can't find anything to criticize about her behavior.

It's not that Yui was a bad partner; it's just that Ayato was portrayed as too good, such as when he ran through flames for her or protected her from a bomb explosion. But that's likely because these are fan service games, where the love interests are designed to be your knights in shining armor. xD

Dark Fate:

I absolutely loved Yui’s portrayal in that route. It was the sweetest version of Yui I’ve ever seen, and I really enjoyed seeing her so happy and soft. Regarding her relationship with Ayato, he was truly the apple of her eye, lol.

The only problematic thing she did was pushing Ayato to face his abuser, Cordelia, even though he didn’t want to. I honestly don’t care if a character does something to another character, as long as it doesn’t affect them and the story, so since Ayato didn’t get mad at her for that, I didn’t mind it much either. However, from an objective point of view, I agree that doing such a thing is quite bad. Being in the presence of someone who ruined your life can trigger intense memories and forcing a confrontation removes the victim's agency in deciding how to cope with their trauma. Ayato might not have been mad at Yui for planning that, but if it had been Laito, I’m sure he would have shown why Yui was in the wrong.

Other than that, she was a kind and supportive girlfriend throughout the whole route, clearly having no ill intent, and I appreciate that she had an actual important role in the route.

Lost Eden:

Ok, I really can’t defend her anymore there. She literally had no redeeming qualities, no matter how many times she got the chance to fix herself. I discussed my thoughts about LE Yui in this post, but I’ll sum it up.

She tried to convince Ayato that despite Cordelia abusing him, she actually did it because she “cared about his future”, and then acted surprised when Ayato started feeling uncomfortable because of her words.

Yui knew the reasons behind Ayato’s behavior, yet when his brothers started mocking him, she didn’t even try to defend him. Everyone ganged up on Ayato, and he was on the verge of a panic attack, yet she remained silent.

Another terrible scene was in one of the last chapters, when Ruki admitted to turning the Vibora Clan and Church organization against Ayato out of envy, aiming to kill him. Instead of criticizing Ruki’s actions, Yui justified them and spoke ill of Ayato behind his back. I wouldn’t like to date someone who claims to love me but keeps hurting me without learning anything… It felt as if Ayato only continued being together with her because he had no one else. No wonder he didn’t marry her there.

Chaos Lineage:

I found Yui quite boring in CL in general, but she started off as determined and sweet in his route, so I liked that.

For most of the route, Yui’s entire personality seemed to revolve around Ayato, and she didn’t do much. There were many cheesy moments between them that made me cringe. Still, I’m sure a certain audience enjoyed those.

My only complaint is that when his brothers started treating Ayato unfairly, despite the fact that he came up with the idea of breaking the glass floor of the church, Yui did nothing to defend him, again.

However, I do appreciate that she gave him that adorable monologue. I just wish she had done it in front of others instead of only acting when Ayato was already insecure and sad.

Now… let’s see what kind of girlfriend Yui was in each route by judging her progress:

MB: Good

VC: Good

DF: Very good

LP: Good

LE: Very bad

CL: Decent

[stargirlfeyre]

I don’t care how much their fans try to say otherwise. The Valkyries winning the rite was unrealistic.

• “Y’all say they only won with the power of friendship but the BatBoys did too”…the Batboys were also trained warriors from childhood that had been preparing for the rite since they walked into those camps. Their situation can’t be compared to the Valkyries because like most Illyrians they had years of preparation built up for this on top of them “having the power of friendship”. They did not win simply because they relied on one another but because they were also trained specifically for this.

• “But Feyre won against the Wyrm and y’all didn’t say that was unrealistic” Feyre like the Batboys used her years of preparation as a huntress to kill the Wyrm. She like them used her prior knowledge to win. That trial was specifically chosen for her because Amarantha knew that she was a huntress and wanted her to hunt the Wyrm. Which she did. She did not fight it head on but rather outsmarted it. The Valkyries fought Illyrian warriors with years of training. “But the Valkyries were trained by the most powerful warriors in Prythian” correct me if I’m wrong but doesn’t Cassian also spend time training Illyrians at the camps? So those warriors were also trained by the most powerful of them😭.

• “Y’all are just misogynists who hate seeing women overpower men” Nah. Valkyrie fans *cough Nesta fans cough* just like to come for every other woman and their achievements in these books. You can’t be trying to devalue these women and everything that they’ve overcome when you stan people who have the biggest plot armor. You’re just getting a taste of your own medicine.

• “The Valkyries won because the Illyrians were too busy hunting one another instead of focused on winning” Sorry but you’re never going to make me believe that every Illyrian in the rite was just focused on these women. You think every single one was focused on killing them over having eternal glory and status? The rite is one of the most (if not the most) sacred Illyrian traditions. I can guarantee you that a lot of them went into it wanting to win and not worrying about 3 random women. The Illyrian they met in the cave proved that there were people not worried about killing them.

Lastly if Sjm wanted to make them winning look more realistic then she should have lowered the stakes. She shouldn’t have made it this hard competition that only 12 (?) people have won in the entire history of Illyria if she was going to have 3 people with little to no knowledge about it win. This just proves that she was winging Acosf and not much of it was planned out the way a book as long as that requires. It’s not even just the fighting. They had no wilderness training. Not only were they fighting people with years (maybe even centuries) of training on them. They survived a week in the woods when none of them were prepared for that.

I’m sorry but I’m just not going to believe this. Get mad at me for saying it all you want but it was not realistic. “But this is fantasy it’s not supposed to be realistic” — same group of people that calls Rhys a p*do for his age difference with Feyre and comes for Feyre’s role as High Lady. You only want realism when it benefits you.

[torgawl]

started thinking about "the pale princess and the six pygmies" again and realised the five unloyal pygmies match the sinners of khaenri'ah pretty well.

when the pale princess from the moonlight forest and the prince from the kingdom of light enter the kingdom of pygmies, one pygmy (deformed pygmy) asks her help to save his five brothers who were trapped under different circumstances in exchange for their loyalty to her. and so starts the journey of saving each of the five pygmies.

after saving all the pygmies, she took them to the kingdom of light as part of her people and the pygmies started serving both the princess and the prince. "but they were still heinous creatures from the land of night, and corruption flowed in their veins. as the days traveling to the kingdom of light grew long and dangerous, the root of evil would again blossom in their hearts". the pygmies then started plotting revenge and ended up poisoning the prince.

one of the pygmies though (deformed pygmy), was still loyal to the princess and felt guilty for the plan and so he spirited the prince's body away from his wicked brethren and took it to where the princess was staying. what he didn't know was that the night mother had already found the princess, who she emprisoned. before collapsing, transforming into a pile of sludge and worms, and leaving the pygmy to grieve, she proclaimed one prophecy: "in thousands of years time, my greatest foe will descend. he wields a sword that heralds the dawn and wears armor that can reflect the shining sunlight. he shall destroy my kingdom and bring the prince back to life. the princess will then be free from her eternal torment. until then, i fear not a single soul in the land of might, for nothing will bring an end to my kingdom except for the catastrophe foretold by the prophecy. as for you, the treacherous slave that poisoned his master… fate shall see that you get what you deserve". at last, the pygmy hid the body in a tree hole and walked off alone into the night, into a self-imposed exile.

what specifically caught my attention was the motives each of the five unloyal pygmies gave to betray the prince, which seem to mirror the five sinners of khaenri'ah. and i guess it's also relevant to add that alberich in "the ring of the nibelung" was, in fact, ruler of the dwarves. in this case, pygmies as an allegorical parallel could very well make sense to refer to the people of khaenri'ah.

to make a few of the connections i made between the sinners and the pygmies, i went into speculation and theory territory, so take what i'm saying with a grain of salt. but going into each of them:

hroptatyr means 'sage' in old norse and was one of the many names that odin went by. the one entity in khaenri'ah, who happens to parallel odin and a sage, simultaneously, and who also made use of power from beyond beyond the skies is non other than king irmin. he became "indisposed" during the cataclysm and didn't defend his kingdom, which led to anfortas taking his place as regent. this description of events very much matches what dainsleif told us about the sinners not fullfiling their role and being unable to protect the kingdom. it also adds some context as to why the only justification for why irmin wasn't able to rule at the time of the cataclysm was because he was "indisposed". king irmin is also known to only have one eye so his respective pygmy being "blind" is very fitting.

dain also refers to himself and the sinners as "the six of us". if the loyal pygmy from the book represents dain, this would make a lot of sense. i forgot to add before but the line about corruption flowing through the pygmies veins caught my eye as well as we know the sinners shared this sinful power between them and in "a drunkard's tale", wine is used as a metaphor for the abyss. the sinners are what led to the creation of the abyss order.

from the very little we know about vedrfolnir, he's able to foresee the future. the foolish pygmy envies the smart. pierro is one of theorised identities for "the visionary". besides his title being "the jester" which is pretty much another variation for fool, he has an interesting quote in the 'pale flame' set: "since my level of learning could not compare with the sages, i failed to earn the favor of the previous ruler". it implies he used to crave knowledge, like the pygmy, and it mentions irmin, who he served while he was still in khaenri'ah. pierro is also the one behind the fatui's plans, he seems to always plan ahead and all his goals end up being fullfiled even after many complications. he also possesses great historical knowledge, both abouth the future and past, as he seems to know about arlecchino's history despite being part of the later eclipse dynasty.

surtalogi "the foul" is the one behind "foul's legacy", a combat technique used by childe. he has ties to the abyss and much like childe's combat-hungry spirit, the timid pygmy desired to battle the prince.

the shrunken pygmy is the most straightforward one. rhinedottir is a practitioner of the art of khemia, probably the most proefficient one too. like the pygmy, her focus is on creating life through alchemy.

as for rerir's connection to the carefree pygmy, i placed him by process of elimination. we know nothing about them so i don't think it's possible to make a very factual connection but the pygmy's sentiment of wanting to avenge his situation seems silimar to the feeling behind title "avenger of solnari". despite solnari not having a very clear origin, it either stems from: 'solari', related to the sun; or 'solunar', pertaining to the rising and setting times of the sun and moon, phases of the moon, eclipses, etc. the princess and the prince in the book represent the moon and sun, respectively. and there's also the ties to the eclipse dynasty in khaenri'ah.

another parallel between the sinners is the primordial one and the four shades. but rather than representing each other, they work as counterparts: hroptatyr vs primordial one, vedrfolnir vs istaroth, rhinedottir vs the shade of life, rerir vs the shade of death (?) and surtalogi vs the shade of void (?).

not sure if there's a connection between each of the sumeru akademiya's cardinal sins and the pygmies since they're also six but they seem like sins commited by khaenri'ah either way:

"revering gods without acts of devotion" caught my attention because khaenri'ah is supposed to be a godless nation yet we see hilichurls around the thousand wind temple while also having banners with istaroth's symbol in their camps, as if they followed istaroth somehow. i have my thoughts about some of the other sins (like the human evolution one), istaroth being connected to khaenri'ah, her theorised identity as a moon sister and her possible ties to this book as the pale princess but i think i'll leave that to another day. i'm very sure other people made the connection between the pygmies and the sinners too, i am probably very late to the party but i just wanted to add my two cents on it and make a post with my current ideas on the identities of hroptatyr and vderfolnir. don't trust me, though!! the pygmy isn't the only fool, i'm just having fun thinking these possibilities. thanks for reading, if you did ahah

edit (23/08/24): i never came back to this post but i realised the identities can be easier to infer without speculation, since the names are clearly the opposite of their desires. the pygmy who wanted to see makes sense to be vedrfolnir, the visionary - blind pygmy. the foolish pygmy, the one who wanted to become smart is obviously hroptatyr (and here pierro makes a lot more sense, i know some people theorised pierro to be hroptatyr). the pygmy who wanted courage makes sense to be the timid pygmy, possibly rerir. rhinedottir is without doubt the shrunken pygmy which leaves us with surtalogi being the carefree pygmy. the carefree pygmy much like the deformed pygmy don't really have any desires, but the title "the foul" contrasts carefree really well. wanted to reiterate this since people keep relogging this post. i didn't really go to deep into the sinners either though i will leave here that the name khaenri'ah is possibly derived from an arabic phrase meaning "betrayer of winds" (خائن رياح) and the pygmies betrayed the pale princess and the light prince (represents the sun and gold - end goal of magnum opus) in the book. which leads us to istaroth, "the thousand winds of time". i said i wasn't going to go into it but i cannot stop myself from saying this because i wasn't clear earlier and i feel like this is cool. okay, bye!!

[steddieme]

this is the steve harrington is seven au i was talking about in this post (warning: it's not finished)

seven has a form of foresight, he gets random flashes of visions and if he really concentrates on it he can even look for specific events. the future is a fickle thing, it's very malleable. he learns very early on that what he says, what he does can shape the world around him. he's very close to eight, he loves her power and she finds his random predictions cool. eleven eventually imprints on them like a little duckling and they dote on her as much as they can. they love her.

but seven sees flashes of brenner ordering the keepers to kill him. says he drops too many references to the outside world, he must escape at one point in the future, and that could jeopardize the entire experiment. he panics and tells eight, and they devise a plan to escape along with eleven. seven's visions are too hazy, he's too scared to really focus. things go wrong and they all get separated during their escape attempt.

for a while seven is convinced both eight and eleven died. he does see flashes of them at one point in the future, after he becomes steve, but he doesn't know how to find them. he becomes steve harrington by breaking into the harrington family's house, scared, cold and starving. mr. harrington is a cold man who wants him gone at first, but mrs. harrington immediately takes to him. they were never able to have kids and mrs. harrington is convinced seven was meant to end up with them.

when he shows them his tattoo and tells them he's called seven, mrs. harrington immediately names him steven instead. they're too scared to ask about why the fuck this random child is numbered, so they never learn the truth about him. they get him papers by paying the right people and steve harrington is born.

eventually, mrs. harrington's love for steve wilts, all the joy sucked out of her by her husband forcing her to go with him on his work trips. she has to leave steve behind, while her husband very clearly cheats on her right under her nose. she becomes too depressed to say no, to leave, she has no one to fall back on. once steve is old enough to understand, he comes to hate his "dad," but his heart breaks for his mom. it's still better than the lab.

as much as he hates it he takes up the role of king steve at school. he figures the more visible he is, the safer he is. everyone knows king steve, everyone would notice if he suddenly went missing. he wears his persona like an armor, tries to act as "normal" as possible. no one would think king steve was anything but a spoiled rich kid. there's nothing strange about him, he's a painfully normal asshole jock.

the hair is just for him, though. his mom teaches him how to take care of it, even shows him what waterproof makeup to use for his tattoo when he can't wear his watch. she's a bit obsessed with beauty, her teachings tip into toxic, he learns to associate beauty with self-worth for a while. but his hair becomes a reminder he's free. every time he looks in the mirror, every time he touches his hair is a reassurance that he's steve and not seven. he smiles when he first hears the moniker steve "the hair" harrington. king steve is for the public, but steve "the hair" harrington is just for him.

at some point he starts having random visions of people in the school. a girl holding a gun. a girl doing her makeup in his car while they laugh together. a boy with wild hair and big gestures. a kid going missing. seven different kids. and one of them is eleven! when he first sees eleven in a vision he cries for an entire day.

he sees monsters and death and pain. he sets out to find each of them and change as much of the future he's seen as possible. he already feels guilty he's recruiting all of them from the start, but how else is he supposed to protect them from something he knows nothing about? his decision to find them all has already distorted his visions. nothing is certain about the future, but there's power in numbers, he knows that much.

he first finds nancy and with her comes her best friend barb. he sets out to become their friend, and while barb doesn't approve of him at first they end up getting along well. he crushes on nancy hard, but then one day he sees visions of her and a guy named jonathan, who will apparently also be involved, and she seems to fit with him so well, he cannot bring himself to ask her out after that.

he finds out the other two people are robin buckley and eddie munson. he knows he cannot get close to them as king steve so he changes. he sheds his persona and sets out to friend the hell out of both of them. he starts with robin, because eddie is a bit too intimidating and he figures he'd take a bit more convincing with the way he seems to hate conformity. steve built his entire persona around the safety of conformity after all.

robin is very confused when he first approaches her. she's standoffish and rude and seems to hate him. but then she sees him tell someone from the basketball team off for bullying another kid. and she decides to give him a chance. and they seem to click instantly after that? he finds his soulmate and he's never been happier. he actually decides to tell her everything after a while.

when he shows her he can levitate stuff, she understandably freaks the fuck out. but after she gets it out of her system she's fully on board, they start planning how to stop the end of the world. steve is not alone anymore and robin cries with him when he starts sobbing at the realization.

they decide to befriend jonathan, since eddie will be much harder to convince. it goes surprisingly well, the guy is lonely and once you ask about his photography hobby he warms up to you. the five of them start eating lunch together, which then turns into hangouts after school as well and steve is grateful to finally have real friends.

he catches eddie staring at him one day. and then it keeps happening. turns out eddie stares at him a lot lately. he doesn't know if that's a good thing or not, but he does know it makes him flustered. his eyes are so big and intense. he talks to robin about it and she says she's like 65% sure it's a good thing and he's just curious about steve's change of heart. but when he mentions feeling flustered, she freezes. he's worried he said something wrong, before robin asks him if he's into eddie.

and. well. he does think he's a hot dude, to be honest. his hair looks so soft, he wishes he could teach him how to take care of it. and he finds his tattoos cool, he wonders how it would feel to touch them. and his eyes just suck him in and - oh my god he's into eddie munson. he stares at robin in shock who wears the same dumbfounded look on her face. then she tackles him and tells him she's a lesbian and she's so happy she finally found someone who gets it and they're truly soulmates.

while steve is honestly just confused. he hugs her back and listens to her patiently, thanks her for telling him, gives her shit for liking tammy thompson. and then tells her he's not gay. he liked nancy. robin rolls her eyes and says he can like both. which - okay, he didn't know you could do that. robin ends up making fun of him for weeks, because his type is just curly haired nerds with big eyes apparently.

but with this new knowledge in mind it's robin that has to do most of the heavy lifting in bringing eddie into their little friend group. because turns out steve wears his heart on his sleeves and doesn't know how to be normal when he has a crush. she finds it hilarious honestly. the only reason he kept his cool around nancy was because they were friends first. or at least he hopes he kept his cool around her. he's not so sure anymore.

eddie is very reluctant at first. he acts like a feral animal that has to be coaxed into trusting you. robin manages to convince him to let them join hellfire. the first session her and steve show up to is tense and awkward, but they do have fun. the two of them play one character, because robin is bad at talking but good at keeping track of stats and all that, and steve is good at talking and improvising. and together they're great at strategizing. the guys look at them strangely at first, but they learn to accept their oddities.

the weirder they are the more delighted eddie looks, actually. especially after they correct jeff that they're not dating. their strange twin-like behavior is what ends up drawing eddie in. they invite him to a movie night with barb, nancy and jonathan, and boom. eddie is finally in the group.

aaaand i lost motivation to continue this. i'm sorry for the cliffhanger ajvhdbkdshs

[cinnabun-faerie]

FFXIV: Your child dresses up as them for All Saint's Wake

A/N: I hope you enjoy! Sorry, I really do love adding these moments with Y'shtola, Thancred & Urianger. These three are so chaotic and iconic. Note: Y/C/N = Your/Child's/Name I imagine they're either a toddler or a young child

Characters: Alisaie, Alphinaud, Estinien, G'raha Tia, Thancred, Urianger, Y'shtola, (Bonus) Emet-Selch

Frightfest 2024 Masterlist

She's shocked at first

but she is in awe

your kid wanted to dress up like her?

she's honored

and the costume looked so well done! Tataru must have made this for them

"Hey Y/C/N, let's go bother Alphinaud together."

"Is Y/C/N dressed like me?"

he's stunned and impressed

"You've got the braid and my sage gear as well!"

No doubt his mother had a hand in this

she would be more than thrilled to give Y/C/N an outfit to match his

When he sees Y/C/N in mini-dragoon armor, he does a double take

"What do we have here? A little dragoon?"

Y/C/N shakes their head and points at him

and Estinien doesn't miss a beat

"You're dressed as me are you? I should have known."

he's impressed by the attention to detail

there's a tiny lance that is nearly identical to his as well as a plush version of Vrtra

He knows right away

"So this is where my scarf went"

he felt so happy when he saw Y/C/N's costume

he must mean a lot to Y/C/N if they wanted to dress up as him

"Shall we go to the library, Y/C/N? Perhaps I could read to you."

Bonus: If your child isn't a Miqo'te, I could see them wearing a pair of fuzzy cat ears that wiggle every now and then like G'raha's

He's smug

"You're dressed as me? I knew I was your favorite."

He would parade Y/C/N around and declare to everyone what their costume is

honestly, he's proud

he's always tried to be a positive role model to them and this really shows that he is important to them

He would smile fondly at Y/C/N

"You have outdone yourself this time, Y/C/N. I pray this is your best costume yet."

not to mention the attention to detail on the costume

their Astrologian costume sparkles and sways just as his does

not to mention they even have the holder for cards

if there were no cards, he would give them a deck of their own that would be small enough for their hands

though he does chuckle at the facial hair Y/C/N has, the squiggles are very thoughtful

She could recognize that outfit anywhere

"Y/C/N, what is your costume?"

"I am Master Matoya! The avatar of destruction!"

Of course

She'd turn and glare at you, Thancred & Urianger

cue the reaction in Endwalker when Thancred looks away and Urianger hides his face behind his cards

She will deal with the three of you later

regardless, she was flattered

"If I didn't know any better, I'd say I were looking in a mirror."

He'd look at Y/C/N and then at you

"What is this?"

yeah, he supposed that the costume was good

nothing was wrong with it

Y/C/N even had the duel hair colors

and how in the world did you manage to get the eye color exact-

why was Y/C/N scowling like that

"Well, one of us has to go home and change, Y/C/N."

Surprise Pikachu face when Y/C/N points to him and makes the gesture to shoo him

this mini version of you had quite the nerve

honestly both he & Y/C/N would try and out-sass each other

even if Y/C/N could only babble

[shannonsketches]

Rewatching Battle of the Gods and mAN. If you're ever scrolling my dbTag and going 'Sketches, what do you mean Toei does the same plot but completely changes the story, that makes no sense.' I'm talking about Character-Driven Storytelling. And the difference between Toriyama's Character-Driven Story and Toei's Plot-Driven Story is Most Glaring in comparing Super's movies and the anime retellings of Super's movies, because the screenplays for the last four movies were written by Toriyama, and obviously the show was not.

I saw BotG back first when it came out, before the anime was released, and The Point Of It was that it was the very first Dragon Ball story in which Goku failed and Vegeta was left in the position of The Protagonist, due to all of the growth he experienced in DBZ (Beerus in this movie takes Goku down immediately, and does not compliment him at all. King Kai, in this movie, has nothing rude to say about Vegeta and just warns him not to engage with Beerus because Goku just tried and lost, which freaks Vegeta out). So even while Goku still is the guy who gets to fight Beerus in the end, the majority of the movie is about Vegeta's efforts to not have a fight at all.

Like this is the Whole Thesis of Super (as Toriyama wrote it). Vegeta is being handed the mantle of Earth's Guardian (because as Piccolo points out later, he was a Prince and is becoming nostalgic as he gets older (as so many do), so his role is slowly coming full circle back to a proud inherited leadership position, which Goku has no interest in.)

You may have seen me complain about Vegeta and Bulma's dynamic being weird and bad in the anime despite them having been married for ~12 years by this point.

That's because the reason for and the dialogue from when Vegeta gets to the party was completely revised. In the show, Vegeta goes because Bulma yelled at him.

In the movie, he is still wearing his armor because he left training and went straight to the party with the Express Purpose of keeping everyone safe. Bulma not only knew Vegeta was training and expected would be there eventually, but also immediately recognizes something is wrong when he does finally arrive, because he is still wearing his armor, and she notes that him being broody like this is, by this point, unusual.

His behavior is, of course, is because he because he is trying to sense Beerus -- who he has just been told would destroy the Earth if anyone engaged with him. The game of the whole movie becomes Vegeta acting Completely Insane and throwing his pride aside to make sure everyone is safe, because protecting Earth and his family has become his top priority.

His frustration isn't because he finds her or any of the Z Fighters annoying. It's because he is trying to manage a problem that he can't tell anyone about, for fear that the other fighters will get involved and try and solve the problem -- especially if they learn this man's harmed Goku -- and Vegeta knows their good intentions will only make matters worse.

His outburst is because Bulma is (two glasses of champagne into her day and) trying to talk to him while he's trying to concentrate on locating this massive incoming threat he can't find. And what's more is that his raising his voice to Bulma is a shock to everyone.

Including Bulma.

Because the point is he is not normally like this.

And even though Vegeta can't sense Beerus' ki, he knows when Beerus is present, because he is suddenly terrified.

And then the gag becomes that Beerus speaks to Vegeta only, and Vegeta doesn't yet remember exactly who Beerus is or what he looks like, so he looks Completely Insane trying to find him,

When Vegeta does finally find Beerus, he immediately remembers who he is and treats him with the utmost respect, because he understands how Heirarchy works (this is completely changed in the anime, and turned into an attempted fight, for some reason).

Because he will not tell anybody what's going on, who Beerus is, or why he's there, because the risk is JUST too high, he just plays along with Bulma's assumption that they're friends of his. Which means Bulma (who is absolutely plastered) happily invites them to come party with everyone, leaving Vegeta the incredibly comedic task of running context-free interference for the universe's most temperamental god while the most fight-minded people on the planet are getting drunk.

Toei loves pretending Vegeta can't interact with people in a normal way, but Toriyama loved reminding the class that Vegeta is a seasoned professional with 25+ years in a semi-corporate military force who can and regularly does behave as one.

The whole bit of this arc is Vegeta being so scared of his planet and his family being destroyed (again) that he is willing to sacrifice his pride to herd a cat, because Dragon Ball has always been a comedy and Toei is so bad at remembering it's a comedy

I will also die mad that in the anime Gotenks fights first, when in the movie Trunks (as he has before) got involved when he saw Beerus beat his dad, and Vegeta begged him not to fight. Gotenks getting spanked (literally and figuratively) by Beerus is also what got Vegeta back on his feet.

Then there's this (y'all when I tell you someone at Toei fucking hates Vegeta,,)

For context, in the anime Beerus compliments Goku and insults Vegeta. Surprisingly no one, in the movie it is The Opposite. Beerus never says a bad word about Vegeta (and doesn't say anything to Goku after their first fight), and compliments his fighting instincts. And that's before Bulma gets hit.

In the anime, Vegeta can't do anything to Beerus, who drags him for like two minutes straight. Then he walks away from Vegeta, who cannot bring himself to stand, and takes his aim.

In the movie, Vegeta gets back up when Gotenks is knocked down, compliments Beerus, and accepts that the gap is too wide between them. Beerus decides it's time to be done here and charges directly at Vegeta.

Vegeta does not defend himself, does not dodge, does not flinch, and does not break eye contact. Then he says it might be an honor to be killed by Beerus (complimenting Beerus) (where in the anime he says it might be a proud way to go (complimenting himself)), and is ready to die on his feet.

(note: He doesn't say anything about pride, because his actions speak for him, as is very commonly the case with Toriyama's Vegeta, whose pride is loudest in his quiet confidence, not in his insecure outbursts).

The other major difference I absolutely hate in the anime is that for some reason they decided Beerus hitting Bulma was a long, drawn out, dramatic thing.

In the anime almost a full minute passes between her hitting him and him hitting her back. She hits him first, then lectures him, then the rest of that time is spent cutting between Beerus winding up and Vegeta reacting to him winding up, despite The Rest of the Party standing Right There and anyone could've easily pulled her away (Piccolo, for example, is unharmed and standing, and is literally like ten feet from where it happens. He has expanding limbs. Non-Issue of Moving Bulma).

NO. [spray bottle sounds] BAD WRITING.

The point of that moment, in the movie, is that it's a 'blink and you'll miss it' moment. THREE SECONDS pass between the moment she strikes Beerus and the moment he hits back. Vegeta only has time to be shocked that Bulma slapped him, because Beerus' rebuttal happens So Quickly, absolutely no one could've reacted fast enough to stop it. And even if it had been more drawn out -- because Vegeta had Beerus follow him away from the party to fight so that nobody else got hurt, Gotenks and Bulma both end up following him out there, and while everyone else stayed back and watched, nobody was close enough to stop it.

The point of that moment is to be Shocking. There is no wind up, there's no drama, there's not even a music cue. It is Completely Unexpected, for the characters and the audience alike, and that's why Vegeta has such an extreme reaction. He had No Time to brace himself for what was about to go down and No Time to change it.

This is another scene that was fully About Vegeta that Toei made About Someone Else (Beerus), changing the shot to a group shot of his power up and immediately having Beerus block all of the attacks, where Toriyama said, "Vegeta's strength scared the SHIT out of Beerus for a hot sec"

And if you've been following along in my vent tags about why Toei's writing is so bad and what they constantly center everything around, you can probably guess why the premise for this movie was changed so dramatically. But if you're new here, it's this:

It's because Vegeta's SSJ1 could do what Goku's SSJ3 couldn't.

And Vegeta didn't even notice, because he is not Trying to beat Goku. After his own fight and until he shows back up, Goku's probably only mentioned twice, because this ain't about him. Vegeta's not even really trying to beat Beerus here. He's not trying to prove anything. It's not about power or pride or saiyans or being the best, it's PURELY about protecting the people (specifically in this instance, the woman) he loves. ALL of which become the theme of, "Vegeta you are stupid powerful when you can stop overthinking everything."

But that's not allowed in Toei's writing room, nO SIR!!!

Bonus Part 1: Someone at Toei Hates Vegeta part 41238712: The episode About Vegeta's Response to Bulma Getting Hurt is basically titled 'Yay, Goku's Back', because despite stretching this 1hr45m movie out into 14 Episodes, the one that is about Vegeta surpassing Goku (in the movie) and fighting to defend his wife of Over a Decade is a five minute fight scene followed by twelve minutes of Oolong's two minute rock-paper-scissor gag.

What was the fight scene, you may ask??? Instead of having Vegeta know he's not strong enough and still stand in Beerus' way, for Beerus to say 'chill out, I told you it's over' and tap Geets on the forehead to knock him out cold, like the movie --

They decide to have Vegeta just stop trying mid-fight, have Beerus tell him he's too weak to be a threat, then add that he had more fun fighting Goku before knocking Vegeta on the chin and having him land on his back fully conscious.

God I hate Toei's writing aksldjlaskdalkj

Bonus Part 2: That thing Vegeta spent the entire movie trying to avoid telling his wife because it would've scared the shit out her and ruined her party, scares the shit out of her and definitely would've ruined her party.

Crazy that he knew that and did everything in his power to keep it from becoming her problem. He treats her like she's his wife or something ahahaha 🔪 toei 🔪 hahaha

anyway if you figure you've seen the anime so you don't need to watch the movies cause they're basically the same no they're not they're only the same in terms of Basic Plot Points, PLEASE do yourself and your writing skills a favor and watch the movies

[frostiwars]

let's pretend i live on the west coast and it's still DAY 5: AU!!

do you think we're gay in every universe?

in which i turn insane and draw 5 different drawings for one prompt. and as a result, the rendering is a lot rougher, but oh well! i hope the designs are fun enough!!

GORE WARNING!!!!! and design ramblings under the cut

Role Swap: i referenced hanyuu from higurashi for king metata because, while dedede has no idea about how to properly dress in traditional voidborn-based royalty attire (because his parents never taught him), metata wears EVEN MORE traditional garb, fancified, and a tiara rather than a crown cap. instead of hiding his wings in his cape, he hides them in his silk scarf. i didn’t even have to change his hime cut. he’s still cocky and arrogant but less traumatized so he’s less serious and more haughty. also his bow tying his hakama is shaped like an M haha. meanwhile, knight dede is far more armored, aiming for bulk over dps, and of course his armor has his classic triangular patterning all over the place. instead of the jaw scar, his eyes are clawed over. i wonder how that happened...

Species Swap: voidborn dedede is shorty mcshort short, even shorter than regular meta. he’s so short he doesn’t even wear hakama cuz he’d just trip over them, so he sticks with just a kimono and obi (once again adding to the androgyny common in most voidborn designs). his geta are less bulky as well. it’s not seen fully because his wings are out but his cloak goes all the way to his ankles instead of his knees. additionally, his wings have a blue gradient that matches the new color of his robe. his hammer is more embellished, like if galaxia was a giant mallet instead of a sword. and to keep with the ‘circular’ feeling for the hair common to my puffball gijinkas, i gave him kinda croissanty hair. meanwhile, avian meta has eschewed much of his armor for the sake of piercing and aerodynamics. he’s much lighter and his sleeves flow out to make room for the wings he can spawn on his arms. and of course his hair is slicked back and feathery like Coo and Vul. even his mask has a few more spikes to imitate bird talons.

dedede is a negatively-to-neutrally charged voidborn. i talked with my sibling @clutzicone-dts and they suggested denial as a birth emotion. i also like @moonmacabre01's idea of using regret. very fitting for a redeemable character

Gender Swap: normal dedede wears his garb in a feminine fashion, wearing the kimono over the hakama, so fem dedede does it in reverse, tucking the kimono inside the hakama. different sandals again, and wearing just the crown while eschewing the cap, mostly so i can have her long flowing braids more visible. at least she has a top knot to resemble the pom pom tho. meta meanwhile is largely unchanged physically (duh, voidborns don't have physical sex) with outfit adjustments. she keeps some design aspects from her younger days to distinguish her from normal meta while still seeming in character. tassels on the shoulder pads, and a hood on the cape instead of the frill. plus her lower body armor is longer and more decorated to give the illusion of a skirt without actually being one and i gave her low double buns to keep the round hair shape without just leaving it as a bowl cut

Mirror Versions: i have a whole ass complicated headcanon for the mirror dimension. i think it would be best described that, in this gijinkaverse, the mirror dimension is less an alternate universe and more an alternate timeline that went wrong at a very specific point. it's led to shadow dedede being much more... in tune, let's say, with the dark matter blade within his heart. and dameta isn't very pleased about that. after all, the two never got the chance to reconcile over Meta Knight's Revenge before things went to shit in that world. so they have a very complicated, somewhat tragic relationship. but i can talk about that more another time. let's just say that all of this is why i made certain slight changes to the two's designs. but i also gave dameta striped legs because stripes are for evil people

Bad Ending:

:)

no spoilers. feel free to theorize about it. i'm sure there are plenty of clues to let you figure it out on your own.