#will i care it's not really lore accurate? no >:)

[thehalloweenspooks]

I might've doodled my pookie wookie cutie patootie boy <3

I believe it's nice for my first time trying to draw him-

[meownotgood]

also while I'm on the topic of being off topic. this is my beloved durge tav moon. her wizard boyfriend sprays her with water when she tries to bite people

[lulu2992]

I’d like to (finally) talk about this interview with Mark Thompson, Narrative Director on Far Cry 4:

I love it when devs talk about their work because it’s always super interesting and informative! This video is no exception.

But what struck me most when I first saw the interview is what he says about Far Cry 3, a title he also worked on as a Level Design Director, which I believe means he was not (or barely) involved in the writing of the script. When he mentions what he thinks the issues with the game were and what had to be “fixed” in Far Cry 4, the thing is that... he often contradicts what Jeffrey Yohalem, Lead Writer on Far Cry 3, explained in various articles.

Under the cut, I highlighted some parts of Mark Thompson’s interview (in red) and compared them to Jeffrey Yohalem’s words (in blue, with the sources) so you can see how different their points of view are.

In this case, when it comes to the story and meaning of Far Cry 3, I’m inclined to give more credence to the Lead Writer’s explanations, but I think this example perfectly illustrates how even people who worked on the same project can have very different (and sometimes equally valid) opinions, understandings, and feelings about it, and why it can therefore be difficult for the audience to determine what the “truth” or the “right” interpretation is…

Open world vs story

MT: We ended up shipping a game where the open world had a lot of cool stuff, but it didn’t have a lot of depth or meaning, and it had almost no connection to what was happening in the story. And in fact, in some ways, the two were kind of opposed and they were kind of conflicting each other. So, on one hand, the story itself had this ticking time bomb of “I have these friends that I need to rescue, but holy sh*t, collecting plants, finding that next animal I need for the next upgrade, getting that next skill point… Oh, look, there’s a radio tower! Wait, wasn’t I heading to that outpost?” And then you’re like, “Oh yeah, sh*t, my friend Keith’s trapped in the basement, I should probably go rescue him… I’m a terrible friend.” That was my main goal: fix this sh*t and make sure that the story and the open world speak to each other, complement each other; strip everything down so that the story and the open world are the same thing and it’s the same game.

JY: People who have looked at the surface of the game think that the story and the game are at war with each other as they are in most games, with the story just plugging potholes and the gameplay is going along its merry way. I think it’s very exaggerated that, “Oh, go save the friends! Go save the friends!” but most people are out on the island doing all this other crazy stuff and experiencing the gameplay. And that’s actually the point of the story. It’s not a game about go save your friends. It’s a game about – doing a lot of picking skins from things, and wait, it’s just a pile of meat – this doesn’t even make sense, yet I’m still doing it instead of saving the friends. (Rock Paper Shotgun - Dec. 19, 2012)

The “white savior” trope

MT: We were definitely aware of some of the tropes that we fell into - unintentionally in some cases, intentionally in some - and (…) almost the first thing that we did was decide how we were gonna address the white savior trope, the outsider who comes in and helps simple people with his outsider’s kind of more advanced understanding of the world. (...) The first thing we said was, “This guy is from Kyrat, no matter what happens. That is the most important thing; he is part of this world, he belongs here.”

JY: “It’s a first-person game, and Jason is a 25-year old white guy from Los Angeles. From Hollywood. So his view of what’s going on on this island is his own view, and you happen to be looking through his eyes, so you’re seeing his view,” Yohalem explained. “It’s set on an island in the South Pacific, so immediately the thing that comes to mind is the white colonial trope, the Avatar trope. I started with that, and it’s like, ‘Here’s what pop culture thinks about traveling to a new place,’ and the funny thing is, that’s an exaggeration of most games, they just don’t expose it. (The Penny Arcade Report - Dec. 17, 2012)

JY: There’s a reason why Jason is a 25 year old white guy from Hollywood – these are all ideas that are in his head. You’re seeing things through his eyes. (...) It’s not that [Citra] needed a white saviour at all. She didn’t need a white guy at all. She was just looking for the ultimate warrior and someone to be her gun. (...) If this was about the white messiah motif, would I be so stupid as to have a main character’s nickname be Snow White? I’m making fun of that! (Rock Paper Shotgun - Dec. 19, 2012)

The player and the protagonist

MT: When we were doing the script review, almost immediately, the first thing we would do would be, “Okay, so how many lines does Ajay have? Okay, cut that by 75%”, and then we would review it and then cut out even more. Whenever possible, we would set up a scenario where we know or we think we know how players would react, and so we would remove the line that the character would actually say and then have the other person react to it. “Oh, you think that, do you?” - in that kind of way, so they’re like, “Oh f*ck, how did he know I was gonna say that?” Whereas, if the protagonist said that line, they’re like, “Oof, I wouldn’t have said that”, and then suddenly you’re kind of broken out of the experience. (…) When you’re in first-person, all you hear is this disconnected voice that might not be agreeing with what you’re doing. So, again, it’s just about stripping away those barriers of immersion so you can imagine yourself in this scenario.

JY: In Far Cry 3, Jason is a character and he’s not the player. The player is another character in the game. Sometimes Jason disagrees with the player, and sometimes Jason agrees with him. And the magic of that is that then it doesn’t matter! Basically, as long as the whole narrative is directed towards what the player is feeling—which for me is how videogames should be—then I get to target Jason as a resource where players can go: “I disagree with Jason.” And the player gets to convince Jason to do something else. So instead of trying to force the two of them together, I’ve decoupled them. (Killscreen - Dec. 12, 2012)

[woodsborostabathon]

biggest most petty pet peeve is ghostface being depicted as like Just Some Guy. like jus some rando sexyman w no actual face behind the mask just vibes. “imagine being ghostface’s subby kitten uwu” mf WHO?? WHICH ONE??? its a PERSONA not an exclusively male entity of its own!!! u could be talking abt like (13) diff people and (4) of those are chicks!!!

[ragnarssons]

just literally watched 12 seconds of a "trop bad!!!" tantrum video and they dropped... i'm not kidding the "mary sue" word, like 3 times.

in 12 seconds

because according to that fragile man-snowflake, galadriel is a mary sue. because she can fight against random orcs......... even tho she's an elf yknow............. even tho she spent eons fighting in the biggest war in middle earth against morgoth yknow the biggest baddest villain EVER and his legions of you guessed it... orcs...... even tho she spent then hundreds of years hunting down these same orcs and sauron............

are the fragile men-snowflakes ok?

[queer-reader-07]

something about finding the people who sit through your info dumps with joy on their face and enthusiasm for your passions. something about finding the people who info dump right back at you because they know you love hearing about their passions. something about finding the people who manage to sum up your being in one niche, oddly specific sentence that lives in your mind rent free for the rest of time. something about finding the people who not only accept you for who you are but embrace you for who you are. who not only tolerate your quirks and differences but love and cherish them.

[masonscig]

why did book 3 obliterate ms characterisation?

i promise this isn't me copping out but i haven't played book 3 since it dropped in april '23, so i couldn't give you a 100% accurate answer even if i tried

i spent multiple days analyzing issues with characterization when it dropped and then my life started falling apart – if i could remember + repeat what i remember from those conversations i would

what i will say of what i remember, is that a lot of my issues stem from being led to believe that the romance would develop a certain way and it going in a completely different direction – obviously, i know and respect an author's vision, but the dip in quality from the demo to the actual finished product made me step back and view b3 differently. instead of a fully realized story that i could see building on itself and leading to something much bigger, it was painfully obvious that this is a game with stats that had to satisfy requirements.

i only played one full route (m's of course) and after a while the scene/mood changes were so disjointed it took me out of it – lighthearted to heavy with no time to unpack or discuss, i.e. big relationship moments sandwiched between research/combat scenes and conversations with random side characters.

ultimately, just felt like a checklist of scenes being ticked off as the story progressed rather than a natural buildup with a solid plot progression like b1 and b2 imo.

i know i haven't gotten to specific instances of m's characterization being obliterated, which i said as an exaggeration, bc m is still m at timesin b3, but other times is an actual stranger in text – i don't think i can give you specific examples, but i can at the very least say that the above issues were what led to the issues of m feeling ooc.

[silverselfshippingchaos]

man.. shipping with characters from movies is so hard..

[infectedhusband]

Hi, Jinx! How do you do? And how about 💌 and 🎵 from that last ask game you reblogged?

Heya!! I'm doing fairly well, thank you for asking!! I hope you're going well too!! :)

Sorry for this being posted so late, I've just had no time to work on asks, and when I did, I had no motivation. :(

💌 Who confessed their feelings first? What was the initial reaction?

With Simon, I confessed first. He was so afraid of rejection after being rejected by Sophie that he refused to tell me his feelings for almost a week after I confessed. His initial reaction was just shock. And a little bit of fear, but mostly shock. He couldn't believe that the weird little creature (/pos) he made friends with when he started college actually liked him that way.

With Hangman, I also confessed first. He initially scoffed and was like "oh you're not serious." until he realized, oh shit, they are serious. He had to think on it for a while, and actually rejected me at first. (I personally believe he was scared but that's just me) But he eventually came back to me and was like "hey, I think I like you too."

🎵 What songs or genres do you associate with your F/O?

Simon: Other than heavy metal, I also associate rock music with him. I'm not sure why, but I do? I guess it's because I've heard people associate Metallica with both heavy metal and rock, so the two genres just.. overlap in my brain? I'm not sure :) Also for a song, maybe HELLBOUND by Autumn Kings

Hangman: I'm not sure. I want to say like 2010's pop but I also don't feel like that suits him very well. When it comes to songs, I'm also not sure!!

[vexx-ation]

i know you listened to high noon over camelot already but pleeeeease listen to bifrost incident. and/or once upon a time in space i know the sound quality kind of sucks for all mechs songs but the music in those two goes insanely hard

I love sound musicals / rock operas / whatever the hell this genre is called, I def gotta check this out. Deltron 3030, High Noon Over Camelot, The Protomen, INSIDE, Shop: A Pop Opera... chef's KISS. Got these on my list for bonus reviews!! Thanks for the recs :D

[ghost--girlfriend]

my boyfriend Fire Spirit :]? thought itd be fun to share him hehe

self ship reblog game ^ ^

reblog this post with 1-2 of your f/os and i'll assign them a beanie baby that reminds me of them! (f/os can be romantic, platonic, familial, etc)

example: my husband sparkling cookie gets saffron the kitten

[weirdthoughtsandideas]

Fucking loved this.

What I especially loved is the way they implemented the music in a way that it's recognizeable but still not copyright-alike. People rarely talk about how good the music is in this film (as they focus on either Wonka or what they think about Tim Burton. Which, I guess is valid, and I get that if you don't like a director or actor you're gonna only focus on that, but sometimes it's too much of a focus on that imo, especially in USamerican's reviews (which are the loudest, I've seen people from basically all other countries be really positive about it, but they are not as loud). What about HOW GOOD THE KIDS ARE CASTED? HOW ACCURATE IT IS TO THE BOOK? THE MUSIC?!)

But I also do love the memey moments. This movie is really meme-y. And I'm glad that is shown.

[bamsara]

COTL / TROD AU Reference Sheets and OC refs that I made a few months ago and have been using but forgot to post. The cloaks on Narinder and Lamb, and heights and clothing of the bishops are semi-outdated, but the OC height sheet is accurate.

+ Joon, Grekimar, and Jayen refs. There's character lore and relationship info for them under the cut, I'll get to the rest of them eventually:

Character lore, mainly for artfight purposes but putting it here too. Some of this character lore is already established in fic or on here, but may contain spoilers for Trod later on.

😺Joon (They/Them):

Born and raised in the Lamb's flock with little outside wordly experience, the Yellow Cat aka 'Joon' is the best farmer in the flock with an upbeat attitude and a easy-going, casual outlook on life. They're a hard worker and a harder napper, which lands them in a particular situation when a accidental nap inside a barn leads to them witnessing the Leader drag in a bloody, confused, volatile worm The Lamb shakily says was rescued from Darkwood, before reluctantly leaving them to the yellow cat's care. Which is fine, because if the leader says it's fine, then it's fine. Totally.

With their accidental involvement, Joon is assigned to be Leshy's 'caretaker', or really just a supervisor to make sure the worm doesn't do anything terrible and to report to the Lamb if he does anything weird, all without ever being truly told of the worm's true nature.

🐷Grekimar (He/Him):

Originally a heretic in Anura, Grekimar is a 'relatively' new cultist to the Lamb's Flock ('New' being a few years, but still not as long as other flock members.) Although the pig used to conduct violence and sacrifices in the God of Famine's name, he was welcomed to the Flock as a new member after he began to question the strength of the rule of dead god and was exiled. His arrival was met with scrutiny but was eventually welcomed as he's a hard worker, and surprisingly (due to his gruff demeanor), cares for his new home and it's peaceful rules over his prior home, including it's inhabitants.

When a three eyed cat arrives and threatens the saftey of his fellow flock, Grekimar becomes a dissenter and questions the Leader's decision, joining alliance with The Lamb's highest disciple, Tyren, to scheme and kill the cat in order to protect the flock.

🐻Jayen (He/Him):

A kindhearted and rather soft-spoken soul, Jayen is 'gentle giant' archtype character. Brought to the cult as a cub, Jayen is an anxious 'left-over' type, with no particular skills or qualities that are seemingly 'useful' to the flock or it's Leader, and he is very self-consious about this. Switching inbetween jobs and struggling to find his place among the cult's growing number, Jayen is decayed and killed by a furious Narinder in an attempt to pull him off of The Lamb when the cat's dramatic initial arrival happened. He is later revived, now traumatized and with a heightened fear of death.

Although his murderer walks free, the same cat had revived him as well, so Jayen holds no ill will and would rather simply leave it all behind and not think about it all. However, he is roped into a scheme to kill Narinder by Tyren and Grekimar, with the former using the bear's fears of death to pressure him into helping.

Tyren's, Grekimar's, and Jayen's relationships:

-While Tyren is a loyal disciple and Grekimar a regular dissenter, both found common ground in wanting to Kill Narinder, though their reasonings differ. Tyren wants to kill Narinder being an obstacle to the Lamb, while Grekimar wants to rid of him for concerns to protect the cult. While they can put aside their differences to achieve their goal, Tyren's methods will make Grekimar reconsider his alliance with the dog.

-Tyren pressures Jayen into working with him and Grekimar under the guise that if they do not kill Narinder, then the cat will eventually kill him again. If that tactic does not work, Tyren will subtly imply that he will use his status in the cult to undermine Jayen, and possibly exile him for being 'useless.'

-Grekimar thinks Jayen a coward, and while he'll pressure the bear to do as he is told, the pig is conflicted about getting the bear involved.

[rockingbytheseaside]

Hiii I really love the one with the harbingers where reader calls them words of endearment from their homeland, can you do one where reader cooks for them food from their homeland? pantalone's part was so cute <33

✦ You cook them their favorite home meal, based on their homeland

(Or trying to guess what food the not-yet-playable characters might like based on their region, culture, or language. ) 

Pierro, Capitano, Dottore, Scaramouche, Pantalone, Childe 

✧ It is to no one’s surprise that Pierro, the Director of the Fatui, would easily drop everything to grant your needs. Just blink and the world’s spoils are at your feet, bestowed by your beloved. Expensive clothing, jewelry, art pieces, weaponry, or lavish dishes. With his money and status, plus being a connoisseur of the ancient lores of Teyvat, The Jester can easily acquire anything you require on a silver platter. 

But this time, it was you who tried to gift him something on a silver platter.

On an unsuspecting day, Pierro returned home only to be greeted with a strong scent of baked goods. The smell wafted all around the living quarters, warm and sugary. Glancing curiously, the Jester marched to the kitchen, where he found you grumbling to yourself. You stood with your oven mittens, a tray of voluptuous Kanelbullar presented in front of him; some were cut as you tried to take an analytical bite of the cinnamon rolls.

“Trying your hands at familiar recipes, my cherished?” - The man asked with a welcoming glance while you mulled and judged the taste of your cooked goods.

“Ah, Pierro, you’re right on time. Here, try this one for me. Does it resemble traditional cinnamon rolls?”

When the Jester took a bite, even his icy eye widened for a moment. A wave of nostalgia and warmth lanced his memories, ones he thought were long forgotten. The cinnamon rolls you baked were not the average confectionaries one could easily purchase, as the taste resembled traditional Khaenri’ahn Kanelbullar. A simple treat that all children and adults used to enjoy in their free time.  

“Well…? Oh no, don’t tell me it’s that bad?” - you awaited his response, but Pierro quickly shook his head.

“It’s rich and potent in taste, but not too sugary. Just like the ones in our Homeland… I didn’t think replicating such intricacies was possible. What did you add this time?”

Your eyes light up. Finally, some progress. “Really? I’ve been mulling over it for hours, I thought my taste pallet was going numb. I tried to find any local ingredients that might add the flavor of saffron and cardamon.”

“Like the golden Saffron…? They were a local specialty back in Khaenri’ah. Although some variants exist in Teyvat’s soil, they are not used as cooking ingredients here.” - Pierro pondered, amazed at your ability to combine other local spices to imitate the taste of the past.

As both of you mulled over how to achieve the most accurate results for these traditional Cinnamon Rolls, half of the tray was already gone.

“Although now that I think about it, my divine, I don’t think it would be an issue to send an expedition to obtain that rare spice for you. Especially if the result is such exquisite home pastry.”

✧ In this house, Il Capitano is the master chef. The man is proficient in the art of survival, thus, his skills in outdoor cooking are especially shown. From simple meat and vegetables, the Captain can come up with the best meat skewers you ever ate. Not to mention the topic of sustenance and growth is intertwined with a good diet. A man his size and capabilities puts immense care into outdoor survival and health.

But even a strong Captain deserves some spoiling for his hard work. 

After a wearying day spent honing the skills of his Fatui troops, a group of soldiers that will prepare for an upcoming expedition, Il Capitano was greeted with a surprise visit from you. You arrived right on time for their break, and as always, the Fatui soldiers couldn't help but eavesdrop on the Harbinger’s exchange with his beloved…

“I brought you your meal for today, Bife de chorizo. You need lots of protein.”

“Thank you.” - The Captain stood obediently, holding the lunchbox you brought.

“With Pico de Gallo and avocados. I also put some almonds and walnuts as a snack.”

“I understand.” 

“You are preparing for another important expedition. You must take care of your body after such intensive training, Cappy.”

“You are right, you are right.”

“And I don’t want to see anything left from the lunch boxes. Make sure to eat all of it, okay?”

“Understood!”

It sure was a sight. One would think the Harbinger was the student as he stood nodding vehemently while you scolded him. With one hand on your hip, you gave him an earful as you checked up on him, generously providing him a full-course meal neatly packed in a mealbox.

The Fatui soldiers were slightly jealous. Even they could easily tell that behind that pitch-black helmet, Il Capitano was absolutely joyous to have his beloved visit him and provide such mouthwatering nourishment. 

✧ Today, you were ready to tackle and kill Il Dottore. Why? Because that man barged into your kitchen and confidently announced himself as the culinarian for today’s dinner. A simple and kind gesture, right? You would rather starve than have The Doctor implode your kitchen again.

“Stop exaggerating as if I let your Serenitea Pot house crumble. It was just a little fire.” - Dottore defended himself, watching closely as you made him stand back from the stove. 

“I had to replace the whole walls, Zandik!”

The two of you stood in the kitchen, with the Harbinger peeking from behind your shoulders as you claimed dominion over the frying pan. The whole day, he was made watching you prepare Sumeru Kibbeh meatballs, since the last time he decided to dabble in the art of cooking, your house was put at stake.

He was a scholar, not a chef, unfortunately. But The Doctor is not ashamed to admit his impatience and lack of skill in the kitchen. Hence, he helped you as much as he could while you diligently taught him how Kibbeh is properly made. He remained silent but pleasantly subservient. The sight of your sleeves raised, hands tactfully molding the Kibbeh was oddly amiable. Especially when your face was so focused on the task, he couldn’t help but stare. 

Yet every time you fried the meatballs and set them aside on a pan lined with paper towels to drain, a sneaky hand would try to steal some. You’d slap his hand away.

“Nope. Hands off! Wait till dinner”

“They’ll end up being consumed anyway. I’ll just have a small tas-”

Slap!

And it continued for a long while, all the way to the end once you finished cooking. When the two of you finally sat down and began eating, Dottore would often remain silent. You were too busy relishing the dish, unaware of the Harbinger’s appreciation for your home-cooked meal. Sustenance is just a waste of time that the human body must go through to gain its energy. But it’s not the same when he is sitting with you casually, the warm afternoon sunlight wrapping the dining table, and the warm food steaming with an appetizing aroma.

For him, eating with you was different. It was simple, but it was home. 

✧ Scaramouche may huff and scoff all he wants, but when it comes to appraising your Unagi Chazuke, no master can compete with you. Perhaps because he is a puppet, but Scaramouche has a delicate pallet. He despises strong flavors and always preferred simpler dishes, to appreciate the unique flavor of a singular ingredient. He would never admit it vocally, but he would often crave your chazukes, and it was easily written on his grumbling face.

“Come on, just say it.”

The Balladeer lamented.

“Say it. My home cooking is the best, and you just want me to cook for you today.”

“...I won’t. I don’t have use in consuming any human meals.” - he mumbled in response, arms crossed. You sighed and with a wide smile, you turned away.

“Oh well. Guess you don’t want any, huh…? And here I thought I could prepare your favorite Unagi Chazuke today. But I guess it’s foolish-”

“No, Wait-!” - The Harbinger wished to bite his tongue but it was too late. He already called out to you in a moment of weakness, and your goofy grin only widened with his desperation. 

He gave up. With reluctant embarrassment, the Balladeer admitted your victory - “If you may… Can you prepare another one of your signature Chazuke? Please.”

And that’s how you two ended up by the dinner table. You couldn’t just deny him after such a heartfelt request. You prepared the unagi meat and rice diligently, showing him how to prepare green tea to add mild bitterness to the salted rice. Topping off with some dried Nori leaves, and sesame - two bows of Unagi Chazuke were ready and looking artistically grandiose.

Light and sublime, that’s what Scaramouche thought. A true definition of soul food, as he held his bowl and chopsticks close. A rare but sincere smile would always grace his features whenever he ate your cooking, but he of course would conceal it by clearing his throat.

“Hm, okay fine. Maybe your cooking is adequate after all. Especially when you don’t make it too sweet.”

You’d laugh at his reaction. At the end of the day, it was you who taught him how to cook what later would become his signature dish, even if his identity as a Harbinger was wiped away. 

✧ Being the richest man in Teyvat like Pantalone means dealing with lots of bureaucracies and business. Sometimes, after a prolonged day in the office, the sight of stacked papers becomes dreadful and negotiations with the Snezhnayan elites may go fruitless. Thus, The Regrator would often slum by his desk, removing his glasses to rub the bridge of his nose and sigh in exhaustion.

Now what would the richest man in Teyvat do to relax after a bad day at work? Go to the most expensive five-star restaurant? Perhaps purchase a fancy drink that costs more than his subordinates' monthly salary? No. He would head straight back home, where he knows you are awaiting him with open arms.

A single look at him and you would know he is fatigued. Leaning up to embrace him, you plant a tender kiss on his cheek - “How about I make us a quick snack, hm? You can go and take a shower in the meantime.”

Pantalone would try to conjure up a faint smile and nod. As he winds down for the day, subconsciously he knows your home cooking is like a balm to his soul. No matter how many exquisite restaurants he tried, he’d easily sacrifice all of them for a bite-full of your culinary.

And here you are, merrily handing him his childhood favorite - Mora Meat Roujiamo. A simple meat sandwich, but a staple street food in Liyue’s culture. That’s all the Harbinger desires after a tough day at work, as he gobbles the sandwich wrapped with a paper towel.

“Made your favorites. I added some extra meat since I know you like it juicy.” - you gave Pantalone soothing pats on the back as he ate up.

“You’re a lifesaver, honey. You would not believe how frustrating work has been today,”

Pantalone would rant and confide in you about his work. He would rather do that than delve into the nostalgic feeling that Mora Meat sandwiches gave him. It was indeed his childhood favorite. Yet it also reminded him how in the distant past, when food or money was scarce, starvation and desperation were his only companions as a lowly child. Thus, on better days when he acquired some change just to purchase simple Mora Meat - these sandwiches felt like a king’s feast.

Such an unadorned dish, but one that brought warmth and sustenance to a starved child, telling him that everything would be okay. Today, this starved child is the richest man in Snezhnayan. Nevertheless, he still relished these sandwiches from your hands like divine wealth, telling himself once more that everything would be okay. 

✧ Tartaglia was bedbound for some while, bandaged heavily after a massive battle he faced during one of his missions. The young Harbinger would never tell his family where his scars hail from, except for you and his father maybe. But after an earful of scolding, you took care of your reckless boyfriend and sighed.

“You made me worried, you know. I don’t want to see you move a muscle around the house these days, are we clear? You must recover first.”

“Y-yes, captain.” - Childe chuckled humorously, suppressing the soreness his cuts provided around his body. “It’s just… there is only one remedy that could save a fallen soldier like me.”

“Hm? What is it? Do you need something, Ajax?” 

“Please, dear… come closer.” - he said with a pained expression. 

You did so he could whisper to you what he wanted. Your concern was only heightened, oblivious that his dramatic words were playing you - “The secret to my healing… is…”

“Yes?” - you leaned even closer.

“... Some yummy food.”

You blinked at him, and Tartaglia immediately gained a comically “passed out” expression on his face, as if your cooking were his last death wish. You let him plop to the pillow and gritted your teeth - “Why you little-...! Ugh, you’re lucky I am worried about you. You just want me to pamper you.”

“Oh, come on, is that such an unrealistic request? You told me not to move a muscle and I would receive your scolding no matter what. Please, sweetheart, just anything you would like - cook it and I would happily gobble it up!”

You crossed your arms. You hate to admit it, but his puppy eyes were working effectively and if his appetite was returning, that means he is on a good path of recovery anyway.

“Fine… I’ll make something nutritious and easy for your stomach.”

Tartaglia's eyes lightened up in an instant. He was a simple man - if you cooked him something, he would drop on his knees for you instantly. That day, you pondered whether you’d make him some Piroshki or Borscht, but he needed something light. His health was your priority, after all. Even though Childe fancied himself a master at concealing his painful whinces, you are no fool. You always notice them.

Thus, your beloved was presented with Ukha fish soup. A warm bowl with fresh herbs, imported calla lily, and nutritious fish.

“Easy now, I know you like Calla Lily Seafood Soup, since you often had it in Liyue… So I decided to go with the local version of it. Now make sure to eat all of it, or you won’t feel better.”

Like an obedient child, Ajax felt pampered and delighted. Lunch by the bed? His sweetheart feeding him? The injuries were worth it as he happily ate the Ukha fish soup.

“If getting injured makes me taste food more worthy than the gods themselves, maybe I should get wounded more often, haha- Ow!”

Your response was another fistful nudge to his shoulder.  

Kanelbullar - in Swedish, Cinnamon Rolls Bife de chorizo - in Spanish, Argentinian beef cut Pico de Gallo - in Spanish, Mexican salsa/dip Kibbeh - in Arabic, bulgur parcel stuffed with minced meat filling (in Genshin, they just called it meatballs lol) Chazuke - in Japanese, green tea poured over a rice meal (Scara's signature dish)  Mora Meat - had to look this one up, apparently Genshin is referencing RouJiaMo (肉夹馍) meaning “meat in a bun". Ukha fish soup - in Russian, also known as fisherman’s soup. Childe’s signature Calla Lily Seafood Soup is probably a variation made with Gēng found in Chinese cuisine. But there is a Slavic variation that reminded me of his signature dish. 

[feitanii-ll]

“ GUMI’S HOME!! “.

Pt. 1 Pt. 2 Pt. 3 …

✮ pairing: gojo satoru x reader (romantically). and megumi fushiguro x reader (platonically)

✮ synopsis: in which,, megumi comes to the realization over the years that he in fact does have a family. Or, raising megumi w satoru.

✮ contains: heavyyy flufff, long-term relationship w gojo, young megumi growing up :(, reader and gojo are the same age and get marrieddd. NOT LORE ACCURATE (kinda). ONLY SLIGHT SEASON TWO SPOILERS. crack-fix type dialogue. Megumi and Satoru scuffle. Not a lot of reader until the end. Uhhh, slight cursing. Centered around megumi’s POV!!

September, 2007

Upon first meeting Satoru Gojo, Megumi could confirm (with much confidence) that the man was truly an odd ball.

Like a snake, he slithered his way in with that cocky attitude. A stupid, smug grin and a bravado that made the little boy cringe. Crouching down before him to try and get on his level. Just who the hell did he think he was?

“You’re… fushiguro’s kid, yes? Man, you look just like him. It’s almost uncanny.” the silver haired male gets too close for comfort, thoroughly observing the boy as he mentally points out the similarities between him and his father. “It’s a shame you zen’ins are a bunch of deadbeats—“

“Do you, like, need something–?“ megumi butts in, voice sounding irritated in a way that says he ready to ditch this conversation completely, but curious as to what the hell he could possibly want from him. And just what the hell did “his” clan have to do with him? As if they even knew he existed.

“Well, yeah, actually. Fushiguro is—“

“—something Important.” He emphasizes just before he could finish his sentence.

“Just, about your dad— we aren’t on the best of terms. I ki—“

“Don’t care,” the ravenette huffs, and the sorcerer is surprised at just how much emotion is in such a tiny body. Or, lack there of.

“You.. don’t care?” The male pouts, hands dropping to his sides.

“Haven’t seen him in years. Nor do I remember his face, or what the hell he has going on. Why would I?”

Satoru’s lips purse, and his eyebrows raise in shocked amusement.

“Really. I’ll admit, I’m a little baffled,” he cackles in a way that has the boy frowning in disgust. “You’re stronger than I thought, then. Both physically, and mentally. I’m sure you see that within yourself, too, don’t you, Megumi?”

Megumi stares blankly, and the older boy takes it as a silent agreement.

“Well then! I guess I don’t have anything to say, after all.” With a slap to his knees, satoru stands up from his crouched position, his height shading the smaller boy from the sun. Megumi can now truly see him— the silvery stands of hair, pale skin, and though protected by the expensive branded sunglasses adorning his face, the uncanny, borderline disturbing radiant color of his eyes.

A blue too vibrant to look away from. It was far from comforting, really.

“I’ll be seeing you around, Megumi!” Satoru laughs, and because he has no damn sense of decorum, ruffles megumi’s hair, much to his dismay. “You stay outta trouble, ya hear?” He beams, a huge contrast to the disturbing news he was just about to break to the kid.

“Uh huh,” he hums, watching as he steps off. When out of sight, he scoffs.

“What a dummy..”

He doesn’t leave the area until the voice of his sister beckoning him over rings out through the alley from atop of the balcony. He takes a good look at where the sorcerer just was before slowly feuding his way back home, backpack straps clenched within his tiny fists.

──────

For a boy his age, Megumi is, for the most part, an emotionally intelligent, levelheaded kid. Other than a short temper, he’s always been good at simply ignoring the things that tick him off for the sake of his sanity.

But this? A grown man screaming out in the middle of a crowded street in front of a billion strangers? A very noticeably grown man, and a very obvious frightened looking child as the lanky weirdo sprints towards him, ignoring the cries and disgruntled curses of disagreement from the innocent people in which he shoves.

“Megumiiiii! Megumiii—!”

“Oh, no… no no no no no,” Megumi’s eyes widen, shaking his head to himself while simultaneously backing away slowly.

The calls of his name grow closer, and just as he turns on his heel to book it out of there, he’s tugged by the book-bag by an unnecessarily strong grip, and pulled backwards.

“Megumi, there ya are!”

A yelp escapes the boy as he’s lifted into the air, kicking his feet as he’s held like nothing, hanging by the armpits of his bag.

“Don’t ya know it’s dangerous to be walking home on your own like this? You could get kidnapped. Or worse, what if you get squished by car!?” Satoru gasps dramatically, arm extended out in front of him as he angles his hand so that the boy is facing him.

“Nothing—“ Megumi grunts, small feet kicking at the man’s torso to no avail, “is worse than this!”

“You make me sound like a monster.” Satoru whines in faux sadness.

“You might as well be!” By this time, the other patrons seem to dismiss the little scuffle as just a boy throwing a tantrum. For the most part, they aren’t wrong.

“Come on, I just wanted to check in on ya!”

“I’ll scream.” The boy deadpans, tiny fists shaking my his sides.

Satoru, pauses, the cocky smile on his face dropping slightly as a small bead of nervous sweat trickles down his temple.

“You won’t—“

“HELP! I DONT KNOW THIS MA— umpfff”

Satorus eyes widen as he clamps a large, sweaty hand over megumi’s mouth.

“Shhhhh shhh, alright, damn, kid!” He sets the boy back down on the floor, but still keeps his mouth clamped as he crouches down to his level. After touching down, Megumi goes quiet, but his silent rage is loud and clear as he glares and crosses his arms.

“Listen, I’ll make it up to ya with a an ice cream cone, huh? How ‘bout that? Actually, whatever dessert ya want, it’s yours! How’s that sound??” He questions desperately. After a beat, the boy nods, making the older man sigh in relief.

“Alright… now I’m gonna let ya go— fuck!”

With a gasp, Satoru pulls his hand back and clutches it to his chest. He glances down at his hand to see a curved row of lines engraved between his index and thumb, and he looks back up to see Megumi, spitting onto the pavement dramatically and wiping at his mouth as if he’d just consumed the worst thing imaginable.

After looking between him and the kid for a little bit out of pure disbelief, Satoru scoffs, “You little shit, you bit me!”

“You kidnapped me!” Megumi rebuttals, whipping around as he wipes his mouth on his sleeve.

“I was having a conversation with you,” the sorcerer stands to his full height, cradling his hand as he rubs the stinging spot with pouty lips and furrowed eyebrows. “You’re just like your father!”

“Shut up, crazy! I wanna go where you wanna take me so that we can get this over with. I need to get back home. I’ve got homework—“

“After you bit me? Hell no—!”

“I’ll tell the cops!” Megumi points and accusatory finger, and Satoru is genuinely shocked at just how… difficult he was.

“Fine! C’mon..” he mumbles, now sulking as he basically lets the boy lead him to whatever dessert shop he desired.

For the first time, Satoru felt… defeated. Beat by a child, no less.

──────

That same day, Satoru finds out that megumi’s favorite dessert is mochi ice cream. At least, it’s what he can assume after being demanded to order 10 pieces, all various flavors, before eating them before the frost can even melt.

The duo sit in a red-leathered booth within a quiet dessert shop. The golden rays of sun spill through the large window pane, painting the walls and floors of the shop a rich shade of orange. The sunset meaning that he’d soon have to be taking Megumi home. Within this time, the two take the time to learn about one another. Satoru is surprised when Megumi actually seems interested and asks questions! Albeit, very rudely.

“So, are you like… homeless?”

“Nope!” Satoru purses his lips,

“Then why are you always around on the street?”

“Maybe I just like going outside?” His silver brows dip down in annoyance.

“Don’t you have friends?”

“Yes.”

“That didn’t sound convincing.”

“I do!” He shouts, to which the boy stares blankly.

“… I do” Satoru persists

“I don’t know why you’re still trying to convince me.” Megumi shrugs.

“Because—!”

The light bickering continues to flow through the area, though to Megumi, it’s honestly the most amusement he’s had in what seemed like a while. Long over due.

“There’s my best friends Suguru, and Shoko— I’m like, super cool with all my teachers,” The man lists off with his fingers, looking away in thought.

“And most of all, my amazing, beautiful girlfriend!”

“Oh—“ a shaky chuckle rings out between them. Escaping megumi’s lips.

Satoru whips his head towards the boy, not knowing whether to be shocked or offended at the blatant laugh at his statement. On one hand, he’s happy he finally got to break that tough exterior of the little man. On the other, he doesn’t believe he’s got a partner. Doesn’t believe he’s got you.

“Something funny?” Satoru grins, crossing his arms and leaning back against the seat.

“There’s no way you have a girlfriend,” Megumi mumbles, shoving the last piece of mochi into his chubby cheeks. “Who the hell would date you?”

“Her, thank you very much!” He sits up, pouting. “And I sure do have a girlfriend. Soon to be wife, actually!”

“How muush ju pay ‘er?” The boy mumbles with a full mouth, still not believing a word he says.

“Nothing!” He gasps, offended. “I’ll have you know, her and I are very much in love. I’m sure you’ll meet her one day.” He huffs, confident.

Megumi shrugs, swallowing and wiping his mouth with his sleeve. A bad habit, Satoru notices.

“Whatever. Can we leave, now?”

“Sure,” Satoru goes to move, but pauses. “Aht aht, wait. Before I forgettt,” he rummages through his pockets before slipping out a pen and swiping a napkin from the holder before scribbling something down.

“Boom! That’s my number, and home address. In case of emergency.” He slides the napkin across the table. And though Megumi silently judges the sloppy writing, he simply sighs and pockets it.

“Sure, thanks.” He mumbles, and the two slip out the the booth, Satoru ruffling his hair just as they walk out the shop.

Satoru was.. weird. But he wasn’t bad. Megumi glanced up to Satoru, who looks as if he doesn’t have a care in the world as he he walks the boy home. Lost in his own stupid world. What was the end goal here? To be a babysitter? An older brother?

‘And the stupid address. Like I’d ever need that stupid thing.’ He thinks to himself

──────

2 days after

Right now, Megumi hates that the world is seemingly out to test his already thin patience. Of all of the beautifully sunny days this week, this had to be the one day in which it’s pouring raining.

And the weather wouldn’t usually bother the boy, if when he had gotten home, he had actually felt his home key in his pockets. He pats his shorts frantically, eyes widening when he can’t seem to locate them. His frustration grows as the weather grows heavier, rain pouring just slightly harder.

“Don’t tell me…” he groan to himself, simultaneously pounding in the front door with one hand as the other searches for his keys.

“Tsumiki!” He shouts, but to no avail. “Hell… I forgot she’s out the house.”

Feeling hopeless, Megumi slips his hands into his pocket and kicks at a rock, groaning. Only then does he feel… something, in his pocket. He furrows his brow, pulling out the item and pausing.

The napkin.

──────

Everything in megumi’s being is dreading knocking on this damn door. A fairly large, but simple house with a wooden patio. It’s kind of.. out of the way, which he finds surprising, knowing how dramatic the male is.

He sighs, double- checking the napkin again before sighing. He wipes his wet face, now sheltered from the pouring rain as he stand in the patio. With a hesitant hand, he knocks three times.

He almost thinks he didn’t knock loud enough as there wasn’t any sign of movement for a while, until he sees the light just to the side of him turn on through the window. Then, the soft padding of footsteps. A pause. And then suddenly, the door creaks open.

And before he can be displeased by the face of Satoru Gojo, his annoyance disappears when the sight of a woman appears instead. Confused, shocked, and curious as to what he’s probably doing here.

“Oh… sorry. Must have the wrong house.”

The lady stares at him with pinched brows, as if trying to put pieces together as to who he was. He pushes his lips into a thin line and begins to turn on his foot before the voice cuts him off.

“Are.. are you Megumi?” The woman asks, as the boy turns, surprised. How..?

“Uhm, yeah—“

To his shock, the lady straightens up, in an odd excitement. “Oh my goodness! Megumi! Come come, it’s pouring out here! What are you doing out here in this weather? Honey—!”

He watches as you turn your head over your shoulder and call out for… for your husband? Boyfriend? Wife? He didn’t know.. his brain was trying to piece together where all this excitement was coming from from this stranger. And… if this was Gojo’s home, then—

As if on cue, there’s a heavier thumping from behind the woman. He watches as she smiles, but Megumi’s expression is the exact opposite as the face of that… monster, pops up over the woman’s shoulder.

Immediately, Satorus face is etched with excitement, and he smiles.

“Megumi!? Whatcha doing here, kid? Come inside!” He chuckles, and as if he’s in auto pilot, tiny feet shuffle their way through the door. He can’t even take in the beautifully places decor. The house plants, the smell of fresh clothes and lemon. The in-taste furniture— no way this was his home.

“You.. you live here..?”

He glances between Satoru and the woman, and drops his mouth in shock when he approaches her, wrapping his arms around her middle and pressing a kind kiss to her cheek, to which he smile. Grins, actually.

“We, live here, actually.”

Megumi doesn’t like that tone…

“Is this..?”

“Megumi, this is y/n. My girlfriend of three years.”

You laugh at the shock on the kids face, shaking your head. “Hopefully he hasn’t been giving you any trouble, Megumi. I only knew you from how much he talks about you, it’s good to finally meet you. Will you be staying?”

For the first time, Megumi felt defeated. And as he looks at Satoru a stupid, smug face— he begrudging responds to your kind offer.

“Yes… please, if you don’t mind.”

[tepkunset]

Until Dawn makes me uncomfortable...

...Not in a "this is good horror" way. In a "who gave you the fucking right to ruin our spiritual legends" way.

Some context, first: I am a Mi'kmaw person, and my people are among the Algonquians who have traditional legendary stories about ice cannibals. My people call them J*nuaq (singular: J*nu) also often anglicized as Ch*nook (singular: Ch*noo), but they are most commonly known under the Ojibwe name, W*ndigoag (singular: W*ndigo). Now that I've shared those names, I will for the rest of this post simply refer to them as "ice cannibals" out of respect for those who practice the avoidance of referring to them by name, which some people do and some don't.

Obviously there are variations among nations in how these beings are depicted, but I can guarantee you that this thing from Until Dawn...

...Is not very accurate. It may not be as bad as the whole antlers thing commonly tacked on by white horror writers, but ice cannibals are not stereotypical zombies either, or whatever the hell this thing is.

The ice cannibal I am personally familiar with is described as a giant, emaciated person with an icy heart and incredible Power. They used to be one of the People, but were transformed through either cannibalism or through an evil spirit. Now they are monstrous beings who kill and eat people.

But let's for a second pretend that Until Dawn is 100% accurate in its depiction of these ice cannibals. That doesn't change the fact that the writers, as white people, have no fucking right to even so much as touch these spirits in their story. Algonquian peoples have made it clear time and again that these beings are not for outsiders to fictionalize. They are not your cryptid. They are not your aesthetic. They are not anything that is yours.

And writer Larry Fessenden? He's a repeat offender. This motherfucker is obsessed with ice cannibals. He wrote the 2001 film W*ndigo. He wrote the racist 2008 Fear Itself episode "Skin and Bones" featuring them again. And his biggest claim to fame is Until Dawn, which of course, he pulls out the same shit a third time.

On top of all this, the whole "totem" collection theme in the game is more appropriative bullshit and a classic case of the Tipis and Totem Poles trope. Supposedly the mountain the story takes place on is a sacred place to the Cree in the lore of the game. And yet it's full of Pacific Northwest Indigenous totem-like things?

So anyway. I really don't care how accurate or inaccurate the upcoming film adaptation of Until Dawn is. I don't want anything to do with it, and I personally hope it flops.