#why yes i am a horde main how could you tell

[bluesunsdusk]

--// It is sweet Sunday now, I've decided that, so I can post only wholesome things. Protective industrial-grade murderbot can be very wholesome.

[oceaneyesinla]

i just found some of my OLD dragon age writing that i finished but never posted on AO3 for some reason ????? so i'm putting it here because honestly i am in a dragon age mood atm

please be gentle, i wrote this in 2016 😭

my warden in origins was a Dalish elf, and i love her dearly

cw: mentions of parental death and death in general

Aurielle sat in front of the fire, staring into the flames. At night, sat on watch alone, she could almost pretend that she was back with her clan; her sister safely sleeping in an aravel nearby. There, she would have had company on watch and they would have joked among themselves, boasting about recent hunts and telling tales. It made her feel so lonely, thinking of her clan. She missed her sister the most; Aridhel was always her most treasured friend. But she left so much more behind; her uncle, her aunts, her cousins and her friends. Everything she held dear, ripped away. Honestly, she would have preferred to die with them than live alone.

Her mind kept wandering back to what Alistair had said before. The taint would kill her eventually, even though the Joining had technically saved her life. Had the Keeper known before she had sent her away? Did she know she was sending her to a death sentence regardless of whether the taint killed her now or later? Duncan had promised a cure, not this. She would likely never see her family again. Her little Aridhel, alone now. Creators, she would have given anything just to see her sister again.

“Aurielle?” She jumped as a voice behind her spoke, though she relaxed when Alistair sat next to her. He stayed silent for a moment, then continued, “Are you alright? You … took the news about the Calling pretty hard.”

She sighed, “I’m sorry. I reacted badly. It’s just … this isn’t how I saw my life turning out.”

“I’m pretty sure everyone can say that.”

She rolled her eyes, his humor making her smile, “Yes, probably, but … I was happy with my clan.”

“How did you end up here then? Duncan never said.”

Aurielle laughed, though there was an edge to it, “I’m sure he didn’t. You really want the full story?”

“Hey, I told you my tragic backstory. This will make us even.”

This time her laugh held more joy. He had a way of making her see the bright side of things, “You asked for it. I was a hunter with my clan; one of our best, may I add. Even better than my uncle, and he’s good. Anyway, I was out hunting with a friend of mine, Tamlen, and we were attacked by a few darkspawn who were ahead of the main horde. We tried to fight them, but there were too many.” She shivered at the memory and Alistair shifted toward her so that his arm was pressed against hers.She shot him a smile of thanks before carrying on.

“The next thing I knew, I woke up in camp. My sister was in tears next to me; she’d been there for two days, waiting for me to wake up. Duncan had carried me back to camp before heading off to kill a few darkspawn that were still around.” Aurielle shook her head, “We should have been more careful; the Keeper told us not to go too far south, because of the darkspawn. I should have been more careful.”

“Anyway, Duncan came back into the camp and told us to call off our search for Tamlen; that there was no chance he survived. Then he asked to speak to the Keeper. He said there was a cure for the taint, but I had to join the Grey Wardens.” Aurielle smiled sadly, “My clan was sending me away so that I would live, but I refused. The clan was my whole world before this, and I’m all my sister has. Duncan conscripted me, and said he would drag me kicking and screaming to Ostagar if he had to. I barely stayed long enough for Tamlen’s funeral.”

“Aridhel, my sister, she sobbed when I told her I was leaving. I told her I would come back to her and you know what she said to me? ‘That’s what Mamae said, and Papa, and Tamlen and they never came back’. She’s only twelve; too young to have seen so much sadness. That’s why I was so angry; I promised her that I would be cured and I would fight but then I would come home again. But it wasn’t a cure. I’ll die anyway and she’ll lose me all over again.”

“I … I’m so sorry, Aurielle. I understand now why you were upset. Duncan should have told you it wasn’t exactly a cure.”

She sighed, pulling her knees up under her chin, “He said what he needed to, to get a new recruit. I understand that. But I worry what this will do to Ari. She was already wary of humans, after what happened to our parents.”

“Can I ask what happened?”

“They went to negotiate trade with a nearby village, as they usually did when we moved into a new area. It was so ordinary, I barely noticed them leave. Two of the shems decided they didn’t want to trade with 'knife-ears' so they attacked. My parents were killed, and the other hunter that went with them only lasted long enough to warn us of what had happened. I was fourteen and Ari was only seven.”

“How do you listen to me complain without hitting me? All I’ve done since Ostagar is moan about one thing or another.”

Aurielle smiled, “Who said I didn’t consider it?” At his laugh, she carried on, “You’re grieving, Alistair. I know what that’s like. Complain as long as you need. I’ve got your back.”

“Thanks Aurielle. I’ve got your back too, you know?”

They sat in comfortable silence until the sun came up, arms still pressed together. In the morning, they carried on like nothing had changed but Aurielle felt lighter than she had in weeks and if anyone noticed the new happiness in her smile, they didn’t mention it.

[dantegreaves00]

Addicted (Dead Island 2 Ryan x Gen Reader)

You and Ryan stumble across his old place of work, and he treats you to a private show.

Warning sexy times alluded to but not shown and a piss poor description of a strip show and lap dance

Big shout out to @brunos-wife360 for giving me the opening paragraphs and for allowing me to use them

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

●●Y/N's POV●●

Walking along the desolated streets of Hell-A me and my boyfriend Ryan were looking at the different buildings that were once places of entertainment.

As we continued our path along the asphalt, me and Ryan stopped in our tracks.

I looked up and saw a sign that read ‘the big hose’ which I knew from Ryan was where he worked as an exotic dancer before the outbreak.

Ryan’s cheeks flushed a red hue upon looking at the sign, when we both looked at Each other, not speaking a single word.

“The horde might catch up to us soon and as much as I hate to say it, we should seek shelter in here” Ryan said as he started to approach the main door.

Following him inside I was greeted by a wall with all of the dancers on it, and right in the centre in a gold frame was a picture of Ryan with the words "Best Dancer in house" under it.

"Y/N, can you please stop staring at my stripper photo and help me secure the doors and windows" Ryan said breaking me out of my trance.

After making sure that our makeshift shelter was secure for the night we made our way towards the bar area hoping to find some food and drinks to take back to Emma's in the morning.

●●Timeskip●●

A couple of hours after arriving me and Ryan had been drinking from one of the bottles that we found. Being slightly tipsy I started to approach one of the poles that was in the middle of the main stage.

"I always joked when I was a teen that if I didn't have a job by the time I was 25 I'd become a stripper" I said as I wrapped my hand around the pole. I felt myself slip after an attempt at spinning went wrong, Ryan got up on the stage and caught me by my waist before I could fall,

"Why don't you leave the dancing to the professional baby" Ryan said as he guided me back into the chair that he was previously sat in before he made his way back onto the stage.

"What are you doing?" I asked as he got the dj's station running.

"I am going to give you a private show darling" he replied as the music started.

Seeing Ryan dance was incredible, the way he twisted his body around the pole to the beat of the song playing was hypnotic. I was sat on the edge of the chair trying to get a better look when suddenly he started crawling towards me on his hands and knees.

"Now there are a few rules that you can't break, if you do I stop ok?" He asked and all I could do was nod my head yes.

"Good, now first rule is no touching, second rule is no biting, you may feel tempted to but don't and finally enjoy yourself baby" he said as the song that was playing stopped and changed to a slower song.

Having Ryan so close to me but not being able to touch him was hard, he swayed and gyrated his hips in front of me and all I could think about was grabbing him and forcing his hips to mine as he slowly started to remove his clothing.

Once the song was over and a new one started I gave up on following the rules and wrapped my arms around his neck as he dipped down in front of me.

"What did I say baby, no touching" Ryan said as he tried to remove my arms.

"As much as I am enjoying this, I'd rather do something else" I said as I bit his earlobe.

He paused before turning around to face me, "that can be arranged."

●●Timeskip●●

The club smelt of sweat and sex as me and Ryan laid on one of the couches, our bodies stuck together.

"Is that how a dance normally ends for you?" I asked while trying to find my clothes.

"Na, I don't normally sleep with clients but I make an acception for you baby" Ryan said after getting dressed.

Once we were both dressed, I went to the window to check to see if the music had drawn in any zombies. Just as I was about to tell Ryan that the coast was clear, a hand banged on the glass.

"Oi love birds quit shagging and come out" we heard Jacob yell from outside. Me and Ryan looked at each other before bursting out laughing.

Opening the door to the club we were greeted by Jacob, Dani and Bruno, that latter was flipping his knife with a grin on his face.

"Enjoy your private dance Y/N?" Bruno asked me as we walked down the street towards the checkpoint that would take us back to Bel-Air.

"Let's just say I'm now addicted to the way he moves"

[luxmaeastra]

"Are you serious?"

Tisiphone shrugged and sipped at her wine.

"I told you, you got out at a good time. If it wasn't for Rhysand and Velaris - what are you doing?"

Hypaxia waved her off, drawing the Wyrdmarks in the mirror. Rigelus looked up from his work and beamed seeing them both.

"Hi -"

"Tell me Romulus isn't there?"

Rigelus sighed and held a finger up moving to shut his door and fell back into the chair.

"He's exhausting. Rhagar has threatened to walk and -"

"He likes to fight right?"

"Romulus? I suppose...why?"

"Don't you need soldiers in the northern rift?"

Agaisnt her kin but it was semantics. Tisiphone watched them both warily. Rigelus slowly matched her grin.

"You're right. We do. And we could use experienced fighters like him."

Tisiphone sighed and watched Hypaxia break the connection.

"Hypaxia are you sure -"

"He'll be - Hi Neme!"

Tisiphone turned and beamed holding her arms for a hug. She kissed Nehemiah's cheek.

"How old are you now darling? Look at you, you're beautiful. Did you crack the riddle gave you yet?"

Hypaxia moved around their daughter to where Azriel stood leaning against the doorway. She smiled as he cupped her cheek.

She kissed his thumb.

"Did she get bored listening to Rhysie and you?"

He snorted and wrapped an arm around her waist.

"She more wanted to know what Mama and Auntie Tisiphone were doing with the door closed."

--------

Romulus stared out the window not really listened to Austrus and Rigelus debrief. He supposed they moved it here as a tacit way to include him. He should say something, should at least try for Rhagar's -

"Are you talking about the Northern Rift?"

Austrus turned to him and exhaled.

"We don't have the soldiers agaisnt the Valg Hordes. Rigelus says we should do a draft but -"

"I can go."

"Are you sure? Are you even -"

"I can figure Austrus. The last I checked I beat you back in the war."

He didn't let the obvious be said before he left the room. Thid was good, a war, he could useful. He could get out of everyone's hair. He knew they didn't want him here - this would be good for everyone. He could leave guilt free, knowing he was helping.

--------

Austrus grinned at Rigelus clicking their glasses.

"Tell Hypaxia she's a genius."

--------

"Where is he?"

"Why don't you ask him?"

"Rigelus where is he?!"

Rigelus glanced up at him, his jaw set.

"I don't need to tell you."

"Does Eosphoros know? Does - I am her mate I -"

"Yes but you are not our King are you? You are not the one who gave us an Heir did you Rhagar?"

Rhagar stepped back and Rigelus leaned over his desk.

"He's doing something useful. He wanted to go, we didn't force him. He's in the Northern Rift."

This stonewalling he constantly faced was one of the main reasons why he had not wanted to give into the bond and had been content to watch Eosphoros play the role she did alongside their desired male. He was not welcomed among their ranks, he was not to be trusted after all this time.

Even when he had broached the topic with Eosphoros, he felt as if she also tried to soothe him and tell him he was imaging it. Was he imagining it now when Rigelus finally said the words he had been waiting for to his face, when the male showed the true colors of this family.

Adjusting his cuffs his gaze darkened. "Then what is my place here except to be a glorified breeding dog for your Queen?"

[arc-misadventures]

There was an ask for this idea, but I accidentally posted it mid way, so, I had to delete it…

Sorry.

You Can Do Better Than Him II

Pyrrha: You wanted to see me, Ms. Goodwitch?

Glynda: Yes, please, have a seat.

Pyrrha: So, what do you need; I’m not in trouble am I?

Glynda: No, no you’re not. I just wanted to talk to you about something.

Pyrrha: About what?

Glynda: I wanted to talk about your relationship with your Team Leader, Jaune Arc.

Pyrrha: Oh, not you too!

Glynda: I’m sorry?

Pyrrha: Why does everyone think I’m too good for, Jaune, or he’s not good enough for me?! He loves, and cares for me! He loves me for who I am! I’m not Pyrrha Nikos, Invincible Girl to him! A poster hung up on the wall that people worship! To, Jaune I’m just Pyrrha Nikos, Huntress-in-training. I’m just a teenager, a friend… a-and his girlfriend… A-And if you don’t like it, then you go to hell!

Glynda: It seems I phrased that badly. What I meant is, it may not be a good idea to date, Jaune, because your on the same team.

Pyrrha: What do you mean?

Glynda: Did you know I was once student of Atlas Academy?

Pyrrha: You were?

Glynda: I was, most people think I was at, Beacon for my whole time I was in training to become a Huntress. I was only here for a year. I was at Atlas for three years. And, I was there with my friends, my teammates, and… my boyfriend.

Pyrrha: You had a boyfriend?

Glynda: Look whose getting the wrong idea now.

Pyrrha: I’m sorry, it’s just, I thought you weren’t interested in dating.

Glynda: I once did, but that was a life time ago, when I was young, and naive.

Pyrrha: What happened?

Glynda: At Atlas Academy, students can either join the military, or continue their training to become Hunters. While we were dating he decided to enter the Army, while I continued my training to become Huntress. We may have been seperated and joined nee teams, we were still dating and working together. And, for a time we worked well, but after a while. He started to change. He started to treat me, and the rest of our team, not as his teammates, but as his subordinates.

Pyrrha: What do you mean?

Glynda: He saw me as a soldier under his command, expecting me to obey his orders without question. Regardless of how dangerous his orders seemingly became. We then began to fight, him saying I couldn’t follow orders, me yelling back at him, telling him I’m not a soldier under his command. This went on for weeks before we finally hit a breaking point, and we broke… Oh gods, did we break…

Pyrrha: What happened?

Glynda: What do you think an Atlas Soldier does?

Pyrrha: Defends civilians, attack Grimm?

Glynda: Close. It’s a hard question to answer; Some people in the Atlas Military don’t even know. But, the majority of Atlas Military personals main duty, is defensive. Protect Atlas, Mantle, and any other Atlas bases. They could be used in military actions such as war, but overall they are used for defensive purposes. So, Captain I… My ex-boyfriend, ordered my team of Hunters to stay and hold the line with them. I refused, if I kept my team there we would have been overrun, we would have been spread to thin over a large line. I told him no, that I would take my team, and attack the Grimm before they arrived.

Pyrrha: To by them time to set up a defensive line, and wittle their numbers down before they reached them?

Glynda: Correct, we would hit the Grimm, take down a few of them and pull back, then do this until we were near the defensive line, then we would fall back, and join them, and help them hold the line.

Pyrrha: Did it work?

Glynda: It did, quite effectively I might add. We managed to eliminate nearly half of the Grimm horde before it reached the defensive line. If we hadn’t done that, we would have been overrun.

Pyrrha: I take it your boyfriend didn’t agree with you?

Glynda: No, he did not. Even when we came back and helped him hold the line, he berated me for not staying, and helping. I told him, I was far more useful taking down the Grimm’s numbers before they reached us, and that it had worked. He then told me to shut up, follow his orders. The orders of a superior officer, a former team leader, and as his girlfriend… And I just snapped! Months of bickering and arguing finally reached a breaking point, that I just picked him up with my semblance and threw him across the battle field like a rag doll. Screaming at him over, and over again that I wasn’t a soldier, less one under his command. By the time I was done, I had shattered his aura and left him as a bloody pulp on the ground. After that, the two of us were called before a committee, to answer for what had happened. I was reprimanded for hurting a fellow student such as I did. He was reprimanded for over stepping his boundaries as well. At the end of the day, that was that, but before the meeting was over, I asked for a transfer, stated my reasoning why, and they accepted. I then left the room. My ex chased after me, demanding I explain to him why I was leaving. I turned to him and simply stated, ‘I’m not you teammate, or your girlfriend anymore. You see me as your fellow soldier, and I am not a soldier. You won’t see me any other way, and so long as I’m here, things will only get worse between use. So, I’m leaving and there’s nothing you can do about it, because it’s too lat to do anything about it.’ And with that, I walked away, and left for Beacon and became a Huntress. I know that this may not apply to you, but the fact you are in a relationship with, Jaune will impact how you operate as a team.

Pyrrha: H-How so…?

Glynda: Your relationship may cause a divide in how you operate as a team, good or bad. It’s impossible to say how it will work out in the end. You may improve because of your relationship, or it will be to your detriment. And, you may even be forced to abandon him.

Pyrrha: Abandon him…? Leave him to die?!

Glynda: Such things may be the extreme, but the extreme nonetheless can happen. You may have to abandon him, or him you, for the good of the mission, regardless of why.

Pyrrha: I-I couldn’t do that! I love, Jaune I would never abandon him!

Glynda: I’m not saying you will. But, you may have to… To be honest, Pyrrha… I do see you, and Jaune as a good thing, I know you will be happy together and you have a promising future before you. I just don’t want you to end up like me. Filled with regret and remorse at mistakes I can never fix… Well, mostly.

Pyrrha: Mostly?

Glynda: It took years, but we managed to fix our relationship. We are just friends now, he may sill have some lingering feelings for me, but I do not. But, I can’t help, but wonder, what if…?

Pyrrha: I see… T-Thank you, Ms. Gooodwitch. I understand what you’re trying to say. Thank you.

Glynda: Your welcome. I’m glad you understand. You may go now.

Pyrrha: Thank you… And Ms. Goodwitch?

Glynda: Yes?

Pyrrha: I-I’m sorry… for both of what I said, and what happened to you. I’m sorry…

Glynda: So am I… So am I…

[kimistorm]

Red-Faced and Running Away (Luka Couffaine x Reader)

Fandom: Miraculous Ladybug

Pairing: Luka Couffaine x fem! Reader

Your head nodded along with the music coming from your ear buds. It was the music from one of the coolest people in your school (aside from Adrien, but he's a couple years below so that doesn't count). Luka Couffaine.

"Hey (y/n), (y/n). (y/n)!" a hand tapped you on your shoulder and you jolted to look at the person who was trying to get your attention.

"Oh hey (f/n)." You pulled the ear buds off, "what's up?"

(f/n) smiled slyly at you, "are you listening to a certain blue haired boy's music."

"So what if I am?" you retorted.

"Hey Luka!" (f/n) shouted and waved a hand to get said person's attention.

"What are you doing?" you hissed and grabbed onto (f/n)'s hand to stop them from waving it around. They just ignored your protest and waved with their other hand.

Luka noticed and started to walk over to the two of you, "hey guys. What's up?"

"(y/n) was just listening to your music, and she was just telling me how awesome your music was. Right?" (f/n) looked at you and nudged your shoulder.

"Eep." You declared and hid behind (f/n).

Luka laughed, "well thanks for the support (y/n). I'm going to go hide from fangirls now if that's alright."

"Of course, see you later!" (f/n) waved and Luka disappeared to who knows where. "Girl!" (f/n) scolded and turned to you, "why are you hiding from him?"

"He's just so awesome! He's on an entirely different level from me. No way I could talk to a guy like him!" you explained.

"But he talked to you, so..."

"Let's just get to class." You turned away from her and hurried to your class.

(f/n) ran up next to you and sang in your ear, "(y/n) and Luka sitting in a tree, K-I-S-S-"

"What are you, 10?" you demanded but your face was definitely a bit redder than it was before.

...

"Luka!" you and (f/n) were sitting down to eat lunch when (f/n) practically screamed Luka's name across the cafeteria.

"What are you doing?" you asked in a hushed panic, "you can't invite him! I turn into a nervous wreck every time I'm even near him!"

"Oh look, he's coming over." (f/n) smiled, "and it looks like he's bringing his food too."

"Hi (y/n), hi (f/n)." Luka greeted and sat down across from you, "how's your day been?"

You froze and you could definitely feel your face heat up, "I- excuse me." You stuttered before running out of the cafeteria.

"Does she hate me?" Luka asked (f/n) worriedly.

"Of course she doesn't," (f/n) reassured him, "she's just a blubbering adorable mess when you're around her."

Luka let out a small laugh, "cute."

...

It was after school and all you wanted to do was to go home and relax...and definitely ignore your homework for as long as possible. "Hey (y/n)!" your head jolted up as you heard your name be called. You looked around and your face almost paled when you realized it was Luka who was waving to get your attention.

"I, uh," you quickly turned away from him and ran down the street. Hopefully he didn't see you look back at him. You ran around the corner and hid against it, after a few moments of nobody running past the corner looking for you, you breathed a sigh of relief.

You felt your phone buzz in your pocket and you fumbled to get it out, it was (f/n), 'where are you!' the text read.

'Oops, I'm on my way home already.' You texted a reply as you carefully navigated yourself through the streets of Paris without hitting people.

'What? You ditched me! Do I smell a betrayal?'

'No! No! Of course not!' you sent a panicked text in reply, 'I'm just running away from Luka.'

'Why? You're going to scare him away!' you could practically see (f/n)'s chastising face.

'If anything, he's the one scaring me away!'

'Well don't! He likes you, so don't push him away! I know you like him back!' You froze. Did (f/n) mean what you thought she meant? Did Luka like you? As in more than a friend?

'Do you mean like-like or just like as a friend?' you had to confirm what they said. You refused to get your hopes up.

'I didn't say anything!'

'Uh...yeah you did, just look at the text message history. What are you hiding (f/n)?'

'Nothing! Listen I've got to go, talk to you later!'

'(f/n) wait! You can't just leave me hanging!' you let out a frustrated sigh as she stopped responding. They left you on 'read' for crying out loud. "Darn you (f/n)." You grumbled and kicked a can that was just lying on the ground, "getting my hopes up like that."

...

"You! Have some explaining to do!" you nearly shouted in (f/n)'s face the next day.

"What is it?" (f/n) asked nonchalantly as they ate a protein bar.

"You said Luka likes me?"

(f/n) choked on their protein bar and you were feeling merciless that morning, so you let them struggle without offering any help. "Um, no. I did not. Hey look there he is, why don't you just ask him yourself? Luka!" they shouted and once again you were in the situation as you attempted to stop their furious waving around to spare you some embarrassment.

"Oh my god (f/n)!" you whined and hid behind them, "spare me some embarrassment today!"

"Too late!" they whispered cheekily, "how are you today Luka?"

"Alright." He shrugged, "did you not hear me yesterday (y/n)?" he tried to lean around (f/n) to talk to you.

"No?" you squeaked before running away from (f/n) and Luka.

"And you're sure she likes me?" Luka asked dubiously as he watched you run away.

(f/n) nodded, "a hundred percent positive. She's just shy. Really shy."

"Luka!" there was another voice calling out his name and he tried to conceal a wince.

"More fangirls?" (f/n) asked.

Luka sighed, "wish me luck."

"Luck."

...

"I just came to a realization." You declared the moment (f/n) sat down next to you.

"That you like Luka back and are too scared to admit it?" (f/n) asked without missing a beat.

"Yes, but that's not the main thing."

"Okay-hold up!" they turned their entire body to look directly at you, "did you just verbally admit that you are head over heels in love with Luka Couffaine and that you are way to shy and scared to even talk to him let alone admit it to his face?"

You hesitated, "maybe? That's not what I want to talk about though!"

"Okay, I'm listening."

"Why does Luka spend so much time with us? He has hordes of other fangirls to deal with. He's practically a celebrity at our school!"

"Because he likes hanging out with us?" (f/n) turned away from you and mumbled something under their breath.

"Wait what did you say?"

"Nothing!"

"What is it!" you shouted and nearly grabbed their shoulders to shake them.

"I promised I wouldn't tell!"

"Promised who!"

"It's a secret!"

"Ugh!" you let yourself fall onto the desk in front of you.

"Just hear him out okay?" (f/n) looked at you consolingly, "he's been trying to talk to you for a reason."

"You know me, I'm too shy to talk to him." You whined.

"I will hold you by force if need be." (f/n) threatened, and you could tell by the steely glint in their eyes that they weren't joking.

"O-Oh. Okay."

"After school today, you have to promise me that."

You sighed, "I promise."

"Pinky promise?"

"What are you, ten?"

...

"Oh hey! There he is!" (f/n) brightened up as she saw the blue-eyed boy you were nervously avoiding for the past few days. They turned to you with a serious look on their face, "I am going to call him over and you are going to stay here. Got it?"

"Yup." You looked away from (f/n) and nervously shifted your weight.

"Luka!" (f/n) screeched and waved their hand around. To be honest, you were almost glad this whole thing was about to be over, you were tired of (f/n) screeching and waving and you running away. That didn't mean you were any less nervous to be around him. You were just looking forward to getting this over with.

Luka grinned as he walked over, "are you going to run away again (y/n)?"

"No." You muttered and looked at your feet who were urging to sprint in the other direction.

"Wait really?" you could hear shock and was that excitement (?) in his voice, "awesome!"

"(f/n) said you wanted to say something?" you were still forcibly making eye contact with the toes of your shoes.

"Yeah, so um." You heard him laugh nervously, "I think you're really cute (y/n)."

"Eh?" your head shot up to look at him. He didn't look like he was lying, and his face definitely looked a little redder than it normally did. Not that you were obsessively watching his music videos and watching his face whenever he appeared. Cough cough.

"Um," he coughed, "so, would you like to get some ice cream together?"

"Like a- are you? A? Friends? Date? Wha?" you stuttered out. Were you hearing this correctly? Did your celebrity crush just tell you that you were cute and asked you to get ice cream together?

"Yeah like a date." He avoided looking at you and fixated his gaze on the concrete next to you.

"This is the part where you say yes!" you heard a hushed yell behind you and whipped around to see (f/n) hiding in the bushes.

"Wait-how did you get there? When did you get there?"

"Just say yes you dork!"

"Uh," you hesitated and looked back at Luka, "sure."

"Really?" his face brightened as he looked away from the ground back to you.

You smiled, his happiness was contagious, "yeah! I'd like that."

"Do you wanna go now?" he nervously asked.

"Oh! Um, sure! I don't have any plans."

"Cool!" tentatively he reached out a hand to hold yours. Upon realizing this, you clasped your hand within his and then looked away blushing furiously. "You're still adorably shy, aren't you."

"I'm not adorable." You tried to deny.

"Come on, let's go get some ice cream." Luka declared and the two of you walked hand in hand out of school to get some ice cream.

"Woot! Go (y/n)! Go Luka!" the two of you heard (f/n) screaming from behind.

Masterlist

[meanautisticenbian]

Lilith Clawthorne has Borderline Personality Disorder: an essay

Content warnings: mentions of abuse, cults, and self harm

I don't have much of an intro but I need to get some things out of the way. 

First off, this is an essay that I made mostly for fun and because I feel like more people need to hear about this. I am not excusing Lilith's actions in any way, though hopefully this may explain some of them. 

Secondly, as you might know I have BPD myself. I'm self diagnosed yes, but I still have enough symptoms. I see a lot of myself in Lilith, as well as several traits, and I hope that this essay will be informative.

With all that being said, let's get into the analysis starting with the symptoms that are only hinted at. One of the hallmarks of Borderline Personality Disorder is an intense fear of abandonment, which Lilith seems to display disgusted as her desire to cure Eda's curse. If it's not clear enough, Eda's really the only thing Lilith cares about, which makes sense since she's clearly the only thing she has. We know that she isn't super close to Amity, despite what fans want to believe, we don't know if she's formed any positive relationships with anyone in the Emperor's Coven and it would say a lot of she didn't. With all that in mind, she is clearly very close to Eda and whenever she tries to get away from her, Lilith is always either pissed off or saddened. Sure, this could just be because she wants to heal Eda's curse and is most likely being punished by Belos, and that's why this is listed as something that's hinted at. Then again, Catra from She Ra is BPD coded as well and she mostly wanted to bring Adora back to the Horde because Shadow Weaver wanted her and was an abusive piece of shit, but it was pretty obvious that she also just wanted her crush and only friend back, so I don't see how this can't be applied to Lilith as well.

Lilith seems to have a black–and–white view on the people around her and maybe even herself. Whenever Eda escapes her, she suddenly flips from being loving and caring to her and really acting like she cares about her to treating her like she just pissed on her waffles. Her way of viewing other people (mostly Eda) is another symptom of BPD, being a black–and–white view on everything and rapid changes in self image and views of everyone else. One moment she views Eda as a beautiful and loving sister, the next she's just an old woman slowing her down. One moment Belos is a trustworthy leader, next he's a monstrous tyrant. One moment Luz is an annoying child she can use as bait, next she's her only hope in saving Eda.

She seems to harbor some of these feelings to herself as well. One moment she acts like she's fully aware of the baddie she is, and next she seems to hate herself. Another valid explanation is that this could also be viewed as her hiding her insecurities since she is clearly one to hold back those emotions and she only ever seems to let Eda see this side of her (save for Luz in the season 1 finale) but this is still a common BPD trait that seems to fit her so it would make sense.

Now let's move on to the more explicit symptoms. If it's not obvious enough, Lilith has some major anger issues. She was ready to kill Eda after she did as much as annoy her in Covention and tell her how worthless her life is after she (actually Luz) escapes her in Once Upon a Swamp. It was certainly reasonable for her to be upset about Luz accidentally blowing up the side of a building, but she had a worse outburst over her sister rhyming.

Now we move on to what I think is her most obvious trait: her impulsiveness. Like I said before, Lilith tends to have sudden violent outbursts and act without thinking. It doesn't excuse anything she's done but it certainly does explain a LOT.

It could be a possible explanation for why her first instinct was to use Luz as a human shield while she was fighting Eda and threw Luz off a cliff in order to get Eda to use all her magic instead of making a new bubble for Luz or doing literally anything that WOULDN'T harm Luz. This could maybe (key word) also provide an explanation for why she cursed Eda instead of going and talking to her (assuming she didn't), but her disorder seems to stem more from trauma than it does genetics, both of which are ways BPD can manifest.

Mood swings are another symptom she definitely has, but that can easily be paired with the point about her changes in self image and how she views others, as well as the points about her anger and impulsivity, so I won't go into detail about that.

Depression, guilt, and ongoing feelings of emptiness are obvious traits that don't need much explaining.

The last major trait wanna bring up is self harm and self destructive and suicidal behavior. I couldn't really find any point in which she showed any suicidal tendencies or urges to hurt herself and it is most likely that she won't be showing those traits at any point in the future, though I do believe it is possible that the show may depict self destructive behaviors in her. Obviously, she wouldn't be shown cutting or burning herself, but maybe it could be displayed in a more PG fashion such as her not taking proper care of herself or having risky behaviors.

There are nine main traits of BPD and one needs to have at least five of them to get a diagnosis. Lilith seems to exhibit six and possibly seven of these traits. I could end it here by saying that Lilith definitely has BPD and needs a hug, but we're not done yet.

Despite what most people might say about borderline people and how we're depicted, we're more likely to be victims of abuse than we are abusers. Most of the time the trauma from the abuse is the cause of the disorder, for those who don't inherit it. Many people with the disorder have claimed to have been physically, sexually, psychologically or emotionally abused or neglected during their lifetime. We don't know the exact details of Lilith's time in the coven or what it was like for her, all we know is that it was basically a cult and she definitely experienced some form of abuse. We know that emotional and psychological abuse were definitely present in her and Belos's relationship, and there is definitely a possibility that there was some physical abuse as well. As for neglect, there isn't really anything that can support the claim even if it seems plausible, and logically speaking, she most likely wasn't sexually abused simply just because this is a family show, so unless Disney is ok with Dana going THERE, that one's a little too far out of the realm of possibility.

So, where does that leave us? Well if I'm being honest, she definitely seems to have a case of untreated and probably undiagnosed BPD caused by a series of traumatic events. And the thing is, she's only in 6/19 episodes in the series so far, and we've probably only really seen the tip of the iceberg. She could have a lot more going on with her that we will definitely see in season 2, I highly doubt she won't.

Lilith is definitely BPD coded, and whether the rep is intentional or not, it's still something I can consider good rep. It's super rare that you find borderline characters in the media that are not abusers, manipulators, or terrible, irredeemable people in general. Lilith is not a bad person whatsoever, and even if she's not much of a good person either, she's not irredeemable. She certainly has a long way to go, but with proper guidance and psychological help, she will get there eventually.

I would like to finish this off by saying I'm not trying to excuse or condone her actions, I am simply addressing how it's possible for her to be borderline, based on what screen time she has and my own experiences. I just want to express my appreciation for what rep we have, as well as analyzing her character a bit.

Thank you all for reading

- Sunny

[sekhithefops]

WoW Character Music

So... yeah. Music is a big part of my life, I can't play an instrument to save it but I do have an extensive Spotify library (yes they're horrible but the alternatives are Amazon Music and iTunes so what the fuck am I supposed to do?) and I have a playlist for each of my characters.

Some just have a bunch of music I find fitting, but a few of them have what has become, in my mind, their own personal theme songs of sorts.

For example, in my story all my Alliance heroes belong to a group called Avalon and the Horde characters are in a mercenary ring called Savage United.

Thats because, well, THEY'RE NAMED AFTER SONGS!

Avalon, my Alliance group, gets their name from the Nocturnal Rites song of the same name from their New World Messiah album, because I thought 'Rise, Avalon' made a pretty kickass battle cry. >w>;;;

Whereas Savage United got their name from "The Savage Union" on the Edguy Album, King of Fools. Infact one of the lyrics, "Savage United We Stand" is the title for a chapter of my story where the six members team up to try to fight back the Mawsworn when they invade Orgrimmar to abduct Thrall at the start of Shadowlands.

But yes, as I was saying... each character I have has their own playlist and some songs have basically become their 'theme song' of sorts in my mind. Not all of them, I haven't found fitting ones for everyone, but here's a sampling.

Samantha Montebank's story starts out as one that, from the outside, seems a life of luxury but is anything but. Heir to the line of a powerful house of Magisters but born with a rare affliction that prevents them from being able to use magic made them an outcast among their family and Silvermoon Society as a whole.

Ontop of this, Sam is transfem, which they had to hide for most of their life out of fear of the repercussions which, given their family's disdain for them, the had no reason to believe they wouldn't experience.

Now however, Sam is post-transition thanks to a little void-based Gender Affirmation Sorcery and living out and happy in Silvermoon with her allies, so her theme song is Finally Free by Labyrinth.

Next up, another elf, my druidess Shalandrae.

Shalandrae's story really kicked off during the War of Thorns (THREE GUESSES WHY) and her character has been through a lot. I tried to portray her trials through recovering from the damage that Sylvannas had inflicted on her people as best I could (I really hope I did a good job there) but the main thing is that she was able to get through it because of the rest of her allies in Avalon standing by her and refusing to let her suffer alone or attempt to claim revenge in several ways that would have likely been suicide.

That story arc for her culminated in being gifted that staff she has in the picture, made by all her friends in Avalon to mark her recovery and how she'd gone from the deepest pits of despair and rage to helping her people heal themselves by the tail end of that 'three year time gap' that happened between Shadowlands and Dragonflight. The staff is named "Journey's End" to reflect how far she'd come (though this is actually a real weapon in game! It drops in Naxxramus!)

Anyways, her song is Shining Unity, by Galderia. It just kinda fits now.

Yeah, don't act surprised. If you know my characters you had to know the Shaman-Who-Hears-The-Elements-As-Music had to have a theme song. :P

Yep! Sekhi's song is a fitting one I feel. It has a lot of focus on flute music which, as you can tell from that image, Sekhi is familiar with and ontop of this the opening is very fitting for how her ability to hear "The Song of the World" works.

Somewhere afar A cry rang out Wondrous words echoing In my restless heart A call I heard In three different tongues Of such awing majesty Soft and silently whispering my name I could not oppose

The song in question is Ambriamus by Eluvite.

For some reason, finding fitting songs for Warlocks comes stupidly easy. Maybe its because I'm such a big metalhead.

Anyways, Edwood Vargas is a Forsaken, but in life he was Kul'tirian. He still talks with a distinct nautical twang even 20 years dead and even wears the shoulder pads that a Kul'tirian magic user would as a nod to his homeland (lost, but not forgotten.)

Well, his song was easy. See, there's this heavy metal band called Alestorm that basically does metal sea shanties.

Boom, done. No Grave But the Sea.

Honestly I recommend most of their songs. Alestorm is a hoot. :3

Lastly however, my other warlock...

Dissonantia, the former Witch of Blackwald Forest and now leader of her own cabal of demonic beings is the villainess of my story, and her song is one I stumbled across but fits her like a glove covered in spikes and demon bile.

Dissonantia spent most of the story playing ally to the rest of Avalon, leading them to believe that she used her dark arts for the greater good. That the ends justified her means.

That was all garbage however. She was constantly searching for a secret that would grant her immortailty and restore her lost youth (physically, when she first learned how to extend her life on a diet of souls, she was in her eighties... but souls just stop her from aging, they couldn't make her younger.) Upon discovering that distilling souls into Anima could give her the power to reverse the ravages of time and restore her to her youth she attempted to kill her former allies, then fled to the Twisting Nether when her plans failed.

Now that she's free of having to uphold any pretenses, her theme song is an easy choice once I discovered it. Unlimited Sin by Beast in Black.

And thats the lot so far! I'm working on the others, but I'm no musician so I have to hope I find one that fits them. How about you guys? Got any favorites of your own that you like to think are a good fit for your characters? :D

[curiousscientistkae]

Another thing that has been bugging me

So once again, I have to start by saying this. All of this is under the cut. It is tagged. Yall do not have to read it so yall can ignore it. This is not made to be argued with. The show is nearly one year out since the ending so my stance won’t change. I doubt anyone else’s will but I still want to put this post out as why so many people are still upset about c/a and s/pop. If you are willing to just listen to the other side and then just move on, cool. If you are looking for a fight, please leave. You will be blocked if you start shit. I, and many other abuse victims, are allowed to be upset and criticize this show that once made us really happy. Please understand that. 

Anyway onto something that has been bugging me for a long long time:

There are many things I am upset over in s5. I and others have talked about many before. Today, I am gonna focus on the line Catra said about “I have always loved you” to Adora. 

This line is, bullshit. I could write a book on why and give examples for days. However, I will be sticking to five main points. In no order:

            1.Season 3 Inside the portal. 

Let’s start with this doozy. We know this is a perfect world, so to speak, and Catra and Adora are together. However, things start to fall apart quickly. Adora keeps wanting to figure out what is going on and Catra brushes her off. This keeps going on until a breaking point. The scene I want to focus on:

[cue fight]

Right off the bat, Catra is blaming Adora for something. It does not help that right before this scene, Adora is asking Catra to come with her, saying she won’t leave her again, yet Catra refuses. This is a topic for another day but in s5 Catra also had said “stay just this once” which is a lie since Adora kept asking for Catra to come. This is a topic for a different post. Moving on. 

“I won’t let you win. I’d rather see the whole world end than let that happen.”

This line is uncomfortable. One of the biggest red flags for an abusive relationship is the line of “If I can’t have you, no one can.”

This line mirrors that line. Catra does not want Adora to win. She would let the whole world, millions of people, die then allow Adora to save them. This is NOT love. It’s toxic and dangerous and mirrors the biggest red flag on earth for an abusive relationship, for someone who is controlling. 

              2. Season 2 White Out

Oh boy. This is also a doozy. Let’s hit the ground running for this. After capturing Adora, right after infecting her with the First One’s tech, this happens:

Catra then laughs after this. She is gleeful at the thought of using Adora to attack Adora’s friends. In a point we will get to next, Catra knows Adora loves her friends. That hurting them, hurts her. She knows this and is using it against the person she later claims she has always loved. Now the second scene:

Oh boy. Where do I begin with this? It speaks for itself really. Catra does not want to give up controlling Adora. She WANTS to have control over her. THAT is abuse. That is NOT love. Hell, Catra was telling Scorpia not to destroy the disc. This is not good at all.

             3. Season 1 Going for the Heart. 

This one is more brief. But as said above, Catra knows about Adora’s love for her friends. How? She says it herself.

Following this, she attacks Princess Prom and takes away Adora’s friends. She knows Adora’s weakness, she is AWARE of it, and uses it to HURT Adora. Love is not supposed to harm, especially going out of your way and knowing the other’s weakness to hurt them.

            4. Season 1 Battle of Brightmoon

 More on Catra knowing what hurts Adora and using it against her:

Catra is putting Adora down. She is cutting deep into Adora, pretty much going for the jugular. Adora wants to protect others, it's part of her abuse and guilt complex. Catra knows this, she knows where to strike. She wants Adora to hurt. This is abuse, putting someone down, making them feel weak, blaming them for something. It’s horrible.

(not to mention here this the scene where Catra cuts Adora up like on the back which people seem to love to fetishize)

And this is in SEASON 1

               5. Season 5 Double Trouble

I was having some trouble finding caps for this but all in season 4 we had DT fucking with the Rebellion. Who sent them?

Catra?

Now thanks to a friend, I was able to find this. We all know Adora and Glimmer had problems in s4. Now it was starting before but who made it worse tho? DT was fucking with them, making them fight more. They added fuel to a fire that was burning, yes. But this scene just is gross also.

Once again, Catra knows Adora’s weakness. She is once again using it to her advantage. She is telling DT to go fuck with Adora’s and Glimmer’s relationship. This also can mirror the idea of in abuse, the abuser not wanting the person they abuse to have other friends. Catra was always mad Adora made new friends (another side note which can be its own post, again Adora asked Catra to come. Adora left an abusive household and asked Catra to come but Catra refused. And in the s5 flashback, we see Catra get mad and lash out that Adora is being friends with Lonnie). 

I can keep going on. Honestly. Hell in s5, if we should add more since I have at least one thing from every season, Catra did tell Prime about Adora’s ship. Like oof fam. 

So much is just not great. Now, I will give some credit. In s1, we do see Catra giving Adora the sword back and Adora and Glimmer are trying to get out of the Horde. She does say later something to the degree of “you think I would let Shadow Weaver erase your mind like that”

But honestly, that is all I can remember that can be argued for the “I've always loved you”.

Now, people will yell and scream at me that Catra changed. This is yet again, a whole different post. But like, she did not start really changing into s5. S5 had 13 eps and so much else going for it. That is TOO short of a time. Not to mention, everything above and more, that is HEAVY STUFF. It is not simple ‘I hurt you by mistake’. 

No, it's Catra wanting Adora to hurt. She wanted Adora to suffer. That is NOT love. I myself have had to suffer through mental and emotional abuse. I have had to suffer with someone putting me down, manipulating me, making me feel worthless but being told they love me. I hate this person and even if they ever change, I will never forgive for the years and years of abuse I had to and still do suffer from. I cannot fully get away from them as they are a family member. 

Catra never loved Adora. This is just a lie because so much of the above is not love. Even if I  missed this that could be in favor of the line, again, everything I have shown is really bad. Things that cannot easily be forgiven. So please understand why people are so upset and triggered by c/a.

S/pop and c/a could have been something but the crew really dropped the ball and just made it a horrible ship. And this mind you is coming from someone who used to ship it.

[borisbubbles]

Character analysis: Vivienne de Fer (Dragon Age Inquisition)

So, if you’ve wondered where I popped off to the past two months or so, I’m going to give you an answer - I finally bought Dragon Age Inquisition (legit on my gaming wishlist since its 2014 release) and I’ve been obsessed with it ever since. 

The main draw to this game however, isn’t so much the gameplay (if you want a game that feels similar but has better gameplay - Assassin’s Creed Odyssey is what you’d want instead), but the storytelling and particularly the character development are top notch. All nine companions are fascinating and fleshed out in such a realistic manner I’m still gasping in awe on my fifth playthrough.  Thus, a post on it is in order. It’s a bit different from my usual content, but don’t let that discourage you - clearing my head from Dragon Age will allow me to let Eurovision back in and continue my unfinished 2020 ranking.  In this post, I will be analyzing one of DAI’s most interesting characters - none other than Madame de Fer herself, Vivienne.  Now, I’m under the impression that this is a rather unpopular opinion but I absolutely love Vivienne. And no, I won’t apologize for it. As a Templar-thumping elitist with a icy, sardonic demeanor the sheer ‘Idea Of A Vivienne’ is meant to make your head spin. Dragon Age has always been a franchise in which mages are a socially surpressed group and to be confronted with a socially confident enchantress who likes Templars and seemingly supports the social shunning out of her own ambition is the walking embodiment of flippancy. 

and yet, I feel a lot of sympathy for Vivienne. 

Yes, she’s a bitch. She knows she’s one and she’s a-ok with it. I won’t argue with that. Sadly, the “Vivienne is a bitch” rhetoric also drastically sells her short. Vivienne is highly complex and her real personality is as tragic as it is twisted. 

Madame de Fer

So let’s start with what we are shown on the surface. Vivienne is a high-ranking courtier from an empire notable for its deadly, acid-laced political game. She seemingly joins the Inquisition for personal gain, to acrue reputation and power, and eventually be elected Divine (= female pope) at the end of the game. She presents herself as a despicable blend of Real Housewife, Disney Villain, and Tory Politician, all rolled into one ball of sickening, unctuous smarm. Worse, the Inquisitor has no way to rebuke Vivienne’s absurd policies and ideas. You can’t argue with her, convince her to listen to your differing viewpoints or even kick her out the Inquisition. She has a way with words where she can twist arguments around in such a fashion that she lands on top and makes the other person look like the irrational party.

“Thus speaks the Inquisitor who has made so many mature and level-headed choices so far. Such as releasion malcontents upon the population without safeguards to protect them should they turn into abominations. Very wise. I rearranged some furniture. Lives aren’t thrown into jeopardy by my actions. Perhaps a little perspective is needed.”

She’s Cersei Lannister on creatine, Dolores Umbridge on motherfucking roids. If you look at merely the surface, then yes, Vivienne looks like the worst person ever created. I love a good anti-villainess however, and she’s definitely one. 

Yet, she never actually does anything ‘evil’? Yes, she is ‘a tyrant’ as a Divine, but 1) the person saying this is Cassandra, whose dislike for mage freedom is only matched by her dislike of being sidelined 2) Divine Vivienne isn’t bad to mages either? (hold that thought, I’ll get to it). She never actually sabotages the Inquisition, no matter how low her approval with the Inquisitor gets. She never attempts to stop them, no matter how annoyed she is. She’s one of the most brutally honest companions in the cast, in fact. (It always surprises me people call her a ‘hypocrite’ - you keep using that word and it doesn’t mean what you think it means.) The ‘worst’ display of character is when she attempts to break up Sera and the Inquisitor and even then - are we going to pretend Sera isn’t a toxic, controlling girlfriend with a huge chip on her shoulder? I love Sera, but come on.  

Vivienne is a character where the storytelling rule of Show, Don’t Tell is of vital importance. The Orlesian empire is an empire built around posturing and reputation. Nobody really shows their true motivations or character, and instead builds a public façade. It’s like how the Hanar (the Jellyfish people) in Mass Effect have a Public name they use in day-to-day life, and a Personal Name for their loved-ones and inner circle. Vivienne’s ‘Public Visage’ is that of Madame de Fer - this is the Vivienne who openly relishes in power, publicly humiliates grasping anklebiters with passive-aggressive retorts, the woman who is feared and loathed by all of Orlais, and this is the Face you see for most of the game.

The real beauty of Vivienne’s character and the reason why I love her as much as I do (which is to say - a LOT) are the few moments when - what’s the phrase DigitalSpy love so much - Her Mask Slips, and you get a glimpse of the real woman underneath the hennin.

This is the Vivienne who stands by you during the Siege of Haven and approves of you when you save the villagers from Corypheus’s horde.

This is the Vivienne who comforts you when you lament the losses you suffered.

This is the Vivienne who admires you for setting an example as a mage for the rest of Thedas.

This is the Vivienne who worries about Cole’s well-being during his personal quest, momentarily forgetting who or what he is. 

This is the Vivienne who, when her approval for the Inquisitor reaches rock bottom, desperately reminds him of the suffering mages go through on a day-to-day basis because of the fear and hatred non-mages are bred to feel towards them and how this can spiral into more bloodshed without safeguards. 

This is the Vivienne who shows how deep her affection for Bastien de Ghislain truly is, by bringing you along during his dying moments. I love this scene btw. This is the only moment in the entire game where Vivienne is actually herself in the presence of the Inquisitor - needless to say, I consider anyone who deliberately spikes her potion a motherfucking psychopath ^_^)

“There is nothing here now” fuck I *almost* cried at Vivienne, get out of my head BioWare, this is WRONG -- people who delude themselves this is an irredeemable character. 

So, who is Vivienne really?

Understanding Vivienne requires recognizing that the mask and the real woman aren’t the same person. I think her relationship with Dorian is the prime example of this. I love the Vivienne/Dorian banter train, obviously - an unstoppable force of sass colliding with an unmovable wall of smarm is nothing short of a spectacle. However, there’s more to it than their highly entertaining snipes. As the incredibly gifted son of a magister, Dorian represents everything Vivienne should despise, and should be a natural enemy to her. And yet, she doesn’t and he isn’t.. Their gilded japes at each other are nothing more than verbal sparring, not dissimilar to how Krem and Iron Bull call each other names when they beat each other with sticks. In what I think is one of the most brilliantly written interactions between characters in DAI, I present Vivienne’s reaction when the Inquisitor enters a romance with Dorian:

Vivienne: I received a letter the other day, Dorian. Dorian: Truly? It's nice to know you have friends. 🙄 Vivienne: It was from an acquaintance in Tevinter expressing his shock at the disturbing rumors about your... relationship with the Inquisitor. Dorian: Rumors you were only too happy to verify, I assume. 🙃 Vivienne: I informed him the only disturbing thing in evidence was his penmanship. 🙂 Dorian: ...Oh. Thank you. 😳 Vivienne: I am not so quick to judge, darling. See that you give me no reason to feel otherwise.

Madame de Fer can never be seen directly expressing approval to a relationship between the Herald of Andraste and an ‘Evil’ Tevinter ’Magister’. By this subtle, subtle conversation, Vivienne indirectly tells Dorian that she considers him a good match for the Inquisitor and approves of the romance. It’s one of those reasons why I could never truly dislike Vivienne - between the layers of elegant poison lies a somewhat decent woman who never loses sight of the bigger picture. Not a good person maybe, but not one without some redeeming qualities.

The crux of Vivienne’s personality is that she, like all DAI companions, is a social outcast. She’s a mage in a fantasy setting where mages are psionically linked to demons, and grew up in a country where the majority religion has openly advocated the shunning and leashing of mages (’Magic exists to serve man’ - the Chantry is so, so vile in this game.). Vivienne’s “gift” was discovered so early in her life that she can barely remember her parents. Vivienne grew up in a squalid boarding school, learning from a young age that she’s dangerous and her talents need to be tamed and curbed. She is also terrified of demons, as her banters with Cole point out:

Cole: You're afraid. You don't have to be. Vivienne: My dear Inquisitor, please restrain your pet demon. I do not want it addressing me. Inquisitor: He's not doing any harm, Vivienne. Vivienne: It's a demon, darling. All it can do is harm. Cole: Everything bright, roar of anger as the demon rears. No, I will not fall. No one will control me ever again. Cole: Flash of white as the world comes back. Shaking, hollow, Harrowed, but smiling at templars to show them I'm me. Cole: I am not like that. I can protect you. If Templars come for you, I will kill them. Vivienne: Delightful. 😑

Vivienne’s Harrowing is implied to have been such a traumatizing event to her that she’s developed a pavlovian fear of demons ever since. (Hence her hostility towards Cole.). Vivienne is fully aware of the inherent dangers of magic, and projects this onto all other mages. 

Besides, given how Dragon Age has a history with mages doing all sorts of fucked up shit, ranging from blood magic, murder, demonic possession and actual terrorism (yes, *ElthinaBITCH* had it coming, but let’s not pretend like Anders/Justice was anything other than a terrorist), Vivienne’s policies of controlled monitoring and vigilance are actually significantly more sensible than the options of ‘unconditionally freeing every mage all over Thedas’ and ‘reverting back to the status quo before the rebellion’. They’re flawed policies, obviously. When Vivienne says “mages” she pictures faceless silhouettes foremost and not herself. Regardless, unlike Cassandra and Leliana, Vivienne is aware of the fear others harbour for her kind, and how hard it is to overcome such perceptions.  

Additionally, Vivienne’s a foreigner. She is an ethnic Rivaini, a culture associated with smugglers and pirates (Isabela from DAO and DA2 is half-Rivaini). This adds an additional social stigma, again pointed out by Cole:

Cole: Stepping into the parlor, hem of my gown snagged, no, adjust before I go in, must look perfect. Vivienne: My dear, your pet is speaking again. Do silence it. Cole: Voices inside. Marquis Alphonse. Cole: "I do hope Duke Bastien puts out the lights before he touches her. But then, she must disappear in the dark." Cole: Gown tight between my fingers, cold all over. Unacceptable. Wheels turn, strings pull. Cole: He hurt you. You left a letter, let out a lie so he would do something foolish against the Inquisition. A trap. Vivienne: Inquisitor, as your demon lacks manners, perhaps you could get Solas to train it.

This is the only palpable example of the casual racism Vivienne has to endure on a daily basis - Marquis Alphonse is a stupid, bigoted pillowhead who sucks at The Game, but remember - Vivienne only kills him if the Inquisitor decides to be a butthurt thug. She is aware that for every Alphonse, there are dozens of greasy sycophants who think exactly like he does, and will keep it under wraps just to remain in her good graces. 

Finally, there’s the social position Vivienne manufactured for herself, which is the weak point towards her character imo. Remember, this woman is a commoner by birth. She doesn’t even have a surname. Through apparently sheer dumb luck (or satanic intervention) she basically fell into the position of Personal Mage to the Duke of Ghislain. Regardless, ‘Personal mages’ were the rage in Orlesian nobility, and the prestigious families owned by them like one may own a pet or personal property. By somehow becoming Bastien de Ghislain’s mistress and using his influence, "Madame de Fer” liberated herself from all the social stigmata which should have pinned her down into a lowly courtier rank and turned the largely ceremonial office of “Court Enchanter” into a position of respect and power. This is huge move towards mage emancipation by the way, in a society where, again, Mages are feared and shunned and are constantly bullied, emasculated and taught to hate their talents. Vivienne is a shining example of what mages can become at the height of their power. Power she has, mind you, never actually abused before her Divine election. Vivienne’s actions will forever be under scrutiny not because of who she is, but because of what she is. The Grand Game can spit her out at any moment, which will likely result in her death. 

Inquisitor: “You seem to be enjoying yourself, Vivienne?” Vivienne: “It’s The Game, darling. If I didn’t enjoy it, I’d be dead by now.”

Whether Vivienne was using Bastien for her own gain or whether she truly loved him isn’t a case of or/or. It’s a case of and/and. The perception that she was using Bastien makes Vivienne more fearsome and improves her position in the Grand Game, but deep down, I have no doubts truly loved him. Remember, Vivienne’s position at the Orlesian court was secure. She had nothing to gain by saving Bastien’s life, but she attempted to anyway. That Bastien’s sister is a High Cleric doesn’t matter - Vivienne can be elected Divine regardless of her personal quest’s resolution. She loved him, period. 

No, I don’t think Vivienne is a good person. She treats those she deems beneath her poorly, like Sera, Solas, Cole and Blackwall (characters I like less than Vivienne), which I think is the #1 indicator for a Bad Personality. But I don’t think she qualifies as ‘Evil’ either and I refuse to dismiss the beautiful layering of her character. I genuinely believe Vivienne joined the Inquisition not just for her personal gain, but also out of idealism, similar to Dorian (again, Cole is 100% correct in pointing out the similarities between Dorian’s and Vivienne’s motivations for joining, as discomforting it is to her). 

In her mind, Vivienne sees herself as the only person who can emancipate the mages without bloodshed - her personal accomplishments at the Orlesian court speak for themselves. Vivienne isn’t opposed to mage freedom - she worries for the consequences of radical change, as she believes Orlesian society unprepared for the consequences. Hence why she’s perfectly fine with a Divine Cassandra. Hence why her fellow mages immediately elect her Grand Enchanter of the new Circle. 

Hence why Vivienne is so terrified by the Inquisitor’s actions if her disapproval gets too low. The Inquisitor has the power to completely destroy everything she has built and fought for during her lifetime. Remember: Vivienne’s biggest fear is irrelevance - there’s no greater irrelevance than having your life achievements reverse-engineered by the accidental stumbling of some upstart nobody. This is the real reason why she joins, risks her life and gets her hands dirty - the only person whose competence Vivienne trusts, is Vivienne’s own. 

Even as Divine Victoria, I’d say she’s not bad, at all actually. Vivienne has the trappings of an an Enlightened Despot, maintaining full control, while simultaneously granting mages more responsibility and freedom, slowly laying the foundations to make mages more accepted and less persecuted in southern Thedas. Given that Ferelden is a feudal fiefdom and Orlais is an absolute monarchy, this is a fucking improvement are you kidding me. (Wait did he just imply Vivienne is secretly the best Divine - hmm, probably not because Cass/Leliana have better epilogues - but realistically speaking, yes, Viv should be the best Divine and it’s bullshit that the story disagrees.) 

Underneath the countless layers of smarm, frost and seeming callousness, lies a fiercely intelligent and brave woman, whose ideals have been twisted into perversion by the cruel, ungrateful world around her. Envy her for her ability to control her destiny, but know that envy is what it is.  

The flaw in Vivienne’s character isn’t so much the ‘tyranny’ or the ‘bitchiness’ or the 'smarm’. Her flaw is her false belief that she is what the mages need the most. Her belief that her competence gives her the prerogative to serve the unwashed mage masses... by ruling over them. For all intents and purposes, Vivienne is an Orlesian Magister and this will forever be the brilliant tragedy of her character. She was created by a corrupt institution that should, by all accounts fear and loathe her but instead embraced her. It’s that delirious irony that makes Vivienne de Fer one of the best fictional characters in RPG history.  the next post will be Eurovision-related. :-) 

[pettyvxbes]

Colson Baker x Reader - Ocean Eyes III

This was originally only supposed to be three parts, but I have so many ideas. . . I might be getting a little carried away. If anyone is interested in being included on the tag list for ocean eyes drop me a comment. ❤ Btw, ya'll rock, and I'm so thrilled that you're digging where this story is going as much as I am!!

SUPPORT YOUR LOCAL COFFEE DEALER

Colson had insisted on going to a coffee shop across town, even though there were plenty of great coffee shops near Shaker Square that you two had frequented on your previous Saturday adventures. He initially suggested that you ride with him, but you declined the offer and opted to drive yourself, much to your dismay. You considered making a wrong turn to head back to your sister's house several times as you followed closely behind him but decided against the outlandish idea.

Pulling into the parking lot, you immediately noticed the sizeable pink skull painted on the side of the brick building. It read "Drink. Eat. Work. Meet" arched across the top with "The" on the forehead, a 2 and 7 in separate eye sockets, "club" on the chin, and the most clever part was the nose which was a cup of steaming coffee. The aesthetic was everything, and you quickly understood why Colson had wanted to bring you to this specific coffee shop. It was edgy and artistic, kind of like you, and he knew you would love it.

"This place is fucking awesome." You gushed, taking in the surrounding interior. The walls were painted pink and accented with black. There were skulls in various places throughout the room, and directly in front of you behind a large circular counter were the associates, wearing "Coffee Dealer" tees, waiting patiently to take your order. Capturing every aspect of the shop, you noticed the music playing. It was a synth-pop-R&B beat accompanied by the voice of Chris Brown and Usher.

"You gon' be my baby Love me, love me crazy Tell me you with it Baby, come and get it Maybe try a new thing And let's spark a new flame."

It was one of those songs that stuck in your memory and could take you back to a specific time and place. You looked over at Colson to find him looking back at you, and you were instantly transported to that cold January night eleven years ago, the night you had first met Colson.

The air was crisp, and the night sky was aglow with the bright city lights of Atlanta. You were visiting your best friend for what was left of your winter break at NYU. She couldn't wait to take you out on the town. So naturally, you both ended up at the Gold Room less than five hours after you had touched down in the Empire State of the South.

The Gold Room was fancy. Golden poles were lining a transparent window rail in the main seating area. Each roped-off section donned eccentric gold couches, chandeliers, and splashy tropical lighting, all of which highlighted the significance of those seated there. You happened to find yourself smack dab in the middle of the distinguished crowd, behind the velvet ropes. All thanks to your gorgeous best friend who had been casually seeing one of the Atlanta Hawks.

"Y/n, don't look now, but that guy over there has been staring at you since we walked in." Your best friend screamed into your ear over the loud music.

"Which one?" You questioned, waiting to turn and look.

"The blonde with the tattoos!" She paused, taking a sip of her drink. She could tell you were waiting for a more descriptive answer. "You'll know which one. He's fine as fuck!" She screamed, causing you to chuckle at her bluntness.

You casually turned to the side to look for the mystery guy, and you were quickly met with his blue eyes. You felt your cheeks flush a bit as he maintained eye contact.

You were beautiful in a way that the other girls in the club weren't. You were confident but not cocky, and your attire was modest but still sexy. You didn't need to be accepted by others, which was apparent in how you carried yourself. Your smile was beaming as you looked back at him, and Colson could have sworn it illuminated even the darkest corners of the room. You were authentically you, and the blue-eyed boy was captivated.

Your eye contact was broken by one of the tall basketball players in your section offering you a glass of champagne. You accepted the drink and made small talk for a moment before quietly excusing yourself to the ladies' room. At least that's what you told your friend, but if you were honest, you were actually looking for those blue eyes. You made your way slowly through the horde of people keeping your eye on the VIP section that the tattooed man occupied. You couldn't see him, so you wandered closer until you were stopped by a husky voice.

"Are you looking for something?" You turned, looking up into the blue eyes you had been searching for.

"Not anymore." You smirked. He was taken aback by your forward response, and you could tell by the look across his face that he was speechless. You chuckled at his expression. "I'm sorry."

"I wasn't expecting you to say that, but I was hoping you would" He laughed. "I'm Colson."

"Y/n."

"Y/n, that's beautiful." He smiled at you. You couldn't tell if it was the champagne coursing through you or the fact that he was extremely handsome, but all you could think about was kissing him. The thought was soon pushed to the back of your mind as you began exchanging information about yourselves. Where you were from, what you were doing in Atlanta, your relationship status'. . .the basics. You two eventually found yourselves halfway through a game of 21 questions in a more private area of the club where you could actually hear each other speak.

"If you could have one 'do over' in your life, what would you do differently?" You inquired.

"Ooh, we're going there now?" He chuckled. "That's easy though, I wouldn't do anything over because then I wouldn't be sitting here with you."

“Smooth.” You chuckled at his cheesy answer.

“Yeah? You see what I did there?” He joked "Ok, my turn. . ." He changed the subject, trying to think of a question quickly. "If there was one piece of advice you could give, what would it be?" You thought for a moment before speaking.

"To always appreciate the little things in life."

"The little things?" he questioned, waiting for you to elaborate further.

"Yeah, you know, like early morning sunrises or late sunsets. The ones where you'll see an array of colors in the sky that you wouldn't normally see." You raved. "Or road trips and motorcycle rides, when you have music in your ears and the wind in your hair. Or the days when you're surrounded by your favorite people, the ones who make you realize that the world isn't such a cold, harsh place." You rambled, and he smiled like a fool.

"The little things that make you realize what life is about and what it means to be alive?" He pondered quietly, contemplating what you had said.

"Yes!" You extolled. "Appreciating the little things makes you enjoy where you are, right now, in the present."

"Enjoy where you are right now," He reiterated. "I like that" A comfortable silence settled in for a moment, and you could hear a catchy synth-pop-R&B beat surging through the room. The voices of Chris Brown and Usher were crystal clear.

"Who said you can't find love in a club? 'Cause I wanna tell them they wrong Come on, just baby, try a new thing And let's spark a new flame."

You both let out a little chuckle at the lyrics, and the next thing you knew, his right hand was on the side of your face pulling you into him. The kiss was magic, chaos, and a little bit of poetry. You felt a fire deep in your bones, and he melted every part of you.

"Hey, Colson!" The barista greeted him, pulling you from your memory of the man standing next to you. You hadn't even noticed, but you two were still staring at each other, and you wondered if the same memory had crossed his mind too.

He turned towards the barista as your eyes continued to explore the coffee shop. That's when you saw it—a mural on the wall situated above black leather dome seats. In large pink letters, "Enjoy where you are right now." and it clicked - this was his coffee shop. . .and he still thought about that night, just like you.

Colson glanced back at you, preparing to order, you smiled at him, and yet again, he could have sworn it illuminated even the darkest corners of the room. You were still authentically you, and the blue-eyed boy was still captivated.

II << 💀 >>

TAG LIST @canyoubuymetoast

[botwstoriesandsuch]

Kip v Age of Calamity

For someone who writes tough shit on Age of Calamity, you sure don’t see me writing a better story. So maybe I should stop complaining and be satisfied with what was given to me. 

...or...

...maybe we can dedicated a few hours of my time to spite an ask. 

Even though the entire argument of “why are you mad if you can’t write a story yourself” is inherently flawed and pointless considering that’s the equivalent of telling me I should chug spoiled milk because I’ve never milked a cow, I’ll fucking step up to the plate here, I’ll put my money where my mouth is. 

So here is Part 1 of your residential Kip approved rewrite of Hyrule Warriors: Age of Calamity. Or as I like to call it: 

Ok so before I get into it, a couple things I wanna establish. First, I know I just said I’m doing this out of spite, but I’m actually also doing this for fun. I really enjoy and am passionate about the writing process, so if you were looking for an angry rant about how terrible everyone’s opinions are about everything, this isn’t that. I don’t think that I am a better writer than anyone, or than the professionals that made this game, or that I am somehow superior to Nintendo. I am someone with the benefit of hindsight, I don’t have the constraints of producers and mandated directives and executives rubbing their hands in the story to make it more marketable or dumbed down or any of the other chaos that goes into crafting a videogame. So while obviously I think the people involved in this could have done a much better job, this isn’t a bash to say, “look how easy it is to make a story” because there’s a ton of unseen drama that goes into development that I have the luxury of avoiding, and it’s a miracle that any games are coherent and enjoyable in the first place. I’m just a lil Kip doing a fun lil exercise. 

This little series is also not going to be a fanfic. I’m going to be telling the story chronologically as if you were playing for yourself, but it’s going to be from my omniscient perspective because 1) I need to relate the story to the gameplay 2) That would take way too much time to actually make this into a fanfiction as it already takes a hell of a lot of time to even plan out the beats of this rewrite and 3) This is less going to be a telling of a story, and more of a fun little exploration on the Three Act Structure and The Hero’s Journey. In fact, I am going to try and keep the given story of Age of Calamity as intact as possible. 

The general ending is going to be the same, the characters used are going to remain roughly unchanged, (there will be no new characters, or removal of characters) and characters that live or die and where they end up are going to be mostly the same with how the original game is written. I know, I know, we all would love to see the Champions die brutally or to get us that sweet sweet Link angst or to have a game with multiple endings. And even though I personally would change some of those premises in Age of Calamity, I’m going to strive to keep it all as intact as possible, just to prove wrong the misconception that the story was only bad because of the writer’s choices for the general arc. I am a firm believer that biggest weaknesses of this game are in its methods of conveying its story, a problem in the storytelling process, and not (necessarily/only) the story product itself. 

If you want to use any of the ideas that I present, go for it! I release them into the public domain, I have no plans whatsoever to write a fanfic for this myself, in fact I already have my own separate Pre-Botw fic story that I am pouring myself into, so I give the people full permission to take these ideas off of me. 

Alrighty! With all that out of the way, let’s get into:

HERE IS THE VERSION IN A GOOGLE DOC FORM BECAUSE TUMBLR HATES YOU MOBILE PEEPS

Spoilers! Obviously. I’m going to act on the assumption that you know the full story of Age of Calamity to save myself some time, capiche?

Ok so we start out the game roughly the same, with eggbot being chased and forced to time travel into a portal. But, there is going to be some important differences in details. 

We have the part of the scene where Zelda awakens her powers, and at the same time, something else in Hyrule Castle glows with the same aura. However, this glow is not coming from the Princess’ Tower, but instead, the camera pulls back from the fields of Fort Hateno, sweeps over Hyrule (where you can see the Guardians and the sense of destruction and all that) and the camera eventually flies over Castle Town, then within the Castle, weaving through the halls, until the camera stop and focuses on the entrance of a destroyed room, slowly creeping in. It’s a room that’s been demolished, stone rubble from Guardian blasts ruin the floor and cave in from the ceiling, there’s a small fire in the corners of the room, and from the props that you can make out, it seems to look like some study or office of some sort. The room is small, but domed and circular, signifying that it’s of a bit more importance than you might think . The desks and books and all buried beneath this collapsed stone brick. But as the camera focuses on that pile of rocks, from within that rubble, you see that same glowing aura that Zelda has, glowing brighter and brighter until finally out pops, eggbot.

Now, you can have that same sequence within the game where he runs around all cute, the outter wall of the room is broken so eggbot can look outside and see the Calamity’s destruction. Then that cut to Zelda saying “I want to save...everyone,” and this is important because I need the fade in between Zelda’s line and the fade back to eggbot to wordlessly imply that he is hearing these words, something that’s already done pretty well in the original cutscene. Anyhow, then the Guardian Stalker pops from behind, prepares to shoot, and eggbot can escape into its little time portal, and then the malice follows or whatever.  

However, I’m not gonna immediately cut to the title, but instead, we have the music build to eggbot’s little jump in a pretty climactic way. But then the music still lingers slightly, and rests in suspense, camera is still looking out the window where eggbot jumped. It pulls back, turning back into this room that eggbot emerged from. Music is still relatively silent. Then, from the corner, you see some of the fire suddenly catch onto something. Flattened between the rocky rubble, just a few feet where eggbot emerged, is a purple cloak, trimmed with gold, flapping just slightly in the wind. [Said flapping being what causes it to catch] The fire catches, burning through the cloak, and underneath it, is a fallen copy of the Sheikah tapestry of 10k years ago. Camera zooms into that art of the Calamity, music suspends, merge to title card, then the music hits that climax and BOOM, “Hyrule Warriors: Age of Calamity.” Main Theme plays. Let the opening title roll.

Now the reason I changed this slightly is because 1) I wanted to earlier set up some of the plot points that I have planned for this (some of which you might already guess or maybe not who knows *wink wink*) and 2) I think that the original opening could have been much stronger with its hook. Yes, the element of mystery is established with eggbot’s existence and that element of time travel, but then the opening immediately goes into saying “This is the tale of champions, a diminutive Guardian who traveled backwards through time, and the Great Calamity they faced.” So...you just dampened that hook you established two seconds ago because you explained it all. Sure, it doesn’t completely ruin it, but I think the impact would be much stronger if that text wasn’t there at all, and the music and hype of the tapestry moving and coming alive is all there was. I’d much rather that element of time travel just be explained through the cinematography itself, because you can already understand that perfectly with that scene where you see the portal lead into birds flying around a beautiful Hyrule Castle.

Also, the music in this game is fantastic! So letting moments that really let you soak it in, I think would be very beneficial. So now this scene serves as a much more effective hook before we get into the actual plot. The mystery of eggbot’s identity is heightened and left a bit more unexplained, you have this mysterious circular room that you’ve never seen before, and the set up of details that will eventually serve later revelations in the plot, cough cough. 

Then you hit Chapter 1, Link gameplay, eggbot and the tower, that’s all the same. I got no changes for the story there, it’s a great introduction. However! I know my strength here is writing and I am by no means a game developer or designer, but I need, I absolutely need to add one aspect to the gameplay.

Near the end of the first stage, where there are those three moblins at the end, I want to add something that I’m going to call, a gambit. The game already introduced you to the special meter and “press a to use special attack” thing, but I want Impa and Link to use a gambit to defeat this last horde of moblins. Essentially, you press A to use your special attack, BUT, if another character is in proximity, the attack is even more powerful. Every pair of characters has a special little attack, that does tons of damage, and during said sequence, there are voiced lines, or at the very very least text boxes that comment on it. And with this gambit, while a regular solo special attack still does a lot of damage, I’m gonna nerf it slightly to encourage players to use this gambit feature. 

Now, why did I add this? Because I need to better connect this gameplay to the story on more than an external “lets defeat this and go from point A to point B” type of way. I need something in the gameplay to better serve to the game’s main theme of “teamwork makes the dreamwork” and all that. The CURRENT gameplay, although absolutely fun and fantastic, just doesn’t do this. I need just one element to serve this theme while ALSO having the dual purpose of serving as character interaction. The current structure of Age of Calamity works where the sidequests and battle serve as your character interaction, development, and banter, while the cutscenes serve the main story beats, and important plot revelations. The cutscenes just aren’t crafted to support the weight of these dozens of characters while also giving them all interesting interactions, and that’s fine! So I’m just adding this feature to the gameplay, because being able to customize different lines for different characters for different stages that are voiced will go a long way into making the character development seem more fleshed out. And this gambit feature doesn’t necessarily change the way you play the game drastically, as you can still have four character slots and have them split up to take on the battlefield, but now you can split them off into groups of 2. And also, because I’m not completely blind to game design, the damage percentage boost of these gambit attacks will not increase as much, just slightly lower, than the damage boost of a solo attack when you level up. So what I mean is, when your character is weaker level, you are forced to rely on others in order to defeat your enemies, but, with the way the leveling up percents work, your characters can still reach a point where they can defeat big bosses all on their own without gambits. THAT way, when certain events happen in later chapters, when your character is all leveled up, (and maybe they awaken a sacred power or two) it feels all the more powerful when you can go off on your own. You can feel how your character has grown in strength because you can contrast it with your teamwork gameplay of earlier levels. AND it still highlights the importance of that theme of companionship, because you would never have gotten to this level of strength had you not relied on your friends. 

OK, so the stage 1 ends with a gambit attack, Impa compliments Link’s fighting style or something that shows her admiration or respect for him. And then stage 2 for the Road to the Royal Lab is the same, but gambit dialogue for that stage is Impa complimenting Link, Impa being protective of Zelda, and since this is Zelda’s first playable area, Zelda’s gambit lines can be about kinda brushing Link aside like “I want to capable to hold my own in battle but thank you” to Link (cause I never really got that same “I don’t really like you” vibe that is established in botw for this game) and then to Impa Zelda’s gambit lines can be like “is this thrill what you always feel when battling?” and Impa is like “yeah isn’t it great we should do it more often!” and then you can allude to that with a sidequest for Zelda’s training or something. I just want to better connect sidequest stories with this stuff. And also, gambits are obviously optional so that’s why this is all just banter and character development and not actually plot points, and I’m going to stick with just one-on-one dialogue, although it should be theoretically possible to have gambit boosts of three and four, but I feel that would be too much as I don’t want to ruin the gameplay balance and encourage you to keep all four character slots close together, because splitting them up is an important part of the game. Anyhow!

So Chapter 1 is done, my changes being almost purely in the gameplay because this is the start of the story and the character set up is important. Chapter 1 to Chapter 2 is basically the establishment of the ordinary world, and in the Three Act Structure it’s basically Act 1. Act 1 is all about set up. I need to really focus this chapter on both introducing the player to the mechanics of the game, having them connect to the characters and the characters connect to each other through the gameplay, and I need to establish this tone so that when I rip it away, and change the tone during the threshold, it feels more meaningful and suspenseful. 

As you can see from the diagrams, Act 1 has something called the Inciting Incident. The Inciting Incident is going to be the Yiga attack in Chapter 2, where our heroes first experience the true dangers of their journey, and there is no turning back. BUT I’m getting ahead of myself.

Chapter 2 is also exactly the same. I would literally change nothing about the Champion’s sections (other than my addition of gambit interaction of course) because they’re all pretty great. For the record, yes, evil egg is still a thing, and yes, Zelda and the gang can still discover those pictures of the Calamity in eggbot, yes you beat up Revali, and the Divine Beast sequences are the same. I just really need that gambit dialogue to help establish character relations. Revali quips at Link, Mipha protects him, Daruk is his buddy [I thought a cool gambit attack for Link and Daruk to better show that they are old friends could be them both chewing down on some rocks, before striking an enemy simultaneously. Because they never eat rocks together and I just want this ok] Kohga is the same, Sooga is the same, BUT, for that scene when you first meet Astor in the Yiga base, I need two things to happen. 1) The camera reveal for Astor starts at his cloak, which is intact and NOT tattered like how his design is in game. It’s a deep purple with gold trim, the camera pans up to the back of Astor’s head. Now 2) When the camera moves to look at Astors face, I need him to be standing in front of and staring solemnly at the evil eggbot. He’s frowning, and his eyes suggest something like he’s deep in thought of something in the distant past. That’s how the scene starts, and in the background is Kohga recounting the events of his failure to beat Urbosa and the gang. Then, Kohga can say something funny to annoy him, Astor’s face changes to your classic villain disgust. Then, he can get a bit pissed and go on his little rant about how pathetic the Yiga are and how the Calamity is trapped within the evil eggbot and how he will use his powers to end the Kingdom of Hyrule. Then he can take his little astrolabe and be all “My harbinger, show me the future!” and all that. IMPORTANT LINE CHANGE,  Astor’s motivation here is not “The future, as it will and must be. I will not allow anyone to alter its course.” Instead, I need to tweak it slightly to be, “The future, as it was fated to always be. The pathetic stories and legends of children and false kings cannot waver this course. I will not allow it, for my sake…” camera pans to the broken evil guardian, Astor’s voice lowers just slightly. “...and yours.” The slightest, almost silent bits of the harmonies (not the melody) of the Hwaoc Main Theme play before fully fading back to Astor’s theme. And the final shot of that scene is Astor, looking down at the heap of Sheikah tech, with a neutral expression, but then looking back up at the malice stars, and the future visions of the Calamity. He just ever so slightly smiles. 

[Also I JUST realized that the harbinger is actually slightly above Astor, because it’s supposed to show that the power dynamic is really Calamity Ganon is in control, so ignore the “looking down” parts I talked about, and just think in the broad direction of Astor looks at the guardian, and then looks further up at the ceiling with the Calamity and the future and then he smiles]

For that scene, I also need to remove any characterization where Astor is laughing and being joyous at the impending destruction, I only need that smile at the end. There is no villainous cartoon laughter, at least, not yet. Also the part where Sooga calls Astor a fool for thinking he can control the Calamity is GREAT I need that, that absolutely needs to stay in.

And then Chapter 2 closes off with that Yiga ambush. That’s the inciting incident, so I need the tone at the end to be slightly different. Instead of ending on that cute little thing where eggbot points angrily at Link, (like that part can still EXIST in there BUT) I need it to end on a more serious note. 

Referring back to the Hero’s Journey, the Call to Adventure is the parts of each of the Champion’s recruitment. They each have their initial reasons for joining the fight, whether to protect their people, to feel validated for their skill, to get closer to the ones they love etc etc that’s all established in their respective stages.

This Yiga stage, however, serves as the official barrier between Act 1 and Act 2, the threshold between the known world and the unknown world, where the heroes prepare to seek out the obstacle that stands in the way of their goal. It’s important that this threshold establishes a sense of urgency, because that better gets you invested in the stakes, and helps the story's momentum to move forward. IT shows that the journey and adventure that these characters want/need to take is outside the safety of their home/known world.

In the original game, the threshold ends with that cute scene of eggbot and Zelda and Link and the Zelink vibes. That’s not bad, but it’s also not good. The momentum towards the later confrontation in Korok forest needs to feel more important, because this is a major turning point in the story. SO, I am going to add one more scene at the end. It’s just after the ambush, after the fires have died down, and Zelda (and in the back the Champions) discussing the events with the King. I want King Rhoam to a few things. First, I need him to kinda berate the Champions for falling for the Yiga’s “splitting them up trick” and leaving his daughter vulnerable. This 1) establishes doubt within the party, which makes for better uncertainty for the future and later internal conflict. This was supposed to be the dream team but the King is already kinda telling them off. 2) This also still characterizes the King as someone who cares for his daughter’s safety. That care for his daughters safety is layered in the subtext of him saying something like “Your priority must be to protect the only person capable of sealing the Calamity. You were so concerned with victory and glory in battle that you forgot that the fate of this kingdom lies on my daughter’s survival.” and blah blah blah. The King can also congratulate Link for keeping Zelda safe, and this is GREAT because that can add further to Zelda’s slight resentment for him, as he’s getting the approval from the King that she has yet to receive. But like overall the King is like “don’t leave my daughter alone cause she almost got killed if it weren’t for Link wtf.” and then that can also be a further excuse to hurry to korok forest to find the wielder of the sword so that they can better protect “not just the Princess, but the entire world,” something something fancy kingly dialogue. 

Also when the Champions leave THIS can also be the time where Zelda gives that Sheikah device thingy to Rhoam and also where he sees eggbot. I know that happens a bit later, but for pacing purposes and for the sake of the story changes that I made, it better serves to place it here. That interaction itself can stay mostly the same as it is in the game.

So now, the threshold ends with a bit more tension. The Champion squad is powerful, but also has flaws in how they were split up by the Yiga, (cough cough I wonder if that serves the themes of the game in some way cough cough) and it’s not just “smooth sailing” into the search for the Master Sword, and the stakes are a bit rocky as we finally enter into the story’s Act 2.

= = = = = 

And that’s Part 1 of my rewrite. Not really a lot, cause again this is mainly character set up, and establishing stuff, but personally I think it’s already a bit stronger than how Age of Calamity did it. Stay tuned for Part 2 either tonight or tomorrow, mwahaha. 

Predict the future if you can...

[anobscurename]

ocean eyes – chris evans

PART I

concept: this is a collection of happenings, the little moments with him, rather than a whole thought-out fic. the slowest of slow burns. this is the second part, the reunion. this is what happens when the night is over.

pairing: chris evans x reader

word count: 2,618

warnings: none, except a little profanity

author’s note: part two is here! i hope you like it :)

The second time you met Chris, was while you were at work. You were a cocktail waitress at a relatively posh, incredibly elite, uptown bar. The kind that charges you way too much for a drink so little, and probably sells diamond infused vodka. This was the night spot of everyone who was anyone – gods that sipped golden champagne from fine, polished Baccarat flutes that were probably worth your house.

You had no problem with rich people. You just had a problem with the way some treated you – and that was to say, not very well.

“Hey.” A male voice startled you out of your near robotic drink making. They were a bit understaffed that night, so you had taken the liberty of helping out behind the bar while the tables in your section remained vacant. You were somewhat of an expert cocktail maker – you could even safely say you could do it blindfolded (an exceptionally wild bachelor’s party provided proof enough). So it wasn’t uncommon for your mind to drift elsewhere while you mixed a drink. You tilted your head slightly in the direction of your co-worker, letting him know you were listening, while still pretending to be way more immersed in your task than you really were. It was that anti-social kind of night, where you’d rather be curled up at home with Netflix and a mug of tea rather than be there (despite being fully aware of how many girls would kill to have entry to the most exclusive club in Los Angeles). But the pay was good – excellent, actually – and you did get some really nice patrons at times. And your co-workers? They weren’t half bad, either. “There’s a table that just sat down in your station.”

You swore under your breath, finished mixing the drink with a sped efficiency, and handed it off to the patron. “Your station” was the VIP section, and was rarely very busy so early in the evening. You knew club routine well enough by now: pre-drinks before the party were often done at home, in the limos, or in a relatively tame bar somewhere nearby. This was for the pleasantries, the catching up, the conversations that would inevitably be drowned out by the pounding music if done anywhere else. That usually occurred around this time. This club – and many like it – the kind that was where everyone who was anyone had to be seen at – was the second phase. The party phase. The phase where most of the time, drama, and scandal, took place. This was often from 10pm till 4am, depending on the stamina of the party goers. And then the wind down: after parties, often held at someone’s house. This was the natural order of the night world, and you respected people who respected that. You modelled your entire schedule around that.

That’s why you had assumed that your station would’ve been empty until much later – until after pre-drinks and conversations. Whoever just sat down in VIP – they were disturbing the natural fucking order, and you were not having it. Well, you were silently not having it; you still needed, like, money.

Your job didn’t come without it’s perks, though. A murder of stunning people were sat on the plush leather couches surrounding black marble topped tables behind the velvet chain that separated them from the masses. Some you recognised instantly from the big screen, and others from the tabloids. And one from a personal encounter… Your breath caught and you damn near choked.

There he was, reclined on the couch, so at ease with his arms spread over the back, grinning and laughing at something someone had said. He wasn’t looking at you. Yet. That changed abruptly, as soon as you (after having gathered your confidence) introduced yourself to them.

He faltered slightly in his laugh, but his grin remained – growing even wider, as slowly, he tilted his head to look over at you.

Immediately his eyes brightened. If there was any doubt in your mind as to whether or not it was really him, it dissipated with that single nod of recognition he gave you.

You cleared your throat as a small diversion to clear your head. “Are you ready to order?”

They rattled off their orders, almost all of them barely paying any attention to your silent exchange with Chris. Almost.

A (begrudgingly) stunning female on Chris left, who was pressed eagerly into his side, gave you a dirty once over and sneered out her order to you. Oh. She was one of those. The ones who looked down at literally anyone not a billionaire.

He noticed her disdain, and his grin fell. A small victory, he revoked his arm from around her – bemused by her display of deluded superiority. You had to physically hide your smirk as you got the last order – his – and slipped behind the bar with the orders engraved in your mind.

——————

The group departed after about two hours. Two hours of eyeing the table (mainly to check if their glasses were still full, or if they needed anything else – or at least that’s what you kept telling yourself), two hours of stolen glances – ones that you were always the first to pull away from, usually after the inevitable smirk that touched his lips when you looked for a bit longer than you should.

When they left, you cleaned the table. Who was he? He seemed to have friends in high places, but there was something else… You knew, when you first met him, that you knew his face. Ugh, that itch was back – the one in the brain where you know you know something but it’s evading your every grasp – and it was refusing to go away. Like an earworm of a melody, lyrics forgotten.

It plagued you for the remainder of your shift – which wasn’t necessarily long, just an hour or so more – and even as you got ready to go home.

It was approaching peak hours now, and so you knew the front would be bustling with paps and desperate social climbers begging for entrance from the surly bouncers, who stood as monoliths in churning seas. Because with peak hours, came the rich and famous; socialites, actors, singers, designers, models. And with them, the gods of the nightlife, came the screaming hordes.

God, you were dramatic. You smirked to yourself, at the internal monologue you were maintaining, as you punched in the code to slip out the back. Anything to keep a scrap of sanity in these long nights. So wrapped up in your own thoughts, you didn’t notice him following you until he laid a scopic hand on your shoulder.

You whirled, shoving him against a wall, knee approaching dangerously close to his crotch before you mercifully faltered at the familiar face.

“Chris?!” You were breathless with exhilaration, adrenaline thick in your veins at having been caught off guard. You released him, stepping away to run your hand through your hair to brush it away from your face. “What are you doing, hiding in a back alley, trying to catch unsuspecting girls off guard?!”

He chuckled at your scolding tone, at the way you pressed a hand to your beating heart, over the top dramatism at play in your actions. “Trying to catch an unsuspecting girl off guard. Obviously.”

You realised then how strange it was for him to still be here; his party departed at least an hour and a half ago. “Did you wait out here for me?”

“Can you promise not to kick me in the balls if I said yes?”

You laughed as he cautiously eyed your legs at his sentiment. “So, what, you’re following me now?”

“I could ask you the same question.”

“I’m not the one who waited an hour for someone, out in a back alley, in the freezing cold.” To punctuate your point, a cold blast of wind ripped through the alleyway, worming its way under your coat to stroke at your skin with cold tendrils. You shivered, crossing your arms to preserve the warmth. “You’re not an axe murderer, are you?”

He patted down his pockets. “Ah, shit. Must’ve left my axe at home.” His tone was dead serious, but at your roll of the eyes, he grinned.

You buried your hands in your pocket to stave off the chill. Weirdly enough, after the initial shock, you were glad to have someone with you to walk with you to your car, parked three blocks away to make room for the patrons’ stretch limousines. You inclined your head in the direction of your vehicle, nodding for him to walk with you.

He smiled softly, following you out of the dim lighting of the alleyway, into the lights of the main road. The clamour outside of the club was a roar, the leering of the paps at the celebrities who entered becoming a jumble of white noise.

You noticed how, as soon as you both approached the light, he ducked his head and upturned the collar of his jacket, avoiding the peoples’ attentative eye. You both pushed by relatively unnoticed, and you only spoke again when the bellowing crowd was a distant memory.

“So, who are you?”

The question took him by surprise. The action of lighting the cigarette he had propped between his lips stuttered, and he gave you an apprehensive look. He struck the match he had poised in his hand, looking down to watch where the flame licked. “You know who I am.”

“You just sat where Justin Bieber sat. I served drinks to the Kardashians on that couch. Only the VIPs of VIPs sit there. So, are you famous or something?”

Shaking the match out, he took a drag – prolonging his answer as long as he possibly could. He deliberated you, wondering what your reaction would be. Would you treat him differently, now? “Or something.”

You eyed him up, skeptical, before breaking into a massive grin. “Cool,” you said non-chalantly. Or at least in your head. What you really said was: “I fucking knew I wasn’t losing my mind! I fucking knew it, Mr I-Just-Have-One-Of-Those-Faces. Oh my God, I’m not crazy, fuck yes!”

The look he gave you negated that entirely, because indeed, he was looking at you as if you were a mad woman, in spite of the amused twist of his lips. “Are you done?”

After a moment of appraising him, you nodded, calm again. “Yeah, I’m done.”

You were less excited that you were in the presence of celebrity royalty, more relieved that you weren’t insane for feeling he was so familiar. That was refreshing for Chris; usually after someone discovered his identity, they would treat him differently – sidling up to him, for a favour or money or status or cloning DNA. Or for workout tips, but he got that regularly. Barring the brief moment of unhinged happiness you displayed, you treated him as you did before. Like when he stole your cab.

“Andy Barber!” You had started walking again, him alongside you, in a pleasant silence. Your outburst caused both of you to pause again. “Ransom Drysdale? Steve Rogers…”

He arched a brow in question, taking a pensive drag from his cigarette. “Are you having a stroke?”

“That’s where I recognise you from.” Mumbling to yourself, you muttered “God, I knew I wasn’t crazy.”

He chuckled, flicking the ash off his cigarette, both of you continuing on in a comfortable silence.

“So, what did I do to deserve the chance at having you escort me to my car?”

He stomped out the cigarette, smoke curling from his lips as he tried to find the best way to word his question. “I have a proposition for you.”

“Oh, you can proposition my fist to your face,” you chuckled in disbelief. “Just because you’re all high and mighty and famous doesn’t mean that every girl you meet is going to throw themselves at your feet even if you did buy me pizza and you’re all smug and handsome and have impeccable dress sense like, seriously, what is that? Armani? What? Why are you laughing at me?”

He had started laughing sometime during your rant and the sound, contagious and warm, had caused you to falter. You fought a smile that was threatening to rise. You were trying to make a point, goddamnit, and you would be damned if he was going to ruin it with his smug, handsome face.

“A business proposition, {your name},” he managed to say among the peels of laughter. “But please, do go on my impeccable dress sense.”

You were mortified. You probably sounded proper arrogant, thinking that he wanted to get in your pants. You groaned, hiding your face in your hands for a moment to conceal the fast rising heated flush of embarrassment. Conceal, don’t feel. Don’t let him know. Thanks, Elsa.

“What, uh,” you cleared your throat, turning away to continue your stalling trek (and to avoid his gaze). “What business proposition?”

“Do you like dogs?”

You ignored how laugh-drunk his voice sounded – gravelly and lilted with amusement. It just served to feed your embarrassment further. “Love them. Why?”

Now it was his turn to clear his throat. “I recently, uh, split up with my girlfriend and I’m heading to Vancouver for a few months for a film. She was meant to help look after Dodger and the house while I was gone, but, given the recent change in plans, that would appear to no longer be an option.”

He avoided your gaze as you glanced over at him, but you could see the throb of the muscle in his jaw, indicating the grit of his teeth.

“And you have deemed me worthy?” You tried lightening the mood a little, and was satisfied by his small smile and accompanying chuckle.

“I know it’s too much to ask of a stranger–”

“Why don’t you get a friend to do it?”

“I would, if any were deemed worthy,” he teased. Warmth swelled in his eyes when he looked at you next, and paired with that smile and the words he spoke next, you knew you would do anything he asked. “And I am asking a friend.”

A beat passed. “Fine. I’ll live in your stupid mansion and look after your stupid dog. Okay, I didn’t mean that last bit, I’m sure Dodger is lovely, but I’ll have you know: I don’t come cheap.”

“What, living in my mansion isn’t good enough?”

“Fuck no! I still need to feed the dog, clean up after it, clean the house, have money on hand for damages in case I get too wild by myself… There’s a long, fucking list.”

“I’m sure we can make an arrangement,” he smirked.

You shivered slightly at the double entendres laced in his words; good thing it was cold, so you could easily excuse it.

“What makes you think I’ll say yes?” You tip your head in the direction of the club from which you were making your slow escape. “They pay well, a lot better than house sitting.”

“Are you happy there?”

You balked at his question. “The money is good–”

“I wasn’t asking about the money, I was asking if you were happy.” He arched a brow, something close to concern crossing his face.

“I–”

He cocked his head, waiting for an answer. You knew you couldn’t lie to him.

“No, not really. Some people are real assholes, especially when drunk.”

“Then it’s settled. You’ll come work for me.”

“Woah, hey now. I can’t just… Uproot my life and live with you. For starters, I have a lease and stuff. And I have a life, a job, a–”

“I have an adorable mixed boxer and a Jacuzzi.”

“When do I start?”

[shimmershae]

My thoughts on Episode 6--On the Inside

Very appropriate title by the way.  Works in a multitude of ways.  

As always, my randomness is going beneath a cut again to spare the eyeballs of those of you that don’t want to see it at all and also?  Help those of you that have somehow stayed spoiler-free in this brand-new age of early release episodes.  It is still so wild to me that I’m a full episode ahead of half the fandom.  I don’t know what I’m going to do when we get to the final episode and they decide to make us all suffer together--because somehow I do feel they will do exactly that after spoiling us for the first 23 episodes.  It is going to be agonizing.  

Anyway.  Without further ado, Shae’s stream of consciousness review (of sorts).  

Not fair, Angela.  Opening the episode with that shot of that big ass spider.  I hate those suckers.  So naturally, they’re an easy sell for setting the horror scene to me, lol.  

Okay.  Who the hell’s chasing Virgil and Connie?  Walker No-See-Ums?

Barely a minute in and the atmosphere for this episode is moody AF.  

What is this?  Tara Jr. The Walking Dead?  LOL.  Where’s the Scarlett for this mini plantation house?  Anyway.  First three minutes of this episode?  Just as attention grabbing as the first five episode openings this season.  I don’t think people out there are giving our writers enough love for that.  Every episode so far has opened like a mini movie.  

With the way the Walking Dead logo keeps crumbling away with each successive episode, somehow it wouldn’t surprise me at all if the Carol and Daryl spinoff was eventually titled The Living and had flowers growing out of each letter, lol.  I mean, there would be a certain sort of life-affirming symmetry in a show that’s been promised to be much lighter in tone doing just that.  

More Carol and Aaron?  Yes, please.  I don’t necessarily like Carol staying at home and sitting the sidelines like a figurative happy little homemaker in the B story while the rest of the mains are trying like hell to sell the A story, but if she’s going to be totally prohibited from the main storyline until it’s time to blow shit up?  I’m going to continue enjoy getting to see her do what she should have been doing for seasons--interacting with others in the community, especially Aaron and the ladies.  

Truly.  I really am loving my girl getting some quality Aaron and Rosita time.  It’s so long overdue.  

Bless sweet Kelly.  Riding off to her sister’s rescue.  

Why isn’t Lydia shown as part of these plans?  For someone that could barely read last season, I doubt that big ass map was a piece of cake for her and it’s all just guesswork anyway without her guidance.  I mean, why does it feel like they are cutting some of this stuff that might not seem like much plot-wise but would go a long way toward establishing different character beats?  Personally, I would have loved to see her involved in the search and sharing scenes again with Carol and bonding with Kelly. 

Virgil be having that “I always feel like somebody’s watching me” feeling.  Don’t you hate that, lol?  

“You haven’t slept in days.”  But how many days, Virgil?  I’m going to need a number because I’m confused AF about this timeline at this point.  What we’re seeing and what different pieces of dialogue is telling us is not exactly lining up.  I’m going to find it awful hilarious if it hasn’t even been two weeks since the cave in.  For reasons.  

Connie’s spidey senses are clearly tingling.  

Alrighty, then.  She’s clearly got PTSD.  Understandable.  They’ve all had it.  Some have been treated more sympathetically than others, though.  

I mean, it never seems to cross anybody’s mind how Carol probably sees Henry’s head on that pike, Mika’s pale and bloody body, Lizzie crumpled face down in a bed of yellow flowers, Sophia with a smoking bullet hole through her undead head whenever she closes her eyes but whatever.  

Okay though.  But what if Connie had really shitty, impossible to read handwriting?  AKA doctor’s  handwriting.  What then?  

Leah’s face honestly twists my insides whenever I see it, lol.  It’s quiet a visceral thing.  No, that does not make me a horrible person.  Not everybody wants or has to drink the awesome, great, redeemable villainess Kool-Aid.  IMHO, she’s got a face meant for a Walker.  Perfect makeover idea.  Eh.  Mostly it’s her expression and the deadness of her eyes.  

Anyway.  Why is it always the fingers?  Eff that.  

Listen.  If ya’ll can’t tell Daryl’s conflicted AF with the situation he’s landed in, you don’t know how to read NR’s face and eyes.  He’s not a masterclass like MMB but he’s pretty darn good when he wants to be.  

I honestly feel sorry for Redshirt Frost.  

“You do what you gotta do.”  Frost knows what’s what and he’s willing to walk the walk for Maggie.  Impressive loyalty.  I’m left wondering how the current, colder incarnation of Maggie inspired it because I’m still struggling to see it.  Anywho.  My point is the dude knows the score and just gave Daryl the okay.  

Daryl taking off his angel vest before stepping into the role of torturer/interrogator=him shedding the persona/the man Judith and RJ and Lydia and Carol know him to be.  Pushing away his man of honor status so he can just survive somehow.  

Pope never quits chewing whatever the hell he’s got in his mouth.  It’s kind of distracting.  

Ohhh.  We’re back to the Haunted Mansion.  I mean house.  Where are the Hitchhiking Ghosts?  

All the eyes scratched out of those creepy pictures=spooky.  

The good old fogged up bathroom mirror shot.  Somebody’s been watching and studying their horror movies, lol.  Not gonna lie though.  I’m legit bracing myself for the jump scares I know have to be coming.  

I’m loving the music/score in these scenes.  

Truthfully, I could care less about these Reapers.  But they are hella attractive, lol.  Listen.  Angela knows what she’s doing.  

Kelly’s horse is so pretty.  Prayer chain for that baby.  

More dead horses?  Why?  

Connie’s slingshot?  Sorry.  I maintain, no matter how much I like these two, that they have the lamest weapons ever.  Endless supply of Virginia rocks or not.  

So.  Did Virgil and Connie enjoy a little equine for dinner?  Did they kill it before the Walkers fed?  What monsters!  Yeah, no.  Not if they were starving even if I personally could not have.  The more probable story is they fled the camp in a panic and left the horse behind and then it went down.  Sorry.  I didn’t exactly study the wounds on the poor animal because it is so traumatizing to me to continue to see them meet such dastardly ends on this show.  I don’t know who the hell has such a score to settle with horses but stop it.  

Days.  It’s only been days.  Not weeks.  So many times with all that Daryl and Company have had to contend with since the cave in?  Those do not exist, lol.  They’re just a convenient, appeasing piece of dialogue thrown at a fanbase primed and ready to read everything into not much of anything.  There’s just not been enough time for it to happen unless Daryl has literally been up 24/7 for all of them.  You know, strategizing how to attack the remainders of Alpha’s horde, figuring out how to defend Hilltop before it fell, healing from the wound he sustained at Alpha’s hand, sitting on that log all damn night with Negan waiting on Carol to come home, having a lover’s quarrel with his best damn everything, taking care of the Grimes babies and Lydia, being the reluctant leader.  Kang, why you playing them like that?  Daryl’s a super guy but he’s not a superhuman with clones.  So many times my ass.  

Seriously.  Who been watching Connie and Virgil?  The MIA Oceansiders?  Beta’s Fee Fi Fo Fum Ghost?  

Nice.  A Michonne mention.  Maybe the truth will start to trickle out.  

LMAO at Connie’s “I’m not staying here.”  Me neither, girl.  I would be outta that house so fast.  

They really “Quiet Placing” this episode.  Honestly?  I’m kinda loving it.  

WTF was that?  I know she can’t hear but you telling me all the little hairs on her arms, legs, and neck didn’t stand the fuck up and say fuck this shit, I’m gone?  Pardon my language, lovelies, but that moment had my heart kicking up several beats.  

Okay, okay.  To be fair to Connie, every hair on her body been doing that since the front door closed.  Maybe they’re desensitized.  

Gollum’s chasing Connie!!!  He/She wants their Precious!!!

The knee jerk reactions about this episode sight unseen are OTT, honestly.  And I mean no disrespect by saying that.  I can understand completely where they’re coming from because we’ve been burned so long in this fandom.  But it’s obvious the spoiler source has their particular biases and reads into things in such a way that don’t line up with what’s actually being shown onscreen.  Daryl’s loyalty in this episode and all along quite clearly lies with his family and his community.  He’s been playing Leah since the start and is truly just trying to survive somehow.  

Awful thought.  The Reaper that’s so suspish of Daryl--haven’t quite caught his name or really cared to.  I feel like he might try to get to Daryl somehow.  When he realizes that Daryl cares no more for Leah than any human would care for somebody (they thought) they used to know?  He’s going after Dog.  Or Carol should she finally join this story. 

I refuse to believe Carol isn’t going to be a part of this story.  Because they messing with her mans, lol.  

“You’re ever with us or you’re not.”  Now where have I heard those words before?  I wish I could find that Daryl gif because that had to be one of the funniest things ever, lol.  

Unrealistic suggestion to Daryl, Leah?  Breathing oxygen seems to piss off Carver.  Oh look.  He finally has a name for me, lol.  

I love how all three of the ladies--Carol, Magna, and Rosita--look at Kelly with such indulgent, adoring “little sis, you alright?” eyes.  

They are seriously the most beautiful quartet of characters.  I mean all of them are lovely but Carol and Rosita this season?  Ugh.  The unfairness of the pretty.  

Human bones.  Terminus callback, lovelies.  How it all would have eventually gone down if Gareth and Co. hadn’t met the business end of Rick’s red machete.  

So many horror movie homages in this one.  

Virgil’s like “let’s leave this Texas Chainsaw Massacre behind.”  

Connie and Virgil have obviously bonded, ya’ll.  I’m surprised by how much I’m enjoying their scenes together when the character mostly got on my nerves with Michonne.  He’s a good actor and the core of his character is sympathetic, but I’m not going to lie.  I wasn’t super enthused when he was the one that rescued Connie because I didn’t know how their scenes would play out. But there’s a nice synergy there.  

Okay.  Does Carver want Leah for himself?  Because I’m sure Daryl at this point would love to scream “take her, I know where I fucking belong!”  

Daryl’s digging in deep because Carver has shown him Leah’s potential weak spot.  Nuance is truly lost on some people, LMAO.  He cares about Leah as a human being probably.  He’s Daryl, after all.  The sweet one.  But he sees her as his way outta this and he’s going to exploit it.  

It’s nice to have a silent Negan for once, lol.  I can pretend he didn’t take my baby Glenn away from me and enjoy JDM’s pretty.  

So.  These cannibal people were the watchers?  Hmm.  

I’m really digging Virgil 2.0.  Yeah.  Nobody’s surprised more than me.  

Sweet, sweet scene between Virgil and Connie.  His determination to reunite her with her family brings back the sympathy I felt for him when he told Michonne “I promised her flowers.  Every day.”  

Damn.  How many of those creepy crawly cannibals are there?  

How brave of Connie to confront her fears to save someone she’s obviously grown to care about.  

The Kelly/Connie reunion gave me chills and made me cry.  Thank fuck Angela didn’t cheapen that moment by having it focus on literally anybody else.  Kelly is the most important person in the whole world to Connie and vice versa.  Just like Carol is the most important person in the whole world to Daryl and vice versa.  Angela fucking knows.  Everybody does.  Except the people busy building castles out of sand while the waves of Carol’s and Daryl’s converging stories keep crashing closer and closer to shore.  

Such a beautiful moment given to us by Angel Theory and Lauren Ridloff.  So authentic and sweet.  Kelly and Connie are home to each other.  

Poor Frost.  That’s all I gotta say about that.  

WTF, though.  Was Mel just not available or what?  I want to see more of the ASZ characters that I care about, not the Reapers.  Like I’d be fine with the story if all the characters not named Maggie, Negan, or Daryl weren’t surviving on crumbs during it.  Especially the 2nd billed actress on the entire show.  Angela.  Please.  Fix this.  

One last WTF.  Seriously.  WTF has Maggie done to inspire Pope’s obsession?  It better be juicy after all this shit.  

Overall impression of the episode--

One of my favorites of the season so far.  The horror aspects were fantastic, IMHO. I truly didn’t expect to like Connie and Virgil’s scenes as much together so that was a nice surprise.  She got the reunion that felt most true and earned for the character and her story and I thank Angela from the bottom of my heart for that.  

I would have loved more Carol but I always want more Carol.  I’m okay with her taking a backseat because ultimately?  This was Kelly’s moment with her sister.  Carol and Connie will eventually have their time to sit down and talk.  And pick back up their blossoming friendship because I truly do not feel Connie blames Carol at all.  

I do wish Lydia had been included with the girl group.  Last episode felt like it was leading up to that.  

The Reaper storyline continues to be the weakest link because every time we see them the dialogue and interactions feel totally recycled from the time previous.  I feel like it would have totally been helped by a tighter focus and less stretching out because 8 episodes of this is really diluting what I feel like Angela and Co. are going for.  I’m not here for Leah being redeemed or being a bigger focus in any of the episodes because she does nothing of interest for me.  I’m just peeking in on that story for the Daryl of it all.  

Speaking of the Daryl? You lovelies out there gotta stop taking that spoiler source’s recaps at face value because it’s obvious to me at least that there’ some bias at work.  Every action and word coming from Daryl is coming from a place of loyalty to his family and wanting to protect them, no matter how he has to dirty his hands.  Leah is just a means to his ultimate end.  She’s not his future.  She never was.  His future’s already spoken for and 2023 can’t get  here soon enough.  But like Daryl, we have to just survive somehow.  

Oh goodie.  More Maggie and Negan next episode and looks like no real follow up on Connie and the ASZ reunions.  Hopefully, this is yet another instance of the previews being deceiving but I’m not holding my breath.  

Until later, lovelies.  

Hope my word vomit didn’t bore you too much.  

[deans-haunted-baby]

The Ones Left Behind

Alrighty time for some truth bombs. I’ve had almost a week to absorb the end of Supernatural and season 15 as a whole. And I think this is the moment where I need to throw in my two cents. For all intents and purposes I won’t go in-depth into 15x20 seeing as that conversation will just open up a whole other can of worms and I don’t need that headache. I have my reasons for being less than indifferent with how the Winchesters’ story concluded. So I won’t go there.

Instead I’ll be focusing all my energies on the unsatisfying conclusions of 4 particular characters. Two of which were main cast members (one that was on the show 12 years and one 4 years) while the other two (played by the same dude) were brought back after a decade long hiatus for a much-anticipated comeback only to be wasted and mangled unfairly by Dabb and his hack horde of a writing staff. Call this a follow up to my last post. If I sound bitter I am because these people don’t have a single clue on how to helm these characters, their relationships or their storylines 😠 Nor do they deserve them.

And yes I’m well aware of Kevin Tran, Rowena, Ketch and several others who got the shaft on this show. Those could be future posts for another time.

But I cannot stress this enough; ADAM MILLIGAN, JACK KLINE, MICHAEL AND CASTIEL ALL DESERVED FUCKING BETTER. There is no arguing these facts, none whatsoever. Not one of these characters deserved that exit to be the final chapter in their story. I won’t do an entire analysis of each character’s arc and role in the show as I’ve already done that in my rant about 15x19. But I will highlight how much season 15 royally screwed over these characters and tossed them aside like trash; as if none of them were ever part of/contributed anything to Sam and Dean’s history/world building of Supernatural’s universe.

*WARNING* This is going to get heated.

Before I dive into the heart of these issues I want to state this is not a “shipping post”. I don’t ship anyone on Supernatural, hopefully this blog has been pretty self-explanatory. So I have no arguments/opinions in those areas. I’ve been a fan of this series for 15 years because of the characters, the familial bonds and relationships formed between characters throughout its run. And I’m well-aware that the Winchesters are the lead protagonists of the show, no need to remind me. These are purely my own thoughts based what I’ve obtained from show canon. Let me just say I can’t get over just how much these writers contradicted and ignored what they put forth in the journeys of these four individuals. its a real headscratcher.

You mean to tell me that after TWELVE DAMN YEARS of Castiel being a rebellious warrior angel, searching for his own identity and meaning in life; making that promise to Kelly Kline about raising Jack as his own/risking his life for him. After sacrificing himself for his son a year ago, acknowledging he was satisfied with his role as a father which restored his faith; that it was all because of/for Dean Winchester? 

You mean to tell me that after Michael, THE PRINCE OF HEAVEN and PROTECTOR OF HUMANITY, was locked away in a cage with a human whom he emotionally bonded with for thousands of years (10 years our time); who was abandoned, betrayed and manipulated by his neglectful/abusive father. After choosing free will and aligning himself with TFW for humanity’s sake, just sided with the Earth’s destruction because his little brother called him names? 

You mean to tell me that Jack, A THREE YEAR OLD CHILD, who’s barely just beginning his life and spent his entire duration on the show wanting to be normal and not wanting to be special. Connecting and being integrated with humans; a child who’s biggest fear was outliving everyone he ever loved. Is suddenly ready to walk away from his family, his home and his teddy bear; to give up being a kid forever and run the universe?

You mean to tell me that Adam, SUPERNATURAL’S MOST INNOCENT CHARACTER and FORGOTTEN THIRD-WINCHESTER BROTHER, after being eaten by ghouls; pulled away from his mother out of Heaven, manipulated by angels, trapped in Hell for thousands of years because Sam and Dean left him there to rot. After coming back and helping his neglectful siblings save the world only to be ripped away from his best friend and THE ONLY OTHER PERSON who gave a damn about him; is sentenced to a life of loneliness, homelessness and turmoil until he dies and ends up in Hell where he’ll mostly be tortured and turned into a demon?

NO. I DO NOT AND WILL NEVER ACCEPT THIS BULLSHIT! 

Season 15 not only manages to contradict itself where these characters are concerned (while assassinating them before the final curtain). But the writers deliberately discarded them before giving us that *sarcasm inserted* epic solo-Winchester conclusion. Regardless of how you feel about Adam, Castiel, Jack or Michael, ALL OF THESE CHARACTERS are connected Sam and Dean’s story and part of Supernatural. And when you throw them away like they mean nothing, you’re essentially throwing away a part of the show’s history. You’re ignoring 15 years worth of story building. 

As I said I’m not going to go into 15x20 for reasons, it doesn’t offend me as much as what was done before that finale. Because I think those other show exits really affect 15x20 even worse than people realize. You want to know why, I’ll explain.

Lets start off with Castiel and Jack, OH BOY! We know where they end up; running Heaven and the Earth together which is all fine and dandy. I love my Dadstiel father/son duo being an endgame family unit. But here in lies the problem, we never saw it. Not even a cameo. And technically their onscreen storyline ends at 15x18 and 15x19 which is an ugly, anti-climatic bookend to an incredibly deep relationship that had 4 years of development. First you have Castiel who completely forgets why he made that deal with the Empty to begin with. HIS FUCKING SON. Not to mention it wasn’t about true happiness it was about giving himself permission to be happy; there is a difference. And then you have Jack wandering around next episode, vacuuming up power cause suddenly he’s a machine now, acting like he doesn’t give a shit over losing his dad to an entity HE’S BEEN DREADING ABOUT FOR A FUCKING YEAR. 

Towards the end of season 15 I noticed neither of these characters were acting like themselves. Their motivations, their personalities and strong ties to one another had mysteriously dissolved. Castiel became less concerned about the danger his son was facing after 15x15 (what the hell was that in 15x17?) and more about speaking when spoken to by either Sam or Dean. Does he know how Dean truly feels about Jack; proclaiming the child is “not family”? I doubt the in-character version of him would let Jack leave with Dean after that insult. Castiel’s not even worried whether or not his son is alive or safe before he makes the big confession later. And for some reason Jack (who’d become heavily suicidal) was more concerned with clinging to the Winchesters, willing to die for them, instead focusing on himself and the one person who’s shown him nothing but unconditional love and given him strength since birth. Both of these characters are canonically depressed and suffer from low self-esteem that was never resolved which makes me furious. 

When Chuck killed Jack at the end of season 14, this devastated Castiel in the first half of season 15. He actually got to grieve that loss throughout the episodes and deal with his anger over it, allowing the audience to anticipate the day they’d be reunited one last time. This part of Castiel’s S15 arc also ironically mirrors Jack’s S13 arc of mourning Castiel’s death until resurrecting him. And when this son finally returned to his father, who got to rescue him, it was such a poignant moment between the two. It was a cathartic payoff after witnessing Castiel in so much pain over Jack. There was so much building up between that Dadstiel reunion in 15x11 and the Empty’s pact in 14x08; this was suppose to be a tragic yet pivotal plot-point in both Jack and Castiel’s stories. And with SPN wrapping up we all expected something BIG. Yet somehow the writers retconned the whole thing by making it all about Dean, which is such a gross disservice to these characters and 4 years of storytelling.

For instance, since 15x18 was Castiel’s exit episode, why wasn’t he allowed to hug his son or Sam goodbye one last time? Why didn’t he have more of a focal role instead of standing around majority of the episode with barely any dialogue as so much precious air time was wasted on frivolous things? Why didn’t he get one last badass fight scene with someone like Death instead of being choked out and tossed around like a powerless mortal? Why did the group need to be split up to begin with when it served no purpose either than that *ugh* moment? Why wasn’t Jack allowed to call Castiel “dad” once before the show ended? He deserved to hear his son address him as dad!

AND WHY THE HELL COULDN’T JACK FEEL CASTIEL’S DEATH THE MOMENT IT HAPPENED? 

The show already established to the audience the significant cosmic bond these two characters shared since before Jack was even born. It was so powerful it boosted Castiel’s grace. Jack could remember who Castiel was from the womb and that he’d protected his mother. Not to mention HE FUCKING RESURRECTED CASTIEL OUT OF THE EMPTY ONCE WITHOUT GOD’S POWER. You’re telling me Jack couldn’t feel his dad being taken away forever despite how far apart they were? No, he’d feel it in his heart. Had we’d been given a scene like that at the end of 15x18 (something of substance) with actual grief shown in 15x19 maybe the episode would’ve faired better for them. 

That said it wasn’t, because Jack was treated the exact same way in his final exit. Hardly any lines and just a bunch of scenes of him standing/walking around until that pathetic reveal at the lake. HE DOESN’T EVEN GET TO INTERACT WITH JAKE ABEL’S MICHAEL/ADAM which would’ve been a great follow-up to the AU!Michael storyline in seasons 13 and 14. I swear these directors didn’t give Alex and Misha any motivation during their last three episodes and it’s evident in their hollow performances. But why would they when the scripts are basically telling their characters to quickly fuck off so the brothers can have their final outing. Jack doesn’t even behave like himself after he becomes the new God. His personality is apathetic, cold, alien, stiff and way too mature for the 3 year old child so closely connected to his family/the human world. In that moment I saw Alex Calvert not Jack Kline. It’s bad enough he doesn’t get a meaningful farewell but again Castiel, HIS DAD, is a complete afterthought to this kid 🥶

And that’s what we’re left with. Forever. A frigid, hollow ending to one of Supernatural’s most healthy, touching, family dynamics. It makes you wonder what was even the point. I can’t even fully enjoy the fact that its canon Jack and Castiel are together fixing Heaven because of what the show presented onscreen as their last hurrah. It’s not sitting right and it makes 15x20 even less appealing to me.

Moving onto Michael and Adam. Get ready for this. I could rant forever about how dirty my boys were done by this show. How they were discarded in the SPN series finale recap etc. just as they were FOR THE LAST TEN FUCKING YEARS. Was there even a plan going on here or was this just everyone making things up as it went? Their ending is the most unsatisfying and cruel thing because its INCOMPLETE. There is no real closure or resolution with them thanks to the monstrosity that was 15x19. AND NO ONE CARES ENOUGH ABOUT THEM TO GIVE A SHIT. 

Much as I’ve enjoyed this show for many years, it NEVER deserved Jake Abel, his talent or his time. I keep seeing so many anti posts about Dean Winchester’s final fate in Supernatural and all I can think about is “try being an Adam Milligan fan for the last decade”.  I’ve had to watch this boy go through hell with nothing to show for it either than years of memes. ridicule and the show’s mockery in forgetting him. Actually he’s the ONLY CHARACTER in this series you’re encouraged not to remember 😡 Also quick question: why give us this really interesting and healthy relationship between an archangel and its vessel if nothing was ever going to become of it? 

At this point I don’t know why Adam or the idea of him was even introduced way back in season 4 let alone revisited in season 5. Because the only thing I see when I look at this character now is SAD WASTED POTENTIAL. Storylines never explored. Relationships that never got off the ground. Backstory we never got to see (like for instance his past with John Winchester and his time in the cage). A character’s birthright (Men of Letters) that was never actualized. AND the unexplained factor that Adam could look directly at Michael’s true form without his eyes burning out (making him a special case). And the thing is he could’ve been a really great character, both him and Michael. They could’ve easily reached popular status just like Castiel given the chance since Jake is a freaking acting-powerhouse. We were given a taste in 15x08 just how awesome these characters could be and how they could’ve contributed so much to the story and its core group. But unfortunately it wasn’t meant to be.

Michael will never redeem himself after years of scrutiny and being made out to be some kind of unhinged monster. This show constantly enjoyed pounding into our brains how fearsome Michael was. Warned us via Lucifer (LUCIFER, PEOPLE!) that he wasn’t rational, compassionate and didn’t care about anything except war, death and destruction. And that he was incapable of feelings and emotions. This is how Supernatural saw Heaven’s Prince and guardian of the Earth. Christ, they actually did a two-year storyline about an evil Michael from the AU world who enjoyed torturing and killing while trying to destroy the universe. I want to know WHAT THE HELL THIS SHOW’S WRITERS HAD AGINST THESE CHARACTERS? Why they felt the need to bring back Jake Abel, AFTER A DECADE OF FANS WANTING THIS, if it was simply to piss all over his characters one last time before the show wrapped. This is absolutely unprofessional and childish; the fact that Jake is taking this bullshit in stride makes it all the more shameful 😡

We could’ve learned so much more about Michael’s past and his present relationship with Adam. These characters didn’t need to sit in the cage for a decade they could’ve easily been incorporated back into the show as far as season 8 or 10! And been an asset to the Darkness storyline in season 11.There were characters and storylines introduced that served no purpose. Why did we need to keep seeing characters like Charlie Bradbury or (as much as I like him) Crowley or Garth (love him too) or Lucifer or Abaddon or the Wayward sisters? I would’ve much preferred having Adam and Michael around and got to know them instead; especially after 15x08. I would’ve wanted to see what their dynamic with TFW could’ve become had they been long-time allies. Did John ever tell Mary about Adam’s existence? I’d like to see what her reaction would’ve been like had the Winchesters remembered him during that damn 300th episode. I guess that’s another loose end untied.

But because of what Supernatural did to these two characters, it forever taints Sam and Dean. I don’t think Dabb or purist fans realize this. But when new viewers come into this show about two brothers preaching important things like “saving people”, “family first” or “family don’t end in blood” they’re going to see how badly the main protagonists treated their innocent half brother. How Castiel and Jack were treated. They’re going to see the heroes of the story abandoning this kid in Hell forever with no intention of EVER rescuing him. And that’s why their final appearance leaves such a bad taste going into 15x20. Cause as much as Dabb and co didn’t give a shit about Adam and Michael they also didn’t give a rat’s ass about protecting Sam and Dean’s integrity. That’ll be a stain they can’t undo. 

So through all of it, we’re stuck with the abomination that is 15x19 aka the eye-soar to an unfinished/unpolished story of two horribly disregarded characters. Michael gets the pleasure of being character assassinated right before he’s stupidly killed off instead of going out a hero or becoming the next God (as it was his birthright and the setup was there in the narrative). And Adam gets killed off-screen, OUT OF HIS OWN DAMN BODY, then brought back by Jack only to live a miserable, isolated existence since his brothers have nothing to do with him (the dog and car are more important); his best friend is dead, he has no job or money or a fucking home and he’s legally dead! Really what is there left for him besides the brutal fate awaiting in Hell when he dies?  

SERIOUSLY THEY COULDN’T GIVE US ONE SCENE WHERE THE WINCHESTERS CHECKED IN ON ADAM TO MAKE SURE HE WAS SAFE?! 🤬 His last scene pretty much sums up this shit for what it is. Tragic. I feel like crying for this poor sweet boy.

Congratulations Dabb, BL and co for giving us these much deserved broken story arcs of characters you destroyed and made OOC before leaving the airways. You did your show’s protagonists justice by doing this *sarcasm inserted* after 15 years of being onscreen. I doubt these idiotic decisions are going to age well in the long run. They certainly don’t look good on the Winchesters. Anyway that’s my hot take for the day. 

ALL THESE ACTORS AND THEIR CHARACTERS DESERVED BETTER.

[kittyprincessofcats]

She-Ra S5 E07 - Perils of Peekablue

There might be spoilers for the rest of the season in this post!

I’ll start by saying upfront that I pretty much consider this to be the weakest episode of season 5 (or at least one of the weaker ones), even though it does move the plot along significantly. The main reason is that, as I said before, I don’t care about the group on Etheria as much as the group in space (with the exception of Scorpia and possibly Spinnetossa), so an episode like this - even though I get why it’s important - just won’t interest me as much as what the gang in space is up to.

That said, it’s not a *bad* episode or anything. Let’s get into it:

- The entire beginning scene where Adora tries to transform into She-Ra and the others keep interrupting her is absolute gold and I love everything about it. Especially Catra, OMG! The way she shows up and actually asks “Are we messing with Adora?” - She’s not even pretending to be helpful and I love that she’s bonding with Glimmer and Bow over “messing with Adora”. And how she then just flings herself onto Adora’s lap and brushes Adora’s face with her tail while cheekily saying “Yeah Adora, concentrate!” - brilliant, absolutely brilliant 🤣. And I also love how Adora doesn’t even try to push her off and actually holds her. These two are too cute.

- I also wonder if the “You can’t let distractions keep you from transforming” line was intentional foreshadowing for Shadow Weaver telling Adora that Catra’s a distraction.

- I like Catra’s new outfit! Well, it’s pretty much just her old outfit with a few adjustments. But still, nice! And she looks really cute with short hair.

- I feel like this beginning scene is pretty much here for two reasons: It sets up that Entrapta is trying to reach the rebellion on Etheria, which will be relevant at the very end of the episode, AND it shows Catra’s new outfit, so we can have a new opening now.

- Changes in the opening: Time for some really exciting mid-season opening changes! Catra’s missing from the villains’ card for the first time ever. Instead, Horde Prime’s hands are now closing around a glowing orb (I assume that’s meant to be the heart of Etheria). At the part where Catra and She-Ra fight, Catra now has short hair, She-Ra is in her new form, and instead of a snarl the fight ends with a soft smile between them (I’m not crying, you’re crying. Best opening glow-up ever! 😭). In the final heroes’ shot, Adora back to being She-Ra instead of Adora, but this time in her new form. And Catra is *finally* in the heroes’ shot as well. GOOD STUFF. (In general, I just LOVE that they actually kept updating the opening in the middle of the season. That is SO cool. But the change that really gets me is how they updated Catra and Adora’s fight, because that’s been the same since the beginning of the show and now it’s SO SWEET.)

- Okay, so my biggest problem with this episode is that the plan to find Prince Peekablue seems... kinda dumb? So they’re planning to sneak into an underwater soiree undercover and abandon everyone else at the camp to find a “hermit” no one has seen in ages because he might know where Adora and the others are? As a plan it just seems far-fetched. I get that they want to warn Adora and company that Prime is chipping people (they don’t know that Adora’s group already knows that), but how would finding Peekablue even help them achieve that? He could tell them where Adora and the others are, but... that’s it. It’s not like he can also magically communicate with Adora or anyone else. And didn’t Swift Wind tell the others last episode that Adora’s coming home and that he can feel her coming closer? So shouldn’t they already know that the group in space are on their way home? (Granted, Swift Wind told that to Micah, Frosta, Spinnerella and Netossa - but I’m assuming the rebels communicate with each other and Micah would have also told Mermista and the others?) I mean, idk how much time supposedly passed between these two episodes, so maybe it’s been a while since Elberon? Also, when did they even figure out that Horde Prime is chipping people? Last episode, Micah still said they had to “figure out what that was”. And if they know about the chips now, it might have been a good idea to check the necks of everyone at camp right away - though to be fair, they maybe didn’t realize how the chips work yet. And yeah, I am nitpicking here (and obviously the rebels have to mess up so things can go south this episode, so I guess they have to make some bad decisions.)

- That said, I love all of their outfits! And I like that Scorpia’s alias “Lynda D’Ream” is a reference to the 80s cartoon.

- Netossa’s lucky that she wears an outfit with such a high collar - makes it hard to put a chip on her neck. (Also, idk if I’ve said this before, but I love Spinnerella and Netossa’s character designs and outfits. They’re both fashion queens.)

- Just the fact that it really is Spinnetossa’s anniversary and Netossa thinks that’s why Spinnerella is acting strange - I mean, what are the odds?

- “They are my people! Which means that most of them have sworn revenge against me at some point.” Okay, that is pretty funny. And getting to meet all of Sea-Hawk’s exes was pretty funny, too. (Yeah, officially they’re not his exes but just people whose ships he set on fire... but come on, the subtext isn’t really subtle here.) And I love the whole running gag of him and Mermista fighting all of them behind the bar counter with Mermista doing most of the work and getting more and more annoyed with it - but when they’re finally done, it turns out there’s also someone there that *she* doesn’t want to see, because she set their ship on fire. Comedy gold.

- Scorpia is me at a party :( I also find it super hard to socialize and get into conversations with strangers. Very relatable there.

- I also love how the sweet flowergirl Perfuma has absolutely no problem blending in with a bunch of criminals.

- “You’re amazing. You have the biggest heart and you could do whatever you put your mind to.” Aww. I’m glad someone told Scorpia that!

- “You should do things not because you’re good at them, but because they make you happy.” That actually is some really good life advice. People should keep that mind in general.

- (I love how Sea-Hawk and Mermista are carrying Admiral Scurvy away in the background while Scorpia and Perfuma are having their heartfelt talk 🤣.)

- “Repeat after me: I can do this. I can do this.” “Perfuma can do this.” 🤦 I feel bad for laughing, but... gosh, Scorpia has some serious self-esteem issues.

- Okay, time for an unpopular opinion: I’m... not that into Scorfuma. There’s nothing wrong with it and I’m not against it or anything, but it just doesn’t particularly grab my interest. That excited feeling you get when you ship something just... isn’t there for me with them, sorry.

(I kinda felt like I had to explain/justify myself, so I started to write a small essay on my ships here that doesn’t really have anything to do with the episode. Feel free to just skip this part.)

I consider myself a multishipper and while my #1 OTP is definitely without a doubt Catradora, I also really have a soft spot for Scorptra (to the point where I’d say it’s probably my #2 after Catradora). And, to make it short, Scorptra vs. Scorfuma is one of those “fanon vs. canon” things for me, where what you want to see happen in canon isn’t necessarily what you find exciting or interesting to explore in fanworks. Obviously Scorptra was never going to be canon because Catradora is a thing, and I’m perfectly okay with that. And in canon, Scorpia getting out of a toxic friendship, moving on from her unrequited feelings, and finding love with someone else (who treats her right) is the right message to send, so I’m glad that’s where the show went. But when it comes to enjoying a ship in fanon (which is what I consider “shipping” to be), then I don’t pick my ships based on how healthy they are in canon, but on how much their dynamic fascinates me and just on whether that certain spark that makes me like a ship is there or not. And in that sense, Scorpia’s dynamic with Catra, which was explored over the course of 4 seasons, is just infinitely more fascinating and spark-inducing to me that her relationship with Perfuma.

And even beyond Scorptra - if I had to ship Scorpia with someone other than Catra, my first pick would be Entrapta. (Yes, I do ship Entrapdak, but like I said - multishipper here. Also, Entrapta has two hands!) And my first pick for who to ship Perfuma with would be Mermista because I like their bickering and I have a thing for opposites attracting.

Anyway, I’ve been rambling about ships for too long now. The bottom line is: I’m fine with Scorfuma being canon and it makes sense that they fit together since they’re very similar people. I don’t dislike it, I’m just not as hyped about it as many people seem to be. On with the episode now, please!

- “I guess I don’t know what a hermit is after all.” Yeah, Peekablue was giving off Double Trouble vibes from the beginning, tbh.

- I love how Netossa is competitive even at planning anniversary surprises.

- Perfuma loudly supporting Scorpia when she ends up on stage is a super nice moment, though. And Scorpia’s performance? Amazing!

- I wonder if Double Trouble made up that whole “She-Ra in space” vision because they were pretending to be Peekablue and just got it right by accident, or if they actually knew that much from their time pretending to be a clone. I wonder how much time they spent as a clone and what exactly they saw.

- Scorpia realizing it’s Double Trouble and then tricking and unmasking them was an amazing moment. So much for Scorpia not being smart!

- I was so excited to see Double Trouble again! Tough it makes me a bit said that they refered to Catra as their “cash kitten”. While they never made a secret out of being in it for the money, I kind of like the idea that they did care for Catra after all. (Do I just ship everyone with Catra? The answer is yes.)

DT: “I know where your friends are. And I’ll tell you - for a price, of course.”

Perfuma: *grows flower arm canon*

DT: “... Fine.”

😂😂😂 Love that.

- “It makes for a very dull audience when everyone’s mind-controlled.” Okay, but that really is a good reason for Double Trouble to help the heroes out without really changing their motivation. They’re still a Chaotic Neutral who doesn’t particularly care about morals - but it would make for a very dull audience if everyone was mind-controlled.

- “Prime is angry. She-Ra showed up and stole his little kitten away.” Like I said before, I LOVE that that’s the reason why Prime’s so pissed in the first place.

- The confrontation between Netossa and Spinnerella is so heartbreaking, but when she said “show me your neck” it again made me wonder why they didn’t check everyone’s neck at camp before.

- “What a shame we can’t be together... in Horde Prime’s light!” Ooohhh, it’s so creepy and angsty, I love it!

- And Mermista’s chipped as well because obviously things have to go south here.

- The parallel confrontations at camp and at the soiree are really cool scenes. I especially like the Spinnerella vs. Netossa fight. And Micah’s chipped as well, because things have to go wrong and Glimmer mentioned being “a day away from meeting her dad” - so obviously that has to be ruined now, too.

- “A little help? I need to lift my hand to the heavens.” Gosh, I love DT.

- Scorpia’s sacrifice made me tear up 😭. (When I first watched it, I was scared she was actually going to die and not just get chipped - I’d never have forgiven the show for that.)

- Can we talk about how strong Netossa actually is? She fought off both Spinnerella and Micah by herself, made a big enough net to cover all the chipped people, and got herself and Frosta out of there safely - I don’t want to hear anything about her powers not being strong again.

- “Happy anniversary.” Noooo, now I’m crying again... 😭😭😭 It’s so sad, but so romantic... (I really love that this season gave Spinnerella and Netossa more screentime. And I’m always here for some angst!)

- And finally, Perfuma is able to contact the group in space and warn them about the blockade. I really like that scene. I like that Perfuma specifically says “You need to stay away”, since we know what happened last time someone told Adora that. And the whole grim mood of Perfuma apologizing and saying the rebellion is compromised, the shaky pictures, the connection cutting off, and then the shot of the ship all alone in space and the silence - amazing. Basically, this episode was “things go very wrong on Etheria, and now the group in space has a serious problem”.

This was a good episode, overall. Like I said, the main reason I consider it weaker is because I care more about the group in space, and they were only here for one scene in the beginning and one in the end. But this was still pretty solid. It had some funny and sweet moments, and then some really cool and dramatic scenes in the end. And of course, it was a very important episode for the plot because things are now really not looking good on Etheria. My favourite moment was Catra sitting on Adora’s lap in the opening scene, though.

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