#why is he so obsessed lmao

[ventique18]

Pretty desperate tbh.

[gunsatthaphan]

🍑✨🧡

[nonpoppie]

played the space train anime game . guess who i fixated on

[turtleblogatlast]

Imagine little Turtle Tot Leo practicing his best Lou Jitsu grin in the mirror during the nights he can’t sleep. He’s gotta be just like his idol, after all! So he masters the art of the cocky grin, slowly perfecting his imitation.

Eventually that confident grin becomes his default one, and the quiet, happy smile that he’s born with, the one that he first greets his father with, that one is the rarity.

Until the invasion happens. Until he throws himself into the Prison Dimension. Until he’s beaten within an inch of his life and he’s holding onto his last remnant of his family through sheer willpower alone.

In that moment, looking at the photo of the ones he loves, that quiet smile comes back.

[radiance1]

Vlad has been asleep for a few centuries now, in a goddamn coffin that he specifically made just for that like the weird rich person he is. He was also, the phoenix king.

Or at the very least, one of them.

Honestly, Danny couldn't give less of a flying cheerio how long Vlad would sleep for if it wasn't an inconvenience to it.

But it was.

You see, he's the ghost prince, prince of the infinity realms, dragon of infinity, son of war and ward of time, etc, etc.

And somehow, he has bloody paperwork.

Even though the Infinite Realms fell into Anarchy eons ago.

So he honestly doesn't know why he has paperwork, and it's so much that Danny has been spending centuries doing it and he's so tired of it and then he remembered, hey? Who likes can do mountains of paperwork without breaking a sweat and could finish this way better than Danny could?

Vlad Masters.

Hasn't seen the guy after his mother died, don't know where exactly he is, but he isn't in his lair (yes Danny managed to get in, don't ask how) and Danny is going to find this man by the Ancients because he cannot deal with those anymore.

He barely even made a dent!

Anyways, so Danny goes over to Earth because he hasn't been there for a hot minute, and that's probably where Vlad is and uh, woah there is this really Earth cause it's lookin mighty different to how he saw it last time-

Why was the Earth currently covered in flames? Black flames that look mighty familiar to someone else's that he knows actually. You know, someone who should have been sleeping the centuries away instead of, oh he doesn't know.

Taking over the mortal world?

It even seems that Vlad got himself a goddamn cult too! How neat! How much time did it take you to assemble all these people Vlad? You even gave out pieces of your power when you could've been, oh, he doesn't know.

Helping him with paperwork?

So, he's kinda mad about this, pissed, actually. So, he goes to find where exactly Vlad is in this reign of madness, finds a literal crack in reality and just heads on through because he couldn't care less about that actually.

What he finds is not what he expected.

Cause you know Vlad? Phoenix king who is probably trying to take over the mortal world instead of helping him with paperwork and was supposed to be sleeping inside a coffin?

Yea scratch that. Because that isn't a coffin.

When the hell was Vlad sleeping inside a magical barrier-

And who the heck was that spamming Vlad's signature black flames while laughing manically, and who in the infinite realms were those guys who were currently fighting said spammer.

"What exactly, in the Infinite Realms, happened while I was doing paperwork?"

===

So, the Justice League is now combating a new world ending threat. Some cult who wants to cleanse the world in the name of their deity so they could hand it to him once he reawakens.

Which, apparently, might've been around for centuries, slowly preparing for this day which, dedicated, but not the good kind of dedication really.

So, back to the fight, they're fighting this possible immortal who's been taking over the bodies of each new head of the cult for centuries and, well, he genuinely had power to back him and his cult up.

Not really a shock there, to be fair, since he claimed his powers to originate from the sleeping deity who blessed him with a portion of his power.

Vlad didn't, bro just stole a portion of his power and claimed it as a blessing lawl. Not that the cult knew that-

So the Justice League managed to break their way into the place holding said sleeping deity that also acted as the base for the cult leader and, well. Yea he truly does have the power to back himself up and, if the magic users had anything to say about, a very magically powerful deity he follows too.

So they're kinda screwed if said Deity wakes up, they don't even know when he will actually, neither did the cult leader. He just will 'eventually' which isn't as descriptive as some (read: Batman) would like.

First things first, beat up and disband the cult, figure out a way to prevent the sleeping deity's awakening later.

So they were fighting a battle (shocker I know) with their forces spread between their world and the pocket dimension and things weren't looking quite as good as they hoped. Lots of causalities, both civilians, heroes and even villains alike, a whole lot of magic and powers being thrown about and the monologuing of the cult leader who was floating above said sleeping god.

You could even think it to be symbolic in some way, that he thinks himself above a god.

So, safe to say, in all of this chaos they weren't exactly expecting a new voice to join the fray.

"What exactly, in the Infinite Realms, happened while I was doing paperwork?"

And the owner of said voice, to be a goddamn dragon.

[pnfc]

i haint watched the dang chibisode and idk if ill actually watch it with sound on sdfjk but i have a hurt feeling about them casually imbuing perry with speech for a one off gag because the idea that he needs to talk to communicate is fake. we had 4 seasons of wacky magic hijinks cartoon where perry never needed verbal speech to communicate. they couldve done this gag at any point in the show but they didn't, and the fact that they didn't felt significant. perry's muteness is such a core part of his character, to me, to the way i conceive of him/write him. i don't wanna overreact to a goofy little side cartoon (even tho i'm doing it anyway) but it's still the characters, and it still upsets me! ok that's it i've said my piece

[profoundmakerdreamerss-blog]

Give me tomarry au where Tom is obsessed with the boy that saves him. It happens during summer of his second year, when the sky rain downs fire and when little Tom had no idea what was a happening.

It happens when the man with scar grabs him and apparates away to a place he remembers vividly. The cold, dark, and damp place where people were loud. And it was hard to breathe but the man held onto him. The man, who would later walk him back to his orphanage, who would tell him he is sorry.

The man who wore cracked glasses, the man who looked no older than fifteen himself — now that Tom looked at him properly. The boy whose clothes were larger than him — and the way he smiled at Tom (pained, and torn). Tom would remember him. Because how can someone forget those eyes. Those avada eyes that glowed as the sky rained down fire that drowned everything. The scar that looked like thunder.

Tom would remember him disappearing after delivering him to the orphanage. The person who saved him as little Tom nearly died because he didn't know bombs were coming, no one told him (he just returned from Hogwarts).

That day little Tom meets a boy no older than fifteen. That day, little Tom learns about shelters that he can go to and that he regrets not asking for the boy who save his life's name. That day Tom makes a decision that he would find him. Find the person with eyes like trapped thunder and brittle smiles. He would find him and not let him go. Even if it takes him a thousand years to do so.

[faunandfloraas]

im so glad im not the only person that looks at seungmin and goes "❓tism❓" bc he is Way Too Relatable to me as a person w autism

yeah..... like I say it in jest but also..... well, yk. sometimes you notice something and you notice something and you notice something and you go Hmmmm

[youandthemountains]

it probably is insane how much I wish I could express the thing about spones. the vibes about spones. Like there's the joking fun fandom vibes and I love them, I love to play with them, of course of course. but the THING. the CORE to me. i wish i could capture it and share it.

[jules-ln]

Guuuuyyysss

I had a dream about JayVik lmao

Lemme tell you about it

In my dream, I was watching like another season of arcane??

Anyway, it started with Jayce getting spat out of the Arcane into another universe, but for some reason Viktor and Jayce got sent to different universes

Jayce starts looking around for this universe's version of him and Viktor, and then he finds Prototype Viktor in Zaun.

Prototype Viktor basically tells him that Hextech never became a thing in that universe and Jayce died years ago

And Jayce is like "Ok, can you help me go back? I need to find my Viktor" and Prototype is like "No :)"

So Jayce tries to make another anomaly to go back with his Viktor, but he can't figure it out on his own, so he goes and begs Prototype to help him until he says yes

And then they start working on it together, but as they progress Prototype is more distant and doesn't wants to help

Theeenn finally they manage to create something similar to the Z drive, but at the last moment Prototype just grabs it and tries to destroy it

They fight and Jayce stops him and he's like "what the hell is wrong with you?"

And Prototype starts telling him about how he met Jayce all those years ago, and it's basically the same as the show, except that they don't manage to get Hextech to work that night and the guards find them so Viktor gets expelled from the Academy and both get exiled

They go to Zaun and start living together and Prototype was like "don't worry, we'll figure it out" but his Jayce gets into a really bad depression, and Prototype then tries his best to make Hextech work, but he also can't do it alone, and Jayce is getting worse and worse and Prototype starts trying desperately to make Hextech work because he thinks that once they have Hextech Jayce will get better

Then Prototype's Jayce commits suicide and Prototype stops working on Hextech completely, never touching it again until Arcane Jayce arrived

And Prototype screams at Arcane Jayce "So what!? You get your Hextech and then you'll go and leave me alone again!?"

And then I woke up lmao

[kheprriverse]

Y’all thinking about an older Ares has RUINED me

[conanssummerchild]

ur right it is great that they boned

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.

[sophfandoms53]

I think one of the weirdest thing to me about Helluva Boss is how they keep proving that Striker is right but at the same time they refuse to let Striker himself be right.

Someone on twitter pointed out that in Oops Striker talks about it being an embarrassment to imp kind that Fizz is a purse-dog to his over-bloated master, and then, while Striker might’ve been referring to Ozzie (although the use of over-bloated makes me wonder if he truly meant Mammon), the entirety of the next episode is all about Fizz saying fuck you to Mammon (his master) and quitting his job because he doesn’t wanna be exploited or abused anymore.

And this just reminded me how in the first season they had Striker say to Blitz “Starting with the one that treats you like a plaything.” about Stolas’ treatment towards him in Harvest Moon and then in Truth Seekers (the next episode) they literally had Stolas say “Who dare threaten my impish little plaything.”

I don’t know if this parallel is on purpose but that’s twice now where in back to back episodes in each season Striker has a made a point about the hierarchy in his episode and then the following episode goes out of its way to prove his point.

I just think it’s odd how they prove that he is right in other character’s storylines but in Striker’s own storyline he’s like not allowed to have a win despite everything around him saying he should.

[shooks-stupid-stuff]

webcomic-era/current masumii redesign (she also just needed to be slightly simplified lol)

i was going to draw takoshi next to her but i'm tired and redrew his face like 20 times bc it wasn't looking right so. i'll draw him tomorrow-

[jula483]

how to send me into panic 101