#why does this scene make me CRY

[dinneratgrannys]

You read the book? Yes, I did.

[trentcrimminallybeautiful]

[codacheetah]

5 for the isat ask game!

5 - What's your favorite optional event?

VERY TOUGH ONE TO ANSWER. I'm gonna go right ahead and disqualify twohats bc it's a predictable answer. If I had to choose just one though I think it'd probably be the sus event. It really got my goat on my first playthrough bc I didn't realize you had to do it in ACT 4. If I remember correctly I think sus is the only optional event locked to ACT 4??? Now that I've actually done it though I'm quite fond of it.

Sus event is one that you really have to go out of your way to do. It kind of reminds me of the True Ending in SASASAP but More and I'm sure that's intentional. Like the requirements for sus quest necessitate that you're going to do it, if not the loop before ACT 5, very soon before it. You have to know pretty much everything about Time Craft and Wish Craft already, so whatever you're doing in the loops now is basically taking out any optional stuff before you hit the end. You have to pretty thoroughly remember how the script goes just so you know all the best ways to break it. I feel like if the True Ending route is Loop going through the motions so many times that they can't deal with holding their facade together any longer, the sus route is Siffrin waving a big red flag around for help. There's just no way you're going to stumble into sus without preplanning what to do to rack up your points and make Odile aware of how Wish Craft works.

So I think it's interesting how much Siffrin pushes back against Odile trying to figure him out. It's a pattern of behavior that I am well aware of where you're desperately going "HELP ME" but you're not willing to accept it when it's offered to you.

Siffrin spends an entire loop screwing everything up, to a point that's frankly kind of egregious even by Late Stage Timeloopers standards, and then they can't reckon with the consequences of it. I don't think sus event is as intentional of a cry for help for Siffrin as it is the player, mind you. But I do think it's. Very tragic. Yeah of course "it's too late" in the sense that Siffrin's about to talk to Euphie and the whole journey will end, but moreso it's that by the time that Odile can piece together all the information necessary to figure Siffrin out, Siffrin is just far too deeply entrenched in his self hatred and fear of abandonment to be dug out. I think if Odile could somehow figure it out in, like, early ACT 3, or if Isabeau was just a bit more pushy in getting Siffrin to do a feelings talk, maybe they'd actually be able to reach Siffrin a little. But they're always just a little too late, every single time.

I think the fact that you start really getting a bunch of weird points in ACT 3 gives this event a lot of buildup. For potential dozens of loops you'll see Odile brush against the truth of the situation, and then just barely miss. By the time she figures it out, it's too late. Explodes

Expounded upon slightly more in tags bc I don't like typing in post bodies I feel like a fish on land. eek

[variousqueerthings]

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

[aelswiths]

*screams into the void*

[moeblob]

Demyx (my beloved)

[romance-rambles]

modern clarence | true love's kiss

The one where you kiss the merman awake, and in return, he wipes away your tears. Meanwhile, William is both oblivious and confused.

2.3k, alternate scene in clarence's azure island route, angst + humor, reader is mc, series: none

WAITING IS A TERRIFYING GAME.

You take Clarence's hand in yours, desperately trying to think of anything but the half-coherent fears buzzing around in your ear. They whisper the same thing over and over again, deliberately circumventing the semi-comforting words of the young medic who had teased you earlier.

He is fine now, but what if.

What if, what if, what if—

Amidst the constant chanting, you make a note to throttle your boyfriend. Honest and deliberate communication can come afterwards, once he's realized how much he worried you. It's a good thing you've developed a habit of listening to your instincts—what if you hadn't been waiting for him on the beach? What if something far worse had happened to him?

Gnawing at your bottom lip, you curse his usual tendencies—so very Clarence that they remind you that this is the man you fell in love with.

"Wake up, or I'll go date William instead," you threaten, in a hushed whisper.

Your voice cracks early on, though it's not as though its trembling quality could lend itself to a threat anyways. Leaning over, you brush his wet bangs out of his face lovingly. Then, your hand slides down with a gentle carress and cups his cheek, wiping away the water dripping from his hair.

With color slowly returning to his lips, you can allow yourself to appreciate his handsome face in an effort to pass the time. Now, you can almost imagine he's asleep, much like the princess in Sleeping Beauty—quietly awaiting the true love's kiss that'll wake him up.

CPR, that is, you correct yourself.

Due to your mistake, your cheeks take to burning, as though the shame flooding through your system will temper your own tendencies. You dare not accept the reminder of the medic's words that your brain helpfully offers you. Instead, you barrel onwards, as if it never existed.

"Ten seconds," you murmur. It sounds like a promise. "I'll kiss the merman—ahem, perform CPR in ten seconds."

A bit too faithfully, unfortunately.

With a grimace, you squeeze Clarence's hand gently. The humor behind your blunder had briefly calmed you down, but as your countdown begins, you find yourself back at square one. You really will throttle him.

In lieu of reaching for his neck, you pull at his cheek gently, just enough that it soothes your worry. Not once does he stir—and perhaps that's what emboldens you. Slowly, the distance between the two of you shrinks, and you are so preoccupied by the almost hypnotic hold your repetition has on you that you don't notice.

But when you do—

I can count his lashes, you realize, blinking away the familiar burning sensation in your eyes.

By now, you've lost track of where you were—both in terms of the countdown and your surroundings. There are people on the beach, but, perhaps, having sensed your volatile emotions, they do not dare cross over to the little spot on the beach you have to yourselves. You start counting again, expertly dodging the temptation of kissing your beloved.

10, 9, 8...

When you reach the final number—zero, not one—you reluctantly let go of his hand. And, mirroring your other hand, the newly-freed one comes to rest on his cheek. The mole underneath his eye disappears under your trembling thumb.

When you hit zero, you finally allow yourself to kiss the merman.

SOMEONE IS KISSING HIM.

This, Clarence surmises even without opening his eyes. They're touching his face too, as if even the rarest of treasures are incomparable to him, even as they tremble against him. He knows, instantly, that it is you.

Who else would touch him so lovingly? And who else has touched him so lovingly?

When he opens his eyes, Clarence is rewarded for his guess by the sight of you leaning over him.

Your eyes are closed; unshed tears cling to your delicate lashes, quietly asking him to do something about them. There's little time to be flustered. Yet, paradoxically, it is the best time to be flustered. Your lips are soft and they taste of your favorite chapstick—the one you obsessively put on when you're stressed.

Somehow, though he doubts the formula changes every other day, it tastes sweeter each time he rediscovers it.

For a moment, he closes his eyes, lifting his hand up in the air, just above your arm. His cheeks are still warm, and his ears even warmer, when he rethinks his move and finally fulfills the request.

You open his eyes, startled by his gesture.

"Clarence?" you sputter out weakly, once you've established some distance between them both.

He has half a mind to point out the irony of the moment, before you go ahead and wipe your tears away. His gaze fixes itself upon your hands, clad in the same protective gear as his own. The warmth he felt from your touch would've had him believing otherwise, if he did not have his sight to fall back upon.

Hoping to find something to occupy himself with, he reaches for his glasses. They are, of course, not there—he'd replaced them for contacts before he went diving.

Thankfully, you seem oblivious to his blunder as you wring your hands, desperately looking for an excuse.

"That's, um—"

The black diving suit you're wearing contrasts sharply against the gold and orange of the evening sky. It was early in the afternoon when he dove into the waters, and then—the gears begin to turn in his head, reminding him of how he'd collapsed into your arms. Some leniency, he thinks, is deserved.

"CPR," Clarence says slowly, feeling a sharp twinge of pain in his head as he sits up. "Is that not what you were doing?"

You look at him, clearly bewildered. Soon, as scarlet blooms across your cheeks, you're diving into the crook of his neck with a groan. There's some kind of inside joke he's missing, but he can't find it in himself to worry about it too much.

"Don't," you say fiercely, "ever do that again."

As you adjust yourself against him, your body now pressed up against his, your grip on his diving suit tightens. Coherency leaves him that same moment—all he knows to do is wrap his arms around your trembling form and softly call out your name.

At some point, he'll tell you all that he's learned. About your mother. About the strange python he'd encountered, the one that seemingly shared his voice. But for now, it is just you and him, bathed in the rosy hue cast out by the sun, and—

"Thank you for waking up."

WHEN YOUR SNIFFLING SUBSIDES, CLARENCE begins to delve into the series of events that led him to stumble into your arms. You listen intently, only ever interrupting him to offer your own conclusions.

That is, until he admits he'd like to face anything and everything in his path with you.

Your sentiments are well-practiced; your only argument, compelling. It's true—you are his lover, and you do occupy an entirely different tier within his heart. There is no one else he'd trust more to watch his back. You cannot do that if you're not by his side.

You offer him your pinky and he links his own with it.

"Okay," he says softly. "I promise, my lover."

Your eyes narrow fondly at him. Slipping your pinky out of his grip, you throw your hands around him. It seems you're still shaken up by the experience, and Clarence—having already put himself in your shoes and concluded that he'd act no differently—can understand why.

"Okay," you repeat. You've both changed out of your diving suits, having exchanged them for your usual summerwear somewhere in between the two events. "I'm going to hold you to it."

"Alright."

His assumption that his agreement marks the end of their conversation soon turns out to be false. You hug him tighter, leaving your soft hair with more opportunities to tickle his cheek. After a momemt, you sheepishly admit:

"It, um, wasn't CPR."

Clarence can feel his cheeks warm up again. You're faring no better, though it'd be easy to miss with the way you're hiding your face. It's hardly the first time you've kissed each other—though the heightened emotions make for what is perhaps one of the most unforgettable ones yet.

"I know," he admits.

"Okay," you say, clearing your throat. The words come out rushed and awkward. He thinks back to when you rendered him speechless in the Student Council's clubroom and wonders how he could pull off the same thing. "Glad we had this talk."

When he can't think of anything witty to add to the conversation, Clarence simply admits the truth.

"I liked it," he says. You inhale sharply, and he thinks he might've pulled his objective off through sheer, disarming honesty. "Though, next time, I'd like to do it when we're both happy. I...know it's my fault, but—I dislike seeing you cry."

You call out his name, and next time comes faster than he was expecting.

PERHAPS IT'S DUE TO THE recent revelation you bestowed upon him that William can't help but take note of the distance between the two of you. Your hands are still intertwined, though, proving the truth behind what you'd said to him earlier.

He has—

He has a lot of questions. Like, actually, a lot. As in, actually, he'd spent the entire time preparing a quiz worthy of the Student Council President.

Because if it's true, then he's calling dibs on being the best man at the wedding. And William sure hopes it is because he's already made plans to become Uncle William to any of your future children, whether they're of the human or cat variety. The ship has sailed for yours and Clarence's current, combined brood of cats, but he'll try hard regardless.

His progress with Beanie was looking quite promising when he'd visited you before the trip, after all. He's tentatively excited about the play date he's scheduled for himself after the trip.

The only problem is, he can't really wrap his head around it. How? And why? Is Clarence even capable of seduction?

As he plops down onto the sand, now much cooler than it had been in the morning, William makes a show of scolding Clarence. The scary dark mage of the Student Council doesn't need to know that he almost burned a misshapened circle through the rug in his room. Besides, how often does he get the upperhand?

Never.

He nods decisively. Right, never.

Thanks to the setting sun, your faces have taken on a reddish hue. And while the fear of potentially losing Clarence—one he can relate to—has rendered you unable to speak without introducing a shrilly note to your voice, the guilt of leading you to that point has left Clarence unable to go a sentence without coughing politely into his clenched hand.

It must've been bad.

You must've been downplaying it when you texted him. It'd been a short message, straight to the point. For a moment, William almost convinced himself it was Clarence before he remembered that the president does not text without proper punctuation.

(And for a small, small fee, William thinks he could be persuaded to remember that scene a bit more clearly—so long as news of it does not reach Clarence's ears.)

"Alright," he says, temporarily putting his plans for a pop quiz on hold, "I think it's time we went back to the hotel. I'm exhausted, Clarence. Do you know hard it was to stare at my phone for so long?"

To William's surprise, his fellow Student Council member smiles faintly. It's a bit strange looking at him without glasses on, as if something is just undeniably wrong with the very fabric of time and space itself.

"Thank you, William," Clarence says, and the pink-haired boy is left to blink confusedly. Something really is wrong. "I'm sorry to have worried you."

"Worried?" he sputters out, his own cheeks growing warm. "I—okay, maybe I was a little worried."

"A little," you echo. Your intentions are hardly as sincere as your boyfriend's—and gah, that's still weird. "Just enough to want to go looking out for him in my stead, right?"

As the couple begins to smile, now looking eerily similar to each other, William hurriedly stands up. The colors of the setting sun don't cling to their faces nearly as much as they once did. Whatever awkwardness was between them seems to have vanished, almost instantaneously.

He can't help but think that his upper hand is no longer his.

"Anyway, I'm starving!" he says, pointing in the direction of a nearby restaurant. The two of you have already changed out of your diving suits, so he figures it won't take too long to get served. "Since this is all Clarence's fault, I think he should pay!"

The man in question chuckles and easily agrees to William's request. Then, as another reminder of his new relationship status, Clarence looks over at you, and William swears he can see hearts in his eyes.

Squinting, he wonders, Should I have been worried about you instead?

Clearly, something spooky had happened when his fellow student council member went to look at the totems. That means—and the pink-haired student shudders at the thought—there's clearly some truth to the legends. And if magic is real, then—

Maybe the dark mage of the Student Council is not Clarence, but you.

"Are you coming?" you call out, cutting through his thoughts. You and your boyfriend are both standing, with an expectant look in your gazes. "I thought you were starving."

He squints at you for a moment. At your kind smile and much gentler countenance, compared to the guy you've decided to date. So what if you tease him sometimes? It just means you feel close to him.

Yup, that sounds right. Having made his decision, he nods to himself and says:

"There's no way!"

When he finally joins his waiting friends and they ask him what he was mumbling about, he only assures them they have nothing to worry about.

[solasfenheral]

I am just. chewing over and over again the connotations to Taash alternating between ‘mother’ and ‘Tama’

[fadelikeclouds]

“Even if other people don’t forgive you, you need to learn to forgive yourself.” - Team’s mother

But Team can’t forgive himself. He doesn’t know how, and so he goes to Ton’s grave to look for forgiveness from someone who can’t give it to him. (I’m crying.) Not to mention the way he runs away when he hears someone else coming to visit Ton’s grave, like he doesn’t have a right to be there, grieve there. (I’m still crying.)

Then he’s crying behind that bush as he looks at the gold medal that should have belonged to Ton. He feels like he’s stolen everything from Ton from his life to this gold medal. He doesn’t feel like he deserves anything, or has earned anything for himself. It’s all a debt that he’s desperately trying to repay, because he survived and Ton didn’t. It’s all so overwhelming, and he wishes that he had died instead.

But in this dark place, he calls Win. Which is a big deal because Team avoids burdening others with his problems. Sure, he'll beg Pharm for snacks, and ask Win to treat him to a meal. But he doesn’t tell anyone about his insomnia and anxiety. He doesn’t tell anyone that he almost drowned recently. Win discovered these things by accident and because he cared about Team, not because Team told him about them. So just the fact that these two have cultivated a relationship where Team is able to call Win, asking for someone to hold him together while he falls apart, is just so immensely beautiful to me. Because whether Team realizes it or not, he already believes that Win will be there for him no matter what, that Win will catch him.

And here is a person who desperately wants Team to stay alive. Win doesn’t know exactly what happened in Team’s past, and he can’t make Team forgive himself. All he can do is tell him how much he means to him, and that’s just really lovely. Because what Team needs right now isn’t someone who will tell him, “it’s not your fault”. He’s not in the mindset to be able to process and accept that. He needs someone to tell him that his life matters, that if he were to die there’s someone who might be just as devastated as Ton’s mother is. He might not be able to forgive himself yet, but he can start to see that he is valued.

TLDR: I love these two with my whole heart. I love seeing Team reach out for help when he's in the depths of his self-loathing. And I love how Win's love and care have melted away the walls that have been keeping Team isolated in his own pain.

[kaiowut99]

GX Finalized-Subs!118 (WIP): Reason to Live (Required OST)

[technicalknockout]

rewatching carl

[theres-whump-in-that-nebula]

So I was reading articles about John Hurt (as I do when I procrastinate on life in general lol) and I saw a still shot of a movie I’ve never seen still shots of before; so I looked it up. It’s a play. I was worried I wouldn’t find it in full online; but I did, so here it is in all its glory:

He’s just… ugh I want to gently hold his face in my hands he’s just so sad and lonely with his weepy voice and eye bags. I couldn’t process half of what he said but I think this is a warning about always speed-running through life to get to the next good thing. We should appreciate the moment; because in the end, we’ll have nothing at all but our memories. If we rush through life, we won’t have any memories to keep us warm at night when the chill of death creeps up on us in our old age.

Also, spool, spooooooooooollll…….

spoooooooooooooooooooooolllllll [cackles in mentally unstable]

@kaleidoscopr @theindo @possessedbydevils @randomtwospirit

[navree]

you can't do the "i don't care about the baby killing because we don't know anything about jaehaerys" bit while carrying on about the mop with googly eyes known as lucerys velaryon. at least i can name A character trait for jaehaerys, luke was personality-less when he showed up and personality-less when his boring ass got munched.

[mythicalartistx]

Soriku in Novels Part 2 -

Part 1

Part 3

Part 4

Part 5

As Sora looked at them together, he noticed his vision growing blurry.

"Sora..?" Goofy set a hand on his shoulder.

Donald peered into his face, "Crying for joy?"

"I'm not crying!" Sora turned away and scrubbed his eyes. He was not. There was no reason to cry when he was glad. Riku was alive.

I want to see him. I have so much to tell him.

"Riku..."

In the land of dragons, Sora sees himself and Riku when he looks at Shang and Mulan. It's the cutest thing ever. This actually happens in game too.

Though I want to point out how in the manga Riku ask Shang to give a papou fruit to Sora and Immediately Sora knows it's from Riku cause... "only Riku would do something like that" well umm... I don't know about you but that seems kinda.... 🏳️��🌈🧐. So he tells Shang to give it to Mulan fully knowing the meaning behind the fruits and sees them as a romantic couple who both like each other, hoping their destinies will intertwine forever.

Also this is why Sora realizing he's alive in reunion scene doesn't make sense because he already knew from several other moments.

"Riku..." Sora looked up, holding tight to his friend's hand. "It's Riku... Riku is here. He knew that it was Riku's hand he clasped. It was bigger than the one he held a thousand times before, but in his heart, Sora felt it.

A knot of something he could barely define filled his chest. Clinging to that hand, to Riku's hand, Sora fell to his knees. "I was looking for you...!" Tears spilled all over and flowed down his cheeks as he pressed Riku's hand against his face.

As much as it is cute in the game, the novel adds so much more. It shows inside feelings. And Sora knew it is Riku's hand cause he felt it in his heart ahkshshshshsh— A HAND HE HELD THOUSANDS OF TIMES BEFORE!? He could have said he held it before or several times— but no he had to go with thousands of times.

And then he gets some sort of knot in his chest he could barely define??? I don't know ummm it kinda sounds like Sora might like him....

Then later he presses Riku's hand to his own face.... Um Sora, you are so cute when you interact with Riku that it's so obvious he likes him but He is so oblivious about it..... Man Riku must be really having to contain himself and make sure he isn't going to get flustered.

The next few are around a similar moment,

He thought he heard someone calling his name. Sora call me to, eventually pushing himself up. The first thing his eyes focused on was Riku—collapsed on the floor.

"Riku..!" Sora scrambled over to him and knelt down, perring into his face.

It belonged to a silver-haired boy.

The first person he pays attention to is Riku and then he peers into his face. Then the moment after this is just crazy.

Riku!" Sora flung his arms around the other boy, looking up into his face.

Far up. I know we haven't seen each other for a year— but Riku's so much taller! No fair!

Listen, he immediately flings his arms around Riku. That's so cute. I love how cute he is when he realizes Riku got so much taller. I think it's so funny how he wants to be taller but never does because Riku always growing. It be funny if he managed to get taller like one day and then Riku ends up surpassing him AGAIN.

That word from him had a terrible certainly to it. Sora's brows drew together and he moved closer to his friend again, staring into the face he'd missed so much.

"Seriously, Riku!" Sora grabbed his collar.

This is the lines, after the eyes couldn't lie/ myself scene. And oh ho we got some stuff. This scene in general is sad and you just want to hug Riku for all he's been through because he's clearly upset at himself for it and feels so much regret. Then Sora grabs his COLLAR. I bet he said the I'm not a sap line to hide the fact he was flustered. He's so close to him.

With that, Riku threw off his black cloak. In his hand was his own Keyblade— the Way to the Dawn.

"Yeah..." Sora agreed, seeing that the other boy was already leaving. He was only too happy to follow, "Riku!"

These two are so cute especially how Sora acts around him. Like he so happy to be with him. It's just so wholesome and great. I love their relationship, their friendship is also the cutest.

[troiings]

Myanna Buring as Melody Munro (Hot Property, 2016)

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki