queenk00k

[bj-cuntycunt]

New Star Trek headcanon: Chekov thinks McCoy is from Georgia (country) and not Georgia (USA) and keeps calling him "neighbor" because Russia's next to Georgia. McCoy is very confused.

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[ohbo-ohno]

merry christmas @luminousbeings-crudematter, here's the ghoap x reader purge au! (a week and a half after you posted about it... im so sorry)

5.7k, mind the tags <3

cw: ROUGH NONCONSENUAL SEX in all caps, pwp, under-prepared/painful anal sex, some pretty intense fear stuff, people covered in blood and referenced violence (it's a purge au lol)

Your hands tremble where they’re tucked close to your chest, blood sticky and thick between each finger. You feel coated in it, like someone has taken a brush and gone over every inch of your skin, painted you in red.

It’s in your mouth. You can feel the warmth of it on your tongue, the taste of iron sickening. You tell yourself that maybe you bit your tongue, that it’s not really your ex Phil’s blood coating your teeth.

Your thin pajamas are hardly any protection against the chill of the night air, less so with how soaked they are. The stench of piss is heavy in the air, a mixture of yours and his, but you don’t have time to go back inside and change.

You’re running on pure instinct, an animal urge deep in your mind insisting you run. You’d always thought you’d have more of a flight instinct than fight. Despite how you feel now, how your legs itch to carry you as far away as possible, the cooling corpse left behind tells you the truth. 

You stumble into the wall, a wave of nausea knocking you off balance. There’s a trail of red left behind as you use one hand to balance yourself, the other held protectively over your heart. 

Your security system - cheap, but usually enough to let you sleep through the Purge - is completely destroyed. There’s no chance of it protecting you, and the bust in windows will let anyone on the streets see your vulnerability. You’ll never feel safe there, and you can’t shake the need to run.

There’s no chance of any of your neighbors helping you. There’s some neighborly camaraderie between your floor-mates, but that all disappears on Purge night. It’s every man for himself, every year, without fail. You know that. You even think the same as them, pretend no one else exists when that siren goes off every year. 

But now, shaking and terrified, you wish you could knock on a door and see it open. Hear the security system disengage and see a familiar face, beg for help and thank them on your knees.

It’s a nice fantasy. Reality is less kind, seeing you shake with a dawning chill as you manage to shoulder open the door to the stairwell, cringing when it slams behind you.

The cold cement is rough on your feet, and a distant part of yourself worries about slipping - your feet are slick with blood, and you can hear yourself leaving a trail of footsteps. You don’t try to slow down, holding tight to the metal railing and shuffling down the stairs.

You’re halfway down the first of four flights when the door on the next floor opens, a large figure stepping into the stairwell. Your stumble to a stop before you even register that you’re not alone anymore, and you’re backpedaling before you even fully realize.

He’s big, his face covered in a red skull mask. From your vantage point you can see his hair is shaved into a mohawk, and he’s shirtless with only a pair of gray sweatpants on.

He’s drenched in blood. Even more than you, and you feel like you’re drowning in it. If you’re painted in blood, someone took a bucket and dumped it on this man. You can hardly see any unmarked skin, and you wonder for a split-second if the skull was once white.

There’s an audible grin in his voice when he calls up to you. “Look’it you, bonnie thing. You tryin’ to run?” He steps to the side, leaving a wide open space for you to pass him to the next staircase. You’re frozen where you’re leant against the railing, hardly able to breathe. “C’mon, give it a shot.” 

You listen, scrabbling further back and all but throwing yourself up the stairs on all fours. You’re only the need to get away, an innate fear that tells you to get as far from the blood-soaked man as quickly as possible. You swear you hear him laugh as you launch yourself up the next flight, panting already.

There’s no safety found in going up though, as hardly two flights later you’re tugged to a stop by your instincts alone.

Standing above you, hardly six feet away and blocking the door he must’ve just come from, is another giant. This one fully clothed and with a white skull mask, somehow bigger and more intimidating than the man you can hear coming up the stairs behind you. You can’t see even an inch of skin, black gloves on his hands and mean black combat boots reaching nearly his knees.

There’s a moment, before the chase ends, where you contemplate jumping over the railing. There’s no going up, there’s no going back, and you can’t even begin to imagine what these two men want with you. The only thing that keeps you from throwing yourself over is the fear that you wouldn’t die on impact, that you’d be left injured and even more vulnerable to these men.

You’re not sure you could’ve tried that plan had you even wanted to, because the moment it forms fully in your mind a pair of thick arms wraps around you, and a heavy weight forces you to the ground.

You cry out at the sudden shove, palms scraped raw against the cement. The man behind you covers your body completely - his knees bracket yours, his hands rest on either side of your head, and there’s no part of the back of you that isn’t cloaked in him.

He doesn’t say anything as he ruts against you, the blood from his chest soaking through your tank top and making you cringe further away. You can’t stop the quiet stream of whimpers as you try to shrink into the stairs, try to get away from the beast behind you. He doesn’t care, only drops more of his weight onto you and pantomines fucking you.

You can feel the outline of his cock through his pants, as thin as the clothes both of you are wearing are. If you weren’t wearing your shorts, if he tugged the waistband of his pants down, he’d be inside of you.

The thought makes you tear up, makes you want to slam your head back and try to knee him in the balls, makes you want to fight.

But all your fight is gone. It died with Phil and your security system, and you’re left only with a weight in your bones that makes you wish you could sink through the floor. 

The hard plastic of the skull mask presses to the sensitive skin of your cheek, biting into the fat there. You can see the gleam of bright blue eyes in the sockets, the creases at the edges that tell you he’s smiling.

“You gonna fuck her here for the first time?” The white skull asks, voice deep enough that you hardly register the words. Your eyes are jerked to his form and it makes you shiver to see him sitting on the top of the staircase you’re pinned to, legs spread wide as he stares down at you with a cigarette between lips exposed by the tilted mask. You feel like a sacrifice, thrown to the stairs of a temple for a god.

“Can I?” The man over your shoulder pants, accent roughened from his own movements. You can’t tell if the wetness between your thighs is piss, blood, or an even worse option. You bite your tongue to hold back a whine, wince at the burst of iron in your mouth.

The man above you tilts his head, smoking blown into the air. “You fuck her here, you won’t get to go again on the roof. Don’t need you gettin’ spoiled.”

Your nails dig into the concrete, folding beneath the pressure as you shake beneath the red skulled man. He whines over you, like a petulant kid being told no for the first time, but goes still against you. That alone has you blinking open damp eyelashes, watching him from the corner of your eyes.

“Alright, I’ll wait,” he pants, chin resting on your soldier. “Give ye some time to get ready, huh lass? It’ll be easier for ye then. Just think about what we’ll do to ye, how good it’ll feel to get properly fucked, yeah?”

You sob when he grinds one final time against you, your hips pushed into the harsh edge of the stairs. 

He’s dragging you up after that, hardly letting either of you stand fully before shoving you up the stairs. You can’t catch your balance and let out a small cry as you fall back to your knees, mouth twisting in pain at the unforgiving surface against your naked knees.

You flinch when a gloved hand grasps your chin, tugging up until you’re forced to look towards the white skull above you.

You’ve landed between his feet, a boot on either side of your body, and if you’d moved forward even another half foot, you’d have face planted into his lap. 

Your heart skips a beat when you realize you’re making eye contact with him. The dark brown of his pupils blends almost seamlessly with what must be black paint smeared around his eye sockets, and the only reason you even realize you’re locked in a staring contest is the way the light reflects off the whites of his eyes.

You don’t have time to try and move away from him on your own (or, more accurately, to throw yourself backwards and pray you didn’t break something falling down the stairs) before a pair of bare hands are shoving you up from beneath the armpits, making you almost squeal as you jerk in the direction you’re forced.

“Up, c’mon,” red skull grunts, hands flitting from one part of your exposed skin to the next as he herds you upstairs. “Need to get inside ye, kitty, fuckin’ walk.”

You sob as you stumble up the stairs, the top of your foot scraping painfully against the concrete. You glance over your shoulder just in time to see White stand to follow you two, but you’re nearly sent sprawling again when Red only shoves you all the more harshly.

“Pl-please,” you manage to gasp, shoulder roughly bouncing off the wall. A glance up tells you you’re two full flights away from the rooftop. “Please, I don’t know what you want, b-but…” You can hardly talk around the sobs floating in your throat, choking you. “Please, please don’t hurt me.”

Red groans as he tugs you nearly off balance, the sound echoing off the walls and full of what you can only describe as hunger.

“Fuck, haven’t even gotten ye naked yet ‘n yer already beggin. Knew ye’d be perfect for us.”

You can hardly see through the tears in your eyes, the rest of the trip up to the roof all gray with streaks of red and black. You can’t focus enough to try and get away again, can’t get enough of your panic under control to fucking think.

The red skull catches you when you almost go careening over the rails, one broad hand catching you by the chest and gripping.

He groans, you flinch. “Fuck, cannae wait to get my mouth on these.” He pinches with his whole hand, your breast going sharp with pain on every fingertip. You whine, flinching further against his chest and trying to shrink away.

“Keep movin’, Soap.”

“Aye,” Red - Soap - pants, and you can practically hear the saliva gathered in his mouth when he swallows. “C’mon, kitty, only a little further.”

The blood on your hands has dried by the time White is shouldering open the door to the roof, your hands itching and the red flaking away every time your fingers twitch. The night air is a cold shock, just jarring enough to tug some reason back into your brain.

Soap doesn’t stop his herding until you’re far enough from the door for his partner to block it with an old metal chair, the back tucked under the door handle. You tuck your hands beneath your arms, shoulders curled in in an attempt to preserve warmth.

You wouldn’t have expected the night to be so cold. Half of the street is burning - flames painting the sky, giving you the exact opposite impression of the biting chill you feel. There are dozens of people in the streets, carrying guns and axes and chainsaws and all sorts of other weapons you can’t see. You feel bile rise in your throat when you realize the dark pools reflecting flames in the street are blood, not water.

“Fuckin’ finally,” Soap grumbles, and you don’t have any time to think before his mouth is pressed forcefully against yours, tongue shoving at your lips.

Your eyes are wide open, unlike his, and you make a shocked sound high in your throat at the sight of his maskless face. You can’t really see what he looks like with the way he’s pressed against you, but it’s a shock nonetheless.

You keep your lips pressed tightly together, no matter how much his tongue prods and tries to force its way into your mouth. You feel more than hear him laugh against you after a few long seconds, and one of his massive paws comes up to cradle your jaw pointer finger against your temple and thumb under your chin.

He stops trying to force himself between your lips after almost a minute, instead shifting to just… licking your lips. His tongue paints wide across your mouth, soaking you in his saliva. He’s almost scarily determined in the way he accosts you, his grip tight on your face as his other hand shifts to bruise your hip, covering what feels like the entire bottom-half of your face in his spit. You can’t help but grimace, trying to pull away from him, but he’s pressed too close.

“Can’t fuckin’ wait to be in ye,” he pants, breath warm and wet against your cheeks. “I know yer gonna squeeze me just right, bonnie, can tell already.”

“Please,” you say, voice weak. “Please, don’t, I don’t want you to-”

His groan is guttural. “Ye wanna know a secret, bonnie?” His voice is quiet between the two of you, bright blue eyes boring deep into yours when he pulls back. To your endless frustration, he’s handsome.

He leans close, whispering so low that you almost have to strain to hear hum. “That’s what makes you fun. Wouldnae be draggin’ you up here if ye wanted it, could get you any other night of the year for that. But it’s Purge night, lass… so you go ahead and fight as much as ye want, yeah? Just makes it more fun for me.”

You can’t help but sob at that, fat tears streaming down your face as he maneuvers you. You feel disconnected from your body as he forces you down to the ground, your soft belly left exposed when he pushes up your tank-top to cup one of your breasts, a whimper crawling out of your throat at the way the gravel presses into you.

You feel his breathing grow heavier as his hands move down to your shorts, shoving them off your hips and leaving them loose around your calves, completely disregarding your pitiful attempts at crawling away.

“Poor thing, been stuck in these the whole time? They fuckin’ reek, bonnie, no offense. That his piss or yours?”

You shake your head against the ground, face twisted up in acute humiliation. For some stupid reason you don’t want to even begin exploring, you find it necessary to whisper, “H-his.”

Soap hums, and you curse yourself inwardly when the humiliation is slightly alleviated.

“Get ‘em off her,” the white mask says, and you can’t help but jump at the sound of his voice. He’s sat on a large box only a few feet away, leaning back and relaxing, looking for all the world like he’s settled in for his favorite show. “Don’t want anythin’ of his touching her now.”

The sound Soap makes at that is animalistic, a snarl coming from deep in his chest that makes you flinch as he all but tears the shorts from your body. You wince at the wet splat of them landing several feet away.

You force your forehead into the gravel when your knees are forced wide, a rough hand and another pair of knees spreading you.

“No, no, no, no, no, no, no…” you can’t help but beg, voice trembling. “Please- god, please don’t-”

“Fuck,” he moans over your shoulder. “Yeah, keep goin’, lass.”

You sob at the feeling of warm skin against your bared behind, his thick length slotting itself smoothly between the slightly spread lips of your pussy. Your eyes squeeze shut and it takes all your willpower not to keep begging.

He slides himself back and forth against you for a few long breaths, using online the slight slickness from a mixture of piss and blood to get some friction. But to your immense horror, it only takes a few moments for the sensual movement against your clit to have your body preparing itself.

The slight wetness at your hole might be a betrayal, but it’s not nearly enough to ease the way when he pushes inside of you with no warning.

You nearly scream, a high sound of pure panic and pain when it feels like you’re being split in two. Somewhere off in the distance, you hear someone laugh. Right above you, Soap groans.

He’s buried himself to the hilt inside you before the pain has had any time at all to fade, and he’s fucking into you hardly a second after that.

Every thrust forces a grunt from your throat, the entire weight of him slammed into your back each time his balls smack against your clit. Your face is twisted up in a grimace, your whole body racked with pain that your assaulter couldn’t care less about.

“Fuck, kitty. Yer squeezin’ me so good, such a good girl, shit-! Knew you’d be ti-tight as a vice, fuck, but didn’t know you’d be squeezin’ me so tight I can hardly move.”

Your whine is plaintive, his moan is filled with pleasure.

“Yer gettin’ so wet for me, bonnie. Ye like this, huh? Bet you like it just as much as I do, gettin’ thrown around and takin’ advantage of. That it, kitty? Ye like being forced?”

You sob and shake your head against the ground, crying all the more when sharp pebbles dig into your cheeks.

“Naw, I think ye do. Why else’d you be- fuck, squeezin’ me like that?” 

“Cause- because-�� you try, but you can’t get the breath in to get more than a single word out.

“Huh? Cause- cause-?” Soap mocks, his voice pitching up to mimic you as he plants himself deep inside you, grinding his hips against the meat of your ass. “C’mon, kitty, tell me why. Go on.”

“Cause I want you to stop!” You cry, balled up fist slamming into the gravel. You can’t help but whine ow when the sharp rocks poke into your skin, and Soap’s laugh shakes your entire body.

“Good,” he whispers, breath hot against your ear. “Squirm all ye want, lass. I love it when you fight.”

You can do nothing but go limp beneath him as he begins fucking you again, his pace somehow faster and even more relentless. It’s a small mercy that there’s no fight left in you, that you can’t give him any more pleasure. 

It certainly doesn’t stop him, though. Despite the fact that you’re doing your best impression of a dead fish, Soap pants and moans against your shoulder like you’re the single best thing he’s ever slept with. His cock is painfully hard inside of you, and his pace never once slows.

He’s loud when he finally comes, the sound of his orgasm clear enough that you know he’s thrown his head back to the sky. You can only whimper as he rolls his hips against you, working the last spurts of cum out of his cock and into your unwilling body. 

“Fuck,” he sighs in your ear, sounding far more satisfied than he has any right to. “Good girl, kitty. You were perfect.”

You sniffle beneath him when he slowly pulls out, both of you groaning at the sensation. He gives you an almost perfunctory pat on the ass, and stands to walk away. You manage to open your eyes and focus just in time to see him slide to the ground in front of his partner, leaning against the wall.

“Yer turn,” he sighs. “Warmed her up good for you, Lt.”

Despite the hatred boiling in your gut, you can do nothing but lay limp on the ground and watch as his partner stands, cracking his neck and moving towards your prone form. 

You want to run, you want to fight, but you can only watch the executioner come closer and wait for the metaphorical axe to fall.

He crouches by your head first, grasping your chin and pulling up until your torso tries to follow to alleviate the tension. He stares deep into your eyes for a long moment, and you find that it’s impossible to even tell where his pupils are with no real lighting. You feel like you’re truly looking into the empty eye sockets of a skull, no man and no mercy to be found.

“You’ll call me Ghost when I fuck you,” he rumbles, thumb stroking over the scrapes on your cheek. He doesn’t wait for a response, simply hauls you up by the shoulder and turns you onto your back. 

He’s rough with your limbs as he shoves your legs together and up, his forearm banding across the backs of both of your knees and holding them to your chest. You whimper and wiggles as best you can, but the bruising blow against your thigh is enough to have you gasping and stilling.

“Don’t fight,” he warns, and you feel his gloved fingers running up the crack of you. “You’re hurtin’ enough as it is, and I’m not gonna help. You wanna make it worse too?”

You shake your head, unsure if he can even see you through your legs. He doesn’t respond, and hums when he swipes two fingers through the liquid gathered between your lips.

You whine when those fingers move further down, a fresh panic creeping in when he presses around your back hole.

“You should be glad Soap fucked you so good,” Ghost drawls. “He gave you all the lube you’re gonna get.”

You feel like an animal when you whine again, unsure of how to even begin trying to speak. You yelp when a thick finger slides into your hole, completely disregarding any resistance and forcing its way in until it’s buried to the knuckle. Your cries go ignored.

“Quit squirmin’,” Ghost scolds, pulling his finger out to smack your ass before shoving two back in. “You’re fine.”

You’re not, you’re terrified and hurting and upset, but none of those things matter when Ghost only coaxes more of your slick and Soap’s spend to your unused whole so there’s less resistance. 

The only blessing you have is the fact that you can’t see more than the outline of Ghost’s figure with the way he’s got you positioned. You try your best to close your eyes and float into disassociation, and while you can’t fully manage it, the fact that you can’t see his face - his mask - helps you distance yourself from what’s happening.

The moment you realize this is of course the moment it stops being true. 

He seems to decide you’re ready after scissoring three fingers inside of you, hefting himself up so that he looms more fully over you. You can only whine as you feel the movements of him unbuckling his belt, feel the weight of him slap against your slightly spread cheeks.

Fresh tears fall past your lashes as you stare up into the fathomless darkness that are Ghost’s eyes. There’s nothing there, just a cold empty skull prepared to ruin you.

You don’t even have the energy to beg.

The stretch of him inside your ass is five times worse than Soap was. There’s no natural lubrication, and nowhere near enough synthetic lube either. Your hole feels like it’s on fire, the stretch white hot as he gives you no mercy.

You’re not even fully sure what you’re babbling as he slowly sinks to the root, only aware of the pain and fear and panic sitting heavy in your heart. You fear you’ll choke on your tears, head jerking back and forth.

He sighs when he bottoms out, heavy barrel chest forcing your knees past your shoulders. Your hips strain, just another pain from the endless abuse.

“There,” he grunts, patting your thigh when you go limp from it all. “Stay nice and still now, just need a place to dump my cum.”

Upsettingly enough, that hurts. The idea that you could mean nothing to this man is somehow worse than the thought of him having some other twisted feelings for you, your hormone-addled mind deeply insulted. 

His thrusts are long and slow, each one pulling nearly completely out before slamming back in. The sound of your skin slapping together is embarrassingly sexual, and a distant part of you is aware enough to pray that no one nearby had heard your screams and cries.

Ghost is near silent as he fucks you, the opposite of Soap. You can only hear the occasional grunt when you squeeze him because he’s inches away from your face - you can even feel the occasional gusts of breath when his hips start working a little faster. 

There’s nothing you can do but lay limply beneath him and take it, just a vehicle for his pleasure. You almost manage to float away, to pretend none of this is happening or has ever happened, when his free hand moves from your thigh to the top of your cunt.

You nearly squeal when he rubs your clit, the smooth leath gliding over your slick bud. Your eyes fly wide open, back arching as much as you can with three hundred pounds of man holding you down. The loud laugh from several feet away only makes you writhe more.

“Make her squirt, Lt!” Soap shouts, his voice carefree.

“Shut it, Johnny,” Ghost grunts, voice roughened with pleasure. You don’t even have time to focus on the fact that he’s just told you Johnny’s name, far too preoccupied with the tidal wave of pleasure rushing towards you.

You have no idea why it happens. You’re never quick to come - almost every single partner of yours has complained about you taking so long to get off, it’s been an Issue in several relationships. 

So it makes absolutely no sense that after hardly a minute of rough circles against your clit, you’re clenching down on the cock in your ass and moaning loudly as your orgasm overtakes you.

The natural clench of your body only makes the pain worse, a sharp spike of it running up your cunt and making your moan shift into more pained sounds. Ghost only moans in tandem above you, his thrusts becoming slightly less even as he lets your orgasm coax out his own.

You sob when you feel his cum paint your insides.

Unlike Johnny, Ghost doesn’t pull out after he comes. He lets your legs fall limp on either side of him, just barely managing to catch them for you before you slam your ankles to the ground. He leans his torso over yours, elbows resting on either side of your shoulders while you do nothing but wait beneath him.

He’s sweat off some of the makeup. This close, you can see hints of pale skin in the sockets of the mask. There’s nothing to read in his eyes, but that flash of skin tells you he’s still a man.

You swallow, trying to work moisture back into your dry mouth, and whisper, “Will… will you let me go now?”

You know it’s more likely he’ll kill you. It’s what you can only imagine happened to all those bodies in the streets, what you know happens to tens of thousands of women every year. 

So it’s not a surprise when he doesn’t answer you verbally, instead covering your mouth with his palm and pinching your nose shut with his fingers. 

Your eyes flutter shut after a moment, lungs tightening already, and all you can hope is that suffocation is a quick death.

———————————————————————

You wake, gasping, in a dark room. 

You’re lurching forward before you’re even fully aware that you’re awake, coughing loudly and gasping when it feels like your throat is bleeding.

“Oh, poor thing,” you hear a familiar accented voice coo, and a moment later there’s a warm hand patting your back. “Yer alright, deep breaths.”

You jerk back from Soap - Johnny - as soon as your coughing is under control, scrambling back on your palms and staring at him with wide eyes. He only grins at you, looking for all the world like any other normal man in his sweater and sweatpants.

He got changed at some point - these pants are clean. He’s not wearing his mask either, and you’re struck dumb by how non threatening he manages to look.

He also changed your clothes - or Ghost did, maybe. You try to cover your chest with one hand, but there’s no hiding the fact that you’re completely naked. 

Johnny only laughs at your attempted modesty. “Been starin’ at them for hours, lass. Ye’ve got nothin’ to hide.”

That’s… horrifying, and does absolutely nothing to calm you down.

It’s then that Ghost rises from a chair, stepping forward and making you aware of his presence. “Calm down, Johnny. We don’t want her panickin’ this early.”

Soap fully pouts, tilting his head at you before glancing up at his partner. “I haven’t even done anythin’, Ghost. Was just sayin’ hi, tha’s all.”

Ghost snorts, gripping Johnny’s mohawk and tugging back until the other man sprawls back on his ass. “You know how you are, pup. Give your kitty some space.”

Johnny listens, crossing one leg beneath him and bending the other close to his chest, looking casual as can be. Meanwhile your heartbeat only gets faster, and you wince when you happen to lean too far one direction and feel a throbbing reminder of what these men did to you.

Ghost steps forward again, crouching just out of arm's reach. You realize he’s not wearing the same skull mask as before, but a balaclava with a printed skull pattern instead. His eye sockets are unpainted, and you’re shocked by how such little things make him look so much more human. 

“You can calm down. Long as you behave, nothin’ much worse’ll happen to you.”

You find yourself almost comically not-comforted by that, and can do nothing more than stare at him with wide eyes. 

“Where…” Your voice cracks, so you swallow and start again. “Where am I?”

It’s Johnny who speaks up. “Our place. We finally brought ye home with us, kitty.”

The world feels like it’s slowed around you, and your eyes drag from one kidnapper to the other. You have to swallow again to work any moisture into your bone-dry mouth.

“Is the Purge over?”

The creases at the corner of Ghost’s eyes are painfully obvious with how pale his skin is, and you shudder at the thought of him smiling.

“Been over for… what, five hours now? Somethin’ like that.”

You can’t fight the tremble in your voice now. “Then… then you have to let me go.”

Ghost’s head tilts, the creases get deeper. “Do I?”

You nod with as much conviction as you can - which is almost none. “You can’t keep me here. You’re breaking the law.”

Ghost leans closer on the balls of feet and you lean further back, your spine pressing into the wall behind you. “Are we now? And who do you think will stop us, pet?”

“The- the police. Someone will report me missing, they’ll come looking.”

“Oh? And you think they’ll come here?”

You nod as best you can, and jump when Ghost laughs. It’s low and quiet, only a few beats, but it’s like gasoline thrown on the small fire of panic in your mind.

“You have no idea where you even are, and you think they’ll find you? I hate to break it to you doll, but you’ll be lucky if they look for you for a week. You have any idea how many people go missin’ after the Purge?”

Your breath is quickening. “So that’s it? You’re just going to… going to keep me here, forever? What are you even going to do?”

His laugh is sharper, meaner this time. “We’re gonna do a whole lot more of what we did last night, pet. Keep you as a little cocksleeve, a pretty thing tucked in the basement just for our entertainment. Ain’t that right, Johnny?”

You manage to tear your eyes away to look at Soap and see that he’s nearly salivating, having inched closer and closer and shifted so he’s knelt behind Ghost. There’s a feral spark in his eyes that has every hair on your body standing straight up.

“Yeah, tha’s right. Don’t worry, lass, we’ll make sure yer never lonely. Might even stay the night with you, cuddle up in the winter. Bet ye could keep our cocks nice and toasty in the cold, huh? Gonna let us use ye as a little heater?”

“A heater, a mattress, a fleshlight… your future’s lookin’ bright, sweetheart,” Ghost drawls, mockery dripping heavily from the cruel words.

Your eyes dart back and forth between the two men and their predatory stares, your heart racing against your ribcage.

It’s not a conscious choice for you to launch yourself towards them, reaching out and clawing your sharp nails down Soap’s face with a feral scream that tears your throat to shreds. 

Even as Ghost throws you off and forces you to the ground, you vow to fight these men to the end. You’ll kill them both if you have to, leave them dead and wander however many miles it is back to your apartment.

Ghost only laughs when you shout this in his face, and you scream as you lunge forward, just managing to catch his masked chin between your teeth and bite.

With your fight instinct back in full force, you’re ready to make their lives hell.

[sforzesco]

Agrippa, Antony, Actium

I cleaned up an old sketch I did of Antony and Agrippa when I was doing some reading about Actium: it was one of those ideas that I thought would make a cool painting until I realized I’d have to render the ocean and blood diffusing through the water 🫠

something something rival dogs of war. Antony and Agrippa actually ended up being the least interesting thing about Actium imo, when you realize the ocean became a tomb of the unburied. imperialist violence and and dynastic rivalries infecting the water. etc and so forth.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[ruershrimo]

i. toge x fem!reader | aftermath of a confession

for a while it’s just the deafening silence between the two of you and the clanging noises of chopsticks on glass bowls. of course, he knows that it isn’t going to last forever even if he wonders if it will, but your lack of words definitely fails to prove that wrong. 

see, the problem is this: toge’s sitting right in front of you— his dream girl, his crush of two years and all that. since the moment you first walked in the classroom and he’d caught sight of you, he’d been hopelessly and utterly smitten. perhaps it was the way you smiled at others, shy as you were; the way you laughed at his antics without fail and tried to lift people up no matter how much you struggled with doing so. it was that kindness; the type that didn’t need gestures and touches, the type that didn’t call for empathy or sympathy. just that plain kindness. 

and soon after it came his love for everything else: your hair, your eyes, your skin— the way they shined in the sunlight. he was sure he wasn’t that obvious. yet he supposes that besides maki, panda and yuuta who’d already known him enough to tell, it could have been relatively easy for all the other students of the school (basically, all the first years) to notice his infatuation with you— well, save for you yourself. 

he didn’t think it’d amount to anything, though. as much as it hurt to think that. not with the way his technique held him back; you needed someone who could speak to you, look after you that way. he needed you to not feel lonely. he had insistence from maki and panda that you were every bit down bad for him as he was for you, yet he still couldn’t believe them in full. despite all his jests and cheeky shenanigans, he would never consider himself bold enough to be able to confess it all to you. so why do it, when you wouldn’t be able to reciprocate in the first place? 

which is why he was shocked when you bowed over, scrunched your face up in embarrassment and handed him a letter in a sealed envelope before lunch on a random tuesday, stammering that you’ve liked him for more than a year, can you please consider going out with me?, and running away before coming back just for lunch. 

at least if maki and panda were here, things would be less awkward. but maki is still out training, and panda’s off to do whatever pandas do before lunch on random tuesdays. 

“takana…” he starts, eyes on your crestfallen face. the only thing your eyes are on is the food you’re eating. 

“…I’m sorry…” you mutter. he barely makes it out from you. 

“ikura!” he says. No! 

an idea strikes him then. 

you cock your head to the side in confusion as he whips out his phone and his thumbs fiddle away across its keyboard. 

toge’s confident now. if the two of you like each other, why not start something new? he’d love to take you out. he hands you the phone. 

“‘I… like… you… too?’” you read out, squinting at the tiny font.

toge sees your heart stop, breaths caught in your throat, your cheeks warm— scratch that, you’re crying. 

wait, why were you crying?!

“takana!” 

“I-I’m so glad,” you sniffle,” I always liked you. I didn’t know how to say it. it was painful seeing you every day knowing how I felt, and- and thinking there wouldn’t ever be a chance you’d like me back!” you sob, burying your face in your hands as if it could hide anything, “and then when I gave the letter to you, I was so nervous, I-I should’ve stayed there or given you something you liked, but I panicked!” 

nervously, he inches his hand closer to yours. your watery eyes widen. “shake sushi,” he reaffirms. the circles he rubs over the back of your hand make you feel like he’s smoothing over creased paper on your skin. yes, he likes you too, so don’t worry. don’t cry. you may be crying, but if he were a dog, his tail would be wagging so wildly regardless. 

both of your hands grab one of his with shaky movements and a slew of hiccups. “I’ll try my best.”

“mentaiko.”

thank goodness.

[raviola-triggers]

He stayed in the shrine with Miko after the second betrayal

[katapotato55]

how to make your writing be remembered forever and possibly be well loved.

(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?

MAKE STRONG CHARACTERS

"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:

I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:

I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.

"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:

kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.

this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.

A writing exercise

here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........

Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.

[arthurtaylorlester]

mr guthrie i quite honestly still liked your show but if you say things like this shit it really deters me from listening to it. learn to handle criticism. opinions i and many others share on s4 are just as valid as the point you were trying, because whatever it was it wasnt received.

i was going to give the show another chance for the john pov, but i don't think i want to listen to a show anymore where the creator tries his hardest to deter his fans with pride

[wickmitz]

— THE ELECTRIC-FEVER REMEDY.

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[cassiopeia-mori]

redraws i did for fun, the original (and cooler, frankly) doodles are from @no-hl btw go check them out and follow them and like all their posts and reblog all their posts and

(old man yaoi)

[prince-liest]

I really love the "scapegoat child is given away to an arranged marriage with someone they've been given reason to believe is likely to hurt them or otherwise make them suffer, except it turns out that person is actually very kind and saves them from their abusive family by showing them their first taste of genuine kindness" trope immensely and in the 3zun sphere I usually see it with nieyao, probably because the Jins are awful to Jin Guangyao and the Nies are very suitable for having a bloodthirsty and potentially violent reputation given their saber cultivation... but now I actually really want to see it with xiyao!

Give me a Jin Guangyao who is set to marry Lan Xichen and is genuinely terrified of what he has heard of the Cloud Recesses. He has heard that they are strict disciplinarians, that they have a wall of thousands of rules, and that if you break any of them then you get whipped—his cultivation is not strong enough to withstand that, he is certain. He has heard that they value purity of body, mind, and spirit, and have banned alcohol from Cloud Recesses—nevermind what they must think of a prostitute's son. He has even heard whispers of what happened to the last person to have married a Lan sect leader—the example that the current Lan-zongzhu must have been raised with.

He is very, very determined to be perfect, even more so than he had been at Jinlintai. As far as he is aware, that is the only way he will survive at all.

[hypermascbishounen]

There's a deep irony in Berserk being so admired by people who really really hate what Berserk is about on an emotional level, but especially when writers want to take influence from it. Because Berserk is very strong thematically, and someone who can't acknowledge subtext is going to whiff on emulating anything good.