#why can't I have it when I explicitly ask for it? and I did it gently the first 5 times.

[celaenaeiln]

I always assumed that from the comics I've read dick seems to have a somewhat complicated relationship with his own gender/sexuality/sex status, etc.

Anon!! You can't just drop this on me and leavee!! I need to hear more!! LEMME HEAR YOUR THOUGHTS!!!

Ok so this is gonna be like three different things so I'll make subcategories.

Gender

Of the things listed. I think gender is the one thing Dick is rather set on/secure about. He has some feminine or softer traits which typically would not be associated with a male character such as empathy and caring to an overemotional aspect -

Joker: Last Laugh Issue #3

Nightwing (1996) Issue #86

Nightwing (1996) Issue #139

Being overly kind to an unappreciative and toxic girlfriend is one thing, but as a brother hugging and kissing a brother? It's a little softer than how people usually write male heroes.

He's male and I don't think he's considered switching to the female side because he's comfortable with his masculinity.

Does he do things like this -

Nightwing (2016) Issue #38

sometimes? Yeah. He takes the female role in his relationships with others such as Bruce and Barbara but he still very much sees himself as masculine. Like I said in another post, Kori asks him to be a male consort to her Queen because she was forced to marry a royal Tamaranian Prince. While male consorts are not unusual in history, they typically embody the female in a stereotypical relationship. (On a separate note, did you know Chinese emperors took on male consorts? It is circumvented when speaking about in the present and laters days but it's officially written down in the books).

But overall, Dick is very much a masculine male with feminine qualities.

Sexuality

Ok so the thing about Dick and sexuality is that Dick Grayson is a very, VERY old character. He's been there since the beginning of DC to the point that he was the third DC character created EVER. Clark, then Bruce, then Dick, AND THEN Wonder Woman.

So with a character this old and with a topic as controversial as sexuality, DC is not going to ever explicitly write Dick as gay or bi or whatever. Why? Because Dick is an icon.

When someone says "Batman and Robin" - EVERYONE knows who Batman and Robin is. Bruce Wayne and Dick Grayson. They've existed forever and are the kingpins of DC alongside Superman and Wonder Woman. Whether that person is in the fandom or not, they know who Batman and Robin are. Within the fandom, people know there's more than one Robin (several) but talking to someone outside the fandom, someone who enjoys DC casually, only thinks there is one Robin. And you could tell them that there's this many robins, some have been girls, there's this many timelines and etc (which is actually a really embarrassing convo if someone isn't in the fandom OMG and how I wish I could take that back and erase it from BOTH OF OUR MEMORIES) - but they're not gonna care. Because for them, there's only one Robin and that's Dick Grayson.

So with something like that, DC cannot have Dick Grayson be anything but straight because it would cause too big of an uproar. So he can't be. Explicitly. People have written him as having an ambiguous sexuality though. I actually wrote this specific POST a long time because someone wanted to know more.

Instead what you'll have is a BUNCH of BROMANCES. His Nightwing authors have wanted more male/male sexual attractions with him and other characters and some of them have admitted that openly even if they were not allowed to write. So if you're reading a comic that has him and something seems SUS, well it might just be.

So like with all things, I cannot say anything for certain unless there is evidence of him engaging in a romantic relationship with someone who isn't a woman, but given the homoerotic tension that exists between him and other characters such as ROY -

Outsiders (2003) Issue #11

Teen Titans: Silver Age TPB 2 (Part 4) Page 16

Nightwing (1996) Issue #114

WHICH IS ODDLY SIMILAR TO THIS -

Nightwing (1996) Issue #138

I'd say he's bi-curious at the least.

Sex Symbol Status

-this is my previous post which goes a little into the sex symbol thing

Anon, holy crap I have an ESSAY for you. It's in my drafts because it's wayyyyyyyyy too long and I'll definitely exceed the image limit but holy crap.

Here's what I will say about it though. The world REVERES Dick for his looks and body. The amount of attention he gets for his beauty is ridiculous. Even Green Arrow's half-sister - WHO'S MUCH YOUNGER THAN DICK AND I DON'T EVEN KNOW IF DICK MET - dreams about him romantically.

Green Arrow (2016) Annual_1

Because of course. Villains are going out of their way to compliment him on his looks in the middle of a fight - Bane, Bludhaven villains, civilians (MALE) coworkers - it's literally insane.

So Dick is clearly the hottest and most gorgeous thing to ever exist in the entirety of DC. There's also a panel from a comic where Dick becomes Talon AND SOMEONE STILL CALLS HIM THE PRETTY BOY TALON LIKE WTF??? THAT PRETTY BOY TALON CAN RIP OFF YOUR HEAD IN A HEARTBEAT! He's a talon, too! Clearly death does not hinder his looks in any way.

But Dick himself is VERY uncomfortable any sort of bodily attraction. It's not just the comments that gets him but he, who everyone claims has the body of a god, doesn't feel good about his own body.

The New Titans (1988) Issue #71

He's really conservative. And in another comic when Tim comments on how the the Nightwing suit is really a babe attractor, Dick is uncomfortable going 'I didn't make it for them'.

Like even looking at this comic pic where Dick is in disguise and he and Kori are just walking down the street, they both still attract the entire street's attention. It must be so uncomfortable.

Here's my thoughts on the sex symbol status. Yes, Dick is a sex symbol. That's just fact. But here's where the issue is. People can be sex symbols without it affecting their personality because that status, is something given to them or bestowed upon them by another person.

I'm leaning a little into my post in the drafts but Johnny Depp, Marylyn Monroe, David Bowie, Tom Cruise, Cleopatra - they're all so vastly different on their opinions of sexual liberty and yet all of them as considered sex symbols.

So what does this mean for Dick? Nothing, really. It just means the world takes one look at him and wants him but he is under no obligation to follow through nor does he. He's not a slut for sleeping with the people he likes and no one thinks of him that way either. He was slut-shamed after his rape by Pantha who always has some harsher opinions because that is her personality. She literally says the meanest things about everyone because she's a rough and tough character and she finds humor in being mean because she is who she is.

For Dick himself, it means nothing. He doesn't view himself as attractive which ironically is also what celebrities who were interviewed about the sex symbol status said as well, such as Johny Depp.

The problem with being beautiful though is that people brush you off. Certain girlfriends of his do it. They see him as just a pretty boy and writers of certain comics *cough* Batgirl comics writers and Tom Taylor *cough* throw his skills and talent down the garbage disposal so he can act as a dumb pretty boy toy for his girlfriend. His personality is degraded to a bland white paste and his intelligence and power and pain are thrown out the window.

(This POST gives some examples of when writers do this for Dickbabs)

Like this is a serious problem! I read this article some time ago -

Here are the main highlights:

There isn't a problem with Dick being ascribed a sex symbol status and to his great benefit most people don't treat him like this but some do! LIKE HIS GIRLFRIEND.

In summary, and I'm gonna borrow a lyric here to quote -

"It's hell on earth to be heavenly Them's the breaks, they don't come gently"

I think the problem is, instead of focusing on how beautiful Dick looks, I really feel like DC and the fandom should analyze how uncomfortable Dick gets, how certain comics force him into relationships when others clearly show he wouldn't be interested in a parallel situation, and mostly how Dick Grayson is robbed of his personality, identity, and beliefs all because of how people believe he should act due to his beauty.

I'm honestly tired of the equation that Dick's status as a sex symbol somehow reduces him to a slut. He is not. Instead we should focus on how his beauty is weaponized against him. He was born with those looks and complaining about them is useless. That's his mother and father-given appearance. It's his genetic inheritance. It's as much a part of his as his grace or his unyielding kindness.

The real issue isn't DC’s acknowledgment of his beauty—it's the utter failure to dig deeper. Instead we should explore how Dick deals with it. How does he carry the weight of being constantly objectified? What does it do to his relationships? How is he coerced to do something in a relationship because it is expected of simply due to the fact that he's beautiful? We should explore how people (even the batfam sometimes) only see his smile or good-natured humor while his complexities - his pain, his resilience, his brilliance - are shucked aside? He's constantly diminished by the fandom and canon because of his cheery personality and good looks just to fit a particular character's narrow view of him.

Call him pretty! Dick legit doesn't care if villains call him pretty or someone calls him that because what they're really focused on when they call him that, are his skills. He doesn't mind being called pretty, beautiful, gorgeous - as long as he's valued for his talents and efforts and skills.

(Here's the pretty boy post for my lovelies. Part 2 in the making)

The issue, once again, isn't his sex symbol status or his looks. It's literally everything else. Dick Grayson is not a reflection of what others project; he is a someone who stands apart, vibrant, and irreducibly whole. Which too often gets lost underneath his looks.

[mlembug]

because the meme mentions "credit card info in plaintext": internet banks have been using HTTPS since at least mid 00s (this is as far as I am able to remember myself), but very likely since the beginning*. In fact, online banking and e-commerce have been a driving force for creating the HTTPS protocol in the first place (similarly how the original use case for cookies was "internet shopping cart"), and also because of how much internet banks were relying on the tech, they were responsible for teaching users how to spot a HTTPS-secured site in the first place (including teaching stuff like "before typing in your credentials to our bank site, check the near the address bar to see if there's "https://" in front and there is a padlock" in promotional materials and on TV), which was a necessary part to get people to trust and use online banking in the first place.

internet banks also have been using 2FA before most other sites did, in the form of single-use codes (if you were close to running out, the next batch of codes was sent to you by snail mail to your home)

or tokens that generated a time-limited password

I will admit that online shopping has been worse in adopting HTTPS than it should, however, most internet shops however delegated the responsibility of payments to someone else. In particular, processing card numbers is subject to Payment Card Industry Data Security Standard (PCI DSS) which explicitly specifies the credit card numbers can't be transmitted through plaintext communication.

As for everyone else, indeed, most sites did not use HTTPS until mid 2010:

1. Wi-Fi was not that popular back then, and intercepting someone's credentials was more difficult - this way of attack was not well known until 2010 with the release of Firesheep, a Firefox extension (also interestingly enough, this is something a VPN could protect from, although with wide adaption of HTTPS this attack surface was eliminated entirely)

2. Before 2016 when Let's Encrypt did it for free, getting HTTPS working for your site required paying money. In order to use HTTPS you needed to acquire a certificate from a trusted certificate authority. Below is a screenshot of an archived (archive.org) 2004 page for one of the certification authorities, DigiCert, which on the section dedicated to "frequently asked questions" has listed a "Why is DigiCert so much less expensive?" question.

It lists the cost as 99 dollars. This is a yearly cost. The site also lists the cost for what the competition asks for the price for it, with VeriSign being listed as $895. Understandably, an internet forum admin or an average website owner would be unlikely to pay this kind of cost, and therefore most sites did not use HTTPS.

* - although if we go to the 90s, we will encounter the problem that cryptographic algorithms were classified as military equipment and therefore its export was restricted by existing US regulations. If you were to go to Netscape's website in 1999 and download a web browser, you will see that it is offered in two versions, one for US and Canadian citizens with "strong encryption" and other one with everyone else with "standard encryption" (woefully inadequate to secure confidentiality of information transfer beyond like, a few days or so)

https was invented in 1994, but as i recall, basically the whole internet used http up until the mid 2010s. and my question, more of a comment really, is... what the fuck?

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[panzershrike-pretz]

Why can't i just be left alone???? I don't want people near me. I don't care for what my mom has to say about her boss' baby. I don't want anyone in my room. I want to be ALONE listening to my musical BUT WHY CAN'T MY NEEDS BE TAKEN SERIOUSLY???

I want to be left alone. I want to listen to music confortably in the dark with a pillow pressing down on my head and with no one near me besides my dog

Is that so hard??? Am I asking too much?!

[miriani-lavellan]

Ahh, Lucanis. So let me first say, his scenes make total sense and I'm happy with what we got - we all want more from our faves, but they did manage to compact a lot of trauma and resolution in some fairly compact quests. Here's what I think happened that wasn't made explicitly clear though:

Lucanis chooses the pantry to sleep in because he's been imprisoned and tortured for a year, and he's not ready to leave captivity yet, not inside his head. He locks himself in there because it's familiar misery to him, which is easier to deal with than scary freedom.

Lucanis' letter to Rook before he asks Emmrich to bring Zara back for questioning tells us he's suicidal at that point, and probably has been for a while. Spite, however, doesn't see him as a lost cause - he never uses that to take over Lucanis' body entirely. This is so interesting to me, when we know things like that pretty famously happen all the time in Thedas. He's determined to keep Lucanis alive - and he asks for Rook's help in doing so.

We are in the NORTH now BABY! Attitudes towards spirits and demons are different here, especially in Rivain, and it seems with our Rook too, who never expresses any chantry-esque hang ups (that I've seen). Seer Rowan greets Spite as Determination, and that's how he's introduced by Isabela (with some excitement) if you fight in the hall of Valor. What happened to Spite is just as sad as what happened to Lucanis. He was violated, perhaps corrupted, and definitely trapped - and hurts Lucanis sometimes in his frustration. But, I think he likes Lucanis! He's his host's little head gremlin, and I think the relationship they have (that we don't see too much of) is healthier than any of the possessed individuals we've seen before.

Because? Lucanis is not a spiteful person. He wants revenge, yes, and he's angry, but he doesn't hurt everyone around him because he's in pain. One of the first things he does when he becomes part of the team is go shopping for them. And despite how Ilario and Caterina have hurt him - and you can argue all day whether he's right to be like this - he still cares for them.

I think that when we help Lucanis leave the prison inside his head, we are helping Spite to return to his original nature as Determination just a little more. We're determined to help our friend, and you know what? Spite is too. For himself, firstly, because Lucanis's pain is hurting him, but in the end, he's done it for Lucanis too. There's an argument there that Determination didn't get corrupted at all - just hurt, and that Lucanis, with his loving nature, has been keeping him from turning into a mindless demon of pain.

I thought for a long time that when Lucanis breaks away from kissing Rook, it was because Spite said something horrible to him. But actually, I think it was Lucanis himself, remembering how trapped he is. Thinking about the eventuality of killing himself - I strongly suspect that's what he was thinking about before he fell asleep, and that's why Spite was trying to go walkabout - trying to get out from where Lucanis can't. Lucanis got lost in the moment, but of course he doesn't want to drag Rook into that.

Lucanis making dessert for Rook and thinking that's the same as asking them out (but not actually asking them out) is so completely on brand for him I laughed. He has no idea what he's doing. It would have been nice, though, for Rook to reply to one of the companion's 'so you're together?' banters with... 'we are?' Or for Rook to be able to ask him. Unfortunately, we don't get those convos where we can spam ask questions etc like in DA:I - I did wonder if that got cut and we missed some resolution to that.

Lucanis gives no shits about everyone knowing he's Rook's love interest. He's not ashamed of himself or scared he'll hurt them - Rook has helped both him and Spite. And judging by the way Spite's wings come out to embrace Rook as they kiss Lucanis, I suspect that Spite might love them, too.

[everyonewooeverywhere]

MDNI 18+ BLOG -> ageless blogs and minors WILL BE BLOCKED

pairing ✭ farmhand!mingyu x farmer's daughter!reader

note ✭ this is very much inspired by the mingyu pictured above. (also i don't mention it explicitly, but girly's family is lowkey rich)

synopsis ✭ when your dad hires a hot new farm hand, you can't keep your hands off of him.

content/genre ✭ smut (18+ mdni)

word count ✭ 2.9k

warnings ✭ smut, mingyu and reader are horny af, outside sex (no one else sees them though), no prep, overall horny shenanigans i guess 🤷‍♀️, alcohol consumption, tipsy sex (they're not depicted as drunk, but they did have a couple drinks)

✭✭✭✭

Every time your father hired a new farmhand, they were always the same. While they never disappointed in the build department (they were always jacked, but that was kind of a requirement of the job), but they all looked identical. They wore the same brown scuffed boots. They had their hair in the same floppy cut with the same dirty blonde color. 

For a couple of summers through your teens, it had been fun. Your father would hire him after the final school bell rang for the summer. You’d introduce yourself to him when your father was nowhere in sight, and you’d spend the rest of the summer sneaking around with him and having your fun. When summer finally ended and school began, you’d bid him farewell and never speak to him again, and your father was none the wiser.

And it was fun! The first two times. Then every summer turned the same, and every single farm hand looked indistinguishable from the last with no discernible personality whatsoever. 

So, having just finished your second year of university, you were expecting more of the same. You’d have a gander, but you certainly weren’t expecting much from whoever your dad decided to hire this summer. 

“God, why couldn’t you have invited me to stay over at your house this summer? I’d take whatever hunk your dad decided to keep,” your best friend from school, Jennifer, whined over the phone as you pulled your car up the long driveway to your house.

“I did invite you, but you’re spending you’re leaving today for Spain, remember?”

“Yes, but y/n!” she whined again, “I need more muscly men in my life. This would be the perfect opportunity.”

“You’re gonna be in Spain for two months. I’m sure you’ll find at least one man muscular enough to fit your standard.”

“Yeah, whatever. You better have fun with this man without me.”

“Like I told you earlier, they’re so fucking boring. It’s not gonna happen.”

You put your car in park and began to gather up your purse and phone when you glanced up out the windshield to see probably the most attractive man you’ve ever seen in your life walking out your front door and toward your car. It was as if your severe doubts had summoned him.

Ever the chatterbox, Jennifer kept talking, “Well I’m just saying maybe you should keep an open mind. You never know what could happen. One magical night in the woods and you could be locked down for life. It’s just–”

“Jennie shut the fuck up.”

“Woah,” she seemed mildly offended, “sorry?”

“He’s hot Jennie. Like really hot. Not even a ten. Probably a twelve.”

“Ugh, you lucky bitch! I told you to keep an open mind,” you could hear her mother yelling at her in the background, “Oh shit. Girl, I have to go, but send pics! Please! I need to see the hunk you’re railing this summer.”

“Yeah, of course,” you mumbled while she hung up on you.

This man was really throwing you for a loop. Just based on appearance alone you could tell he was not the type of guy your dad usually hired. First and foremost, he was massive. Well over 6 feet tall and far more muscular than any guy you’d ever seen (and that was saying something), and the skin-tight black t-shirt he was wearing did nothing to hide it. His hair was dark and cropped, a far cry from the endless supply of shaggy blonde hairstyles you’d seen over the years. 

The cherry on top was when, after watching you stumble out of the car, he’d asked, “Where’s your luggage? I thought I’d help you carry it inside.”

“Oh,” you let out an awkward laugh, “It’s in the trunk. Thank you.”

“Of course,” he followed you around the back of your car and popped open the trunk, “I’m Mingyu by the way.” He stuck out a hand for you to shake it.

You grabbed the hand and he shook it with a firm squeeze. Holy fuck he has nice hands. “Y/n. It’s great to meet you Mingyu.”

There was no hiding the way you gawked at the way his muscles flexed when he carried your stuff inside.

✭✭✭✭

The idea of returning to your old ways was honestly exciting for you. Last night over Facetime Jennifer had gotten the whole rundown of your brief interaction with Mingyu. You fawned over his muscles, his cute lisp and the way he’d been such a gentleman to help you carry your luggage after what you assumed was a long day of work. 

She’d found his Instagram of course and found out that he was indeed just as attractive as you’d described (and he had cute friends too). 

This morning you felt more than ready to kick off what you predicted to be a great summer. And you weren’t starting slow either. You knew the routine of your father’s farmhands enough to know that Mingyu would start the day mowing the lawn around your house. He’d usually start later on Saturdays (today), too. Meaning that if you got out there by 10 am, he’d probably still be working his way around the lawn. Hopeful by the pool.

Which, by complete coincidence, is where you were. Laid out in your favorite bikini by the water. The dark sunglasses covering your eyes meant that your eyes were completely hidden, but it was obvious where you were looking. 

Not far from the pool, you could see Mingyu pushing the lawn mower through the grass of your backyard. The tight black t-shirt from yesterday was no more. Instead, he wore a white tank top that left his arms completely exposed. He glanced over at you a couple of times, but he never let his gaze linger long enough for you.

You watched him from your laid-out position in your pool chair for a good fifteen minutes before he disappeared into the shed, presumably to put the lawnmower away. While he was inside, you took a moment to stand and dip your toes in the water thoroughly enjoying the coolness of the water. It was nice, you had to admit, but you’d have to save that for later because, while you were distracted by the water, Mingyu had made his way to the fence that separated your pool from the rest of the yard. 

It was only when he cleared his throat that you noticed him standing there, leaning against the fence smiling at you with an eyebrow raised.

“Do you normally spend your mornings checking out your dad’s employees?” God his voice.

You stepped out of the pool, “Only when I think they’re worth my time.” You slid your sunglasses off your face and onto the top of your head as you approached the fence where Mingyu was standing.

“Charming. I’m assuming he hasn’t the slightest idea what you get up to, then?”

You laughed, “Of course not. I’m good at keeping secrets.”

“I’m sure you are.”

“So…” you brushed his forearm with the tips of your fingers, “What time do you get done?” You knew the answer of course, but it felt polite to ask.

“Seven thirty. Why? Hoping to get me alone?” He smirked

“I wouldn’t mind it.” You bit your lip as you no-so-subtly checked him out for the millionth time, “Meet me behind the shed at seven forty-five, ok? Don’t be late. I’ll bring booze.”

✭✭✭✭

Part of you wondered if he’d be there when you snuck out of your house at eight-fifteen. Yes, you were late, but that was part of the game. Your parents always went to bed early, and you were an adult. So getting out of the house unnoticed was no issue at all. If your dad noticed the six-pack missing from the garage fridge, you could just tell him you drank it or you could feign complete innocence. 

The weather was still warm despite it being completely dark outside, so your athletic shorts and oversized tee did just fine. You’d contemplated wearing a skirt but ultimately decided against it because you didn’t want him to think you’d give it up that easily. Even though you were already struggling greatly to contain your excitement.

He could hear the clinking of the glass beer bottles as you made your way to the shed through the freshly cut yard. As much as Mingyu would love to deny it, he hadn’t stopped thinking about you since this morning. Something about the way you were laid out in the sun this morning had left a permanent imprint on his mind. The secrecy of the situation was also incredibly appealing. It turned him on more than he’d like to admit, messing around with his boss’s incredibly hot daughter.

Mingyu wasn’t an idiot. He knew you were taking your sweet time on purpose. You’d made him wait half an hour just to see if he’d wait around for you that long. You wanted to see how bad he wanted it, and clearly, he wanted it pretty bad because you found him sitting on the bench behind the shed staring up at the stars.

“Sorry, I’m late.”

He laughed, “Sure you are.” He held out a hand.

You passed him a bottle as you sat down next to him.

“I thought maybe you’d changed your mind, but it seems you just enjoy the idea of making people wait for you.”

“Maybe,” you turned so your knees just barely brushed his thigh, “But you waited for me didn’t you?”

“Hey, maybe I just wanted free beer.” He gestured to the bottle in his hand.

“I know for a fact my dad pays you enough for you to afford your own beer.”

He laughed and leaned his head back against the shed, giving you a full view of his neck. You couldn’t help but imagine kissing his neck, leaving plenty of marks in your wake. “He sure does. It’s one of the many benefits.”

“What else do you like about the job?” You were genuinely curious about what was so appealing about doing nothing but manual labor for an entire summer. Even if the paycheck was really good.

He shrugged, “I don’t know. Gets me off my ass. Gives me something to do with my hands.”

“Oh? You good with your hands?”

“You just don’t let up do you?” He really did enjoy how insistent you were despite your attempts to make him pine after you by making him wait for you so long. 

“Not unless I’m asked to.”

You ended up talking with Mingyu for two hours. The two of you drank and talked about your lives, school, home, past flings, and relationships. By the time you two of you had finished off the six-pack you’d brought out, you felt as if you’d been out there forever. 

At some point, you’d put your legs over his lap. He caressed one of your calves with one hand while you played with the fingers of his other hand.

As much as you’d enjoyed this little conversation, the more you drank, the hotter he got, and you were hardly holding it together anymore. With every move of his hand on your calf, you could feel yourself getting wetter and wetter.

You took the hand that was already in yours and placed it on your cheek, “Mingyu…” you whined looking up at him.

“What, baby?” his thumb stroked your cheek.

You straddled his lap, sitting back on his thighs and moving down his neck and to his chest, “can we stop talking for a little bit?”

“Oh?” he questioned, lightly placing his hand on your lower back under your shirt, “What do you suppose we do instead?”

“Can I kiss you?” You asked leaning further into him so that your chests were touching.

“You can do whatever you want, baby.”

That was all the confirmation you needed to lean completely into him and kiss him. The kiss was long and more passionate than any kiss you’d experienced from your past summer flings. His hands were on your ass, pulling you to hover over his crotch where you could obviously tell he was hard. And that would have made you smug if you hadn’t been sitting in your own arousal for at least an hour. 

You kissed down his neck just like you had previously imagined. He let out a deep moan with every mark and bite you made. You had failed to realize that one of his hands had left your ass until you felt a hand brush over your completely clothed pussy.

“Baby, as much as I love these cute little shorts, can I take them off of you?”

Nodding furiously, you leaned back, pulled yourself off of his lap and pulled off your shorts and shirt, setting them on the bench beside him. Of course, you weren’t wearing a bra, something Mingyu had noticed almost immediately when you’d sat down beside him. Before you made your way back to his lap, you reached for the hem of that stupid, useless white tank top that covered virtually nothing. You pulled it over his head with ease. 

“Wow–” you whispered.

He laughed and pulled you back into his lap, “As flattered as I am,” he ran a hand up your side, “I could say the same thing about you.”  

Before you could even think about how to respond Mingyu’s face was in your chest, feverishly placing kisses on your tits. He grabbed one with his hand and rolled the nipple between his fingers.

You gripped onto his hair and moaned softly. Your hips rolled over his clothed dick multiple times before he finally shucked off his jeans which had become uncomfortably tight. 

“Can I please fuck you now?” he asked.

“Please,” you begged completely forgoing the chance to tease him for his politeness.

You pulled down the waistband of his boxers and grabbed him. Running a thumb over the tip, you pulled his cock out and pumped it a couple of times. “God, baby. You better hurry up.”

He slid your panties to the side and ran a finger between your folds, “you sure you don’t want me to prep you?”

You shook your head. So much for making him wait. “I’ll be ok. I don’t think I can wait any longer.”

He nodded and reached to grab a condom from his pocket. Of course, he’d come prepared. When he failed to open it fast enough, you snatched it out of his hands and ripped it open with your own teeth. You rolled it onto him after what felt like an agonizingly long amount of time. 

He positioned himself at your entrance and slid himself into you with relative ease. You threw your head back when he bottomed out. You covered your mouth in an attempt to keep yourself at least a little quiet. 

“F-fuck, Mingyu!”

“Shit, you’re so tight,” he grunted out, “I’m gonna need you to move, baby. Can you do that for me?” 

You nodded and gripped onto his shoulder. As you started bouncing up and down on his cock, he buried his face back in your chest, kissing and biting at your tits, collarbone, and neck. He left plenty of marks on your chest that were identical to the ones you’d left on his neck, maybe even darker. You had brought your own hand to your clit. Desperately trying to find your release. 

“Oh god Gyu, I’m so close,” you grabbed onto his hair.

He hissed from the stinging in his scalp, “Me too, angel, me too.” His face was in your neck when you’d finally reached your climax, and he followed immediately after.

You both sat there, chests heaving, for a couple of minutes, saying nothing.

“Wow,” was all he could say as he pulled you off his lap and helped you put your clothes back on, tossing the condom into the trash bin beside the bench. You made a mental note to take the trash out before your dad came out here tomorrow.

You laughed breathily, “You’re not so bad yourself.” 

He grabbed your wrist and pulled you into him. Your hands found their way to his chest instinctively. “Can I see you tomorrow night?”

“Oh, was that not enough for you?”

“God, no, that was perfect. But I wanna take care of you for real next time.”

“What did you have in mind?”

“I have a truck,” he nodded toward the red pickup truck in your driveway, “I can drive it down to the creek. The bed of the truck is actually pretty comfy when you put blankets and pillows down.”

Laughing, you said, “You want to fuck me in the woods.” He shook his head, “I wanna eat you out in the woods.”

God, this was gonna be a fun summer.

✭✭✭✭

“Girl, what!? It’s only been a day?” Jennifer’s voice rang through the phone. “Was it good?’

“For outside bench sex? Yeah, it was great. We’re seeing each other tomorrow night.”

She groaned, “Ugh, you lucky bitch. I’m so jealous.”

“What? No Spanish hunks?”

She shook her head, “not yet. But I’m hopeful!” 

“Do you still want updates, or are you gonna explode from jealousy?”

“No! Please keep me updated. I’m living vicariously through you.”

You laughed, “God you’re insufferable.”

“I know!” She batted her eyelashes at you, “You will keep me updated though, right.”

“Of course, how could I not.”

✭✭✭✭

thank you for reading! i knocked this shit out in two days (and you can probably tell 👀), but i'm genuinely surprised with myself.

anyway hope you enjoyed. reblog and like if you did! love hearing your thoughts

mwah~

[mismatched-sockss]

You're my future, past and present

» Pairing: Spencer Reid x fem!Reader » Word count: 6,4k » Warnings: spoiler mentioned for 9x23 Angels / 9x24 Demons, Spencer's POV, exes to lovers, set after s15, anxious!Spencer, reader feels guilty at one point, language? (one 'bitch' from reader to reader), mentions of past fights, minor misunderstandings, random old lady plays cupid <3, fluff, kissing, how many phrases for being in love can one pack in two paragraphs? me: yes., » A/N: my brain is on strike for finishing bingo fics for some reason, it instead gave us this so yay!, i'm still working on those of course but i can't tell when i will get the next one done (in the words of one Penelope Garcia: Why do the last 10% always take the longest?), hopefully by the end of the week; it's lightly implied that reader can get pregnant in the beginning but it's not explicitly said (only mentions of kids), which is the reason i tagged it as fem but no mentions of anything body related or any pronouns (i think so, please let me know if i missed pronouns), so it might as well can be read as gn; no body description --- pls take a look here for more info about my reader descriptions in general

⚶ masterlist ⚶

He should have asked Penelope for a favour to look you up, before he came here. He had no idea how your life had changed in all these years he hadn't seen you or if you even wanted to see him again. It didn't particularly sound like it the last time he saw you.

You could be happily married with kids for all he knew. The thought alone almost made him turn around without even knocking on your door. He didn't know what he would do if this was the case. Or maybe you didn't even live here any more, you could have moved; to the other side of the city, to another state. Another country. You had toyed with the idea to move to Scotland back then, it very well could be that you had acted on it.

Too much time had past, five whole years – five years, three months, twenty-one days and eleven hours, forty-two minutes to be exact; but who was counting, right? – and there was too much history, too much heartbreak. Too many reasons why it hadn't worked out.

The main – and kind of only – ones being his job at the BAU and everything that came with it. The travelling and never being home, not even a free day or annual leave really meant not getting called in, the late nights, the worries that he could get hurt and may not be coming back home, the worries when he got hurt.

You had your reasons to break it off and he still thought that you were right to do so. He never held it against you, never resented you for leaving. Because he understood. If the roles would have been reversed, he may would have made the same decisions.

This whole idea was stupid. Why was he even here. He should just leave.

What did he think would happen when you saw him? That showing up out of nowhere – with no contact since the break up, not even a single text message – and having a 'new' job would change everything and would make you jump back into his arms in an instant like nothing happened? Yeah... Sure...

Maybe, deep down and in the tiniest crack of his heart, he didn't even want you to open the door; didn't want to see your reaction to him just showing up and the inevitable rejection that would surely come. He was sabotaging himself, really. And if he would be more honest to himself, he'd knew that. Maybe he did, but just didn't want to see it.

Spencer had been pacing back and forth in front of your door for an eternity by now; walking closer to it and already lifting his hand to knock, but changing his mind before his fingers even came close and he was walking a few feet away to leave, only to change his mind again and repeat the whole ordeal. Over. And over. And over.

He just couldn't make his mind up, he didn't know what to do. It shouldn't be this hard to knock on a door. Especially yours. But maybe it was this hard for him because it was yours.

At one point, he, a man of science, even asked the universe to give him a sign, to show him what he should do; if he should do it or if he should go.

That's when it happened.

Right after, as he was walking closer to the door again, he tripped over his own damn feet and he ended up kicking the door with his shoe; not hard, but audible enough.

Shit. Not the sign he was looking for. A pedestrian screaming something outside that he could twist into an answer, a car honking when he either was close to the door or walking away; hell, even a spam mail popping up on his phone that had a certain word in the subject line... No, it had to be this way.

Now he had to knock.

Taking a shaky breath, he hit his knuckles against the wood a couple of times and started fidgeting with his fingers as soon as he had lowered his hands. His heart was in his throat as he waited anxiously. His mind in a constant battle of 'please be home' and 'please don't be home'.

A moment later – both too short and too long at the same time – the door opened just a crack and it was really you standing there. Not some random person that would tell him you moved. You.

You didn't turn your head just yet, looking back over your shoulder instead, you held out your arm behind you and said “Stay there” in a soft voice to someone behind you. When you turned you blocked the entrance with your body and kept your left hand on the door.

Your eyes grew wide when you saw him. Spencer probably was about the last person you would have expected to see when you opened the door. He couldn't bring himself to break the silence first, didn't dare to speak.

“Oh, hey... Uh-”, you stammered looking for words, blinking in confusion. For a moment you opened and closed your mouth, and he knew you were hating that you looked like a fish out of the water, before you gave up and just settled for another “Hi.”

“Hi.” He hated how shaky his voice sounded. He cleared his throat and averted his eyes for a moment, looking down at his hands and the floor before he met your gaze again.

“Wow, it- it's been a while.”

“Yeah...”

“How long 's it been? Five years?”

“Five years, three months and twenty-one days.” Spencer pressed his lips together before he could blurt out the hours and minutes as well.

You laughed – not mean, but endearing – and the sound combined with the smile that spread on your lips made his heart leap. “Right.”

God, how much he had missed your laugh; how much he had missed you. Now that you stood before him, it became evident, that all the longing and yearning he had felt in the past years had been nothing more than a fraction of what he was really feeling; repressed by throwing himself into work and keeping his mind off you as much as he could.

His love for you never went away, never dulled even the slightest bit, and seeing you now was almost too overwhelming for him, his feelings for you crashing over him, nearly sweeping him off his feet.

“Uhm, I was just about to go to the park with Cleo”, you started, shooting a look over your shoulder and Spencer's heart dropped. He could have sworn it stopped beating for a few seconds as well. The Stay there hadn't rung any alarms in his mind, it could have been said to any person really. Going to the park with Cleo however...

He really should have asked Penelope to look you up before he came. You had a kid.

And since he could only see the heel of your left hand and not your fingers, he couldn't be a hundred percent sure, but there was a high chance there was a ring on your finger.

“Oh, I'm sorry to hold you up. I'll just, uhm-”, he stammered choked up and pointed his thumbs over his shoulder, taking a step back, about to turn away and leave.

“No”, you exclaimed, maybe a bit too quickly and panicked, as you held out your right hand like you wanted to reach for his arm; even making a small step out of the door. “You don't have to leave. You could- uh, you could come with us? If you want to.” If he wouldn't know better, he'd say there was a pleading look in your eyes, begging him to say yes and stay.

His mouth opened, but no words came out, no matter how hard he tried. He didn't even know what he wanted to say.

'Yes sure, let's go to the park with your daughter and rip my heart into pieces seeing and hearing about you living the life I dreamt of having with you, with another man'.

A plain 'No.' would be too rude, wouldn't it? Even if he would add a 'thank you' at the end, it didn't feel right.

“She uh- she likes meeting new people, she's really open; sometimes I'm afraid she'll walk off with anyone. Come here, girl.” You looked over your shoulder again and tapped your flat hand against your thigh a couple of times, then some clicking and scratching could be heard behind you on the parquet floor.

The speckled snout of an Australian Shepherd pushed in the space between your knee and the door, then tried to push through further after seeing Spencer. With a laugh you took a hold of the collar and held the dog back from running out.

“Cleo, stay.” You squatted down next to her, petting her head and scratched behind her ear. ”I have to warn you, she can be a bit rough when she gets excited.” A wide smile was on your face as you looked up at Spencer. “I've been trying to teach her to not jump up on everyone she meets, but it doesn't stick.”

Just like that, he felt like he could breathe again. Cleo wasn't your daughter but your dog and the ring you were indeed wearing on your left hand was one he recognized from your jewellery box.

A relieved chuckle left his lips and he mirrored your position. He held out his hand for Cleo to smell before he touched her. She really was excited; she was pulling against your hold and tried to get closer, her tail was waggling so hard her whole body moved in the rhythm and she nudged her nose against his palm hard after a short sniff, so he would pet her.

You did your best to hold her back, but after Spencer verbally said hi to her and was petting her on both sides of her head she surged forward; your hand slipped from the collar and Cleo threw her whole weight against him, making him loose balance and topple over.

With an outstretched arm he held himself up, laughing, as your dog rubbed her head against his torso and hand and was spinning around a couple of times between his legs, repeatedly leaning herself into him with every turn.

“Cleo!” Your voice had a warning tone to it that hadn't fully replaced your laugh though, not until she let out a small bark and started to lick over his face. “No! Stop!” You pulled her away and moved her back into the apartment; Cleo only reluctantly complied.

Before he could react, you shuffled closer on your knees until you kneeled right before him and in between his legs. You reached out and started to wipe the side of his face clean; the sleeve of your sweater pulled over your fingers. “I'm so sorry, she's usually not that excited. I have never seen her do this to someone that isn't me.”

He froze when you got close and he felt your touch, every soft stroke leaving behind a trail of fire, even with the thin fabric barrier between you. One would think his heart couldn't pound any faster in his chest than it already had since he had laid eyes on you again, but it did.

“It's- hu, it's okay”, he stammered as he was watching you intensely, with wide eyes.

“No, it's not”, you said softly and took his chin between your thumb and index finger, slightly tilting his head to the side as you tried to get everything off. “Do you want a wet wipe or something? You can come in and wash your face if you'd prefer that.”

Spencer couldn't help the smile stretching on his lips, his heart warming over the fact that you were still looking out for him, after all these years; after everything that had happened and all the things that had been said the day you broke up with him. His hand moved on its own accord and he wrapped his hand around your wrist, stopping you. “Really, it's okay.”

You met his gaze, heat rising in your cheeks and it was like you only now realized how close the both of you were sitting and that you were touching him. For a second you froze, your eyes wide. Then, after a deep breath, you pulled back to bring some distance between you and cleared your throat, looking away.

He could tell there was an apology forming on your tongue, but you swallowed it down. You began to nervously fidget with the hem of your sleeve and cleared your throat. “So, uh, do you want to come with us? There is this coffee shop on the way that opened about six months ago and they're really good, we- we could grab a coffee and catch up...?”

“I'd really like that.”

It was easy, talking to you. The initial awkwardness and anxiety he had been feeling had quickly faded and the both of you were talking as freely and open as before, like no time had passed; and he was incredibly grateful for it. Neither of you had been going to personal topics for now though – the closest thing to personal in a deeper sense was when you asked about his mom –, the both of you had been talking more about everything and anything.

[..] Did you end up getting that book collection you had your eyes on? - When did you get Cleo? - Oh, do you remember my coworker Grace? All the rumours really were true! - Is your neighbour still vacuuming solely in the middle of the night? [..]

About halfway to the park you stopped at the café you had mentioned and while you were waiting in line, you told him about the different coffee varieties they offered; the flavours, how strong they were, how sweet, the seasonal ones. You had drunk your way through the list three times and until you decided on your Top 5.

He crinkled his nose in adoration as he was listening to you rambling about the coffee – what you liked about each one and why you didn't like another – totally engrossed by you; you had done this in the past as well and it made Spencer happy that you still were. It was adorable. He wondered, if you still wrote down your Top 5's in that little notebook you had always kept in your purse.

The one you recommended to him was really good, you had met his taste precisely; the perfect amount of sweetness just how he liked it, and with a hint of vanilla and cinnamon.

There were many occasions he was about to reach for your hand, it was almost instinctually when you were this close to him. He didn't know if you would let him, if you would want it. So Spencer didn't. Instead he buried his hand deep into the pocket of his coat to keep himself from reaching for you, holding a tight grip on an old pack of gum he forgot was even in there.

Throughout the whole way from your apartment to the park, Cleo was happily dancing around you, just shy of making one of you trip over her. That she didn't circle around the both of you to wrap the leash around your legs – all '101-Dalmatians'-like – was all.

After you arrived at the park you walked a bit further in until you came to a fenced area that seemed to be reserved for dogs for them to freely run around without having to be leashed. As soon as you unhooked the leash from Cleo's collar she dashed forward, joining a group of dogs playing.

Spencer and you sat down on a bench and just sat in comfortable silence for a moment, watching her. His hands got clammy as he got nervous because of the proximity, and he tried to wipe them on his pants as discreetly as he could. You were sitting so close to him, your thighs and shoulders were almost touching; he could feel the warmth radiating from your body and with every soft breeze the smell of your shampoo got carried over.

“So, uh... How have you been?”, you asked after a few minutes.

He huffed out a small laugh and licked over his lips. Where should he even begin. “Long story short? Not good then somewhat okay, bad, worse, better, okay.”

"Sounds like one hell of a roller coaster."

Oh you had no idea how much. And 'hell' sounded about right to be honest. "You could say that... How about you?"

"Wasn't much going on for me to be honest. I've been... okay? After some time at least...”, you admitted nervously, following Cleo with your eyes. “Everything alright at the BAU? How is everyone?”

“Good, they're good.” Spencer started telling you about all the changes within the team, but he left out all the bad stuff for now – he told you about Alex leaving, about Tara joining after practically a 36 hour long job interview for the open position, JJ and Will having a second child, that Morgan left and had married Savanah and that they had a son as well, Garcia vehemently trying – but ultimately failing – to hate the newbie Luke.

“Rossi got married last year.”

“Really? Again?” You let out a soft laugh.

“He re-married his third wife actually. They got back together after-” He had to stop for a second and swallowed hard as the spark of hope was reigniting in his chest. If Dave and Krystall had found their way back to each other after thirty years and made it work, five years didn't sound all that bad in retrospective. He tried to play it off like he was trying to remember the exact number of years. “Around three decades, I think.”

“Wow... That's a lot of time..”

“It is.” For a short moment Spencer didn't say anything more, trying to muster up the courage to tell you he left the team as well.

“And I- uh” He huffed out a small laugh, nervous, and let his gaze wander over the meadow. There he goes... “I'm not- I'm not with the BAU any more, actually.”

“...Oh”

For a moment you didn't say anything else and his heart beat faster. He couldn't a hundred percent gauge what your silence meant. What the oh meant. Did you care? Were you relieved or maybe even sad for him? Could – would – it change anything between you, even after all this time? Would you give the both of you a second chance? Him?

Hope started to rise up again in his chest and he tried to stop it and keep it at bay, so it wouldn't take over him; it would only crush him even more to lose you a second time if he'd let it happen. Spencer's breathing became more shallow and slightly faster as he waited for you to say more.

He could just turn his head to look at your face of course, study your expressions to get his answer without you saying another word. He didn't. Something held him back; maybe it was only because he was respecting your wishes from years ago not to profile you. Maybe it was fear of what he would see.

He heard you clear your throat and when you spoke, your voice was shaking, almost undetectable however. If you wouldn't sit so close to him – and if it wouldn't be you and he wouldn't be him – one probably wouldn't have noticed. “Why not?”

“Re-assignment due to budget-cuts or something like that. There were a couple of people higher up the food chain than Emily that had it out for us for a couple of years now.” His eyes followed Cleo sprinting over the grass, chasing and playing with the other dogs.

“Emily is back?”, you asked. The last thing you knew was that she had left for London not long after she came back from the dead.

“Yeah, she took over from Hotch after-” He stopped himself.

Telling you about Hotch and Scratch and why Emily fully became Unit Chief of the BAU, meant he had to tell you about everything else; everything that had happened to him. He just wasn't ready for this yet. This would have to be a story for another day; for both your and his sake.

“Anyway, I uh- I'm teaching now. Full-time. Mostly at the academy and some colleges here and there. But all in all-” Spencer took a deep breath. “Fixed work hours and no travelling for longer than a day.”

Only when he felt you tense up did he bring himself to look at you. You were sitting up with a straight back, eyebrows furrowed, lips slightly pursed. Your eyes were darting around and he watched a muscle twitch on your jaw.

He quickly looked away again, concentrating on Cleo again, before he could read you more. He couldn't help it, it was hard not to and turn it off. By now profiling was in his blood, it was a subconscious habit he couldn't always control, it just happened. You didn't want to get profiled, so he did what he could do to not use his profession on you. If it meant turning away and not look at you, even if he was only looking just to see you, he'd do it.

Also, he knew that he was biased; another reason why he shouldn't. What he would see and read would not be accurate. Usually, this was not a problem, he could read body language and micro-expressions with a 99,42% accuracy, since he'd do it with a neutral stand. But right now it was personal.

What ever Spencer would see in your non-verbal communication, he was too involved to not let his judgement get clouded by his feelings for you, his hopes and his fears. He would only see what he wanted to see, or what he not wanted to see, depending on which part of his heart was winning at the moment; the confident and hopeful part, or the insecure and anxious part.

“That's... That's nice. Do you like it?” He wished, he knew what you were thinking right now. Your tone didn't give much away on how you were feeling, but you seemed a bit more relaxed to him.

“Yeah, it's fun. There are some key topics on the curriculum I have to cover of course, but other than that I have pretty much full reign over the subject matters. Learning is more fun when it is about something you're really interested in, so I take suggestions from my students for a lot of the lectures. It's been paying off already.” He smiled proudly. “They contribute more and most grades have gone up.”

Slowly, the longer you talked as the evening proceeded and the sun slowly began to set, he let himself go, allowed his heart to open up and he welcomed the prospect of having you back in his life – to what ever extent it may be, even if only as a friend if that was what you wanted.

His heart had leaped when you shared you weren't seeing anyone and it hadn't slowed down it's pace ever since. Both of you had been talking and asking about it in the most complicated and conspicuously inconspicuous ways one can ask 'are you dating someone?'.

Not only this, but you wanted to spent more time with him. Spencer couldn't believe his luck. It was almost too good to be true and he feared he might wake up from this wonderful dream any minute.

He could tell how nervous you were when you asked him; hands and voice shaking, fingers fidgeting with Cleos leash in your lap, your eyes not daring to meet his.

"Tonight is this big bonfire at the Benson's farm, you know, the one with the apple orchard? I was thinking of going and.. maybe if you- I mean, if you are free tonight and want, uh- Would you like to go with me?"

There was nothing he'd rather do, nowhere he'd rather be.

After a short stop at your apartment to bring Cleo home and for the both of you to freshen up, you made your way to the farm. It was a fairly short drive and the roads were mostly empty as it got later, a bright full moon illuminating the way now.

When you arrived, there weren't too many people present. It felt more like a large family gathering than a big event. At a decent distance were benches placed around the huge bonfire, there was a tent where various beverages and a few food options were served. Next to it stood a truck from the fire department and an ambulance; a precaution if the fire got out of control or someone got hurt.

The air smelled of smoke and burning wood, french fries, beer and Mrs. Benson's home made apple pie.

Sorry, Mr. Benson's apple pie as Spencer learned some time after you arrived. You introduced him to the hosts and you started to talk about a new recipe for the pie filling you had tried to make and Mr. Benson explained what he would have done different than the recipe you found had stated.

The Benson's were nice people – he had met them once when he had accompanied you to the farm to get apples and honey. You had gotten closer to them since then, dropping by to help them out from time to time, especially when it was time for the harvest.

He had to catch his breath as his heart fluttered, his eyes glued to your face as he watched you talk with old man Benson. The way your eyes wrinkled at the corners when you smiled and the excited glint in your eyes, how the fire painted beautiful orange patterns on your face as the flames danced high, fuelled by the soft breeze; combined with the silvery light of the full moon shining bright. You looked ethereal.

Spencer became increasingly aware of said man's wife and her three friends, who stood a little farther away. The women were whispering to each other and kept looking over, one of them not so subtlety pointing at the both of you. They weren't talking badly, not at all; they were smiling and giggling as they were talking, nodding at what the other ones were saying, swooning with their hands over their hearts from time to time.

It could only mean one thing – and he wasn't sure if he should be embarrassed about it, or not: that he all too obviously for everyone around looked as love struck as he felt; utterly bewitched by your beauty, completely head over heels, truly madly and deeply in love with you in every way, a total goner who was worshipping the ground you were walking on.

Thank god for the warm shine of the fire, or they would be able to see the blush rising up his neck in this moment as well... He just was glad that he had finished his piece of pie before this, otherwise he'd probably stand here with an open mouth and the fork frozen in mid air as he was looking at you. Now, that would have been a good picture.

What he didn't know though, was that they weren't just talking about the smitten look on his face, but yours as well. The longing glances you shot his way whenever he wasn't looking, how you were orbiting around him like the earth around the sun, a magnetic pull to each other that not even the both of you seemed to realise you had as you unconsciously stepped closer to the other when you stood too far apart. They talked about the fact, that you looked at Spencer with such a happy and beaming smile they hadn't seen on your face in a long time.

And that they could tell how hesitant and shy the both of you were about getting closer.

It's not like he didn't want to, believe me. The urge to hold your hand or wrap his arms around you – to kiss you – was still burning in every fibre of his body and it got more and more challenging to hold back, the longer he was around you. Leaving out the tiny part in him that was still afraid of getting rejected, he didn't want to impose on you by acting on it. He didn't want to possibly make you uncomfortable, so he left it to you to initiate any physical contact.

Admittedly, this was very much a bad plan if you were doing the same and were waiting for him to make the first move. However, the universe seemed to take matters in its own hands again.

Spencer had to remove himself from of the situation for a moment to restore some of his composure and not ogle you non-stop; especially not in front of all these people. He let you know that he would get the both of you something to drink and asked what he should get for you; when he came back, Mr. Benson had left.

For some time you stayed close to the fire, until he saw you lift your hand to fan yourself some air. “Too warm?”

You let out a small laugh and smiled at him. “Yeah, it starts getting a bit too much.”

He took the now empty cup from you and with a tilt of his head he signalled you to follow him. He gave the cups back to the person behind the make-shift bar counter and you walked a little farther away, putting some distance between you and both the tent and the fire. And the people too actually, the majority had gathered close around the flames in small groups.

“That's much better”, you sighed. “I like a nice fire as much as the next pers- oh.”

Before you could finish, you lost your balance when a body collided with yours from behind. You stumbled forward and Spencer instinctively reached out to catch you – he got a hold of your arms with a firm grip on them right above your elbows as you fell into him, bringing up your own hands to hold onto his shoulders.

“Oh, dear, I am so sorry, I must have tripped over something. Are you okay?”, the voice of a woman came from behind you.

Neither of you let go of the other as you turned to face her. Spencer recognized her as one of the women that had talked with Mrs. Benson earlier and the look on her face told a whole different story than her words; that she wasn't sorry at all and that it had been deliberately planned to bump into you.

“I'm okay, no worries. Are you?”, you asked her and quickly scanned her for injuries.

“Ooh, I'm good. I'm good...”, she replied, almost in a sing-sang kind of tone and a wide smile on her lips. She snickered softly and walked away, her hand raised with a lazy kind of flick in her wrist as a wave good-bye.

The both of you watched her walk away, baffled.

“Okayyy”, you let out as you kept your eyes on her for a moment longer. “As long as she didn't twist her ankle or something.”

You turned your head, and just like earlier in front of your apartment, it seemed like you only just now realised the position you were in when your eyes met his. How close you were and that you were still holding on to each other.

Only this time, you didn't pull away.

The world around him seemed to fade away, time standing still, as he held your gaze. Your breath hitched and when his eyes flickered down to your lips, Spencer felt your grip on him tighten, subconsciously pulling him closer to you. His heart was in his throat and it beat so loud that he was sure you were able to hear it. He let his eyes wander back up and when he saw that you were looking at his lips as well, he threw all caution in the wind and just... did it.

He let go of your elbows, took your face in his hands and leaned in, hovering his lips over yours for a short moment to give you an out, to give you time to pull away, but you didn't; instead you closed the small space that was left between you.

A long and deep sigh rumbled in the back of his throat when your lips met and he pulled you closer; as you leaned into him, your hands moved higher until your fingers were tangled in his hair, slightly tugging on it.

When you pulled back – more than reluctantly, but the both of you were still in public – , you were panting, your breaths mingling as your faces were still so close to each other. Spencer kept his eyes closed for a moment longer, not quiet ready to open them yet, afraid that when he did, he would wake up from an incredibly vivid dream.

“I'm sorry”, you suddenly choked out, which made him open his eyes in an instant. Tears were streaming down your face and you took a step back, keeping him at arms length. “I am so sorry, Spencer.”

“Hey, what's wrong? Talk to me, please.” Your emotions had changed so suddenly, he didn't know what happened, what made you cry. He wasn't sure what he should do, how he could help you calm down.

“I'm sorry”, you repeated, shaking your head.

“What for?” Did you regret letting him get close to you again; kissing him? Did you regret, that you hadn't just closed the door right in his face as soon as you had seen him this afternoon?

“Everything!” you choked out. “For how I acted all the time and for leaving like that, for leaving when I did. That I didn't contact you even once. For saying all those things, it wasn't fair. It never was. You didn't deserve it. I was so mean for no reason...” You sniffled and wiped the back of your hand under your nose. “I regretted every word the moment I said it, I didn't mean any of it. I couldn't stop talking and it was like I was losing control over myself and it all just came out and-....”

“Hey, I know...” Spencer took a small step closer to you. “In that moment it hurt, yes. And it took a lot of time until it stopped hurting; sometimes it still does. But I get it. You were scared. Some people get angry and lash out at the people around them when they are scared, especially directed at the person they are scared for; everyone reacts different. It's a totally normal reaction, I don't blame you.“

A sob came over your lips, your face twisting in pain. “Please don't be like that...”

His brows furrowed, a short and sharp pain in his chest. “Like what?”, he breathed out.

“So understanding... I acted like a total bitch to you! You should hate me... Why don't you hate me?” Your voice broke and got smaller with every word.

The corners of his mouth slightly raised to the whisper of a smile and Spencer closed the distance between you, lifting his hands to cup your cheeks. He wholeheartedly meant what he said next; there was not one thing he could think of that would change anything about it.

“I could never hate you.”

“You were shot. You needed me and left you alone and-”

“I've had worse. Before that day in Texas and certainly after”, he trailed off and softly shook his head when your brows furrowed even more, pain and fear so evidently in your eyes; he could tell that you knew he wasn't talking about anything related to the break-up.

“It's okay, I'm okay.” Spencer brushed your tears away, holding your face so gently in his hands as if you'd break into a million pieces if he wasn't careful enough. By the looks of it, you may very well would. Not a risk he was willing to take.

You opened your mouth to say something, but he stopped you from asking what had happened after, by placing his thumb over your lips. “Not tonight.” Gently, he brushed his thumb over your bottom lip to the corner of your mouth. “We'll talk about it all and I will tell you everything, I promise. Just.. not tonight, okay?”

He wanted to stay in that little bubble you had created a little longer and ignore everything else but the feeling of having you back in his arms, being able to kiss and hug and touch you again, he just wanted to revel in your presence and your love. Everything else could wait; the guilt, the talking it out, the pain and especially all the bad stuff he had held back.

You pulled him closer by the collar of his jacket until there was no room left between you. For a second you fought with yourself, your eyes darting back and forth between his like you were looking for something in his gaze before you acted on what you wanted to do. Then-

“I love you.”

Before he could say, think or do anything else, Spencer dove down and pressed his lips against yours, smiling widely into the kiss. His heart was racing and he felt like a huge burden had fallen from his shoulders that he didn't even know he had been carrying. When he pulled back he rested his forehead against yours, his eyes closed. “I love you.”

He couldn't hold back his own soft laugh when he heard you giggle happily before you said: “I can't believe you still want me...”

“It's you. It's always been you and it always will be you.”

[grison-in-space]

I'm genuinely sorry, I was really tired and couldn't think of the word that mad pride movements use. I'm new to all of this. I thought you would be more open to it because you've reblogged from radical leftists (anarchists and communists both) within the past couple of weeks and they're all for Veganism afaik. The argument that all brains are different but equal and should be treated the exact same is a primary aspect of mad pride from my understanding, and that speaks to me about animals just having different brains, and that they don't deserve to be exploited and killed for us just because they're different. I'm not spamming people with it, but I was inspired by an ask by a nonvegan and started asking popular bloggers why they weren't vegan to open up conversation and potentially change people's views on animals. If I've made you uncomfortable I'm sorry, though I admit I'm really confused by your standpoint. You do know that the only reason communism hasn't succeeded is because of America? Anyway, sorry again, I'm also autistic and I didn't mean to dismiss your legitimate dietary needs. Can I recommend acti-vegan's posts? While I understand that you can't go vegan, perhaps their blog will at least help you understand our points, they're much more well-written than my asks and they have plenty of legitimate science resources at hand. Thanks for listening, I'll take your advice into account. I'm not trying to not listen, it's just frustrating because so many people say they get it but they don't change, and if they truly got it they would, you know?

Okay, I get that you didn't mean to be offensive, and fuck knows I shouldn't throw stones when it comes to forgetting specific words. (This happens to me fairly frequently; it's a thing.)

The argument that all brains are different but equal and should be treated the exact same is a primary aspect of mad pride from my understanding, and that speaks to me about animals just having different brains, and that they don't deserve to be exploited and killed for us just because they're different.

So yesterday I actually wrote out and then deleted a whole paragraph to the effect of "part of my deep, deep frustration with animal rights activism hooks into my commitment to the phrase 'nothing about us without us,' because I frequently see the same kinds of emotional projection without making the effort to listen to animals on their own terms from animal rights activism groups."

The first thing I need to make clear to you is that this--veganism and animal rights activism (ARA) more generally--is not new to me. I am in my mid-thirties and I have never had a job of any kind that did not revolve around animals in some way, I've spent time in rescue spaces and vets and universities, I'm queer and I have spent most of my life in leftish progressive circles, so it's kind of hard to miss.

Essentially, you are proselytizing to me as if you were a newly baptized evangelical convinced I had never heard of Jesus, because if only I had heard and understood his holy word, I would be converted instantly to his light! It's not any less irritating when the belief system isn't explicitly a religion.

More under the cut, because this one is long.

Disclaimer one: Veganism isn't synonymous with ARA ideology, but it's deeply entangled with it, and ARA ideology drives the movement of veganism as a (theoretically non-religious) ethical decision. And I object very strongly to the framework imposed by ARA activists. When I say I am not vegan, I am saying that I have considered the ethical framework that underpins veganism as an ethics movement and I have deliberately rejected it.

The second piece of context you should know that when I talk about being a behavioral ecologist, I mean that I'm a researcher who works on animals and that my framework is rooted in trying to understand animals in their own natural ecological context, without necessarily comparing them to humans. There's a lot of ways to study animal behavior you might run into, including attempts to understand universal principles of behavior that transcend species (animal cognition) and attempts to understand how to better treat animals in human care (animal welfare). You know Temple Grandin? Temple Grandin is an ethologist (the field that gave rise to behavioral ecology, also focused on animals within their species context) who worked on animal welfare (finding ways to make slaughterhouses less stressful to livestock, among other things).

Third point: my profession also means is that I work directly with animals--in my case, currently mice--and that I do not think research with animal subjects is wrong as long as all efforts are made to ensure maximal welfare and enrichment for the animals involved. This is another major bone of contention politically between my entire field and ARA groups, and you should know that I have also spent my entire professional career under the shadow of, well, people who care strongly enough about those ideas to invade my workspace and potentially seize my animals and "free" them into a world they do not have the tools to survive in.

So there's where I am coming from. Let's get back to what you're saying. Here, I'll quote again in case you have the same crappy short-term memory I do.

The argument that all brains are different but equal and should be treated the exact same is a primary aspect of mad pride from my understanding, and that speaks to me about animals just having different brains, and that they don't deserve to be exploited and killed for us just because they're different.

Point the first: Even within humans, I don't think that all brains should be treated the exact same. Especially in a disability context! After all, what is an accommodation if not an agreement to treat someone differently because they need certain things to access a space? Accommodations by definition fly in the face of this "treating everyone the same" understanding of fairness. I think all (human) brains are equally valuable, and I think all brains are worthy of respect, but I do not think that it's wise or kind of me to assert that everyone should be treated in the same way. For one thing, I teach students. If there's one thing teaching has taught me, it's that a good teacher is constantly assessing and adjusting their instruction to meet students where they're at, identify failures of understanding, and keep the attention of the classroom.

Point the second: animals do have different brains from humans. That does not mean that animals are inferior, but it does mean that they are alien. There's a philosophy paper, Nagel, What Does It Mean to Be a Bat, that you might find illuminating on this front. Essentially, the point of the paper is that animals have their own experiences and sensory umwelts that differ profoundly enough from humans' that we cannot know what it is like to be a different species without experiencing life as one, and therefore we must be terribly careful not to project our own realities onto theirs. That is, our imagination cannot tell us what a bat values and what it experiences. That is why we have to use careful evidence to understand what an animal is thinking, without relying on our ability to identify with and comprehend that animal. I have watched ARA groups deliberately encourage people to shut their reasoning brains off and emotionally identify themselves with animals without considering within-species context for twenty years. This is a mainstream tactic. It is not an isolated event and for that reason alone I would be opposed to them.

Point the third: there is a definite tendency in lots of people to care deeply and intensely about both animals and people who are seen as "lesser" in status--children, poor people, disabled people, etc--just as long as those groups never contradict the good feelings that come from the helper's own assessment of themselves and their actions. In humans, when the "needy" point out that some forms of help are actually harmful, the backlash is often swift and vicious. This is why animals are such an appealing target of support and intervention. They can't speak back and say "in fact, you are projecting my love of this frilly pink tutu onto me, and I think it's uncomfortable and prevents me from walking." They can't say "I kind of like it better when I don't have to worry about getting hit by a car, actually?"

(By the way: this is also why it's offensive to compare disabled people to animals, because this is generally done at least in part to silence the voices of disabled people speaking for our selves and our communities. We have access to language, and we use it, thank you.)

All forms of animal welfare intervention going right back to the founding of the first RSPCA have been incredibly prone to being hijacked by classist, racist, and otherwise bigoted impulses. This is because animals offer an innocent face for defense that conveniently cannot criticize the actions taken by their champions, and they therefore provide a great excuse for actions taken against marginalized members of human society. Think about the very first campaign the RSPCA ever did, which was banning using dogs as draft animals: a use that is not inherently harmful to dogs, which many dogs actively enjoy, but also one that was specifically used by poor Londoners and which in fact immediately resulted in a great butchery of the dogs that Londoners could no longer afford to feed rather than allowing poor people and their dogs to continue working together. No one was, of course, challenging the particular uses of dogs or any other animal favored by the wealthy. This kind of thing is so, so, so common. Obviously it doesn't mean that all interventions to prioritize animal welfare are inherently bigoted, but it does mean that we have to be critical about our choice of challenges.

On top of everything, the animal rights activist movement's obsession with "exploitation" is a function of the idea that humans are sinful or otherwise Bad in how we interact with animals by definition. For example, take the chicken rescue near me that is so obsessed with the possibility that some human somewhere might benefit from an animal in their care that they implant every hen they adopt out with hormonal implants such that the hens no longer lay eggs--a function that is normally a natural byproduct of a chicken's reproductive system, fertilized or not. A mutualistic relationship involves both parties benefiting, and that is the case for an awful lot of human relationships with animals. In general, the idea that associating with animals is a thing that can only harm animals rather than being a trade between two species to enrich one another is all over these groups. It's just so myopically focused on human shame that it prevents practical interventions that might benefit everyone, and often promotes interventions that don't directly benefit animals but sure do make humans miserable. For example, this kind of thinking is why groups like PETA are absolutely awful at effectively rescuing unwanted dogs and cats: they think pets living in "bondage" with humans are an essentially sad outcome, rather than one that might be mutually enjoyed by all parties.

I'm tired and my meds haven't kicked in, so I'm not currently going to handle the communism thing except to point out that while the US absolutely did destabilize a number of leftist regimes in South America and Africa, Russia and China between them have certainly not treated their own people kindly, either (and more so their own client-nations, as with the former members of the USSR). Please do some reading about the Holodomor and Lysenko in Russia (and frankly all of the details of Stalin's regime) and the Cultural Revolution in China in particular. Khmer Rouge might be worth looking into, too. I am not saying the US's hands are clean, you understand, because they are not; they're as steeped in red as anyone else's. What I am saying is that for people living on the ground, communist revolutions have this nasty habit of turning into bloodbaths and arbitrary slaughters. Do not let your distaste for the US's bloodsoaked imperialism (which, yes, is and was bad) let you fall into the trap of becoming a tankie.

And if you don't know what a tankie is, you really, really should take some time to learn.

[shakespeare-official-account]

Hey, everyone. I can't believe I have to say this, but here goes: a lot of gimmick blogs are minors. Actually, a lot of people on here in general are under 18, have "minor" in their bio or pinned post or have mentioned it before. Quite a few even have certain boundaries given, regardless of the owner's age (even though they're commonly found in minor's blogs). For example: people say "don't do kinky shit in my reblogs" "don't sexualise me" "don't make any romantic/sexual advances" "ask for permission before dming" or simply a "don't be weird".

Now, a lot of gimmick blogs have gained a large following, are interacted with a lot, et cetera. Some of us are adults, some of us are okay with NSFW/suggestive content. Some of us, however, are not.

Why am I saying this? Because one of my very close friends has been getting kinky reblogs for the second time in not very long despite their earlier pinned post being "I'M A MINOR DON'T BE WEIRD" with an example of what exactly weird things would be. And despite all that, they got similar, extremely fucking weird things in their notes. They're fourteen. I had an adult saying some rather weird stuff to me, and though he backed off a little when he found out I was a minor, he was still more than a little pushy with conversations and it made me uncomfortable. Some people get hate or threats, which is as bad as sexual shit in my opinion. It's really not okay, and I'm tired of watching this happen. Yes, they genuinely apologize at times (sometimes they're a bit too genuine, it gets really pushy and strange for the other person) but still, it's better if these invasive actions did not occur at all.

Let's make one thing very clear: gimmicks are people. Everyone on here is a person. There is someone behind the screen and the cool character and the roleplay and the jokes, and that person has boundaries that other people need to respect. As I said before, I can't believe I'm saying this, but whatever. Don't be horny in the notes of minors if they haven't explicitly said that they're okay with it. Don't send people weird dms and don't be pushy or obsessive or develop parasocial relationships with people. I've seen these things happen, I've experienced them myself (ew) and it's damn horrible. Tumblr is supposed to be a place to have fun and connect with people, not the place to be sexually harassed or hated on. So, with all due respect: stop. I'm personally okay with mildly suggestive things, but there are people who may not be, and those people deserve respect and space. Thank you to all the people who are normal and kind and make people happy with their interaction, and fuck you to everyone who thinks it's okay to harass people. Thanks for sitting through this apparently much needed TedTalk, I guess.

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[celaenaeiln]

Hiii, how are you? I’m new in the Batman fandom, but i saw a lot of people saying that Jason is actually Batman’s favorite child, and when i was reading the comics, i really though that Dick is Bruce absolute favorite, but i saw a lot of posts here on tumblr of the fandom saying is actually Jason and that the batkids all know its Jason, but i don’t know what is canon and what is fanon (quite honestly when it comes about the batfam i don’t like a lot about the fanon version 😭), so i wanted to ask you about it

And sorry if i said something wrong, english is not my first language

Hi and no worries at all!!

Yeah, canonically Dick is Bruce's favorite by a LONG shot and canonically the batkids all know this.

Infinite Crisis Issue #3

It's says right here in the comics. Really explicitly. But not only that, time and time again, there is clear evidence of Bruce's preferential treatment of Dick over the rest of the batkids.

One time the batboys and Bruce are searching for a guy that kinda is using the Gotham criminals as his subjects. So what they decide to do is split up to narrow him down.

Detective Comics (2016) Issue #1057

But they run into issues because the villains chose a 'divide and conquer strategy"

Detective Comics (2016) Issue #1057

Bruce gets swept away! Because of a carefully planned trap. But do you what he does the second he wakes up?

Detective Comics (2016) Issue #1058

JDAKFA;BFJALEC

BRUCE LITERALLY WENT: "I love Dick and all the other not-Dicks equally" !!!!!

As if that's not enough, Bruce's biggest fear is that he's not good enough for Dick.

Bruce's fear about Dick-

Batman vs Robin Issue #3

because he believes this -

vs

Bruce's fear about Jason -

Batman vs Robin Issue #3

because he believed he failed to do this -

Batman: Hush

Reminder: Joe Chill is Martha and Thomas Wayne's killer. Enough said.

If you want to be even more explicit about Bruce's preference for Dick over Jason it can't be clearer than here:

Bruce reflects on Jason's Robin tenure -

Batman (1940) Issue #428

Something a lot of people don't know/refuse to acknowledge is that Jason canonically did have anger issues. There aren't a lot of parallels between Jason and Dick but one particular thing that DC points out is that Jason and Dick both lost their beloved fathers. The difference is that Dick was able to move on and become cheerful even if he didn't get revenge. Jason wasn't able to get over the loss of his father and became angry. UTRH makes a specific point of talking about this too.

Batman (1940) Issue #645 "He knew that Jason Todd was NOT Dick Grayson."

Do you remember why Jason became Robin?

Batman (1940) Issue #416

Bruce wanted Dick. He took in Jason in replacement for Dick. But Jason was not Dick and even on the day he died, all Bruce could think of was that taking in Jason was a mistake.

The batkids are well aware of this. Damian actually calls Jason Bruce's mistake too when he's recounting the story of the robins.

Here's what he says -

Batman (1940) Issue #713

That's Damian's retelling. Tim's is even worse -

A Lonely Place of Dying

Ouch.

Truthfully Jason is like Bruce's 4th favorite. In order of how much Bruce loves his kids it goes:

Dick

Damian

Cass

Jason/Tim (tie)

Tim/Jason (tie)

Steph

I think there's so much confusion about Jason supposedly being the favorite because Bruce grieved over Jason's that but I think a lot of people are conflating grief and self-blame with love. There have been two significant deaths in the family: Jason and Damian. If you look at how Bruce reacted in each aftermath, it becomes clear that he loves Damian more than he loved Jason.

After Jason's death:

Batman (1940) Issue #429

Batman (1940) Issue #431

After Damian's death:

Batman and Robin (2011) Issue #21

Batman and Robin (2011) Issue #20

He would forcefully make Jason relive the worst day of his life so that his other son could enjoy his.

Bruce's behavior after Jason's death was self-destructive and isolative but his behavior after Damian's death was to beat bloodly every single criminal. His reasoning for beating Dick after Jason's death was "Jason was your replacement. If you hadn't left I wouldn't have had to take him in and he wouldn't have died." His reason for beating Jason after Damian's death was "Your trauma matters so little to mean that all I want is Damian to live again and I couldn't care less about how you feel."

In summary, Jason wasn't Bruce's favorite either as Robin or as an adult. But even if it's not Dick, claiming that Jason is the favorite is so far off that no one is DC would remotely believe it. You would think there would be more analysis on Damian's death in comparison to Jason's because they were two big official deaths but I guess not for some reason. I ran out of image space but yeah there's more than just this overall. This isn't to say that Bruce doesn't love Jason. NO! He very much loves him. But he just doesn't love him the most.

On a different note - coming from someone who went from TT show to YJ to fanfic AND THEN reading comics, I've had relearn a lot about each of the characters. But for people still in the process of transitioning from fanfic to comics or just in the fanfic stage, general rule of thumb when it comes to batfamily content - NEVER trust what people say if they don't provide the evidence for it. People in this fandom are so wild that they'll have you believing the earth is the center of the universe, that you'll fall off the world if you go too far left or right, and that pigs can fly.

[copperbadge]

Hey Sam! Since it's currently AO3 donation time, I'm wondering what your thoughts are on it? I'm asking because you've written RPF and it's one of many "anti-AO3/anti-AO3 donations" people's favourite things to bring up when they're complaining about AO3 getting so many donations that it continuously obtains an excess of its donation goal whenever donation time rolls around? (Wow, how many times can I say "donation" in an ask?) Sorry if this question bothers you! I don't mean to offend or annoy.

Hey anon! Sorry it took a while to get to this, I don't even know if the drive is still going on, but the question came in while I was traveling and I didn't really have the time for stuff that wasn't travel-related. In any case, let's dig in! (I am not offended, no worries.)

So really there are two issues here and as much as some people who are critical of AO3 want to conflate them, they are different. While some criticism of AO3 may be valid, rhetoric against AO3 tends to misinterpret both in separate ways.

First there's the issue of what AO3 hosts -- RPF, yes, but more broadly, varied content that some people find distasteful or think should be illegal, which is a misunderstanding of the purpose of the archive and more broadly a dangerous attitude towards the concept of freedom of expression.

Second, there's the issue of AO3 generally outpacing its fundraising goals while not allowing monetization, which is a misunderstanding of the legal status of AO3 and to an extent a misunderstanding of philanthropy as a whole.

The longer I watch debates about content go on, the more I come to the conclusion that I was fortunate to have a teacher who really wanted to instill in us an understanding of free speech not as a policy but as an ongoing dialogue. It's not only that freedom of expression "protects you from the government, not the Justin" as the meme goes, but also that freedom of expression is not a static thing. It's an ongoing process of identifying what we find harmful in society and what we want to do about it.

Should the freedom to shout "Fire!" in a crowded theater be restricted? Should the freedom to yell slurs at drag performers? Should the freedom to teach prepubescent kids about gender, sexuality, and/or safe sex? Should the freedom to wear a leather puppy hood at Pride? Who gets to say, and why?

I was nine when my teacher did a unit on freedom of speech and the intersection of "harm prevention" and "censorship", which is (and should be) a discussion, not a set of ironclad rules. This ambiguity has thus been with me for over thirty years, and I'm comfortable with the ambiguity, with the process; I'm not sure a lot of people critical of AO3's content truly are. Perhaps some can't be, especially those affected by hate speech, but RPF is not hate speech. It's just fiction. Or is fiction "just fiction"? This is a question society as a whole is grappling with, although fandom seems to be a little out ahead of society in terms of how explicitly we discuss it.

The idea that prose can incite violence or cause harm is both valid to examine (witness the rise of fascism on the radio in the 20s, on Facebook and Twitter in the past ten years; they're very similar processes) and a very slippery slope. Because again: who decides what harm is, and what causes it, and what we do about it? Our values align us with certain beliefs, but those are only our values, not universal truths. So AO3 is part of the ongoing question of harm and benefit both to society and individuals.

AO3 itself, however, has a fairly defined policy that it is not meant to police content; it is an archive, not a bookstore or a school board. AO3 refines its TOS and policies as necessary, but the goal is always open access and as much freedom of expression as possible, and if that's uncomfortable for some people then that's a discussion we have to have; ignoring it won't make it go away. But it has to be a discussion, it can't be a unilateral change to the archive's TOS or a series of snaps and clapbacks, and I don't see a lot of people ready to move beyond flinging insults. Perhaps because they were taught a much more binary view of freedom of expression than I was.

So, self-evidently, I support AO3 and I don't have a problem with RPF. Whether other people do is something we're going to have to get to grips with, and that's likely to be a process that is still going on when most of us are dust. I'd rather have a century of ambiguity than a wrong answer tomorrow, anyway.

But whether AO3 hosts RPF is truly a separate issue from its donation drives, because it's a criticism some people level at the site which exists whether it's fundraising or not. So people can criticize AO3's open policy and they can give it as a reason not to support the site, but it's just one aspect of the archive and the fundraising as a whole should be examined separately.

I think AO3's fundraisers are deeply misunderstood (sometimes on purpose) because even people who are anticapitalist get a little crazy when money gets involved, and this is, to fandom, a lot of money -- a few hundred thousand, reliably, every fundraiser. To me, a fundraiser that pulls in three hundred grand is almost quaint; my current nonprofit pulls in better than ten million a year and my previous employer had an endowment of several billion dollars. At my old job I didn't even bother researching people who couldn't give us a hundred grand.

On the other hand, AO3 is an extreme and astounding outlier in the nonprofit world, because basically it's the only one of its kind to work the way it does. It is entirely volunteer-run on the operational side (ie: tag wranglers, coders, lawyers, etc) and has no fundraising staff (gift officers, researchers, outreach officers) as far as I'm aware. To pull in three hundred grand from individual one-time donations, without any paid staff and without even a volunteer fundraising officer? That's insane. That doesn't happen. Except at AO3.

What people misunderstand, however, is the basic status of a nonprofit, which is a legal status, not simply a social one. (I'm adding in some corrections here since it gets complicated and the terminology can be important!) The Organization for Transformative Works, the parent of AO3, is a nonprofit, which indicates how it was incorporated as an organization; additionally it is registered federally as tax-exempt, which carries certain perks, like not paying sales tax, and certain duties, like making their financials transparent to a certain extent. (Religious nonprofits are exempt from the transparency requirement.) If you're interested in more about nonprofits and tax-exempt status a reader dropped a great article here.

Nonprofits, unlike for-profit companies, cannot pay a share of their income to stakeholders. Nonprofits don't have financial stakeholders, only donors. They can have employees and pay them a salary -- that's me, for example -- but if a nonprofit pulls in $10M in donations, my salary is paid from that, I don't get a percentage and nobody else does either. That's what it means to be a nonprofit -- the money above operational costs goes back into the organization. The donations we (and AO3) receive must be plowed under and used for outreach, server maintenance, further fundraising, services expansion, et cetera. You can see this in the 990 forms on Guidestar or ProPublica, or in their more accessible breakdowns on Charity Navigator. Nonprofits that do not put the majority of their income towards service provision tend to get audited and lose their nonprofit status. So nobody's getting paid from all that money, and the overage that isn't spent goes into what is basically a savings account in the name of the nonprofit. (I'm vastly simplifying but that's the gist.) Using that money for personal purposes is illegal. It's called "private inurement" and there's a good article here about it. The money belongs to the OTW as a concept, not to anyone in or of the OTW.

So the biggest misunderstanding that I see in people who are mad at AO3 fundraisers is that "they" are getting all this money (who "they" are is never clearly stated but I'm pretty sure people think @astolat has a special wifi router that runs on burning hundred dollar bills) while "we" can't monetize our fanfic. But "they" get nothing -- nobody even earns a salary from AO3 -- and you can easily prove that by looking at the 990 forms they file with the government, which are required to be made public. You can see the most recently available 990, from 2020, here at Guidestar. Page seven will show you the "highest compensated" employees, all of whom are earning zero dollars or nonmonetary perks (that's the three columns on the right).

Either AO3 is entirely volunteer-run or someone's Doing A Real Fraud. The money the OTW spends is documented (that's page 10 and 11 primarily) and while they may pay for, say, the travel and lodging expenses of a lawyer going to DC to defend a freedom-of-expression case, they don't pay the lawyer for their time, or give them a cut of the income.

Despite what you've read, the reason "we" can't monetize our fanfics on AO3 has nothing to do with the site being the product of volunteer handiwork or AO3 having it in their terms of service or it being considered gauche by some to do so; it's because

IT'S ILLEGAL.

I cannot say this loudly enough: It is against the law for a nonprofit to be used by its staff, volunteers, or beneficiaries to earn direct profit from the services provided by the nonprofit.

You can be paid to work at one, but you cannot side-hustle by selling your handmade friendship bracelets for personal gain on the nonprofit's website. If the nonprofit knowingly allows monetization of its services, it can lose nonprofit status, be fined, be hit with back taxes, and a lot of other unpleasant bullshit can go down, including prosecution of those involved for fraud. If you put a ko-fi link on your fanfic, you are breaking the law, and if AO3 allows it, they are too.

Okay, that was a sidebar, but in some ways not, because it gets to the heart of the real complaints about AO3 fundraising, which is that people in fandom are sick or unhoused or in some form of need and other people in fandom are giving to AO3, a fan site that is financially stable, instead of giving to peoples' gofundmes or dropping money in their Ko-Fi or Paypal. And while it is a legitimate grievance that there are people who are in such desperate need while we live in an era of unprecedented abundance, that's not AO3's fault. AO3 doesn't solicit actively, there's no unasked-for mailings or calls from a gift officer. They just put a banner up on their website, and people give. (Again, this is incredibly outlier behavior in the nonprofit world, I'd do a case study on it but the conclusion would just be "shit's real, yo.") You might as well be mad that people give to their local food bank instead of someone's ko-fi.

You cannot lay at AO3's feet the fact that people want to give to AO3 instead of to your fundraiser. That's a choice individuals have made, and while you can engage with them in terms of why they made the philanthropic choices they did, to blame an organization they supported rather than the person who made the choice to give is not only incorrect but futile, and unlikely to win anyone over to supporting you. We know from research that guilt is not a tremendous motivator of philanthropy.

It is also not necessarily a binary choice; just because AO3 gets a hundred grand in $5 donations doesn't mean most of the people giving don't also give $5 elsewhere. I support the OTW on occasion, and I also fundraise for UNICEF and the Chicago Parks Foundation and BAGLY and others, in addition to giving monthly to several nonprofits that I have longterm relationships with -- my alma mater, the animal rescue where I got the Cryptids, my shul. And I give, occasionally and anonymously, to fundraisers that pass through Radio Free Monday, which are mainly individuals in need, because I was once in need and now I pay it forward. These are the choices I have made. Nobody twisted my arm. I respond poorly to someone making the attempt to do so by attacking places I've given.

I think the upshot is, after all of this that I've written, that we cannot begin to come to grips with questions of institutional inequality in philanthropy, or freedom of expression and censorship, until people actually understand what's going on, and too few do. So all I can do is try and explain, and hopefully create a forum for people to learn and grow when it comes to charitable giving.

Archive Of Our Own and the Organization for Transformative Works are products of our community and as that community changes, we will necessarily continue to re-evaluate what aspects of it mean and how AO3/OTW express the community sentiment. I hope that the ongoing discussion of support for AO3 also leads to people learning more about their philanthropic options. But criticizing AO3 for fundraising by attacking it for fulfilling one of its stated purposes is silly, and attempting to guilt people into giving in the ways one thinks they should give rather than how they do give is just going to make one extremely unlikable.

As members of this community, we have to be a part of the push and pull, but it's difficult to do that competently in ignorance. So, I do my best to be knowledgeable and to educate my readers, and I hope others will do the same.

[tobi-smp]

I don't want to hold anything against this specific person, because I Remember the discourse that lead to this and I know exactly how it could get passed around and warped (either through telephone or someone's own memory shifting with time).

that said, I never liked that discourse specifically Because it was a clear misreading of the text, and what better opportunity do I have to talk about it now.

the context was the bench trio therapy stream. tommy had been beaten to death by dream, sat in limbo for months, and then revived and told Explicitly that dream was planning on escaping prison and tormenting the rest of the server.

the mindset that tommy is in is that he Has to do something, but he's deeply traumatized by what's happened to him. he's Scared to go back to the prison, but he has no choice but to do it for the safety of everyone else in the server.

the "therapy stream" was bench trio Trying to do exposure therapy on tommy to help him work through his trauma in the lead up to attempting to infiltrate the prison. and the entire point is that they Absolutely Were Not actually helping.

what they were Actually doing was triggering tommy by exposing him to things that he was traumatized by, because they didn't actually know how to do exposure therapy and what they were trying to do wasn't healthy in the first place.

so the Context of this conversation is tommy desperately trying to just, Get Rid Of his trauma (something that is absolutely not possible) while entering a worse and worse mindset because he was intentionally triggering himself.

Likewise, the context for Tubbo's half of the conversation is that he Very Intentionally represses his own trauma, both from Himself and from other people. he puts himself in a little box that he buries under the floorboards and asks people to ignore the way the boards creak when they walk on him.

there's a million ways you could cut Why he does this. part it is his people pleasing, willingly pushing himself down for the sake of everyone else no matter how painful. seeing Himself as an accessory to the people he cares about, rather than a whole complete and important person. and in part because it feels Safer, it's Safer to pretend that nothing hurt him.

and Why that is is complicated. part of it is External. he doesn't Get to be angry about what he's been through, because the people he's angry At will just hurt him again. and if he thinks about how he's hurt then he Will get angry, so he just Won't Think About It.

and part of it is that I don't think he wants to process his trauma any more than tommy does. because it's painful, because he doesn't have the tools to actually work through it, because they aren't Safe so he can't afford to break down now (trouble is, there never Seems to be a "safe" time to think about himself).

they're the Repression Brothers. the difference being that tommy's at a different stage of it. not a Healthy One, but different.

tommy spent months not being able to put into words what exile was, what pogtopia was, was the final control room was. and he still won't be able to put it in plain words for some time from here.

but he's reached the point where he Can't ignore it anymore, but he still doesn't know what to Do about it. he's still frustrated with an (to an extent) Ashamed Of his trauma. he feels Lesser Than he was before and wants it to all just go away and go back to Normal.

he's doing this because he Has To, because he Has to be strong enough to fight dream. because if he's too scared to do it then he'd be sacrificing everyone else's safety.

he and tubbo are doing the Same Thing in different fonts, sacrificing their well being for the people Around Them, including Each Other.

so, lets go back to that moment that started all of this.

the exposure therapy was on the final control room section, with tommy working through having been killed by dream.

tubbo mentions that he died that night too, and tommy says something to the effect of "you did, but you have thicker skin."

this has been taken out of context to mean "you did, but I have it worse than you," when IN CONTEXT it means "you did, but you're stronger than me," or more accurately "you did, But I'm Worse Than You."

tommy does not see his trauma in the context of stupid apologist discourse. he sees his trauma as something that makes him Worse, as something he Shouldn't Feel. as something that makes him Weaker than everyone else, who Obviously are so much more put together than he is.

when he says this he's not saying that he's more important than tubbo, he's putting himself down in comparison TO tubbo.

and this is absolutely still harmful ! This is legitimately one of tommy's character flaws ! but it is Not the selfishness that people make it out to be.

it's tommy accidentally hurting other people by seeing Himself negatively. it's an unhealthy relationship with mental health, and a Realistic one considering the circumstances and setting.

likewise, it's Just As Much born from tubbo's own unhealthy coping mechanisms. tommy assumes that what happened didn't bother tubbo the way it did him because Tubbo wants him to think that.

Tubbo doesn't let tommy see how much he's hurting, which in turn feeds into this cycle.

tubbo assumes he Has to shove his trauma down for tommy's sake (for the sake of Everyone he cares about), and so tommy assumes tubbo was just Stronger than him and wants desperately to just shove his own trauma away the way tubbo seems to be able to.

this moment IS tragic, it IS an example of the two of them hurting each other. but it's BECAUSE OF HOW MUCH THEY CARE ABOUT EACH OTHER !!!

Both Of Them are trying to be strong enough to protect the other, and it's Hurting Them. it's unhealthy, but it 's not Malicious. it's self-sacrificial not Selfish. it's not something they've done to each other but what's been done To Them by the world they live in. what they've done to Themselves trying to live in it.

this shouldn't have been a discourse moment, it should've been clingyduoers tearing each other apart in the street at the tragedy of it

[lawofangie]

just assume

it seems like some of you don't understand how the law of assumption works, so let me be the one to make a few things clear. i apologize if these seems repetitive, there just truly isn't anything much to the law. i struggle to understand how much more explicitly the only rule has to be stated in order for you guys to grasp this.

first off, the law of assumption is about making assumptions. as in, you have to assume in order for the law of assumption to work for you. this should be an obvious one, but for some reason many of you don't understand this.

i blame it on all the misinformation and lack of critical thinking skills, because it is quite literally in the name. the law of assumption will not work if you are not assuming. a law about MAKING ASSUMPTIONS will not work if you are not MAKING ASSUMPTIONS.

what is an assumption? something you believe to be true without proof. so, you must believe you have your desires without proof in order to manifest.

asking me why you don't have your desires makes absolutely no sense if you understand this concept. there's no point. you're basically asking me why something you believed to be true is happening. the very obvious reason is that's just the way the law works.

the law of assumption is completely indifferent to whatever you want to manifest, your current circumstances, your feelings, etc. it is simply a law that states whatever you assume to be true will be true.

the law is completely neutral and indifferent, so is the world you're living in. absolutely nothing has any meaning or significance until you assign significance or meaning to it. if this was not the case, you would not be able to assume absolutely anything you want, and nobody would be able to come to their own conclusions, have different perspectives, and be different people.

you quite literally become who you are based off of your world views and upbringing. everyone is inherently shaped by their assumptions. everyone has been assuming for their entire lives. assuming is absolutely nothing new. you're just being shown that there is a different way to use your ability to assume.

this means that absolutely anything that happens is on you. the law has no bounds, no exceptions, no excuses, etc. again, it is simply a law that stating whatever you assume to be true will be true. you are the reason you don't have what you want yet, because you fail to follow one simple instruction: make an assumption.

instead of assuming, you approach manifestation with fickle beliefs and a need for validation. then you wonder why you don't have what you want.

you look around for and stressing over the appearance of something you're explicitly being told you have to assume is already there in order for it to materialize. you're failing to meet the singular requirement of the law: decide you have it already.

you can't not follow instructions and then wonder why something didn't work for you. in any context, that makes absolutely no sense. the answer is right in your fucking face, you did not assume. you spent your time waiting something to happen. don't you know what that implies? if you had your desire, why would you be waiting for something to show up? oh, right, because you don't have your desire. you decided it wasn't there, now you're waiting for something else to happen.

you're looking around expectantly for validation when you're literally being told that you have to be your own validation. you're being told that you are the only necessary validation, but you fail to accept that.

you guys seriously fail to understand that the law isn't about making things show up, even if that technically is the end goal. it's about assuming. your assumptions just also have the ability to change your life for the better, you're being shown how to utilize that ability.

you need to take the initiative and stop looking to your own reflection to show you something you aren't showing it. why would any mirror reflect something it isn't being shown?

you don't get what you want, you get what you assume you have. that's the whole point. you assume in your favor in order to have what you want.

you either have it or you don't. there is no in between. you either assume or don't, the law doesn't care. nobody cares. stay stuck and life will move on without you. nobody is coming to save you.

it's in your best interest to assume you have your desire, but nobody can force you to. this is something you have to grasp on your own and apply on your own. all we can do is help you achieve that.

you can continue to look outwards if believing in yourself and having some fucking confidence is too difficult for you, but you'll eventually realize (if you haven't already) that it's to no avail. it doesn't work.

you will never have what you want if you don't assume you already have it. the law of assumption will never work for you if you don't assume.

if you have an understanding of the law, please, do yourself a favor and learn to follow instructions. don't waste your time asking stupid questions.

[theoi-crow]

The humans in Greek Mythology are the mega rich and powerful:

In my college classes people are often shocked when I tell them my favorite part of Greek mythology is the gods themselves and I'm not a big fan of the humans.

99% of my classmates prefer the humans in mythos, especially the ones that stick it to the gods like Sisyphus and feel bad for humans like Kassandra and Helen who have been wronged by the gods because "they're just like us." My classmates and teachers hate the gods and don't understand why anyone in modern times would want to worship such violent and selfish beings whenever I point out there are still people who worship them. They hold onto the idea that people in mythology embody the human experience of being oppressed by terrible gods and fate and we should feel bad for them because "they're human just like us" but they forget that the people in Greek Mythology are NOT just like us. They are more relatable to medieval royalty, colonizers and ultra rich politicians who make laws and decisions on wars and the fates of others, especially the poor and the very vulnerable.

Every hero or important human in Greek Mythology is either some form of royalty or mega rich politician/priest-priestess (of course this is with the exception of people who are explicitly stated to be poor like the old married couple in the myth where Zeus and Hermes pretend to be panhandlers). All of them have an ancient Greek lifestyle more relatable to Vladimir Putin, Donald Trump, and especially to British royalty during the British empire, than the average person.

All of them.

Odysseus, Patroclus, Theseus, Helen of Troy, Kassandra, Diomedes, Agamemnon, Perseus, Hercules, Aeneas, Paris, Any human who has a divine parent or is related to one, etc. Although sometimes the story omits it, it is heavily implied that these are people who own hundreds or even thousands of slaves, very poor farmers and the tiny barely there working class as royal subjects.

They are the ones who make laws and whose decisions massively affect the fates of so many people. So no, they can't just be forgiven for some little whim, because that little whim affects the literal lives of everyone under their rule. By being spoiled they've just risked the lives of thousands of people and possibly even gotten them killed like when Odysseus' audacity got every single slave and soldier in his ships killed or when Patroclus as a kid got upset and killed another kid for beating him at a game. (A normal person wouldn't kill another person just for winning a game but royalty and those who think they're above the law do it all the time, plus the class status of the child wasn't mentioned but the way he didn't think he'd get in trouble implies the kid was of lower class, possibly the child of a slave or a foreign merchant.)

The gods get a bad reputation for punishing the humans in mythology but, if not them, who else is going to keep them accountable when they are the law?

And whose to say the humans beneath them weren't praying to the gods in order to keep their masters in check?

Apollo is the god in charge of freeing slaves, Zeus is the god of refugees, immigrants and homeless people, Ares is the protector of women, Artemis protects children, Aphrodite is the goddess of the LGBT community, Hephaestus takes care of the disabled, etc. It wouldn't be surprising if the gods are punishing the ultra rich and powerful in these myths because the humans under their rulership prayed and sent them as they did historically.

Every time someone asks me if I feel bad for a human character in a myth, I think about the many lives affected by the decision that one human character made and if I'm being completely honest, I too would pray to the gods and ask them to please punish them so they can make more careful decisions in the future because:

They are not just like us.

We are the farmers, a lot of our ancestors were slaves, we are the vulnerable being eaten by capitalism and destroyed by the violence colonialism created. We are the poor subjects that can only pray and hope the gods will come and correct whatever selfish behavior the royal house and mega rich politicians are doing above us.

And that's why I pray to the gods, because in modern times I'm dealing with modern Agamemnons who would kill whatever family members they have to in order to reach their end goal, I'm dealing with everyday modern Achilles who would rather see their own side die because they couldn't keep their favorite toy and would gladly watch their subjects die if it means they eventually get their way. The ones that let capitalism eat their country and it's citizens alive so long as it makes them more money. These are our modern "demigods," politicians who swear they are so close to God that they know what he wants and so they pass laws that benefit only them and claim these laws are ordained by God due to their close connection just like how Achilles can speak to the gods because of his demigod status via his mother.

Look at the news, these are humans that would be mythical characters getting punished by Greek gods which is why anything Greco-Roman is jealousy guarded by the rich and powerful and is inaccessible to modern worshippers because Ivy League schools like Harvard and Cambridge make sure to keep it that way. That's what we're dealing with. These are the humans these mythical beings would be because:

In our modern times the humans in mythos would be the politicians and mega rich that are currently ruining our society and trying to turn it into a world where only the rich can manipulate wars and laws, just like they do in mythology.

Fuck them.

I literally have so much more to add about my disdain for them and I didn't even touch on the obvious ancient Greek propaganda.

[sicklyseraphnsuch]

Simon really doesn't question Betty, and you know, that's not a bad thing. Betty is a woman who knows her own mind. Simon's not about to mansplain Betty's desires to Betty.

And it really is quite clear that he follows her lead throughout their whole relationship.

(Note: I wrote this at 3am so unsure how much sense this makes)

In this scene, when he compliments Betty for figuring out the petroglyphs (petrigrofs lol) on the vase, he laughs and makes a throwaway comment about Betty coming with him on the next trip. I do believe it's a throwaway because he just throws it out there.

But Betty snaps onto that opportunity like a fish catching bait. Or maybe a cat pouncing on a mouse. She didn't have to say that she's missing a whole other trip for his, but she does and also follows up with the conclusion that yes. She will go with him.

There's an awkward, "Oookay..." from Simon that belies a hesitancy. But Betty seems intent on taking the inch she was given and making it a mile. Who is Simon to question this grown woman's decisions?

This follows through with Betty making the move to take their relationship to the next level.

Simon was complacent. That's the story of Simon's life. He was complacent and content to keep their relationship professional. Betty makes the leap. That's the story of their romance. Betty makes the leap and confesses to Simon.

And in his confession to her, Simon simply echoes her words right back.

And why not? Why not say the thing that she explicitly wants from him? Why not follow the instructions? Why take a risk and say things differently than what has explicitly been laid out for him?

But that's also Simon's flaw in a nutshell. For a smart guy, he's absolute Shit at picking up what Betty puts down. Even when it's staring him straight in the face.

And Betty herself is terrified of being frank about her feelings for him. Look at the way she confesses to him. She leaves a letter in a book that he might check out soon (maybe in a week, maybe in a month, maybe in a year, who knows?). It was rather roundabout, wasn't it? "I drop my love letter in a book so maybe you will find it"?

To be fair, she is afraid of coming off as too strong. Her rambling about her trip before accepting Simon's offer lends to the idea of someone thinking through her thoughts out loud, but also emphasizing in a roundabout way how much she really Really likes him. Simon does not pick up her attraction to him.

He calls her "library girl" because she is a veritable stranger, why would he reciprocate her attraction right off the bat? Cautious, careful Simon yielding to love at first sight? It's not his style. But Betty does half the work of falling in love with him prior to meeting him. All Simon needs to do is notice.

Simon disappoints her on two occassions. He calls her "indispensable", despite the now clear chemistry between them. He didn't ask her out in the following two weeks, and in his words kept things "professional" despite her Very obvious infatuation with him and what she dearly wants from him. ("And I love you love you love you love you, is it obvious to everyone else?")

And then that SCENE.

He's done it! He used her words! (Because clearly his first approach to lecture her didn't communicate his feelings - Simon, you donk)

And look at her face, she is so ready to be kissed! But Simon tucks her hair behind her ear and lets go. Betty leans in but... again, she stops herself from coming on too strong.

Because she takes the lead. She always takes the lead, and Simon is happy to follow her! But Betty is not a bastion of confidence. Again, we go back to my earlier point: Betty did half the hard work of falling in love with Simon before she met him.

This leads to two things - she can't be secure in the knowledge that Simon loves her as equally because she already loved him before they met and what if she's just imagining things because she's biased and wants her to love him? Likewise, she is intent on proving to Simon that she is lovable to him and he just follows along, without ever getting the chance to show how much he loves her.

He is complacent to be loved and to follow her lead on how to love. He doesn't act without her letter. He uses her words to confess.

Because Betty did half the work of falling for Simon when Simon wasn't around, how could he know the depth of her feelings? How can he be confident that she wouldn't leave the moment he mucks it up when he doesn't really know why she sticks around in the first place? Why wouldn't he beg for her to love him when he went crown crazy?

Why wouldn't he spend the last few seconds of a precious spell to forgive her for leaving him because why wouldn't she leave?

Here's my theory, what Simon sees is not Betty's conviction in her love for him - Simon sees a woman who knows her mind and changes priorities with alacrity. She had a research trip that she's willing to dump in a second? Well, research trips are important but hey, maybe that means her priorities are not cemented. She could love this now and choose to love another thing later.

It's like two ships passing each other through the night. Betty and Simon are terrible at being confident and secure in their love for one another to the point that they drive themselves crazy over it. Betty has something to prove. Simon is waiting for her to leave.

Why wouldn't he question her lack of pursuits? Betty knows herself. She'll go when she pleases, wouldn't she? Why wouldn't she?

The end result: Betty keeps taking the lead and Simon keeps following her, but a partnership is supposed to be on equal footing. They're supposed to travel together. And because Simon lacks the initiative or the assertiveness to balance out the relarionship, Betty is left to run wild with her insecurities, which in turn prevents her from pursuing her passions as all her drive fixates on securing Simon.

"Where will I go without you?"

"I'll never know."