#why are they making a case that only certain people are allowed to go to school?

[musical-chick-13]

.

[theamazingannie]

The first amendment says, “Congress shall make no law…abridging the freedom of speech…” but because that was too vague, Congress made exceptions to this, like libel laws and not including the incitement of violence and not allowing for the promotion of drugs in school because they recognized that certain speech had the potential to be dangerous. So why the hell do people get in such an uproar at the idea of Congress making exceptions to the second amendment to ensure that dangerous people have a harder time getting weapons to actually kill people, to kill CHILDREN? Exceptions are made for literally every other amendment, why not this one???

[sinner-as-saint]

drag me under

Father Charlie Mayhew x Reader 

Run-through: After what has to be one of the most exhausting and exasperating meetings he’s ever had with the Bishop and Mother Superior, Father Charlie desperately needs a quick release. It was wrong, he knew and he’d repent for it later. Except, what he thought was going to stay as a secret between him and God ends up involving a third witness – you. 

Themes: smut, explicit language, mentions of infidelity, degrading kink

Fuck. He was close. 

He’d shut himself inside the confessional booth a few minutes ago because he absolutely needed to get his mind off certain things. Those meetings always left him feeling like a damned pressure cooker, and he always needed to let out some steam after. 

All that arguing, and having to keep his cool and maintain composure when all he wanted to do was yell and tell them all that he was right and they were wrong. It had to be the generational gap, but sometimes he felt like he was being tortured with how much his mindset differed from those of his superiors. Why couldn’t they just let him do things his way? 

But he pushed all that aside for a moment. Just a moment, that’s all he needed. Fist wrapped around his throbbing cock, his spit and precum giving him just the right amount of lubricant, his head thrown back against the thick wood as he worked his fist up and down his cock, as fast as he could. 

He tried to keep his gasps and moans as quiet as possible. It was late in the afternoon, there wouldn’t be anyone around during this time, but just in case. A groan left his lips anyway, and he bit his lip immediately after. 

Fuck. Fuck. Fuck… 

He could hear how fast his fist moved, the friction was almost just as good as how he remembered sinking into a warm body felt like. Almost, not quite as exhilarating though. 

Fuck! 

A few more tugs, a couple more unrestrained moans later, and he came with a loud sigh. Spilling all over his hand, gasping for breath as he blinked a couple times, already feeling his thoughts flowing much easier. His all black suit, his collar around his neck didn’t feel as tight and constricting anymore. 

He quickly cleaned himself up with a handkerchief he’d have to put in the trash later, he sighed one more time as he made sure to fix his clothes and was about to walk out of the booth when he heard a timid, soft, almost hesitant voice ask: 

“Are you done, Father?” 

He froze. 

Shit. 

He cleared his throat. It sounded like a young woman on the other side. He tried to look but the screen only allowed him a partial view of your face. Okay, okay, don’t panic. He could still get out of this situation. Maybe you didn’t hear what he was doing. Maybe you’d just gotten in here. Maybe you were too naive to even know what those sounds were. 

He cleared his throat again, “How, uh, how long have you been waiting for?” He tried his hardest to sound apologetic for making you wait. 

A moment of silence. Then you replied, “Long enough.” 

That voice. He knew that voice, didn’t he? 

He said your name out loud. A pause then, “Is it you?” He asked. 

A sigh. Then, “Yes, Father.” 

Ah. He let out a quiet breath, relieved. 

He had no reason to worry if it was you. You were what he called a lost little lamb, too innocent for her own good. He knew your family. They were nice people who frequented the church, and lately your parents had been worried about you since they found out that you had a troublesome boyfriend who was nowhere near the god-fearing type your family wanted you to date. 

He also knew that you, unlike your parents, were not seen very often at church. He saw you here and there, sometimes at charity events, or sometimes at the tennis court with your mom. But never in the confessional booth. 

Father Charlie sat up straight, looked ahead at the wooden door and asked, “This is your first confession?” 

“Yes, Father.” 

“And what would you like to confess?” He asked, knowing he was going about this all wrong. No signs of the cross, no ‘Bless me Father for I have sinned’, but he was impatient and… intrigued. What could a shy, timid girl like you have to confess?

“I… I slept with my boyfriend.” 

He couldn’t help but turn towards the screen. He watched you as you fidgeted and squirmed. “Did you?” He didn’t recognise his own voice. 

“Yes, Father.” You answered. “But that’s not all.” 

“Oh?” 

A trembled sigh left your lips, then you said, “While we were, um, when he was...” You struggled to speak. 

And Father Charlie felt weirdly interested all of a sudden, so he urged, “It’s okay, you’re safe here.” He cooed gently, using the soothing voice he always used with everyone. “Use your big girl words, come on. When he was, what?” 

“Father, I cannot say it.” Your words sounded heavy with shame. 

So he urged you even further, “Like I said, you’re safe here. Now tell me. When he was, what? On top of you? Fucking you? What happened, did he hurt you?” 

“No,” You said quickly. “No, he was… gentle.” 

Father Charlie raised an eyebrow, “And?” 

You let out a shaky breath and confessed, “I wanted him to…” You trailed off, “I know it’s wrong to want these kinds of things, but I didn’t want him to be gentle. I wanted him to be rough. To make it hurt.” 

Another shaky breath left your lips, and this time Father Charlie felt like he was the tormented one. He frowned as he looked down and noticed that he was hard again. Shit. 

He cleared his throat again. “I see.” 

But you were quick to add, “It’s wrong, isn’t it? To want things like that? Isn’t it, Father?” 

There was a strangely innocent desperation in your voice even as you referred to sinful things. The kind of innocence he wanted to take into his hands and crumble it into pieces but also preserve it at the same time. 

Fuck, he was hard. And it was painful because you were right there. 

“Depends,” He answered, “What other things do you find yourself wanting?” A small, quiet gasp left your mouth. Father Charlie caught himself smirking at the sound of it. “And don’t lie. I can’t help you if you lie.” He noticed movement on the other side of the screen. Maybe your hand touching your neck out of nervousness. 

“I… I like being told what to do. I like authority. I like…,” You gasped, as if not believing you were actually saying all this out loud, “I like it, I mean I like the idea of men being mean to me, in bed. I want them to take what they want from me, with consent of course. But I don’t want them to be gentle about it.” 

Oh fuck. 

“That’s, uh…” He found himself at a loss for words. His cock was making his trousers tighter. His hands were shaking with the need to grab and feel a warm body. Preferably that of a shy young woman who thought she should be ashamed of her desires. “Yes, that’s not right.” He did his best to sound stern and disappointed. 

A soft sound came from the other side. Sounding a lot like a sniffle. “I’m sorry, Father.” You whispered, just loud enough for him to hear. “I should go.” 

It all happened too quickly. The sound of the door opening, the sound of you trying to rush and get out. Before he knew it, he was out of the booth as well and stopping you from leaving. Your wrist in his hand, his chest heaving, tears down your face, a shocked look in your eyes. 

“Did I say you could leave?” He asked, looking down at you and noticing the way you didn’t even fight him. Aww, a lost little lamb indeed. 

“No.” You whispered, going along with the movement as he walked you backwards until your back hit the nearest wall, beside the booth. 

“You’re disobedient,” He noted, “I should punish you for that.” 

“Yes,” You mumbled, like you were ready to be punished for your sins. 

“Yes, what?” He chided. 

“Yes, Father.” 

And oh, how he would’ve loved to have you on your knees in front of him. To have his cock in your mouth. To make real tears stream down your face, ruining your makeup. But he didn't have too much time. 

He stepped closer, trapping you between the wall and his hard body. He noted the way your eyes remained fixated on his white collar, those teary, innocent eyes. You didn’t even know the treasure you were. 

“Look at me,” He ordered. 

You did. Unable to look away once you did. 

“You’ve been a bad girl, you know that, don’t you?” He asked. You nodded at him. “And I need to punish you, because I need to make sure you’re good from now on, don’t I?” You nodded at his words again. “Good,” He whispered, then grabbed both your hands and placed them on his shoulders as he leaned in and pressed his mouth to yours. 

He fucking that little gasp of surprise that left your mouth as he kissed you, hot and messy. His hands reached down and bunched your dress up before he slipped his hand in between your legs.

He chuckled into the kiss when he felt your flimsy underwear. “See now, good girls don’t wear things like this. You understand?” He whispered, running his knuckles along your wet folds and smearing your arousal around through the thin fabric. “I’m gonna have to take it off, okay?” 

You nodded again. 

And he did, he slid your underwear down until it fell to your ankles. He watched as you stepped out of them and he immediately slid his knee in between your legs, followed by his hand again. “This is all part of your punishment,” He whispered into your ear, and watched how you shivered upon feeling his warm breath. He slipped his two fingers into you with ease and smirked against your skin as he felt your arousal coating his fingers, which he curled inside of you, hitting all the spots which made you gasp and moan.

You whimpered and closed your eyes, sighing and moaning when he leaned down and nibbled on your skin around your throat. He chuckled, sliding his fingers in and out of you, “See what a little slut you are? Cheating on your boyfriend, and letting me touch you however I please,” He scoffed, “Is this what you came to do? Was this your intention?” 

You bucked your hips against his hand impatiently. “Please,” You murmured. 

He pulled his fingers out, and messed with his belt, undoing it and the zipper on his trousers until he pulled his cock out. “Please what?” He asked, rubbing his wet fingers along his hard cock, “Huh? What do you want?” 

You looked up at him, pleading with your eyes. 

“Oh?” He taunted, “You want this cock? Huh?” He leaned in and grabbed your face, squeezing your cheeks together, his lips brushing against yours as he spoke in a lowered voice that sent shivers down your back, “Does this little slut need a cock in her?” 

“Yes,” You murmured, unable to take it anymore. 

“Yes, what?” He growled. 

“Yes, Father.” You quickly corrected yourself. 

He smirked, smug. Then he lifted you up until you instinctively wrapped your legs around his waist, your back against the wall, and the two of you partially hidden by the booth. His cock briefly brushed against your wet folds in the process and you moaned out loud. 

“Shh,” He reminded you, “Quiet.” 

“Please,” You whined, eyes shut. “Please, Father…” 

“Shut up,” He hissed as he aligned his throbbing tip with your entrance. “Shut your needy little mouth up.” 

You moaned as he pushed himself into you. Stretching you out as he went. His nails digging painfully into your skin as he held you by your hips, and yours sliding into his hair as he filled you up nicely. 

“So fucking wet for me…” He whispered against your cheek as he rocked in and out of you. “I bet you’re not this wet for your little boyfriend, huh? Does he feel this good? This big?” He chuckled. “Does he know you let random men fuck you?” 

You were a mess, moaning and whimpering when he began moving in and out of you. His cock reached places that had you whining out loud. 

“Shh,” He hissed again, “Shut up, you little slut. Shut the fuck up.” He groaned as he fucked you. He kept an eye on your surroundings, just in case someone wandered in. 

But you kept moaning like crazy so he did the only thing his lust-filled brain could think of, he brought out his soiled handkerchief from earlier and shoved it in your mouth, and slapped his hand over your mouth. “Yeah, that’ll shut your filthy mouth up, huh? Is this what you wanted? Your boyfriend doesn’t fuck you like the needy little whore you are, does he?” 

Your moans sounded muffled now, and he fucked you relentlessly, earning more and more muffled whines and moans and whimpers out of you each time his cock stroked your walls. He loved the way your eyes rolled back when he fucked you harder, reaching deeper. 

He pounded into you as fast as he could, your back slamming into the wall with each thrust. “Filthy girl.” He sped up into you again, making you cry out. “So fucking desperate, aren’t you? You couldn’t help but spread your legs for me, huh? Even for a man of God? You couldn’t help it.” He taunted. “What else would you do for me? Would you come here everyday and let me have you? Hmm? Would you let me fuck your needy little pussy like your boyfriend can’t?” 

He knew you couldn’t answer him, so he chuckled and continued as he felt your walls clench around his cock. Fuck, he had missed this. He’d missed making a beautiful girl lose control while he was inside her. He knew you couldn’t think right, he was so fucking deep inside you that all you could do was whine and cry, and let him take what he wanted from you. Which is exactly what he did. He didn’t stop. He kept fucking you harder and faster against the wall. 

His hand left your mouth, making sure his handkerchief remained nice and snug in there, and reached down until he wrapped his fingers around your throat, he squeezed just enough to make your eyes widen. “Yes,” He goaded you, “You like that, don’t you? Your messed up little head likes this,” He taunted. “It’s filthy in there, isn’t it? You think about these things at night? When you touch yourself before going to bed? Is this what you’ll be thinking about from now on?” 

Your body shuddered, trembling in pleasure. He looked down and noticed the slight cleavage of your sweet little dress. Fuck, he wished he had time to really peel it off your body and have you crawl around naked just so he could look at you. He was sure he could spend a lot of time just looking. 

“He doesn’t fuck you like this, does he?” He chuckled, his body moving expertly against yours, “No, how could he? He’s just a boy. He wouldn’t even know what to do with a dirty girl like you.” He leaned in, whispering against your wet cheek, “This is what you needed. I’m what you need.” 

Your mind was a foggy mess already, and he could tell by the muffled by wanton moans that he could still hear that you were so, so close. 

“I bet he doesn’t even come inside you, does he?” He scoffed, “I think he’d be too scared to do that.” He pulled away and looked into your eyes. “But you want me to come inside you, don’t you? Remember, it’s all part of your punishment. You wanna be a good girl and take all of it, don’t you?” 

You nodded quickly, more tears streaming down your face. 

“Go on then, you little slut. Come for me. Come all over this cock like the needy, desperate whore you are.” He let out a strained moan, “I said,” He spoke, menacingly, “Come for me!” 

Your body tensed up, legs tightening around his waist, hands tugging at his hair, before you let go and came undone around his cock. Walls clenching around him, nails scratching his neck and a loud muffled moan erupting from your mouth as he made you come hard. 

Father Charlie groaned as he came shortly after, spilling inside of you. And fuck, even he could feel how much he filled you up. 

He pulled the now wet cloth out of your mouth as you both felt his warm cum dripping down your inner thighs. He replaced the handkerchief with his fingers, gliding two of them across your tongue, in and out of your lips as he said, “You’ll come back, won’t you?” He whispered against the corner of your mouth as you caught your breath while sucking on his fingers. “Now that you got a taste of what it’s like, you’ll be back as often as you can just to let me fuck you again. Won’t you, little lamb?” 

—

a/n: call me sister megan bc i’m frothing–

[go-fornicate-yourself]

Every day I am in the trenches fighting for my life defending this poor man. He was going through so much and people online demonize him and say he's as bad as his abuser

(I've got a lot of thoughts about this so I'll make sure to separate things to make it easier to look at lol)

Curly is a victim of abuse. Jimmy is his abuser. This is something that I feel a lot of people tend to brush over or don't acknowledge it often.

And I'm not just talking about post-crash. Jimmy's abuse of Curly is there pre-crash too. The party scene where the crew learns about the company going under is a huge example of this. Jimmy verbally abuses him, he gaslights him, he blames him for their (his) misfortune. Jimmy accuses Curly of thinking he's better than everyone (better than him), that he doesn't care about them (about him). That he's going leave them (leave him). Which is not true. Curly tries to explain himself but Jimmy shuts him down and he just takes it.

The fact that he just allows this to happen makes it seem like he's used to this... That this kind of behavior is a recurring thing with Jimmy. And the fact that nobody else tries to defend him or stands up to Jimmy just normalizes it for him. When Anya tells Curly what Jimmy did it catches him off guard. Bc he genuinely didn't think that his friend was capable of that. It wasn't something that was obvious to him. There were absolutely many red flags in the past but they were subtle enough for him to not see them bc he cares for Jimmy, he trusts him. Jimmy's the only one he feels he can open up to, who he can let his guard down with. Jimmy's his home. That's how close they are.

Because of this deep love for his friend and the subtlety of Jimmy's cruelty, he doesn't see the constant verbal and emotional abuse as what it is: abuse. Which is why he finds Jimmy's abuse towards Anya so shocking and jarring.

He isn't a man covering for his rapist friend bc of the 'bro code'. It does look like that from a certain angle and it's understandable why people see it that way but that's not what his character is really about as much as it makes sense otherwise.

He's essentially a battered housewife who's still in love with her husband but is realizing for the first time that the man she loves is a monster. That the man she loves and devoted her life to has been hurting her this whole time and she didn't even realize it. That the man she loves and spent so much of her life caring for has gone and hurt someone else. That he's most likely hurt others before and she's been utterly unaware of it the entire time she defended him and made excuses for him when he wasn't the best or the fairest or the most responsible or when he screwed up yet again solely bc of how much she loved and cared for him.

And Curly barely had any time to process ANY of that before Jimmy decided to try and kill them all to avoid the consequences of his actions. It was ultimately a selfish act even if he thought he wasn't just doing it for himself. Jimmy is selfish and needs to be in control or he loses it. He cares for Curly. He loves him. Curly's done so much for him. Curly's the only one who understands him, who doesn't hate him. Curly's his home. He resents how 'successful' he is but that's only bc he thinks so highly of him. He constantly puts himself down and put Curly on a pedestal and worships him while simultaneously mistreating him.

He treats his best friend like shit, he's awful to him. But he's not aware that this is the case or maybe he's in denial about it. He can't or just refuses to see how he's doing all of what he does for himself in the end. He justifies his attempt to kill them all (to himself and to Curly) by claiming he's doing this for them both. That if they were to get back to earth it would all be Curly's fault, that it'll ruin his life and career... despite the fact he had basically nothing to do with Anya's abuse. Jimmy's shifting the blame on him while acting like he cares for him. Well, he does genuinely care for him but clearly not nearly enough to not mistreat him or use him as a scapegoat for his own guilt.

Jimmy is the rapist, Jimmy is the one who does all of these horrible things. And yet it's highly likely that Curly would just blame all of it on himself bc that's exactly what Jimmy did to him. He's in so deep he can't see the facts of the situation.

It takes abuse victims so long to come to terms with their abuse. It takes time and reflection to see things with an unbiased and healthy perspective. Abuse (especially years of it) isn't just something you can just escape. It consumes you and can twist your reality. Curly had about a week or less to process all of it and then take action in a way that protected his crew and abided by Pony Express' guidelines. Dealing with something this serious in a setting that makes resolving it extremely difficult in a practical sense is already hard.

There were no locks on any of the doors except for medical and the cockpit. They couldn't just kill him. There was nowhere they could detain Jimmy that wouldn't involve corporate potentially penalizing the entire group. They could have used the cryopods but then there'd only be three available for any actual emergency and there were already five crew members and four pods in total. Also, I doubt corporate would be 'okay' with them using the cryopods for anything other than their intended purpose. Hell, even if they were able to make it back to earth without any incidents there's a good chance that corporate would consider the situation 'poor team synergy' and collectively punish the entire crew for Jimmy's actions.

So on top of having to deal with an already difficult situation, Curly has to grapple with the realization that Jimmy a: abused Anya, b: has been abusing him as well (for a very long time too), and c: has probably abused others before Anya and he had no idea about it. He needed to act but he didn't and it doomed all of them.

But it's so unrealistic (maybe even cruel) to put that much pressure on someone, force them through an utterly earth-shattering realization, and then expect them to do the correct/right/responsible thing in that moment. It's a little ironic how people vilify him for that when other characters do the same thing that nobody blames for it.

Anya is the ship's nurse. Curly is the ship's captain. They both have duties and responsibilities on board the Tulpar. She has to keep the crew healthy and safe and is the only one with enough medical knowledge to do so. He has to make sure that everything goes well and goes according to procedure. He's responsible for the crew, the cargo, and even the ship itself. Both positions are integral and require a lot of responsibility to do properly

They're both put through distressing and traumatic situations where due to them being human people with emotions and fears that make them essentially avoid their responsibility/doing what's required of them.

Curly has a freeze response and doesn't act when he should have when it was crucial to have done so. Anya has a fawn response and essentially puts her patient in danger and harm's way. She knew full well what Jimmy was capable of. She experienced it herself and she witnessed it happening to Curly as well. And yet she allows Jimmy to be alone with Curly while being fully aware of how dangerous he is. Which she shouldn't have, that wasn't the 'right' thing to do. Keeping him safe was her responsibility.

But Anya's human. She's going through a lot at the moment. She's terrified of Jimmy and she's trying to appease him so he doesn't hurt her again. It's a natural very understandable thing to do even if it's not the 'right' or 'responsible' thing. They failed each other when they needed each other most and I think that's the most tragic part of it. If anything, all of them failed each other in some way, shape, or form.

So it's incredibly frustrating to see people give Anya so much sympathy and grace for doing something so human yet still 'wrong' but then turn around and give Curly none of that for doing essentially the same thing she does.

I don't know for sure if it's actually because Curly is a man or if it's only part of it or maybe some people just lack that sense of awareness but it's depressing and frustrating as fuck as a male victim of sexual violence and abuse to see this kind of behavior and this much victim blaming towards a character who is undeniably a victim of abuse like I am.

[kedreeva]

Hi Kedreeva!! You mentioned that male peafowl get aggressive when hand-raised, why is that?

There is no research done on this to be able to definitively give an answer. I've written about this before, as well, but I'm feeling chatty.

However, according to anecdotal evidence by keepers around the world, after being hand raised male peafowl treat humans the same way as they would treat a rival peacock they hold a grudge against, and the aggression is almost always worse during mating season (exception cases where it's bad all year). This would seem to indicate that instead of seeing themselves as humans, peacocks see humans as "like them" ie: peacocks, and that the aggression is hormone based.

With peafowl, a male will attempt to chase off unrelated rival males. Related males form leks, but even males that have not ever met before seem to be able to clock blood relations (this actually was confirmed in scientific study, which I have talked about before so you can find it in the peafowl tag somewhere), and whatever method they use to do this, it cannot apply to humans (because you're definitely not able to be blood related to them). As such, the solution is only EVER going to be: chase off. But, humans are not going to be chased off by a bird they are keeping in a pen, and so begins a feedback loop of stress and aggression: they try to chase you off, they can't, they get frustrated and stressed and more desperate, rinse and repeat. This eventually, even with no reinforcement from you, leads them to be stressed even just seeing you, whether or not you're interacting.

However, most people I've seen aren't just "not doing anything," they are actively reinforcing the idea that they are a threat to the bird. They yell, they make sudden movements, they kick them, they pin them to the ground, they chase them around/carry them around, they spray them with hoses, they attack them with sticks/rakes/pool noodles... I have seen the gamut. And ALL of it reinforces the idea, to the peacock, that they are DANGEROUS and should be CHASED OFF. The bird physically cannot escape in many of these situations (being penned in a flight pen), so the only option they would see is fighting.

This is ALL solved by just... not hand raising them. When they don't consider you to be a rival cock, then 99.9999% of them will be chill dudes even during mating season. They don't actually LIKE to fight, but there are certain situations which inform their instincts (instincts strengthened greatly by hormones) that they need to in order to survive/reproduce.

There is ONE potential work around I have found for hand-raised males, if it is not already too late, and that is extensive training. Stan was, by necessity, hand-raised due his medical issues early on. I trained him to jump to a treat perch when he was young, and once he got aggressive, I was able to reinforce the treat perch such that when I went into his pen, he would immediately go to that perch and he would get treats when I left if he stayed there. This didn't eliminate his stress over my presence, but it did alleviate altercations between us, and allow me to care for him properly. I have helped two other people do this with their young hand-raised males (ones they didn't know better about, and won't repeat), so I know that it CAN work for some others, but it's never going to be a good solution compared to just not fucking doing the hand raising in the first place. The birds will still be experiencing stress they shouldn't have to, and the owner will experience stress knowing that aggression is sitting just beneath the surface at all times.

[catboybiologist]

So.

Re: tumblr bans of transfemmes.

Let's ignore PhotoMatt for a moment. Manbaby tech CEO doubling down on a stupid decision and making himself look like more of an ass doing so is not a new phenomena.

Tumblr has consistently said, in both public statements and leaked internal communication, that they're essentially running a skeleton crew.

They keep saying that they don't have the resources to moderate, manually review posts, have any kind of appeal process, or anything. So, as people have widely received communications about, they seemed to have automated a significant portion of the moderation to operate solely on the quantity of reports (probably with a basic filter, eg quantity of reports regarding a certain post, within a certain timeframe) to automatically ban or shadowban accounts.

And so, they wipe their hands, both to the users, the public, and their own consciousness, and go about their automated operations.

All of this is likely true. Tumblr, at this point, is essentially abandonware internally, a kind of weird vanity project/dumpster ground for server infrastructure for Automattic. Likely, they don't want the bad press of "shutting down" fully. Or maybe the trickle of revenue they get here just barely exceeds operating costs, so why not keep it around?

Whatever is the case, the bans are a result of an automated process working in the background. I'm giving them some benefit of the doubt here, of course, we can't know anything for certain- but it seems like the individual bans are not based on any specific, manual action.

And that doesn't fucking excuse anything.

Because at some point, multiple people sat down at tumblr, and decided how to cut costs.

And they decided that the bare minimum of report abuse prevention was one of the first things on the chopping block.

Before the boops. Before GUI reconfigures.

They decided to cut something that is necessary to manage online communities.

They decided to cut something that ensures any targeted group will have any kind of community online.

And then, after all of that, the only manual intervention is doubling down on the shitty decisions that the automated systems make, and plucking reasons out of their ass for why they were the right decisions all along.

It's pure silicon valley brain. Blame the computer often and always. Use it to shield the active decisions you made when designing the computer that way. Treat it as a fact of life as opposed to something they actively made decisions for.

Is tumblr staff hitting the banhammer on each transfemme one by one? No.

Is tumblr staff deliberately crafting a system that allows TERFs and other conservative bigots to get rid of the "undesirables" for them? Yup. But they sure as hell are trying to not say the quiet part out loud. If they can always point the finger somewhere else, to the advertisers, to the automated systems, to the TERFs, then they can always have juuusssttt enough plausible deniability.

But being the "queerest place on the internet" requires concious acknowledgement that queer people will be targets of harassment, and you will have to protect against that.

Side note, this is why I do try to keep my blog at least somewhat SFW. Its one of the main reasons why I choose not to reblog all of the posts I'm tagged in- if the post is overtly NSFW, I've probably seen it, appreciated it, and consciously decided my level of interaction with it mostly based on how "tumblr friendly" it is. Is that bowing down to them? A little. It's also my choice. I value the community I have here. The pushes that y'all have given me gave me the strength to transition, and honestly gives me a lot of motivation to research HRT biology as much as I can, among many other things.

Yeah, I post pictures that are clearly meant to be found attractive in ways that are generally not socially acceptable , but never actual NSFW. I would like to think that I'm pretty safe from bans, but hey. Who knows. I don't want to lose my follower base, and the community around it.

And yeah, I'm gonna annoyingly remind you of the other places to find me, make sure to check my pin. If you don't know where to go, just find me on reddit and go from there, I'll post about it if anything happens.

[magicaii]

One thing about alhaitham that I don’t see brought up a lot is that when he truly cares about someone, he respects their wishes, a lot. When his grandma’s last request to him was that he live a peaceful life, he took that to heart and still lives by it two decades later. He vowed to adopt a certain life philosophy that would make his grandma happy because that’s how much he respected her opinion and judgment. And when kaveh tells alhaitham that he regrets becoming friends with him, alhaitham completely stops talking to him for the next decade. It might seem like alhaitham did this because he stopped caring about kaveh the moment he denounced their friendship, but I think this was just his way of respecting kaveh’s wishes. If he truly believed a friendship with alhaitham ended up being regretful, he would no longer force him into one. I think it says a lot about alhaitham that he cares so deeply about what his loved ones want that he’ll simply listen to them without question.

But it’s so much more than that too. People like to paint those ten years as kaveh suffering and alhaitham being indifferent to their break up, but I don’t think that’s really the case. I truly think alhaitham is very sensitive when it comes to his loved ones. I think he took it to heart when kaveh berated him, and the rejection warded him away indefinitely. Imagine how alhaitham, for the first time in his life, found a genuine connection with another person, only to be brutally reminded of why he didn’t fit in with people- when he was just trying to show concern for kaveh’s life decisions. Honestly? I think it stung, and I believe he withdrew to protect his own feelings and that aforementioned peace. That no matter how much he cared, kaveh’s words were too much of a slap in the face for them to go back. I think he was so fearful that his emotional state would be disrupted that he had no choice but to pull away and force himself to stop caring. Gotta live a peaceful life, right?

I think alhaitham is the type of person who would’ve opened his heart up to his first true friend, the only person he could trust to understand him, and be scared off when said friend refused to understand. And again, I think it says a lot about alhaitham that an entire decade later, after being completely rejected by kaveh once before, he once again allowed him into his life- no, directly offered him a position. He lowered his guard and took kaveh in, knowing his peace would be disrupted and those old feelings would possibly be shaken up once again. Knowing he could get hurt. Just because kaveh needed alhaitham more than alhaitham needed to protect himself.

And I think it’s very interesting how the two most important people in his life are almost at odds in this regard. His grandma, who wants nothing but peace and serenity for him, and Kaveh, whose mere presence seems to disturb all that. I mean, what an interesting dilemma.

[copperbadge]

Hey Sam! Since it's currently AO3 donation time, I'm wondering what your thoughts are on it? I'm asking because you've written RPF and it's one of many "anti-AO3/anti-AO3 donations" people's favourite things to bring up when they're complaining about AO3 getting so many donations that it continuously obtains an excess of its donation goal whenever donation time rolls around? (Wow, how many times can I say "donation" in an ask?) Sorry if this question bothers you! I don't mean to offend or annoy.

Hey anon! Sorry it took a while to get to this, I don't even know if the drive is still going on, but the question came in while I was traveling and I didn't really have the time for stuff that wasn't travel-related. In any case, let's dig in! (I am not offended, no worries.)

So really there are two issues here and as much as some people who are critical of AO3 want to conflate them, they are different. While some criticism of AO3 may be valid, rhetoric against AO3 tends to misinterpret both in separate ways.

First there's the issue of what AO3 hosts -- RPF, yes, but more broadly, varied content that some people find distasteful or think should be illegal, which is a misunderstanding of the purpose of the archive and more broadly a dangerous attitude towards the concept of freedom of expression.

Second, there's the issue of AO3 generally outpacing its fundraising goals while not allowing monetization, which is a misunderstanding of the legal status of AO3 and to an extent a misunderstanding of philanthropy as a whole.

The longer I watch debates about content go on, the more I come to the conclusion that I was fortunate to have a teacher who really wanted to instill in us an understanding of free speech not as a policy but as an ongoing dialogue. It's not only that freedom of expression "protects you from the government, not the Justin" as the meme goes, but also that freedom of expression is not a static thing. It's an ongoing process of identifying what we find harmful in society and what we want to do about it.

Should the freedom to shout "Fire!" in a crowded theater be restricted? Should the freedom to yell slurs at drag performers? Should the freedom to teach prepubescent kids about gender, sexuality, and/or safe sex? Should the freedom to wear a leather puppy hood at Pride? Who gets to say, and why?

I was nine when my teacher did a unit on freedom of speech and the intersection of "harm prevention" and "censorship", which is (and should be) a discussion, not a set of ironclad rules. This ambiguity has thus been with me for over thirty years, and I'm comfortable with the ambiguity, with the process; I'm not sure a lot of people critical of AO3's content truly are. Perhaps some can't be, especially those affected by hate speech, but RPF is not hate speech. It's just fiction. Or is fiction "just fiction"? This is a question society as a whole is grappling with, although fandom seems to be a little out ahead of society in terms of how explicitly we discuss it.

The idea that prose can incite violence or cause harm is both valid to examine (witness the rise of fascism on the radio in the 20s, on Facebook and Twitter in the past ten years; they're very similar processes) and a very slippery slope. Because again: who decides what harm is, and what causes it, and what we do about it? Our values align us with certain beliefs, but those are only our values, not universal truths. So AO3 is part of the ongoing question of harm and benefit both to society and individuals.

AO3 itself, however, has a fairly defined policy that it is not meant to police content; it is an archive, not a bookstore or a school board. AO3 refines its TOS and policies as necessary, but the goal is always open access and as much freedom of expression as possible, and if that's uncomfortable for some people then that's a discussion we have to have; ignoring it won't make it go away. But it has to be a discussion, it can't be a unilateral change to the archive's TOS or a series of snaps and clapbacks, and I don't see a lot of people ready to move beyond flinging insults. Perhaps because they were taught a much more binary view of freedom of expression than I was.

So, self-evidently, I support AO3 and I don't have a problem with RPF. Whether other people do is something we're going to have to get to grips with, and that's likely to be a process that is still going on when most of us are dust. I'd rather have a century of ambiguity than a wrong answer tomorrow, anyway.

But whether AO3 hosts RPF is truly a separate issue from its donation drives, because it's a criticism some people level at the site which exists whether it's fundraising or not. So people can criticize AO3's open policy and they can give it as a reason not to support the site, but it's just one aspect of the archive and the fundraising as a whole should be examined separately.

I think AO3's fundraisers are deeply misunderstood (sometimes on purpose) because even people who are anticapitalist get a little crazy when money gets involved, and this is, to fandom, a lot of money -- a few hundred thousand, reliably, every fundraiser. To me, a fundraiser that pulls in three hundred grand is almost quaint; my current nonprofit pulls in better than ten million a year and my previous employer had an endowment of several billion dollars. At my old job I didn't even bother researching people who couldn't give us a hundred grand.

On the other hand, AO3 is an extreme and astounding outlier in the nonprofit world, because basically it's the only one of its kind to work the way it does. It is entirely volunteer-run on the operational side (ie: tag wranglers, coders, lawyers, etc) and has no fundraising staff (gift officers, researchers, outreach officers) as far as I'm aware. To pull in three hundred grand from individual one-time donations, without any paid staff and without even a volunteer fundraising officer? That's insane. That doesn't happen. Except at AO3.

What people misunderstand, however, is the basic status of a nonprofit, which is a legal status, not simply a social one. (I'm adding in some corrections here since it gets complicated and the terminology can be important!) The Organization for Transformative Works, the parent of AO3, is a nonprofit, which indicates how it was incorporated as an organization; additionally it is registered federally as tax-exempt, which carries certain perks, like not paying sales tax, and certain duties, like making their financials transparent to a certain extent. (Religious nonprofits are exempt from the transparency requirement.) If you're interested in more about nonprofits and tax-exempt status a reader dropped a great article here.

Nonprofits, unlike for-profit companies, cannot pay a share of their income to stakeholders. Nonprofits don't have financial stakeholders, only donors. They can have employees and pay them a salary -- that's me, for example -- but if a nonprofit pulls in $10M in donations, my salary is paid from that, I don't get a percentage and nobody else does either. That's what it means to be a nonprofit -- the money above operational costs goes back into the organization. The donations we (and AO3) receive must be plowed under and used for outreach, server maintenance, further fundraising, services expansion, et cetera. You can see this in the 990 forms on Guidestar or ProPublica, or in their more accessible breakdowns on Charity Navigator. Nonprofits that do not put the majority of their income towards service provision tend to get audited and lose their nonprofit status. So nobody's getting paid from all that money, and the overage that isn't spent goes into what is basically a savings account in the name of the nonprofit. (I'm vastly simplifying but that's the gist.) Using that money for personal purposes is illegal. It's called "private inurement" and there's a good article here about it. The money belongs to the OTW as a concept, not to anyone in or of the OTW.

So the biggest misunderstanding that I see in people who are mad at AO3 fundraisers is that "they" are getting all this money (who "they" are is never clearly stated but I'm pretty sure people think @astolat has a special wifi router that runs on burning hundred dollar bills) while "we" can't monetize our fanfic. But "they" get nothing -- nobody even earns a salary from AO3 -- and you can easily prove that by looking at the 990 forms they file with the government, which are required to be made public. You can see the most recently available 990, from 2020, here at Guidestar. Page seven will show you the "highest compensated" employees, all of whom are earning zero dollars or nonmonetary perks (that's the three columns on the right).

Either AO3 is entirely volunteer-run or someone's Doing A Real Fraud. The money the OTW spends is documented (that's page 10 and 11 primarily) and while they may pay for, say, the travel and lodging expenses of a lawyer going to DC to defend a freedom-of-expression case, they don't pay the lawyer for their time, or give them a cut of the income.

Despite what you've read, the reason "we" can't monetize our fanfics on AO3 has nothing to do with the site being the product of volunteer handiwork or AO3 having it in their terms of service or it being considered gauche by some to do so; it's because

IT'S ILLEGAL.

I cannot say this loudly enough: It is against the law for a nonprofit to be used by its staff, volunteers, or beneficiaries to earn direct profit from the services provided by the nonprofit.

You can be paid to work at one, but you cannot side-hustle by selling your handmade friendship bracelets for personal gain on the nonprofit's website. If the nonprofit knowingly allows monetization of its services, it can lose nonprofit status, be fined, be hit with back taxes, and a lot of other unpleasant bullshit can go down, including prosecution of those involved for fraud. If you put a ko-fi link on your fanfic, you are breaking the law, and if AO3 allows it, they are too.

Okay, that was a sidebar, but in some ways not, because it gets to the heart of the real complaints about AO3 fundraising, which is that people in fandom are sick or unhoused or in some form of need and other people in fandom are giving to AO3, a fan site that is financially stable, instead of giving to peoples' gofundmes or dropping money in their Ko-Fi or Paypal. And while it is a legitimate grievance that there are people who are in such desperate need while we live in an era of unprecedented abundance, that's not AO3's fault. AO3 doesn't solicit actively, there's no unasked-for mailings or calls from a gift officer. They just put a banner up on their website, and people give. (Again, this is incredibly outlier behavior in the nonprofit world, I'd do a case study on it but the conclusion would just be "shit's real, yo.") You might as well be mad that people give to their local food bank instead of someone's ko-fi.

You cannot lay at AO3's feet the fact that people want to give to AO3 instead of to your fundraiser. That's a choice individuals have made, and while you can engage with them in terms of why they made the philanthropic choices they did, to blame an organization they supported rather than the person who made the choice to give is not only incorrect but futile, and unlikely to win anyone over to supporting you. We know from research that guilt is not a tremendous motivator of philanthropy.

It is also not necessarily a binary choice; just because AO3 gets a hundred grand in $5 donations doesn't mean most of the people giving don't also give $5 elsewhere. I support the OTW on occasion, and I also fundraise for UNICEF and the Chicago Parks Foundation and BAGLY and others, in addition to giving monthly to several nonprofits that I have longterm relationships with -- my alma mater, the animal rescue where I got the Cryptids, my shul. And I give, occasionally and anonymously, to fundraisers that pass through Radio Free Monday, which are mainly individuals in need, because I was once in need and now I pay it forward. These are the choices I have made. Nobody twisted my arm. I respond poorly to someone making the attempt to do so by attacking places I've given.

I think the upshot is, after all of this that I've written, that we cannot begin to come to grips with questions of institutional inequality in philanthropy, or freedom of expression and censorship, until people actually understand what's going on, and too few do. So all I can do is try and explain, and hopefully create a forum for people to learn and grow when it comes to charitable giving.

Archive Of Our Own and the Organization for Transformative Works are products of our community and as that community changes, we will necessarily continue to re-evaluate what aspects of it mean and how AO3/OTW express the community sentiment. I hope that the ongoing discussion of support for AO3 also leads to people learning more about their philanthropic options. But criticizing AO3 for fundraising by attacking it for fulfilling one of its stated purposes is silly, and attempting to guilt people into giving in the ways one thinks they should give rather than how they do give is just going to make one extremely unlikable.

As members of this community, we have to be a part of the push and pull, but it's difficult to do that competently in ignorance. So, I do my best to be knowledgeable and to educate my readers, and I hope others will do the same.

[natailiatulls07]

He doesn’t want any other nurse

Charles Leclerc x female!nurse!reader

Summary - Charles has a habit of hurting himself so he visits the medical bay quite a lot which he doesn’t mind because his favourite nurse is there

Warning - Cuts, Crash, tripping over, medical centres, bruising

A/n - This was inspired by a character ai bot lmao

-

This was becoming a regular routine. And it’s not like no noticed, everyone noticed. Every other race, Charles would have to be taken to the medical centre in the paddock, why?

Because of her; one of the nurses who would travel around with the FIA as a nurse.

Like Zandvoort, Charles had crashed his SF-23 into the first corner.

“Charles, are you okay? Are you okay?” Xavier voiced through the radio, the race engineer could see Charles moving in his car.

“Yeah I’m good…I think I’ll go to medical just in case…” Surprisingly he sounded somewhat excited to be visiting medical, it was usually dreaded by the drivers.

So that’s what he did. He took himself all the way back to the paddock and through the paddock to medical. There’s was a small waiting room, Charles sat himself down excitedly.

One of the other nurses had come out to the waiting room. “Charles, I can see you now�� she offered but he quickly turned her down.

“No thank you, um is Y/n here today?” The Monégasque asked eagerly. The nurse looked back through to the medical bay, and saw that Y/n was in fact treating someone who had fallen in the paddock.

“Uh she’s a bit busy at the moment…please I can help you” The nurse tried again to which Charles just shook his head again.

“I’ll wait…” His tone was blunt and straight to the point. The nurse just sighed, knowing there was nothing she could do to change his mind, before walking back into the medical bay.

-

I was just finishing up cleaning up a small cut on someone’s knee as they fell in the paddock. “There you go ma’am…take it easy on your feet” Smiling softly I walk the women out through the medical bay carefully.

I walk into the medical bay as one of the other nurse told me that a certain Ferrari driver was waiting on me and only me.

Knowing of his refusal of any other nurse here, I strike up a conversation with him “I heard you’ve been waiting for me”

His response is quick and almost impatient “Too long” I look him over and notice a few cuts but other than that he seems okay.

“Why?” I ask in defeat. The driver just stares me down.

“Because I wanted you…” Charles just picks at the skin around his cuts, going silent again.

“You do realise that there are more qualified nurses than me…right?”

Glancing away from his cuts up at me, Charles continues “Yes and I rejected them” He looks around the medical bay before meeting my eyes again. “Your qualifications don’t matter to me, I still want you”

As I treat his cuts, cleaning them up and putting some plasters on, I continue the conversation “I don’t understand…why me?”

He remains still allowing me to treat him correctly “Why not you?” Charles’ green eyes follow my hands as I work.

“Whatever you say…” Chucklibg softly before move to grab the plasters. After I finish fixing him up, I pat his shoulder “You’re all done…”

“Thank you” He mumbles before making his way to the media tent, feeling that bit more excited.

-

The two Ferrari drivers were in their teams hospitality filming a challenge video for the Ferrari YouTube channel. However, Carlos had accidentally tripped up Charles.

That’s how Charles ended up back in the medical bay waiting room, rejecting away any nurse until his favourite arrived in the waiting room. Y/n.

-

“Back again so soon Charles” I teased as I walked over to him, he was sat clutching his head.

Charles just offered me a tired smile. “Why are you so busy when I come in?” He asks with a grumble.

“Because…this is my job, I have to treat other people as well” I smile softly, laughing slightly. Reaching over, I inspect his head.

“What happened?” Asking him, I notice some bruising on his head just before the forehead.

“Carlos, le moromi, tripped me up” Laughing softly as Charles curses in his mother tongue. I move to the medical fridge, picking up a small ice pack wrapping it in a blue paper towel.

Holding to the bruising, I take one of his hand before putting it in place of mine. “Hold this here…” Once Charles is holding onto the ice pack, I take my clipboard “Do you feel dizzy, nauseous?”

Nodding his head, I start to worry before Charles speaks up “Only because of you…”

Crimson blush covers my cheeks, my face feeling flustered. “Okay Charles that’s not what I mean…I uh meant the bruising”

“Oh no but…can I ask you a question?” He looks up at me from his seat. I nod politely. “Are you single?”

Taken back, I am instantly taken back by his confidence. “Uh um yeah…being a nurse and travelling around the world with f1 is that ideal when it comes to relationships…” Once again chuckling quietly.

Despite his injury, Charles laughs along with me before speaking again “Can I ask you another question?”

Nodding my head again, I let me continue. “Are you busy tonight?”

My laughter continues with his questions. “No not really…I was probably order room service and then fall asleep to a chick flick…the usual” I blush at my obvious loneliness.

“That’s cute” My blush on deepens “Do you…um doyouwanttogoonadatewithme?…tonight” Charles just quickly mumbles, this makes it hard for me to hear his question.

“Pardon?” I ask politely and patiently.

The Monégasque breaths in hesitate before speak again, this time more slowly and clearly “Do you…want to go on a date with me?”

I just smile softly, yeah my blush is still there but I don’t care really. “Of course…”

“Oh perfect…I’ll pick you up around seven tonight” Charles is evidently more confident now that I agree to the date.

“I’ll see you then” Walking off to another patient, I feel his green eyes staring at me.

-

[sassydefendorflower]

I want to talk about something. I want to talk about ableism in fandom. And sexism in fandom. Oh, and racism in fandom.

Mostly though, I wanna talk about how the discussion about these things often gets derailed because people don't understand what trends and typical behaviors actually are.

Whenever a Person of Color, a woman, someone disabled, someone queer (or an intersection of any of these groups) points out that certain fandom trends are bigoted in some shape or form, half the replies seem to be "but they are my comfort character! Maybe people just like them better because they are more interesting!" or even "people are allowed to have headcanons!" - the very daft even go for a "don't bring politics into fandom" which is a personal favorite because nothing exists in a vacuum and nothing is truly apolitical. But alas~

What most of these replies seemingly fail to understand is something very, very simple: it's not about you.

You, as an individual, are just one datapoint in a fandom. You are not the trend. You do not necessarily depict the typical behavior.

When someone points out that there is racism in fandom, that doesn't mean every fan is racist or perpetuating racist ideas*. By constantly mentioning your own lack of racism, quite often, you are actively derailing the conversation away from the problems at hand.

When someone names and describes a trend, they don't mean your headcanon specifically - they mean the accumulated number of headcanons perpetuating a harmful or outdated idea.

I am not saying this to forbid anyone from writing fics about their favorite characters or to keep anyone from having fun headcanons and sharing their theories and thoughts - quite the opposite actually. A critique of a general trend is not a critique of you as an individual - and you're going to have a much better, and more productive, time online if you can internalize that. If you stop growing defensive and instead allow yourself to actually digest the message of what was pointed out.

I am saying this to encourage some critical thinking.

Allow me to offer up some examples:

Case 1: A DC blogger made the daring statement that maybe Tim and Jason were such a popular fanfic focus because they are the only two undeniably white batboys. Immediately someone replied saying "no, it's all the fun traumatic situations we can put them in!". Which is an insane statement to make, considering the same can be said for literally ANY OTHER DC Batman and Batfam character.

The original post wasn't anything groundbreaking, they didn't accuse anyone, didn't name any names... but immediately there was a justification, immediately there was a reason why people might like these characters more. No one stopped to take a second and reflect on the current trends in fanfiction, no one considered that maybe this wasn't a declaration against people who like these characters but a thesis depicting the OVERALL trend of fandom once again focusing on undeniably white (and male) characters.

(don't get me started on the racebending of white characters in media that has a big Cast of Color and the implications of that)

Case 2: A meta posted on Ao3 about ableism in the Criminal Minds fandom caught my attention. A wonderful piece, very thoughtful, analyzing certain characterization choices within the fandom through the lens of an actually autistic person. The conclusion they reached: the writing of Spencer Reid as an autistic character, while often charming and comforting, tended to be incredibly infantilizing and at worst downright ableist. They came to that conclusion while CLEARLY stating that the individual fanfic wasn't the problem, but the general fandom trend in depicting this character.

Once again, looking at the replies seemed to be a mistake: while many comments furthered the discussion, there were quite a few which completely missed the point. Some were downright hostile. Because how dare this author imply that THEY are ableist when they write their favorite character using that specific characterization.

It didn't matter that the author allowed room for personal interpretation. It didn't matter that they noted something concerning about the entire fandom - people still thought they were attacking singular people.

Case 3: I wrote a fic about abortion in the FMA(b) fandom (actually I've written a weird amount of fics about abortion in a lot of fandoms, but alas) and I got hate comments for it. Because of that I addressed the bias in fandom against pro-choice depictions of pregnancies. I pointed out that the utter lack of abortion in many omegaverse stories or even mpreg or het romances, painted the picture of an unconscious bias that hurt people for whom abortion was the only option, the best possible ending. The response on the post itself was mostly positive, but I got anon hate.

(which I can unfortunately not show you since I deleted it in the months since)

And I'm not overly broken up about it, but it also underlines my point: by pointing at a general problem, a typical behavior, a larger trend... people feel personally attacked.

This inability to discuss sexism, ableism, racism, transphobia, etc in fandom without people turning defensive and hurt... well, it damages our ability to have these conversations at all.

Earlier I said YOU are not the problem - well, i think part of this discussion is acknowledging that: sometimes YOU are in fact part of the problem. And that's not the end of the world. But you can only recognize yourself as a cog in the machine, if you can examine your own actions, your own biases, your own preferences critically and without becoming defensive.

And, again, this is not to keep you from finding comfort in your favorite characters and headcanons. This is also not to say that I am free of biases and internalized bigotries - I am also very much a part of the system. A part of the problem.

This is so you can comfortably ask yourself "but why is there no abortion in this universe?" or "why are my favorite black characters always the top in my slash ships?" or "why do I write this disabled character as childish and in need of help?" - and sometimes the answer is "because I am disabled and I want comfort", and that's fine too.

There is no one shoe fits all in fiction. There is not a single trope that captures all members of a group. There is no single stereotype that isn't also someone's comfort. No group is a monolith, no experienced all-encompasing (or entirely unique).

There is never a simple answer.

But that doesn't mean you should stop questioning your own biases, your own ideals.

Especially, if you grow defensive if someone points out that a certain trend you engage in might be racist. Or sexist. Or queerphobic. Or fucking ableist.

*this does not mean negate the general anti-blackness perpetuated by most cultures as a result of colonialism and slavery

[carriesthewind]

The IA's "Open Library" is Not a Library, Yesterday's Lower Court Decision does Not "Hurt Authors," and the Planned Appeal Is (Almost Certainly) NOT a Good Way to Try to Change Bad Law (In Fact, It's More Likely to Make Bad Law Worse)

Ok, so a day later, I'm still mad about this. If anything, I'm even madder. I'm going to write this as a response to the Internet Archive's "The Fight Continues" blogpost, but before we begin, let's get some facts straight:

Copyright law in the United States, especially the law around digital lending, currently sucks. It's really really bad, and anyone with a stake in the game - except the big publishers and e-book services that profit from it - hate it.

That said, copyright law exists as a thing. As I said in a previous post, you *can* try to change it through court cases, but there are certain things you cannot change. And there are certain things you can try to change, but it will be an uphill battle to change them in a positive direction. And notably, as bad as digital lending law is in the U.S., it still could always get worse! And one general rule of impact litigation: if you are trying to change the law, you want to make sure you have the best possible facts. Because the worse your facts are, the worse your case is likely to go.

Yesterday's district court ruling DID NOT CHANGE ANY SUBSTANTIVE COPYRIGHT LAW IN THE U.S. I cannot emphasize that enough. Regardless of whatever you think of the ruling, it was applying already existing law to the facts.

This is because the Internet Archive's "Open Library" absolutely violates existing copyright law. It just does! They broke the law, they had plenty of notice they were breaking the law and harming authors (more on that below) and just think the law shouldn't apply because they don't like it.

The Internet Archive's "Open Library" is not a library. Some big ways it differs:

While it pretends to have a one-to-one owned-to-loaned ratio, as the opinion granting the publisher's motion for summary judgement notes, IA concedes that it allows "partner libraries" to add books to its collection and then doesn't check (and has no way of checking) if the book is out of circulation at the "partner library" at the same time it's being "checked out" of the Open Library. In other words, it's like if you took a book, scanned the pages, and then gave the scans to your friend who then loaned the scans out to other people but totally promised they were only lending the scans to one person at a time so it's basically like there is still just one copy! And meanwhile you still own, are reading, and lending out the physical copy of the book. Except instead of one book, they were doing this on a massive scale. NO, THAT'S JUST THEFT.*

Speaking of which, the "Open Library" didn't keep that promise! Their "Emergency Library" just let everyone borrow as many copies at a time as they could! Again, THAT'S JUST THEFT.

Like I'm sorry if you don't like the idea of copyright at all: right now, we live in a capitalist system where authors need to be paid for their work in order to, like, not die. If you take their work, scan it into your computer, and give it away for free to anyone and everyone, THAT'S JUST THEFT.

Also, most authors love libraries! Libraries allow more people to access their books while not substantially impacting their revenue and not impacting their rights! AUTHORS - not just publishers, authors - DO NOT LIKE AI'S "OPEN LIBRARY." Why haven't authors sued to stop this before, why is this the publishers suing? From the above letter: "Even simple copyright lawsuits must be brought in federal court, and often cost hundreds of thousands of dollars. A challenge to the Internet Archive could easily cost millions." Publishers have deep pockets that authors and authors' groups don't. Also, authors who object to AI stealing their work are frequently subject to harassment.

If IA won this case, the new law that would be made is this: it would be legal to steal an author's works.

*I'm using "theft" and "steal" instead of "piracy" throughout this write-up to make it clear what this is. "Pirating books" is just stealing them.

So to sum up the facts above: copyright law in the U.S. sucks, but it exists. Attempting to change it for the better through the court system would be very difficult. Even then, changing the law for the better would likely require a case with good facts. Unfortunately, the law could also change for the worse. Yesterday's ruling did not change any law. The facts in this case are very bad, because the IA absolutely violated copyright law. That is in part because the IA's "Open Library" is not a library; they just steal books. Many (if not most) authors and author's groups don't like that IA is stealing from them. If IA won this case, that victory would mean that anyone was allowed to steal an author's works.

*deep breath*

Ok, let's turn to the IA's statement, "The Fight Continues":

"Today’s lower court decision in Hachette v. Internet Archive is a blow to all libraries and the communities we serve."

The Internet Archive is not a library.

No it's not. It is a blow to the Internet Archive, specifically, because you broke the law and it ruled you broke the law. As stated above, it does not change anything with regard to copyright, including digital copyright, law in the U.S., and therefore does not impact libraries or the communities they serve. If you appeal this ruling, as you have stated you intend to, and the law does change for the worse (which is always a risk of appeal, and a risk that gets worse when you have bad facts), THEN libraries might be affected.

"This decision impacts libraries across the US who rely on controlled digital lending to connect their patrons with books online."

I mean yes, in the sense that "controlled digital lending" isn't normal e-book lending. It's the thing you made up where you steal books and illegally redistribute them.

This genuinely sucks for libraries and communities that don't have other ways of accessing digital books because the current copyright scheme sucks so bad! Real libraries are doing things to try to help, and not just steal from authors! More on that below!

"It hurts authors by saying that unfair licensing models are the only way their books can be read online."

OH GO FUCK YOURSELVES

Ok this line, this line right here? That is honestly why I wrote this whole thing.

How DARE you cloak your theft in the real struggles authors face with unfair licensing models. How DARE you pretend you are on the side of authors when you are stealing their works, and they have made it quite clear that they would like you to stop, please. And how DARE you frame it in this "for exposure" bullcrap that ignores the real struggles that authors have to eat, to get healthcare, to get any sort of fair pay and wages for their work, and instead pretend that all authors should care about is whether or not their books can be read online.

And bluntly? If you - not IA, YOU, tumblr user reading this - if you shared this bullcrap statement and told people to donate money to the IA because of this? If you told people they should steal more books in response (because it's the publishers fault, ignore the real authors who are actually harmed)? How DARE you. How DARE you pretend to be on the side of authors and writers.

"And it holds back access to information in the digital age, harming all readers, everywhere."

Except for those readers who are also authors, and need to eat.

And readers who want to read books that will never get written if authors can't write (because they need to eat).

And also, no it doesn't, because it doesn't change the law. It just applies the law that already exists to you. Because you are not above the law.

"But it’s not over—we will keep fighting for the traditional right of libraries to own, lend, and preserve books."

You are not a library.

You were not (and are not) fighting for "the traditional right of libraries." Plenty of other organizations are fighting against bad copyright law in the U.S. This court case, however, was literally just about you stealing books.

Like I cannot emphasize enough that you were just stealing and you got caught.

"We will be appealing the judgment and encourage everyone to come together as a community to support libraries against this attack by corporate publishers."

You aren't a library.

Fuck you for borrowing the (justified) hatred of corporate publishers to paper over your bad actions.

Does "coming together as a community to support libraries against this attack" mean giving you money, as suggested by the calls to action at the bottom of this page? Because you aren't a library.

"We will continue our work as a library."

You aren't a library.

"This case does not challenge many of the services we provide with digitized books including interlibrary loan, citation linking, access for the print-disabled, text and data mining, purchasing ebooks, and ongoing donation and preservation of books."

First, and most important: these are all uncritically good and important things that the IA does! Despite the rest of this post, I am really really glad the IA exists, that it is doing these things, and I hope that it will continue to do this things!

You are correct that this case does not challenge those services! Because those services aren't just stealing books from authors, which is what you were doing, which is what this case is actually about!

I'm skipping the statement from Brewster Kahle because it's just more of the same. The statement then invites you to Take Action! by donating to IA and positing themselves as standing up for libraries! (They are not a library.)

But real libraries and librarians are actually fighting the good fight over lack of access to materials, especially digital materials and bad laws, and you can support them!

If you actually do want to "come together as a community to support libraries," and support digital access, may I suggest instead donating to The Brooklyn Public Library's Books Unbanned program?:

https://www.bklynlibrary.org/books-unbanned

While they aren't directly challenging bad copyright law, they are directly fighting back against laws that are much more actively and materially impact people's access to books, including providing free e-book and database access to everyone in the U.S. age 13-21. It's a great and important program, and your donations can really help!

[darkcircles4lyfe]

it's a story about hands (reprise)

Yeah, okay, today's the day.

I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.

Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.

Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.

I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.

The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.

It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…

…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.

Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:

Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.

Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:

As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,

…but what about the little boy inside Izuku? Who saves him?

This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.

It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.

Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.

As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.

I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.

[therandompagesblog]

SKZ Mate Chapter 23

Warnings: None

Two long stressful weeks had gone by and they still had not heard from the council. Two long weeks of complete utter distress for the wolves. Waiting around for an answer was nerve-wracking for them. None of them had any energy to focus or be happy. Minho had tried to push for an outcome but his friends told him they could not push anymore as the investigation went on. There were certain things they could not rush if they wanted to get it right, but if Minho or Jeongin had any more evidence that would help, the council would need it. This led to Minho having to bring Y/N to meet the council to give her statement on Ateez and her treatment. It was an uncomfortable conversation that needed to happen but the council were brutal as they probed for different invasive facts. She had to go through it twice on the same day with two separate council members. Y/N knew it was necessary but it was still traumatic for her. Even Hyunjin had to give an account on the same day. Still, all of these events happened two weeks ago and no outcome was made. It was upsetting even for Chan who spent countless nights going through different werewolf lore books, search engines, and paperwork to find a way of taking him down.

As the days went on the more uncertain the wolves felt. Changbin hadn't even gone to the gym for a week in fear that something would happen if he wasn't there. Minho didn't have the energy to cook properly and the wolves didn't have the energy to eat either. Jeongin also wasn't himself either. He too spent nights awake as he went through Y/N's notes trying to find another way if all else fails. He was getting highly stressed but he didn't want to keep asking Y/N questions in case she became worried, but it was too late. Y/N already knew. Y/N could feel it deep in the bottom of her stomach as she hugged her pillow, sniffing to herself in her bedroom all alone. Y/N knew they were not going to win. They were smarter and they were always ten steps ahead. Ateez knew everything about Chan, whether it was true or false they could make it true. Y/N hated this. Y/N needed to know the reality of it and the only one who was going to tell her was Hyunjin. He lived there with her and before her. He could provide a much better insight.

Y/N sighed and wiped her tears before heading to Hyunjin's room. She knew it was the middle of the night but she wanted to speak to him. She needed to so she made her way to his bedroom to knock on his door, but he had already opened it to allow her to walk into his room. He was sitting on his bed cross-legged waiting for her to come to him. "Come here little wolf. It's alright." Hyunjin called, beckoning her to sit on his bed so she did. She sat on his bed and fell into his arms crying. She didn't know why but she felt safe and familiar with him. She felt at home with him, despite her lack of memories, she felt loved. "I'm sorry," Y/N muttered as she wiped her tears, taking notice of his room. It was so modest but artistic. It didn't match their home at all. His room was a luxury contemporary room. Simple, yet it was him. "Hyunjin," Y/N whispered as she sat up, looking at the red-haired wolf. "What does Hongjoong have on Chan." "His uncle, his brother that died, his destruction of packs for an omega. He has a lot." Hyunjin whispered as he wiped her tears gently. He hated seeing her cry and it wasn't because she was an ugly crier, it was the fact she cried when she felt helpless. "It's not going to work is it?" Y/N whimpered. "I don't think so. In hindsight they're both as bad as each other, neither were nice to people at the beginning. Morally Chan is better. He cares about his wolves but his previous actions do not show that. Hongjoong only cares for power and doesn't care about his wolves, only Seonghwa. He loves Seonghwa." Hyunjin admitted as he stroked her hair lovingly. "What do we do? We have to win somehow!" Y/N stressed as she held his hand, playing with his veiny long fingers that wore a certain ring on his finger. "Did I give you this?" Y/N asked as she looked into his brown muddy eyes. "Hmm, you did." Hyunjin hummed as he brought his hands up to her face, brushing his thumb over his cheek. "We need to be patient. There is still time but we won't win with the council that is a fact, but we need to disarm them." "We remove the fucking circle," Y/N growled her eyes glowing blue. "Still a challenge. We would need a witch and that goes against Chan's morals. He likes to keep the peace between them. There might be a way to use his own weapon against him without using a witch but that means meddling with dark aura." Hyunjin explained causing Y/N to huff as she rested her head against his chest, breathing in his scent. This appeared to be more complicated than she thought. Hyunjin softly stroked her back, kissing her head gently before he leaned his head against hers, holding her close to him. Hyunjin was scared of letting her go, he hadn't held her in over four years and he wasn't prepared for her to leave him. Y/N lifted her head up presenting him with a small smile before she kissed him. It was an innocent kiss. One that was needed. It held so much love and care. It was a perfect kiss. "I should go check on Chan," Y/N murmured. "Yeah. You should." Hyunjin whispered as he kissed her once more before she headed to Chan who was still staring at his computer.

Chan had become fixated on protecting his pack with Jeongin. What Y/N hadn't expected was for Jeongin and Minho to be in Chan's office with a pile of books. "What is going on? Why are you all awake?" It was more of a rhetorical question but she still wanted an answer. "Channie, what has happened," Y/N asked as she pulled his hands away from his head so she could sit on his lap. Y/N pressed her forehead against his before she connected their lips. Chan kissed her back before he held her hands worriedly. "I'm sorry baby." Chan apologised, "I'm sorry because I might have to do something you're not going to like and I need you to be okay with it. I need you to know it's because I love you and there might not be another way." "What is going on?" Y/N asked, getting up slowly as she looked at the two wolves on the sofa. "Minho? Jeongin?" "The council find Chan more guilty than Hongjoong. Chan had broke several laws because he raided four werewolf packs and attacked several omegas. Who didn't die, but were harmed. Not only that Chan has two werewolves who have been cursed with dark aura." Minho spoke, his voice cold as he stared at the empty glass. "So?" Y/N asked. "If we continue this case. The council will disarm us and destroy us. Chan could be banished." Jeongin explained coldly. "Hyunjin is our liability that poses a problem. Apparently, he coerced you and brainwashed you into completing a ritual against Hongjoong, so in the eye of the council you are more in danger here than with Ateez." "That's bullshit." Y/N shoured. "Y/N." Minho warned, silencing her. "Y/N. Come here." Chan called but she wouldn't move. "Next week I am going to meet with a friend of mine of how we can take Ateez down or at least remove them. If it comes down to it, I might need to take Hongjoong out. I need you to be okay with that." "Why don't you ask Hyunjin to help you? He knows more. So do I. We don't need any more people involved." Y/N stressed. "Y/N." Minho warned again causing her to glare at him. "Be careful of your tone. We're doing our best so listen to Chan." "You don't even trust Hyunjin to help. You're keeping it from him." Y/N snarled. "Y/N!" "Fuck off, Minho, your not even an alpha," Y/N shouted. "Y/N." Chan shouted, hitting the table, and making her jump slightly. "Do not speak to him like that. He is your beta. He is an elder and knows much more than you. You are only an omega. No your place." Y/N stood there and scoffed. Only an omega, huh? That's low. She couldn't believe he said that. "Only an omega." Y/N laughed, "I know more about Hongjoong than you, but go ahead. Fuck it all up. He will KILL YOU!" Y/N left the room, slamming the door before walking into Chan's room to throw his paperwork all over the floor before stomping on it. Fucking idiots.

Taglist for the iconic readers:

@galaxy4489 @mbioooo0000 @jisungs-iced-americano @maybeimmia @hwangrfrnd@wolfo2027 @kayleefriedchicken @leamueller920 @borahae-reads @jennibahng @cookiesandcreammy @leezanetheofficial @jutdwae-flower @danceonmyheyday @jc003 @hpnsfwaddict @linocz @itzreetal987 @skzdreamer13 @reallychaoticwoo @liv1sworld @upsidedownchaire @jutdwae-flower @danceonmyheyday @jc003 @hpnsfwaddict @skzdreamer13 @reallychaoticwoo @ihttinniee @kingdomofpentagon @pixie0627 @tsunderelino @notevenheretbh1 @catlove83 @h0rnyp0t @hash2013 @hyunmikim

[hauntingofhouses]

While theorising about the events to come in future seasons, I just keep going back to the question about who Mizu's parents really are.

So to try to figure it out, let's go over what we already know about Mizu's parentage and the white men. This info is from the flashback of Mizu as a baby in Episode 3, from the bounty hunters who came to kill Mizu in Episode 5, and from Fowler's reveals in Episode 8, assuming that everything he said is the truth.

Mizu must be someone important, as Fowler calls her Little Miss. It is capitalised in the Netflix official subtitles. This implies that Little Miss is something like a title, rather than just a nickname.

There is a bounty on Mizu's head with a sum few can resist. Whoever is trying to kill Mizu is rich and powerful.

Two men are sent to kill Mizu as a baby. They are Japanese. We know this because their swords are both katanas, and they're shocked when they see Mizu's blue eyes, discovering she's a "half-breed." Man #2 also calls her a "devil child" at the end of the flashback.

Man #2 is hesitant to kill her, as she's "only an infant," and ends up killing Man #1 to stop him from killing Mizu. Man #2 then gives Mizu to Mama, who is actually her maid.

Mama is paid to keep Mizu hidden. Mama does as told for years. We can infer that there was a steady stream of income going towards her, as she did as told until "the money ran out."

Skeffington and Routeley were the "worst" of the four white men, making their money from "selling Japan's unwanted daughters." Unwanted daughters like Mizu.

One of the white men "tried to burn Mizu alive as a baby."

One of the white men killed Mizu's mother ("Don't you want to know which one killed your mother?").

When bounty hunters came to the ranch to ambush Mizu, she asked them which white man they worked for. They only replied that the only white person they see is her. This could just be a way to avoid her question, or it could also imply that they do not work for a white man at all.

So from this, again assuming this is all true, let's go over some things:

The white men are NOT the ones who paid Mama to protect Mizu, as one of them had been responsible for trying to burn Mizu alive as a baby.

Mizu's mother was killed by one of the white men. She likely died protecting Mizu.

If it was the white father who tried to kill Mizu and her mother, then it's likely the mother's side who paid Mama to hide Mizu.

Mizu's mother must have been rich enough to afford servants.

Mizu's mother must have been someone powerful enough to have been in the shogun's inner circle, allowing contact between her and the white men.

Furthermore:

Mizu's mother should be someone tied to existing characters, to make the reveal of her identity more narratively significant.

So with all that said, let me dip my toes into wild theory-land for a bit and propose a new idea.

WHAT IF: Mizu's mother was a concubine or even the previous wife of the Shogun? And, considering how people have pointed out how similar Lady Itoh and Mizu look (credits to @roninzuzu in particular for her post on this), what if, maybe just maybe, Mizu's mother was also Lady Itoh's sister?

If this is true, then Mizu's connection to the shogunate would explain why and how Fowler knew so much about Mizu's past, especially regarding her maid taking care of her, etc. This is because Fowler is allied with the Shogun himself, as well as one of the shogun's closest advisors, Master Chiba. So if it were true that the previous wife/consort of the shogun gave birth to a blue-eyed baby, it would've been a big scandal that was certain to reach Master Chiba's ears, and he would have in turn informed Fowler about it.

If this is the case, both the shogun and the white man would be trying to kill Mizu and her mother. The shogun would be trying to cover up the scandal, while the white man would be furious that she wanted to keep the baby at all, as the scandal likely ruined his business dealings in Japan and forced him to retreat back to London or wherever else he came from.

But then, if that is the case, then who would have been the one paying Mizu's maid to take care of her? I think it's Lady Itoh. If she and Mizu's mother had indeed been sisters, perhaps Lady Itoh went behind the shogun's back to protect her sister and her baby niece. Because maybe Lady Itoh knew that Mizu's mother had wanted to protect her no matter what happened. In such a case, what kept Mizu alive would thus have been love. Her mother's love. In this scenario, Mizu would have been brought into the world through the sheer strength of her mother's unconditional love. This would be a very poignant message that overturns everything Mizu believes about herself.

Moreover, Mizu having connections to the shogunate would inevitably lead to her wanting to discover the truth about her mother's identity. This would thus bring Mizu back to Edo palace, and would neatly tie Mizu and Akemi's storylines together again, letting them cross paths once more and work together to face the main plot-conflict.

TL;DR it's my crazy theory that Mizu's dead mom was the sister of Lady Itoh and the previous consort of Shogun Itoh. She had an affair with one of the white men, and against her better judgement and against what everyone else wants from her, she decided to keep Mizu. By making this decision, she risked and sacrificed everything for Mizu, out of love.

[therantingsage]

Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:

Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos

Under the cut cuz it got obscenely long oops-

Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.

We all saw this scene:

And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.

Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.

Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.

Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:

...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.

I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.

Backing up a bit, Uzi's reaction to Nori's reaction:

This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."

In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.

When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.

As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.

And guys. Guys.

This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.

Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."

And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.

Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.

Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:

Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.

This:

Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-

This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.

And after:

Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.

His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.

And when she cuts Uzi off:

He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"

And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.

But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?

Guys. Guys.

N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.

But based on V's reaction to the handholding in Dead End:

I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.

Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.

Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.

[pastanest]

Spencer Reid x she/her!reader

A/N: why is it so difficult to find high quality post-prison reid fbi vest gifs like I thought we were all sluts out here but Ig not

gif creds: @imagining-in-the-margins

Duality Of Man

Spencer Reid had never really considered himself to be a reckless man. He had always been a calculated, well thought out, methodical follower of the rules, for fear of being ridiculed further for breaking societal rules beyond the ones he couldn’t help via his neurodivergence. He enjoyed rules. Learning the rules of people, of their behavior, and of various board games that challenged his intellect, were some of his favorite pastimes, actually.

Spencer also would not have regarded himself as a particularly possessive or territorial person, prior to spending three months behind bars. They isolated him, kept him locked in a space with people that wanted him dead, like an animal raised in captivity being thrown into a cage of wild lions. Having nothing of his own changed the way in which Spencer viewed the world around him, once he was allowed to step back into it.

Yours had been the first face he had seen when he had set foot beyond the prison walls on the day of his release, and the moment he felt you return to his embrace, in a gesture the two of you had engaged in countless times, a form of physical contact that he was most comfortable sharing with you; Spencer felt that something was different. In a way that he didn’t quite understand, you were his, beyond the platonic confines he had previously forced over his own feelings for you. He was not overbearing and had never overstepped your boundaries, but he was more outwardly protective of you than anyone else.

It had only presented itself in small gestures and words: moving to stand slightly in front of you in any kind of tense situation to act as your human shield, checking in with you at every stage of the cases you worked together, prioritizing your safety over his, and, naturally being the first one to object when you volunteered to go undercover to seduce an unsub into revealing information.

“Absolutely not.” Spencer had uttered from where he sat beside you at the round table, shaking his head.

And you had rolled your eyes at him. “I’ll be fine, Spence, I can handle myself.”

He couldn’t argue with that, he had seen you stare down men twice your size on several occasions, which always made him smirk. Still, Spencer could not hide the sick feeling that twisted in his gut at the thought of you going undercover, and being in danger.

As he had often found, the feeling in Spencer’s gut had been right. The unsub had been clever enough to deduce that you were a deliberate victim, not one of happenstance, and as such, he took you to a second location, which he had not done with his previous victims.

Given it was not his usual mode of operation and he had acted on instinct, the unsub’s play was an amateur move; comparable to what Spencer was certain Gideon thought in their first chess games together, so many years prior. As clever as the ubsub had been in figuring out you were not who you said you were, he was not intelligent enough to outsmart the one man army of Doctor Spencer Reid when fuelled by a fire that he had never felt burning in him before. It took less than a day for the team of profilers to find the warehouse you were being kept in, and less than a minute for Spencer to completely disregard their carefully orchestrated plan to rescue an FBI agent with the regulated SWAT team.

He didn’t need a team behind him for this.

He would handle this bastard himself.

With a kick that Spencer was sure Derek Morgan would be proud of, the door to the warehouse was made obsolete. Gun and torch raised, Spencer stalked the dark warehouse, checking dusty room after dusty room, eagle eyes scanning every corner, until a figure dared step out of the shadows in front of him. Anyone foolish enough to make themselves a physical blockade that kept Spencer from getting to you was a waste of oxygen.

“So, you’re the one she’s convinced is coming to save her.” The unsub taunted, chuckling darkly as he raised his arms out to his side cockily. “C’mon then, show me what you’ve got. No weapons, just you and me, man to man.”

As if to prove the authenticity of his own words, he discarded his usual weapon of choice, the blade clattering against the warehouse floor.

Spencer eyed him like a wild lion in a cage, and he almost smirked at the irony, but kept his expression calm and collected. He glanced at the doorway of the dark room they stood in, knowing that protocols would advise him to call for assistance, to make the arrest with as little physical harm as possible. But when Spencer’s eyes gravitated back to the subject who was now very much known to him, his target was in his sights.

An icy glare stayed fixed on the man that took you as the sound of a torch and gun hitting the ground echoed through the otherwise empty room. The air was thick as Spencer unclipped his FBI bulletproof vest and tossed that to the ground, too. And with no sense of urgency, he popped the cufflinks of his shirt and rolled his long sleeves up to his elbows.

An invitation to beat the life out of someone that took you? Hurt you? It must be Christmas.

Spencer’s expression was unmoving, and he didn’t say a word. Finally, after a childhood spent as a victim of merciless bullying and a portion of his adulthood fearing the judgment and cruelty of others, Spencer Reid was confident in his ability to end a physical confrontation with his own two fists.

In three large strides, he was face to face with the egotist, who swung at him, pathetically, and predictably enough for Spencer to not only swerve out of the way, but reciprocate the gesture tenfold. A solid right hook spun the idiot’s jaw and sent him stumbling, but Spencer was far from finished. He stalked over to him and in a matter of steps, had grabbed his target by his shirt collar and forced him against the wall. The fool was still reeling from Spencer’s punch, a dazed look in his eyes and blood dripping from his split lip.

“Did you touch her?”

Spencer’s words were eerily quiet, barely above a whisper, but in the silence of the warehouse they reverberated against every wall. He had a feeling that he already knew the answer, but he needed to hear it, he had to be sure his next actions would be justified.

His vision clearing, the man fool enough to take you smirked up at Spencer.

“(Y/N) looks real pretty when she cries, doesn’t she?”

He chose to answer Spencer’s question with a rhetorical question that immediately decided his fate.

In a fraction of a second, Spencer threw his target to the ground and pounced on him, vision clouded with red as he landed punch after punch, until the ground looked just as red to everybody else. If three months in prison had taught Spencer Reid anything, it wasn’t just how to fight, it was how to fight dirty.

He only stopped when the physical barrier sputtered for breath, and that was only because Spencer didn’t want to get thrown back into a cell. Catching his breath, Spencer lifted his gaze and scanned the room around him again.

“Spencer?!”

And he was stood, his rage an afterthought as he followed the weak sound of your voice, your call to him. In a sea of voices, Spencer could pinpoint yours in an instant. Having heard commotion, you had assumed it was him, coming to your rescue, like you always knew he would.

He found you in the next room, bruised and bloody, tied to a chair and covered in torn clothes with cuts beneath them that reassured Spencer the blood dripping from his knuckles was beyond worth it.

The look in his eyes was so soft as he ran to you and crouched in front of you, kissing your forehead as he tore the ropes from you with no regard for the burns he may get on his already bloody hands.

Finally free, you collapsed into Spencer’s arms, and he released the breath he’d been holding since you’d been taken, closing his eyes as he held you tightly against him, standing up and helping you to your feet in turn. The weight of the trauma you carried made your legs shake beneath you, but Spencer was there to hold you steady, he would always be there. He held your face in his hands and gave you the softest smile you’d ever seen, his thumbs ever so gently caressing your cheeks.

It took you a second to come to terms with your surroundings and your rescue, but as soon as you had, your eyes widened and you took Spencer’s hands in yours.

“You’re hurt.” You murmured, tears shining in your eyes as you held his bloody knuckles with such tenderness, he was surprised he could feel it after the aggression his hands had just been subjected to, but he would always be able to feel you.

Spencer almost chuckled in disbelief as you - in your beaten, bloody and traumatized state - became upset over a little blood on his hands. Well, maybe it was more than a little…

“Adrenaline, (Y/N), I can’t feel a thing.” Spencer reassured you in a soft voice, holding your face in his hands again and placing the lightest kiss on your nose. “But we need to get you to a doctor.”

The moment he said it, the rest of the team filtered into the room, having passed the sputtering suspect and Spencer’s discarded bulletproof vest on their way.

The look on Emily’s face told Spencer he would have several unpleasant reports to fill out regarding how he’d handled this case, but when he stared into your eyes and saw the stars in them, he knew he’d do it all again a hundred times if you were waiting on the other side for him.