#why am i even putting this out there

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[egophiliac]

So I was doing some math, and I THINK Skully is almost as tall as Malleus without his horns

I think the main reference to his height is Epel being surprised they're the same age because he's taller than Sebek, yes? which I find interesting, considering Jade and Malleus -- two of the tallest guys in the main cast -- are also there. and, since I've never been one to not think waaaay too much about the absolute stupidest minutiae about fictional characters, I see two possibilities:

one is that Epel is extremely good at eyeballing heights (I actually do feel like he could be? like. I'd believe he can estimate someone's height fairly accurately by calculating based on the life stages of an apple tree, or how many apples tall they are, or something else apple-related like that.) and Scully does, perhaps, fall into that narrow margin between Sebek and Jade in height.

OR two, out of the three certified Tall Guys there, Sebek is Epel's main frame of reference because he's the only one he's had any real interaction with for, let's be fair, pretty obvious reasons.

SO in conclusion, we still have no concrete answers and will probably have to wait until next year when we get his card profile, alas alas. 😔

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[kuromi-hoemie]

ngl it does really annoy me when everyone accepts “ace people don't have sex” as the baseline assumption instead of ace people just not experiencing sexual attraction.

you can still have sex but be driven by different reasons, like to me it is a kind of affection and way to hang out with people that is influenced by the relationship we have with each other. i can think people are pretty to look at with or without their clothes without sexual attraction in the mix.

when i see something full of ppl assuming ace people don't have sex i always want to jump on it and be annoying like MEEEE I'M ACE PEOPLE WHO HAS SEX, WE EXIST WE EXIST STOP ASSUMING WE DON'T THERE ARE PEOPLE WHO STRAIGHT UP WILL NOT DATE OR BE INTERESTED IN ACE PEOPLE BECAUSE OF THIS MISCONCEPTION AND WE E X I S T.

stop!!!! assuming ace people do not have sex!!!!!!!! if you don't know then ask if it's appropriate!!!!!!!!!!! stop thinking about it in a binary you either do or don't have sex kind of way!!!!!! this is fundamentally off!!!!!!!!!!!! if you are ace you do not have sexual ATTRACTION!!!!!!!!!!!

as to how we feel about and handle sex, that varies person to person but sex favorable aces are a lot more common than you'd think. hell, figuring out I'm ace was the hardest thing to figure out about myself because all i ever saw people talk about was whether you have sex or not. I'm sure there's a lot more people who haven't figured it out for this same reason, and let me tell you it's hard to know you're missing a whole ass type of attraction when you've never experienced it before and didn't know it was missing to begin with!!

ace is not synonymous with sexless. aces who don't have sex don't speak for me, and y'all gotta stop letting them be the only face of the community. there are More Of Us, it is All Of Us.

accepting that baseline at face value leaves you uninformed and it's frustrating to see this over and over again. challenge yourself to do better and try understanding ace people more.

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[bolcseszgoblin]

i am SO SORRY that i do this to people. i guess it's the ADHD and it's good friend generalized anxiety. i think (with me) it is mostly about denying that i am unable to prepare and i am getting more and more scared that i'll be late. surely not... oh. i'm almost late. i'm gonna quickly put myself together, and i'm gonna make it. maybe. if i run a bit to catch the bus. and if not, i'll be like 10 minutes late, and i can text my friend once i'm on my way, because i will probably go back 3 times to check for my keys, phone, wallet, if I turned off all the lights. oh shit this tshirt is dirty. but i swear i had another one that's cute. oh. forgot to pull the wet laundry from the washingmachine. shit. now i have to find another shirt, a different necklace, and start the machine again to prevent mold, but put a timer so it won't be too loud for the neighbours, will it finish before 8? shit is it past 5 already? i'm laaate. how long is this programme? let me find the manual. can't find it. lets look on the internet. this is in Polish, i don't speak Polish, but i can compare the pictograms right? they are all in the wrong order. oh it's a slightly different model. close enough though. 5 minutes go by, i finally decipher it and set the timer. hey, the bin is full here. let's clean it up, I've been putting it off for days, and now i am going down anyway. but then i can bring down the recycling too! finally clothed, have everything, ready to go, picking up the trash, walking down the 3 flights of stairs. throw them away. when i walk out to the sunlight, i realize i forgot my sunglasses. should i go back? should i not? it's just a pair of sunglasses. don't be a pussy, you don't need it. but did i bring sunscreen? eh okay. i go back. dermatologist said i should definitely wear some with my skin and moles. this is my health. *going back up* hey, look! i forgot my keys in the door! the more it falls apart, the more i am unable to notify the person. once i am on my way, safely on the bus, or at least out of my street after making sure that this time i have everything i need, i'll text the poor person waiting for me, because then i can say with confidence that i am on my way, and i have an estimated time. before that it is just a lie. i used to text i am sorry i am going to be late, probably 10 minutes - and then fail to leave. multiple times. some friends got around this by telling me an earlier time. i didn't catch on for a while. others were simply tolerant of my bullshit, and them i could message: sorry, being late, trying, i'm gonna text you when i'm on my way. we don't risk notifying people if it is just another failure, and makes it even harder the next time. so i am so sorry. but this was me. i don't go out much anymore and a lot of my friends have the same problems, so we just set and end time, after which it is not viable to leave anymore, and settle in for the undeterminate amount of time we are going to wait for each other. (e.g. you can come over from 3, I'll have to leave to my evening class at 6, so you are welcome till 5, after that we can't really talk, but no worries, we can just reschedule) surprisingly this helps with the anxiety and shortens the delay, by getting rid of nervous running around.

i was prone to the first example more, but i can remember a number of times where it was the 'i am already 2 hours late, but i am on the bus now, and explaining what i was doing instead of being at your party. kind. I never did it when leaving someone alone. i was just in a bad place and had to convince myself that i really like this person, and i want to go celebrate their birthday (all 3 cases i remember clearly were birthday parties. and a new years eve. or 2) even if i am scared shitless of how many people will be there, and ask me how i am, and i am... well. i feel like shit. and i don't want to talk about it. because i don't want to ruin the party. but i hate to lie. but i know i'm gonna.

being vague about what time you're going to be somewhere to meet someone and not saying a WORD until the moment you leave the house (assume this happens every single time, for everything) and also not saying a thing all day even if you're going to be later than the vague time until... after you are already late (assume this happens every single time the person is late/later than normal) is

[gd-dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[erinwantstowrite]

the past couple of days i was doing a lot of stuff but mostly deep cleaning our house and something i noticed while listening to my mom's true crime videos was that you can rarely find a channel that doesn't add stupid fucking music to the background like it's a horror movie- or even more inappropriate cheerful music.

and that REALLY bothers me because these are people's REAL lives we're talking about here... when i watch true crime anything i have to go out of my way to find channels that don't sensationalize it or disrespect the victims in any way. recently, one of the channels i watch has started showing signs of leaning towards this kind of content, when previously they hadn't done so. and it's disappointing. i'm a big believer in music elevating a story but it just feels gross to put it here. or to keep doing moments like "but this horrifying secret will come to light later", etc etc

[ministarfruit]

straya outfit swap

[buwheal]

Hello, Spamton!

How's life? Also, do you have any opinions on the Addisons? (Pink, blue, orange, and yellow)

If so, what do you think of them?

[ch1zzie]

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

[mrmeepsmadmind]

bee's protective nature over anyone persists even as a ghost & i think he sometimes forgets or doesn't care that only star can see him (sadly no touch tho) & will start shouting & angrily try standing between people who are mad at starscream even tho he can't be seen, he just wants to try & help anyways bcs STOP IT >:(!! BE NICE !!!! cried the ghost no one can hear or see except for the poor guy getting yelled at & trying to overhear the conversation over bee's frantic rebuttals while trying to discreetly let bee know it's ok while ALSO trying not to look Insane .

continued attempt at a 4am drawn doodle comic below

i might draw detailed later but yeah i just wanted to give yall this headcanon bcs i love starbee so much... the nagging wives finally finding their true loves... another nagging wife.

' you .. do know only i can hear and see you, unfortunately, right? or are you starting to go loopy, because i don't need another insane figure haunting me. I have enough already, as you can try and fail to imagine, little bee . '

' trust me, im Well aware .. of everything you just said . .. but i just. i couldn't just Stand there and do Nothing while someone talked to you like You were Nothing . that's not the autobot way. that's not- my way . '

' . . . '

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.