#why am I a nerd

[cutemax46]

I really like Marina thanks Nintendo

[ladyxskywalker]

'I like it more when you're here.'

sir 🥺💕💌 !

[sillylilguy999]

me when i get sad bc my schedule for today says im not gonna be doing any algebra

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[egophiliac]

giving the people what they want (jokes about spreadsheets)

anyway, Twst continues to prove that it is aimed at me specifically by giving us not one, but now TWO extended scenes of characters being incredibly difficult about signing an NDA. you just don't get this anywhere else.

[apostaterevolutionary]

Okay can I be a bitter Anders fan for like. Just 2 minutes here lmao

Cause bioware released some game stats for veilguard and apparently 72% of players redeemed Solas which is like. Okay yeah the game kinda pushes you towards that. But when I think of all the shit I used to have to put up with just for enjoying Anders like at all and…

(This is not me being anti-Solas, I do not care if you love or hate him, but I am gonna say what he’s done is like. Objectively worse than literally every other companion so lmao. And that’s fine! You can still enjoy him! I’m not saying you can’t and it’s important to me that people understand that! I’m just saying he did in fact do objectively morally worse things in game than Anders did and I don’t think that’s really debatable. And I can’t really make my point here without saying that but I do want to make it clear this is not some moral condemnation of Solas enjoyers cause it’s not)

Getting anon hate on the regular, being told “oh you’re allowed to like Anders as long as you regularly talk about how much he sucks”, people gleefully describing how much fun they have killing him ON your posts about the fact that you like him, the devs making jokes about shitty fates for him when fans asked innocent questions about him, the absolute audacity of his writer to say half the shit she did in interviews (about bisexuality and mental illness, most critically), and then being beaten over the head again in inquisition about how Anders is the worst character to ever exist and there’s no redemption for terrorists who lie to you one time in the entire game and he deserves death or worse and that’s it

And now… 72% of people are down to redeem the guy who lies to you for 2 games straight and who did a lot of questionable things that includes creating the fucking blight and. Like. I guess I’m glad that Solas fans can live in a world where they aren’t constantly harassed and can give their ship like. A pretty damn good ending all things considered. And that the devs love Solas and actually give the option for that happy ending and have characters go to bat for Solas throughout the game and the most annoying thing they have to see are people making scrambled egg memes. I would not wish anyone to have to deal with the shit Anders fans had to put up with back then cause it sucked. It really sucked. And I’m glad it’s not being repeated with a different character, if nothing else

But like. Man there really is a difference when the writers actually like the character who does the thing, huh

[phewgitoid]

v quick silly post of these loser nerds b4 i fall apart or sumthing

[spectacularizm]

Shitpost Status 2: Nerd Emoji

More stuff about me except this time it's MOVIES AND SHOWS I LIKE YIPPEE Not only do I like every single adaptation of All Quiet, but I Loooooooooooooooooooooooooooove every frickin movie out there of Godzilla, I not only LOVE every Godzilla movie but OWN every Godzilla movie. I also own plentiful amounts of Godzilla merchandise, aswell as video games and even signed/autographed prints. Uhhh I used to be pretty big into The Office (Both the UK and US versions) but that's sort of worn down by now, still like it though. Favourite characters are Dwight, Jim, Gareth, and Andy. I'm a Warrior Cats enjoyer yes I know cringe but like no because Warrior Cats gotta be my fave book series in all of existence and what's not to love about kewl emo cats!?!?! That being said this is pretty useless but I REALLY like cats like I'm a cat person to the point where it should be a mental illness because I LOVE CATS and without cats I would die and I would not want to exist in a world without cats (I own 4 cats) and my favourite breed is the hairless cat because PINK ALIEN CAT BINGUS All Quiet obsessor but hey that's obvious!!! One of these days I'll get Felix to notice me smh Similar to Warrior Cats, I like Lackadaisy too, the pilot was AMAZING and I've read the entire webcomic thoroughly and I can say it is very much worth the read!! As a history geek, too, it's very intriguing with all the accuracies to the 20's!! I sooooorta like Helluva Boss/Hazbin Hotel?? It's pretty on/off tbh. Last couple of episodes have been great, I love the unique demon species and designs, I just hate the fandom, and the creator has a lot of drama around her, so I'm iffy. 90 Day Fiancee binge-watcher. Absolutely HILARIOUS drama on there. Y'all know Big Ed? C'mon, you gotta know Big Ed. White Chicks is my comfort movie and Idk why but it's great it's awesome and it's mildly offensive but it's funny I don't know how to explain it without seeming... controversial.

I love HTTYD. Except for the new one. Guilty Team America enjoyer. Guilty Goodboys enjoyer. Guilty Mallrats enjoyer. Guilty Jay and Silent Bob enjoyer. Guilty Yogahosers enjoyer. Guilty Jojo Rabbit enjoyer. I LOVE ZOOLANDER!!! BIG Comfort movie. I like dinosaurs teehee Jurassic World/Park lover teehee

I like Marvel n the MCU too (Hawkeye the best frfr) A really disturbing trippy movie I LOVED that is based on a real dude and a real story is Fear & Loathing: Las Vegas Also I dabble in horror movies a bit, E.G Clockwork Orange, The Mist, IT, Scream, Halloween, Terrifier.. I watched Boy in the Striped Pajamas.......... traumatizing experience... do not recommend for the light-hearted.... or anyone, for that matter. okay this is becoming too long now so Imma say this as my final message I LOVE 70's/80's/90's SHOWS!!! Like Soap, Fantasy Island, Red Dwarf (THE BEST.), The Waltons, Frasier, Cheerz aaand it's not an older show but it's based IN those times, The Goldbergs. THINGY: I am PRAYING. TO. GOD. That Felix or SOMEBODY will let us know if he's gonna be in another movie soon because I NEED TO KNOW AND I NEED TO SEE IT GRGRGRGRGRGGRYREHHAJNDAKJMDKJ Okay thats it bye might make more of these idk ily all no homo

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 5: Flip Slip.

(Part 1, Part 2, Part 3, Part 4, Part 4.5)

[bean-spring]

Jayvik Modern AUs are hilarious to me because my boy Jayce is NOT playing any sports. He is NOT a jock. He is a gymbro nerd who tries to get his rich sister to play DnD with him, spends his days at the chemistry lab, plays chess and one day he suddenly needs to help the football team covering for someone because people think he must like sports. He doesn't even get along with everyone. He tries, of course, but he isn't the golden boy until the extremely rich and popular girl, president of the student-council, goes all "Popular! You're gonna be popular!" Glinda on him until he becomes popular thinking he's doing something good for the school when he isn't and he's getting carried away by fame and parties when all he truly wants is being with his lab partner Viktor. At the end of the day, Arcane truly was just like High School tbh.

[insomniac-arrest]

It pays not to be a gamer because any time someone complains about Arcane being attached to a video game and it means nothing to me. This is a show about cycles of violence and contains quantities of cool ladies and narrative symmetry that I could only dream. Look at it.

No one can make me learn anything. I could not be made to care about League of Legends before and I am thriving knowing even less about it now. I am eating story with both hands while ignorance cradles me in a gentle embrace.

[lazylittledragon]

hi i'm unw el l

[kaiserouo]

Well someone has to give it its driver updates, Gabriel

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[iloveshrek666]

i don’t think anyone will even see this but i wanted to share it anyway. I drew Altaïr and I’m so proud of it. AC1 has such a special place in my heart.

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about