#whose story it is

[me-sploh-rada-imas]

their cable organisation is shocking how do they live like this

[stil-lindigo]

the fox god.

a comic about a trickster.

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creative notes:

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all my other comics

store

[prokopetz]

My knowledge of superhero comics isn't deep so much as it is frustratingly eclectic. Like, I might well completely fail to recognise a character who's been a regular member of the X-Men for thirty years, but if you need somebody to explain from unprompted memory the complete plot of Spanner's Galaxy, I'm your guy.

[kirchenaere]

Preparing to sexualize that old man by sketching fanart of a game that isn't even out yet

[zevranunderstander]

i dont think i will ever be over dragon age 2. like. bioware made an epic fantasy story about a chosen one having to save a country and stop the apocalypse and then they made the second installment of the series be about the sociopolitical climate in ONE city through the lens of a family of refugees fleeing from the war of the first game and just. made it about political tensions and class dynamics and the influences of living in a church-mandated state and the growing tension over an occupied piece of the city and political killings and interpersonal conflict and power and its story is ENTIRELY character-driven. it has easily the most iconic set of companion characters. the premise of living through a story told over the course of ten years and knowing from the start that something really bad will happen in the end was so fresh and exciting. the fact that the acts really built on top of each other andhow much the city changed over time. and the game was so mature in terms of the topic of fighting against oppression in so many ways (im usually generous and say that the short development time left some things a bit wanting), and as much as some people say that the game treats mages and templars as being equally bad, i don't think that that is actually true about the game and it very earnestly tries to grapple with some pretty complex political dynamics.

and then the game completely flopped financially and was almost universally hated for its queer themes and its sympathy for "terrorism" and a lot of the things that stemmed from basically having no production time at all and then the studio just made another epic fantasy story about a chosen one that has to save the world from the apocalypse

[spooksier]

see you tomorrow

☆ prints | comics ☆

[sleepyside]

Another thing that haunts me about this entire thing is that Amanda wasn’t just funny like her coworkers, or funny like other Disney and Nickelodeon actresses. Amanda Bynes was funny like Carol Burnett. Funny like Lucille Ball. She was effervescent and classic. Her comedic sensibilities were deeply intelligent. She had *it*. And she should have grown into one of the best actresses of our generation. But *something* happened and derailed it all. Even if she’s not the same, I truly hope she’s well and happy. I want nothing but the best for her, even if it’s a quiet and private life. I adored her back then and always will.

[genderkoolaid]

some musings on transmasc mulan:

i think the reason why Reflection & mulan as a trans man is impactful to me is the fact that mulan appears as a woman and has the social role of a woman. i love rep of transmascs who are fully transitioned/present masc or male! but ive thought a lot about the erasure & invisibility of transmascs throughout history. the bits of our history we do have tend to be people who had the ability to pass as men, but there were undoubtedly so many trans men&mascs who lived as women, who could not pass well enough to live full-time as a man, who were wives and mothers! and idk i find it really impactful to read Reflection as the pain of a trans man in the closet, or who doesn't even realize that being a man is a Thing they can Do. i love how it touches on the pain of failing to be a woman. i think part of it is how often people want to dissociate trans men from misogyny, or at least control how we are "supposed" to relate to it. again, the mainstream (queer) narrative around transmasc history (and present) is trans men who could/can pass as cis men, who live their lives fully stealth. but there are and always have been many transmascs who live as women, most or all of the time, and who have to struggle with the demands of misogyny to be good daughters/wives/mothers, and the knowledge that to be a trans man would make you such a disgrace and disappointment ("if i were truly to be myself, i would break my family's heart"). i think its important to give a voice to the trans men past and present who live as women and their gendered experiences! i desperately want to give a voice to every trans man throughout time who lived and died in a dress, who had children, who thought they were the only one or who didn't even understand what or why they were.

obviously mulan does crossdress and does pass as a cis man, but specifically "Reflection" to me means a lot because i love how it can be read to be an expression of closeted transmasculinity. with transmascs, the bits of history we do get are constantly scrutinized by everyone; there's an unspoken rule of "cis woman until proven otherwise, why do you want to erase women?" and again! thats just when it comes to "women who crossdress" situations! people are so stingy when it comes to who they will "allow" transmascs to claim, seeing a "feminine cis woman" expressing transmasculinity feels transgressive in a very good way to me. also, i think we need more recognition that there are a lot of feminine women who really wish they were men (because they are), and its important to represent that experience and make it clear that being feminine (while presenting as a woman, or in general) does not mean you can't be a man.

[infinitelystrangemachinex]

The stewards of the old world are always keen to give you a glimpse of their might... According to legend, the ancients built specialized chambers to seal away false prophets.

The Arcane is waking up.

[impossibleheartflower]

[sualne]

snakeman luffy

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[lilianade-comics]

My brain gaslit me into believing that Valerie got her outfit upgrade in D-Stabilized because she was the only remotely acceptable thing about that episode, so imagine my surprise upon watching Flirting With Disaster again and Technus, Lord of Drip and Shipping Gray Ghost, shoots her with the drip-upgrade beam and she (and everyone else standing around her) doesn't even question it.

[natp20]

my favourite details from the art of the newest member of the mighty nein (it's not a phase, mom!)

a book harness, just like his uncle caleb!

flask tattoos bc his dad's a damn fine alchemist

the summer camp has flask koozies (gotta get that trademarked, veth)

and who could forget FLUFFERNUTTER

[empyreansentinel]

babys first special interest! bonus:

they r infodumping,,,

[erinravenseeker]

Everyone who gets annoyed at Dokja being like “oh I see person = story so the person I love the most is the collection of all my friends” is forgetting that he’s a compulsive fucking liar, especially to himself, and his mother already pegged exactly who it would be because she KNOWS what his favourite story- and therefore who his favourite person- was.