#who needs all of that for their character

[fangdokja]

How do you escape a yandere harem? Asking for a very distressed friend (me).

♡ Book. Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows.

♡ Word Count. 1,128

♡ A/N. Basically me before I got married. lol. Yes. I hated anything romance both fiction and reality. So I like this concept haha. Also, I'm seriously debating on making this an actual novella. Maybe. I still have to finish my requests, but maybe.

You fucking hate romance.

Not in a casual, indifferent way. No, your hatred for romance is the kind that borders on seething disgust. The kind that makes you want to puke when two characters start making heart eyes at each other. The kind that makes you physically cringe when someone dares utter the words ‘soulmate’ or ‘true love’ in your general direction. Romance is a shit genre. A putrid, festering landfill of emotional drivel. You’d rather watch a slow-burn psychological horror where the protagonist’s sanity unravels, or a thriller where the final girl barely survives a slasher massacre, than sit through a single damn love confession.

So naturally, because fate fucking hates you, you get isekai’d into an otome game.

Not just any otome game. A reverse harem, noble court intrigue, “will you find true love?” kind of otome game. You wake up inside the body of some unfortunate, aristocratic protagonist, and your first instinct is to smash your head against the nearest marble pillar in the desperate hope that blunt force trauma will eject you from this nightmare. It doesn’t work.

Worse, you are surrounded by them.

♡ Yandere! Crown Prince who is everything you loathe—tall, broad-shouldered, charismatic. A born leader, they say. His bloodline has ruled for centuries. A tyrant in the making. His voice is deep, his smile a calculated weapon. A future emperor whose touch alone makes noblewomen swoon and fall at his feet like wilting flowers. He looks at you like you’re already his consort. You look at him like you’re about to stab him in the eye.

“Dearest,” he says, rolling the word across his tongue with insufferable arrogance, “what an honor it must be for you, to be chosen by the future ruler of this land.”

You stare at him. “I’d rather be executed for treason.”

His smile doesn’t waver. It only deepens. “How rebellious.”

You realize, with mounting horror, that he finds this amusing. Worse, attractive.

♡ Yandere! Archduke is the kind of man who has never once heard the word ‘no’ and taken it seriously. A bastard-born noble who climbed his way into power with sheer audacity and an overwhelming lack of self-preservation. The type to talk you in circles until you don’t even remember what you were arguing about in the first place. He’s always smirking, always one step ahead, and always so damn annoying.

“You wound me, darling,” he drawls, lounging against the silk cushions of your carriage like he owns it (because he does own it; he bought it specifically for your ‘dates’). “I’m a man of reason. I can be persuaded to let you go.”

You narrow your eyes. “Really?”

His smirk widens. “Of course. All you have to do is admit that you want me.”

Your expression darkens like storm clouds rolling in before a disaster. You exhale slowly. “I hope you contract the plague.”

He laughs. The bastard laughs. “Oh, sweetheart. That sharp tongue of yours only makes me want you more.”

You contemplate drowning yourself in the nearest fountain.

♡ Yandere! Supreme Mage doesn’t need to chase you. You’re already trapped. A cold-blooded intellectual, a prodigy whose intelligence surpasses entire generations of scholars. He is the advisor to the throne, the master of arcane arts, the genius whose apathy is only rivaled by his obsession. And for some unholy reason, he has chosen to dedicate that obsession to you.

“There is no logic in your resistance,” he states, his sharp calculated eyes watching your every move like a scientist dissecting a particularly fascinating specimen. “The probability of you escaping me is exactly zero.”

You glare at him from inside the magic barrier he’s sealed you in. “Fuck you.”

His lips twitch. “Inevitable.”

You scream internally.

♡ Yandere! Demon King is the worst of them all. The nightmare incarnate. The shadow that stretches across the battlefield, that turns the bravest warriors into weeping corpses. Seemingly peaceful, but whatever shred of righteousness he once had is buried beneath millennia of bloodshed. He watches you with an intensity that makes your skin crawl. You feel like prey. You are prey.

“I do not comprehend your reluctance,” he murmurs, tilting his head as though studying a curious, fragile thing. His fingers brush your cheek, and you physically recoil, like his touch might dissolve you from the inside out.

He does not retract his hand.

“You are mine,” he says simply.

“No, I am not,” you snap back, the venom in your voice laced with pure, unfiltered rage.

A pause. He exhales softly. Then he smiles.

“Ah,” he whispers. “A challenge.”

Your entire body locks up with dread. You suddenly understand, with absolute clarity, that you are fucked.

────────────

Your days are spent avoiding unwanted confessions, sidestepping ambushes disguised as ‘chance encounters,’ and resisting the overwhelming urge to commit arson. Your nights are spent planning elaborate escape routes that never come to fruition because one of the four nightmares always finds you first.

You try everything.

Poisoning the Crown Prince’s wine? He drinks it, licks his lips, and says, “Sweet. Did you make this yourself?”

Framing the Archduke for treason? He fakes his own death and then shows up in your chambers that same night, grinning like a lunatic. “Miss me?”

Teleporting away from the Supreme Mage? He rewinds time. You wake up in the same bed, with his arms around your waist.

Selling your soul to escape the Demon King? He is the one who answers.

You are doomed.

And worst of all?

It’s still a romance game.

You watch, helpless, as the ‘Affection Points’ rise every time you breathe in their general direction.

You don’t want a ‘Happy Ending.’

You want a cease and desist order.

And yet, the game continues.

Your suffering is eternal.

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If you want to be added or removed from the tag list, just comment on the MASTERLIST of Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows. Thank you.

General TAG LIST of “Whispers In The Dark”: @keisocool , @elvabeth , @elloredef , @mjsjshhd , @lem-hhn , @yuki-istired

❤︎ Fang Dokja's Books.

♡ Book 1. A Heart Devoured (AHD): A Dark Yandere Anthology ♡ Book 2. Forbidden Fruits (FF): Intimate Obsessions, Unhinged Desires. ♡ Book 3. World Ablaze (WA) : For You, I'd Burn the World. ♡ Book 4 [you are here]. Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows. ♡ Book 5. Ink & Insight (I&I): From Dead Dove to Daydreams.

[daynascullys]

because tumblr is the gif website, I feel like everyone here should understand the work that goes into creating a gifset. because I think not everyone does, and it’s a huge part of why people don’t respect gif makers the way that they should.

the simplest gifs you will ever see me post still take the better part of an hour to create. because in order to make a gif, you need the material—for me, that means taking screen captures of videos or finding a download for them, both of which take time. then you have to open photoshop and create your gif, which can take a really long time depending on how quick photoshop is, how long the gif you’re making is, the size, any number of variables. and then I always color my gifs from scratch. if there’s dialogue, I listen over and over to try to make sure it’s correct, sometimes I look up transcripts, and sometimes it takes time to decide how to break up the dialogue. so even if it’s a simple two-gif set of a short scene, it will take the better part of an hour at least. and again, this is for the simplest gifsets I create.

so when I gif a scene, I am spending at least an hour with that tiny little snippet of material. which means that whatever it is that is featured in the gifset, it’s something that I like or tolerate enough to spend at minimum an hour with it. and this is why it DOES NOT MATTER if you are not critiquing the gif itself, gif makers do not want to hear every negative thought you have ever had about an actor, character, scene, or anything else they may have made a gifset for. if you want to complain about something, make your own post.

do not take someone else’s creation as a chance to complain or make nasty comments about anything featured in it. if I am willing to gif something, it means that I am willing to spend my own free time looking at it and working with it and creating something with it. so even if it isn’t my favorite scene or character or actor or whatever, I like it enough to watch the same three second clip over and over again for the better part of an hour. and yes, you’re just one person, but imagine a gifset with 100 notes. say 50 of those are reblogs, and 20 have some sort of complaint in the tags. you only see the tags of people who reblog from you, but OP will see all the tags. which means it’s not just your complaint, it’s all 20 different complaints about the thing they liked enough to make a gifset for.

and look—I understand it’s your blog and you can say whatever you want. I understand that I am creating something to be seen by other people and I don’t get to control what people say or do in the tags. if you read this and think fuck that, I can do what I want, you’re right. the purpose of this post is to remind you that you can do whatever you want, but the consequence may be that the people who are creating content for your fandoms stop posting altogether because they get sick of reading everyone’s negative opinions.

all that said, for the love of god: if you like something, reblog it. send asks and tell people you like their creations. say it in the tags. send things to friends. DO NOT REPOST THINGS. if you want to reap the benefits of other people creating things, make them feel like their work is appreciated.

[avelera]

So apparently, Fortiche shared concept art where Jayce's Hexcorization in the cave would extend all the way to his face:

And this is really interesting to me from a narrative perspective, here's why:

Much of S2 Jayce's arc is incredibly... punitive. Like, he is really being punished step by step for everything he did wrong in S1. From Renni terrorizing and almost killing him for the death of her son, to Viktor leaving him "for another woman" (the Hexcore as represented by Sky) much like Jayce left him for politics as represented by Mel, there's really a sense of the narrative not only tearing Jayce down to his bare essentials (something that's very common for TV writing to do, by the way, it's very common that you want to see characters reduced down to who they are for their "long night of the soul" moment before they learn the lessons of what they really stand for before going into the climax armed with those lessons), but Jayce's time in the cave really goes even further than that and not only does S2 take away his political career, his Hextech ambitions, his state as someone able-bodied, much of his strength, and certain other gifts, it looks like in this draft they considered taking away his beauty too.

I think it would have been interesting either way if they had, but I want to dive into the narrative structure of action and punishment in Arcane, why Hexcorizing Jayce's face might have been a step too far and not really addressed a lesson he needed to learn, and my thoughts on punitive character arcs in general in Arcane (or lack thereof), specifically with regards to Jayce and Caitlyn.

I've mentioned elsewhere that I always found it interesting that much of the hate directed towards Jayce by the fans was for his perceived incompetence in difficult moments, rather than at how naturally gifted he seems to be at everything.

When I first watched S1 on my own, I thought Jayce was a bit unbearable because everything comes so easily to him (after Viktor becomes his partner and Hextech takes off as a result, that is). He is naturally beautiful, he's built like a god but doesn't appear to do any sort of exercise routine to maintain this other than working in the forge, he becomes the Man of Progress and rockstar of Piltover pretty much without trying, girls are literally sighing dreamily as he goes by.

He's also naturally a genius, from what we see, revolutionizing multiple industries with one invention. Even his rescue as a child is a literal miracle and it spurs him to create an invention that makes him a rockstar. When he enters politics, he immediately dominates, to the point where he's able to get a unanimous vote to overthrow the founder of the city within weeks of going there. Even in battle he's naturally gifted and naturally lucky during the raid of the Shimmer factory (up until the death of Renni's son), even though he has no prior skills as far as we know. He also wins the love of arguably the most beautiful woman in the series, again, seemingly without trying.

Then, S2 doesn't just take all of this away from him, it seems to go a step further into actually punishing Jayce for how easy and miraculous his life was in S1.

I'm of two minds about the Hexcorization reaching his face, but I have a hypothesis. I think it would have looked fucking rad but, I kinda get why they didn't do it:

Because Jayce's good looks are not something he can control, unlike the other things the narrative punishes him for.

Insofar as he can control his looks, he gives up on the clean-cut, immaculate "Golden Boy" image. Even in the idealized astral plane, he keeps most of the marks of his time in the pit like his hair and beard. I think it's because Jayce likes who he became down there. The clean-cut version of him was always the mask of him trying to please others, Jayce's appearance after he emerges from the cave is him shedding the opinions of others (contrast this with how Viktor idealizes himself in the astral plane, removing all marks of his illness. This isn't a criticism, just an interesting point of contrast).

So basically, my theory is Fortiche may have pulled back on Hexcorizing Jayce's face on the one hand to soften the visuals a bit, but secondly because it keeps the focus on punishing Jayce for things he chose to do, rather than things he doesn't really have control over.

But make no mistake, the narrative comes down hard on Jayce in S2, for every little thing the fans could and often did hate him for in S1. He pays for all of them, arguably in excess of what he maybe deserved, since as he says he didn't ask for any of this. But he did go along with it, and there's where the hammer of consequence (quite literally) comes down on him, tears away all his privileges, drags him down to literally the level of Viktor when he first left the undercity and says, "You have to do it all again but now focused on what really matters, and it's going to be ten times harder than it ever was."

This, in my opinion, is why Jayce is so popular coming out of S2. It is a hell of an arc, it's a hell of a redemption! You gave the man everything any man could want, then you took it all away, and then as his crowning moment of showing he has truly learned these lessons and made up for his mistakes, he makes possibly the most loving gesture possible, puts his weapons down, and reaches out to the person he loves most and literally sacrifices himself on the altar of his mistakes to make things right and show Viktor he is loved, and to protect Viktor from the horrifically lonely fate of his future self. It doesn't get any more noble, loving, or self-sacrificing than that.

Because more than we like to see a character punished we like to see them learn from their mistakes and come back better. Jayce's S2 nobility is earned, perhaps even to excess, no one can question whether he suffered enough to make up for what he did in S1 but even the most uncharitable read of him in S1, his biggest hater, would have to agree his time spent starving to death in agony, alone in that cave for months, has got to be just about the worst punishment a human can face and live.

Which is one reason I must add that I find it a little puzzling that Arcane's creators didn't predict the hate that Caitlyn would get in S2.

Keep in mind, because this is very important, the Arcane creators did not make S2 in response to fan reactions to S1. S2 was already in production and the script was locked in and done before anyone outside their organizations saw S1. So nothing that happens in S2 is as a result of fan response.

But, the creators did understand that Jayce was going to need to suffer narrative punishment for what he did in S1 in order to be redeemed, whether they predicted how hated he would be after S1, they did predict that redemption would be necessary. And boy-howdy, did they give him a hell of a redemption arc!

But Caitlyn's S2 actions are almost in lock-step similar to Jayce's S1 actions, being manipulated (by a Medarda!) into accepting power, but maybe not having a choice in the matter, but still maybe expanding that power on their own because it is useful in its own right. Caitlyn also makes terrible mistakes. A child doesn't die but people in the undercity do get hurt during her rage-fuled raids, even if most of them are mob bosses and their goons. The narrative asks, does that make it right? Caitlyn like Jayce hurts the person closest to her who is from the undercity and uses bigoted language against the people of the undercity to Vi's face in much the same way that Jayce did to Viktor on the bridge, though in Jayce's defense, he apologized immediately after.

So, seeing how hated Jayce was coming out of S1, to the point where there's still barely any merchandise of him, I'm shaking my head rather ruefully that there was so much merch made for Caitlyn this time around. And I get it! Caitlyn and Vi were very popular after S1, they are intentionally THE main romance of the show and it was a very popular romance coming out of the innocence of their meet cute in S1.

But it's a romance that dearly needed a longer third act if you wanted Caitlyn to be as embraced after her mistakes as Jayce was after making up for his all through S2. You need to give her as long or at least as in-depth of a redemption act with as much suffering and acknowledgment of her mistakes if you want Vi and Caitlyn at the end to get celebrated the way Jayce making it up to Viktor is, because as much as I understand the choice to focus on pacing instead of exposition, and I do think Caitlyn's apology and realization of her mistakes are there on the page more than people complain, I do also agree that it is a bit "blink and you'll miss it" even if it's there. Jayce got a whole episode of being thrown into the Torment Nexus for his mistakes, real or imagined, if you didn't like him or his choices, you definitely got the sadistic glee of watching life kick the stuffing out of him for what he did in S1.

But besides her fight with Ambessa, which was a result of a confluence of many events in the story, not just Caitlyn's mistakes, Caitlyn doesn't really suffer much for the mistakes she made to those she loves. Her losing an eye to Ambessa didn't happen because she said bigoted things to Vi or became a short-term puppet dictator of Piltover. It was a result of Ambessa's actions and maneuvering more than it was a result of Caitlyn's personal mistakes to her loved ones.

In contrast, Jayce's time in the pit gave him the chance to reflect on and suffer for the the mistakes he made that led to the Anomaly that led to him being down in this pit, and what he would do to make it up to his loved ones like Viktor when he returned. Caitlyn never got a moment like that and from what I'm seeing of the vitriol directed towards her, so similar to what Jayce got after S1, it seems like she really needed it if we were going to like her to the same extent again, in a way uncomplicated by lingering questions about whether she ever truly learned the lessons her character needed to learn to grow as a person.

And it's just funny to me that a narrative that was so aware that this whole huge punishment arc was needed to rehabilitate Jayce wasn't aware that we'd need one for Caitlyn too, at least if they're going to move all that merch they made for her (please give us Jayce merch, Riot, I'm begging).

[kenwio]

Joker's kid! reader : how batfamily would react on them trying to end their life

Route : recovered dove

Please read warnings before reading this one!

If you do not feel like reading it, it's okay! (Spoilers will be at the end of this part) Please have tea or hot cocoa, and read relax 💖 and remember there are people who care and support you 💖 I'll be posting more fluff in future parts

Warnings : heavy topics, mentions of death, implications of self-destructive behavior and suicidal behavior, hurt/comfort, traumatized characters.

Idea for this part from this ask here . I also used this idea for comfort part form here

Author's note : I'm including this part in route: Recovered dove only because I want to show that mental healing of Joker's kid is a long way, it had ups and downs, but in the end they have family who acres about them now.

You don't know what exactly triggered it. Maybe it was the fact that everyone started discussing break out in Arkham asylum instead of the usual breakfast convention, maybe it was how Bruce said he didn't have time for you, maybe it was how Alfred was distant today, so you thought something wrong, maybe it was that Dick ignored you today, maybe it was that Jason's aggressive demeanor when you saw him, maybe it was Tim's comment when you brought him coffee, maybe it was Damian's harshness when you meet him near your room today.

That all made you feel so lost. To see them all being unwelcoming to you again was overwhelming. Is it because your father is free again, and they thought you'd be helping him? Wait if your father is free... he will want you back. You don't want back! No! You don't want to be with him again! You do not want to be experimented on again, be beaten up by him again. You thought it was finally over, that you were taken away from that life, never to return. You thought you found family! Why does he have to ruin your life again? He drove her away from you already, the only person who protected you before Batman and his birds, the only person who was your family before them, your mom ... and now he is doing it again; he is taking your family away again! But were they your family? You thought that Bruce was thinking about you as his own child, you thought that Alfred was proud of your progress, you thought that Dick was happy to spend time with you, you thought that Jason was enjoying your shared reading time, you thought that Tim liked to study with you, you thought that Damian finally accepted you. Were you wrong? Was it all a lie? Did they want to use you as bait for your father? Or did they think you would be able to tell them something about him? Was that a reason why they got close to you? But now that they see they were wrong, and after they made sure you didn't know anything, they decided to drop the act?

Was it all a happy dream that's just ended? If it was a dream, you don't want to wake up to the nightmare of your previous life. You can't take the suffering anymore. You need to make it stop to end it, to end it all.

You didn't know how long you were in you were in your thoughts, when you got up. You wanted to live. The room that became your own, became your safe space now felt like JOKE. You needed to get away from it. You struggled to open the window, as it required much strength from your shaking hands. But you were persistent in your efforts to open it, and in the end window opened. You looked down, it was quite high, and you knew that for your body, which was unlike theirs, weak and fragile, it would be enough. You've seen a grown man die when he fell from his high back in a crime alley, so for you, it will definitely be enough. Oh, crime alley, you don't want to go there. You don't want to return to life with Joker. You stood up on the windowsill, looking at the green grass down, feeling the cold night wind against your skin. Your head felt heavy, ringing in your ears just made it all worse. You took one step, and you felt incredibly calm. You took another step, only to be pulled away from the windowsill on the ground and held up. You didn't register the loud voice, the way someone was shaking you. You just sit there staring at nothing in particular, not even able to cry because of how tired you are.

In the meantime, Damian, the one who pulled you away from the window, had already called everyone and was trying hard to make you snap out of it. Yet it was not helping. When Bruce arrived, he moved Damian, who was looking at you with extreme worry, aside. Bruce recognized your expression; he had seen it before - thousand-yard stare - your own mind was protecting you from whatever you were feeling. As he was trying to help you, holding you against him, trying to soothe you, the rest of the family arrived in your room, seeing scared Damian, worried Bruce, and you... you looked so broken. It was too hard on them all

A few hours later, when you fell asleep after you came to your senses and cried for a while, Bruce and others started figuring out what made you feel this way. And it didn't take long; they are a family of detectives, after all. And this all made them feel really bad, guilty. As it turned out, on this day, you were too unlucky to notice only the bad sides of things.

There wasn't any breakout In Arkham asylum. Turns out, the lead they were investigating turned out to be false. Bruce, indeed, was busy, but he failed to communicate this in the normal way: he only added that he would try to make some only by the time you stepped away, which he didn't notice. Alfred was distant because he had a migraine today, but he still wanted to work around the house; there were too many chores to be done in the Wayne manor. Dick didn't mean to ignore you, he was too tired after his few nights of being up and he just failed to notice your quiet presence, being too busy thinking about his bed. Jason was behaving aggressively because of the lead about break out from Arkham asylum, which was the one that he followed for his case, and since it was false; it took the case he was working on back to square one. Tim actually was mumbling about his case, quietly cursing criminals, and not you; just like Jason, he had too much trouble because of that stupid lead. Damian stepped in at the last second to help you avoid stumbling and falling when you were waking in your room, which resulted in his harshness to you, but you were too deep in your panic to notice that his gaze was more worried than angry. If Damian wouldn't have been worried and decided to check up on you... non of them want to think about it.

They spend night in your room and in the morning, they talked to you, communicating how things actually were the previous day, and expressing how important you were to them.

It was a shock to everyone. Even Bruce thought it was going fine, that your session was working and helping you, that you were feeling safe, and that your relationships with the rest of the family were getting better. And he knew that what happened damaged the whole family because they almost lost you. He regretted that he didn't phrase his words correctly, feeling like he failed to show his care for you. He knew he should have been careful with words, he knows how impactful they can be. And since he said he hadn't got time for you he started making time for you. He wants you to know that he cares for you and he will make time for you wherever you need him. His one daily check-up became 2 check-ups, and when he had more free time, he checked up more. He pays extra attention to you. Even your little sneeze will make him worried to the point of examination in a medbay. He stays with you, and sometimes talks with you, encouraging you to open up and share your opinion and feelings. He tries to lessen the influence of "bad guidelines" (that were with you because of Joker) in your head. He helps you talk through your feelings, helps you show them and process them. He reminds you that you are cared for now. And he promises that he will protect you. After hearing you out, learning your fears and insecurities, and when he learned out that most of all you are afraid to go by your father's way, he promises you that he will do everything in his power to prevent you from taking this way. Bruce wants you to be happy, to make good memories. You already got unlucky with your father, who made you experience hell, but Bruce will try to be the best Dad he can for you.

Alfred felt so guilty. He knew you needed care, but he was distracted. He feels like he let you down, by forgetting how fragile and sensitive you are. He knew you were struggling; he had seen it himself. If only he had paid you more attention. But Alfred, better than anyone else, knows that he shouldn't be focusing on the past; he needs to work on the present, and he needs to make sure you feel better. He makes sure to make you more happy while he can. It's always your favorite tea at the tea time you share, with his cookies, of course, which he bakes with you from time to time. It's always your comfort shows or documentaries on TV when you two watch something. He also makes sure no one dares to make you feel uncomfortable, even if it will make him look around like Hawk. But Alfred understands that he can't always be around; that's exactly why he makes sure that he teaches you at least a few techniques that would be able to help with worry and anxiety, and he practices them with you. You are his little star, who may be really quiet but still efficiently lights up his days, and he doesn't want to lose you. When you share that you are afraid your family will reject you, he personally goes to everyone, making sure that they won't be saying something that contains a message. He wants to see you all grown up and happy in the end; he will work hard to make sure your life in Manor will be good.

Even when Dick just heard how Damian called for help for you, he felt shocked, what to say when he saw and understood the situation. What do you mean his baby sibling tried to make their life end when he was blissfully unaware, sleeping in his old room? How? What he missed? Just a few days before, you seemed on your way to becoming the happy sunshine of a kid, and now that has happened? He is your older brother and he missed all the singes?! He needs to sit down. It's too hard to accept this version of reality for him. The reality is that he can lose another member of the family. He knows what it is like to lose a sibling, and he will never want to experience it or feel this pain again. And knowing that it's you who tried to end your life makes it all worse. He tries to understand what pushed you, trying to see what he can do to prevent this from happening. He also tries to distract you from all the negativity in your life with quality time and different activities. The incident shook him hard, and while he hoped to introduce you to cuddles differently, he had to do it now. He needs to make sure you are close, still warm, still safe, still alive. And it seemed like cuddling with him made you calmer; you didn't even realize how touch-starved you were until then. It became a sort of comforting ritual for both of you, cuddling, sometimes just cuddling, sometimes while watching something. While cuddling he often says sweet words of reassurance to you. And while he knows he can't stay in Manor forever, he makes sure you know that he is always here for you, just a call away.

Jason was mad at himself for allowing himself to snap at you earlier. He feels incredible guilt that he was the reason that you were in that state. For a few days after, he could only watch you in your room or living room until he talked about his feelings and the incident (how he calls it because he can't speak that out loud, it physically hurts him to admit it) with Bruce and Dick. He started slowly approaching you, continuing your reading sessions, but also, sometimes, he decided just to start talking with you. He shares with you his experiences in the crime alley, and you share yours; you both know that only you two in the whole family could understand the full horror of this place, and that's aside from the fact that both of you know the full horror of Joker. He says to you that you'll never become like him, because he sees you are different. Jason tries to comfort you, yet he knows he is not ideal in it, but he is willing to try as much as he can just for you. He can understand that you feel lonely; he can only imagine how lonely you get when all the family is busy with vigilante work. It got him thinking, remembering. He remembers times when he was still Robin, and sometimes, when he got hurt, he stayed in his room alone, and. he hated it. Back when Dick gifted him a plushie of a bat, and now, in another attempt to comfort you, he brings this old plushie to you. He tells you that this plushie kept him company and protected him from everything bad, and now it will protect you, and now you'll never be alone anymore; your family's love will be here for you.

Tim was second after Damian to arrive in your room. This sight horrified him. He just froze, in shock. For once, he didn't know how to act or what to do. After everyone made sure you were okay, and his brain began working again, he started to do what he knew best - investigating and researching to find ways of how to help you, trying them with you in the meantime. Art therapy? He tried to hold a few sessions with you. Special games? You both alredy beating third one. Special music? Here is his player, listen when you want. He becomes more attentive to you, noticing every little detail. He knows as a person who likes studies like him, you would want to learn more about your mental health and how to care about yours. He found a way to explain the basics of it all to you in a way that is easier for you to understand, and only when she reads articles (that he chose, of course) about mental health and coping mechanisms. You want to cuddle with him while reading? Good, he will do it (he is happy that Dick showed you how to cuddle and totally not jealous). You want to stay with him while he works? Okay, sure, he is here for you. He makes sure you can ask him anything; he reminds you that you are safe with him and with others. So when you ask about Arkham and your father there he makes sure to show you that Arkham is hard to get out (even if it's not true).

Damian didn't like how it felt to see you on the windowsill. He doesn't like how it feels to see you in this state. He doesn't like fear. But fear made one thing clear: he cares about you. He hadn't understood how important you became until that incident happened. You are his sibling, and even if he did not choose you, even if he was against the idea of you being in the family at first, now he knows you held a place in this family like everyone else. And now he knows that he will do everything in his power to make you safe; he will protect you even from yourself. He asked Bruce to install precautions in your room. He follows you like your shadow everywhere you go. He makes sure that there is no danger in your way. He checks up on how you sleep after patrols. He makes sure to be nicer when he is around you, and he heads to ask Father, Pennyworth, and Grayson how exactly to behave around you. He joins in Tim the research of ways for you to cope with traumas or ways to comfort you, and when he sees articles about how communicating with animals improves mental health, he brings Titus to you, and when he goes for walks with Titis he makes sure to take you on them too since he also found out that walks improve mental health, and since it's walking with Titus it's beneficial in double. He protects you and he cares for you even if he struggles with proving it

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Thank you for reading! Feel free to share your opinion and have a good day 💖

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Tag list :

@socially-embarrassing , @leovergurl , @deathbynarcisstick , @cryptic-arr0w , @lynns-cornerr , @cxcilla ,  @charlotteking23 , @ninihrtss , @lillycore , @pix-stuff , @tfamidoingwithmylife , @linoalwaysknows , @00hellohello00 , @lilithskywalker , @bagofrice , @lenaisaloser , @devilslittlehelper , @camilo-uwu , @l3v1us , @eyeless-kun , @stargazingbutgayer, @wpdarlingpan , @weirdothatreads , @maybea1 @lyla-viper-wayne @amber-content @lizzyzzn

if i forgot to add someone to the tag list, please let me know, and i will add you to the next part

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Spoiler:

Next chapter connected to this (click here) and after that I'll finally write about Joker's kid! reader hair dyeing adventures

[nkogneatho]

𝐁𝐋𝐔𝐄 𝐋𝐎𝐂𝐊 𝐇𝐀𝐍𝐃 𝐀𝐍𝐀𝐋𝐘𝐒𝐈𝐒 ✦ 𝐇𝐎𝐖 𝐓𝐇𝐄𝐘 𝐋𝐈𝐊𝐄 𝐓𝐎 𝐔𝐒𝐄 𝐓𝐇𝐄𝐌 𝐎𝐍 𝐘𝐎𝐔

—characters: oliver, shidou, sae.

—cw: fem!reader, fingering, pearl necklace, overstimulation, finger sucking, not proofread.

—a/n: i need lobotomy. you do too if you're reading this shit.

𝐎𝐋𝐈𝐕𝐄𝐑 𝐀𝐈𝐊𝐔

oliver's hands are thick and has arms full of veins. he is not exactly a workout freak but he does fair amount of sets during practice resulting in his amazing physique. his fingers are girthy and he has amazing control over them.

oliver likes to spend his time with his fingers up your pussy, stretching your hole with his thick digits. he loves the feeling of your wetness dripping down his knuckles as he pumps them inside you.

"nasty little pussy. always so greedy, right, babe?" he whispers against your ears. "gimme one more and i promise i'll put my cock in then." you know he's lying. you've already came thrice and he's been repeating the same damn thing but won't stop fingering you. you can feel his erection poking your lower back, your pussy fluttering and craving more. too bad. aiku will only pull his fingers out when he wants to and not when you want to.

"oli...ngh—gunna cum," you mewl as your body tightens.

"let go, baby. 'm right here. cum on my fingers, yeah?" and you do, legs shivering as they close up, trapping his arms in place. when you calm down. aiku gives you peck on your head and you finally think he's gonna put it in. finally. "let's see if you can take four fingers." fucking hell.

𝐒𝐇𝐈𝐃𝐎𝐔 𝐑𝐘𝐔𝐒𝐄𝐈

shidou's hands are very veiny even when he is not flexing his muscles. but i doubt this man is ever relaxed because he is on adrenaline 24x7. his skin is glowing with melanin so each nerve is visible. he works out a lot. well his workout is divided in two sections. gym and good old sex.

ryu's favorite thing to do with his hands are massage your tits. massage would be and understatement 'cause this man is full on groping, pinching and abusing them. your poor nipples are always sore when he is done with you. don't get me wrong. he loves to suck on them too. but something about fondling them while thrusting in you gets him off so much. even more lovely when he spits on them and smears them with his thumb.

"got such a sexy set on ya, babe. fhuuuck. gonna make me shoot a load just with this. ya won' mind if i slap them yeah?"

*slap*

you hiss at the sensation. "shit. did my pretty pussy just clenched? fucking hell. ah! my balls are tightening," he moans. you think he's gonna cum inside you but shidou pulls out faster than a lightning, his veiny hands tightening and stroking his cock as he aims for your tits. and just in a second, he is shooting thick translucent ropes all over them. he takes his palm and spread his cum all over your tits. "fuck. jus' like a glazed donut." he takes a lick. "best fucking donut ever."

𝐈𝐓𝐎𝐒𝐇𝐈 𝐒𝐀𝐄

given sae's slender yet washboard ab physique, his hands are long. not full of veins but his knuckles are very visible and it's so hot. his veins show when he is working out, pissed or...horny. sae didn't know he had attractive hands and he was dating a person who has a hand kink. what he did know was you loved to always suckle on his thumb when his palm rests on your jaw while dry humping you. so sae tries to push it further this time.

you're sitting and reading a book on the couch before sae's shadow towers over you. you shoot your head up, looking at him with confused eyes. he scans your face for a minute before speaking.

"open," he commands. you're not sure at first what he means but the way his green eyes are fixated on your mouth, your jaw instinctively follows his command like a servant. before you can grasp the situation, sae's middle and ring finger are already in your mouth. he let's you suckle on them for a few seconds and he's quick to start thrusting them. he might have just discovered that you have a hand kink is pretty convenient for him too 'cause the boner he popped might be the fastest ever.

"i am fucked," is all he says before thrusting his digits deeper, his other hand palming his cock through his gray sweats. his biceps buldge out and his veins pop when he fists his dick so you deliver the most appropriate reaction. a moan and a whimper that vibrate around his fingers sending shivers in his body. he's right. he is fucked. and so are you.

[plentyghosts]

Well, we don't really need George to do that. I'm not here to make a definitive call, just speculating on the psychology of a character I like.

Most people assume that nothing much scares Edwin. He spent seven decades in hell. What, up here on earth, could possibly compare, after that? Turns out, quite a lot. In fact, Edwin scares incredibly easy. Spiders. The sound of a child's laughter. Old porcelain dolls. The dark. And then there's the myriad of creatures and vengeful spirits they face on cases. He is scared very often. He has simply become skilled at operating as usual, even in the depths of terror. Even when every non-existent nerve is screaming at him to hide. Even when his vision is going fuzzy at the edges, his ears ringing. Hell didn't make him less easily frightened, but it did give him the ability to carry on when he is.

[thydungeongal]

While I think later editions of D&D have carved out a justified niche for the Thief/Rogue as an archetype, as a class it still feels weird in the context of the original game. Many people, myself included, have articulated this before, but the sort of funny implication is that a class whose abilities include moving silently, picking locks, and hiding in the shadows suddenly carves out a big piece of the fictional space and says "so none of the other classes can do these things."

But I feel there is another way to look at it: instead of looking at it like "oh, the thief class locks out the other classes from having access to certain tools," it can be viewed from the angle of "the thief class creates a bunch of new obstacles, and then hoards all the tools for overcoming those obstacles onto itself."

Locked doors are the best example here: the original edition of the game in those three little brown books was, at the end of the day, a complete game. A party didn't need a thief to pick locks, because doors were not generally locked; they were stuck, and needed to be forced open with strength (and then spiked open to prevent them from swinging shut behind the party). The only mention of locked doors is within the context of the knock spell which. Yeah that's actually a fair cop, the knock spell is also a solution looking for a problem, because the existence of a spell that opens doors locked via magic necessitates the existence of doors locked via magic. But the spell opens other things, including (probably) those aforementioned stuck doors, so at the very least it has multiple use cases.

But yeah that's the thing: the original game didn't have mundane locked doors and thus it didn't require a party to have a character with a set of mundane lockpicks. What the Greyhawk supplement created was a situation where there now was a guy with a set of lockpicks who could use them to open locked doors some of the time. So now the dungeon needed to have locked doors.

[saintobio]

☆ sorry for disappearing…

when i decided to put my blog on private, it was the only solution i could think of to end my dilemma. a dilemma that sprung from the anxiety i get whenever i log into tumblr, realizing i’m keeping people waiting over an update that hasn’t happened in almost a year. i wish there was a better way to describe how i felt, but there’s just so much pressure and anxiety that accompany a writer who has an on-going series of a popular jjk character.

if you’ve been with me since 2021, you probably know the struggles i faced before i ultimately left my blog archived. back then, i never imagined i would return to running this blog. but it was my love for writing that brought me back, hoping i could start fresh as long as i knew how to set boundaries between myself and the people consuming my fics. and i could say, all was going well, until…

until i get daily messages about how it’s taking me so long to update a certain series, how i’m writing too much for another fandom, how i’m never fulfilling my promises of posting an update. it must be the trauma, but the unease of existing on tumblr began to build up inside me, reminding me of the days when i was made to feel like i did something wrong for simply posting. with that, i had grown paranoid, thinking that every time i check my notes, there would always be one or two person sending me the most ridiculous messages/comments.

i never realized just how much my experience in 2021 scarred me ‘til this day.

and the only remedy i could think of was to escape. or hide. or be unseen. for my peace of mind, for the silence. all while thinking no one’s really going to notice.

but logging in again made me realize that there are people i’ve disappointed for my sudden disappearance, people who wished me nothing but good things, people who genuinely supported me in and out of this blog, people who appreciate my works even if i’m no longer as active. to those people, i want to say i’m sorry, and that i assure you that i’m doing better.

however, i also hope that i’m not just seen as the writer who only wrote sincerely not. i hope that i’m given the same amount of support and liberty to write for characters and stories that i’m equally passionate about. wherever my hyper-fixations take me, i hope i’m not treated as if i’ve abandoned what my blog was known for. i never wanted to feel caged by writing only sn/sy. i need the space to explore other characters, other genres, before i lose myself in the pressure of just producing.

if you’re still here, thank you. i can’t promise to be fully back, but i’ll take it one step at a time.

love, saint.

[thespianinthebackcorner]

I think part of the reason this narrow definition of "canon" is also part of why people are so incensed about other stuff that has degraded fandom culture nowadays too. Along with a lack of media literacy, people have begun to expect things served to them on a platter exactly as it says on the tin- but that's just not how art works. You cannot have a functional clock without the gears, and good art has a great many gears hidden beneath the surface. For a piece of media to operate at its full capacity and do what it is meant to- in this case, serve as queer representation- you cannot show every single gear in the clock, and often- especially in modern society, where it is still for some reason a dangerous struggle to have that queer representation included in mainstream media- sometimes it is better, necessary, to hide the gears and let the audience figure out the true nature of the clock and what makes it tick the way it does. It's a very recent phenomenon that media has begun to be blatant about their representation and allowed the characters to be obvious about who they are, and people are taking this openness for granted and not looking back to see how we got to this point.

This also means people don't learn to see what is and is not good representation, as when you learn the structure of the gears and how to spy the right kind of a clock, it becomes easier to find the gilded models made only for money and not out of love for the craft and the purpose. If you do not learn to find the "hidden" representation, the gears just below the surface, you cannot possibly learn to find everything below, all the mechanics that make the gears turn, the source of the energy- and, in turn, you cannot recognise a good, beautiful, clock deserving of your love and worth the time and effort made to make it, and you cannot learn to tell those from the cheap imitations made to trick people into buying half-broken clocks with no soul behind their creation, only greed. I myself, as of now, can often only find the mechanics of the upper layers, the more obvious things, and often have to be told what is and is not good representation by those who are more experienced. But it is a skill you must learn and hone, as the more you learn to recognise the maker's mark of a good clock, the more you learn to discard the fakers and push them to do better.

As artisans like I am, it is even more vital a skill, to recognise what you may be unconsciously putting into what you are crafting. I can create a few levels deeper than I can recognise, but analysis of your own work- and asking others to analyse it for you- is necessary to grow this skill so that not only do you avoid mixed messages, you can fight biases hidden further than you might be able to see at first. This is still something I need to learn and hone, too- I still have some internalised ableism, and I've had to come face-to-face with that as I write my first HMS fic (hence why chapter 2 is taking so long, sorry guys. I didn't know it was there until I started research for Heart). I have to learn to discard it and put the effort in to ensure I don't accidentally write that into the story as a subtextual message, and that isn't easy, but I'm learning. And so long as I keep learning, eventually I will overcome it and by nature learn to see and create even deeper into the gears of this clock I am just beginning to craft- and all the others I haven't started and haven't finished and haven't yet come across but will in the future.

I hope this analogy makes some sense.

Discussions of what "counts" as "canon" queer representation fall apart the second you start talking about media older than about five years or so. If your only metric for "canon queerness" is a character looking directly into the camera and explaining their identity in specific, modern, US-American-English terminology, you're not going to get a good picture of what queer media looks like. If your barometer for what counts as "canon" requires two characters of the same gender to kiss on-screen, you're not going to get a good picture of what queer media looks like.

Dr. Septimus Pretorius (portrayed by Ernest Thesiger in 1935's Bride of Frankenstein) was never going to look directly into the camera and explain his sexuality in 2024 terms, but he remains an icon in queer media history. You cannot look at that character (blatantly queer-coded in the manner of the time, played by a queer man in a film directed by another queer man) and tell me that he isn't a part of queer media history.

To be honest, even when discussing modern queer media, I would argue that the popular idea of what "counts" as "canon" is very narrow and flawed. I've seen multiple posts in the past few days that say the Nimona movie is "implied" trans representation, and I just...no, y'all, it's not "implied," it's an allegory. The entire damn movie is about transgender struggle, and the original comic is deeply tied into N.D. Stevenson's own queer journey. It isn't subtle. You cannot look at that movie and pretend that it isn't about trans struggle. It's blatant, and to say that Nimona "isn't canonically trans" is a take that misses the story's entire message, and the blatant queerphobia that almost kept the movie from happening. (I wrote a five thousand word essay about the topic.)

Queer themes, queer coding, queer exploration, and queer representation can all exist in a piece of media that doesn't seem to have "canon queer characters" on the surface. Most queer characters are never going to be able to explicitly state their specific identity labels, be it due to censorship or just due to the fact that scenes like that don't fit in some narratives. Some stories aren't conducive to a big "so what's your identity?" scene.

Explicit, undeniable, "this is my identity in no uncertain terms" scenes are very important and radical, and I'm not saying they shouldn't ever exist. I am saying that you can't consider those scenes the only way for queerness in a piece of media to be "canon."

[nikyu0]

Are there any fun shenanigans that unfold after the bond in the avatar au? after the angst dies ofc

I actually still have a lot of ideas with the other arcane characters that happen before the bond! Although ldk lf I'm gonna be able to draw them all, because some of the ideas are very lengthy. So, I might as well practice my writing!

One of the ideas involves how Jayce and Viktor begin their relationship with the tribe in the first place.

VVVVVVVVVVVVVVVVVVV

Jayce and Viktor have been out on their research trips for a couple of days now. Sergent Caitlyn Kiramman, a fellow avatar driver with combat training, accompanies them for protection. Although they have been exploring the deeper forest for a while, all they have encountered so far was peaceful fauna, yet none of the natives.

"I wasn't expecting that we were so good at hiding our presence to not even spot one na'vi." Jayce remarks as he tries to keep up with Viktor's pace.

"They've known we are here the moment we got off the military base." Viktor assures him while looking down at his tablet. "Afterall, we are in their domain. Just because we don't see them, does not mean they are not here, no?"

The eeriness of Victor's comment made Caitlyn's ears twitch, she couldn't help but look up at the thick tree crowns and scanning through them. As they continued through the forest, she grabbed her firearm tighter.

The trio reaches a cliff that opens a view to the base of the Hallelujah Mountains. All of them in awe as they watch the floating rocks defy gravity right infront of their eyes.

Unfortunately, the devices that were helping them navigate the forest so far, start to act up because of the strong magnetic fields surrounding the mountains. The group begins to consider returning to the base to prepare for tomorrow, when they suddenly hear the sound of a cry, a na'vi battle cry.

They have been spotted by 4 na'vi flying their Ikran, the one leading the patrol being Ekko (in this AU refered as "Eko", is a young warrior na'vi from the tribe that Jayce and Viktor are going to be working with later on. Although smaller than his fellow tribe members, he is known for his skilled flying, amazing scouting and leadership qualities).

He was informed by Vi, who suspected that dreamwalkers started roaming around the forest but was unsure how deep they might enter. Confiming her suspicions, Eko spots the trio too deep for his comfort in the tribes territories, on one of his flying patrols.

He was about to descend to confront them when he noticed the outsiders strangly waving at him in panic and the one with the weapon aming past him. Eko turns back to the sudden calls of his fellow tribemates. That is when he sees the Toruk above him, who was diving straight down to Eko, claws ready to grab him. An air chase through the mountains happens and he finally loses Toruk when he flies through the dense forest which annoyingly results in him falling off his ikran. Although the fall was softened by the big leaves, it still results in him getting injured enough to not make it back alone. His Ikran and fellow tribemates not hearing his calls for help.

That is when he gets discovered by our avatar trio. In an attempt to scare them off, he tries to stand up and grab his knife but yelps in pain. Viktor and Jayce try to calm him down to get closer to examine his wound, but it takes a while, especially with Caitlyn and her firearm facing him. Eko does finally let the two scientists inspect him when they start speaking na'vi and tell Caitlyn to step back.

Viktor tries to create a temporary brace out of branches for Eko but is unable to break the thick wood, frustrated at the tools he has at hand.

"Ugh, we don't have the right equipment here! Only if the labs were closer..." "May I try?" Jayce squats besides Viktor, who states that it is useless but does not stop Jayce from taking the branch. Jayce inspects the thick stick while holding it in his gloved hands, determining how much force he would need to use. "Jayce, I really don't think-." He snaps it with ease before Viktor could finish his sentence.

"Oh! That was easier than I expected... You sure this works as a good support? Maybe I should look for another one?"

Both Viktor and Eko were baffled at what they just witnessed, it wasn't unrealistic but it was definitely surprising to see. The hardness of that branch could compare to a thinner metal rod, and there you have Jayce just snap it in half with no trouble. He continues to ramble about the branch unaware of Viktor's perplexion. Eko simply muttering a low "Tewti.." (translation "what the heck...").

(Turns out Jayce is much stronger than the average na'vi, his Avatar builds muscle much more easily. Similar to Jake Sully.)

The 3 help Eko back to the tribe, where they are already expected. A crowd forms around them, many wary but many curious about the dreamwalkers since this clan had no prior interactions with them, besides through stories from other tribes. Before the leader and tsahik aproaches them, a na'vi, Jinx (in the AU refered as Tsyensk, a peculiar but very creative and innovative na'vi with a strong connection to Eywa, she usually keeps her distance from the tribe in self-exile because of her emotional unpredictability) jumps down from above the trees to check on Eko.

Caitlyn furrows her brow and points out to the two scientists in english that the na'vi girl has been following them since the they found Eko, what none of the 3 expected is that Tsyensk would reply back in english!

[pyract0]

Random thoughts with hsr men: Parental edition

☪Includes: Jing yuan, Blade, Sunday, Boothill, Dr Ratio ☪No defined pronouns/ anatomy specifics for reader, adoptive children (specified to each character), mention of loss of loved ones. ☪Extra note: Accepting requests! Wanting to get back into writing but I tend to struggle thinking of new ideas- tend to lean towards certain characters that I have a better understanding of their personality but open to anything! ♡

-`♡´-Jing yuan who names your adoptive daughter Mimi after his beloved companion . -`♡´-Jing yuan who juggles being a father and a father figure between your sweet girl and Yanqing. -`♡´-Jing yuan who goes out of his way to include the boy under his guidance into your little family, with you both treating him as you would your own child. -`♡´-Jing yuan who brings your daughter with him anywhere he can, making sure she's treated with more respect than anyone on the Lufou. -`♡´-Jing yuan who shows off his daughter to all his closest friends, with Fu xuan having a soft spot towards the little girl, not that she'd willingly admit to it. -`♡´-Jing yuan who's nickname for your toddler is "snowy" to match her name and it's origins.

♱✮♱ Blade who often forgets about your son, leaving him under the care of silverwolf when you're both busy with missions. ♱✮♱ Blade who spends most of the time just sitting near the child, making sure he causes no trouble with minimal interference. ♱✮♱ Blade who despite how he portrays himself, cares for the toddler beyond belief, willing to draw his blade at any malicious attempt directed towards the young child. ♱✮♱ Blade who would lay with your child for hours at a time, letting him sleep without disturbance while he contemplates life. ♱✮♱ Blade who has part of him that wishes you both would have entered his life earlier, before the mara took root in his body and not being cursed with immortality, inevitably knowing he'd lose you both one day. ♱✮♱ Blade who nicknames your boy "gremlin", often using it more than his actual name

˚ʚ♡ɞ˚ Sunday who heavily relies on Robin for help with your daughter when he's unavailable as head of the family. ˚ʚ♡ɞ˚ Sunday who spends all his free time that he can with the both of you, walking around the dreamscape or relaxing together in your shared home. ˚ʚ♡ɞ˚ Sunday who has learnt to be careful around the little girl, having had his wings locked in her iron grasp on multiple occasions, needing to wait for you to pry her hands open. ˚ʚ♡ɞ˚ Sunday who holds your daughter in his arms as she dozes off after a long day, taking a moment to let himself rest while you preen his scuffed up feathers. ˚ʚ♡ɞ˚ Sunday who let's your daughter hang off him, adding hair clip after hair clip to his now mangled grey hair. ˚ʚ♡ɞ˚ Sunday who often calls your small toddler "angel", though he begins to question how fitting it is with her mischievous habits.

• ➵ ✩ Boothill who dedicates his whole being to protecting your daughter, unwilling to even consider the possibility of losing another one of his babies. • ➵ ✩ Boothill who talks about his little girl to your toddler, including her in your family even if it's only in spirit, always mentioning his two baby girls when family discussions occur. • ➵ ✩ Boothill who accidently teaches your child his censored version of any and every curse word in his vocabulary, panicking when she runs up to you shouting them. • ➵ ✩ Boothill who never takes his family time for granted, spending as much time playing with your child and showering you with affection before he's sent on a new mission after another target. • ➵ ✩ Boothill who was stuck digging pieces of crayon that melted together after your daughter shoved them in the holes of his metal plating when he was asleep, having little help from you who couldn't contain your laughter. • ➵ ✩ Boothill who often just calls your little girl sweetheart or honey, finding the simplicity more endearing.

・✎・Dr Ratio who despite his blunt personality, manages to be a good father to your son, with you both providing what you can for the young child. ・✎・Dr Ratio who sometimes forgets the mental capacity of a younger being, trying to teach him how to play chess so he has a partner for the game. ・✎・Dr Ratio who occasionally brings your sons to lectures, finding amusement in the child laughing when he insults one of his students. ・✎・Dr Ratio who maintains your child a safe distance from anything he deems could harm him, including his colleagues at work, especially a certain gambler who just adores the boy. ・✎・Dr Ratio who spends any free moment at home with the both of you, helping you around the house and being present whenever your child calls for him. ・✎・Dr Ratio who prides himself in his sons intelligence, calling him his "little genius" even if he's currently a little behind.

[vanitythevantropist]

OOOOO I like this one :DDD

Imma go with this one👇 (His name is Quill btw)

1. Chris McLain (or howver tf you spell it) from Total Drama the original series :3

2. Canonically, he’s best friends with an alien cat named Spine who is a fire dancer! Working out the kinks on how they met so👉👈

3. Ermmmmmm… Immortals by Fall Out Boy

4. He does not have a love interest, he’s too swag for that

5. See above

6. He is a gunsmith canonically so prolly that👀

7. If he was in a fantasy setting, he’d be some guy who is WAAYY too confident in the world full of giants and dwarves n shit

8. His main hobbies - besides making guns cuz it’s his job - would be dress making, actually :3 He’s very into cross dressing and likes tailoring his own stuff, along with doing traditional at for the funsies and going scrapping (looking for scraps in the junk yard)

9. He takes very good care of himself as he wants to look pretty 24/7 and succeeds better than most people

10. He’s very very bad at it :) Just pretends everything’s fine and covers it all with humour because he has issues

11. He was originally a side character in a Mandelorian ripoff story I made when I was 14 but he overshadowed the mc of that story cuz he’s just like that lmao (Idk what directly inspired him tho)

12. Yesh, I have done sum roleplays with a friend! Their OC is named Junko and they get along well cuz they’re so similar

13. To be determined

14. See above (there are so few characters in this story cuz Quill is my world and my soul)

15. He’ll die before he ever retires (he refuses)

16. He was created in a test tube so that may be a little complicated :)

17. He would not have children as he ain’t that kinda guy but I imagine he would be the fun but kinda forgetful parents who lets their children wield guns (one’s average american, basically)

18. He goes by he/him :3

19. He is aro/ace! His main love language is physical touch (friendly hugs n kisses for the homies)

20. GUNS GUNS GUNS

21. To be determined (it might be Anything You Can Do with basically anyone tho)

22. In rough situations, FIGHT. Lover or a fighter? Imma go with ‘it’s conplicated’

23. Abso-fuckin-lutely! Feeling sad? This man will be there in under five minutes with snacks and a nice warm blankey for you in case you’re sad, as well as all the necessary tools to fix your tire!

24. He isn’t a musical guy

25. Yes absolutely he does it most of the time👀 Walkin down the street, running sum errands, in the middle of a battle, whatever, it’s singin time

26. Errmmmm… I have no idea, what do you think?

27. In spirit, a fox. In appearance, ehhh-

28. Oh my god I need to ask you if I should tag you in this cuz this is such a good idea (high school clique? He’d be the guy whose strangely popular with everyone despite hanging with the weird kids)

29. GUG, see question above !!

30. Quill is very glad that someone wants to be his friend :3 Most people do not

Anyways, ty forthis, it was fun <3 Now y’all have sum lore✨ Have fun~

Fuck it, OC brain rot won. Get ready for the Secret Ask List

1) Does your OC have a voice claim, if so who?

2) Who's your OCs best friend? How did they become best friends?

3) What song describes your OC?

4) What song describes your OC and their partner/love interest?

5) Do you ship your OC with a Canon character? If so who?

6) If your OC is in a fantasy setting, what profession would they be in the modern day?

7) Vice-Versa! If your OC is in the modern day, what fantasy class would they be? Would they be a different race?

8) What hobbies does your OC have? What do they do to unwind?

9) How does your OC handle their physical health? Do they take care of themselves?

10) How does your OC handle their mental health? Do they take care of themselves?

11) What was your inspiration for your OC?

12) Does your OC interact with other people's OC? If so, who's their best OC friend?

13) Does your OC have a rival? How did it start?

14) Who's a character your OC cannot stand! It's on sight when they see them!

15) Will your OC ever retire? Do you see them making it?

16) How's their relationship with their parents? Are they alive?

17) If your OC has kids, are they a good parent? Do they ever feel guilty if they have to leave them?

18) What are their pronouns? What would they like to be called?

19) What's their sexuality? What's their love language both giving and receiving?

20) If they fight, what's their weapon of choice?

21) What song best describes their relationship with their enemy?

22) Fight or Flight? Are they a lover or a fighter?

23) Is your OC reliable? Can I call them up at two in the morning if I have a flat tire?

24) Can they play any instruments? If so, what do they play?

25) Are they the kind of person who can't resist a good song? Can I catch your OC singing to themselves while they do the dishes?

26) What flower do you associate your OC with?

27) What's their spirit tamagotchi? Or an animal you associate them with?

28) What clique would they be in? (Draw them in the clothes of said group!)

29) Imagine a mood board for your OC! What's on it? (Make it if you want!)

30) My OC and your OC are friends. This isn't a question. I'm not asking. (How do they respond?)

[oblivion-npc]

installed a mod that has like 200+ different bodyslide presets in one, and this is what it randomized my character into having

[brainrotcharacters]

That's that shit eating grin that practically screams "Harder! HARDER!" except the homoerotic subtext is a tripwire they're crash landing through

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[wyndelinewriter]

Wow these are all solid points.

1. There are semi-permeable barriers between what you see in your mind and what you write. There is another between what is written and the mind of the reader. Your goal as a writer is take the images and emotions in your head and conjure them in the mind of your reader. These barriers dilute the power of these images. A good exercise to help you develop a language to better convey these emotions is to think of a time in your life when you felt the way you want your reader to feel. Pour our your soul onto an index card. On the other side write the emotion. These cards will help you get your mind in the right head space when you need to write a particular emotional scene.

2. Cut cut cut or in the words of Stephen King: “kill your darlings”. Every word, every sentence, every paragraph, and every scene/sequel MUST serve the story. If it doesn’t make some essential character development, convey critical information, or lay the groundwork for later plot development it should be cut. The rule of thumb is if you’re not sure cut it. This is also why you need to make a new copy of your wiring document for every re-write so if you need to add something back in you have it available.

3. Our stories are a creation of our own completely unique experiences. We draw on those experiences to form the words to invoke the emotions and images we desire to be experienced by our readers. I could give you the detailed scene-sequel outline of my book and we’d end up with completely different books. There are no new stories only new story tellers.

4. The fastest way to improve your writing is to find out what these weaknesses are and improve on them. Mine are a tendency towards belabored purple prose turgid with mixed metaphors, horrible comma splices, using way too many words when a few will do, and grammar so bad my college friend described it as a wonder that it still managed to convey meaning; also run on sentences. I wish I could tell you how to find out what these are but the only way I learned was working with an editor who has a stellar understanding of usage and amazing good taste when it comes to what works and what doesn’t.

Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-

• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader. 

• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.

• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.

• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.