#who has a problem with television

[stiwfssr]

[transsexualgriffith]

i think my favourite thing concerning people who complain about the quality of the more recent doctor who series, especially the "doctor who has become woke" crowd is just how they're always like "noo the latest doctor who episode was so bad this has ruined my enjoyment of the franchise forever now I only have about 60 years of television history and one of the largest collections of audio stories comics and novels to go off fuckkkkkk"

[angelsdean]

must everything be SO polarizing like literally people are doing the most over a shitty cw show as if we all have not watched a shitty cw show (spn)

[coquelicoq]

my sister has me watching this french reality dating show and the subtitles always take a little while to kick in so at the beginning i'm just like mes amis...i do not know what you are yelling at each other...can u fight a little slower...pour moi...un petit ralentissement s'il vous plaît...un peu plus d'articulation...fâchez-vous si vous insistez, mais tranquillement...

[acesammy]

it’s actually starting to bother me how many people are saying that TLOU show is inherently better at story telling than the game, bc games in general are a worse medium to tell stories in than TV

[friendshiptothemax]

I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.

That’s not the issue at stake here. Let me tell you a little something about “minirooms.”

Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.

This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.

Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.

The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.

[david-watts]

there used to be this programme on sbs years back where it looked at whether certain homeopathic/natural/cultural medicine had actual benefits or not and I'm sure that programme did really good things in terms of legitimising genuine alternative treatments that have helped many people but what I mostly remember it doing was making my grandmother go 'see you don't need to be on medicine' and then not even allowing me to do the alternative medicine either. which was great

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more

[mcmansionhell]

mojo dojo casa house

Howdy folks! Sorry for the delay, I was, uhhhh covering the Tour de France. Anyway, I'm back in Chicago which means this blog has returned to the Chicago suburbs. I'm sure you've all seen Barbie at this point so this 2019 not-so-dream house will come as a pleasant (?) surprise.

Yeah. So this $2.4 million, 7 bed, 8.5+ bath house is over 15,000 square feet and let me be frank: that square footage is not allocated in any kind of efficient or rational manner. It's just kind of there, like a suburban Ramada Inn banquet hall. You think that by reading this you are prepared for this, but no, you are not.

Scale (especially the human one) is unfathomable to the people who built this house. They must have some kind of rare spatial reasoning problem where they perceive themselves to be the size of at least a sedan, maybe a small aircraft. Also as you can see they only know of the existence of a single color.

Ok, but if you were eating a single bowl of cereal alone where would you sit? Personally I am a head of the table type person but I understand that others might be more discreet.

It is undeniable that they put the "great" in great room. You could race bicycles in here. Do roller derby. If you gave this space to three anarchists you would have a functioning bookshop and small press in about a week.

The island bit is so funny. It's literally so far away it's hard to get them in the same image. It is the most functionally useless space ever. You need to walk half a mile to get from the island to the sink or stove.

Of course, every McMansion has a room just for television (if not more than one room) and yet this house fails even to execute that in a way that matters. Honestly impressive.

The rug placement here is physical comedy. Like, they know they messed up.

Bling had a weird second incarnation in the 2010s HomeGoods scene. Few talk about this.

Honestly I think they should have scrapped all of this and built a bowling alley or maybe a hockey rink. Basketball court. A space this grand is wasted on sports of the table variety.

You would also think that seeing the rear exterior of this house would help to rationalize how it's planned but:

Not really.

Anyways, thanks for coming along for another edition of McMansion Hell. I'll be back to regular posting schedule now that the summer is over so keep your eyes peeled for more of the greatest houses to ever exist. Be sure to check the Patreon for today's bonus posts.

Also P.S. - I'm the architecture critic for The Nation now, so check that out, too!

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar, because media work is especially recession-vulnerable.

[ace-whovian-neuroscientist]

it feels like this season, doctor who is dealing with the fundamental rules changing. it was strictly sci-fi, you could always logic your way out of any problem with technobabble and a clever plan.

but it feels like so much of the plot is wrapped around poking at the medium of being a television show, of being a story. we have multiple characters looking at the viewers, we have the maestro playing the theme tune, we have such clear parallels to season 1 (2005) that it feels like a universal coincidence. like the whoniverse itself is recognizing its a medium and playing with its tropes.

the genre is changing too - we are leaning more and more into fantasy, rules like you would see in stories about fae, not sci-fi. musical numbers out of nowhere that no one seems to question, with rain inside and musical sidewalks. the vocabulary of rope and power in coincidences. hell, even the way that time travel works is changing! suddenly stepping on a butterfly (specifically a trope in scifi that has been mocked/debunked previously) has consequences. the doctor swiping away the translation circuit's effects with the wave of a hand and breathing life back into a creature without breaking a sweat.

not to mention the way that space babies foreshadows to a universe that creates a story with all the ingredients it knows are supposed to be there (re: bogeyman - there's supposed to be a villain so it made one)

something IS going on. there is a bigger player - bigger than tecteun, bigger than the toymaker. could it be rtd just having a grand ole time using canon as is playground? maybe. but i hope it's something cool.

[loves4ge]

celebrity!au cw: swearing, gojo is disgustingly in love

gojo satoru is thoroughly and utterly fucked. there are only ten minutes left until he has to go live for an interview—promotional material for his new movie. the only problem is you, his sweet costar; you had him wrapped around your finger.

despite being each other's on-screen love interests, your schedules hadn't matched until now to do an interview together. and gojo fucking satoru, one of the biggest celebrities to ever set foot in the hall of fame, is nervous. because he knows when gets out there, you'll be waiting for him. you've always been early to places (not really, he's just late).

it's not just the thought of you that has his stomach twisting in knots, it's his obsessive—and frankly, scary—fangirls who hang onto his every look, every glance, every word. even if no one finds out about his itsy bitsy crush, they will. and they will ruin you.

and he can't do that to you! this is your big break after slaving away in minor roles with a no-name cast. you're in the spotlight too much after only have seen the light being shone on other people, there's already too much pressure on you. the sudden onslaught of fans can be overwhelming, but the critics? they're so much harsher than what you expected.

"gojo, get out." it's his manager. deep breaths, he advises himself as he lifts out of the chair and to the set. where you are. god.

"so, i hear the set can get pretty crazy?" the interviewer smiles as he says it. he has that mall santa vibe; a little bit jolly and just slightly discomfort inducing.

your laugh slips out and gojo swears he almost died there. but he makes a conscious effort to not look at your lips. he sneaks a glance anyway.

"that's right! you should see the mess this man makes," you say, nodding your head towards the white-blond man. he should've worn his sunglasses, at least that way he could've stared at you in peace.

"hey! i'm not at fault here," gojo defends himself, guffawed. he crosses his arms as if he was trying to protect his chastity. or defend his honor, i suppose.

"mm, that's what they all say." your playful tone has him weak in the knees and he's thanking the gods that he's sitting down otherwise he would've folded right then and there.

"so geto suguru was here earlier and he mentioned that there was some steam in the movie, eh?"

stay professional, stay professional, stay professional.

"oh yeah. there are a couple of scenes for sure. it wouldn't have turned out as well as they did if it wasn't for satoru. i've never done an intimate scene before and he was just so comforting and really, a strong source of support for me."

fuck.

gojo breaks into a grin, his hand platonically (he hopes) pats your shoulder.

"it actually wouldn't have gone so well if it wasn't for our earth shattering chemistry. and our intimacy coordinator. yep, you heard it here first guys. bridgerton isn't the only show that gets one!" he's not entirely sure if the comedic route was the one to take after your heartfelt confession but he can't seem to respond as sincerely as he wants on television.

your giggle makes up for it though. and the light slap against his thigh. god. he has to resist the urge to ask you to do it again.

---

10 MINUTE COMPILATION OF GOJO BEING DOWN BAD FOR HIS COSTAR (ft. geto)

[hoshigray]

𝐂𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Toji x fem/afab! reader - explicit content; minors DNI - oral (m! receiving) - ball-massaging - face + throat-fucking - praise - pet names (baby, cutie, mama, sweet thing) - implied that reader has given oral prior - first-time Toji finding enjoyment in receiving oral - heavy depictions of a blowjob - mention of spit.

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞: "Toji has never really enjoyed oral. At least, not until Y/n went down on them for the first time…"

I was playing with NSFW prompts for the first time, and this was literally the first one it gave me…genius. (¬‿¬) guess kinda a switch-up from this oldie i did~ hope you all had a wonderful Christmas and New Year's, accept this as my welcome back present, hehe~ also tysm for 4.6k, hello????

𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 1.6k

“…Hey, Toji?” 

“Yeah, baby?”

“…Can I…..give you a blowjob?”

Up until this point, Toji was never one to be given oral from anyone. 

Giving oral isn’t a problem. But receiving it from someone else? That’s another thing. Call it his personal preference or years of sexual experience, but the older man never actually found pleasure in it. It could be from the many inexperienced minxs he’s had to get his dick wet, whose frequent teeth and bites sabotaged the mood for him. Or probably from the others who just really didn’t appear to know what they were doing — again, ruining the mood. Or the fact that most of the time, as mentioned, he finds himself satisfying his partner at the time more than himself. 

Not that he minds at all; no, no. He finds great satisfaction in going in between someone’s legs and getting them turned on from his work. But when it comes to the thought of having his dick sucked, it’s a hard pass. Respectfully. 

Which brings us to the present: him on the couch with an arm wrapped behind your shoulders, bringing you close to him as you watch television comfortably. The ceiling lights dimmed to a warm low glow, your head draped on his shoulder as his hand rubs comforting circles on yours, and the silence only filled with the voices coming from the TV isn’t awkward in the presence of you two. Why would it be? He’s with you, his little sweet thing. And that’s all he wants right now.

So, after all the fidgeting with your thumbs and the occasion glances at him (which he noticed, of course), it was apparent that you’d soon ask him something out of the blue. What he hadn’t expected, though, was that question. 

“Pfft, that’s random,” he scoffs at the sudden question, and more subtle chuckles resort from the bashful turn of your head. God, you were so cute. “Why ask, sweet thing?”

“I was…just wondering, you know?” Your eyes travel down to your twiddling thumbs, avoiding Toji’s deep, observant emerald gaze. “We’ve been together for this long, and not once have I ever given you a blowjob. And I know, you always say you’re fine with it, but like…I really wanna give you one.”

And that’s when you muster up some confidence to peer up at him meekly, and that’s what seals the deal for Toji. Who is he to deny such puppy dog eyes from his baby? 

“Okay then,” he chortles with a smirk, the scar on his right side rooted up. It’s just a blowjob. If not for me, then for them. “Do what you do, cutie.” Little did he know that this would blow his expectations far out.

It started out nice and slow. Toji indulged in your kisses as you snuck your hand into the hem of his drawstring pants, sucking on his tongue while fingers crept inside his boxer briefs to give his cock a rub. He groans into your mouth, liking how you’re setting the mood until you take your lips away from his and slide off the couch to be between his legs. Removing his underwear to the floor, you examine his half-soft dick before using your hands to wrap around the base, massaging around it while you take the tip in your mouth. Toji sighs in bliss at the feeling of your soft licks and rolls of your tongue, shifting around to get more comfortable on the couch.

His erection becomes less and less flaccid, hardening around your mouth. This is where you decide to take in more of his length, hallowing your cheeks as you push your puffy lips down halfway down his erection. By the time you reach this base, your throat is so full of Toji’s girth that you use his sweatpants as reins for your hands as you try to give yourself a few seconds to adjust to the limb occupying your throat. You continue to suck on his cock, bobbing up and down with your saliva coating him, your tongue moving around on the underside of his dick every time you suck up to the tippy top. 

The sucks and strokes to his length become a little faster, and it’s here that Toji can’t concentrate on the television. Subtle twitches of his leg result from the hummed moan you express while taking him to the hilt. The vibrations that resonate along the inner walls of your throat are felt. It feels so good. And the tongue of yours? Fuck. His brows trench down when your tongue licks from the bottom of his ridge to the frenulum, giving his cockhead an onslaught of rough licks and kisses that has Toji exhale through his nose. “Hmmnn, fuck…Y/n, baby, y’re so good at this…Uhghh!”

You release his tip with a soft ‘plop’ with a string of saliva connecting your lips to his spit-covered cock. “Ahahhn, really?” Oh, fucking shit, don’t look at him like that. Your hooded eyes peering up at him with a soft smile while your hands maintain a stroking rhythm that has Toji squirm around your grasp. And then you surprise him with a grasp of his ballsack, oh you’re a devilish cutie. “That makes me happy to know,” you give him a giggle when Toji involuntarily bucks to your hands; the veiny limb contrasting with your pretty fingers is such a sight to see. The pulsating commotion between your legs progresses more by the second.

More dangerous licks paired with the massage to his balls as Toji huff is bliss. “Ahhh, sh–shit…Ya like how my dick tastes, mama?”

Taking his cock back into your mouth with alluringly half-lidded eyes is the answer you give him, your lips covering your teeth as your jaw relaxes to welcome his neither limb back inside your warm oral cavity. The suction of your hallow cheeks became lethal with the increased speed, your tongue now swirling around him and creating such deviant noises that only Toji focuses on despite the television vices failing to drown them out. 

Holy shit, Toji wasn’t expecting this kind of treatment at all. This was downright out of the water from all the other oral ordeals he’s had in his life. How the fuck were you so good at this!? Cupping his balls while slurping his dick was such a dangerous combo; Toji doesn’t know how long he’ll contain the urge to stand and fuck your face here and now. Goddamn, the faster you bob your lips on him, the shiver down his spine is hard to ignore. His hips jerking to your mouth; he wants to fuck your face so bad. And just looking at your ass sway while you suck on him, he knows you’re enjoying this as well. 

It reaches a point where he can’t take it anymore — he wants to go faster and harder. So Toji grabs your head as he stands up and dials the tempo to a harsher motion, propelling your lips down to his pelvis. And you’re quick not to panic, being sure to breathe when Toji smacks his testicles to your chin and ruts into your face and throat with no mercy. Toji moans at the sensation of your gummy walls wrapping around his length, hissing at your muffled wails as he hits the back of your throat. “Fsshhh—Hnngh!! Fuckin’ shit, just like that, mama, just like that…Ohhggh!”

You can feel the veins on his girth pulsate, indicating that his release is soon coming. The thrusts to your face get erratically faster, so you’re sure to grab onto his sweatpants to make sure you don’t lose balance as he spills his load down your throat. Ending it with a few rough hits to your lips, Toji groans with gritted teeth, shaky, strong legs pumping his semen for you to drink, which you merrily take with muzzled squeals on his shaft. The both of you experience the last moment of this euphoric high until Toji’s body calms down, heavy breaths going slower with every expel. He gives you a few moments to suck him off a little more before removing himself from you, gradually pulling his length, quivering with the aftershocks at the dismissal of your warm walls around him. And he jolts when you tease him with one last lick to the sensitive tip. 

“Hahhh, damn, cutie,” Toji takes a seat back on the couch, eyeing you down with a weary smirk and furrowed brows. “Since when did ya like to get down and dirty?”

You sheepishly smile back and avert your eyes down, wiping your mouth with the back of your hand. “I’m glad you liked it, Toji.” 

“Sure as hell did,” he bends down to grab your chin and bring you in for a kiss. The squeaks you let out when he bites your lips are too adorable and hot to his ears. “Want me to eat you out, sweet thing?”

“Really?” God, you were too cute — beaming at him like that with such a lovely smile. 

“Sure thing. Besides, I saw the way you were movin' that ass while suckin’ me off. So, I got you,” Toji takes off his sweatpants, moving his legs to be on the couch entirely. His dick is still standing erect, and he gives you a suggestive grin before tapping his chest, a sign for you to get ready and sit on him. “Only if ya can do that shit on me again.” The request takes you aback for a minute, but you chuckle and stand up. You remove your bottoms and underwear, and Toji notices the wet spot on the material. 

Again, Toji is never one to be given oral. But if he’s going to be treated like this, you might be able to change his mind.

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2023 – dividers from @/animatedglittergraphics-n-more.

[certaimromance]

𝜗𝜚 Theoretically Yours.

Spencer Reid x Fem!reader

Summary: After a series of murders at your university, the FBI has decided to give you a bodyguard. The problem is that he is extremely cute and can hardly protect himself, especially from you and your charms.

Words: 1,9k.

TW: mentions of murder, crime, blood (normal warnings in the serie) and also a plot twist???. spicy insinuations. spencer from the first seasons. english isn't my first language (sorry for my mistakes, be kind please).

Note: I'm really excited about this, I love Spencer Reid in all seasons, but in the early ones he had something different that drove me crazy. Also, this is the first time I write here and I'm nervous.

♡ Enjoy! ♡

It was supposed to be a normal day, but agents showed up at your door to stop you from going to class and left you under the watchful eye of the youngest of them, Dr. Spencer Reid. It was a precaution to protect you from the killer who has been stalking the campus, killing girls with similar profiles to yours.

You weren't afraid and insisted that it wasn't necessary until you saw him. The mere thought of spending time alone with the man made you more excited than you would have liked. He was very tall, skinny and could barely look you in the eye for more than five seconds without looking away absolutely blushing.

You had decided not to talk to him or act suspicious, but for some reason you liked the idea of him helping you with your biology homework. You were studying pre-med at the behest of your parents and were having trouble understanding some of the material. Spencer saved your life when he offered to help you and told you about his multiple doctorates.

“You are amazing, like a genius.” You said in surprise when he read the big book you had on the table in just five minutes and left a bunch of notes in it.

He blushed again, trying to adjust his glasses to hide it so it wouldn't show. Reid was doing his best to be professional and not let his guard down, he had to be vigilant in case you were in danger.

“It's nothing. I hope it helps you.” He said, giving you a little smile.

You nod and look at the television behind him. They were airing a new report on the latest murders, showing photos of the victims and interviews with family members. Everyone cried and repeated how unfair it was to lose their prodigy daughters to a madman. You thought about how they made such a simple TV show about spilled blood without thinking about it, just trying to paint the girls who had tormented you for several years as white doves.

“Don't worry, you're safe here. I can promise that.” Spencer spoke as he followed your gaze. He was trying to comfort you and take away any fear with his presence.

“I know.” You smile at him with innocence. You were more than capable of protecting yourself and you knew it.

There was an awkward moment of silence, so you offered him coffee to break it. You went to the kitchen and poured two cups, watching from afar as he talked on the phone in the meantime. You couldn't help but notice the nervousness in his voice as he repeated to his colleagues that all was well with you.

“She's pretty, isn't she?” Penelope's voice rang through the phone in Reid's ear and sent shivers down his spine. “I saw some pictures in internet.”

“I...maybe...yes.” He mumbled, trying not to let you hear him. "How does that matter or help the case?"

As you used the coffeepot, Spencer looked you over from head to toe. He couldn't deny how attractive you were and how much his heart raced when you were around. His extreme lack of flirting skills and his clear differences with you saved him from the temptation you were.

“Just have fun, lover boy. You need it.” The woman smiled proudly and hung up the call before he could answer.

The two poured cups were already on the table, you sat down on the sofa by the window to start reading the notes he had left in your medical book. His impeccable handwriting made you shudder, it was unbelievable that someone with so much knowledge would waste time trying to take care of you from yourself and not even realize it.

“You're okay?” He asked with a soft voice, sitting in front of you.

“Yes, just reading your notes.”

“Sorry, I put too many. But I can mark the important ones for you.” He gently took the book from your hands and began to place himself between the paragraphs with one of his fingers.

Your eyes fell on his hands, the way he moved them over the pages of the book bringing inappropriate thoughts to your mind. You hadn't noticed before how perfect every part of him seemed, especially now that he was spouting complex biological terms without even flinching. You were aware of your own intelligence and proud of it, but you would have liked to be like him...or at least have him around.

“Is something wrong?” He asked confused as he noticed how you had been watching him.

“Sorry. I was thinking of biology...nothing better to look at to understand the theory.” You said to justify your indiscretion.

“Oh sure, it helps. According to several studies, the human being has three main systems for perceiving information: visual, auditory and kinesthetic.” He began to explain quickly. “This theory was put forward in 1988.”

“Maybe that can help me.” You suggested, trying to look away from him.

He nods and start to talking again.

“You were watching, that was visual. And you heard me talking before, that was auditory.”

“And what is kinesthetic?” You asked, even though you knew what the answer was.

Spencer swallowed before speaking, trying to hide his nervousness at the sudden change in tone of the conversation. He was glad to know that he had been able to turn the situation around and put the recent crimes out of his mind, he had been worried that they would affect you.

“Is what is learned through sensation and movement.” He finally said with his voice trembling slightly.

“Can I...?” You try to ask, but he nods before you can finish the sentence.

You stop looking into his eyes and take his hand, put it on your legs and start tracing lines with your finger over his scarred veins. You could feel him shudder every time you touched him, and his mutterings about the technical names of each became inaudible.

“This is the radial artery, provides oxygenated blood to the hands and fingers.” You start to talking, looking him to the eyes again and letting your hand enjoy the softness of his.

“Yes...yeah, it is.” His voice came out as a whisper, as if he was losing control of the situation. No one had ever touched him in such a way before.

The smell of coffee mixed with his cologne is almost addictive and begins to drive you crazy. Just touching his hands was not enough, something inside you wanted more and the ideas running through your head began to torment you. You knew it wasn't right and that your own sanity was in jeopardy, he was one of the good guys and you not so much. It just wasn't right for you to mix, let alone under the current circumstances.

“I should check the perimeter.” Spencer rose from his seat and slowly moved his hand away from yours. He need to go away before something incorrect happened.

All the words were caught in your throat at that moment. You didn't want him to walk away yet.

“It's not necessary.” You got up after him, preventing him from walking to the door and being able to leave. “Everyone is in their classes now, the residence is empty and your coffee is going to get cold.”

Spencer knew you were right. He couldn't go against logic, so he sat back down on one of the couches and took a sip of the coffee you had poured for him. He did his best to avoid your gaze, but it was impossible when you were looking out the window and absentmindedly sipping your coffee.

“Do you think they'll find the killer?” You asked, trying to make conversation after watching through the glass as police cruisers drove around campus.

“Of course, no one else will have to get hurt and everything will be back to normal for you.” He replied without taking his eyes off you.

“I don't think you get to decide that.” You blurt out without thinking.

The phrase and your tone were enough to make him stand up and walk towards you. He put a hand on your shoulder out of inertia, to give you support and reassure you a little.

“You don't need to be afraid.” He gave you a small reassuring smile and you felt the warmth of his touch.

You took a tentative step toward him, shortening the distance between your bodies. You raised your gaze to meet his, feeling at his mercy because of the difference in height. You weren't thinking too hard and didn't hesitate to put your hand on his cheek, caressing it.

“What are you doing?” He asked, trying not to get carried away by your touch.

“To thank you for being here and helping me.” You had a burst of courage and stood on tiptoe to give him a resounding kiss on the cheek.

Then you moved your face far enough away to look at him and see his blush. He looked so affected by a simple kiss on the cheek that you couldn't help but move closer again, this time with his fingers on your chin.

“You can't. We can't.” He stopped the approach just a couple of inches from their lips colliding.

“Why? Because I'm part of your job?” You questioned in frustration, unable to tear your eyes away from his mouth.

“I'm here to keep you safe.” He tried to sound calm and professional, though his voice trembled.

“I'm very safe now.” You assured him, grabbing his arms and wrapping them around your waist. “No one can hurt me here.”

Without Spencer being able to notice, a small moan escaped him at your action.

“There's a killer on the loose.” He insisted, trying to be the voice of reason even though he couldn't look away from your lips.

“Trust me, a kiss won't bring him here. I'm sure of it.” You replied as you noticed him slowly pulling away from you.

A curse tried to come out of your mouth at the rejection and lack of his touch at your waist, but before you could finish it, his lips were on yours and his hands were pressing you against him.

His lips were as soft as his hands, but the way they moved over yours was not soft at all. At first, even his tongue seemed to ask your permission to continue. It took several seconds of clear acceptance before the uncertainty of his kiss disappeared and was replaced by need.

You took advantage of the fact that you were in front of the big couch to push him off and you both fell on top of him, having only a few seconds to catch your breath before continuing. He gave you a quick, tender kiss before pulling his hands away from your back to remove his glasses, which were already fogged up and out of place. But your hand stopped him just before he could put them down on the table.

“Do not take off your glasses. I really like them.” You whispered still over his mouth.

“As you wish.” He said before kissing you again and letting himself enjoy himself under you, without thinking about anything else.

At that moment you knew that maybe committing a few more murders to keep him around wasn't such a bad idea.

[reidrum]

the many names | s.r

a/n: i could not get the idea that spencer would have little explanations for all the names he has for you so i give you this enjoy

summary: in which the many names that spencer calls you each have a special meaning

cw: mind rotting fluff

wc: 1.1k

honey:

spencer’s childhood was anything but ordinary. graduating high school at 12, with a schizophrenic mother, and an absentee father is a combo meant to mess anyone up. the one thing he felt was constant were the sitcoms his mother would watch when she had her good days. shows like i love lucy and cheers filled his ears as he watched the picture perfect families navigate through mundane and seemingly normal scenarios. the comfort he found in these televised families, something he wasn’t afforded in his own, was a nice little bandaid on the gaping hole left by the oddities of his life.

until he met you, of course. you changed everything for him, showed him what it meant to be loved and cherished, what family really was outside of the textbook definition. as a young boy he’d always envied ricky ricardo coming home to lucy at the end of every work day, bursting through the door and saying “honey, i’m home!” the phrase itself encompassed what he so dearly longed for; a home.

so when spencer calls you honey, he means it because you’re sweet and sappy and all the things normally associated with honey. but for him, specifically, when he gets to come back from harsh cases, bursting through the door of your shared apartment yelling “honey, i’m home!”, it heals that gaping hole from his childhood little by little, replacing the wound with the home you’ve built together.

sweetheart:

for someone who absolutely loves sweet things, calling you sweetheart was an obvious title in his book. the way you cared so deeply for the people in your life, the people you didn’t know, even those involved in heinous crimes were offered some of your never ending empathy. it inspired him, to know that someone who sees the true horrors of humankind on the daily can still hold hope and love for the world’s inhabitants.

when spencer calls you sweetheart, it’s in the more domestic moments of your lives. when he asks which tea you want, when he can tell it’s been a rough day and he lets you rest in the comfort of his arms saying “it’s okay, sweetheart. i’m here now.”, when he leaves you long and loving voicemails for when you’re not able to go on cases together. spencer’s sweet tooth could probably never be satiated, but if it keeps you around forever he has no problem with that.

angel:

calling you angel is still something he finds a little ironic. he’s an agnostic atheist, has no faith in the gods or whatever power that may be. he’d always say if you couldn’t find it in a textbook then it’s not a real thing. but here you were, defying literally everything he ever knew or thought he knew. spencer thinks that if angels were personified they would surely look like you.

his job has so many moments that put him in near death situations, he’s not proud of how many times he’s felt the pearly gates come for him. but every time he was close to that end, flashes of you would roll through his mind like a movie reel and it would tether him back to this realm.

add to that, you just always happened to be there when he needed you. if he was about to drop a cup of coffee you’d be there grab it, you had his back when you were on the field together, and you’d let him talk your ear off about the most obscure topic just to see him smile.

if proof existed for the theoretical, it would be you. you were his guardian angel, and he never let you forget it.

princess:

this one was rare, only invoked in the super intimate and special moments between you both. usually in the bedroom is where you hear this one used in both sides of the extreme. on one side he says it when you’re being just so needy, so pliant and willing for whatever he wants it just makes him want to give you everything in return. on the other side, when you’re being for lack of a better word, a brat, it’s used as a tease, a taunt for your slutty bad behavior. a reminder that even though you’re spoiled by him he’s still going to give you the world.

it’s also used when you both get dressed up, for an fbi event or a party at rossi’s. it always takes the wind out of him when he sees you getting ready or you come out to show your outfit to him. it makes him feel like falling in love with you again every time, like he’s been so blessed to live a fairytale where he prevails and gets the princess at the end.

baby:

calling you baby is quite literally second nature to spencer, probably the easiest thing for him to do. it slips out all the time people might think baby is your real name. he uses it when he asks what you want for dinner, when you’re upset over something he did at work that put him in danger, when he just really wants you to watch this one russian romance film he finally got his hands on and promises you’ll love it.

you also find it really funny to play songs that you know he doesn’t know that have the word baby in it, because even if he doesn’t know the words to always be my baby to mariah carey, it never stops him from giving you the biggest smile in the universe when he listens to you belt the song to him.

pretty girl:

he didn’t even come up with this one, derek did. stemming from his nickname for spencer, when derek realized that there was something between you and pretty boy, it just became so easy to get under his skin and call you pretty girl, telling him “don’t look now, your pretty girl is coming.”. before you had started dating and spencer was just pining from afar, he would get so red in the face when derek would let the name slip.

after he finally grew some balls and asked you out, spencer adopted the name for himself to use in situations he had you alone, where he could admire you in your entirety and no other prying eyes. to use when you just wake up and the sunlight hits you perfectly like a glowing halo, or when you’re both in the office and you’re explaining something relevant to the case and you just sound so smart and beautiful, and he can’t help but truly believe that the aphrodite reincarnate is his.

[reasonsforhope]

Double dose of articles about how crime is actually plummeting

From the UK:

"Seventy-eight per cent of people in England and Wales think that crime has gone up in the last few years, according to the latest survey. But the data on actual crime shows the exact opposite.

As of 2024, violence, burglary and car crime have been declining for 30 years and by close to 90%, according to the Crime Survey for England and Wales (CSEW) – our best indicator of true crime levels. Unlike police data, the CSEW is not subject to variations in reporting and recording.

The drop in violence includes domestic violence and other violence against women. Anti-social behaviour has similarly declined. While increased fraud and computer misuse now make up half of crime, this mainly reflects how far the rates of other crimes have fallen.

All high-income countries have experienced similar trends, and there is scientific consensus that the decline in crime is a real phenomenon.

The perception gap

So why is there such a gulf between public perception and the reality of crime trends? A regular YouGov poll asks respondents for their top three concerns from a broad set of issues. Concern about crime went from a low in 2016 (when people were more concerned with Brexit), quadrupled by 2019 and plummeted during the pandemic when people had other worries. But in the last year, the public’s concern about crime has risen again.

There are many possible explanations for this, of which the first is poor information. A study published in 1998 found that “people who watch a lot of television or who read a lot of newspapers will be exposed to a steady diet of crime stories” that does not reflect official statistics.

The old news media adage “if it bleeds, it leads” reflects how violent news stories, including crime increases and serious crimes, capture public attention. Knife crime grabs headlines in the UK, but our shock at individual incidents is testament to their rarity and our relative success in controlling violence – many gun crimes do not make the news in the US.

Most recent terrorist attacks in the UK have featured knives (plus a thwarted Liverpool bomber), but there is little discussion of how this indicates that measures to restrict guns and bomb-making resources are effective."

-via The Conversation, May 13, 2024

And the United States:

"[The United States experienced a spike in crime rates in 2020, during the pandemic.] But in 2023, crime in America looked very different.

"At some point in 2022 — at the end of 2022 or through 2023 — there was just a tipping point where violence started to fall and it just continued to fall," said Jeff Asher, a crime analyst and co-founder of AH Datalytics.

In cities big and small, from both coasts, violence has dropped.

"The national picture shows that murder is falling. We have data from over 200 cities showing a 12.2% decline ... in 2023 relative to 2022," Asher said, citing his own analysis of public data. He found instances of rape, robbery and aggravated assault were all down too.

Yet when you ask people about crime in the country, the perception is it's getting a lot worse.

A Gallup poll released in November found 77% of Americans believed there was more crime in the country than the year before. And 63% felt there was either a "very" or "extremely" serious crime problem — the highest in the poll's history going back to 2000.

So what's going on?

What the cities are seeing

What you see depends a lot on what you're looking at, according to Asher.

"There's never been a news story that said, 'There were no robberies yesterday, nobody really shoplifted at Walgreens,'" he said.

"Especially with murder, there's no doubt that it is falling at [a] really fast pace right now. And the only way that I find to discuss it with people is to talk about what the data says." ...

For cities like San Francisco, Baltimore and Minneapolis, there may be different factors at play [in crime declining]. And in some instances, it comes as the number of police officers declines too.

Baltimore police are chronically short of their recruitment goal, and as of last September had more than 750 vacant positions, according to a state audit report...

In Minneapolis, police staffing has plummeted. According to the Star Tribune, there are about 560 active officers — down from nearly 900 in 2019. Mannix said the 2020 police killing of George Floyd resulted in an unprecedented exodus from the department...

In Minneapolis, the city is putting more financial resources into nontraditional policing initiatives. The Department of Neighborhood Safety, which addresses violence through a public health lens, received $22 million in the 2024 budget."

-via NPR, February 12, 2024

[bogleech]

It bugs me so much the way they decided every character published by the same comic book brand should always share the same universe when so many of them were conceived of as their own unique thing in a bubble. Like why are vampires the single biggest threat on earth in THIS guy's life and he almost never sees killer robots, which are an everyday problem to this woman who has never heard of real vampires, and neither of them normally encounter or even talk about the thousands of goofy ass superheroes and supervillains evidently having widely televised destructive battles in every major city on earth every few days. If all this shit in the DCU or the marvel one was really actually happening in the same timeline of the same earth it'd be unreadable chaos every time you stepped outside, a nonsense circus from loony land all the way to the godforsaken horizon, neon underwear guys flying around everywhere bouncing off the fucking walls, mutant kaiju battles and biblical Armageddons and noir gangster wizard demon shootouts with cyborg werewolf bikini ninjas holding up traffic and shit, how the hell would anybody even find five minutes of goddamn peace to have a coffee and a bagel without being interrupted by gods from three different religions wrestling a big centipede that eats time, or whatever happened on your block this morning, let alone hold down an honest 9 to 5 self contained single genre adventure in that kinda batshit clown fire?!