#who I can stand to inhabit for the purpose of dying

[winepresswrath]

None of this is changing how hype I am for NiF 3, which will apparently feature Wu Lei in some capacity.

[myownwholewildworld]

acta, non verba - i. a badge of honour

series masterlist | main masterlist | chapter 2 coming soon pairing: conqueror!marcus acacius x ofc!reader. synopsis: scotland, 83 AD after the battle of mons graupius. the romans have come up to the boundaries of their empire with a relentless desire to conquer the savages that inhabit the highlands. they won't rest until the Caledonian tribes are subjugated. Marcus Acacius is in charge of your clansmen's fate, but if such fate is similar to your family's, you know you need to do something about it. as the only living daughter of the tribe chief, your people look to you for leadership. power plays, treason, deception, rebellion, war, love, heartbreak, betrayal. and two souls, destined to despise each other, trying to navigate it all. a/n: well, here it is! the first chapter of my new series, set in what is now scotland, during the romans' conquest of the british isles in the 1st century. hope you guys like it! as always, all interactions welcome. thank you so much for reading! <3 warnings: 18+, mdni. death, aftermath of a battle, burial of family members. reader is an original character - female, has a name (callie) and a physical description, family history, etc. i'll try to keep the references to a minimum though. age gap (callie is 26, marcus is 48). mention of infidelity and becoming a widow. marcus’ and reader’s pov. i have taken some historical licenses for ease of writing (use of "clan" as synonym for "tribe", references to irish/celtic gods, the caledonian people speak modern scottish gaelic instead of a (proto-)brittonic language). w/c: ~4.2k. dividers by @saradika-graphics i'll be tagging some people at the end of the chapter who interacted with this post. dw, i won't tag you in the next chapters unless you ask me to! also, if you want to be removed from this post, please send me a dm.

A light breeze whistled through the nearby standing stones. The dying sun provided no heat, and the ethereal landscape was cold with hues of blue and grey. Despite the shimmering wildlife that came with the first hints of spring, the meadow was uncannily silent.

The crows cackling in the distance broke such tranquil peace and woke you from your slumber.

Slowly you blinked, something wet and warm covering your eyelids. You felt it slide down your skin, pooling in the dip of your collarbone. Your limbs felt so heavy, you couldn’t lift a hand to rub your eyes clean. In fact, you were so tired that even taking a deep breath hurt.

Your orbs fluttered shut, shattered and defeated.

Dhuosnos, God of the Dead, was calling you to His side. His presence was soothing, so inviting, the most melodic sounds guiding you to Him. With the eyes of your dying imagination, He extended a welcoming hand towards you, a soft smile on His mythical features.

“Come with me, sweet child of the tribes.” A guttural voice escaped His lips, so dark and sombre it enveloped you.

You nodded, gaze down, submitted to Him.

“You can’t just take her, Dhuosnos. Callie is yet to avenge them — her purpose must be fulfilled first before she can greet you as an equal.” A second voice, feminine, otherworldly and reassuring, interrupted your exchange.

Morrígan, Goddess of War, placed Her hand on Dhuosnos’ forearm as to stop Him from reaching you. A stone of relief, but also of disappointment, sat low in your stomach when He took a step back, head bowed towards Her.

Steadily you undid your curtsy, your green eyes locking on Hers. They were black as the night sky, Her pupils and irises indistinguishable from one another. You looked into the abyss of Her sight and felt a deep-rooted longing, one you never experienced before.

“You are not done yet, mo leanabh (my child). Your people await your return.” Morrígan palmed your trembling hand, escorting you back to the earthly plane.

“But…”, you turned around to look at Her, ask for Her advice.

But She had already vanished, a sweet scent of lavander left behind.

You gasped awake, your eyes so widened, the cloudy, sunset sky above felt like it was crashing down on you. You were laying down on a pool of mud. A deep, raspy grunt escaped your lungs as you tried to move your arms. When you couldn’t, you looked down, confused.

Aengus’ lifeless body was resting on top of yours. Your father’s henchman had made the ultimate sacrifice by hiding you underneath him, away from the prying eyes of the Romans. The dense liquid caressing the skin on your face was none other than his blood. A trickle of thick red dripped from the gnarly wound in his neck on to your cheek. His eyes were staring at you emptily, his soul had already left this world when you regained consciousness.

Your father, Murdoch of Inbhir Nis, the Caledonian Overlord, had come to the aid of the Taexalian Overlord, whose territory was succumbing to the legions of Gnaeus Julius Agricola, a Roman governor with a high desire to impress his Emperor, Titus Flavius Domitianus.

Your father had gathered as many fighers as the Caledonian lands could give him. Both men and women were called to arms when the tribes were threatened. Being the daughter of the Chieftain would not spare you. You would not have chosen differently anyway, had you been given the opportunity. Fighting for land, clan and honour was your duty as much as your brothers’ and sister’s.

The journey from Inbhir Nis (Inverness) to Cala na Creige (Stonehaven) had been unforgiving, with illness and evil lying in wait. But you all had been warmly welcomed by the Taexali tribe and were fed copiously, the uisge-beatha (whisky) being served like water.

Your combined armies, shy of fifteen thousand folk, had been ambushed at Raedykes during a repositioning exercise by the Roman troops led by Agricola’s most trusted man.

General Marcus Acacius.

His mere name made you sick, anger crawling under your skin.

Fighting off your own opponents, you had seen the Roman General charge against your father like a beast, wielding a gladius over his head. The metallic impact of their swords rang loud across the landscape. The men looked into each other’s souls, an exchange of words shared between them. You were too far to listen, too far to fully see what was really happening as warriors from both sides danced through the grass.

Then you foresaw it before it happened: the heavy Roman sword fell on your father, who was struck to his knees with the General’s blade lodged in his belly.

You tried to get to him, screaming “Athair (father)!” at the top of your lungs. His eyes locked on yours before he fell sideways. You lunged forward but didn’t get to him, Aengus stopping you in your tracks.

“No, Callie, it’s too late now”, he had sorrowfully whispered in your ear before throwing you off to one side to fend off an attacker.

And then blackness swallowed you, an enemy hit you in the head so hard you lost consciousness.

That was how you came to be where you were — with your back flat on the silt and Aengus’ body blanketing yours. The grey sky above you sensed your pain, and, at Taranis’ command, it parted in the middle. The God of Thunder released a downpour to clean the blood, soot and woad’s blue dye off your face and hair.

You cried your sadness away, rainy tears sliding off the corners of your eyes — your anger, your loss, your torment, you purged it all, sobbing until you were devoid of all emotion. Taking a deep breath, which caused a needling pain on your ribs, you pushed Aengus to one side to free yourself from his weight.

The thudding sound he made almost brought more tears to your eyes.

“Sorry, uncail (uncle)”, you muttered, hovering your fingertips over his eyelids to shut them for him. Now he could finally rest.

You stood up, your knees trembling like a newborn calf. A searing pain stabbed your skull, dried blood and dirt gathering on the wound on your scalp. With a straight back, you dared to look around you. The bodies of your own men and women were scattered around the hills of Raedykes. So many lives lost, you heard all your ancestors screaming from above, their cries falling upon you in the way of rain. The green, long grass was reddened with blood, but the weeping sky had started to wash away the atrocities committed by the Romans.

Then you saw him. Your athair.

“No, no, please, no...”, you whispered as your sight became blurry again, dragging your feet towards the fallen body of your dad.

Your soul tried to tear itself apart, become its own entity. You had to summon the last drop of the royal blood that ran through your veins to keep yourself in one piece. You knelt before him, craddling his bloody hand between yours. Unconciously your body rocked back and forth until you hugged him, laying flat on top of him.

Time stood still, like a thread on the expert hands of a wool weaver. It could have been minutes, hours or days, your pain too great to bear, to comprehend.

And then you felt a hand lightly tap your shoulder.

You startled, your mind and body jumping back into survival mode, gripping your sgian-dubh (small knife) close to your chest.

“It’s okay, mo phiuthar (my sister). It’s me, Torcall”, a raspy, masculine voice forced you to focus on the man in front of you.

He was your father’s most important tacksman and also husband to your older sister Mairead — your sweet Maisie, as you always called her. She was the eldest of the four siblings while you were the youngest. Always so witty and quick with a joke, Maisie kept up the spirits even when the circumstances were dire — in fact, before your paths had parted during the battle, she jested about your H-shaped shield being larger than you.

When you turned around, Torcall flattened his hands on your shoulders, slightly shaking you so you would come back to reality.

His blue eyes pierced through you, the situation becoming clearer in your mind. Thousands of your tribesmen were dead. Your father too.

“Maisie?”, you asked in a hush. Your heart clenched when your brother-in-law shook his head no. You were afraid to speak, but you did nonetheless. “Aodh and Somhairle?”

Torcall stared at you, his silence speaking loudly. “They are all dead.”

The air evacuated your lungs, feeling as if a spear had run through you. Learning about the death of Maisie and your twin brothers broke something within you, something fundamental and primal. They were your everything, your most trusted confidants. Despite being of different ages, you all were so tight-knit it was difficult to find one of you alone.

A heart-shattering wail escaped your lips as you bent over yourself, your chest snug against your knees.

Morrígan had unashamedly claimed most of your family that day, except for your beautiful mother. Now Her words made sense: you were yet to avenge them, to fulfil your purpose. She had spared you for a reason, not so you could pity yourself, knees deep in the mud.

To avenge them, you had to kill the hand who showered this tragedy upon you.

General Marcus Acacius.

A raven’s strident, gurgling croak forced you to look up to the skies — a subtle reminder that Morrígan was watching closely. The massive bird was circling above your heads, like a vulture waiting to feast on a carcass. With resolution, you wiped away your tears, your sobs now silent, and nodded at Torcall.

“I understand. How many…?”, your voice faltered before you could finish your question.

“A couple of thousands. We have found cover in the Dunnottar Woods while we regroup and… bury our dead.” Torcall replied, his eyes averted with the last sentence.

You had lost a sister, but he had lost a wife, the mother to his now half-orphaned children. “I’m sorry”, you muttered, your lips pouting once more.

“She died fighting, the death of a warrior.” His proud voice did not waver. “And your father?”

Your heart wept at his mention but managed to control the anxious fluttering.

“The General killed him.” Your teeth gritted with hatred.

“Mo bana-phrionnsa (my princess)”, one of your father’s retinue members bowed his head to you once you walked into the circle they had formed in a meadow between the trees.

A few dozen men were scattered around the area, fires lighting the dark night while shades of red and orange flickered, creating fiery, dancing shades. You held a torch and carefully waved it in front of you, looking at the faces who watched you back eagerly.

You saw in your men what was brewing inside you: despair, defeat, sorrow. All your souls grieving in unison — all of you had lost someone that day.

At six and twenty, you did not expect to be in this position. You were the youngest daughter of the Overlord — you were never meant to lead your people. The task ahead of you felt titanic, unachievable.

But you had no other option. General Marcus Acacius had forced your hand.

He came, he saw, he conquered.

And now you had to deal with the gut-wrenching outcome of his departure.

“We’ll go back home to Inbhir Nis. But before that, we must give burial to our people.” You had to make a herculean effort to infuse your tone with steadiness.

Torcall first, and then the rest, bowed their heads to you.

“As you command, mo bana-phrionnsa”, he replied, and quickly barked orders around in your stead.

Your chest felt heavy with responsibility and grief. What pained you the most was not being able to carry your brothers and sister with you back home. They would not be buried under the cairns near you family home with the rest of your ancestors.

And what was worst — thousands of lives now depended on you. The weight of your tribe's destiny heavily rested on your shoulders now, like Atlas carrying the heavens.

Maisie, Aodh and Somhairle had been lined up on a patch of wildflowers that you had picked yourself the night prior — their arms were threaded together with your sister in the middle. Your clansmen had also surrounded the makeshift burial pit with wood to aid the combustion.

As you placed the last stone on top of them, you also deposited a bright, bloomed thistle. The flower that blossomed in every nook and cranny of your beautiful motherland, despite the harsh winter or conditions it faced. Like the phoenix rising from the ashes, it would always come back, stronger and more brightful than ever.

Devotion, bravery, determination, and strength — the thistle was a badge of honour for the Caledonians.

With a renewed brawn unbeknownst to you, you threw the lighted torch and watched as the fire consumed the bodies underneath the stones.

There were no tears left within you. Only purpose and resolution.

The way back to Inbhir Nis was tiring and soul-crushing. Hiking through the Cairngorms had been a difficult task with so many people behind you, but luckily you all managed to make it through without any losses.

With each mile covered, you saw the devastation left behind by the Romans. If this was any indication of what awaited ahead, you should start bracing yourself for what you would see. It seemed that the Romans were set towards the northwest — Inbhir Nis was right in their path.

You quickly recognised the landscape as you walked towards Loch Moy. A thick, dark column of smoke towered above the pine trees. Your heart raced as you picked up your dark green skirt and ran towards the loch, ignoring the calls of your brother-in-law.

You could run through those woods blindly — this was the land where you were born, the land you were named after. Your name was an unusual one — Caledonia, in honour of the earth beneath your rushing feet. Just a few people called you Callie, mainly your family and closest friends. With your bright, fiery red hair, green almond eyes and a face dotted with freckles, you were the epitome of your people. That was probably why when someone new learned your name, they always said it suited you.

Dodging the last few trees, you made it to the edge of the loch. In the shallows, the crannog of Naimh, your community’s healer, was burning down to its foundation. You covered your mouth with a sombre expression, your eyes itchy because of the dense smoke and unspent tears.

The Romans had gotten to your settlement before you did.

“Callie, wait up”, said Torcall behind you, struggling to catch up with you.

He halted right behind you, the silence between you was almost tangible.

“The rangers have returned from their reconnaissance mission.” His voice was plain, contained. You turned your heard towards him, slowly, hardening yourself for his next words. “Your mother is dead.”

The last glimmer of hope within you vanished. A single tear skidded through your cheek — angrily, you wiped it off.

You were alone in this world. Everyone you cared for had been taken from you.

“Is everything to your liking, Dominus (Master)?”, the male roman servant asked in a low hush, head bowed, eyes fixed on the cobblestone.

“Yes, now leave”, Marcus dismissed him with a wave of his hand.

The General looked around him with a mixture of curiosity and disgust. He was accustomed to much more elegant surroundings. Although the barbarians did try, their architecture was nothing in comparison to Rome’s.

The castle he was in was small and it only had two floors. It was mainly made of sturdy, grey rocks and dark wood. The design was not very sophisticated, all square and rugged edges. It had two towers and a barbican. The decoration inside was bare, with just enough furniture and no luxuries.

The only warmth was brought by the colourful tapestries adorning the cold, thick walls — one had caught Marcus' attention at his arrival when he first entered the dais. It told a story he had not heard before.

A dragon-like figure lurked beneath the rippling surface of a lake, attracting the attention of the villagers. At dusk it would emerge, a guttural sound echoing in the dead of night, as if it was calling another. Any bìrlinns (wooden vessel) left on the shore would appear destroyed the next morning. Fishermen were worried and called upon the town's druids, afraid of the Loch Ness monster. To appease the beast, every full moon, the druids would whorship the creature, bringing oblations and sacrificies to quench its thirst.

Marcus made a mental note of keeping his distance from that Loch Ness. As a devoted Roman, he was wary of the mystic creatures that skulked in the depths of human fear.

Although he missed his home, he had several debts to pay. The Emperor would not accept no for an answer, so he had to be a reluctant participant in this incursion — in fact, neither Domitian nor Agricola had really asked him to tame the highlanders up in Caledonia. They knew his skills would be most needed in combat, having been praised by bards and poets alike after his many years in the battlefield.

At eight and forty, Marcus Acacius had had his good share of tragedy and death, both personal and in war. His life had not been easy, having to forge a name of his own since childbirth and then having been recently betrayed by his own spouse.

The thought of Livia still angered him — she had had the audacity of blaming him for her infidelity, accusing him of always being away, of loving Rome more than his own family. Her cheating had been going on for as many years as their arranged marriage, throwing a doubtful shade on his paternity to both his children.

His life had come crumbling down in the last few months, so maybe coming to Britannia had not been such a bad idea. Female adultery was a crime penalised with death and that was a decision that Marcus had yet to make — outing Livia’s unfaithfulness would condemn her to Pluto's realm. Did he really want that for who had been his wife for more than thirty years?

Pinching the bridge of his hooked nose, Marcus walked towards the only window in the room. The roman took a deep breath and exhaled steadily — he needed to think of something else.

His mind went back to the battle of Mons Graupius. The spilling of blood never became easier with time — if anything, it had become harder, splintering his soul further. If he closed his eyes, he could still hear the piercing, pained shriek of a woman as he imparted death on Murdoch of Inbhir Nis.

Her hair was dyed with black soot and tied back, her face covered in a blue paste and ash. He was too far to catch the colour of her eyes, but he thought them dark azure. The fierceness of her expression took him aback, her voice shouting a word he did not recognise. But his eyes did not have time to linger on the feral woman a few yards away, because a savage attacked him.

His hand stilled on the rocky window’s sill. The barbarians called this place Inbhir Nis. The stone castle was that of the chief’s family, atop of a hill with views to the scenery underneath. It was rudimentary and lacked many commodities — nothing comparable to his villa in Rome. The tribal settlement was formed of huts made of stone, timber and hay.

Agricola had decided to burn down the outskirts of the town and killed the wife of the clan chief making a macabre example of her, so the people would submit to the Roman’s yoke quickly, crushing any opportunity of rebellion. The message was clear: Rome would not tolerate being challenged. Anyone who did, would face the most painful of deaths. The governor left to go northward, leaving Marcus behind to rebuild the area to Rome’s standards. The emperor had deemed the location an important enclave for his empire, being the main town in the Moray Firth.

Marcus was standing in what he thought was the bedchamber of Murdoch. With the Overlord and his family alienated, the primitive people of the highlands needed educating and he had been given the task of doing so. Not a welcomed one, but he had a duty to Rome that had to be fulfilled.

With a heavy sigh, he undid the brooch at the base of his neck, relieving himself of the heavy, white sagum (cape) that was part of his attire. He threw it on the uncomfortable bed. He unfastened the golden, laurel-shaped bracelets around his wrists, and then proceeded to undo the tight knots that held his armour in place.

Then a knock on the thick, wooden door broke the silence of the room.

“Come in”, thinking it would be his male servant, he didn’t turn around.

“Dominus, dinner is ready”, a very soft voice with a very marked accent made him look over his shoulder.

A pair of very bright, almond-shaped, emerald-green eyes locked on his, framed by what he would describe as fire hair — so red it looked like a hellish aura crowning your head.

So bright were your eyes, he almost felt his soul being examined by your hypnotising gaze. Marcus had never seen eyes like those.

How dared he stand where your father did? Anger shimmered under your skin, but you kept it in check. When you realised you were holding his gaze for longer than what was appropriate for a servant girl, you averted your eyes, inspecting the stones under your feet.

Torcall called you mad for doing this, but you had made up your mind. If you really wanted to overthrow the Roman General and win back your family’s castle and land, you would need to sew yourself into his everyday life. Gain his trust, learn his secrets and use that information against him. Your people were counting on you for freedom, and you would not allow yourself to disappoint them. Even if it was the last thing you did.

“Who are you?”, his raspy voice filled the atmosphere as he resumed the task of undoing the ties on his armour.

Did he have no shame, undressing himself in front of a maid? Mind you, you were not an innocent servant, having been widowed recently. But still. The romans had no modesty, you assumed.

You had to think quickly. You had learnt that the governor and the general both thought the whole chief’s family dead, so you could not out yourself. A very few, selected people called you Callie, almost always in the intimacy of your home, when strangers were not around. Your nickname was precious to you because it was only used by those you loved.

“My name is Callie, Dominus”, you offered your nickname in a rusty Latin. It had been a while since you had to use a language that was not your native one.

“Callie.” The way your name rolled off his tongue gave you goosebumps. You didn’t like the way he pronounced it — it lingered in his mouth for too long, dragging each letter. You wished your words back, but you couldn't change it now.

Instead of clenching your jaw, you nodded. “Yes, my lord, I’m one of the servant girls who tended to the clan chief’s family before you.” You explained, your head still bowed.

You ventured your eyes up for a second, catching a glimpse of his naked torso. Unconsciously, you pursed your lips. The way your heart pounded loud for that one second made you furrow your brows in confusion.

He might be a gorgeous man, but he was a killer. And you had no taste for soulless murderers, that much you knew about yourself.

“Call my attendant, Atticus, to help me get ready for supper. I have no need of you. And ask the kitchen staff to heat some water and bring it up here.” His tone was emphatic, unwavering.

His rejection, in other circumstances, would have been most welcomed, but you needed him to trust you, to confide in you so you could plot his demise — to destroy him. This was not a good start to your plan, but you needed to play the long game.

“I could certainly help you with a bath now, Dominus, but your wish is my command.” You forced the words out, when in reality you wanted to spit them to his murderous face.

He just nodded in your direction, his movements stiff and measured. “Just my attendant will suffice, now go.”

With your fingers laced on your back, you curtsied, walking backwards towards the door of your father’s bedchamber. You could not seem too eager, or he would become suspicious.

When you were in the corridor with the door closed behind you, you took a deep breath and straightened your back.

You would not take no for an answer. Marcus Acacius would yield to you, whatever the cost.

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[nothingspecialherern]

After seeing the 4th episode i was really disappointed. The gateway arch and its museum have a colonial history much more far reaching than environmentalism, and for once I genuinely expected the directors and screenwriters to address it because the issue was brought up by the characters themselves. But then… it’s just about animals. It’s kept to animals. And every nuance for indigenous communities’ rights and sufferings under colonialism was just thrown out the window. 

I wanted to make it clear that Grover’s character stands as the reason for caring for animals; it makes sense for him to take the stance he does because he is a satyr, and as such, dies with the forest itself. He is, for all purposes, a spirit of the wild and cares for its inhabitants equally to humans. This isn’t the real issue. This is fine by itself. 

But why are the forests dying? Why is the wild disappearing? Pjo has always stuck to Pan disappearing as a reason-- again, not bad for fantasy reasons. But when they talk of it, Grover diagnoses the issue by pointing to humans as the ones who kill the environment. Annabeth agrees wholeheartedly, that humans are to blame for the environment around them. 

This is the real issue. The issue is thinking that all humans are predestined to hurt the environment; that the future itself is always opposed to nature. Not all humans would do that-- not all humans do that! The indigenous community does just fine as stewards to the nature around them and living with, not on, the land. Even ‘Land’ isn’t a good description; the world, the air, the water, the spirits, the animals, and humans are all included in ‘Land’ as a concept. That balance requires action and consequence, which have been carefully passed down through specific and important indigenous methods (oral history, artistic creation and appreciation, physical practice of methods, etc). 

My point is, the thing that Grover is frustrated with is not humans. It’s white settler colonialism. And I feel that the ones writing this script had every chance to bring it up as it pertains to indigenous communities-- or at the very least learn not to call settler colonialism the fault of all humans. It would have been so easy for Annabeth's reply to even be as simple as 'colonization' or something (and hey-- that response has no outright gore-- it's even a vocabulary word for middle schoolers). But they don’t. They leave us with a sense of shame for humanity, rather than showing us that the destruction of the wild only started in the Americas a few hundred years ago, and was done by white settlers and colonizers. That is the legacy of the Gateway arch.

I fully understand that genocide is not something we should bring up lightly, nor something that should be available to children of a certain age. As someone getting their MA in History and moving forward to be a part of the academic community, I also understand that even minute details of saying 'humans' instead of rightfully painting a fuller picture of ' white settler colonialism' can radically change how we perceive native peoples. We must be specific, and hold ourselves accountable.

Rick has done great work in learning as he goes about racism in writing, but he's just not there yet. Especially with his history of the description of Piper, it's not easy to say that he understands the indigenous community at all. And hey-- I have yet to meet another historian who does! I've been dragged into offices and told to move to a different college just because I cover indigenous history (even as a white American), so it's not easy to learn and grow in this area. But we must. And I think that talking about these issues now can pave the way for better representation and talks about legacy in the future.

[sillysadduck]

if lesley is not changing him out on purpose, then what if she just decides to do so last minute?

picture this-

yellow is on his death bed. he knows this all too well, having lost any mobility whatsoever. he can no longer see either; only staring into pitch black. his hearing is almost gone too, but that won’t matter anymore soon. he can feel red’s hand in his, the shakiness of it, the soft sobs. he can picture duck and red now, their faces engraved into his foggy brain. red’s sitting down in the chair he’s moved to the side of the bed, one hand clutching yellow’s, the other in duck’s. duck stands next to him, tears slipping down his rough and hollowed face, sweater pulled tight around him as he tries his best not to scream, to beg anything that may be above them to save him. suddenly, death doesn’t feel so scary anymore. yellow, of course, doesn’t what to go, but it’s not much worse than what he is now . besides, once he’s gone, duck and red won’t have to deal with him day and night, even though they promise it’s not a chore.

red, in a terrible moment of weakness, bolts up, tearing at his string. “i can’t do this,” he cries. “i can’t, i can’t, i can’t! i’m sorry.” his voice is shrill and raspy, throat raw from sobs. he runs out of the room, duck after him. yellow can hear their footsteps; feel the vibrations from the floor.

in a quick flash, he sees a lady in a colourful suit, sorting through her box of spares. she approaches the dollhouse, smiling. “it’s not your time yet,” she whispers and sets the spare yellow down in place of the old one.

then, in a blink of an eye, he feels better. he can see now, and his hearing’s returned completely. it’s all back to normal, he thinks, swinging himself out of bed. i wonder what i came down with. then, freezing, he realizes. if doesn’t hurt to think anymore. that fog that usually clouds his brain is cleared away magically.

he runs out to the room, cheering and waving his arms, so happy to be free and right again. both his dads are shocked, disbelieving. they rush over to him as if when they touch him, he’ll disappear in a puff of smoke. but no: he’s real. he’s real and well again. red rejoices, crying happily this time and hugging yellow so tight he can barely breath. but it’s okay because red wouldn’t hurt him and he is much to happy to care. he’s alive!

duck lingers back, a look of shocked horror on his face. his brain is reeling and he can’t begin to comprehend what just happened. yellow, who was on the brink of death, can now see and walk and cheer and laugh? with in a matter of minutes of just being almost dead?

there’s something terribly wrong here. duck wants to hug his husband and son - laugh and dance with the other two - but he can’t. his feet are glued in his position. this has to be a cruel trick, one played by a teacher or whatever other heartless beings that may inhabit this cursed world they live in. he knows it’s can’t be true.

and that’s why he runs. tears coming again in clawing gasps, tearing out of his throat, he run to harry’s and his bedroom, sobbing and tearing at his fur. it can’t be real. it just can’t.

eventually, he’ll get used to it, but duck’s initial reaction is to be terrified because he thinks it’s a trick. (sorry for the long thing btw)

BRO WHY DO YOU SLAP ME IN THE FACE WITH THIS I JIST WOKE UP I'M SOBBING 😭😭 AHHH I LOVE THIS. This actually made me reconsider the bad ending. But maybe we can have multiple endings 🤔 I REALLY LOVE THIS ONE, Duck would apologize for all the times he treated Yellow poorly :( DAMN Lesley should let them have a few days of peace after all that.

Red would probably keep a little bit of hope until the last second. Even after all the time he spent with Yellow dying slowly he still wanted to think things would reset as usual. Duck thought he was crazy but he was right 🥲

[oh-no-a-new-hiperfocus-hit-me]

Hello, this is Robin. :) @arson-n-barf @scott-is-hyperfixating

This is my side blog no one knows because I literally never post on here. Anyways here's the first chapter and it might be because I've read it like 5 times already but I hate this with a fierce passion. Like. Anyways, next chapter is Hawks ( because I'm alternating the povs) and it's gonna be ready on Tuesday.

Any ideas and constructive criticism are welcome!

It was late at night and it was dark. A starless sky watched as mere mortals tried and failed to find purpose in life, dying in their never ending search for it. Dabi hummed a soft melody while walking, her hair brushing her burned shoulders ever so lightly. She wore an old black cape that had seen better days, and plain brown shirt and pants. She played mindlessly with the pieces of metal on her face, not only holding her skin together but also adorning her ears and nose.

The town was quiet, most were asleep. Much like Dabis cape, the houses and cabins of wood and stone had seen better. They were dirty and had an abandoned air to them, almost like ghosts were their only inhabitants. The woman could relate to that, she'd always felt very empty, too old, too useless. Unlike her though, the houses, the streets, the village; were all filled with fierce life inside, the dead like outside nothing but a facade to trick strangers.

That became clear once more when Dabi finally decided to end her walk, entering a dark alley. There, a dark door of enchanted wood waited for her. She opened it, the doors handle shining under long fingers. As she stepped inside she was immediately overwhelmed by the amounts of light and noise. The bar roared with vivacity, all kinds of beings drinking and chatting, kissing and fighting even.

They were all citizens of the great kingdom of Akarui, where blood was spilled in the shadows and people were burned at stakes. Not quite people actually, at least not all of them. All mortals perhaps, but all different from each other. For in the world they lived in everyone was different, looked different, behaved differently…

And had unique powers.

Elfs, vampires, dwarfs, fairies. Every kind of magical being you can imagine, all under the rule of one King, and of course the almighty Security Council. Knights and warriors were formed to maintain peace, and to assure the safety of the people. Well, not all people. The loud, weird, "dangerous" ones who were here, never got any protection. Really, as Dabi saw it they rarely got anything at all.

Ignoring all of them as well as the thoughts concerning her old grudge, she went straight to the back. Dabi opened a little hidden curtain, and a long corridor waited for her. She walked to the last door, and kicked it three times. A blue face opened it, eyes filled with rage.

"Fucking shit, you're late!"

"No shit, bitch"

She entered the room without ceremony, throwing herself in her own bed. Her roommate, Shigaraki, looked at her like she had just killed his puppy.

"We have a band to commit to! You can't just do whatever you want!"

"Actually the last time I checked I was my own person who can do whatever the fuck she wants."

"You're insufferable"

"You're an ass"

"Well, you are-"

"Dabi!" The door that connected their room to the other one opened with a loud noise and a girl with blond hair and sharp fangs threw herself into Dabis arms.

"Hey kid" She got up, Toga still clinging to her. "How was your day ?"

"It was awesome! Twice taught me how to make pie and big sister Magne is teaching me archery!"

"Nice."

Dabi was a woman of few words, yet, that didn't seem to diminish Toga's excitement in the least.

"Can we focus on what's important here ? We have a show guys!"

"Is shigaraki whining about us being late to the show again ? Cause' I don't really think the customers are gonna care. They're pretty drunk, you know. Oh, hey Dabi." Compress was standing in the doorway, and she could see Magne and Twice behind him. "How'd your walk around town go ?

"Went well. Nothing much. Nothing new."

The man nodded. He was tall, sun kissed skin under orange clothes and a black mask he never took off.

"Hey-o you guys! Shigarakis kind of right! We better get going!" A tall man with a another black mask and an energy Dabi didn't know how he had, Twice loomed over Compress, wearing all black and gray, though she could see some of his blonde hair shaping the mask.

"Someone's here gotta have a half a brain enough to listen to me." Shigaraki murmured under his breath.

Dabi rolled her eyes but didn't ague. They did need the money from tonight's gig. A couple more days and they would have enough to go to the next town. The owners husband had been kind enough to let them stay here, after all.

As they headed to the stage, Shigaraki and Spinner tuning their guitars while Himiko sat by the piano, Dabi thought she would miss this place. They'd been there for nearly a month, playing in every bar and every party that would have them. It was a small town in the countryside of the kingdom. But unlike others, it was a refuge for outcasts. You could find every kind of being there, from mages to vampires; from nymphs to elves. Rumor had it the town was protected by one of Akaruis most powerful crime families, and so no bigoted people dared to attack it. It was nice.

The woman had many reasons to want to be in monster town, away from the spotlights of the capital. A cold breeze came in through an open window, and with her eyes closed, letting darkness and coldness embrace her, she stepped onto the stage.

▪︎▪︎▪︎

Burned Birdie stay true

Her lungs stang like they were being pierced by a thousand needles.

Burned Birdie stay here

Her lips were dry and her throat hurt.

Burned Birdie don't you prey on me, prey on me

The burned bird was her, and her fire had destroyed its feathers. She didn't want to think about it.

Burned Birdie stay true

The little crowd erupted in applause when the song ended. They'd been there for three hours already, in not so long dawn would be coming, and they were all tired as fuck.

The bartender paid them what the owner owed, not much, but enough. It had to be.

Dabi went back to the room she shared with Shigaraki, while Toga, Twice and Magne went to the room next door, and Compress and Spinner to theirs.

"Holy fuck I think I'm gonna die of thirst." The woman threw herself on the floor, but trying to out dramatic Tomura was never worth it. Motherfucker was a class A drama king.

"Not if I die first" He hit his head against a wall, got a bottle she knew he'd been hiding from everyone in his dirty clothes; and half stumbling, fell, lying next to her.

"Wanna cure your thirst ?" He waved the bottle in her direction.

She gpt it from his hand, laughing. She would feel more thrifty afterwards, her throat hurting even more, her lips even drier; she knew it. But hell if she cared.

▪︎▪︎▪︎

"So you're saying Himiko's new hobby is… writing ?"

"Writing love stories, shiggy."

"Don't fucking call me that. So she was talking to Spinner and Compress, and ?"

"And she wanted to know how to write a… spicy scene with an elf."

"Why the fuck, an elf ?!"

"I think she's writing about her crushes." Dabi took another sip. "Do you remember that dancer who was said to have performed at the princes birthday? She said she can tell he's hot from a painting she saw. So she's writing about that."

"OK but what do they have to do with that ?"

"Well she approached Compress and my man Spinny and told them about her story. And the… and then…" Dabi was already bending in laughter from remembering the man's faces when they'd told her "Then Toga asked Spinner if he'd ever had a lover who was an elf. She asked for details Shiggy. Can you imagine their faces ?"

"Elfs suck" Shigaraki was smiling but seemed to be feeling bittersweet about the story.

"Yeah, kinda. They're hot thou."

Shigaraki made a disagreeing noise, but didn't answer. He looked lost in thought.

At times like this, Dabis thoughts could run free through her mind. The memories she kept in a small locked chest when she was sober, came to her like an ocean wave. But she didn't care. Couldn't bring herself to. For once those tiny, happy children in her memory were distant, not her, not her siblings, but something else entirely.

Shigaraki was looking at the ceiling next to her, clearly almost asleep. She could hear Magnes and Compress snoring. They would have to leave, sure, and she liked the little town of outcasts but as long as she had these freaks with her she'd be ok. No one else was looking after them, no one else would. Tomura was like a brother ( a bratty, annoying, one, but still), they had met ten long year ago, and build something on friendship, music and friendly fighting. Something she wouldn't trade for the world.

Yeah, Dabi had a brother.

More than one, actually, she thought as a bird entered through the broken window, and delivered her a letter.

She had no energy to get up, but she didn't need to. She'd read it tomorrow. The words would wait for her. She fell asleep with the letter in one hand and shigarakis empty bottle in the other.

[sounmashnews]

[ad_1] In 1983 Bob Hawke gained authorities on the again of a marketing campaign of “No Dams”. Could Chris Minns on the subsequent NSW election repeat historical past? John Bailey, Canterbury“People before plants” clearly defines the all-too-common view of our distinctive, advanced, lovely however ever diminishing surroundings. Peter Lane, Margaret River (WA)Fixing crowded hospitals requires good dose of willI first skilled hospital emergency division overcrowding within the Eighties, with lengthy ambulance queues growing within the Nineteen Nineties (“Texts tell of ‘Third World’ conditions in Sydney EDs”, October 6).As a specialist emergency doctor, I've been to extra workshops, coverage opinions and conferences about this challenge than I might poke a stick at. Each 12 months the issue will get worse and spreads wider. It’s time we recognised that the system is designed to overload EDs. While they continue to be the backstop for gaps in each different social and medical service, wants won't ever be met. If we don’t re-direct sufferers who can look ahead to different providers and we don’t transfer out sufferers who want ward beds, EDs will at all times be full and expert employees will proceed to depart out of frustration and exhaustion. We might clear up this tomorrow with the suitable will. Unload all ambulances on arrival. Re-direct sufferers whose situation will not be essential and transfer the backlog of sufferers requiring hospital beds out of ED. Re-purpose concepts from COVID: medi-hotels might accommodate these nearly able to go residence, or solely needing every day care. Sue Ieraci, BalmainCredit:Chris HopkinsOnce once more Brad Hazzard resorts to weasley phrases. How comforting to listen to that he’s “sympathetic” concerning the stress skilled by docs and nurses who merely can’t do their jobs as a result of there are too few of them after we are sick or dying. Kerrie Wehbe, BlacktownThe deterioration of well being providers and public schooling, and the rising variety of households residing in poverty, recommend that in some methods Australia is certainly trending towards Third World standing. Far extra vital than any election promise to scale back taxes is for governments to do their utmost for the well being, schooling and residing requirements of your complete inhabitants. Geoff Harding, ChatswoodWhen I used to be a hospital resident in 1987, no ambulance ever needed to wait longer than 5 minutes to unload its affected person and have them transferred to a mattress and attended. What has modified so dramatically? It will not be the need or the experience of the employees, which has enormously improved. The solely issue is the inhabitants enhance since then, unmatched by an efficient, inflation managed enhance in hospital funds. What did the federal government boffins assume was going to occur to hospital care? Who has benefitted from this enhance in inhabitants, when individuals can now not be cared for and even stored alive when sick or injured? Who wins? Not these within the ambulance or the ready room. Jennifer Briggs, Kilaben BayAll lecturers deserve a pay riseWho is deserving of a pay rise amongst our public college lecturers (“One in 10 teachers could get pay boost”, October 6)? Is it the instructor at a prime selective college whose college students all obtain band six within the HSC? Is it the instructor of 12 months 8 music or a language who conjures up their children to comply with the topic on in later years? Is it the instructor in a distant space who manages to get children to return to high school and builds social cohesion in among the most difficult circumstances? There are myriad methods during which a instructor can obtain excellence and few of them will be measured on a inflexible scale decided by “policy experts”. Higher salaries for all lecturers will entice just a few of the very best and the brightest, decreasing the workload will entice much more, as will the popularity that being a public college instructor is a invaluable and revered profession.

Peter Cooper-Southam, Frenchs ForestWhy would so-called specialists in schooling imagine that paying high-performing lecturers greater than different lecturers will cease lecturers leaving the classroom? Who will assess the lecturers for his or her pay rise? How would a instructor really feel realizing the instructor within the subsequent classroom is being paid extra for doing the identical job? So many questions and so few solutions. Robyn Lewis, RaglanSo, 90 per cent of lecturers can be completely happy to see the opposite 10 per cent paid extra, whereas they proceed to be underpaid, under-resourced and undervalued. That’ll encourage individuals to fill the 1000's of gaps which might be already within the system. Bill Irvine, GoulburnYou would assume by now the Premier, Education Minister and the entire authorities would get it. Teachers aren’t leaving in droves due to the pay, it's the workload and situations. Earlier this week the concept of lengthening the varsity day was floated. This will ship much more lecturers packing. Improve the situations, reduce the workload after which, and solely perhaps, will you entice and retain extra lecturers. Peter Miniutti, AshburyLabor’s tax downsideMy major causes for voting for Labor this time was the dedication to addressing local weather change, the Voice to Parliament and a nationwide ICAC (“Ministers at odds over tax cut debate”, October 6). I didn't vote Labor in order that the wealthy might obtain tax breaks on the expense of the needy. So far, though Labor has demonstrated larger integrity and intelligence than the Coalition, I stay upset by the dearth of motion on addressing local weather change and tax breaks for the wealthy. Jennie Lindbergh, DarlingtonThe PM must stamp out any debate over the 2024 tax cuts. What is completed is completed and it will be very silly to present ammunition to a weak Opposition to take advantage of. The authorities must be sensible about this and cope with the elephant within the room – tax reform. A summit may very well be held throughout the subsequent 18 months in order that the emphasis is on structural change to a system that's buckling below the burden of its reliance on revenue tax. Michael Blissenden, DuralLabor ought to by no means have supported the stage three tax cuts. They are massively inequitable as they so favour the rich. Really, why ought to somebody on a primary revenue of $46,000 be in the identical tax bracket as somebody incomes $199,000 (30 cents within the greenback). It is principally an try by the Coalition to introduce their flat tax coverage by stealth because it eliminates one tier of the tax brackets. Malcolm Freak, ArmidaleSo fascinating that these politicians arguing for the tax cuts are all going to get essentially the most monetary benefit. A person’s gotta chortle. Barry Ffrench, CronullaBring them residenceThe authorities has generously supplied to carry residence ISIS wives and kids (Letters, October 6) who (even when solely minimally) supported the violent overthrow of a variety of governments, and but it appears to have little interest in bringing residence Julian Assange, who has solely sought to inform us what our governments are actually doing. What about some compassion for this Australian citizen too, Mr Albanese? Lee Cook, OrangePeter Dutton tries to justify the earlier authorities’s lack of humanity in refusing to repatriate girls and kids from Syria. His considerations for nationwide safety are fairly pathetic when there are 40 kids and solely 20 girls concerned. If he's so involved maybe he can persuade the Albanese authorities to spend a pathetically small quantity of our defence price range to watch these girls. Peter Rose, JamberooFor the primary time, I agree with Peter Dutton. Bringing the ISIS girls and kids could be very harmful for Australia. I imagine it's much more vital that we needs to be attempting to carry the stranded Afghans, who helped us towards the Taliban, to security in Australia,

and it's positively time we made certain that Julian Assange was free and in a position to come residence. Pam Nankivell, ParkesAirport connectionMany passengers on the new airport (Letters, October 6) can have connecting flights with Mascot airport. A line by way of Leppington would provide a direct and shorter journey east to Mascot just a few kilometres away. Why go on a tour north to St Mary’s that's a lot additional away and can take for much longer? Plus, think about the additional prices. Alberto Bizcarra, RozelleLoretta was higherLoretta LynnCredit:APLoretta Lynn (“Country legend Lynn dies at age 90”, October 6) was as soon as requested how she wish to be remembered. She mentioned: “As a good person. Someone who never hurt nobody.” I ponder how many individuals in energy can be remembered that method? Rajend Naidu, GlenfieldOver the rainbowRegarding rainbows (Letters, October 6), my fridge magnet says: “Some people walk in the rain, others just get wet.” A rule I attempt to dwell by. Llieda Wild, EastwoodJo Rainbow from Orange says her rainbow connection is life-enhancing for her husband. I ponder if his identify is Roy G Biv? Surely they'd be a fairly vibrant couple from a vibrant city. Denis Goodwin, Dee WhyLost heritageAny replace on when the NSW authorities plans to reassemble Parramatta’s heritage-listed Willow Grove? Martin Frohlich, Adamstown HeightsQuite oppositeIt’s disappointing that a main disaster like some Danish princes and princesses shedding their titles was relegated to web page 22 of the Herald (“There’s something about Mary in title fight”). Mustafa Erem, TerrigalThe digital viewOnline remark from one of many tales that attracted essentially the most reader suggestions yesterday on smh.com.auOne in 10 teachers in line for higher salaries under major shake-upFrom dannypockets: ″⁣What a joke. The downside is with retaining latest graduates who're burning out below the large burden of non-teaching administrative duties on prime of all of the unpaid class prep outdoors of working hours. No quantity of fiddling across the edges will redress this. The solely resolution is to spend so much extra money, both to pretty compensate lecturers for the actual quantity of labor they do, or to rent extra administrative assist employees to minimize their burden. Anything much less is an unserious non-solution.″⁣To submit a letter to The Sydney Morning Herald, e mail letters@smh.com.au. Click here for tips about how you can submit letters.The Opinion publication is a weekly wrap of views that may problem, champion and inform your individual. Sign up here. [ad_2] Source link

[kiridarling]

𝐐𝐔𝐄𝐄𝐍 𝐎𝐅 𝐓𝐇𝐄 𝐍𝐈𝐆𝐇𝐓.

request | Can I have royalty au (soon to be king bakugou) (and soon to be queen reader) , katsuki and reader are supposed to be getting married (not to eachother) but they end up sneaking around and doing IT with eachother so top!kats , exhibition , begging , dumbification and spanking THANK YOU💞💞

this lovely request was submitted for the kissing booth event (the rest of the drabbles come out soon, ahem :)) so, if this was your request, um...hAHA whoops.

katsuki bakugou | f!reader, royalty!au, infidelity, nondescript!fiancés, angst (gasp), fingering, exhibitionism, dumbification + more! minors dni!

— 3.7k words

“C'mon, princess...can I make you feel good once last time?

You're getting married.

No more ignorance is bliss, no more I didn't know any better—this is when you put all your childish antics to the side and fucking woman up, now in charge of the safety of your kingdom and its inhabitants and whatnot. So yes, you must snuff all your adolescent tendencies, and that includes sleeping with the Crowned Prince of the neighboring kingdom behind your fiancé's backs.

But, boys are stubborn. And stupid.

Ding ding ding!

"Excuse me, Everyone!" Your fiancé announces to the crowd in your dining room as he stumbles to his feet, spoon clinking against his glass. He nearly trips, but no one sees except yourself. "I would like to make a toast."

You frown. This wasn't a part of the rehearsal dinner.

"First of all, I would like to thank you all for being able to be with us tonight," he says, shoving the glass higher in the air. As red wine splashes over the rim, you think to remind him that isn't a toast, it's the beginning of a speech, but your comments have rarely deterred the man in the past. "As you’re all aware, this marriage is vital. Not only for our kingdom, but for the neighboring kingdom as well."

Your fiancé regards the Bakugou’s with a lift of his chalice. In the coming weeks, two arranged marriages will melt the four most influential kingdoms into two, and your fiancé and his family had the genius to throw a massive Gala to celebrate it. You wouldn’t be surprised if they got off to the idea of stretching themselves so thin their hair falls out at age thirty; they won’t even allow you to choose the type of dress for your wedding.

"I would also like to thank my lovely, lovely wife, for just being so... lovely.” Your fiancé chuckles, accompanied by an uncomfortable massage to your shoulder. The guests find amusement in how whipped he is as he gazes your way expectantly, conceivably wishing to see you swoon at the compliment. All you give him is a blank face. His elation falters.

"You know, when I first met this woman, I knew she was going to be the love of my life," your fiancé shakes your glare off. You purposely block out the rest of his story in favor of folding and unfolding your napkin again, puffing under your breath at the cheesy comment.

"Sap," you grunt to yourself, obviously. You don't expect anyone to hear, but there's a snort to your right. Your eyes lift from your lap—and straight into Katsuki's smug blood red ones. He winks at you from across the table and your eyes roll at that, though there's a small smile playing on your face that's impossible to hide.

"Isn't that right [Y/N]!...[Y/N]?"

You blink yourself back to life, eyes reluctantly leaving Katuski's hypnotic ones for the pair that make you nauseous, "Oh—u-um, yep!"

The place bursts in laughter and there's even a little smile dancing on Katsuki's face. He catches you staring so your eyes divert to your lap, but his remain a physical force against you for the rest of the night.

*selene — the greek goddess of the moon

The balcony is much nicer than the ballroom.

For one, it's the farthest place you could have gone from the commotion, all the way on the opposite side of the castle. It's a solid five-minute walk when you aren't in heels and a heavy petticoat, but it provides a lovely view of your front yard, subjecting you to watch the early-sleepers leave in their carriages to call it a night. Meanwhile, *Selene watches you from her telescope the moon with a sigh and a sad smile, because she's the only one who knows how completely and utterly alone you will be.

You glare at her—the goddess doesn't waver.

Bitch.

It's no secret that Gala’s like these get overwhelming—especially when you're the center of attention. You see Lord Shinsou (Earl) stuff the eager Lord Kaminari (Baron) into his silver-plated carriage before looking around to ensure no one saw, and blanche upon seeing your figure stood on the balcony. You salute so he knows his secret is safe with you, and relief washes over his face before he too hops into the carriage. What a scandal, you giggle.

Plenty of couples resign home after that; it makes you uneasy. You're unsure as to why, but you have the ever-increasing urge to nip at your fingernails until you don't have them anymore, and jamming the sharpest point of your heel into the concrete seems like the only proper way to release enough kinetic energy before you explode.

"He loves me."

He does, embarrassingly so—so what's the issue?

There isn't an issue; there shouldn't be. He reminds you how pretty you are and you compliment his influence. Neither of you are marrying down. You look good together. The kingdom's future power couple if you will, where you two supposedly mold the great future in your peculiarly young hands. There isn't an issue. You're the one for him, and he's the one for you.

The balcony door whines open. You don't turn around, praying whoever it is will see that it's occupied and turn the other cheek. Yet, the stomp of whoever's boots only grow louder until you’re adjacent to a shadow of a being, his chin lifted towards the stars. You catch a glimpse of blond hair, though dyed a pale white by the silver moon, and you two stand in a strangely comfortable silence, watching carriages roll out of your driveway.

The silence doesn’t last for long, though. It never does.

"D’ya always go disappearing like that?"

You frown. "What?"

"I don't fuckin' know," Katsuki grumbles—he has yet to look at you. Seems like Selene captures more than one person's attention tonight. "Blinked and you were gone."

Your frown only deepens, and you return your attention to the courtyard. "I didn't know you were paying attention."

The ash-blond presses his forearms against the railing for support. "I wasn't. He was."

Oh.

"Said he wants you to come back, so," Katsuki clicks his tongue, carmine red eyes finally flicking your way through the darkness. You don’t dare look at him. “You run off often, or what?"

"Tell him I'll come back in a second," you sigh, balancing your face in your hand. Katsuki says nothing, but he doesn't leave, and you hate that you don't mind.

Until he points towards a couple crossing the lawn and says, "Oi, that's the Duke from my fiancé's kingdom. Fucker tried to poison my dad for the throne—straightened him out real quick.”

"Why are you talking to me?" You snap like a cornered animal. Katsuki lifts an eyebrow.

"What? I can't have a goddamn conversation?"

"I—" your chest rises and falls with a reason to why he can't, but you can only come up with one—and you don't want to think about it.

"Listen. I don't like these things either, alright?" He huffs defensively, so defensively that you have to take a step back. "If I have the opportunity to get some fresh air, I'm gonna fuckin' take it."

You shrug, supposing it makes you one and the same. The wind blows, not harsh, but harsh enough to ruffle your gown, and make the gold jewelry decorating Katsuki's tunic jingle.

“So. I guess this is it, ain’t it?”

You sigh, “Katsuki, you know we—“

"Yeah yeah, that's all you fuckin' say," he growls bitterly, and you blink in a poor attempt to find where the animosity came from. His face twists in an ugly way as he sits his hands on his hips, nose scrunched to mockingly pitch his voice that doesn't sound like yours at all. "We can't, we shouldn't—"

"Because we shouldn't!" You nearly shout, and Katsuki jumps from how quickly you raise your voice. "Because—because if we get caught, we're fucked. And I can't go to sleep terrified that I'll wake up to an exposé tomorrow morning and get beheaded by the afternoon. So...please. Just stop."

Katsuki clicks his tongue.

"You don't love that asshole."

Your throat feels tight—much too tight to be comfortable, and your chest rises and falls with disbelief as you search for the words before you can talk again, eyes never dropping from the stars. You've had this conversation, fuck, you have it too often; often enough to know that he would say those exact words, and enough to know precisely what you'll say in response.

"I love him, Katsuki."

"No, no you fuckin' don't," the ash-blond chucks a laugh and it's nothing short of acrid, his words eating away at your skin more than you'd like them to. You sigh, resting your forearms on the railing too.

"I'm not having this conversation with you."

"Always gotta be so goddamn emotionally unavailable, huh?" He growls, glare set on the mountains presented in front of you. You feel his suit jacket hit your freezing shoulders, unaware of the cool temperatures until you feel the cloth brush against goosebumps. It’s your turn to laugh bitterly.

“Careful. People might think we’re getting married to each other.”

“One day you’ll let me fuckin’ live,” he grunts, and your eyes meet for the first time. His usual red is dyed a deep purple by the moonlight, their usual hardness traded for something much softer. “Can’t even give you a jacket when you’re shivering like a goddamn leaf in the wind.”

You give him a look of utter exhaustion because you’re tired—tired of all this running around and hiding, the secrecy. It eats at your insides like a caterpillar does a leaf, knowing that you go to sleep every night to a man who’ll barely touch you, but at the same time, feeling guilty that you don’t need nor want him to.

“Why are you here?”

Katsuki clicks his tongue. His warm body settles behind yours, close enough to feel the warmth but not close enough to feel him. “You looked lonely.”

“I thought my fiancé told you to get me?” You ask, raising a suspicious eyebrow. Katsuki rolls his eyes, his arms settling on both sides of yours.

“He did. But I didn’t refuse the damn request either.”

“You saw my loneliness all the way from the ballroom. What an eyesight,” you scoff. Katsuki’s eyes narrow, but it’s clear he’s fighting a grin because you’re a little shit who loves giving him a hard time. The ash-blond’s chest rises and falls, and he bites the inside of his cheek.

“You know what I mean.”

You snort, tilting your head to the right. You suppose you do.

“And I’m marrying a bitch,” he adds to his list of grievances, his hands finding yours to gently play with your fingers. You nod in agreement. A bitch she is.

“And...I’m really going to fuckin’ miss you.”

It might as well pass for nothing but a breath, eyes trained on your held hands. His chest suspends like he has more to say, but his teeth tear at the inside of his cheek before he can. “I—fuck, I get it, okay? I’m a selfish asshole—“

“This doesn’t have to do wit—“

“And I really, really need to get my fuckin’ priorities straight. I mean, they are, just not in the way they should be.”

“Hey,” you chastise, shaking his hands for his attention. “You can’t control who you love, okay?"

Katsuki grumbles at that but you refuse, turning around to look him in the eyes.

"And neither can I.”

You let go of his hands in favor of pulling him down via his cheeks and giving him a big fat kiss on the lips. It’s peckish and brief, but it’s sweet and gets your point across. It's comfortable.

“The hell was that for?” Katsuki asks once you pull away. Though you see him struggle to hide a grin, eyes squinting more than they should.

“Easy,” you say, stepping forwards (as if there’s any space for that), “You looked lonely.”

Katsuki snorts, dropping his head, “Bastard.”

“And I’m being married off to an asshole,” you lament, pulling his face so close to the point you’re sure the strain on his back has got to be anything but sexy. He accommodates anyways—Katsuki always has; and night seems to suspend along with his baited breath as he waits for the next line, eyes shining with a painful hope you’re about to confirm.

“And I’m really, really going to miss you,” you say, shaking your head at how utterly true that statement is. Fuck.

The vulnerability slowly fades from his eyes at that, and Katsuki hums, clammy hands finding their rightful place around your hips.

“You shouldn’t call him an asshole, you know,” he says, face inching so close you can smell the champagne on his breath. “He means well.”

“I didn’t know you cared,” you quip back, raising an eyebrow. Katsuki shrugs, and you don’t realize he’s backing you up until your back kisses the cool railing.

“Well. I can’t help but feel a little bad,” he says cheekily as he inches closer, “‘Cause I make you feel so good, don’t I, Princess? Last time I checked, better than he ever could.”

You scoff at his audacity though it’s all good-natured, eyes preferring the moon over his heated gaze as he turns you around to face the courtyard.

“Ah, ah,” he tuts, redirecting your attention using a finger on your jaw, “Eyes on me, Princess. You look really fuckin’ pretty under the stars, y’know.”

You snort at the compliment, rolling your eyes.

“‘M serious. A fuckin’ goddess,” he growls, leaving wet kisses up the column of your neck. Your breath hitches as he reaches your sweet spot and sucks, and you’re swatting him away before he can leave a mark.

“I sai—“

“One last time, Princess,” he bargains lowly as his hot hands slide their way from your waist to your breasts, taking their sweet time. Katsuki hooks his chin on your shoulder. “Lemme—Can I make you feel good one last time?”

You’re nodding with a whimper before you can berate yourself for being so fucking easy, the thought of not being able to indulge yourself with this, with him, any longer tosses any and all resistance out the window.

“Good,” Katsuki hums, tweaking your nipples through the bodice. “‘M gonna pay you back for being so good to me, yeah? For puttin' up with all my shit."

You scoff, mouth dropping to tell him you weren't putting up with his shit, but then a warm hand lands on your thigh—somehow, he's found a way under your dress. The hand slides up inner thigh and you feel Katsuki's chest shudder against your back as he finally reaches where you need him most.

"K-Kats—"

"Shhh, you don't want them to hear us, do you?" He grunts, pulling your panties to the side. You shiver from the change in temperature, watching another Duke and Duchess of half-drunkenly stumble into their carriages for the night, before there's a crack of a whip and hooves beat towards the exit. It's only a reminder of how painfully exposed you two are—one glance towards the balcony and any onlooker would know exactly what's happening. You hate it.

You hate that you don't.

"Atta girl," Katsuki purrs, groaning as he inserts a finger. You shiver, the weight of his being practically trapping you against the railing. "Always so fuckin' tight. I swear that asshole never fucks you right."

Katsuki's never been an impatient man and fills you with a second finger awfully fast, chuckling when you bite into the meat of your palm to hold back a whimper. His hips start to grind against the puff of your dress and he groans as quietly as he can, carelessly shoving down the sleeve of his suit jacket to bite into your shoulder.

You let out a broken moan much too loud for this time of night and it prompts Katsuki's free hand to stuff an equal amount of fingers into your mouth. "Y'know, something tells me you wanna get caught. You want the whole world to know how much you fuckin' hate that bastard, huh?"

You choke as Katsuki slides in a third digit next to the second, the slap of his palm against your pussy becoming nothing but obscene as your slick accentuates the sound. His hips speed up against your ass and that's enough friction to have the ash-blond groaning, along with the spit that drips down his forearm.

"So dirty for me, Princess," his hips stutter when you push back, tongue laving over the bite mark you'll probably have to conceal in the morning. Asshole. "You wanna cum like this, don't you? You're gonna cum all over my fingers in front of the entire royal court. Dumb little girl, can't even keep her mouth shut to keep us from gettin' caught."

You jam your heel into the balcony concrete so hard you positive it cracks before you're coming all over Katsuki's fingers, nearly choking on the ones in your mouth as you release the loudest broken moan you have that night. Katsuki's hips stutter against you and you're positive he's filling his boxers from the airy moan that follows, and his hand goes limp in your mouth before it slides out completely.

Your chests balloon in unison, his body draped over yours, and as you two catch your breath under the moonlight, you can’t help but think how much you’re going to miss this.

"Run away with me."

"I—" he does this. He always does this. He makes you feel on top of the world, acting like everything's fine, and then he pulls this shit on you. You look everywhere but him, nearly scoffing in disbelief. "Katsuki—"

"C'mon, Princess," Katsuki scrambles to flip you by the waist until your back is flush against the railing again and he’s cradling both your hands in his semi-damp ones. There’s a look in his eyes you don’t like, and it makes your chest burn. "Across the sea, people are movin’ over there and I—I know someone there, okay? Someone we could stay with, maybe help us get back on our feet an-and I found a fuckin’ ferry guy to take us across, and I can even pay him a little extra, o-or you, or—"

"Katsuki," you give him a sad smile, squeezing his hands tight. There's hope, too much hope in his eyes and it's fucking blinding. "Running away? I—this is—we have an obligation, we can't jus—"

"It'll be fine," he insists, stepping forwards and squeezing you back twice as hard. You sigh."I—the two kingdoms can merge or whatever the fuck they wanna do and then we'll be—"

"Katsuki."

"I—fuck Princess, I don't beg but goddammit, I'll do whatever you fuckin' want, get on my knees, I ca—"

"You really want to know what I want?"

Katsuki freezes. It's the first time you've ever seen some semblance of emotion in him that isn't anger or lust, with carmine red irises swimming in unshed tears—and fuck, you hate the sight. You want to shoot yourself in the fucking foot for what you’re about to do, but it’s for the best. It always is.

"Love her."

Katsuki looks at you, and his face drops, chest shuddering.

"I can't."

You drop his hands in favor of holding his face, thumbing at the hot tears running as they fall. God, Katsuki’s pretty—too pretty for his own good and he doesn’t even know it. His unsteady hands find themselves massaging your ribs and your foreheads knock together. "You need to try. Love her as much as you love me, yeah?"

"'S fuckin' impossible," Katsuki says with a wet snort, shaking his head with eyebrows raised. You giggle, throat impossibly tight.

"Almost, then? For me."

Katsuki’s red eyes stare at you through the darkness. You have half a mind to look the other way, but you figure you owe him this if nothing else, and as he lovingly absorbs your being under the moonlight for the last time, you really wish you could take your words back.

"I'll...fuck. Fine. I'll try." Katsuki resigns with a shrug, shaking his head. You two sniffle in unison and you suppress the strange urge to pinch him. "'M not gonna try to get over you, though. Sorry, not sorry."

You roll your eyes at that but it's all good-natured, followed by a choke you struggle to hide as his arms coil around your waist, "Then I won't either."

A genuine grin spreads across his face, and it’s borderline giddy—and a stark contrast against the waterworks. "She finally fuckin' admits it."

"Figured it was about time," you give him a wobbly smile before your eyes flicker to his, red blurring from being so close. Selene looks upon both of you with a reminiscent sigh.

"I love you, Katsuki Bakugou."

Katsuki sniffs before he laughs; it's wet, and near bitter, and he pulls you so close your face nearly shoves into his chest. "Fuck. Fuck, you're an asshole, you know that?"

"This is when you say it back," you bargain, squishing his cheeks. Katsuki presses his forehead deeper into yours.

"I love you too, Asshole."

He speaks with a softness you've never heard and it's like a gunshot to the heart, and as his lips inch closer to yours as your hands slide to thumb at his ears. One last kiss wouldn't hurt, would it?

Until there's a whistle and the click of footsteps. You and Katsuki jump a mile apart.

"Oh, [Y/N]! You're still out here in the cold?" Your fiancé asks with a raised eyebrow, but it seems like that's only an afterthought as he turns to Katsuki to say, "Your wife’s found the alcohol."

"Great," the ash-blond groans, understanding the translation—your fiancé is piss drunk in the ballroom.

"I do recommend you take her home. She's making quite a mess of the eclairs. And her face."

Katsuki heads inside without giving you a second glance, and your fiancé gives him a solid pat on the way in before turning to you halfway through the doorway, "Are you coming inside, Darling?"

"In a moment," you say with a smile. Your hand never leaves the railing. "Just getting some fresh air."

"Alrighty, then. I'll be in the bedroom. Waiting~" he winks, and with that, he's spinning on his heel, and you're alone with the moon again.

You watch Katsuki guide his inebriated fiancé into the carriage lovingly, with a smile on his face that isn't quite the one he wears with you but close enough, whispering whatever pleases her at the time with a chaste kiss on the cheek. You feel comfort in knowing that he has someone to love and someone to be loved by. He doesn't look your way—not once.

It's not until they drive away that you realize you still have his suit jacket draped over your shoulders. You don't doubt he did that on purpose, either.

Asshole.

[shurisneakers]

shut in [11]

Summary: When your high profile mission goes terribly wrong, you’re forced to hide in a safehouse with a man you’ve never met before. With seemingly nowhere else to go, you’re forced to work together to figure out who is trying to have you assassinated before it’s too late. (Sam Wilson x Reader, Hitman AU)

Warnings: cursing, anxiety, ptsd, abuse

Word count: 2.7k

A/N: just to clarify, there are 14 chapters and an epilogue!! also you guys are so nice, thank you for letting me know what you think about this <333</p>

i also appreciate feedback so if you would like to, please consider dropping me an ask or comment ly guys!!

here’s my ko-fi if you’d like to support my writing <333

Previous Part || Shut In Masterlist

The wait was taking a toll. It was clawing at you from the inside, and paired with the occasional flare your anxiety gave, everyday was like spending time in an hourglass that was steadily filling up. 

Sam helped; making sure the both of you ate after spending hours planning out and revising every detail, introducing you to the world when you spent too long indoors. 

The constant rap of your finger against the table and pen tucked behind your ear was the position you found yourself in more often than not. Different scenarios listed themselves on a sheet of paper so you could go through the process of elimination, sorting each loophole out with proper backup. 

Going to New York, 3rd floor of 32nd Street, only cash-

“I’m goin’ on a run.” Sam poked his head in from the doorway to the kitchen. “I’ll be back before Ransone calls.”

“What?” you mumble, not paying attention. You scratched out another implausible scenario, leaving you with many more to go. Everything had to be perfect.

“Going out. Be back soon,” he repeated. 

It still took a minute to register but you found yourself shaking your head once it did. “No, don’t.”

“Why?” he straightened up, no longer leaning on the wall. “Something wrong?”

“It’s not safe.” 

“I checked the cameras. No one’s out there,” he sounded confident but you couldn’t shake the feeling of skepticism around the situation that was beginning to return to you. “I’ll be careful.”

“You could be careful by not going.” You shouldn’t have to explain this to him. “It’s not safe.”

“Nothing’s changed yet-”

“They have.” You whip around to look at him. “Things are different now. We don’t know what’s out there.”

You both know that he had already been seen once. Who knew how many people were waiting forty feet away from the house? Risking his life for a jog was ridiculous.

“I can handle a 20 minute run,” he challenged. “I’m not even going that far.”

“You’re being reckless.” You could see the rebellious streak he had warned you of before making an entrance. Though you found his spontaneity endearing, the rashness that accompanied it you weren’t fond of.

“It’s not a big deal.”

“It is, Sam,” you exclaimed. “We can’t fuck up the plan with you dying.”

He looks at you with his head tilted and annoyance on his face. A wave of tense silence washes over the both of you and only then do you realise it’s the closest thing you've had to an actual argument before.

“Is that really what this is about? The plan?” he questioned, arms crossed over his chest.

You hesitated.

“What else would it be about?” You know he saw it, the brief moment you took before you answered.

“I’m going for a run,” he said decisively. It stung more than it should have. “But I’m not going far. I’ll circle the house.”

That eased it, somewhat. You would prefer if he didn’t at all, but you were at peace with the compromise. A middle ground. 

You nodded, looking away from him. He left soon after, but seeing him run past the window every now and then made you feel better. 

Your mind replayed what he implied. You knew what he was saying, you weren’t completely dense. But you would never let emotions get in the way of work.

It had never worked out well for you before, not while you were still stuck with the organization. Like always, you could feel the familiar ache build in your chest, faces you prayed to forget flashing in your mind. 

You exhaled, forcing yourself to not relive it again. You were thinking an awful lot about it for someone who supposedly didn’t care about it.

Stupid Sam with his stupid cute face and stupid good heart. Fuck him.

____

“Y/N.”

“Ransone.” 

You nodded at Sam who was standing beside you with a glass of water in his hand, leaning his body weight on the table.

“Wilson there with you?”

“No, he isn’t.” Lying to him had become a habit by now, even though you were well acquainted with the consequences of doing so. “What’s the update?”

“We think we found them,” Ransone reported.

“Found who?”

“The people who shot at you.” 

Your body tensed.

“Who is it?” you asked slowly, peering at Sam through the corner of your eye.

“Serpentine,” he said coolly. Sam scoffed, taking a small walk in circles to calm himself down. “Trying to establish themselves at the top again. Went for one of you but we don’t know which, found both of ya instead. Killed Pierce then waited for you to show up.” 

Your eyebrows quirked up. You could see the muscles in Sam’s jaw tighten.

“How’d you find out?” You place your hand on his, urging him to calm down. He visibly softened, closing his eyes and letting out a silent exhale before nodding for you to continue.

“People talk. You know that Y/N,” Ransone sounded bitter.

“Not personally, no,” you mumbled. 

“Well, they do.” The way his tone shifted back to normal like the conversation you just shared didn’t happen almost gave you whiplash. “That’s all on our end. What’s happening there?”

“Nothing. No updates.”

“Y’know, I’m surprised you haven’t killed him yet,” Ransone commented. “He tends to get… mouthy.”

“I don’t see him much,” you lied blatantly, ignoring the insult to Sam even though you wanted to retort. 

“That’s a good thing. Can’t have you getting attached now, can we?” 

You barely looked at Sam, only zeroed in on the fact that his thumb was absentmindedly tracing circles onto your skin while he paid attention to what Ransone was saying.

“I’m not.”

“I’m sure you’re getting sick of him,” Ransone chided, pushing this conversation far longer than you wanted him to. “After this I’ll make sure you never have to see him again, don’t worry.”

“Why?” Your eyebrows knitted together. You wondered if you responded too quickly.

“I’ll have him stationed somewhere else. Away from you at all times. Won’t have to interact with him again.” He was doing it again. Ruining any fucking form of a relationship you could have. “You can thank me later.”

“That won’t be necessary,” you bit back. He knew what he was doing. He was drawing it out of you.

“Well I thought you’d be more grateful consideri- oh,” he stopped abruptly. “Unless you’re already attached to him.”

You pulled your hand away from Sam who only looked concerned about where this conversation was heading. The sudden chill that took its place didn’t make you feel any better.

“Oh, Buttercup,” he laughed pitifully. “You know it would never work. Don’t you remember all the others?”

You didn’t say anything. Only folded your arms together and forced yourself not to go down the path he was trying to drag you to. If you hung up now he’d only take it as a confirmation. 

“You two shouldn’t have been friends in the first place. Your lives would have never intersected if this didn’t go wrong.” You hated how he was pointing out things you had overanalyzed time and time again. 

You hesitated for a second, forgetting the fact that you knew he was preying on you on purpose. 

Because these were thought you’d already had. Thoughts of whether you were growing on him only because you were stuck together. Of course if he was forced to co-inhabit a safehouse for this long with anyone he’d like them. 

And as much as you despised to even think it, Ransone was right. How would it even work once you got out? 

It couldn’t. 

And you wouldn’t let yourself even consider the possibility that it might because it was just wishful thinking at best. The line between friendship and something more were merging together so fast, you weren’t even sure they existed anymore. 

“He doesn’t care about you, Y/N. I’m sure he’s charmed his way into making you think you’re important to him, but you’re not,” he sounded sympathetic, almost like he was patronizing you. “You’re just his way out of there, honey.”

Sam opened his mouth, ready to launch into a tirade. You held up a finger to silence him, praying that he wouldn’t do something stupid. You couldn’t lose the only communication you had with Ransone over this.

“I wish it didn’t have to be this way-” What a truckload of horseshit. 

“I’ll send you my location,” you broke in, words faltering. “Just have someone come get me.”

“If that’s what you want.” You could tell that he was barely hiding the joy he had gotten out of completely fucking with you.

“Don’t look for me directly. I’ll come to you. Just have someone ready to bring me back.” You couldn’t bring yourself to look at Sam. You had too much going through your head at the moment, things that had specifically to do with him.

“Are you sure? Someone can be at your doorstep within an hour, you know that.”

“I need time to sort some things out. I’ll tell you when I’m ready.”

“As you wish.” You wanted to smack him.

“Bye,” you say shortly, trying to wrap it up.

“Y/N,” he cut in before you could end the conversation. You wait for him to continue, not saying a word. “I’m sorry you had to hear it from me. I just didn’t want you to get hurt.”

You roll your eyes and hang up, not letting him get another word in. The minute you got a second to breathe, everything he said began crawling its way back into your head. 

“What the hell was that?” Sam fumed.  

“I don’t know.” It was the truth.

“That wasn’t a part of the plan.” You want to tell him to calm down because you had never seen him this infuriated before. 

“I don’t know,” you repeated, feeling more drained by the second. You fucked up by talking to him for so long, you knew it. 

“That sick, abusive piece of shit,” he continued furiously, but you only looked down, tuning out his droning. 

It was fucking humiliating to think that you could have a normal life. It just wasn’t possible. You were in too deep. Staying here with Sam only confused you, made you long for things that weren’t attainable. 

“He’s right,” you utter quietly, effectively shutting him up.

He stared at you incredulously. “What?” 

“He’s right.” You pushed yourself away from where you’re leaning on the table.

“About what?” 

“You know what, Sam.” 

“No, I don’t,” he retorted, “He said a lot of shit so I’m going to need you to specify.” 

“I’m going to take a nap.” Your head was spinning; you didn't know how to tell him. “I’ll talk to you later.” 

“Don’t run away from this conversation,” he sounded annoyed, rightfully so. “Tell me what he’s right about so we can talk this out.”

“About this,” you relented, spinning around to look at him. “Us.”

“He was just trying to get into your head, Y/N, like he always does,” Sam exclaimed, letting his arms fall beside him.

“This could never work, Sam. We’re friends because we see each other every single day, constantly.” You gestured back and forth between the both of you. “What happens once we get out? When you’re not stuck with me twenty-four-seven?”

He knew what happens to people when they get too close within the organization; he had first hand experience with Riley. They never survived long enough to tell the story themselves. They were ripped away from you, time and time again. It was so tiring to start all over from the beginning, every single time and for nothing. 

You didn’t want it to happen again, not to him. You just wished he’d believe the other anxieties you deemed less important than this, and dropped the topic. Another death is not something you’d be able to handle. 

“We deserve a bit more credit than that, I think,” he said defensively, taking a step toward you. “If our relationship was built solely on proximity then it wouldn’t affect you this much. We’re beyond that.”

“Well, what if we’re not? What if we realise we only tolerated each other because we didn’t have a choice?” you fired back, crossing your arms. 

“Speak for yourself,” he huffed. “I would never let that dictate my choice.”

He sounded so confident, so assured that it wasn’t circumstantial. How could he be so sure?

“I don’t get you,” you whispered. “I can’t figure you out.”

“What don’t you get?” He looked like he was on the verge of pleading. He stopped right in front of you, a temporary barricade between you and the hallway. 

“Why you treat me the way you do.” 

He looks taken aback for a second. “Did I do something wrong? Did I upset you in any-”

“No,” you interrupt him, realising that it didn't sound the way you wanted it to. “Why you’re so… good. To me.”

He doesn’t say anything in return and you can’t even look at him, feeling your cheeks burn with embarrassment. 

You had tried for so long to figure out what his motives were. Every time he did things that went beyond common courtesy, your gut would scream at you to find a hidden motive. No one was ever this nice to you unless they were put up to it. You’d had enough experience to realise this.

When you couldn’t find anything it only confused you more. You had shoved it away a while ago after he never displayed any other reason. You let yourself believe it for once.

But it was back; the incessant need to know everything. It was gnawing at you along with everything else because Ransone knew exactly what buttons to push. There had to be something. 

“Y/N,” he called out softly. You felt his hands on your shoulders, urging you to look at him. 

“It’s stupid,” you murmur, trying to ignore the fluttering in your heart. 

“It’s not. And I need you to look at me when I say this,” he says slowly, drawing your attention to his face. “I care about you. More than you think I do. You’re not some means to an end. He’s wrong and I need you to believe me on that.”

He waits for it to set in. You get why he wanted you to look at him now. There wasn’t an inkling of deceit in what he was saying. You had seen him lie, seen him try to bluff his way out of a petty situation. It wasn’t this. 

He cared about you because he wanted to. Not because he was forced to; whether it was because you lived together, or because of something else. 

There was so much more you wanted to ask him but nothing got past your throat. It was too heavy. You needed help.

There was barely any distance between the both of you. You could feel his breath, skin tingling from where he was holding you. 

You unconsciously move in, drifting towards the warmth he radiated. Your hands find a place on his sturdy chest, and you let his heartbeat tether you. 

His eyes close when you lean your forehead against his, forcing himself to control his breathing that was threatening to get away from him.

You don’t know how long you stay like that, forehead pressed against his, trying to make your peace with what he said. 

You want to kiss him, much stronger than the last time you had the same thought. Just to see what it’d be like. 

You instead pull away gently. Your hands still rest on his chest. You need time to figure out where your head's at.

“I trust you.” Is all you can say, not tearing your eyes away from him. 

He presses a kiss to your forehead, letting it linger there for a second and you revel in the flips your stomach does. “I trust you.”

But for now, maybe you can be content with where you are.

Next part

[wild-west-wind]

Would bringing More Rocks to a park or somewhere where people tend to take rocks from do anything helpful? I feel bad whenever I read about people taking rocks or whatever, and like...... would taking a bag of rocks to a park to replace the stolen ones help or hurt.

I can see why you might think this, and I love the impulse to take on a task at personal cost/effort to help undo ecological damage, but this isn’t a great plan of action unfortunately. The problem is that the removal of rocks is a change to the landscape, but new rocks change the landscape as well. They might carry in new species that could become invasive, they won’t match the rocks in the area which can draw attention, and won’t create the same soils or carry the same organisms that the local rock would have.

Here are some things you can do to help the abiotic parts of your local ecosystem though!

In public lands walk only on trails when possible. Don’t walk to the sides of the trail, cut around edges of switchbacks, or walk down steep hills with loose soil cover. Minimize hiking on rainy days, or immediately after rain (also biking and driving atvs). All of this reduces unnatural erosion and ensures lots of good soil for plants.

Don’t dig in the desert, where desert pavement and cryptobiotic soils take centuries to develop and can be destroyed in an instant. Also don’t drive off road in the desert. Same reason. Around the Mojave where people regularly drive ATVs there is barely any soil, there can be big dust storms that never used to happen, and plants are dying in droves.

Don’t turn over rocks you find while you’re out and about unless you need to. There are valid science and education reasons to do it, but don’t flip them over without purpose.

Don’t carve rocks you find in nature spaces, as that strips off slow growing lichens, could increase unnatural erosion, and changes the feeling of a space, making it fundamentally less natural (This carries the caveat that if it’s a long standing cultural practice in a place you currently inhabit or use, it might be okay or good, I’m not an expert on that so I’ll defer to folks who are).

Don’t stack rocks, especially not in the desert or by streams. Rock stacking is a popular hobby lately, but removing rocks from a stream changes its flow, kills any animal eggs on the rocks being used, and when the stacks fall they can crush animals. In the desert it destroys desert pavement. In many areas without trees, or where travel over hard rock that can’t have trails is necessary, rock cairns are used to navigate. Removing cairns, or adding to them, or building new ones, confuses the trail and can cause people to get lost. Many indigenous cultures have used cairns for navigation, as well as important cultural practices, including grave sites and altars.

Recognize that most of these actions aren’t bad individually, but are very bad collectively. A rock won’t cause a problem. It’s 100 people each taking or flipping over a rock. 1000 people stacking rocks by the river. 10,000 people tagging a once pristine wall of sandstone that causes the problem. Unfortunately once one person does something like this, it leads to others following. One person carves their name in a tree, and everyone focuses on carving that tree, or bacterial mat at Grand Prismatic Spring, or arch in Arches National Park, and very quickly something natural and beautiful becomes another relic to human’s inability to see beyond ourselves.

Lastly, if you’re comfortable doing so, if you see someone in a national park collecting rocks, if your are safe and unseen doing it, snap a picture. If we know where the rock was, and can collect the rock from the person who took it, the park service can put it back, or in the worst case scenario turn it into a teaching specimen. Most of the time when this happens the Resource Protection folks won’t even write the person a ticket.

Again I love that you want to support the environment, and undo harm caused by people! there are so many great way to participate in conservation and preservation of natural spaces, locally, nationally, and internationally. I wish more folks thought about what they could do as individuals!

[shyrose57]

Oh, Clingy and Eternal swap is fucking gorgeous. These might not be exact parallels but I'm submitting for your consideration some possibilities:

Eret and Wilbur in Pogtopia

Tommy begging them to seek refuge in his castle and being turned down (Wilbur: "You mean the castle you won with our lives? Pass.")

A very stressed Foolish spying on Schlatt and then governing New L'Manberg

Foolish banishing Eret because of Dream's pressure (Dream wanting Eret isolated and on his side because Eret has Herobrine connections which is interesting and valuable)

Quackity and Fundy talking Foolish into the Butcher Army

Would Eret stay with Technoblade post-exile? Or does he get a different recovery?

Eret and Foolish fighting in the community house :(

Eret and Foolish making up and confronting Dream together and winning, Eret gets her crown back :)

Foolish makes his summer home, but closer to the main SMP, as Snowchester! Eret makes a massive fortress instead of a hotel!

Eret dying in the prison, and Foolish, young god of undeath, sensing it and commanding his first lightning bolts in his grief

Tubbo dying at the Red Banquet for Tommy who doesn't know who he is, fuck

Oh my god.

Eret in Pogtopia with Wilbur...trying so hard to do what they can, and reassure him, but struggling as they try to take too much on their shoulders, and constantly worrying for the friends they left behind.

"The castle you won with our lives? Pass." I love that so much, it's gotta be such a smack in the face for Tommy-especially the specific mention of the castle itself, considering it's the place he's meant to consider a home. Him still being determined to help however he can.

Eret calling in Techno for assistance, after having met him during Smp Earth. Or, hell, Tommy calling in Techno, having met him during a competition, and them having teamed up, or Tommy having garnered a favor for him, and calling it in for him to aid Pogtopia and it's inhabitants.

Foolish not quite dying in the festival, unable to because of his power, but still hurting so much, and barely being able to move in the aftermath, Eret never moving from his bedside. Him in charge of New L'manberg, helping rebuild it??

Dream wanting Eret isolated because of their connections to Herobrine, oh my god. Foolish knowing something's up with that, but being forced into a corner, still wanting to refuse, and fuck, maybe even Eret telling him to do it, to not let L'manberg suffer for their mistake.

Them having the compasses, or maybe something different with a similar purpose.

Quackity and Fundy talking Foolish into the Butch Army!! The execution, a tug at his chest that explodes when Techno uses the totem, him feeling the phantom pains of Techno's death due to the close proximity to the totem upon use.

We could have Eret turning to Technoblade, or we could have them turn to Tommy, when he offers them refuge. Either way would be so interesting, to be honest.

Foolish and Eret fighting, only to stand by each other in the end, fighting side by side on Doomsday, and then eventually during the Finale.

Dream wanting not to just kill Foolish, but take his power for his own, and almost succeeding.

Eret making a fortress!!! Yes!! So much yes!! It'd be gorgeous, perhaps a smaller, more fortified version of the Pride Palace. Them roping Sam not into helping them build, but helping them with defenses. Foolish having a path near it that leads to his Summer Home so they can easily reach each other. Maybe him even building some smaller builds around it, for others to stay in when they arrive, including Tubbo, and his mother, Puffy.

Foolish sensing Eret's death, oh my god. The pain?? Just-Eret always being a steady presence he can sense, it abruptly cutting off. Him being shocked, then crying out, storms overtaking the skies, the nearby seas raging, the whole world grieving.

Tubbo looking at his best friend's set jaw as he's about to be executed, and stepping into his place, knowing Tommy doesn't know who he is, but not caring any less, and not wanting him to hurt anymore. The nearby forests rapidly decaying, leaving only rotted remains in their wake, and Tubbo waking up in the middle of it, gasping for air because it killed him. It's been so long since he's died, it hurts so bad, and he's afraid. But he shoves it down to check on Tommy, because he has to know that he's okay.

Just-seriously, I love these so much, Anon.

[war--lords]

NSFW, Female!Reader

The whole ballroom shines golden, more so when you take into account the partygoers inhabiting it as if they are collectively in defiance of the rainclouds starting to form in the cobalt night. Le Comte, the only reason you are attending this ball commemorating some Duke’s something, is once again being swarmed by many charmed men and women of the high elite, and you’ve taken this opportunity to make a beeline for the food.

An hors d'oeuvre rests delicately between your fingertips as you watch the scene from afar:

Your benefactor, and most recently lover, surrounded by some of Paris’s most important people, men and women alike, some of which you recognize from previous parties. He is the picture of patience, replying with only the amount of words necessary to be polite and sociable at the same time. Having lived a long life as a vampire, he surely has the art of small talk mastered, but it is chiefly his poise and graciousness that attracts these people to him—this much you understand, for you are no different than them.

A lady, young and enchanting, extends a gloved arm to him and he gently kisses the back of her hand. It is a common gesture of the time, but you notice the look in her eyes as she looks down at him.

You know what lies in that gaze. Want.

That same not-so-well-concealed desire lingers even when she stares at him as he stands up straight again, as her plush carmine-dyed lips curl into a pleased, meaningful smile. As Comte speaks, she slowly hooks her arm with his, fingers drawing slow, sensual circles through the fabric of his waistcoat as if coaxing him to please, tell me more. She watches his lips form words.

And when he turns to look at her, he smiles. A pleased, meaningful smile.

You start to feel sick in your throat, chest, and stomach. The first you think to do is look away and take deep breaths, as much as your corset permits. Clearly, your emotions have taken too much control, but it’s too late because you feel jealousy sinking its ugly roots at the bottom of your gut. They were just being friendly, you’re sure. After all, etiquette is of utmost importance in the 19th century.

In your head, another voice replies to you—one that sounds like your own. She is being awfully friendly. The look in her eyes and the curl of her lips enter your mind’s eye again, and you cannot deny the purpose that lies behind them. Beautiful and treacherous she, waiting patiently to lure the Comte with her siren song. That sounds like a lovely story, she would probably say. Please don’t stop there.

God, you sigh, feeling as though you are split into two. You find that you are hating everything, and it has been less than ten minutes since the two of you entered the ball. It is undoubtedly going to be a long night.

A long night, you find yourself imagining the woman whispering that into your lover’s ear as she drapes herself atop him, and you grit your teeth. He has lived a long immortal life, much of which you don’t know about. Surely there were many more before you—women, men, all of them pretty and prim and lusting for him all the same? They must have held whatever place you hold in his life, too. 

You try to shake the thought away. Have you become that overly-possessive, jealous person? You shake your head to yourself. That would be horrendous, and you would hate yourself for it. 

He probably didn’t even notice that you’ve slipped away.

You swallow the doubt down with a flute of champagne, courtesy of a waiter passing by, and you find yourself glancing at the scene again.

The circle of people has significantly reduced in size. They’re laughing together.

At the exact moment you decide to pray to the higher powers to give you the boundless strength you need to get through the ball, a man approaches you, effectively covering the sight of your lover across the room. You recognize the friendly smile he beams at you—he is no stranger, but a son in a family of knightly nobility you have made acquaintance with from the many encounters at various events around the city. He has one flute of champagne in each hand.

“I was going to offer you a drink, Mademoiselle, but I see you’ve gotten a head start.”

You offer him a curtsy and a smile before downing whatever measly amount you have left within your glass, placing it onto a waiter’s empty tray, and taking his in your hand.

“Sir, I can handle one more.”

He guffaws, more than amused, and the two of you fall into a perfectly natural conversation about how life has been—the perfect distraction for your current situation.

You miss a pair of watchful golden eyes from across the room.

He steals glances at you while doing his best to maintain a sociable countenance with boiling blood, still surrounded by three-four people. 

It is testing, even for him, because you seem to be engaging in animated conversation with the heir of the house of Monfort, and he said something to make you laugh. Not the polite laugh you reserve for small talk, but a genuine laugh, one that sends you flashing a grin wide enough you have to cover your mouth with a hand. 

The grip on his glass of champagne is dangerously strong, and the Mademoiselle that is persistently latched to his arm has undoubtedly interpreted the flex of his arm as a result of his forbearing towards her unsubtle physical approach rather than his ever-rising temper aimed at the Monfort heir. You mentioned that the two of you have been talking more regularly at parties lately, largely because you judge that he has no romantic intentions towards you, but Comte knows better.

The noble of Paris are always planning. He might not want to romance you, but Lord on high knows there is a great chance he wants to bed you. Engage you as a companion. Comte closes his eyes, willing negative visualization away from his mind, but to no avail, for he has already pictured you in the man’s arms, blushing at the suggestions he whispers in your ear...

A gargle of laughs snaps him out of his thoughts. He wishes he could close the distance between the two of you, kindly tell the Monfort heir to look for another woman to ‘make conversation with’, and whisk you back to the mansion for a proper lesson to remind you who you belong to. 

Comte quickly realizes that he hasn’t completely outgrown his rashness from his younger days. Taking another sip of champagne, he tastes nothing but the sour of it and decides to wait.

“Is something the matter, cherie?” he asks as soon as the carriage door closes. “You look like something has been bothering you throughout the ball.”

You swallow, quietly cursing his unbelievable insight—or your very easy-to-read countenance—or both. You realize that this is not something you can skirt around, especially with the amount of time you’re taking to come up with an answer, and the coaxing look Comte is giving you clearly means you cannot back away from this. You take a deep breath. 

“Please don’t be upset with me,” you finally say, looking down at both your feet pointing at each other like it is the most interesting thing in the world.

If only you have the courage to look at his face instead, you will find that the placid, peaceful mask he wears at the ball is slowly crumbling. 

“I, well, I’m not sure how to say this,” you begin, “but there was a woman you were talking to. Earlier at the ball. The one with the maroon dress...?”

Realizing where the conversation is going, Le Comte’s gaze darkens, uninhibited feelings beginning to bubble from the pit of his stomach. “Mademoiselle de la Roche. Continue.” 

You are still not looking at him, opting to observe the moving scenery of the city outskirts from the carriage window instead. Even so, you feel the intensity emanating from the person sitting across you. Something about the night sky and the quiet of the outskirts helps you come forth with honesty.

“Well, I thought she was awfully close, and got a little jealous. Not a little,” you quickly correct yourself, smiling sheepishly, “you obviously noticed. I was jealous. I’m sorry, it was childish. I trust you.”

And that is when you meet his eyes, seeing the gold of his iris melted into caramel by his dilated pupils, the way his lips are slightly parted as he looks at you. Your breath hitches in your throat.

The coach lurches forward, and at the same moment, Le Comte uses the momentum to pull you towards him until you are sitting on his lap, chest to chest. You gasp at the sudden sensation of him pressed so tightly against you, and from above the hammering of your rabbit heartbeat, you hear the coachman from the front.

“Terribly sorry, sir! Other carriages are heading into the city, so there’s a bit of a jam here.”

“That’s quite alright,” you hear your lover reply before he quickly draws the curtains. And to you, he whispers. “Keep your voice low.” 

You sigh, because the next thing you know he is kissing your mouth with a different kind of fervor, and his hand snakes up to cup your breast from over your dress. Your hands quickly find their way to his shoulder and into his hair as your body responds to the pleasure—sudden, but not entirely unwelcome. He groans into the kiss, muffling the sound, but from the way his teeth bite your lips and his fingers work the ties of your corset, he is growing impatient.

“You are cruel,” he whispers, moving down to your jaw and neck, “Did you not feel Monsieur Monfort’s gaze on your body? This body,” he says, accentuating his words with tugging the front of your corset, allowing your bare breasts to spill out for his eyes to see. His fingers tease you, pressing and circling your nipple, and you bite your lip so as to not make a sound, too stunned to do more than encourage him by stroking his shoulders.

“You’re so oblivious,” he continues while he litters your neck with deep kisses. “Man wants, my sweet, especially one that already has everything, like him.” 

“He’s just a friend,” you gasp as he bites the top of your breast, lapping at the skin seconds after as if offering consolation.

“And Mademoiselle de la Rouche is nothing but another social climber.”

“Ngh!” 

He finally slips a hard peak into his warm mouth, tongue flicking and toying with it while his hand on its twin mirrors his movements. You melt, all the tension and anger you’ve kept in your blood throughout the ball fading, replaced by an escalating desire. Warmth pools between your spread legs situated on his lap—Comte feels it, and his hand move further south.

“Don’t—”

He stops, unlatching your nipple from his lips to look up at you. The sight knocks the breath out of him.

You’re almost properly topless, save for the remains of the dress hanging helplessly around your frame, your face red and wanton, with parted lips and hooded eyes looking down at him, your naked chest heaving with each hasty intake of air—the very picture of desire. 

“Don’t mention another woman’s name while you’re fucking me.”

Whatever remains of his calm is quickly discarded out the metaphorical window as he kisses you again, this time more desperate than the first, like he can’t get enough of your taste. You moan when you part, and he quickly covers your lips again to muffle the sound, hands on your breast and between your thighs. When met with a hot wetness seeping through your underwear, he smiles into the kiss.

“Then it’s only fair for me to erase all of the traces Monfort has left on you, yes?” He leans down again to pleasure your breast, while his finger insistently presses your clit. You throw your head back, a hand against your mouth and the other in his hair, quietly begging him for more. He laps and sucks and nips in a way that is best described as a man starved. His hand slips under your dress, stroking your thigh and playing with the garter, teasing, making you anticipate. The other is still on your clit, relishing the wetness that you’re coated in. His breath is hot on your chest, and even with your eyes closed, you know he’s looking at your face. He always does.

“That man’s eyes were all over you, cherie, did you even notice?” He asks, panting, admiring the work he’s done on your now flushed breast. Moving to the other, he begins again, this time with his fingers pushing your panties aside and sinking into your heat. You let out a ragged breath against your knuckles, willing your voice to never escape your lips, else the coachman finds out. Comte lets out a sigh amidst his ministrations, enjoying the softness of your flesh against his mouth.

“I’m sure he’s fantasized about this,” he says, and the quality of his voice makes it sound like he’s in a daydream, “about taking you home and having his way with you.” You whine at the sensation of a third finger being added into the foray, and the little control you have over your body and mind is now close to snapping.

“I’m a man who has everything, too,” he sighs your name and you resort to gripping the lapels of his coat as the pressure on the bundle of sensitive nerve grows, “and I want more of you, cherie. Come.”

And you do, breaking down silently into a mess from his fingers alone, inside a carriage taking you home. Your lips form mainly his name and other nonsense like oh god and yes while your body quivers at the impact of your orgasm. He watches with glazed eyes, drinking in the scenery that is making his mouth water, his appetite far from whetted. Comte strokes your cheek, waiting for you to come down from your high, observing your breath slowing down. 

The first thing you do when you open your eyes is to search for the buckle of his belt. You work on undoing it with urgency, your eyes glinting still with a desire that reflects his, and when he sees you licking your lips and kneeling at the sight of his erect member, he nearly loses his mind.

“Sweetheart—”

“I want it,” you cut him off before he stops you, gently pumping him with your hand. “I want to give you pleasure too, you know,” is the last thing you say before taking the tip of him in your mouth. Le Comte’s hands fly to your hair, uncaring of the mess his fingers make by combing through them, and his head is thrown back, eyes locked on the scene unfolding before him. Every time with you reduces him into a helpless, desperate, hungry man that only wants one thing. 

Your lips are slick with his precum, and when you look up at him and chuckle, your breath on him racks shivers up his spine. He watches as he sinks into you again, in and out, your hands caressing where you don’t reach with your mouth. He can’t take his eyes off of you, and with the knot in his stomach ever-tensing, he quietly calls your name like a mantra.

“Stop,” he finally says, feeling too close to release, and you immediately do as you’re told, looking up at him with concern. He resists the urge to groan at the absence of pleasure, but he manages to whisper to you.

“I want to come inside you.”

“Comte—” you sigh as he coaxes you off your knees and on his lap again, this time with the hardness of him pressed against your very core. Before long you’re panting, because he’s brought your hand up in his, kissing your gloved fingers as his other hand slips your panties to the side, allowing him to enter slowly. Your lips fall open at the sensation, and he hurriedly kisses you, unable to quiet his voice at the feel of you around him.

“Ma cherie,” he breathes, “as much as you’re mine, I’m yours.”

He begins thrusting and you gasp, because the carriage is suddenly moving again, at first slowly, but then gradually becoming faster. With each bump of the wheels against cobblestone, it rocks, pushing him deeper into you, and you no longer have the control to govern over the sounds coming out of your mouth.

“Ah, ah, ah—”

Comte presses a kiss on your throat before sinking his fangs, a catalyst to the most pleasure the two of you have ever felt in a lifetime. He relishes the taste of you, and the impossibly wet tightness encapsulating him like a velvet glove. You whisper his name, slave to the sensation coursing through your veins, body growing mad with wanting more. He pulses inside you, and knowing that he’s close, presses a finger against your clit and pulls you into a kiss.

Your hands on his chest stay still as you come undone a second time, the first of the night for him, the moans you both spill barely quieted by the kiss. You’re left weak and satisfied, but only until you see the look on his face when you open your eyes. Comte presses his lips against yours one last time as the carriage slows down into a stop. He hooks his arm under your knees, ready to carry you upstairs despite your unkempt state. You let out a small laugh in defeat, hiding your bare chest by pressing yourself as close to him as possible.

Right before the coachman opens the door, he leans down to whisper to you, a scandalous smirk on his lips.

“We’re not done yet.”

[copias-thrall]

Cause I'm Young and I'm Here and So Beautiful

A look into the rise and fall of Mary Goore's flash-in-the-pan modeling career.

~12.5K Mary Goore/Reader *drug/alcohol use; mentions of past child abuse; brief homelessness; plot no porn; POV shift*

This fic was inspired by and is very loosely based on Aurelio Voltaire's early days in NYC in the 90s, though I have set it in Boston in the early aughts. ���

Many thanks to the artists who did commissions for this! 🥰

One Way Streets

Mary stepped off the regional rail and gripped his backpack. He had $72.57 in cash rolled into his socks and a give-em-hell attitude.

When he’d packed his bag the night before, he wasn’t even sure if he’d go through with it, but he couldn’t stand being home anymore. Some of his friends had told him he was crazy.

"Three more months, dude. You got this. Just finish high school, then bounce."

But they didn’t have to live with his dad and the step-monster. Every day was a new indignity. Having them bitch about his music and his style was one thing—that he could have dealt with—but everything else had just kind of…escalated.

Now that the kiddies were older, they’d turned into gremlins. They’d somehow sensed that Mary wasn’t their beloved older brother—he was some sort of half other. They’d stopped questioning why "mom was so mean" to him and had accepted that she was because there was something wrong with Mary. They realized they could be little shits and blame everything on him.

And dad just didn’t care. He’d throw up his hands and say, "I have to live with her"—as if Mary wasn’t in the same boat.

Dad hadn’t stopped her when—in a rage—she’d smashed every single vinyl album Mary had owned because the twins ruined her nice tablecloth. He’d shrugged when she cut all Mary's guitar strings so he couldn’t play "the devil’s music." He’d held Mary back when she took a match and burned all his secret stuff that Mary kept under his bed—action figures, books, guitar mags, journals—in the backyard because he got detention for smoking. He hadn’t said a word when the police showed up after she came at Mary with scissors because he’d dyed his hair black and he’d pushed her away before she could scalp him.

Mary thought for sure he was going to get carted off to jail as she screamed about him terrorizing the family and being afraid he was going to kill her sons in their sleep, but the officers had just looked at her bored and told her being a teenager wasn’t a crime.

So, no: Mary couldn’t wait 3 more months.

He’d scraped together what money he had left from his secret shifts working as a busboy under the table at a local dive downtown, packed his backpack with the essentials, and walked the 5 miles to the train station instead of going to school.

Eighteen was 10 weeks away. He could fudge it for a few months, especially since he could already get away without using his fake ID to get into shows most of the time.

So, to the big city it was.

He shifted his weight and tried to pretend that he belonged here in Boston, but actually facing the busy streets was a lot different from looking at a bird’s-eye view map. He had a printout in his pocket, but he didn’t want to look like a doe-eyed tourist. So he set off down the seemingly labyrinthine streets in the direction he could have sworn was the correct one.

It wasn't.

When he came out a side alley into Faneuil Hall, he almost wondered if he'd gone through a fairy portal, since he was clear on the other side of town. Begrudgingly, he checked his creased map, and set out once more.

And ended up spit out by the State building.

Finding the hostel turned into a fraught adventure, and he got turned around several times more. When he tried to ask for directions, most people pushed past him while one lady shoved $5 at him. He used the cash to buy a hotdog, and it was the vendor who ultimately gave him directions in his thick, Southie accent.

Of course, making it to the hostel ended up being just part one. The rates were almost double what it stated online ("Sorry, honey—that site hasn’t been upgraded since the 90s."), and two nights were practically all his savings. Mary had thought he’d at least have a couple of days to find a job, not 36hrs.

He left the hostel, wondering for the first time if maybe he shouldn’t go back home…but he decided it was a nice day out. Surely there was some place he could hunker down. Just for the night.

What he hadn’t anticipated was the cops at every fucking turn telling him to move along. And any place out of line-of-sight seemed to already be inhabited.

He finally found a place behind some rocks in the Seaport where he didn’t think he’d be murdered in his sleep, curled around his backpack, and drifted off into a fitful sleep.

Mary woke up damp from the dew and the morning sun streaming into his eyes. The birds were creating an awful racket, but Mary guessed it was as good an alarm clock as any.

He ran his fingers through his bird's nest of hair, and he made his way back to the South Station. The men’s room may have smelled like a sewage treatment plant, but at least it was free. He had expected it to be mostly empty at the crack of dawn, but it was full of commuters making that last run to the head before they had to take the train 2hrs out of the city for work.

And it was a sight: a bunch of suits with their fancy lattes washing their hands, and Mary in the corner trying to surreptitiously wipe down with paper towels under his Misfits t-shirt and his shredded jeans. At school, he’d have probably gotten into several altercations by now—no one would have let him just turn into Mary Goore without a fight—but this was Boston, and no one gave him more than a cursory glance.

Just another college kid.

It emboldened Mary to go full-out in the kind of way he had only done when going out to the punk shows downtown at night: kohl all the way around his eyes, and some on his cheekbones; mascara because his lashes are long and thick, and he knows it (his dad had said it made him look hard, and Mary had sneered that maybe that was what he’d been going for. But maybe it had been because he’d liked the way it had made his green eyes pop.); a smear of the step-monster’s fanciest matte lipstick on his full lips; and airplane glue in his hair to give it that lift.

He made a kissy face at himself in the mirror, and headed back out.

It was a nice Spring day—almost boiling in the direct sun—and it tempted Mary to wear only his battle vest, but even he kind of figured applying to jobs half dressed was a mistake.

He walked all over the city, trying not to get lost, looking for any kind of work—dishwasher, busboy, barback—but all he had to show for it was blistered feet and a raging appetite. The only good part of the day was that he noted any restaurant or bakery that looked like it might toss perfectly good food at the end of the day.

He and his friends had become experts at dumpster diving in his podunk town, and he felt confident that he had a good feel for a jackpot. Mary staked out a bakery and was rewarded with a find of "old" bagels. He shoved as many as he could into the nooks and crannies of his backpack before slinking off to the Commons to inhale at least two of them.

Cold, stale dough never tasted so good.

He watched the tourists and the professionals walk by in ones and in groups while he ran his bare feet through the grass. Some laughed with each other as they sauntered down the path while others seemed singularly intent on their ultimate destination. A pack of dogs ran and played with each other as their owners looked on fondly, and nearby the baseball diamond hosted a casual game.

Mary counted his lucky stars that his first week in Boston was April at its kindest—always mild during the day, even when it turned cloudy, and a few times even downright warm. The nights turned chilly, though, and it had Mary in more layers than an onion. If the birds or damp didn't wake him, his butt cramps from being curled in a tight ball all night did.

He spent those days walking around the city proper looking for work. He wasn't adventurous enough to make the leap across the bridges to Cambridge just yet, but his travels gave him a good sense on how the different sections of Boston connected—and showed him potential places to crash at night. He didn't even mind living off day-old garbage food and drinking from bubblers (he'd bought a water for the express purpose of reusing the bottle), but the barren wasteland that seemed to be the job market was beginning to weigh on him.

At home, he could always find a shit job if he was willing to put up with shit hours and ridiculous requests. Here, though, Mary was just one of many desperate people willing to do desperate work.

And he didn’t look particularly trustworthy or reliable.

@dipendancesld

Hashtag WTF

I’m scrolling through Insta on the T, and I’m way down the rabbit hole of hashtags. New content was at a minimum this morning (how can I follow accounts in triple digits and only see the same 4 posts?!), so I’d started with some art tags and ended up where I usually end up—trolling social media for blurry pictures of my boy.

His band has been a local staple for years—or at least that’s what he told me on our first date. I had just moved from New York after a nasty breakup, ready to start fresh, and I’d seen him at a coffee shop hanging posters for his next show in his leather jacket, asymmetrical Metallica crop top, and stomping boots.

Fresh had never looked so good.

Then, a few months back, an online publication had featured his band in the year’s 50 best bands "you’ve never heard of," and now the band's starting to gain traction.

He’s starting to gain traction.

Finding the new online content of him first has become a game the two of us play. We had to stop counting images posted from the popular fan accounts because Mary's now acquaintances with most of them, and I said it was hardly fair to snipe me that way. Mary had pouted—but it was to cover up his grin. So now we troll for the pictures of his latest gig or at his favorite haunts from either his  casual fans or one of his new ones. I even have a whole range of hashtag typos saved if I really want to triumph, since Mary just doesn't have the attention span.

I usually win, though, by virtue of not keeping Rockstar Hours—and because Mary doesn’t have a smartphone. Mary delights in spending the wee hours while I'm sleeping finding new content, and I'll often wake to one he's pulled up on my laptop and a "suck it" sticky note stuck to my monitor.

(But I’m reigning supreme.)

There’s a thirst tag I sometimes comb through (for reasons), and today I’m desperate for that morning serotonin to keep me from dozing off, which is why I stumble across a particularly convincing cosplayer in some…risqué poses and outfits.

The dude is really good, and I have to admit he really does have Mary’s mannerisms down pat. He’s younger and a little skinnier than Mary is now, but his facial expressions are on point. I zoom in to see the contouring technique because he's using one of those filters to make it look old…and that’s when I sense something off. I can’t quite place my finger on it, but usually there’s an uncanny valley to his serious cosplayers, and this dude looks so real. He’s even 100% accurate with the mole placement, which is something I never see.

My heart does a flip-flop.

Is that…actually Mary?

Foundling

Mary's sixth night in the city, it rained. It was more of a brief Spring shower, but it was still enough to soak him and his backpack through. He shivered through the early morning hours until the sun came up, then he made his way to the Commons to lay his belongings—and himself—out into the sun to dry.

By midday, he had a slight sunburn across his nose, but most of his things were dryish—though the food was a soggy lost cause. He cut his losses and decided to buy a sausage from the hotdog vendor, even if that meant he was down to $52.37 in his sock bank.

It was the most amazing thing he'd ever eaten in his entire life (sometimes he still dreams of it), and he gobbled it down as he sat in the grass and watched the show of people pass by.

He could take today off from his job search.

Just another Groundhog Day of rejections.

A gaggle of kids about his age walked past, and he lit up when he saw them: studs and bright hair and cuffs and combat boots. They ran and shrieked and shoved at each other, and Mary had never felt such longing to be a part of something.

Not that nebulous feeling of "my world is out there somewhere," but "my world is right there if I can just get to it."

And he realized maybe he could.

These were his people.

Mary hopped off the bench and approached the boisterous group.

"Uh, hey…guys."

The pack stopped and looked him over, confused but not hostile.

"Oh hey, man" said a girl with green fins and a studded, leather jacket.

"Hey."

I have nowhere to go. Can I go with you?

"Sorry, I forgot your name."

"Oh, you don’t—"

A guy in a tight striped shirt, snake bites, and blue hair interrupted him.

"Shit, were you in my intro into film class last year?"

Mary was a high school dropout.

"Nah, dude. I’m new and shit."

…But he wasn’t stupid.

A curvy white goth with bleached blonde hair and a cream princess dress smiled at him.

"Aww, that’s rough, honey. If you think about it, they really ought to give transfers on-campus housing. It sucks to be so new and away from the action."

Mary nodded. "Yeah. Sucks."

"Well, we’re going to The Pit, wanna come?"

"If you guys don’t mind…"

"Fuck, the more the merrier!"

Mary smiled as they assimilated him into the group. He found out the goth’s name was Vanessa ("But call me Vanity."), green fins was Alexa ("Or Alex. I’m trying it out."), striped shirt was Billy, and the two other punks were Mandi (Manic Panic red) and Aaron (band tee, spiked collar).

No one laughed at him when he introduced himself as Mary or asked him why he had a girl’s name.

They took him onto the T at Charles MGH, and Mary marveled at the setting sun over the Charles River before the train ducked underground to barrel in Cambridge. At Harvard, they ushered him off the train and directly into The Pit, and Mary almost cried when he saw the pit rats there playing hacky sack, strumming guitars, and smoking cloves. Mary watched as his group high-fived, bumped chests, and hugged nearly everyone there before introducing him as if they’d known him for years.

He was shit at hacky sack, but he accepted a round on the guitar and shared a clove with a white girl who had a rat's nest of hair.

"Fuck their beauty stands," she said when she caught Mary staring.

Mary smiled and pointed to his own mess of hair. "Fuck ‘em," he repeated.

She cackled and handed him a brown bag with what he expected to be whiskey, but tasted like turpentine.

She laughed harder at his face as he coughed, and she pounded him on the back.

"Moonshine, dude. Lenny makes it in his bathtub."

"Which one is Lenny," Mary asked as he wiped off his mouth with the back of his hand.

"Oh, he’s not here. He goes to MIT. We have a strict trade agreement—booze for pot. I’m Katie."

Head fuzzy, Mary had made out with her until Aaron tugged on his arm.

"Shit dude, we gotta go before the T closes. You live close to here?"

"Uh…"

"Aww, I think he got into Lenny’s moonshine," said Vanity. "If he’s a transfer, I bet he’s at some shithole in Allston. You in Allston, honey?"

Mary just nodded.

"All right then," said Alex, taking charge. "We’ll put him up tonight. There’s no way he’s gonna make it back to Allston by himself, and I’ll be fucked if I’m trekking out there without a BU party to crash."

Mary wobbled slightly as Alex took his arm in his and led him to the T.

"Ok, we gotta go now or we’ll all be hoofing it."

They took Mary back to their dorm by the Hatch Shell and signed him in as a guest.

"Is this ok?" Mary asked warily—he didn't want to get kicked out in the middle of the night.

Mandi patted him on the back.

"We do it all time. No one really gives a shit. Vegan Mick dropped out 2 semesters ago and they don’t even check for his ID."

That night, Mary slept in the common room on a lumpy couch that was half as long as he was.

It was heaven.

The next morning seemed like the end, and Mary slumped as Vanity to sign him out. For one brief day he'd been a part of something, and now it was back to Mary, party of one. But Vanity took one look at his face and asked if he wanted to get breakfast at the dining hall.

Of course, he wanted to…but he thought of the dwindling cash in sock bank and hesitated. Vanity, bless her, misread his trepidation.

"It's on me, sweetie. I know most transfers don’t opt in. Too expensive when it’s not bundled. No worries, I got a ton of points I don’t use."

Alex and Aaron were already half done with their food when Vanity and he joined them, and they looked on in amusement as Mary ate half the breakfast buffet.

When the subject of classes came up, he shrugged off questions.

"None this morning."

Alex narrowed her eyes at him.

"What year did you say you were?"

"Sophomore."

"Not a freshman?"

Mary shook his head. "I’m not a freshman."

She seemed about to ask another question, so Mary quickly changed the subject.

"I thought I’d spend the day applying for jobs. You guys know of any place that’s hiring?"

"No work study?"

"No."

"What kind of work you looking for?"

"Shit, anything. I’ll sweep the fucking floors."

They bandied about ideas, places for Mary to try, but no one had any leads. Too soon, some unknown gong had them scurrying to get to class.

Mary suddenly panicked.

"Hey, do you guys mind if I spend the night again? I mean…"

"Yeah, sure," said Vanity. "Aaron?"

"Yeah, man. Meet me after class and I'll swipe you in."

It apparently was a time-honored tradition, passed down from upperclassmen to underclassmen, on gaming the guest system. Most kids used it to essentially move their significant others into their dorm rooms, but a handful every year used it to give haven to others who had questionable housing situations.

So, just like that, Mary had a place to rest his bones.

@dilfpassing

A Deeper Look

I’m so intent on scrolling through the comments on the grainy pics—which I'm sure now are actual scans—that I completely miss my stop, and I have to put my phone away so I can wheeze lightly jog my way to where I work as a receptionist at an alternative hair salon.

It’s really important that I start a good hour before we open so I can return any calls left on our voicemail first thing in case I can fit anyone in today. Which means I have to shelve my find for now, much to my irritation.

Mornings are super-busy because apparently there are some people in the world that like getting up with the sun and want everything done by noon. (June Cleaver’s salon lets me get away with a lot—like coming to work in denim short-shorts and ripped tights, free hair colors, and a snarky attitude—but late start times aren’t one of them.) I honestly don’t have room in my brain to obsess about the pictures because I’m too busy answering calls, making coffee, settling accounts, and giving the new customer spiel for the 57th time to a walk-in.

It’s just after midday, when Penny, the shampoo girl, collects my cash for the salon-wide sandwich run, and I finally have a moment to breathe. And obsess.

I take out my phone again, and I have to retrace my steps because of course the app has refreshed, which is why Sonia has the time to look over my shoulder.

"Missing dream boy’s dick so much you gotta spend your lunch hour ogling pics of him on the internet?"

I zoom in on the one of maybe!Mary in his underwear.

"Who does that look like to you?"

Sonia makes a guh sound in her throat and backs away.

"I don’t need to see your intimates!"

"That’s the thing! It’s not mine!"

"Your boy’s nudes get leaked??"

I wave my arms around.

"I don’t freakin’ know! They may not even be him. Fucking. C’mere and help me out!"

Sonia warily creeps back over, and so does Ryan, since all the yelling has attracted him.

The three of us peer over the phone as I scroll through the images again.

By the time Penny comes back with lunch, we’ve gone back and forth on who’s in the images—Mary or a fake—and I haven’t been able to do any actual research. The afternoon rush starts, and I have to table the whole thing again, having made no progress at all.

It isn’t until near-closing, when most of the other stylists have gone home—and it’s only June who does the post-work crowd—that I can really dig into the matter.

A deep dive and a couple of defunct, decade-old forums later, I find that what I took as an aspirational hashtag was actually the name of a zine called "Heroes."

There’s like, zero online trail about it—except for a few other grainy scans of other pages of articles, poetry, concert pictures, and art—but it seemed to be an early aughts missive for local underground culture and color.

It still doesn’t explain why Mary’s in there in various states of undress and poses.

Or why Mary has never said a word about it to me.

Stripped Bare

Mary settled into a sort of routine. He spent most days looking for a job—any job—with his backpack full of food from their dining hall. Most nights he rotated couches on different floors so the RAs didn’t notice that he basically lived there.

He made friends with Vegan Mick for about 5 seconds until Mary had eaten an entire Rotisserie chicken from 7-11 in front of him. Mick had launched into a whole spiel, and Mary had pointed out that Mick's jacket and Docs were made of leather. He’d only meant it as a joke—a callout in answer to a callout, like he'd do with his friends back home—but Vegan Mick had turned purple, then iced Mary out every time he saw him after that.

Oops.

The brief friendship had lasted long enough, however, for Mick to give Mary some tips and tricks of being homeless.

Homeless.

That had been a tough pill to swallow. Until Vegan Mick had put Mary’s situation like that, Mary had just thought of himself between places.

But it was true: he didn’t live anywhere. He skated by on the kindness of his new friends, and he didn’t know how much longer he could keep up the ruse of "transfer student who didn’t like his shithole apartment and was too busy job searching to concentrate on classes."

He still spent a few nights a week finding an out-of-the-way place outside to hunker down in or huddling in with Katie and a few of the other gutter punks under their boxes in the corners of the T stations. He knew they would have been more than happy to make room, anyway, but Mary always emptied his backpack of all the pilfered dining hall food for distribution amongst them.

It honestly wasn't so terrible now that he had friends and a warm place to go on cold or rainy nights, but.

He needed an actual place to live. To afford an actual place to live, he needed a job. To get a job, he needed a place to live.

It seemed like a catch-22, and he began to despair that he’d never get ahead…until Mandi offered him a leg up.

Mary was sitting on the grass in the Commons in the shade, thinking that with summer coming up, maybe he could fudge it until the gang came back in September. There was always Katie and The Pit, and Mary was sure he could chip in somehow.

Mandi sat down next to him.

"I thought that mess of hair was you, Mare."

"Hey, Mandi. What’s kicks?"

"You still looking for a job?"

Mary put his head in his hands and sighed.

"Don’t remind me."

"You over 18?"

Just last week. But Mary hadn’t said, since they thought he was a Sophomore.

"Yeah."

"Wanna be at least 21?"

Mary grinned at her.

"That’s what my fake ID says."

She laughed, a tinkling thing.

"You got anything against strip clubs?"

Mary furrowed his brows at her.

"Uh…what’s the right answer here?"

She shoved him playfully.

"Do you want a job?"

"Yeah?"

"Then say no."

"No. No problems with strip clubs." He squinted at her. "Are they looking for male strippers?"

She laughed again.

"Definitely not." She canted her head at Mary. "I mean, you're very pretty, Mare. I could probably put you on as one of the girls…even with these triple As," she flicked playfully at his nipple, which had him grunting and batting at her, "but I was thinking more behind the scenes."

Mary held up his arm and made a weak muscle.

"I don’t think I’d be much of a bouncer, Mands."

"You said you’d wash dishes, sweep floors and shit, right?"

"Yeah?"

"Well, the club I work at—"

"The club at you what now?"

Mandi gave him a strange look.

"Yeah. The strip club I work at."

Mary’s eyes bugged out.

"As a…waitress?"

"As a stripper, Mary. Duh." At his dumbfounded look she shook her head. "It’s kind of extra credit, as a dance major. I’m going to turn it into my thesis. Plus, I make hella bank."

She swept her arm across the park that made up her college "campus."

"How else do you think I can afford this rock-and-roll lifestyle? Not all of us are here on scholarship or mom and dad’s dime."

She tilted her head at him.

"I thought you’d get it."

When Mary didn't respond, she touched his shoulder.

"Mare. I know you don't go here."

"W-what…? I…"

He looked at her, wide-eyed as the blood drained from his face.

"Hey, it's ok. I'm not gonna tell anybody. Not if you don't want me to."

Mary looked down. "Thanks." He rubbed the back of his neck. "You know that means I've got no address."

Mandi bumped his shoulder and waved his words away.

"A lot of the girls dance. Paddy is used to dorm rooms as addresses. You can use mine."

Mary looked at her, hoping he could convey every ounce of gratitude he was feeling.

She grinned and punched him in the shoulder.

"So, you up for it? Sweeping floors and bussing tables?" She leveled a look at him. "Cleaning up puke?"

Anything.

"Fuck, I’m desperate, Mands. I’ll hold their hair back if it means a paycheck."

"That’s the spirit!"

***

Mary was sure Patrick was part of the mob—or at least in cahoots. The guy had taken one look at Mary’s ID and had said, "But how old are you really?" and Mary had said, "Nineteen."

Patrick had thrown up his hands. "Well, you ain’t gonna be serving alcohol anyway, kid. Your job is to do whatever I tell you. Some asshole breaks a bottle, you clean up the glass so the girls don’t hurt themselves. Some idiot ralphs all over the toilet seat, you scrub the shit out of that fucker. A bachelor party leaves a table a hot mess, you better be out there clearing off the table for the next one, got it?"

Mary had nodded.

"You show up at 5 to help the girls set up the bar. You stay til whenever it takes to close down—but you only get paid 'til 2am—and you get an hour to eat, unpaid. You don’t bother the girls, and," Patrick had leaned in, "you don’t steal from me."

Mary had gulped and nodded emphatically.

Patrick had jabbed a finger at him. "That includes the booze. If I get fucked because some snot-nosed, underage kid is drinking with my good friends Jim and Johnnie, I’m gonna be very put out."

"Got it, sir."

"Don’t call me sir. I’m Paddy to my friends, so you can call me Patrick."

"Yes, Patrick."

Patrick had looked him over.

"You get paid as an independent contractor just like the girls, so you gotta deal with your own taxes, you got that? I’ll start you at $10 an hour."

Mary’s eyes had gone wide. Back home he was lucky to get 5.

"Ten…?"

Patrick had tilted his head again.

"No, you’re right, 12. Do a good job, and I’ll think about raising it to 15."

Mary had to physically stop his jaw from dropping.

"You do weeknights for now so if you fuck up it’s not that much of a problem. If you don’t fuck up and the girls don’t hate you, you can get weekends. Deal?"

Mary had sat up straighter. "Deal." He’d held his hand out, but Patrick had just looked at it until Mary pulled it back into his side.

"Ariel vouched for you, so I’m giving you a shot. Don’t make her regret it."

Mary had shaken his head as Patrick had handed him some forms to fill out.

"Come back at 4 tomorrow with these and we’ll get you started. Now, get out, I got shit to do."

Mary had taken the forms and skedaddled.

Mandi was outside waiting for him, all smiles.

"Did you get it?"

"Yeah, but fuck—your boss is scary."

"Nah, he’s a teddy bear."

***

The job was awful.

The puke was an almost nightly occurrence, and by the end of the first week, little cuts covered Mary’s hands from the broken glass. The customers were loud, rowdy, and acted as if their mother was going to clean up after them.

Mary swore he would never get the beer smell out. It now lived in his soul.

One dude punched Mary and broke his nose for no reason Mary could tell before the bouncers dragged the guy away. The girls gave him some tampons to stop the bleeding, and Mary finished his shift.

Patrick paid Mary in cash at the end of every week with a "It’s your job to report that, not mine," and at the end of the month, Patrick bumped Mary up to $15/hr. He worked 5 days a week because, according to Patrick, "The Lord gave us a day of rest, and you get one day off per week."

Mary never reported a single cent to the IRS.

The girls loved him, and joked that Patrick had gotten them a pet. They showed him winged eyeliner and smokey eyes and how to contour. They guffawed when they watched him try out their shoes like a newborn deer. On slow nights, they tried to show him pole techniques.

He saw the gang less and less because by the time they were getting out of class, he was going into work, and when he was done work, they were crawling into bed. Fortunately, the desk sitters seemed to forget that he wasn’t an on-campus "student" and didn’t even bother signing him in anymore. There were a few sticklers, but Mary found that—while back home he was less than scum—here, he attracted all the right kinds of attention…and a smirk with the right compliment went a long way.

By the time their school year ended, Mary had saved up $1,000 (and he needed to transfer his money out of sock bank and into the ripped lining of his jacket).

Even though they didn't know just how much they'd saved him, Mary showed up on the last day as thanks to help them all move their stuff into family cars or rented trucks. They hugged him goodbye and said to ring them next semester.

Mandi bopped him on the nose and told him to keep his nose clean.

Mary took a sublet in Allston with 2 BU kids and a Berkley grad student. The "room" was a closed-in porch with a sleeping bag left by the last resident—but it was $400 a month until September, utilities included.

At first, Mary didn't know why the gang was so snobby about Allston, but the summer seemed to be one continual party. It didn't matter what day Mary got up, there were always broken beer bottles and stale beer on their front stoop, and the apartment had a designated watering can for washing away the vomit that dripped down from the top porches to their own.

But he took it in stride, and when he wasn’t at the strip club or sleeping, he was partying with the BU kids, or letting the Berkley grad show him better string fingering techniques.

Mary still tried to get out to The Pit with what groceries he could spare, but Katie had moved on with some of the others to do a protest tour with an activist street band that had come through town, and without her or the gang, it made Mary feel lonely.

By the end of the summer, Mary had saved up enough money for first, last, and security. He even had some left over to buy more than ramen and some new clothes. To Mary, it felt like a million dollars. He rented a garden-level apartment in the cheap part of Jamaica Plain for September 1st and spent that entire day with the BU dudes driving around in their rented truck for Allston Christmas’s best furniture finds.

Mary ended up with a mattress that he hoped on a wish and a prayer didn’t have bedbugs, a mismatched set of dishes, plastic drawers that were slightly warped, and a broken futon frame he swore he would fix. Throw in a few sets of slightly used string lights, and Mary’s cave felt downright homey.

When the gang got back, he simply told them he’d dropped out.

"Yeah, I just don’t think college is for me. Music’s my real passion, you know?"

Alex had groaned.

"I knew that Berkley kid was gonna be a bad influence on you."

Mary shrugged.

"My grades were shit anyway. But I’m still around, you know. The strip club’s only a block from campus."

"Because we saw you so much then," deadpanned Billy.

"Hey! Stop piling on Mary," said Vanity. "He’s following his path."

Mary shot her a wide smile.

"Thanks, Vanity."

Patrick finally gave him a little more leeway with his days off, and Mary started taking Saturday night to join the gang in Harvard Square for the shadow cast of Rocky Horror. One of Aaron’s classmates, Amber, was in it, and they all wanted to support her.

Mary felt that something again. That thing that told that this was his place and his people. This eclectic group who got up in front of strangers every week in their underwear for free enthralled Mary.

He and Amber bonded immediately, and Mary began going even without the gang. The cast welcomed him in as an honorary groupie, and Mary's friendship with the gang waned. There was still Mandi to cavort with at the strip club, but now when Mary wasn't there, he was at any one of the Rocky crew's apartments getting high and playing dress up.

"You’ve got such a Look, Mare," sighed Amber. "I’d kill for your cheekbones."

"I’d kill for your tits."

She slapped him playfully. "Don’t be gross."

"No, I’m serious. Someone once put it in my head that I'd be a hot chick."

The girls had giggled and proceeded to dress him up in bras and corsets with cutlets. They added a wig, and the glo-up surprised even Mary.

Still buzzed, they went out for girl’s night and hit up all the bars in Fenway and flirted their way to free shots from the dude bros before batting their falsies at bouncers to let them into the clubs ahead of the line and without the cover.

The cutlets eventually became a nuisance—and soon they were all flapping them about above their heads as they danced—but Mary had loved the feel of the lace and satin corsets against his skin.

When they’d all collapsed in a pile at the end of the night, Mary wondered if they’d tell him where to get some lingerie for himself.

***

By August, Mary was ready to quit the strip club.

He was tired of cut fingers (they were making it hard to play the guitar he’d bought), the drunks, and the sick everywhere. Now that he had a little cushion, he thought maybe he could at least find something with better hours.

Mandi had graduated and was well into a summer internship at Disney in hopes they’d bring her on as a dancer.

Alex had also graduated and moved out to LA to make it as a film editor.

Vanity and Aaron had started dating after finals, and they had moved in together in Cambridgeport for their last year.

Billy had stopped going to classes before dropping out altogether. No one seemed to know what happened, and when they called his home, his mother just said he was unavailable.

There didn’t seem to be much reason to stick around the Grid anymore, and it was a bitch of a commute back to his place if he wasn’t going to hang out with the Rocky crew. He landed a job at a record store that was walking distance to his apartment.

Patrick seemed surprisingly sad to see him go, saying, "Ah, the good ones smart up," and gave him a $500 bonus for not "fucking up."

Tim, one of the older Rocky people, turned out to not live too far from him, and when Mary started hanging out there, so did the party.

Now that Mary was no longer shackled by the strip club’s hours, his world opened a few more degrees. He spent his nights dressing up while he watched the cast rehearse. (When he showed them a move or two he learned from the women at the club, they tried to get him to do a guest star as Frank. But Mary had shaken his head and said that wasn’t the kind of performing he wanted to do.)

When they weren't rehearsing, they dragged Mary to TT The Bear’s, The Middle East, and The Milky Way Lounge for underground shows. They took him to fetish night at ManRay after a trip to Hubba Hubba for pleather and lingerie, and Mary made a lot of new friends.

Sometimes, Mary would show up to work straight off a night out in his club clothes, eyeliner smudged and lipstick smeared. It should have got him fired, but his boss just shrugged.

"I used to keep rockstar hours too."

Mary still wore all his old vestiges—his battle vest and his ripped jeans—it was just that now he sometimes added a corset and heels.

Wherever Katie was now, he hoped she knew he was still fucking their beauty standards.

ry.omen Insta

Answer Me This

I practically vibrate the entire way back to our place. I'm still trying to wring information out of the internet like it's too-wet clothes, but the only thing I accomplish is making myself motion sick on the bus, so I put my phone back in my pocket and breath through my nose.

When I get home, Mary is sprawled across the couch in his pjs with various limbs hanging over sides and edges as he watches some extreme sport show on my laptop.

I wonder if he just got up, but I see the start of dinner on the stove, so I decide not to snark at him.

"Hey," he says without looking up.

I am, however, gonna need some answers on "Heroes."

I gently close the laptop, and he meets my eyes.

"What?"

I climb onto the couch, and Mary’s limbs recede like vines to make room for me as I scroll through my phone to my photo app where I’ve saved screenshots.

"Lucy," I say in a terrible accent, "you have some ‘splaining to do!"

Mary squints at me and takes my phone, his expression morphing into one of surprise.

"Shit, babe. Where’d ya find these??"

"So they are you!"

He chuckles.

"Christ…I haven't thought about these in fucking years."

"Mind telling me what the fuck?" I ask, my hands on my hips.

I'm only half joking.

Mary grimaces at me.

"Ah."

"I'm gonna need more than that, mister."

He rubs the back of his neck.

"Fuck, you know those were hard times for me."

I know about his family, the homelessness. I know he tried out a lot until he found a life that fit. He'd given me the overviews with occasional anecdotes filled with names I never remembered.

But none of them included naughty pictures.

I worm my way under his arm.

"Yeah, I know, Mare."

His hand strokes down my arm.

"I mean, shit. I was kinda an asshole, you know?"

I wrap an arm around his chest.

"You're still kind of an asshole, Goore."

"Thanks."

"No problem."

When he doesn't say more, I poke him hard in the side.

"I’m literally dying here."

He laughs a little.

"Fine. But you gotta remember you asked."

Model Behavior

One day, Mary was walking down the street on his way to drinks with the new friends he'd made the weekend before. It was a good day. He wasn’t hungover as fuck, his makeup was only smudged artfully, and he was pretty sure he was going to get laid.

A guy in a leather jacket and tight jeans maybe a few years older than Mary stopped him on the street.

"Hey, man! I love your style."

Mary batted his eyelashes at him. "Thanks, dude."

"You ever think of dark modeling?"

Mary squinted his eyes at him.

"Dark what now?"

"You know—modeling but like," he gestured up and down Mary’s form, "for dark beauties. Show the world beauty isn’t cookie cutter."

"For like what? A website or some shit?"

The guy dug into his pocket, pulled out a card case, and handed one to Mary.

Heroes Greg Karson, Photographer/Web Design Butera School of Art

Actually, Mary had heard of this. It was a zine about the local happenings around town—concerts, art shows, parties, etc. There was a stack of them next to "Rrriot!" in the record shop. He’d flipped through one occasionally, mostly interested in the band reviews.

"We’re really on the lookout for anyone with the right look. You know, wear stuff you already own."

"So like a street fashion spread?"

"Well, we might do a little more with it, but—you know how it is. Most of the budget goes toward printing costs."

Mary perked up.

"Would I be paid?"

Greg laughed.

"Peanuts, my dude. But yeah. Even if it’s a T token. You interested, then?"

"Hell yeah!"

"Mind if I take a few test shots."

Mary smirked at Greg.

"How do you want me?"

"Just natural."

Putting his hands in his pockets, Mary arched his back and gave Greg his best snotty hipster face.

Greg dug out a digital camera from his carrying case and took a dozen or so pictures of Mary from different angles while telling him to turn this way or that.

Afterwards, the two of them huddled over the camera and scrolled through the shots.

"Aw yeah, this one. I love the attitude. The guys are gonna love it. You have a number where we can reach you?"

Mary gave him the number of the record shop. (His apartment had a phone, but he’d never gotten around to wanting to pay for service.)

Later, he and Amber looked up the Angelfire website on the back of the card. It was one page that contained the mission statement, bios of the creators, and locations to pick up the zine.

"Omigod—you’re gonna become a famous model, Mare!"

"Yeah, right. You know most of it ends up in the trash, right?"

But when Ben called, Mary said he was game. He directed Mary to a co-op in a converted warehouse in Dorchester, and Mary brought his favorite clothes in a borrowed duffle.

A girl in cat pajamas opened the door and pointed at a set of metal stairs with her cereal spoon.

On the second floor, Mary found Greg setting up a makeshift studio. A girl with multiple piercings and yarn dreads leaned against the wall in her black babydoll dress.

Mary sidled up to her.

"You here to model, too?"

She gave him an unimpressed once-over.

"I’m the art director, asshole."

Mary flushed hard as she turned to Greg.

"Couldn’t find one with brains?"

She turned back to Mary.

"I don’t know if you thought this would be a good way to meet chicks or what, dude. But I’m letting you know right now that I’m here on my day off to make sure this adheres to our aesthetic, so if you're not serious, fuck off."

Mary rubbed the back of his neck.

"Shit, sorry. I was expecting a dude named Ben."

She waved her hand in the air as if dispelling Ben.

"The Bens are morons. Good idea, terrible execution. I’m here to make sure we remain true to the idea of 'Heroes,' so don’t fuck up my shoot." She gave him a once over. "Christ. You have any experience?"

Greg turned from where he was testing the white balance.

"Angelique, stop harassing the talent. We get it, you have a degree from RISD."

Angelique snorted.

"As if I don't hear you going on and on about being a professional photographer. 'Hey, lemme shoot your portfolio, baby.' Whatever. As if we're not your only professional credit."

"Hey—you wanted a photographer for peanuts? You got me. You wanted models for peanuts? You got him."

Mary gave her his full snaggle-toothed grin.

"I take T tokens."

Angelique sighed, then pasted on a smile.

"Hi! So happy you’re here!" Her smile drooped. "You got your wardrobe in there?"

"Yeah."

Mary handed her the duffle, and she handed him release forms.

"Here: sign these"

She pawed through his offerings.

"Not bad, not bad." She pulled out a corset and his heeled boots. "We'll keep you in your jeans and have you wear your jacket over your corset. Cool?"

Cool.

The shoot was as professional as a shoot in a warehouse in what Mary was taking to usually be a living room could be. Angelique directed Greg with what she wanted. Greg called out positions and expressions for Mary to pose in.

It was surprisingly hard work, and by the end of a solid hour, his smirking lip was getting tired. Angelique and Greg scrolled through the shots, murmuring to themselves and nodding.

Mary waited—greeting at the other inhabitants as they squeezed by on their way either up or down—until Angelique approached him.

"That’ll do. You mind if we post on our website?"

Mary preened.

"Yeah, that’s kosher."

She handed him a pen and pocket notebook.

"Write down a quick bio."

He scribbled down a quick elevator pitch

Into general skulking and metal \m/

and handed the notebook back to her.

"Great, thanks."

She handed him a $20 bill, her eyes skimming him up and down.

"Next time we should show off those hip bones. Just jeans, I think."

Mary perked up. "Next time?"

"We’ll call you."

***

"Omigod, omigod!"

Amber perched on the record store counter, flipping through "Heroes," as Jon peered over her shoulder.

"Mary…look at you!"

Mary tried to swallow his smug smile.

Failed.

"Yeah. I’m hot shit, ain’t I?"

She bopped him on the nose with the newsprint.

"Don’t be vain."

He showed her his toothy smile.

"I like to think of it as confidence."

"So did Icarus."

Mary snorted and went back to putting prices on the new CDs.

"The camera loves you," said Jon, who was always quiet and reserved as you please…until he put on Frank’s corset and heels.

Mary had tried flirting with him, but Jon always ducked his head and played it off.

"Thanks, man," said Mary, giving him a softer smile.

"So??"

"So what, Amber?"

"Are you gonna do it again?"

Mary shrugged.

"I mean, if they call me, sure."

But he was kind of hoping they would.

When the next issue came out weeks later, Mary stared at the cybergoth on the pages and felt himself deflate. Listlessly, he thumbed through the delicate print, barely skimming the section devoted to the World/Inferno Friendship Society’s set he’d been at the week before.

He set it down with a sigh before he picked up his guitar and plucked out a tune he was trying to coax into a riff.

By the time a Ben called again, Mary had given up the modeling thing as a one-off.

"Hey, dude—thought maybe you guys forgot about me," Mary said in a teasing tone.

The Ben on the other end chuckled.

"It’s like herding cats to get shit out. Nah, dude—we definitely want you to be one of our regulars. You in for next Saturday?"

He was.

***

Over the course of a year, "Heroes" had Mary come out multiple times for shoots. Mainly, Mary wore his own clothes and did his own makeup, but occasionally, Angelique wanted something specific.

"How comfortable are you with boudoir shots?"

"With what?"

"Like a pinup, but more…saucy than sexy."

I'd pose nude if you paid me enough.

(Sure, he was a noodle boy, but he knew he had the goods.)

"Yeah, I’m cool with that."

Angelique brightened at him.

"Great!"

She picked up a set of complicated leather garters and thrust them at him.

"Put these on."

Mary had only ever worn lace garters—mostly out to clubs, but occasionally under his ripped jeans for an extra pop—but he found he liked these even more, liked the way they emphasized his thighs.

"Hey—where’d you get these…?"

(He was already thinking of what he could pair them with for goth night.)

"Local leatherworker. He mostly does pieces for Renn Fairs, but he'll also do custom. I can give you his info."

She led Mary into what was clearly someone's bedroom.

"Don't fuck anything up, or Joye will never let us use this again."

Mary shot her his best shark smile.

"Hey, I only mess up the sheets if someone asks."

Angelique gave him a flat look and called for Greg.

(But when he draped himself over the bed and told Greg to "Paint me like one of your French girls," Mary could have sworn she almost smiled.)

On one memorable occasion, she brought in a guy whose rope bondage demo she watched at a sex convention.

"Put on some of that lingerie and we'll truss you up. You ok with that, Goore?"

Mary ran his fingers over the coils and gave her a wolfish smile.

"You know I'm game for anything."

She gave him a vulpine smile of her own then, and she looked down at him from the height of her platformed boots.

"Good. I thought you should be submissive for once."

Mary had no witty rejoinder for that.

He listened with interest as the guy carefully explained what he was going to do, complete with pictures, and he relaxed easily into the process. (They put bunny ears on him, and it would be much, much later that he got that particular joke. Well played, Angelique.)

The ropes hadn’t let him do much posing, but Mary had kind of liked the constriction, and his thoughts were already on asking Amber to help him create a more versatile version for fetish night.

He’d left that day with a new kink…and the guy’s number.

"Why not just do one big shoot?" he asked another time. "Get it all done in one big bang!"

Angelique held up his garments to eyeball over him.

"Honey, we never even know if there's gonna be a next issue. The Bens spend most of the time arguing. My god you should hear them—Ben bankrolls the whole thing, so he says he should get final say on shit, and Benji wants total artistic control because it was his idea, because 'he's the graphic designer', and because it's his Kinko's employee discount they use."

She gave Mary a curled-lip smile as she tossed a few items at him.

"In the end it's this bitch you're looking at who gets shit done."

Mary began to change (they were long past modesty).

"How'd you get involved?"

"Went to school with Benji."

"Ben too?"

"Neg. The Bens are childhood friends. Ben works some cushy start-up job, so Benji lets him bankroll them both. Rent, utilities—everything. I love Benji to death, but he's a giant mooch."

"Shit, that must be nice."

Angelique shrugged. She stood back to appraise Mary's look.

"It's fucking lame. But it least it gets us fucking paid."

Mary didn't say I'd do this for free. Instead, he struck a pose and said, "I'm just happy for the exposure."

Angelique rolled her eyes and went to fetch Greg.

***

That year and a half would become a nonstop party with Mary as one of the VIPs; he wouldn't say no to anything—be it casual sex, club appearances, or whatever drug the current pretty thing was offering him in the bathroom.

But recognition started slow.

At first, it was customers who would leaf through the zine and recognize Mary.

Then, it was the occasional scenester who’d stop him on the street in JP as he walked about, and Mary would pose for grainy cell phone pics.

Soon, he was being approached at shows and clubs. The first time it happened, Mary was high off his new infamy and ready to please. A woman in a black bandage bra and pleated skirt with bondage straps approached him, and Mary was already thinking of what he could do with those.

"You look like that guy in ‘Heroes’!" she'd shouted to him over the music.

Mary had flashed her a crooked smile and leaned in.

"Maybe I am the guy in ‘Heroes’."

She'd given him an exaggerated once over before sidling closer with hooded eyes.

"I dunno…you're wearing way more clothes."

Mary had pulled his mesh top down by the collar in a tease as he'd curled over her.

"Take me somewhere more private and I’ll let you do a comparison."

She'd compared him all night.

And that was before he and the other "Heroes" models formed their own posse.

The Bens had thrown a BBQ and had invited everyone they'd ever met. There were people packed into their little 2 bedroom in Brighton, spilling down the back stairs, and equally packed into the little square of shared backyard. Ben had taken the 12-pack of 'Gansett beers Mary had brought, then introduced him to the other dark models.

"Now you're all here!" said Ben. He slung his arm around Mary. "Guys, this is Mary. Mary this is Mayhem, Lesley, Lola, and Bryan."

Mayhem was a rivethead, and Mary took to him instantly, but he was wary of the others. Lesley was the cybergoth who'd been in the first issue after him, and Mary still felt a bit salty at them, even though Mary knew by now the Bens rotated the models. Lola, the romantic goth, reminded him enough of Vanity that he felt guilty for losing touch with her and had him projecting a little. Bryan was a metalhead, so: competition.

Mary had thought they'd get along like cats and water, but weed, booze, and "Never Have I Ever" went a long way to creating a shared bond.

And there it was again. That pull. The magnetic force telling him that he'd found the place he was supposed to be. They quickly coalesced into their own pack, calling themselves the "Deathbutantes" (because they always killed it when they debuted for the night).

It had been rare for Mary to miss Friday and Saturday night shenanigans with the Rocky crew, but now, every night was Friday night. There was always a show or a concert or club that one of them knew about—and if they couldn't get lucky with the local color, they'd just go home with each other.

Mayhem taught Mary what Lola jokingly called the "grab a bat" dance, and the two of them cut quite the picture on the dance floors.

Lesley took to Lola, and the two of them could always be counted on for scintillating conversation in dark corners when Mary's limbst needed a break from flailing about.

The clubs weren't really Bryan's scene—take him to a sticky hole in the wall with concrete floors and a stage close enough to feel the sweat from the bands, and he was in heaven—but he liked to come along to hang. He'd drink PBRs, rub Lola's feet when she invariably abandoned her heels for the evening, and argue with Mary about the purity of death metal.

Mayhem and Lola weren't really into live music of the screaming kind, so—while Lesley, Bryan, and Mary bounced off each other in the mosh pits—they'd save a "home" base at one the bartops.

Amber noticed Mary's diminishing presence and stopped by the record shop to call him out.

"So you're not dead! Could've fooled me."

Mary was organizing the albums into order, and he grunted at her.

"Yeah, yeah, yeah. I'm a cad. I'll make it up to you."

"You missed game night."

"Sorry. Jethro Tull played some tiny venue in nowhere Mass, and Bryan was salivating. I mean, Jethro Tull. Can you blame me?"

He looked at her, arms out wide in supplication. But she just blinked at him.

"You have no idea who Jethro Tull is, do you?"

"Sorry, dude. But christ, Mare. You should have invited me. I'd've gone. Maybe I would have even liked them. Now you'll never know."

"I could just lend you an album."

"Nope! The moment passed. Too late!"

Mary riffled through the stock and shoved a Jethro Tull CD into her hands.

She tapped it against her thigh.

"So, when do I get to hang?"

"I can get us into 80s night free."

"No, I mean, with your cooler friends. Your 'murder models', or whatever."

"You wanna hang out with the Deathbutantes?"

Amber scrunched her nose.

"That's so fucking pretentious."

Mary kind of liked it.

"Dunno if they're really your scene."

"Oh? And what's my scene?"

"Musical theater on crack."

She mock gasped at him, "Called out!" before smacking him with the CD. "Whatever. You love musical theater on crack."

Mary draped his arm around her shoulders.

"Yeah, I do. But I don't live it, you know? You guys have your niche—and fuck…I love to visit—but it's not mine."

Amber looked up at him, her expression serious.

"So the Dumbutantes are your niche?"

Mary shrugged and went back to shelving.

The Rocky crew had been good to him. They'd taken him under their wing, no questions asked, and helped him realize things about himself. Tim had taken him to the ER when Mary had come down with a serious case of the flu. Matty had taught him the basics of sewing. Gretchen had held him after a bad trip. Omar and he had had many drunken heart-to-hearts about their shitty home lives.

And Amber was his best friend. She'd been his #1 cheerleader for years and had never been afraid to call him out on his shit.

So yeah, he loved the Rocky crew…but they laughed at anyone who took anything too seriously. Mary would show up to game nights in his latest creation—with everyone else in pjs or jeans & hoodies—and they'd tease him about trying to impress the wrong people. He'd try to talk about the newest guitar god he'd been mainlining, and they'd make snoring noises at him.

How could he explain the kinship he felt with the Deathbutantes? That they were as serious about music as he was, that they just…got why he felt the need to dress the way he did to express the way he felt inside on his outside.

Instead, he said, "I'm just trying shit out, Ambs." He quirked his eyebrow at her. "I gotta do something while you guys do your real-person jobs."

(Amber had recently started as a junior marketing assistant at the American Repertory Theater. "Purely mercenary," she'd said. "Maybe it'll give me a leg up during auditions.")

She made a disgruntled scoffing noise in the back of her throat.

"Fuck, don't remind me. I actually gotta go to bed a reasonable hour now."

"Don't worry." Mary winked at her. "I'll keep ya honest."

"That sounds a lot like my head in a toilet, Mare."

"I'll hold your hair back."

She gave him a good-natured shove, and he pretended to cower.

If she wanted to cross pollinate, who was Mary to stand in her way? So, he invited her out the next time the Deathbutantes went to a show, and it went exactly like he thought it would.

They disliked her, and she was equally unimpressed. They thought she was too loud and frenetic, and she thought they had no sense of humor.

"I fucking told you," Mary had snorted as they sat on the curb sharing a clove.

"Shut the fuck up, Mare."

But she'd put her head on his shoulder.

"They make you happy, though. So I guess I approve. Just as long as I don't have to play nice."

Mary still hung out with the Rocky crew—there were still game nights and drug-fueled sex parties and theater games—but the Deathbutantes introduced him to the underground scene. They always seemed to have insider knowledge about the best up-in-coming bands and the secret shows. Theme nights at the goth clubs were always a must, and they rarely missed one. Sometimes, Angelique would crash, and they'd take the commuter rail to Providence to party at Club Hell before collapsing in a sweaty, smeary pile at a friend of a friend's hole in the wall.

As a bit player in the Rocky crew, Mary had been another made-up face in the crowd. As a certified member of the Deathbutantes, Mary became the face.

They all did.

The owners loved them because they bought round after round at the bar, and if word got out that the Deathbutantes were there, their admirers came to spend money as well. The employees loved them because they were fun and talked to them as equals. The clientele loved them because they were pretty young things.

Sometimes, though, Mary wasn't in the mood to party or get laid, so he talked to the DJs instead. He'd buy them rounds and stay past closing to help them pack up while they talked about the history of punk and 80s new wave and nu metal. There was one in particular, Dave, that Mary even considered a friend.

The two of them would sit in the club past closing, sharing a whiskey and talking about life while the bartenders closed down and cashed out. Occasionally, Dave's other friends would be around, and they'd all walk back to his place; he'd fool around spinning in his home studio, and they'd drink box wine as they danced and laughed before Mary would have to sit on the ground in an intoxicated exhaustion, good for only thumbing through Dave's vinyl collection.

Mary was just happy to talk shop with another music aficionado, but Angelique had pointed out that he should leverage his minor clout.

They'd been waiting for Greg to finish setting up, and Mary had been struggle city after a particularly hard night out. It was all he could manage to sit there quietly and hope some god would put him out of his misery.

"You need to get your shit together," Angelique had said out of nowhere.

Mary had cracked a puffy eye and had slowly (as to not bring the nothing in his stomach back up) turned his head to her.

"As if I haven't seen your melted ass on the floor wanting to die."

"Fuck, Mary. You've turned it into an art form."

He'd closed his eyes and given her the finger, but that hadn't stopped her.

"You wanna be a rockstar, boy? You can't just sit on your ass and hope the right person on the right night hears you. You're effervescent and charismatic—heads turn when you walk into a room and not just because of your skinny jeans—but you need more than air, Mary, which is all you are right now."

"Fuck you, Angela."

She'd clapped in front of his face, and she was lucky he didn't Exorcist bile all over her.

"You're a fucking pain in my ass, Goore. I'm doling out the good stuff, try not to bite my hand off, k?"

"All right, all right!"

"You wanna start that band? You wanna get play and amass fans? Well, make that demo you're always droning on about and give it to those DJs you're alway fanboying over. Fucking network, Goore."

At the time, Mary had been too hungover to care, but her advice would sink in…

Eventually.

For the time being, Mary was content. He loved the attention, and it made him feel invincible, made him feel like it was finally His Time. And he was going to make up for every slight, every unfair situation, and every beat down with sex, drugs, and rock-and-roll.

With his newfound nightlife, Mary's day job had become an afterthought. He started sleeping through opening shifts, but with the extra foot traffic Mary brought to the store, his boss seemed resigned to let Mary slide (after a stern talking to and a pay docking).

The shadow cast had started using him as a mascot of sorts, and he was happy to show up on Saturday nights and hype up the waiting line with a pseudo striptease. (Even if it was sometimes to kick off his evening with the Deathbutantes and not hang with the cast after.)

Mary started a band ("auditioning" any and all of the many admirers who said they’d be more than happy to join it), and after a few false starts and a couple of lineup changes, they began working on an EP. (At least, when Mary showed up to rehearsal, they did.)

A Boston Phoenix reporter got wind of the Deathbutantes and called around about doing a story on them. The Bens were excited about the exposure that meant for their zine, and Angelique and Greg were excited about what it could mean for their careers. Mary did a brief interview over the phone where he answered questions about his style and talked about his dream of making his band a household name.

Mary saw his name up in lights, and he was reaching for it, full speed ahead.

But then things turned.

The story fell through at the last minute with no further explanation or contact by the reporter.

His boss finally fired him after Mary showed up too high to function too many times—or not at all.

The shadow cast had a turnover, and suddenly he was old news—a cringey hanger-on.

A trip to the clinic and a round of antibiotics for an STI had him way more wary of who he hooked up with.

"Heroes" lost momentum when imitators popped up and Ben cut off the gravy train.

Angelique moved to NYC for "better opportunities," and the Bens took their brand of counterculture to Portland, OR.

Greg took down the website when he got offered a legit job as an apprentice at a food magazine, and that was that.

The physical zines were cheap things, most ending up papering the sidewalk after trash day or lining the bottom of cages. Without the online presence, did Mary's "modeling career" even exist?

Mary was a little sad to see the era go, but when he woke up in Maine on the hood of some girl's car and only a hazy recollection of how they'd gotten there, he was beginning to see Angelique's point. He needed to get his shit together if he was ever going to become a rockstar. And frankly, he kind of felt like he needed to spend an entire month eating carrots and hydrating.

The 24/7 party had always been an ephemeral thing; it had been sand passing through his hands in a finite amount as he'd tried to hold onto it

He put himself on detox, and waking up sober for the first time in months felt like a revelation. And as it turned out, playing the guitar without badly shaking hands was way, way easier.

He found another job in another music store, and his starter!band was bringing butts into the smaller venues, like Toad.

He still had his old Rocky friends and the Deathbutantes. The club and venue owners still let him in for free, and Dave was always happy to give his demos a spin. By anyone's else's measure, he was steal one of the scene's darlings.

But Mary was beginning to realize that he needed to stop seeing himself as that scared kid who’d arrived in Boston 4 years ago with only a backpack, $72.57 to his name, and void where his family should be.

He needed to stop finding people to please into loving him.

Instead, he needed to live for himself and let them love him for who he was—fuck ups and all.

@slimylayne

Epilogue

"Honestly, that’s probably the reason I even got a band together," he says. "I was still kind of shit at guitar, but people came to see ‘Model Mary’ perform in his underwear."

He shoots me a smirk.

"I’m sure there’re pictures out there of me looking more glam than metal. I kind of played up the whole pinup thing for a while."

"Fuck, I would kill, literally kill to see that."

He pulls me into his lap until I’m straddling him.

"I could open up my underwear drawer and show you right now."

"Goore, you temptress."

I lean down to kiss him, and his hands sneak under my shirt, but I pull away again.

"I kinda thought I knew all your torrid secrets by now. Shit, how come Dave's never needled you about it?"

After 2 years with him, I’m surprised I hadn't even heard a peep from his oldest friend.

Mary snorts.

"Dave would miss shit hanging off his nose. Great dude, amiable as fuck, but he's always had fucking tunnel vision for his music."

I smirk at him.

"Sounds like someone else I know."

Mary pulls a face at me, and I apply kisses to every line until he laughs and bats me away.

"But really, Mare—how come you never told me about your brief career in blue steel?"

He blows out a breath, his hands smoothing up my thighs.

"Fuck. Cuz maybe I was a little embarrassed at how off the rails I was then, ok? Didn't want you to know what I fuck up I was." He takes my hand and kisses my palm. "And even I know it's a shit move to pitch woo at someone by telling them about banging half of Boston."

I make a face at him, and he laughs.

"Yeah, that’s what I thought."

His hands rest on my waist.

"Christ, everything about that year's a bit fuzzy, and it was like 10 years ago. Sometimes it feels like it happened to someone else, honestly. And shit—most of those people aren’t even around anymore. College kids who moved on and 20-somethings that grew up and moved who knows where. I used to watch Amber have—what is it when it’s four people?—and now she lives in bumblefuck Pennsylvania with 3 kids. After she left, I just kinda drifted away from all that."

He shrugs, his eyes downcast.

"I’m sorry, Mare," I say as I smooth his eyebrows.

He shrugs again.

"I mean, we all kinda keep in touch. It's like the only reason I have Facebook."

"When was the last time you even signed into that?"

Mary grins at me.

"Lola's birthday."

"One of the models? What happened with them?"

Mary bites his lip and thinks.

"Mayhem found religion after an OD and kinda ghosted everyone. Lesley followed a girl to New Hampshire. Uh…Lola pursued a PhD for something sciencey involving renewable energy with sugar beets in Idaho, and Bryan moved back to Florida to care for his grandma, who raised him."

Mary leans his head back on the couch and rubs his eyes with the heels of his hands.

"I mean, shit. We were fucking babies back then. Head empty except for a good time and unlimited potential."

I run my fingers through his hair.

"You miss it?"

His eyes pop open to look at me.

"Fuck no. Not for a million dollars. Too many question marks." His eyes glint as he runs his hands down me. "I like what I got going on right here."

I wrap my arms around his shoulders and kiss his forehead. The fucking sap.

Mary picks up my phone and scrolls through the pictures again.

"Fuck. I used to be goddamn adorable, though. Half this shit wouldn’t even fit me anymore."

I squish his little potbelly, and he grunts at me indignantly.

"Do you still have any originals?" I ask.

He shakes his head, his eyes wistful and his smile sad.

"Nah. Got destroyed when my roof collapsed and leaked everywhere. Fuck, landlords are useless. Glad we fucking own now, babe."

He scrolls up, scrolls back down.

"Just these four?"

I nod.

"Yeah. They were the only ones I found—and I did a lot of searching."

"Christ, I think there were at least 10."

I smile ruefully at him. "It’s not gonna be long anyway before they make their way into the popular tags and shit starts coming out of the woodwork."

He tosses my phone onto the table.

"Whatever. Just shows that I’ve always been cool."

And then he’s kissing me again, his hand tangling in my hair.

"You know, I’m your family now, Mare. Just for you."

He brings my hand up and kisses it.

"Fuck, I know that. Why’dja think I put a ring on it?"

[haunthouse]

welcome to a meta that, in retrospect, seems glaringly obvious, but that has hit me like a freight train this morning. we’re talking about the lonely as a ghost story.

ghosts as an entity are inherently about disconnect. but kaylee, i hear you say, ghosts are dead people, wouldn’t that make them in the end’s domain? but when it comes down to it, death is a good framing device for ghosts (and yeah, it’s necessary to make ghosts), but people don’t tell ghost stories just because they’re afraid of death. ghost stories are told because ghosts are irrevocably disconnected from the living in a way that terrifies us — sometimes they’re intentionally scary, knocking shit around or yelling boo!, but a lot of the time they’re just... there. and that’s the terrifying part. something that’s there and shouldn’t be; something that can’t interact with the world around it and is completely, utterly, terrifyingly alone.

ghost stories are about isolation, about being a person without any of the framework that being a person requires, without society or connection or love. being unseen and unheard and unknown to all around you — and trying so hard to reverse all those un-words, to be seen, heard, known. that’s exactly the domain of the lonely!

and onto the meat of this meta: all nine lonely-centric statements (and the journey of one martin blackwood) through the lens of ghost stories.

(spoilers for mag170 at the end, but each episode section is clearly marked, so feel free to skip it if you haven’t gotten that far yet!)

MAG013: ALONE

the first lonely statement we get (and also the first in-person statement! which is such a good inversion of the lonely being about lack of connection! jon doesn’t do a great job of comforting naomi, but he does stay with her as she gives the statement when she asks!! that’s beside the point but it is something i really love), and right off the bat, the ghost vibes are off the charts.

truly i am feeling absolutely idiotic for not really thinking about the ghosts-lonely connection before now because this statement? peak ghost story.

naomi’s fiance dies. naomi has several near-death experiences (crashes her car, then is hit by another car and winds up in the hospital), which is also a staple in a lot of ghost stories; nearly dying is set up as a way to get the living closer to the realm of ghosts, able to interact with them more clearly. it was a dark and foggy night in a graveyard, and standing at evan’s (open, empty) grave, naomi hears his disembodied voice leading her home.

when ghost stories are told from a distance, they’re about the horror of it — disembodied howling, faces in the window that keep you up at night. but when they’re told by someone close to the now-ghost, they’re love stories. it’s my grandmother hearing her father’s breathing one last time after his death, giving her a chance to say goodbye. it’s a familiar and loving presence, comforting you. that’s what naomi’s story is — the ghost of evan showing his love for her one final time.

MAG033: BOATSWAIN’S CALL

so, ships are meant to be places of community, right? ron @gerrydelano​ has a really good post about this regarding shanties. but ghost ships are an established trope of ghost stories: the inversion of what a ship should be, lacking all life and community, silently traversing the waters on its own.

the tundra is a ghost ship. it’s quiet (”very quiet... it was like they were doing everything in their power not to think about each other”) — the people there move around one another as if none of them are there, all so taken by the lonely. their cargo containers are empty. all they’re transporting on that ship is the ghosts of those aboard.

this episode falls into the trope of ghosts want the living to join them — though there’s still a mourning atmosphere when sean kelly is taken fully by the lonely, that final bit of life on the ship extinguished. (”no one said a word, but i could have sworn a few of my shipmates were crying.”)

MAG048: LOST IN THE CROWD

this one’s one of my favorites! andrea nunis’ statement deals with different kinds of loneliness — she begins it with explaining that she prefers to travel alone, but later, that loneliness is something terrifying. she’s in a crowd of unrecognizable people, unable to fit herself into the world she’s seeing — she’s completely separate from the rest of the world. she’s a ghost. 

“it wasn’t italian being spoken ... or any other language i recognized. the more i listened, the more i realized it wasn’t a language. there were no words, it was just noise.” “their faces were a blur, each and every one of them.” and, the crowning point: “i tried to talk to them or to shout, to scream at them, but there was no reaction.”

by being taken in by the lonely, andrea’s been turned into a ghost. she cannot interact with or even recognize her environment, and that’s the real horror — it isn’t just being alone, it’s being surrounded by something that should be familiar; a crowd is something she’s been in a thousand times, as someone who travels a lot, and people are the most familiar thing in the world, like looking in a mirror! but it isn’t. everything is strange and she is outside of it all and that’s what a ghost is.

and her connection to her mother is what pulls her out. people have talked at length about how love is the antidote to the lonely so i won’t go on too long about that, but the connection between that & ghosts’ relationships to the living often being what keeps them around is sure something.

also, after getting out of the lonely andrea says “i made sure i was always in sight of at least one other person” — and there’s something to be said there about needing to be seen to be real. 

chiara @red-reys​ brought up this feuerbach quote which fits very well: “that which i alone perceive i doubt; only that which the other also perceives is certain.” being the only one to perceive something (for example, a ghost), or the only one who is utterly unperceived, is a very lonely thing — it isolates you entirely from those who do not perceive it. being perceived, or having someone else see what you see, can give you an anchor.

wow i’m sure that won’t come back later!

also, far be it from me to talk about this statement without mentioning gerry keay. because it means something that he’s the one to give andrea the tools she needs to pull herself out of the lonely. gerry is someone completely lacking in human connection, who is literally haunted by the ghost of his mother and later is seen as a ghost himself. gerry doesn’t have friends; he tells jon “i always wanted my friends to call me gerry,” but in a tone that makes it clear he didn’t have anyone who could’ve. and of course he didn’t. a life so entwined with the entities and cut so short, a life so ruled by the cruelty of others that he certainly did not want to rope anyone else into. 

though gerry’s never directly stated to be affected by the lonely, he’s certainly lowercase-L lonely at the very least, and he’s certainly got enough experience with ghosts to understand the lonely. 

gerry is the trope of the helpful spirit. he’s the ghost who’ll give you directions on a deserted road and disappear when you turn around. he gives jon the information he needs to understand the entities, he gives andrea the information she needs to not become a ghost.

MAG057: PERSONAL SPACE

alright so this one is, admittedly, more cosmic horror than anything else, but if y’all’ve seen any of my comics you probably know i’m very passionate about space ghosts & haunted spaceships. and as such, i’m extremely interested in how the daedalus mission echoes ghost stories.

carter chilcott’s story pretty directly acts as a ghost story — unable to communicate with the others on the ship even when he tries, unable to interact with the world to the point of looking out the window at one point to find the world entirely missing. this is all stuff i’ve said already about the other statements, so i’m glossing past it, because what interests me more is the daedalus as malicious architecture.

because the daedalus was created specifically for this union between vast, lonely, and dark (all of which i think have significant ghostly tie-ins). everything about how the ship itself and the mission came to be is a mystery, even to those involved — manuela says “i don’t know how he convinced the lukases and fairchilds to help finance the project,” “i don’t know if they were working on rituals of their own,” “exactly how the launch was arranged, i couldn’t tell you.” 

a piece of the traditional haunted house is a sort of timelessness, and mystery inherent in its building. hill house in shirley jackson’s haunting of hill house “seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders... it was a house without kindness, never meant to be lived in, not a place fit for people or for love or for hope.” the oldest house in the game control is malicious architecture at its finest, and it’s called the oldest house. it predates people. it exists as a giant piece of brutalist architecture smack dab in the middle of new york, but no one knows why or how it came to be. as a real-world example: the winchester mystery house is wrapped up in mythos about its creation. was sarah winchester just a lonely old woman with a hobby for architectural design, or did she create endlessly spiraling staircases and doorways with a steep drop into the yard to keep ghosts away? who knows! we sure do like to speculate, though.

yes, i’ve talked about this in tma metas before. highly recommend jacob geller’s control, anatomy, and the legacy of the haunted house for more of this content.

even manuela dominguez, the only person on the daedalus mission who actually knew what she was doing and wasn’t just there to be a victim of entities they did not understand, does not know how the mission came to be. 

and the entire purpose of this spacecraft is to be malicious to its inhabitants! the very architecture is meant to make the people within into perfect snacks for their respective entities! the station is cramped (”so cramped that i could only fully stretch out in the section used to exercise,” says jan kilbride), but when the vast takes hold it’s suddenly endless — “a hollow pretense of a shell that did nothing to separate me from the void.” (cue me shouting about how much trust we put in the places we live, and whether or not that trust is warranted, how easily it can be turned against us!)

a few other bits of this statement that really echo ghost stories: “twice i was woken up by the sound of the door opening, only to find it as tight as it had ever been. throughout the daytime i would occasionally hear footsteps, which shouldn’t even have been possible in zero gravity.” and then the empty, ghostly spacesuit that floats past chilcott’s window — there are so many stories about disembodied wedding dresses or mourningwear walking the halls silently, so why not a spacesuit?

i started this section saying this statement was more cosmic horror than ghost story but i’m finishing it by saying this is actually one of the clearest representations of haunted architecture in the whole podcast. (other examples off the top of my head include upon the stair & a cosy cabin, the latter of which i actually already wrote a meta about.)

MAG092: NOTHING BESIDE REMAINS

the moment i started thinking about the lonely-ghosts connection i remembered this episode, because it’s so clear. complete disconnect, existing entirely alone in a shadow of the world you once knew, unable to interact with the living in any way.

very small bit but. “as the cab pulled away, it seemed to have no driver that i could discern” vs the theme of ghost carriages in older ghost stories. i am looking directly at it.

barnabas bennett can “almost think i hear the mocking joy of my friends, but there is nobody here.” he can see evidence that life continues around him, unseen — “i know that what is done by those i cannot see might be felt here — i have found glasses broken and pages torn that were not so the night before.” just as a ghost is unseen to the living, the reverse is true: bennett can see others having an impact on the world in small ways, and his letter is found by jonah, but he can’t really affect the world in any real way.

MAG108: MONOLOGUE

this one is so exciting to me because theater ghosts are a huge trope in ghost stories! theater people are some of the most superstitious people you’ll ever meet! especially regarding ghosts having an impact on their shows — there’s the superstition regarding The Scottish Play™, the tradition of leaving a ghost light on onstage to appease the spirits. there’s that time all the kids in my production of brigadoon when i was in middle school circled around the makeup mirrors to play bloody mary and got thoroughly chewed out by the adults in the cast. theater’s full’a ghosts!

(i think it’s something about the intense amounts of history behind it — and how, in playing a part that a thousand people have played before, you’re echoing their exact words, becoming a repetition of those long gone. and on a stage, blinding lights in your face washing out any view of the audience — you could, technically, leave the stage and interact with the people down there, but it seems pretty entirely impossible when you’re up there. you’re being perceived but can’t see in return. you’re essentially a ghost putting on a show for the living on a loop.)

the statement-giver for this one, adonis biros, echoes a lot of those sentiments, actually. “your words heard by no one — and in that no one, an entire universe.” “have you ever had stage lights in your eyes? ...you can look out into the audience and see nothing at all. just you.”

i said before that “when ghost stories are told from a distance, they’re about the horror of it — disembodied howling, faces in the window that keep you up at night.” the disconnect between the anonymous audience and the singular actor onstage makes the distance here extreme — so this is the sort of ghost story that’s unquestionably a horror story, focusing on the most chilling aspects of ghosts. their inhumanity, their anonymity. the theater masks adonis sees in the audience are “empty. it was a hollow shape of a man that had no life, no presence to it.” even adonis himself says he “had no doubt that what i had seen was some sort of specter or omen.”

he sees a “masked mockery of a human figure” in a window while walking at night. ghosts looking through windows is enough of a trope that once, when i went on a ghost tour in williamsburg, at least half the stories were about people seeing ghostly faces in windows, and i completely freaked out when i saw someone moving around in one of the houses before realizing, oh, some of them are still actually occupied.

this one’s undoubtably a collaboration between stranger and lonely, but i think that intersection’s one of the best for ghost stories — something not-quite-human-anymore, if it ever was, haunting you.

MAG150: CUL-DE-SAC

a lot of the bare bones of this statement are things i’ve already covered, so i’m not gonna go too in-depth on it. herman gorgoli’s statement is about disconnect (from alberto, and then from the rest of humanity), about isolation, about houses-gone-wrong (his and alberto’s house in cheadle, which he views by the end as a place imprisoning him, and the titular cul-de-sac).

we’ve seen the malicious architecture trope in the form of the daedalus already, but this time it’s on earth. it’s something that should, by all rights, be familiar. the houses in the suburbs are all the same, but it’s at least a sameness you know. but they’re all bereft of any irregularities, ghostly echoes of what a house should be.”there were no lights on in any of the houses.” he even finds a dead body in one of the houses — but the woman who’s body he finds is not the one haunting them.

it’s herman haunting the neighborhood, until his love for alberto brings him out. herman making his way through houses he cannot interact with in any meaningful way, whos details he cannot interpret. “how many corpses lay waiting behind the placid facade of this endless false suburbia?” he wonders, and i have to imagine he’s also wondering if he’s already joined their ranks, if he’s the haunting in a haunted house.

and connection brings him back and the houses are no longer empty, no longer waiting for a ghost to take resident in their hallways.

MAG159: THE LAST   (& martin’s journey in season four, generally)

we’ve all analyzed 159 within an inch of its life but i’m here to do it again, with the context of martin’s whole journey into the lonely. because the lonely turns people into ghosts. the lonely takes away humanity and life and leaves a hollow echo in its wake.

literally the powers lonely avatars have involve turning invisible. what else is often associated with invisibility? ghosts. checkmate. i’m running out of steam a bit but i swear these are good points i’m making. trust me.

what makes ghost stories so good is that even if the narrator is not a ghost themselves, just experiencing a ghost puts them at a fundamental disconnect from society. it’s something disbelieved by so many people. (there’s parallels to be made with mental illness here, but i... don’t really feel like making them right now. they’re definitely there, as is the very potent lonely-depression connection that made ep170 hit so hard for so many of us.) in hill house, the more eleanor is wrapped up in the goings-on of the house, the less she’s able to relate to the other people there. the closer martin becomes to the lonely, the less he’s able to talk to the people around him — he’s told not to talk to them by lukas, but he’s also just... unable to relate. their experiences are different than his, at this point.

nicole @brunetteauthorette99​ said something really good in our conversation about this, about ghosts “being stuck in... spaces that have moved on without them, reenacting their defining moments in life over and over again without the possibility of change.”

martin is stuck in the institute. he probably has an apartment, but we don’t see it, and i can’t imagine he as he is by season four has put much effort into decorating it or making it feel like a home. every place is impersonal — somewhere he exists without really living.

and the institute moves on without him. jon goes into the coffin and martin doesn’t know until he’s already in there. and martin can impact his environment only in small ways — leaving tape recorders on the coffin in an attempt to anchor jon home, leaving the tape of jon’s victim for melanie, basira, and daisy to find. he will not or cannot speak to or touch other living beings, just move objects around in a desperate attempt to get a message across, a ouija board of tapes and post-it notes. his moment of rejecting the lonely’s plans in 158 is dropping the knife peter has given him — another expression more through his interactions with his environment than any human connection.

martin says the lonely always had him, and with how much his story revolves around people who may as well be ghosts, that’s true. his father disappeared and left only the image martin had of him in his mind, only the echo he himself provided in the mirror, the ghost of someone who hurt him overlaid on his own reflection. his mother was only present so far as she could be malicious, disapproving; a vengeful ghost, taking out the revenging instinct she had for martin’s father on martin. and then everyone else martin cares about dies — sasha’s gone and not!sasha acts as her malicious echo for a while; tim dies; jon dies. and yeah, he comes back — but he’s different. a ghost of sorts. martin’s already pretty ghostly by then, too.

so martin is, essentially, a ghost throughout season four, and probably beforehand, as well. jon literally! asks martin! if he is a ghost! in season one! which brings us to 159: “are you real?” martin asks the first living person he’s really talked to in who-knows-how-long. because martin doesn’t feel real, so how could anyone else be? “nothing hurts here” may be a contradiction of the literal experience of ghosts we see in tma (gerry saying “it hurts, being like this”), but is a very real perception of ghosts in ghost mythology as beings beyond pain, beyond the suffering of being alive. sometimes they exist to cause others that suffering they can no longer feel, but a lot of the time, they’re just melancholy, having forgotten what it’s like to be a person or hanging on just enough to yearn to return to that feeling of life.

“i’m the reason he... i did this to him as much as you,” jon says. in ghost terms: martin died for him. of course his connection to jon, then, would be the only thing able to bring him back.

mag159 is an orpheus/eurydice story — people have made posts about that before, i’m sure, and i have too, how jon and martin invert the orpheus archetype by being saved rather than damned by the act of sight. and it feels obvious to state it, but for clarity: eurydice dies. orpheus, alive, tries to save eurydice from the underworld, where she is a spirit, a ghost, an echo of herself.

MAG170: RECOLLECTION   —   (SPOILER WARNING!)

this episode is the reason i’m making this post, but i may as well copy-and-paste the entire transcript for this section, because there is truly not a single part of it that doesn’t resonate as a ghost story. 

the lonely house as a malicious location. the chairs are all uncomfortable, the house is large enough that just by wandering it (as a ghost might) martin grows tired enough to sit in them regardless. the decorations are wrong — all the rooms are the same and martin doesn’t like it, said he doesn’t know “why i’d decorate my house like this.”

it isn’t a small house. there’s a reason a lot of ghost stories take place in twisting mansions where you can never quite find your way back to where you started. ghost stories thrive on that isolation, that loneliness — if you see a ghost while you’re alone, are you sure you’ll be believed? doesn’t that just isolate you further? architecture can twist around those within it until they’re trapped, doomed to haunt it themselves. “it's such a - such a big house, my house, there must be other people!” martin says. 

but the only others in the house are ghosts like martin. 

“hundreds, thousands of lost souls, wandering the halls. hollow memories, with eyes full of tears. i’ve seen them. they’re all trying to remember.” 

“i found someone else, wandering around. they were all thin and gray. faded. like they’d been here for ages.”

the ghosts cannot remember their names, why they are there, whether or not it is their house they exist in. they’ve become near-inseparable from the fog around them and the architecture that holds them hostage.

and the house itself, it takes all of that, and its quirks — the size, the chairs, the decorations, all of which martin openly does not like — are all made from the people haunting it. the house is wrong because the people within it can no longer change it. martin’s comment on the decorations sticks with me because it’s such a simple example of this: presumably, he could affect the house in some way in the past, but he no longer can, and he’s stuck with the results of his past mistakes, echoing over and over from room to room. the impacts remain even when the people have faded so far as to be practically nonexistent.

and once again: love is what makes him remember, over and over. he remembers jon, and then the lonely steals that memory — but the remembering is what’s important, because the act of loving anchors martin, and it helps him remember who he is, repeating his name over and over.

ghosts lack identity. whether it’s because they’ve been forgotten by all who knew them in life, whether it’s because it’s too painful to hold onto that when they can no longer do anything with it — we assign names to ghost stories, connect them to the living, but there’s always a disconnect there.

and that’s what helps jon find him, helps martin keep himself from fading out again. and even jon says “you were faint” upon finding martin. martin was a ghost haunting that house.

but not anymore.

the lonely is a ghost story. the lonely is about people who’ve become unmoored from human connection and their own identities, who haunt places, or who’ve been lured into places that are hauntings in and of themselves and have no choice but to take up residence as ghosts within those walls.

and ghost stories, often, are love stories. love keeps us tethered to life, and love is what saves people from the lonely, over and over again.

[whenisitenoughtrees]

a slow voice on a wave of phase

Logan has a voice like a galaxy, shot through with silver and streaked with stars, and today, Roman has realized that he is in love.

Roman has seen colors in sounds for as long as he can remember, and Logan's voice paints the night sky across his vision. It's no wonder that he falls in love with him, though it is surprising that he took this long to realize it.

(Wherein Roman pines, Remus' input is surprisingly helpful, and Logan has a lot more feelings than anyone is giving him credit for.)

Content Warnings: Remus-typical inappropriateness, mild Roman-typical insecurity

Word Count: 5,629

Pairings: Logince, platonic Creativitwins, brief mention of Dukeceit

(masterpost w/ ao3 links)

The idea comes to him suddenly, and by ‘suddenly,’ he means ‘with the force of a giant shark crashing through the wall of his bedroom at ninety miles per hour,’ because that is how Remus makes his entrance: half-naked, dripping wet, and straddling the back of a two-and-a-half ton great white.

“Tada!” Remus crows, sliding onto the floor. “You bet I couldn’t do it!” The shark, presumably irritated either by the lack of water dooming it to slow asphyxiation or by the loud, annoying man yelling in its face, flops around on the floor helplessly. Roman watches it through half-lidded eyes, and briefly considers getting up to deal with it before it starts knocking things over.

“But the proof’s in the pudding!” his brother continues, slapping the shark with a wink. Who the wink is directed at, Roman has no idea. Hopefully not the shark, though he wouldn’t put it past him. “Or in the big-ass shark! It only ate me three times before I got to ride it!” At this, he makes a disgusting motion with his hips, calling attention to the fact that his swimming trunks really do not cover enough, and Roman wonders just what, exactly, he did to deserve this treatment.

“What are you doing in my room?” he demands. Or at least, he means to demand; it comes out sounding more like an exhausted sigh, and he supposes that he shouldn’t have expected anything different. Lying in bed in pajamas is not a position from which one can demand much of anything, even if that one happens to be a prince with an incredible amount of creative power at his fingertips.

Not that he’s feeling much creative power at the moment.

Remus finally seems to register his tone and position. He stalks forward, his nose wrinkling, and Roman is greeted with a close-up view of his brother’s bare chest, which is just about par the course. It could be worse, he supposes. At least he’s shirtless and not pantsless. Mostly.

“What crawled up your ass and died there?” Remus asks. “Ooh, was it a spider, like, the itsy-bitsy spider climbed up the waterspout, except the waterspout’s your--”

“Oh my god,” he says, and finally works up the willpower to sit up and shove his brother away. “Can you stop?”

“Can’t stop won’t stop!” Remus trills gleefully, but Roman ignores him in favor of standing to inspect the shark in the middle of his bedroom floor. It is, he has to admit, a bit impressive, and all those teeth are equal parts cool and terrifying. He would likely be more impressed if it wasn’t expiring on his carpet, or if there wasn’t a shark-sized hole in his wall leading to parts unknown. He frowns, focusing and waving a hand, and both the shark and the damage disappear. Unfortunately, the water all over the floor does not.

“Wow,” Remus says. “You are no fun.”

“If you think I’m leaving an open path to your side of the Imagination in my room, you’re…” Remus grins at him, propping his head up in his hands and waggling his eyebrows expectantly. “... nevermind.”

“I never do mind,” Remus agrees, and takes the initiative to flop down onto his bed, thus getting water all over his bedsheets, because he’s an inconsiderate jerk. “So, what’s got you all down in the dumps? Usually, I crash a shark through your wall and you get all pissy about it, but you’re being boring. What gives?”

Roman glares, and seriously considers trying to remove him too. There was a time when he would have been able to do so easily, a time when he knew for a fact that he belonged in the light and Remus belonged in the dark, with all of the other things that ooze and crawl. But things aren’t so black and white these days, and now that Thomas has begun to tentatively ask for Remus’ input every now and again, it’s harder than ever to make him leave when he gets it in his head that he wants to be somewhere. He is, in that way, a bit like a pimple, or a particularly persistent mold. Neither of which he can actually call him to his face, because he’ll just take it as a compliment, but the fact remains that once he grows on, it is incredibly difficult to scrape him off.

“What gives is that I want you out of my room,” he tries, crossing his arms, but Remus makes a tsking sound.

“Oh, sure,” he says. “That’s why you were lying there all sad and shit? You looked like someone that decided that their idea of fun is to lie down in the middle of the street and see what happens.” He pauses. “Actually, do you think Thomas would--”

“Don’t finish that sentence.”

He pouts. “Boo,” he says. “You never let me do anything. But I mean, really Ro Ro, it can’t be a creative block. I’ve seen you in one of those, and you get all whiny and sick and then you start acting like you’re a poet in the 18oos and you’ve got consumption.” He lays a hand across his brow. “Oh me oh my, if only I could write one last poem before I cough my whole lungs out of my body. Ooh, could you imagine what that would look like? Your lungs, just sliding out of your mouth like big grey sacks?”

“First of all, no, gross,” Roman says. “Also, I didn’t know poets dying of consumption sounded like congested Southern belles.”

Remus waves a hand. “Eh, not the point,” he says. “And maybe the poets didn’t, but you sure do.”

“Hey--”

“But my point,” he continues, “is that it can’t be that, ‘cause Thomas has got a backlog of weeks’ worth of ideas to peruse if he actually wants to do something, which means that’s not your issue.” He rolls over on his side, so as better to make eye contact. “So what is your deal?”

Roman opens his mouth and promptly closes it again. Honestly, if this were about anything else, he might consider telling him. As annoying as he is, he feels closer to Remus now than he has in years, perhaps to the point where he could feel comfortable sharing something personal. Sure, Remus will probably laugh or make fun, or twist it into something weird or a horrible innuendo, but at least it would be out there, in the open, and someone else would know of it. At least there would be proof of its existence outside of his own mind. 

But this? Can he share this?

Because the deal isn’t a messed up audition or a troublesome idea. It isn’t even one of his usual personal issues, like the self-doubt that creeps into his mind in the small hours of the morning, the whispered thought that none of his ideas are worthy of use, that he himself is failing in his purpose, a mere facsimile of the prince that he is supposed to be.

No. For once, it’s not that, and he refuses to fall down that rabbit hole.

The deal is that Logan has a voice like a galaxy, shot through with silver and streaked with stars, and today, Roman has realized that he is in love.

-----

It took a while for either of them to notice that none of the others experience the world the way they do. They never thought to question it; Roman saw colors in sound, and Remus heard music in images, and that was just the way it was. It wasn’t until they were a bit older that they figured out that the weird looks they garnered when they brought it up, when Roman mentioned a teacher with a corn-yellow drawl or when Remus talked about a picture in 3/4 time, weren’t just disapproval directed at the way the Creativities saw the world, but instead a genuine lack of understanding.

They stopped talking about it, eventually. Or rather, Roman stopped talking about it, and Remus accepted that nobody would pay attention to his eccentricities as long as he presented them in a certain way.

So really, it’s not that Roman is hiding it. It’s just never come up.

Remus’ voice is like an oil spill, black and thick and oozing, but with flashes of lime green running through it, the color of slime and radioactive waste. Patton’s is pink, yellow, and blue all swirled together, like a field of flowers, or every flavor of cotton candy all at once. Virgil’s voice is more difficult to pin down; once, he thought it was a black, swirling smoke, but as the years have passed, Roman has realized that the smoke is not black, but dark purple, only showing its true color when light is shined through it. Janus’ is similarly difficult to interpret, but lately, he has likened it to a still, quiet forest, all dark green and brown, secrets lurking just under the surface.

But Logan’s has always been his favorite. Because Logan’s voice sounds like space itself, a backdrop of black peppered with millions of shining, twinkling lights, mixed with bright galaxies and spinning nebulae, vast and beautiful and incomprehensible. At his calmest, it is a void, the light of the stars distant and cold, but when he gets excited, when he begins to ramble about a topic, the stars increase in number and illuminate his whole face, swirling in his eyes and hair, and Roman could listen to him for days.

He’s always known that he has a bit of a crush. But he’s always thought that a crush was all it was, and if it was a bit longer-lasting than crushes are meant to be, well, it’s not as if there are a lot of other options. The mindscape proper only has seven inhabitants, and it would feel wrong to try to date someone from the Imagination, considering that he controls the place. So, he’s been content to linger on his feelings for Logan, never pushing for anything more than he would be willing to give, because another thing that he’s always known is that never in a million years would his feelings be returned.

Logan, as he has said himself so many times, does not do feelings. And even though Roman knows very well that Logan is not nearly as unfeeling as he would like to pretend to be, that does not mean that he would be comfortable with, or even open to the idea of a relationship. And even if he were, he would not choose to be with him, would not choose the embodiment of dreams and fantasies, everything that logic attempts to deny. So it’s a hopeless crush, a one-sided romance for the ages, the type of story that Roman would be captivated with if he weren’t at the center of it, if thinking about it didn’t make his chest tight and his eyes sting.

But this morning--

Oh, gods of Olympus, this morning--

He has no idea what prompted the epiphany. By all rights, this morning was like any other morning: Patton at the pancake griddle, Virgil slumped and half-awake at the table, Logan sipping at his coffee. Roman made his usual stunning and gorgeous entrance, ready to tackle the day’s challenges like a true knight would, and traded his usual morning barbs with Virgil. But before he could even sit down, Logan looked up at him, smiled slightly, and said, “Good morning, Roman,” a galaxy glittering around him, and Roman took a brief moment to think about how much he loves him.

And then stopped up short. Because, what? Love? No?

Except, yes.

These feelings have been bursting in his chest for so long, fireworks setting off whenever Logan speaks, whenever Logan so much as looks his way. And he thought they were a crush, no more than that, if not ignorable then at least possible to work around. But that’s not right, has never been right, and in this instant, years’ worth of suppositions came crashing down around his ears.

So, his mind racing, the silence stretching too long, he did the only thing he could think to do.

“I, uh, forgot a thing,” he stammered, and beat a hasty retreat back to his room, ignoring the way Patton called after him. Upon closing the door behind him, he changed back into his pajamas and collapsed back on his bed, his mind whirling, intent on not facing anybody else until he has to.

Because he loves Logan. Is in love with Logan. Has been in love with Logan for years and years now, has been pining away without even understanding that that was what he was doing.

Frankly, he’s not sure he can think of a worse position to be in.

-----

Which brings him here: his floor wet, his arms crossed, and Remus staring expectantly at him, waiting for an explanation. And Remus isn’t one to back down easily, which leaves Roman in a predicament.

He could try lying. But he’s not sure he could lie well enough about this, and frankly, he doesn’t want to risk Janus getting himself involved. But the only other option is the truth, and he’s not sure he wants Remus to know the truth, not sure he trusts Remus not to hold it over his head, to mock him or to stick his fingers in an open wound that he himself has only just discovered.

Because Remus would definitely do that. Both literally and figuratively.

“Bro,” Remus says, looking amused, “whatever it is, I’m almost positive it’s not that deep. You know what is deep?”

“What?” Roman replies, hoping beyond hope for a change of topic.

“My butt!” Remus says, and then cackles.

Roman buries his face in his hands, and Remus’ laughter stretches on and on and on, filling the room with slick oil, painting the walls with slime and noxious fumes, and green squiggles worm their way onto the backs of his eyelids, and he absolutely cannot do this right now.

“I’m in love with Logan,” he mumbles into his hands, and the laughter cuts off abruptly.

“You’re what?” Remus asks, and Roman looks up from his hands. Remus has sat up in his bed, and is staring at him with a peculiarly intent expression.

“I’m in love with Logan,” he repeats, firmer this time. He holds Remus’ gaze, daring him to say something, so of course, Remus does, erupting into laughter once again.

“You can’t be serious,” he says in between giggles. “Really? Logan? He’s such a stick in the mud. A stick in the mud with a stick up his butt. It’s like a flag, except, instead of a flag it’s Logan, because the stick is both in the mud and up his butt.” He pauses, and Roman’s face must be doing something, because Remus sobers just a bit, raising an eyebrow. “Huh. You’re actually serious.”

He groans, plopping down in the middle of the floor, ignoring the way the dampness of the carpet seeps into his pants. “I don’t know what to do,” he moans, more to air his grievance than to accomplish anything else. It’s not as if he’s expecting Remus to have any useful suggestions for him.

But Remus shifts on the bed so he can face him completely. “Okay, you’re gonna have to explain this one to me, because I don’t get it,” he says. “Whenever I look at Logan, I get robot noises and video game music on full blast.” He breaks off, humming a few bars, and Roman has to admit that it’s not an unpleasant tune, though not one he would think to associate with Logan. “Plus,” Remus continues, “he’s so boring. Sure, he’s fun to wind up, but he’s all about the rules and being logical and no, Thomas can’t do that, he’ll get acid burns, so why don’t we watch a documentary instead?” He says the last in an almost perfect imitation of Logan’s voice, his face darkening. Oddly, when Remus does it, Roman doesn’t connect the sound with space at all, hearing only the same oily splatters that his brother’s voice usually consists of. “I don’t want to watch documentaries. I want to do shit.”

Roman shakes his head. “You don’t hear what his voice actually sounds like,” he insists. “It’s… gods above, he talks, and it’s like he brings all the stars down to earth. It’s the most beautiful thing I’ve heard in my life.” He scrubs a hand across his face. “And sometimes he smiles and says something smart, and I’m just, wow, I would die for you. Do you know how pretty his smile is? And he’s so frickin’ smart.”

Remus’ expression has frozen halfway between awe and disgust. “You’ve got it bad,” he says, and Roman groans.

“You think I don’t know that?” he says. “I just don’t know what to do about it!” He sighs. “Theoretically, I know all about romance and wooing. I’m the romance guy! But when I think about wooing Logan, my stomach gets all twisted up in knots. Like a sad pretzel. I mean, grand gestures and gifts are the way to go, right? But what even could I give him that he would like? He hates things that are ‘frivolous and unrealistic,’ but that’s my whole thing!”

Remus cocks his head. “Bones,” he says sagely.

He blinks. “I’m sorry, what?”

“Give him some bones,” Remus says, nodding, like this makes perfect sense. “Like, two, maybe three bones. Boys like bones.”

“... Where am I getting these bones?”

Remus’ face brightens. “I’ve got a few extra!” he proclaims. “Wanna see?”

“I-- no,” he says. “Stop. I’m not giving him bones. Why do you--” No, best not to question. “Nevermind. Is that how you got Janus to date you?”

Remus grins. “Nah,” he says. “I mean, maybe that helped. I think what really did it was that I wrote him our song.”

“You wrote him a song?”

“No, stupid, our song,” he says. “Like, how I look at him and I hear a song. And then I’ve got a song, too. So I figured out a way to mash them together. And then I gave it to him.” He sighs, almost dreamily, if Remus has a dreamy setting. Roman would like to never hear that again, thank you, because frankly, he doesn’t much want to hear about whatever weird relationship his brother has with Deceit, and he sort of regrets bringing it up in the first place. “He really, really liked it. Said it was the best thing he’d ever heard.” Remus pauses, an odd light entering his eyes. “He said something about it being from the heart. I tried giving him my actual heart, but then he said that wasn’t what he meant.”

“From the heart,” he mutters, considering. So, something heartfelt, personal. Remus literally gave Deceit something that showed how he perceived him, everything that he felt. But how can he do the same and make sure that it’s something Logan likes? Logan likes science, likes math and numbers, likes facts, and Roman doesn’t know anything about any of those things. All he knows is how Logan makes him feel and the way his voice shines like starlight in his mind’s eye, and he’s not sure how to translate that into something Logan would appreciate, or even understand.

And then it comes: the idea.

“Holy shit,” he says, spine straightening, the burst of inspiration setting his mind to whirring. For an instant, he sees it dancing before him, an image of perfection, within his reach if only he can replicate exactly what he envisions. “Remus, you’re a genius!”

Remus gawks. “I am?” he asks, and his face brightens. “I already knew that, but fuck yeah!”

Roman laughs, bright and free, clambering to his feet. “Okay, okay, I know what I’m doing,” he says. “So I need you to get out, but god, thank you so much.”

Remus hops off the bed without protest. “Anytime, bro bro,” he says, sauntering toward the door. “Remember to put in a good word with Tommy-boy for me. And if you end up fucking, put a sock on the door.”

“You’re gross,” Roman says, pushing him out. The words carry no bite, and the last thing he sees before closing the door in his face is Remus grinning at him, an expression of pure delight.

-----

In the end, it takes him a week. A week holed up in his room, only occasionally emerging to grab food, and he knows he’s making everyone else worry, but he can’t stop himself, doesn’t dare stop until what he sees in his mind has been set to paper, exactly how he wants it. It has been so long since an idea has gripped him like this, since he has been so inspired to create, since he has been so sure in his ability to make something beautiful, and he feels as though he could subsist on his exhilaration alone.

When it is done, he steps back, admires his handiwork, and proceeds to sleep for twenty-two hours straight.

On the eighth day, he steps out into the hallway, canvas tucked securely under his arm, and makes his way down the hall to Logan’s room.

He takes a deep breath before knocking, hoping to steady his nerves. He hasn’t had much time, these past few days, to worry about whether or not Logan would like it, but now, he’s wondering if this was a mistake, if this is something that would be better kept to himself. He can wave off the others’ concern by pretending he was working on hypothetical ideas, or that a quest in the Imagination ran over-long. He doesn’t actually have to give this to Logan at all, doesn’t have to bare himself like this, doesn’t have to risk his scorn and judgement.

But what else is love, in the end, if not a risk worth taking?

He knocks, and moments later, hears footsteps from inside. He barely has time to check that there is a smile on his face before Logan opens the door, eyebrows lifting in surprise.

“Roman,” he greets, and though nothing outwardly changes, Roman’s brain insists that a shooting star streaks across his vision. “We haven’t seen much of you these past few days.”

“Ah,” he says, rubbing the back of his neck, “right, sorry. I just got caught up in the creative process, you know how it is.”

“I do not,” Logan says. “Nevertheless, I am glad to see you well.” He pauses. “I was… somewhat concerned after your hasty exit the last time I saw you. I wanted to ensure that I did not do something to offend you.”

Oh, shit. He’s been so busy that he hadn’t bothered to think about how that moment might have been interpreted. And there is an odd note in Logan’s tone that implies that this is actually something that’s been troubling him, and Roman feels like kicking himself for letting him worry about it.

“No, no, not at all!” he says, gesturing with his free hand. “I just got struck with inspiration in that very moment, so of course, I needed to retreat before the idea was lost.” He winces internally as the words leave his mouth. It is a lie, but only just; it certainly wasn’t inspiration that he was struck with. That came later.

“I see,” Logan says, and Roman hopes that he isn’t imagining the way his shoulders relax, if only slightly. “That is good to hear. In that case, was there something you needed from me?”

“I--” He breaks off, swallowing hard. This is the moment of truth, the last second in which he could turn back. He is, essentially, offering up all of his emotions on a silver platter, even if Logan likely won’t recognize that fact. Still, rejection at this point would hurt worse than any failed audition, worse than any mistake he has ever made, and he has made so many.

But he has spent so long on this. He wants it to be seen by its object.

“This is for you,” he blurts out, and shoves the canvas out in front of him like a shield. Logan takes it, startled, and Roman watches as his eyes flicker across the painting, widening ever so slightly. 

After a week’s worth of work, he knows exactly what Logan is seeing. A painting of blacks and dark blues and purples, pinpricks of whites and yellows and reds, a display of the cosmos swirling on a backdrop of the void. Everything that Roman sees when Logan speaks is here: the inky darkness of his calm, the supernova of his anger, the stars that glitter and twirl in his excitement. It is like no view of space that mankind has ever seen, because this universe is Logan, completely and utterly, is comprised of the galaxies that drip from his tongue when he speaks.

This is how Roman sees him. This is how Roman loves him.

The silence stretches on for a long time, so long that Roman is tempted to declare the whole thing a bust, to laugh and play it off like it’s no big deal, like his heart won’t be completely and utterly crushed if Logan hates it.

“You painted this?” Logan finally asks. His voice sounds choked, a star collapsing in on itself. Roman shuffles his feet.

“Uh, yeah,” he says. “I just thought, um, you like space? So I, uh. Do you like it?”

He tries not to sound needy, tries not to sound like his happiness is contingent on the answer he receives. He’s not sure how much he succeeds.

“It’s… adequate,” Logan replies, and Roman could dance, could sing his relief to any and all who would listen, because he knows Logan well enough to know what that means. And if that’s the best he’ll get, he’ll take it and go and be glad, because Logan likes it, and that is more than enough for him. He feels like he’s on top of the world, like he’s floating in space himself, orbiting the moon and staring into the sun and being blinded and loving every minute of it.

“Actually,” Logan says, and for a second, Roman’s heart drops into his shoes, before he continues with, “it’s… it’s far more than adequate. I don’t know much about art, but I know a piece of expert craftsmanship when I see one.” He looks up at Roman, his eyes shining. “You made this for me?”

There is an emotion in his voice that Roman cannot name, but it is speckled with so many stars, more than he thinks he’s ever seen at once. More stars than void, at least, shining and shimmering with light.

And Roman wasn’t planning to do this. Was planning to take this slowly, was planning to give Logan his offering and leave, using his reaction as a gauge for the next step, if he dared to take a next step at all, if he came away with the conclusion that Logan would not hate him for attempting a romance. But the way Logan is staring at him, wide-eyed and open, as if he has been gifted something incredibly precious, makes him want Logan to understand just how much this means, just how much it says. Just how much of his heart and soul he is putting on the line.

Dear sweet Beyonce, he’s actually going to do it, isn’t he?

“I did,” he says. “Um, okay, I’ve never actually explained this to anyone, so bear with me.” Logan tilts his head, confused, but is otherwise silent. “Uh, have you ever heard of the thing where people’s senses get crossed? Like, say, you associate a color with a particular number or letter?”

Logan’s eyebrows furrow. “Are you referring to synesthesia?” he asks.

He can’t stop his smile. Logan’s heard of it. Maybe that will make this easier. “Yeah, that,” he says. “So, uh, Remus and I have that. He hears music when he looks at things, and I, uh. Well. I’ve sort of got the opposite.”

Logan stares at him. “You’re telling me,” he says, “that all these years, you’ve both perceived the world in an entirely different way from the rest of us, and you’ve never said a word about it?”

He winces. “I suppose?” he says. “Are you angry?” 

He doesn’t know what he’ll do if Logan is angry. He didn’t intend for Logan to be angry. He’s going to be angry if Logan is angry, angry with himself for spoiling this moment, for daring to reach for more than he could have. He should have left it alone, should have taken Logan’s enjoyment of the painting for what it was and not pushed for anything more. God, his heart feels as though it’s trying to claw its way out of his throat.

But Logan shakes his head. “No, just… surprised,” he says. “When you say you have the opposite of what Remus does, do you mean that you see images when you listen to music?”

“Sort of?” he says. “Not really images, more just arrangements of colors, if that makes sense. And I don’t actually see it with my eyes, just in my head, even though it feels like I’m seeing it with my eyes, sometimes. Even though I know I’m not really.” He pauses for a breath. He doesn’t think he’s explaining himself very well, but Logan is sill listening, so he has no choice but to push on. “And, um, not just music. Any sound, really.”

Logan nods, seeming to take it in stride. “I think I understand,” he says. “It truly is fascinating how so many of us exhibit traits and quirks that Thomas himself does not.” A measure of excitement bleeds into his voice, flaring up like the sun, and Roman resists the urge to blurt out something incredibly sappy and highly inappropriate for the moment. “So, this painting--” He glances back down at the painting, still gripped in both hands, and then abruptly stops talking.

“It’s, uh, it’s you,” Roman says, attempting to fill up the sudden quiet. “It’s your voice. I mean, it’s what I see when I hear your voice.”

“It’s… me?”

“Yes,” he says. 

“You… you see this when I talk?”

“Uh huh,” he says, shifting his weight from one foot to the other. Logan’s head is lowered, his voice too soft to read well, and Roman’s nerves begin to return in full force. “Was this weird? I’m sorry if this was weird. I just, your voice is so gorgeous, and I really wanted to paint it, and I’m probably making this worse, aren’t I? If you don’t like it anymore you don’t have to keep it.”

At last, Logan raises his head. His face is burning bright red, and Roman really, really hopes it’s not in fury, hopes that he hasn’t just ruined everything. Slowly, Logan sets the painting down to rest against the wall and steps forward. Roman, for his part, is rooted in place, tracking every movement, every breath.

“Roman,” Logan says. “Don’t be idiotic.”

And then, he backs Roman against the wall and kisses him.

He doesn’t kiss like Roman would have expected. There is nothing cold about it, nothing clinical; instead, he is hard and demanding, insistent and passionate, and as soon as Roman’s brain reboots, he returns it just as eagerly, deepening it, placing his hands on the sides of Logan’s face to hold him there, hold him where he can taste him, because he has fantasized about this moment but never, ever thought that this dream could come true. And when Logan pulls back, he doesn’t go far, his face lingering bare inches from his own. His breaths puff across his skin, and behind his glasses, his pupils are dilated.

“So I take it you like it,” Roman says. His voice is hoarse.

“I do,” Logan says. His face is flushed, twisted in what is probably embarrassment, but he doesn’t look away. “And lately, I have found myself rather liking you, too. I, ah, didn’t think you returned the sentiment.”

Roman blinks, and then, throws back his head and laughs. “Are you serious?” he asks. “We could have been doing this already?” He tugs Logan’s face closer to his, resting their foreheads together. Logan turns an even more brilliant shade of scarlet. “Just in case I didn’t make it clear,” he says, “I really, really like you, Logan.” He strokes a thumb across his cheek. “My galaxy,” he breathes. “My starlight.”

Logan makes a noise deep in the back of his throat. “Yes,” he says, and it’s almost a squeak. “That is satisfactory.”

And with that, with starlight gleaming behind his eyes and his heart tapping out double-time, Roman laughs, and pulls Logan back in.

-----

A few nights later, he finds a collection of questionably-shaped bones sitting on his dresser. He is less than enthusiastic, but Logan seems interested, so he kisses his boyfriend-- his boyfriend!-- on the top of his head and leaves him to his scientific study. Of bones. Because Logan is a weird nerd, but that’s alright, because he loves him both in spite of it and because of it. 

He just. Loves Logan. All of him. So much. And Logan likes him back, and now they’re together, and really, nothing could be better than this.

He briefly considers the merits of getting Remus a gift basket, but ultimately decides against it. They’ve never needed that sort of thing between them, and if the next time Remus intrudes on his space, he doesn’t protest as much as he usually would? Well, they both understand, and that’s more than enough.

Writing Taglist: @just-perhaps @the-real-comically-insane @jerrysicle-tree @glitchybina 

[oh-no-a-new-hiperfocus-hit-me]

We officially have a revised first chapter!!

A War of The Weak, chapter 1 : Burned Birdie

It was late at night and it was dark. A starless sky watched as mere mortals tried and failed to find purpose, dying in their never ending search. Dabi hummed a soft melody while walking, her hair brushing her burned shoulders ever so lightly. She wore an old black cape that had seen better days, and a  plain brown shirt and pants. She played mindlessly with the pieces of metal in her face, not only holding her skin together but also adorning her ears and nose.

  The town was quiet, most were asleep. Much like Dabi's cape, the houses and cabins in the street had seen better. They were dirty and had an abandoned air to them, almost like ghosts were their only inhabitants. She could relate to that, she'd always felt too empty, too old, too useless. Unlike her though, the houses, the streets, the village were all filled with fierce life inside, the desolated outside nothing but a facade to trick strangers.

  That became clear once more when Dabi finally decided to end her walk, entering a dark alley; there, a dark door of enchanted wood waited for her. She opened it, the door's handle shining under long fingers. As she stepped inside, she was immediately overwhelmed by the amount of light and noise. The bar roared with vivacity, all kinds of beings drinking and chatting, kissing and even fighting.

  They were all citizens of the great kingdom of Akarui, where blood was spilled in the shadows and people were burned at stakes. Not quite people actually — at least not all of them; all mortals perhaps, but all different from each other. For in the world they lived in, everyone was different, looked different, behaved differently…

  And had unique powers.

  Elves, vampires, dwarves, fairies. Every kind of magical being you can imagine, all under the rule of one King, and of course the almighty  Security Council. Groups of knights and warriors were formed, and entrusted  to maintain peace; to assure the safety of the people. Well, not all people. The loud, weird, "dangerous" ones never got any protection. Really, as Dabi saw it, they rarely got anything at all.

  Ignoring the crowd as well as the thoughts concerning her old grudge, she went straight to the back. Dabi opened a little hidden curtain, and it lead her to a long corridor. She walked to the last door, and kicked it three times. A blue face opened it, eyes filled with rage.

  "You're fucking late as shit!"

  "No shit, bitch"

  She entered the room without ceremony, throwing herself in her own bed. Her roommate, Shigaraki, looked at her like she had just killed his puppy.

  "We have a band to commit to! You can't just do whatever you want!"

  "Actually the last time I checked I was my own person who can do whatever the fuck she wants."

  "You're insufferable!"

  "You're an ass."

  "Well, you are-"

  "Dabi!" The door that connected their room to an adjoining one opened with a loud noise and a girl with blond hair and sharp fangs threw herself into Dabi's arms.

  "Hey kid," She got up, Toga still clinging to her. "How was your day ?"

  "It was awesome! Twice taught me how to make pie and big sister Magne is teaching me archery!"

  "Nice."

  Dabi was a woman of few words, yet that didn't seem to diminish Toga's excitement in the least.

  "Can we focus on what's important here? We have a show guys!"

  "Is shigaraki whining about us being late to the show again? 'Cause I don't really think the customers are gonna care. They're pretty drunk, you know. Oh, hey Dabi." Compress was standing in the doorway, and she could see Magne and Twice behind him.  "How'd your walk around town go?

  "Went well. Nothing interesting. Nothing new."

  The man nodded. He was tall, with sun-kissed skin under orange clothes and a black mask he never took off.

  "Hey-o you guys! Shigaraki's kind of right! We better get going!" A tall man with another black mask and an energy Dabi didn't know how he had, Twice loomed over Compress, wearing all black and gray, though she could see some of his blonde hair scaping the mask.

  "Someone here's gotta have a half a brain enough to listen to me." Shigaraki murmured under his breath.

  Dabi rolled her eyes but didn't ague. They did need the money from tonight's gig. A couple more days and they would have enough to go to the next town. The owner's husband had been kind enough to let them stay here. 

  As they headed to the stage, Shigaraki and Spinner tuning their guitars while Himiko sat by the piano, Dabi thought she would miss this place. They'd been there for nearly a month, playing in every bar and every party that would have them. It was a small town in the countryside of the kingdom, but unlike others, it was a refuge for outcasts. You could find every kind of being there, from mages to vampires; from nymphs to elves. Rumor had it the town was protected by one of Akarui's most powerful crime families, and so no bigoted people dared to attack it. It was nice.

  The woman had many reasons to want to be in this town, away from the spotlights of the capital. A cold breeze came in through an open window, and with her eyes closed, letting darkness and coldness embrace her, she stepped onto the stage.

 

▪︎▪︎▪︎

  Burned Birdie stay true

  Her lungs stung like they were being filled with a fierce acid, the tissue lined with cuts that were rubbed with salt.

  Burned Birdie stay here

  Her lips were dry, and her throat hurt as if at any moment her voice might fail her.

   Burned Birdie don't you prey on me, prey on me

  "And as she sang, her mind couldn't help but imagine her as the burned birdie. The scars on her shoulders ached as those painful memories reminded her exactly why she'd written this song - and exactly why she wanted to leave it all behind."

  Burned Birdie stay true

The little crowd erupted in applause when the song ended. They'd been there for three hours already, in a short while  dawn would be coming, and they were all tired as fuck.

  The bartender paid them what the owner owed, not much, but enough. It had to be.

  Dabi went back to the room she shared with Shigaraki while Toga, Twice and Magne went to the room next door, and Compress and Spinner to their own. 

  "Holy fuck, I think I'm gonna die of thirst." The woman threw herself on the floor, but trying to rival Tomura's dramatics never worked. Motherfucker was a class A drama king.

  "Not if I die first," He hit his head against a wall, got a bottle she knew he'd been hiding from everyone in his dirty clothes, and half stumbling, fell, lying next to her.

  "Wanna cure your thirst?" He waved the bottle in her direction.

  She caught it from his hand, laughing. She would feel more thristy afterwards, her throat hurting even more, her lips even drier; she knew it.  But hell if she cared.

                           ▪︎▪︎▪︎

"So you're saying Himiko's new hobby is… writing?"

  "Writing love stories, Shiggy."

  "Don't fucking call me that. So she was talking to Spinner and Compress, and?"

  "And she wanted to know how to write a… spicy scene with an elf."

  "What the fuck, an elf?"

"I think she's writing about her crushes." Dabi took another sip. "Do you remember that dancer who was said to have performed at the prince's birthday? She said she can tell he's hot from a painting she saw. So she's writing about that."

"Okay, but what do they have to do with that?"

  "Well she approached Compress and my man Spinny and told them about her story. And the… and then…" Dabi was already  bending in laughter from remembering the mens' faces when they'd told her. "Then Toga asked Spinner if he'd ever had a lover who was an elf. She asked for details, Shiggy. Can you imagine their faces?"

  "Elves suck." Shigaraki was frowing but seemed to have found the story amusing. 

  "Yeah, kinda. They're hot, though."

  Shigaraki made a disagreeing noise, but didn't answer. He looked lost in thought.

  At times like this, Dabi's thoughts could run free through her mind. The memories she kept in a small locked chest when she was sober came to her like an ocean wave, but she didn't care. Couldn't bring herself to. For once those tiny, happy children in her memory were distant, not her, not her siblings, but something else entirely.

  Shigaraki was looking at the ceiling next to her, clearly almost asleep. She could hear Magne and Compress snoring. They would have to leave, sure, and she liked the little town of outcasts, but as long as she had these freaks with her she'd be okay. No one else was looking after them, no one else would. Tomura was like a brother (a bratty, annoying one, but still). They had met ten long years ago, and build something like siblinhood on friendship, music and friendly fighting, something she wouldn't trade for the world.

  Yeah, Dabi had a brother.

  More than one, actually, she thought, as a bird entered through the broken window and delivered her a letter.

  She had no energy to get up, but she didn't need it; she'd read it tomorrow, the words would wait for her. She fell asleep with the letter in one hand and Shigaraki's empty bottle in the other. She dreamt of crowns she no longer had to wear and whispered stories of the lost princess of Akarui.

  Whispered stories about her. 

____

This is literally all due to @arson-n-barf and @scott-is-hyperfixating Thank you!!!!

Here is the draft for chapter 2

Would also be helpful if anyone could take a look. But please only do so if you have space and energy! And if you want, of course. You are super important. :) I just really love this story and love to share it with other people.

Speaking of which-

I made a map!!!

[hadjalterdoneanythingwrong]

You are [Avenger].

You are the child of a loving mother, and a... dedicated father.

Since before your conception, you knew your purpose.

You were to stand among your parents, and your brethren, and even your elders, and carry out your duties, just as they do.

With this purpose, you were happy.

You are [Avenger].

The time came for you to enter this world.

You were... excited.

You couldn't wait to show everyone what you could do.

You couldn't wait to make your father proud.

You couldn't wait to see your mother's bright eyes, and her warm smile.

You are [Avenger].

Your birth was not met with warmth.

Your birth was not met with pride.

Your birth was not met with love.

Your birth was met with pain. With screams. With fear and chaos.

For time imperceivable by mankind, you had waited to manifest.

You are [Avenger].

Your excitement killed your mother.

Your joy burned her from the inside out.

Your love has brought ruin to your family, your people, your world.

And in his rage, your father looked upon you.

And all you saw were curses.

And all you saw was hatred.

And all you saw was the wish that you never were.

And you were beheaded.

And your remains were split eight ways.

And the burning remnants of you were cast into the ocean, where even still your endless power bled out, creating mountains of burning, primal sorrow.

You are [Avenger].

You watched as the world you were denied a part of continued to grow and develop from your cold and dark abyss-prison, only things were... different, now.

Things that used to continue for all eternity began to stop.

Decay. Destruction. Death.

Another byproduct of your birth.

You are [Avenger].

You watch the inhabitants of your former world start to grow themselves.

They learn of the events unfolded by your family.

They learn of you.

And they give you a name.

A name? Your family never bothered.

Your family never bothered with anything, other than to kill you.

These... tiny inhabitants of the world you were denied...

"Humans"?

They gave you a name.

A bright, almost... happy name.

You were almost... happy.

You are "Shining Force".

The ones who named you grow and live.

The ones who named you decay and die.

Your birth causes their demise.

And though you still are overcome with grief...

You watch them prosper.

You watch them expand.

You watch them pass stories and traditions through generations.

And though you cause their demise...

You can't help but love them.

You are Shining Force.

The ones you love outlast your family.

The ones you love start to forget your family.

The ones you love start to forget you.

You don't care.

You will watch them as long as you can.

You are Shining Force.

The ones you love... seem to remember your family's deeds.

You can tell, because they attempt to replicate the deeds themselves.

They are starting to resemble your family.

You are Shining Force.

You are worried.

The ones you love are... what would they call it themselves?

"Playing God".

They want to reach you.

Or at least power at your level.

You know what your power has done.

You are scared.

But you cannot stop watching.

You are Shining Force.

You follow them wherever they go.

You pick up on the things they do, the methods they resort to in their attempts to reach your potential.

You learn about an association.

You learn about a tower.

You learn about Servants, and the funny little things they call themselves.

A word calls out to you.

A word denoting a concept.

You are "Avenger".

"Avenger"? A role for those hellbent on rectifying mistakes, or so you understand.

You don't know why, but it feels... right.

There is a part of you that hopes others will call you by it someday.

You are Avenger.

You are alive.

You don't know where you are, but somehow you know this is where heroes are kept.

Amidst them all, you find your father.

Resting.

Unaware.

In ignorant bliss.

You take up the spear he used to create life.

You take up the sword he used to steal death.

In his slumber, you behead him, and you move on.

You are Avenger.

You hear a call.

A cry for help in another world.

A world that is dying.

A world that is atrophying.

With time, you learn to look inside.

You are able to leave messages, however brief.

You offer your help.

You offer your love.

You ask if anyone can hear you.

No one answers.

You are Avenger.

You hear a different call.

Same world.

But this call opens a gate; a bridge between realms that will only fit one.

You make your way there, before watching someone else take the gate.

Your heart drops.

But something... someone holds it open.

A voice you recognize calls out to you, though you don't know how you know it.

It feels like a dream.

A dream that tells you to push forward.

A dream that tells you to never give up.

A dream that tells you to always hold onto that excitement you had before you were born.

And the dream tells you to run.

To run as far away as you can.

Because your father will never be far behind.

So sword and spear in hand, you run.

You run until you find it.

The place that called for you.

A place where Servants gather.

The time came for you to enter this world... again.

You are... hopeful.

You are... happy.

You are... excited.

And you can't wait to show everyone what you can do.

You are the product of a dream.

You are the Avenger of Ame-no-Ukihashi.

And in your gracious excitement, your perpetual joy, your boundless love for humanity...

for as long as you continue to walk this earth, there will always be fire and death.