#white hat linking services

[buybacklinking]

Building Campaigns: Elevating Your Website's SEO Strategy

In the world of digital marketing, a well-executed link building campaign is one of the most effective ways to improve your website’s search engine rankings. It involves strategically acquiring high-quality backlinks from authoritative websites to boost your site’s domain authority, visibility, and organic traffic. But to reap the full benefits, a link-building campaign must be well-planned and targeted.

What is a Link Building Campaign?

A link building campaign is a structured process designed to earn backlinks for your website through various ethical and strategic methods. It focuses on increasing the number and quality of external links pointing to your site, which signals to search engines like Google that your content is valuable and trustworthy.

Why Are Link Building Campaigns Important?

Backlinks are a significant ranking factor for search engines. A robust link profile helps improve your site's domain authority, which in turn can lead to better rankings on search engine result pages (SERPs). Additionally, a successful campaign drives referral traffic from the websites linking to you, expanding your reach and audience.

Steps to Launch a Successful Link Building Campaign

Identify target sites: Start by researching relevant, high-authority websites in your niche that align with your content.

Create valuable content: To attract links, you need shareable, high-quality content that offers value to your audience.

Outreach: Reach out to webmasters or content creators for guest posting opportunities or to suggest linking to your relevant content.

Monitor your backlinks: Use tools to track the backlinks you earn, ensuring their quality and relevance.

Conclusion

A successful link building campaign can be a game-changer for your website’s SEO. By focusing on quality links, creating valuable content, and engaging in strategic outreach, your campaign can drive organic growth, enhance visibility, and establish your site as an authority in your industry.

Elevate your online presence with Backlinking's trusted Link Building Services. We specialize in White Hat Link Building for superior results. Contact Us:backlinkingglobal@gmail.com

[sheryasharmak1]

Enhance Your SEO Strategy with White Hat Link Building Services by Kolor First

In the ever-evolving landscape of digital marketing, white hat link building services by Kolor First stand out as a beacon of ethical SEO practices. For businesses striving to improve their online presence and search engine rankings, Kolor First offers a robust solution through its white hat link building services. This article delves into the significance of white hat link building, the methodologies employed by Kolor First, and the benefits of choosing ethical SEO strategies.

Understanding White Hat Link Building

White hat link building refers to the practice of acquiring backlinks that adhere to Google's guidelines and best practices. Unlike black hat techniques that manipulate search engines and often lead to penalties, white hat strategies focus on creating genuine, high-quality content that naturally attracts links from reputable websites.

Why Choose White Hat Link Building Services by Kolor First?

Kolor First is committed to providing sustainable and effective white hat link building services. Here’s why choosing Kolor First can be a game-changer for your SEO strategy:

Ethical Practices: Kolor First ensures all link-building activities comply with search engine guidelines, thereby avoiding penalties and ensuring long-term benefits.

Quality Over Quantity: The focus is on acquiring high-quality backlinks from authoritative websites, rather than amassing a large number of low-quality links.

Customized Strategies: Kolor First tailors its link-building strategies to align with your business goals and target audience, ensuring maximum impact.

Transparency and Reporting: With Kolor First, you receive detailed reports on link-building activities, ensuring complete transparency and accountability.

The Process of White Hat Link Building by Kolor First

Kolor First follows a systematic approach to white hat link building, ensuring that each step is aligned with ethical SEO practices. Here’s a glimpse into their process:

Comprehensive Website Audit: The first step involves a thorough audit of your website to identify strengths, weaknesses, and opportunities for improvement.

Keyword Research and Analysis: Identifying the right keywords is crucial. Kolor First conducts extensive research to find keywords that align with your business goals and have high search potential.

Content Creation and Optimization: Creating valuable and relevant content is at the heart of white hat link building. Kolor First ensures your content is optimized for target keywords and provides value to your audience.

Outreach and Relationship Building: Building relationships with authoritative websites is key to acquiring high-quality backlinks. Kolor First excels in outreach and negotiation, ensuring your content gets featured on reputable platforms.

Monitoring and Reporting: Continuous monitoring of link-building efforts and regular reporting keep you informed about the progress and impact of the strategies employed.

Benefits of White Hat Link Building Services 

Choosing white hat link building services by Kolor First offers numerous benefits that contribute to the overall success of your SEO strategy:

Improved Search Engine Rankings: High-quality backlinks from authoritative sites significantly boost your website’s ranking on search engine results pages (SERPs).

Enhanced Credibility and Authority: By associating with reputable websites, your brand gains credibility and authority in your industry.

Increased Organic Traffic: As your search engine rankings improve, so does your organic traffic, leading to more potential customers discovering your business.

Sustainable SEO Results: Unlike black hat techniques that offer short-term gains, white hat link building ensures sustainable SEO results that stand the test of time.

Compliance with Search Engine Guidelines: Adhering to ethical SEO practices keeps your website safe from penalties and ensures long-term success.

Tips for Effective White Hat Link Building

To maximize the benefits of white hat link building, consider these tips:

Create High-Quality Content: Focus on producing valuable, informative, and engaging content that naturally attracts backlinks.

Leverage Guest Blogging: Write guest posts for reputable websites in your industry to gain exposure and high-quality backlinks.

Utilize Social Media: Promote your content on social media platforms to increase its visibility and attract backlinks.

Engage with Influencers: Build relationships with influencers in your industry who can help promote your content and generate backlinks.

Monitor Your Backlinks: Regularly check the quality of your backlinks and disavow any low-quality or spammy links.

Case Study: Success with Kolor First

Many businesses have witnessed significant improvements in their SEO performance through white hat link building services by Kolor First. For instance, a leading e-commerce site saw a 40% increase in organic traffic and a 30% rise in search engine rankings within six months of partnering with Kolor First. This success story highlights the effectiveness and reliability of Kolor First’s ethical SEO strategies.

Conclusion

In the competitive world of digital marketing, ethical SEO practices like white hat link building services by Kolor First are essential for long-term success. By focusing on high-quality, sustainable strategies, Kolor First helps businesses improve their search engine rankings, increase organic traffic, and enhance their online presence. Choose Kolor First for reliable and effective white hat link building services that align with your business goals and deliver lasting results.

Invest in white hat link building services today and take the first step towards achieving sustainable SEO success and a stronger online presence.

[seoresellerca]

SEO Resellers Canada Secures 500+ Quality Backlinks

Businesses that prioritize ethical SEO strategies can consider SEO Resellers Canada as a trusted partner. More details about their strategies for link building in SEO can be found in the link below. Read more: https://justpaste.it/ea8f9

[jakewing11]

Step up Your Authority With Outreach Neo’s

Is your website struggling to rank higher in search engines? Lacking authority backlinks is likely the culprit. Outreach Neo's Authority Link Service helps sites like yours skyrocket domain authority with an all-white hat link-building and blogger outreach program. Their link velocity technology and tiered linking from high-quality sites within your niche provide the ranking signals search engines want to see. Step up your site's authority and get the organic search visibility you deserve with Outreach Neo!

[localseos-blog]

What are local SEO citations?

1. What are local SEO citations?

Local SEO citations are online mentions of your business's name, address, and phone number (NAP) on various websites and directories. These citations play a crucial role in helping your business rank higher on Google and other search engines.

2. How do local SEO citations impact my Google ranking?

Google and other search engines consider the consistency and accuracy of your business information across the web. Local SEO citations help establish trust and authority, which can boost your rankings in local search results.

3. Are all citations created equal?

No, not all citations are of equal value. High-quality citations come from authoritative and relevant sources. We focus on providing you with the most crucial and reputable citations to maximize the impact on your Google ranking.

4. Do you manually create these citations?

Yes, we create all citations manually. Our team ensures that your business information is accurately and consistently listed across various directories, which is essential for local SEO success.

5. Can I provide my own list of directories for citation creation?

Certainly, if you have specific directories in mind, please share them with us. We can work with your preferred list while ensuring they meet the criteria for effective local SEO citations.

6. How long does it take to see results from these local SEO citations?

The timeframe for seeing results can vary, but you may start noticing improvements in your local search rankings within a few weeks. However, it's important to continue building citations over time for long-lasting results.

7. Do you provide reports or evidence of the created citations?

Yes, we provide detailed reports that include login information and links to the live citations we've created for your business. This allows you to verify and track the progress of our services.

8. Are there ongoing maintenance or renewal fees for these citations?

Our services typically include the initial creation of citations. However, some directories may require annual renewals or updates. We can discuss ongoing maintenance options if needed.

9. Will these citations help my business beyond Google ranking?

Yes, local SEO citations can have broader benefits. They not only improve your Google ranking but also increase your online visibility, help build trust with customers, and drive local traffic to your business.

10. How can I get started with your local SEO citation services? - To get started, simply contact us, and we'll discuss your specific needs and create a tailored plan to enhance your local SEO strategy. We look forward to helping your business succeed online.

[appstricetechnology]

Get Top-Notch SEO Services in New York | Appstrice

Improve your online presence with Appstrice's expert SEO Services in New York. Boost your website's ranking and drive more traffic today.

[hussyknee]

Red, White & Royal Blue: Collector's Edition Henry PoV bonus chapter by Casey Mcquiston.

(transcribed from the page pictures posted)

This is the coda to the end of the book, so don't read it if you haven't read the book first. Sadly, the Collector's Edition doesn't seem to be available on Kindle so. Arrrr matey.

Download link for file at the end.

....

HENRY

“I am not asking you to believe in it, or even to like it,” Henry says stonily. It’s been a long morning already. He is beginning to perspire. “I am simply asking you to show a modicum of respect.”

“To–to your quiche?”

“Yes. To my quiche.”

Bea puts down her tape gun and wipes her eyes. “Pez!”

“Yes?”

“Henry says he’s going to make us a quiche!”

Pez’s squawk of a laugh bounces down the stairs. “Pull the other one!”

“I make them all the time for Alex,” Henry insists. “They are perfectly edible.”

“So, when you promised us breakfast if we got up early to help you.” Bea says, “you meant that you were going to make us breakfast?”

“Yes!” Henry says hotly. “Stop laughing!”

“I’m sorry!” Bea says. “It’s only that...well, Henry, the last time you cooked breakfast for me, you were twelve and you put a sausage in the microwave until it exploded.”

“That was your idea! And it’s been ages since then! I’ve studied, all right? I’m quite good now. Those pictures I send the group chat aren’t just for show.”

“Oh, aren’t they?” Bea says rudely, as if his incredibly generous offer to cook her a shallot-and-thyme quiche with mushrooms from the farmer’s market means nothing at all. As if he’s lived in this house for five entire years without learning to use its kitchen.

Perhaps if their lives weren’t so chaotic, if Henry weren’t flying out of New York every time Bea had a spare moment to fly in, he could have proven this to her earlier. But Pez, who lives mostly in the city now and visits so frequently he’s earned his own Secret Service code name (Cardinal, since Henry is Bishop), should know better.

“Percy Okonjo,” Henry says as Pez joins them, “you were here last weekend when I made mince pie. You loved it.”

“Did I?” Pez wonders aloud, with an annoyingly Bea-like lilt.

“Look at this apron!” Henry gestures to himself and the navy blue apron he’s wearing. Alex gave it to him for his birthday last year. “Would a man who can’t make a quiche have an apron like this? It’s monogrammed.”

“You’re royalty, babes,” Pez points out. “Everything you own is monogrammed.”

From the pocket of his serious-home-cook apron, his phone buzzes. Reinforcements. The FaceTime connects, and Alex says, “Good morning, love of my li–”

“Alex,” Henry interrupts, “tell them about my quiches.”

Alex pushes up his sunglasses and frowns into the camera. He looks so lovely with his faded T-shirt and jean jacket and shaggy hair. Pure American heartthrob, might as well have a cowboy hat on. Henry never does tire of it.

“Sorry?”

“Bea and Pez don’t believe I can make a quiche.”

“What? Have they seen your apron?”

“That’s what I said!”

“Henry’s quiches are great!” Alex says loudly, to the kitchen at large. “I almost never find shells in them!”

That sets Bea and Pez off again. On the screen, Alex’s face crinkles into laughter.

“Thank you very much, Alex, you’ve been a tremendous help,” Henry groans. “How are things? Florist this morning, wasn’t it?”

“Just finishing up.” Alex says with a grin. “Final approvals done. Everything looks great.”

With only one week until moving day and two until the wedding, it made sense to divide and conquer. Henry agreed to stay in New York and finish packing up the brownstone with help from Bea and Pez, while Alex, June, and Nora are ticking off the last of their checklists in Texas.

“Of all the surprises that wedding planning has brought us,” Henry says, “your ability to micromanage floral arrangements has certainly been...one of them.”

“You know I love to curate a vibe,” Alex says.

“That you do,” Henry agrees. “Where are the girls?”

“Getting donuts,” Pez answers before Alex can. He holds up his phone, open to a photo of June blowing a kiss while Nora fellates an éclair.

“Donuts!” Bea says. “Now there’s an idea!”

They spend the rest of the day drowning in cardboard boxes and bin liners, packing everything but the furniture and the downstairs television. Pez reminds him once an hour that they could pay someone to do this, but Bea is stubborn, and Henry is reluctant to let anyone else wade into all the intimate trappings of his and Alex’s life. It was bad enough explaining the contents of the trick drawer in their dresser to Pez, much less some mover he’s never met.

When it’s done, Bea puts A Knight’s Tale on in the living room and promptly falls asleep on Pez’s lap. Pez passes out too, but Henry stays awake, because Heath Ledger deserves an audience. And because he knows if he doesn't wake Bea and move her to the guest bedroom, he'll have to hear about her back spasms in the morning.

David hops up beside him on the loveseat, and Henry strokes the top of his snout until his little body relaxes into Henry's side.

"Nervous old boy," Henry hums. It still does seem like the ultimate irony that the dog he adopted for emotional support has anxiety. David has grown more and more worried all week, as more and more of his home disappeared into boxes. "We won't leave you, I promise."

The brownstone has been a good house for them. Sturdy brick walls, neighbors that actually let them be. Henry has loved it more than he ever loved Kensington, or at least as much as he loved Kensington when his parents both lived there too. Some mornings, when he comes downstairs to find Alex with the coffeepot and the kettle already on, he feels the way he did when his family all slept under one roof. This roof is quite a bit smaller than that one, but the feeling isn't.

So, perhaps David hasn't got entirely the wrong idea. It is hard to let the place go. For the past month, Alex has kept asking Henry why he's staring, and the truth is that he's been committing to memory exactly how Alex looks in every room. How the bannister fits in his hand, the place on the foyer wall where he always braces himself to pull on his shoes.

Everything that's happened in the past five years has happened, at least in part, inside this house.

…

It's seven months after Alex's mother's second inauguration, and Henry is wishing he had never even heard the word "credenza." Then he wouldn't have to decide where to put one. Alex is arriving in half an hour to help him move it, but Henry still doesn't know where. Across from the fireplace, perhaps? But what if he wants to put a sofa there? Does he want a regular sofa, or a sectional? Should it go upstairs, in his study? Or should he leave room for bookcases?

He longs to be back on a beach, sipping something from a pineapple.

It’s been a long, glorious summer since Alex packed up his White House bedroom, called Henry, and asked, "Do you want to get the fuck off the continent?" They did Dubai first, then Lagos. Rio, for old time's sake. Buenos Aires, paper lanterns in moonlight and Alex flirting with the bartender for free drinks. June through August became a lovely blur: Alex asleep against his shoulder on the plane, Alex throwing his Portuguese phrase book out the window of a speeding car, sand in unmentionable places, Alex Alex Alex. Endless runways and half-arsed disguises, swimsuits that got smaller and smaller until they simply didn't wear them anymore. Falling in love, the sequel, with fresh suntans and all the time in the world.

And now here they are in Park Slope, where Alex is renting the second floor of a brownstone two blocks from Henry's.

It's practical, they agreed, to live in the same neighborhood before they live at the same address. They've scarcely gotten a chance to date the normal way yet– if it can be called "normal" when their combined security teams are headquartered in an empty apartment down the street. Still, Henry wants this to last.

They've sprinted headlong into everything so far, but now he wants move slowly, in delicious increments. He wants to savor nights, minutes, firsts, to covet them and then let them dissolve on his tongue, like the sugar cubes he snuck off his gran's filigreed tea trays when he was small. He wants a life.

He wants someone to tell him where to put this damned credenza.

It's a vintage Broyhill Brasilia piece, walnut with clever brass drawer pulls. June helped him pick it out when she was in town with meeting her editor, but she never gave him any advice on where it should go. He hasn't ever been allowed to decide where furniture should go before.

So, it’s...there, in the center of the empty living room, the first piece in the entire house.

“Maybe you could start with a rug or two,” says Alex from the foyer.

Henry turns to find him with his keys in one hand and a paper bag in the other, smiling in a beam of mid-morning light, and, ah. Yes. There it is. That sweet, sharp gasp of nerves. The half second when he forgets how to use his mouth. If he knows nothing else, at least one certainty remains, which is that seeing Alex Claremont-Diaz in the flesh will always do this to him.

Alex in a photo is handsome, but Alex in life is a symphony. He’s refracted light with a cherry cola chaser. He’s got a Fibonacci jawline and a troublemaker smile and thick forearms built for posing in doorways with his sleeves rolled and thumbing corks out of champagne bottles. The first time Henry ever told Pez about him, he said, “God, but he’s lethal.” It’s only worse once you get to know him.

“Weird place for a credenza,” Alex comments. He kisses Henry’s cheek, then passes him a warm bundle wrapped in parchment paper. “Hope you like sausage-egg-and-cheese.”

“I don’t know where to put it.”

“Sandwich goes in your mouth, typically.”

“The credenza.”

“Ohhh, right,” Alex says, pretending to have just caught on. He winks. Henry sighs theatrically but accepts a second kiss, on the lips this time. “Why don’t you just put it right here?”

He points to his left, where a blank wall stretches from the front door to the foot of the stairs. It does, upon closer inspection, appear to be the exact right size.

“Oh,” Henry says.

This is where they overlap. Where he ends and Alex begins. Great gooey puddle of feelings, meet course of action; endless burning energy, meet point of focus. Agonies, meet your most obvious, most natural, most inevitable conclusions. It’s frightening sometimes for a person like Henry, who has spent his entire life pedaling his agonies about like baguettes in a posh little bicycle basket. What is he to do with them now?

Yes," Henry concedes, "I suppose I could," and Alex laughs.

...

It's the summer of 2022. Henry has opened his third shelter, and Alex has just finished bulldozing his first year at NYU Law.

A few boxes of books still wait at Alex's place, but otherwise, he lives in Henry's brownstone now. Their brownstone. A UT pennant beside a Chelsea scarf on the living room wall. A fridge full of Topo Chico and Bulmers. Two pairs of shoes by the front door, brown Barker derbies and Reebok trainers. Nobody could mistake it for anyone else's.

It's their first Chore Sunday (Alex's idea), and Henry has put the last of the laundry in the dryer. He's in the kitchen doorway, watching Alex unload the dishwasher.

Alex once told Henry the type of man he's typically attracted to: tall, broad-shouldered, pretty eyes, a little haunted. Bit of attitude and a smile that makes you curious. For Henry, it's never been so simple. He liked boys in his classes because they bothered with the assigned readings and fancied one of Philip's awful Eton friends because he could sail and smelled of cinnamon. The only thing all his Oxford boys had in common was that they didn't know how to speak to him. He's never had a type, and he's always been sure Alex was singular, anyway. Alex is unlike anyone he's ever met before or since.

But here, now, watching Alex bend to remove a salad bowl from the bottom rack, he is confronted with the hard truth. All those boys did, actually, share one trait.

"Are you gonna help me with this," Alex says without even an investigatory glance over his shoulder, "or are you just gonna keep staring at my ass?"

...

It’s Christmas 2022, their first since Alex officially moved in, and Henry is going to make a yule log if it kills him.

Perhaps he’s been too ambitious. He’s rather new to all. Growing up, he was rarely permitted in the kitchens, and he concentrated his uni diet on fast food and takeaway. He can make toast and boil an egg, and he’s got a deft hand with the coffee percolator and a gin swizzle from time to time. He knows about food– the finest foods, actually, he’s yet to meet an Englishman who can select a better brie– but he never learned to cook, until recently.

Recently, as in when Alex became too fanatically involved in his second-year coursework to remember to feed himself.

It began with force-feeding Alex a bacon butty twice a week. Henry’s arms suffered little constellations of grease burns, but bacon was easy. And those faded, so they didn’t deter him for long. Curiosity piqued, he taught himself the basics of pasta, how one can simmer almost anything with garlic and onion and butter and it will taste good over noodles. It bolstered his confidence enough to truly commit, and now, between hours at the shelters and video calls with his mum, he watches tutorial after tutorial on how to brown butter and roast chicken. Only half of what he makes turns out the color it’s meant to, but he loves it.

He loves walking to the market on the corner and hunting down specific ingredients from the family recipes June sends him. In fact, it’s become such a regular pastime that the paparazzi have cottoned on, which is why his mother finally forced his security team to hire an actual body double. Now some bloke named Angus with his height and build and nearly the same face goes on diversionary strolls while Henry peruses jarred chilies.

With all his independent studying, he was certain he could manage a dessert. He wanted to do something impressive, since they’ve convinced their families to let them host Christmas dinner. Only, his sponge has gone all wrong, and if he’s learned anything from Bake Off, he knows it’s not meant to have cracked in five places when he tried to roll it up. Paul Hollywood would have him pilloried.

“Think you might’ve left it in too long?” Oscar asks from across the kitchen island. He’s wearing his white elephant prize, a sweatshirt airbrushed with the slogan YOU CAN’T SPELL CONSTITUTION WITHOUT TITS. Inexplicably, Henry’s own mother brought that one. “Lookin’ kinda dry there.”

“I appreciate that you are trying to be helpful,” Henry enunciates, “but if you say one more word I may start crying, and then we’ll both lose some respect for me.”

Later, when Pez has persuaded him to “call it, mate, put it out of its misery,” he carries his disgraced platter of ganache and cake and marzipan out into the living room and lets everyone go at it with spoons. The house feels full to bursting, and not just because of the Christmas crackers. There are all three of Alex’s parents, Henry’s mum, June and Nora, Bea and Pez, Shaan and Zahra on speakerphone, occasionally an awkward Philip and Martha via FaceTime, and, because he had nowhere else to go for the holiday, Angus.

(“I don’t like him,” Alex muttered when Henry suggested inviting his own body double to Christmas dinner.

“Why not?”

“Because he looks exactly like you, but I find him deeply unattractive, and that freaks me out.”)

Ellen tells everyone the story of the year Alex got his first real bike for Christmas and knocked out his two front teeth by Boxing Day, which prompts Catherine to recite eight-year-old Henry’s letter to Father Christmas, in which he requested a leather-bound journal and a holiday to East Wittering so he could gaze at the sea. Bea pushes Henry behind the upright piano, and he takes requests for an hour. It only ends when Pez rewrites half the lyrics to “God Rest Ye Merry, Gentlemen” to be about his own lactose intolerance. No one wants to follow “tidings of Lactaid and soy.”

After the third round of mulled wine, when Alex’s parents have called their drivers and his mum has retired to the guest room, June and Nora find themselves under the mistletoe. Everyone whoops and whistles until Nora finally pulls June in by her Christmas-light necklace and kisses her to a round of applause. June's cheeks turn red, but she looks pleased as anything.

"I can't believe it took this long for y'all to finally kiss." Alex says, to which Pez bursts into laughter. "What?"

"Alex," he says fondly. He drains his glass and pecks Alex on the forehead. "You gorgeous, stupid little turnip."

"What's that supposed to mean?"

Pez just shakes his head and strolls off to the kitchen.

"Wait," Alex says.

He frowns, like he does when he's trying to recall something incredibly minute and specific from his torts textbook. Then, suddenly, a light goes on, and his own mug is clunking on the lamp table, and he's running off after Pez.

"Pez, what's that supposed to mean?"

...

It's late morning the summer before Alex's last year of law school, 2023, and Alex is the first word out of Henry's mouth.

Truthfully, that's how he begins most mornings. On a Monday morning five time zones away, "Alex" pitched low to the screen of his phone. On a Friday when Alex's early lecture is cancelled, "Alex" in F major, muffled in the pillow as his body moves and the day stretches out before them. Half three the night before an exam, a hoarse "Alex," followed by, "turn the bloody light off and come to bed."

This morning, it's because David is barking at the door. A rainstorm is brewing, and if jet lag didn't have Henry dead under the bedclothes, the gray gloom would. Alex was the one who surfaced from sleep half an hour ago and blearily ordered three entire pancake breakfasts from some 24-hour diner a few neighborhoods over. He should have to get up and answer the door.

“Alex.” Henry mumbles, turning over.

Alex has got the quilt tugged up so high he’s only a shock of wild curls on white linens.

“Nnnghh,” Alex groans from the depths.

“Breakfast is here,” Henry says. The doorbell helpfully rings again. David howls.

Alex’s face appears, pouting. There’s a crease from the pillow down one of his cheekbones, a comet’s tail in a constellation of freckles. “Can you get it?”

Henry rolls his eyes but smiles. Inevitable.

He drags himself out of bed and pulls on the joggers and hoodie from last night’s flight. It’s not until he feels the breeze on his ankles as he descends the stairs that he realizes they’re Alex’s, not his.

On their doorstep, a pink-haired delivery girl is looking bored under her bicycle helmet.

“Sorry to keep you waiting,” Henry says. He fishes a crumpled bill out of Alex’s pocket. “For your trouble.”

The girl pulls a face.

“Got any real money?” she asks. Her accent reminds him a bit of Alex’s mum.

He blinks down at her hand, which is holding a twenty-pound note. “Ah. Sorry again. Er.” He snatches his wallet out of the bowl on the credenza and gives her all the American dollars he has.

“She’s gone, Davey,” Henry says afterward to David, who’s now fretfully circling the living room. “You’ve protected us from another fearsome home invader. Well done.”

He lets David out into the back garden to do his business, then carries the food upstairs. Shockingly, Alex is awake and propped up against the headboard.

“I’m getting too old for red-eye flights,” Alex says, rubbing his eyes.

“Love, you’re twenty-five,” Henry reminds him. He deposits the bag on the nightstand, and Alex wastes no time tearing through the plastic and tucking in to his breakfast. “And I’m older than you.”

“Yes, you are. But like... I get why we have to go to Philip’s kids’ christenings. The cousins, though?” He sets to work smothering his pancakes in syrup. “I mean, at least my cousins would stack their baptisms. One and done, baby.”

Henry opens his mouth, prepared to answer with one of a thousand things. That the tabloids will have even more of a field day than usual if he stops doing his chores, that there will always be a church dedication or a swan upping or an appointment for a top hat fitting, that he’ll always be obligated to have one foot in London and one day they’ll have to choose where to settle down. It’s far from the first time they’ve had this conversation.

But then Alex shovels a massive bite of pancakes into his mouth and says, “Anyway, I love you. Do you wanna have June and Nora over tomorrow? We can play Mario Party again. I wanna see them get in a fistfight. Oh, and my dad’s in town next week, and he said to tell you he’s bringing that book you asked about–”

And that’s when Henry knows: He doesn’t ever want to go back.

...

It’s the end of spring 2024, and Henry is not eavesdropping, per se. He excused himself to answer a call from Shaan, which really could not be avoided. Shaan has taken to his new life as a househusband with predictable aplomb, and most of his calls these days involve Henry getting to talk to a baby who is clearly destined to become prime minister. He simply can’t send that to voicemail.

It’s the first time they’ve had room in the schedule for his mother to visit since Alex accepted his law job, which Henry understands very little about but has been assured is the most strategic next step for Alex’s career long game. When Henry left the room, Alex was still trying to explain it to Catherine. It all sounds terribly prestigious.

He is just returning to the sitting room with a fresh pot of tea when he hears his name from around the corner.

“–and the next morning Henry and Arthur vanished,” his mother is saying, “and when Uncle Algie called, I told him that Henry couldn’t go on the annual pheasant hunt because he was violently ill, but actually Arthur had taken him to Rome for two weeks on the set of that go on ridiculous car heist film he was working on, the one with, oh, what’s his name–“

“Jason Statham,” Alex says promptly, through wheezing laughter.

“That’s the one!”

“Loved that movie,” Alex says. “I can’t believe Henry got to be on set.”

“It was all Arthur’s idea, but he was right to do it. Uncle Algie is a dreadful bore, and Henry despises his son. Guilford. Did you meet Guilford at the wedding?”

“Henry made sure I avoided it.”

“Yes, that’s for the best,” Catherine says daintily. “He has matured into an absolute dickhead.”

Henry wishes he was in the room to see the way Alex sputters out, “Oh my God.” Alex always forgets that Catherine went to uni and married a commoner from Sheffield.

And then Alex sighs and says, “When Henry and I get married–”

Henry manages to recover the teapot before he drops it.

It’s not a surprise to hear Alex mention marriage. They’ve been sorting it out for years: political logistics and Alex’s child-of-divorce anxiety and a thousand questions about a royal wedding neither of them actually wants to have. He’s already bought an engagement ring, even, and judging by how tetchy Alex gets whenever Henry tries to put his underwear away for him, he’s not the only one.

But it is the first time he’s heard Alex mention it to his mother. He dropped it so casually, so matter-of-factly, as if he’s been talking to her about marrying Henry for years. Henry supposes it’s possible he has been. Is this why Alex had tea with her in London last month and told Henry he wasn’t invited? Have they been conspiring?

They’re discussing hypothetical guest lists now, which cousins secretly hate one another and who wore an inappropriately large fascinator to whose birthday tea, but Henry isn’t listening anymore. He’s thinking of a cafe table in Rome, his dad waving over a second round of gelato.

In his memory, he’s nine years old, and his father is saying, Whoever you marry, Henry, make sure they think your mum is a laugh, because she is. She really is.

He clears his throat and finally rounds the corner. “Tea, anyone?”

...

It’s 2024, and nobody knows they’re engaged.

Granted, they’ve only been engaged for about three hours, but Henry is curious to see how long they can go. It feels nice to keep a secret that doesn’t have to be a secret. It’s more that they’re keeping it like a pet, or something especially beautiful from the garden that they’ve coaxed into a jar.

A record is spinning on the turntable, one of Alex’s, maybe the Joni Mitchell he borrowed from Bea. They’ve shoved their phones under the couch cushions and ordered a pizza the size of the moon, and now they’re sitting in the center of the living room floor, demolishing it. They kiss, then eat more pizza, then get distracted kissing again. Henry licks a streak of pepperoni grease from Alex’s forearm, which is a fantasy he didn’t know he had until he’s living it. They tangle up on the rug, and Henry decides he’ll take Alex sailing next weekend, or even out to the edge of the river, just to see him against a horizon.

Four-nearly-five years in, the main thing he’s learned is that Alex is a world without end. All Henry wants is to go on with him forever. To keep finding new favorite parts, to keep turning things over and studying their soft bellies and finding the best bits.

So, he will.

...

It snows on New Year’s Eve 2024. Alex looks out the window and shrugs off his coat.

The Young America Gala may be no longer, but Nora, June, and Pez aren’t to be stopped from throwing a New Year’s party, especially now that Pez has gotten his own part-time flat in the city. They’re the three fates of New York City’s holiday social circuit: birth (June, managing invitations), life (Pez, topless), and death (Nora, also topless).

“What if,” Alex says, turning to Henry on the foot of the stairs, “we don’t go to the party?”

“Nora will murder me,” Henry says. “She told me she’s not afraid to do that now that I’ve given up my title.”

“Murder is still a crime even if you’re not officially a prince.”

“Yes, but she said, quote,” he puts on his best American accent, “They can’t put me in the Tower anymore. Who’s gonna arrest me now? Mr. Bean?”

“Why don’t we just send Angus? It’s dark. Maybe she won’t notice.”

“Where’s your double, then?”

“We live in New York, I’m sure I can find a male model somewhere.”

“As always, sounding the very bass string of humility.”

“Is that fucking Shakespeare?”

“Henry IV.”

“I’m gonna give you a wedgie, you fucking nerd.”

In the end, it doesn’t take much to convince Henry to stay in. Lately, it never does. Alex texts June a flimsy excuse, and they toe off their shoes and relax out of their button-downs.

Henry does have to admit he’s exhausted, in the way that one only can be on the last day of the year, when every other day of the year piles way up behind it. It’s been a big one: Alex’s first law job, the endless press about Henry’s decision to surrender his title, the engagement, Bea’s wedding, the incident with the croquet mallets and the Dutch ambassador at Bea's wedding.

Sometimes Alex jokes that they squeezed it all into one calendar year because no headline can stick if there's another next week, but it's only half a joke. They've been bone-tired for months.

"I'm surprised you're the one who wants to stay home," Henry says. "I remember a young lothario who lived to ruin people's lives on New Year's Eve."

"Ruin?" Alex says. "That's not how I remember it."

"It certainly felt that way at the time."

They drift to the kitchen, past all the traces of the year. The dried flowers, the new scuffs on the floorboards. The box of bound manuscripts of Henry's first finished poetry-ish short-fiction-ish essay-ish collection. The holiday cards from senators and diplomats and old Texas friends, topped off with Alex's favorite of Rafael Luna and his astonishingly fit partner in matching Christmas jumpers. Henry would think Raf had been forced into it if it hadn't come with a case of beer and a note of thanks for letting him stay over the last time he visited Alex and had one too many tequila shots at drag bingo.

Alex withdraws a bottle of Clicquot from the refrigerator and says, "We're not washed, are we?"

“We're aging," Henry points out.

"That's right," Alex says, eyes immediately sparking at the opportunity. Henry preemptively sighs. "You're almost thirty."

"Almost twenty-eight is not almost thirty."

"It basically is. You're old. You'll be thirty a whole year before me. You'll be popping antacids and I'll be in the club, popping my p-"

"You're not even in the club now."

"I could be, I'm just choosing not to, because I don't want to deal with the snow. That's not aging, it's growth."

He slides Henry a glass of champagne and adds, "It's probably time for us to start talking about what's on your Do Before Thirty list, huh?"

Henry takes the glass and chooses going with Alex's bit over pointing out that he's entering his late twenties, not dying.

“I’ve done quite well on that front so far, actually,” he says. “Wrote a book. Started a nonprofit. Engaged to the love of my life.”

“Involved in an international sex scandal.”

“Shook the hands of all five Spice Girls.”

“Best dressed at the Met Gala.”

“Cried in the Water Lilies room at the MOMA.”

“Grew your hair out, then cut it all off.“

“Taught myself to make beef Wellington.”

“That one’s, uh, still in progress,” Alex hedges. Henry gives him an affronted look. “But, yeah! Definitely. And you got really good at scones.”

“That I did.”

“Right,” Alex agrees. “So what’s left? Streaking? Dropping acid? Having sex on our kitchen island?”

Henry takes a moment with that one.

“Having sex on our kitchen island?”

When the clock strikes the new year, the house is quiet. The timer on the light over the front stoop clicks off. The champagne bottle rests between two glasses on the edge of the sink, spent and sticky around the rim, a single soggy strawberry at the bottom of each flute. Miles out from their apartment, fireworks fight the snow over the East River, but in their kitchen in Park Slope, the only sounds are the two of them.

Henry, almost twenty-eight, presses his warm body to the cool marble and gets his midnight kiss.

...

“Do you know what today is?” Alex asks on a lukewarm September.

It’s 2025. He’s in the doorway of Henry’s study, where Henry has been all evening, answering emails.

“Hm? No.”

When Alex doesn’t immediately fill the silence, Henry looks up from his laptop screen.

“What is it?”

“Five years since the story broke,” Alex says.

It takes a moment for him to realize what story Alex means; there have been so many of them. But of course, he means that gigantic, terrible one. The one that changed their lives forever.

“Oh,” Henry says. He closes his laptop, leaning back in his chair and away from it. “Well. Hated that.”

“Yeah,” Alex agrees. “Zero out of ten. Would not do again.”

His tone is light and casual, but when he folds his arms across his chest, Henry can see his glasses in the front pocket of his flannel. It’s been months and months since the last time Alex didn’t feel confident enough to wear them.

For his part, Henry can remember much of that day, but not all of it. He remembers stirring sugar into his morning tea when Shaan walked in wearing an expression Henry had never seen before. He remembers Pez arriving like the cavalry in Gucci slippers, hustling Henry away from his handlers with the same graceful disdain he used to direct at Eton classmates who stared at them too much. He remembers Bea finding them in the music parlor and refusing to hear Henry’s apology, and he remembers Alex’s call and Alex’s arrival.

The funny part, though, is he can’t remember anything between Bea and Alex. He knows that Philip was involved, and there were stories on every news channel, and he spoke to his mother at some point. But the space in his memory where those hours belong is simply blank. His psychiatrist says it’s post-traumatic stress disorder, and Henry is inclined to agree, considering the two of them spent the entire following year recalibrating Henry’s anxiety and depression medication around the event.

Those hours will always be gone. There are things he will never get back.

Most of the time, though, when he thinks of that day, the second worst thing that's ever happened to him, he thinks of Alex's hand in his under a Buckingham Palace table. He remembers, clear as a bell, Alex's voice telling him they would survive it together. It happened to Alex too. It wasn't what they would have chosen, but it was what they received, and they've done their absolute bloody best with it.

He rises from his desk, crosses to the doorway, and gathers Alex up against his chest. Their size difference isn't that pronounced—Henry is taller but lean, Alex shorter but sturdy—but in moments like this, he's thankful for the way Alex's cheek perfectly aligns with the crook of his neck. He's grateful for how effortless it is to slip a kiss to Alex's temple.

Neither of them says anything else. It's all been said a thousand times, in speeches and through official statements and in the dark when it's only the two of them. It's enough to stand here in the center of the house, in the quiet, and let it hold their weight.

...

At the end of 2025, Henry has a bad day.

There's nothing specific that causes it. The days just happen like this sometimes, even with all the therapy and medication and supportive partnership and fulfilling creative projects in the world. There are other people, he supposes, who don't spend their lives waiting for the next bad day. He's had every bloody luxury but that one.

Alex comes home from work to find him curled up on the armchair in the study, staring out the window at the light-polluted night sky over the row of brownstones across the street.

“What are you doing?" Alex asks him.

"Looking for Orion," Henry deadpans.

Alex kneels on the rug in his tailored suit pants and rolled-up sleeves and rests his cheek on Henry's knee, the way he often does when Henry's in a mood. Henry's fingers slide into his curls. They've grown a bit longer in the past few months. Lately. Alex looks quite like he did when they met, except for the glasses and the stubble dusting his jaw.

“I’m tired of big law, “ Alex confesses. It would appear he’s in a mood too. “I know it’s only been a year and a half, but...I kind of hate it.”

Henry contemplates that, along with the dark circles around Alex’s eyes.

“You don’t have to do it, you know.” Henry tells him.

Alex looks at him like he did in that hotel room in Paris the first time they woke up together, like the only thing he knows for sure about what he’s being offered is that he wants it completely. It’s an intimidating look to receive, but it’s only ever improved Henry’s life in the end.

He kisses Henry’s knuckle, just below his ring.

“I have some ideas.”

...

In February 2026, a flu sweeps through Park Slope. Neither Alex nor Henry can agree on who gave it to whom first– Henry knows it was Alex, since he’s been up late consulting with his mum about a voting rights bill in Texas, and his immune system always suffers when he gets upset about Texas—but regardless, they’re trapped in the brownstone together for a week. At least Alex doesn’t have to work through his illness the way he usually does, since he resigned from his job last month.

Somewhere around day five, Henry realizes it’s the longest consecutive amount of time they’ve both been home in years. They always seem to be leaving or returning: rushing off to appearances, climbing out of security caravans in half-undone suits, meeting Cash at the curb at three in the morning with bags over their shoulders. It’s nice, in a way, to get reacquainted with this home they’ve built together.

While Alex naps, Henry paces the entire floorplan.

The first floor, with its long living room and the original beams and mantelpiece, which Henry had restored before he moved in, because he always has been precious about the history of things. Then the kitchen and the deep blue cabinets and the wide back window over the knotty pine dining table handed down from Alex's dad. Upstairs, on the second floor, the guest bedroom with all of his mum's preferred hand creams in the attached washroom and the sitting room with the shelf of swan figurines Pez started collecting years ago in a dramatic fit of June-related yearning. One more flight up to the top floor, with his study and Alex's office and the hall with their photo from Shaan and Zahra's wedding and, at the far end, their bedroom.

The bedroom is his favorite part of the house, and not only for the obvious reasons, no matter how much Alex tries to imply otherwise with suggestive eyebrows. He loves the high ceiling and the chipped plaster medallion of roses at the center. They picked out the bed together, and every morning that he wakes up in it, he gets to turn over and see Alex's loose pens and glasses wipes scattered atop the dresser and know that this, his life, is still real. Perhaps he likes the room best because it feels separated from every other part of the house, lifted up and bundled in, which is the first time he's ever been safe in a tower.

Most importantly, of all three levels of bay windows jutting from the redbrick front of the brownstone, only the one in the bedroom has a seat. They've filled it with velvet pillows and mossy green cushions, and once or twice a year, on one of their vanishingly rare slow days, Alex will climb in and fall asleep.

That's where he finds Alex when he eases into the room with a mug of soup in each hand. He recognizes the quilt wrapped around him: they slept under it in Alex's childhood twin bed the night Ellen won her second term, and then Alex crammed it into his suitcase and brought it back to Washington.

He stirs as Henry sets the mugs down on the dresser.

“Thanks,” he says in a hoarse voice.

Henry nudges in beside him, gingerly removing Alex's glasses from beneath his elbow before they get crushed.

"You know," Henry says, "I chose this house for the bay windows."

Alex blinks at him, fully awake now. "Really?"

"I thought you might like them. You always talked about the one you grew up with. Hoped they might make the place feel like home."

Alex smiles. "They do."

Henry looks at him in his quilt, sleep-mussed and flushed from fever and overdue for a shave, and he remembers that night in the yellow house in Austin. Before Alex led them back to his old bedroom, he peeled up the cushion in the living room window seat and showed Henry pages of elementary school scribbles still hidden there. And he told Henry that he thought once of hiding a picture there too, if only he'd had the nerve to tear it out of his sister's magazine.

Love, Henry has found, has a way of growing backward. You fall in love with a person in the present, and then every person you've ever been gets to fall in love with every past version of them. A sleep-deprived Georgetown freshman falls in love with an Oxford sophomore who's testing out undoing the top button of his shirts sometimes. A ruddy-cheeked teenager with his nose in a book loves a backtalking lacrosse captain. A boy comes home from school with perfect marks and sees a picture in a magazine, and the boy from the picture pauses on a palace staircase.

The crux of it is, he loves every version of Alex to ever sleep under that quilt. Everything else is mostly set dressing

"I'm having a thought," Henry says.

"Congratulations," Alex deadpans automatically. Then, "Tell me."

"This life we have here," Henry says. "This house. It's good, yeah?"

"Yeah, of course it is."

"But we could have a good life somewhere else too."

Alex frowns. "Like where?"

"Somewhere... farther from everything, maybe? Somewhere we could slow down, and things could be quieter, and you could do the work you want to do. I think I could use some time away from it all, honestly. Maybe I wouldn't even have to have a body double anymore."

Alex considers that for a long moment. They both know where Henry means, even if he doesn't say it. Besides New York and DC, and London on its best days, there's really only one place Alex would seriously consider living. They've joked about it before, but Henry's always thought it might be nice to spend a few years somewhere completely different than he's used to. A place where he could see the stars.

At long last, Alex sniffs and says, "You're gonna fire Angus? He was just starting to grow on me.”

...

“If you don't wake Bea up, you're gonna have to hear about her back spasms in the morning,” says a voice that is most certainly not Heath Ledger's.

Henry startles awake to find Alex leaning over his shoulder from behind the loveseat, curls everywhere. The room is dark, and the end credits are rolling.

"You're not home until tomorrow," Henry mumbles.

"Moved up my flight," Alex says. He's so close to Henry's face, he's gone a bit cross-eyed. His lips bounce off the tip of Henry's nose. "I missed you."

It's only been a few days, but the truth is Henry missed him too. He supposes he should be used to empty beds and time differences by now, especially when they began that way, but he suspects he'll never stop waiting at the door. You know what will be the best part of getting married?" Henry asks Alex.

"The line dancing."

"The way I won't have to miss you nearly as often."

Alex softens, then maneuvers himself over the armrest until he's draped across Henry's lap. David climbs on top of him and curls up on Alex's left buttock.

Letting go of the house has been hard, but this particular decision was easy, once they finally said it out loud. A gradual, careful withdrawal from public life, at least for a few years. They’ve given so much of themselves to the world and had the privilege of feeling a legacy take shape beneath them, but they need rest too.

It was June who convinced them, actually. Even now, there are certain things only June can say to Alex. Early in the spring, when she was finally transitioning out of her speechwriting job for Raf, she called Alex from Colorado and told him she was moving to New York to be closer to Nora and Pez, and she wanted to sublet the brownstone. When Alex pointed out that he was still living in it, she said, "We both know you've been looking at farmhouses in Austin for six months, it's time to shit or get off the pot."

(Henry loves his particular collection of Americans. They truly do say what's on their minds.)

The new house is beautiful. Henry's only seen it in person once, but the previous owner was a reclusive tech executive with shockingly good taste, so Architectural Digest featured it last year. He's had the article open in a tab on his phone for two months, and he scrolls through all those perfectly lit photos twice a day, getting high on possibilities. Lazy mornings in the wide sunroom, midnight dives in the lake. It's easy to imagine Alex mellowing into a brisket-smoking, tamale-rolling Texas dad out there, and it's just as easy to imagine them basking under cedar trees until their mid-thirties and then deciding they're ready for another round. The wonderful thing is, they can take their time either way.

It isn't a full release from their obligations, but it is the next step after formally relinquishing his title. More boundaries, more of their own rules about what they will and won't do. No royal wedding, but a private ceremony at the lake house and a honeymoon unpacking boxes. A job for Alex at a smaller firm where he can finally get his hands in the earth. A quieter life.

"You're right," Alex says. "You know what else is gonna be awesome about married-people life? We can have actual, real-life date nights. Just imagine it: free refills and bottomless chips and salsa."

"Oh, I've got another one," Henry says. “You can finally show me how to navigate an H-E-B."

“Baby, don’t talk dirty to me in front of company.”

“Please,” says a groggy voice from the couch.

“Hi, Bea.”

“Time’s it?”

“One in the morning.”

“Ugh.”

Grumbling and tugging a blanket around herself, Bea wakes Pez and the two of them head off to wash up before bed. The odds of Pez returning to the couch for the night or availing himself of their bed so that Alex has to sleep on the couch are just about even, based on six years of Pez falling asleep at their house. It’s a comfort to know that when they leave the brownstone and June moves in, Pez will still be making himself at home in it.

Downstairs, surrounded by boxes, Alex crawls out of Henry’s lap and slides a large shopping bag out from behind the loveseat. “I brought you something.” Alex says.

Inside the bag is a box made of the sort of heavy cardboard that augurs something expensive. He imagines Alex hurling his patched-up rough-ridden leather duffle into the overhead compartment of the airplane and then sliding this bag under the seat so carefully that there’s not even a crease in the paper.

He takes the lid off the box and unwraps layers of tissue paper to reveal a hat. A cowboy hat. It’s made of gorgeous, thick felt, with a cattleman crown and a satin lining. A nearly identical one has hung in Alex’s office since he moved in, though Alex’s is midnight black and this one is a warm, pale sand. Where Alex’s hatband has a small gold buckle, this one has a silver pin in the shape of an English rose.

“It’s a Stetson,” Alex says. When Henry looks up at him, his cheeks have darkened faintly. “I know it’s not really your thing, but you ride horses, and it’s kind of a big deal where I’m from to get your first Stetson, so I wanted to be the one to give it to you since you’re about to be an honorary Texan. You don’t have to wear it if you don’t want–“

“I love it,” Henry interrupts.

Alex pauses, then breaks out in a grin. “You do? I was afraid you’d think it was a joke.”

“It’s the least ridiculous hat I’ve ever been given,” Henry tells him. “It didn’t even come with a matching tailcoat.”

“Nah, but maybe we can get you some Wranglers,” Alex says.

“Some chaps, perhaps.”

“I just told you not to talk dirty to me.”

Henry laughs and kisses him over the open box, thinking of the next year of their lives. Sunday morning fry-ups, swimming holes, a wedding cake that doesn’t wind up on the floor. Tomorrow he needs to ask if Alex checked on the bakery while he was in Austin, and if they have any more packing tape, and whether Amy’s daughter has gotten her flower girl dress yet.

Tonight, though, Alex is home a day early, and the house is making all its soft, familiar night-time sounds around them. No one sees in through the windows. No one comes in through the gate.

“Henry,” says Alex.

“Alex,” says Henry.

“You and me,” Alex says.

“You and me,” Henry agrees.

End.

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[pekoehoneyncream]

Price Basic Info

Legal Name: John Price Call Sign: Bravo Six D.O.B: 6, April, [REDACTED] Rank: Captain  Nationality: British  Race: White Height: 188cm, 6’2 Eyes: Brown Hair color: Blue-Brown Hazel Pronouns: He/Him Notable features: Maintains a beard. Often wears a boonie hat.  Associations: SAS TF-141

Price joined the infantry at the age of sixteen and has served in the British Army for eighteen years. One of the youngest cadets to ever graduate the Royal Military Academy as a commissioned officer, he completed Special Service Commando selection and was 'badged' a member of the SAS. He was promoted to Captain in 2011.

With uncanny instincts and an unchecked determination, Captain Price is a relentless combat-tracker, doing best in a fluid and volatile environment. A seek-and-strike expert, Price is versed in a wide range of fieldcraft and tactical capabilities. From airborne shock-trooper to long-range reconnaissance operator, Captain Price is a skilled and adaptable saboteur. He has a honed talent for using goodwill and trust to develop and maintain links to valuable foreign fighters across the globe.

Price believes that the duty of every soldier is to fight for the greater good— "The rules of engagement don't change, but their justification does." Price always fights for what's right but he knows what's right isn't always what you're fighting for. He's often said, "One man's terrorist is another man's freedom fighter." Sometimes unpredictable and unrestrained, John Price has a golden rule all his own: "We get dirty, and the world stays clean." 

Not above a rogue move or an unholy alliance in the name of getting the job done, John has a deep but often strained relationship with the system. He seems to hate being tied down by rules or procedures, and sometimes takes drastic actions on his own, often against orders.

His grandfather fought in World War II. 

Price enjoys smoking cigars. His favorite brand is Villa Clara’s.

(As always this is my personal canon, with influence from canon)

PekoeHoneynCream's Masterlist

[seoresellerca]

The Business Benefits of Backlink Optimization

These were a few benefits offered by backlink optimization. Connect with SEO Resellers Canada to build credible backlinks. Read more: https://seoresellerscanada12.blogspot.com/2024/01/the-business-benefits-of-backlink.html

[film-classics]

Carmen Miranda - The Brazilian Bombshell

Carmen Miranda (born Maria do Carmo Miranda da Cunha in Marco de Canaveses, Porto on February 9, 1909) was a Portuguese-born Brazilian singer. Nicknamed "The Brazilian Bombshell", she was known for her sass and signature fruit hat outfit that she wore in her American films.

Miranda was introduced to a composer while working at her family's inn, and she soon recorded her first single ("Não vá Simbora") in 1929.  She then signed a two-year contract with Rádio Mayrink Veiga, the most popular Brazilian station of the 1930s. Her rise to stardom in Brazil was linked to the growth of a native style of music: the samba.

At the invitation of US show business impresario, Lee Shubert, who saw her perform in Rio's Cassino da Urca, she came to Broadway and starred in hit musicals: The Streets of Paris and Sons o' Fun.

Her fame grew quickly, and she was formally presented to President Franklin D. Roosevelt at a White House banquet shortly after her arrival in the US.

When news of Broadway's latest star (known as the Brazilian Bombshell) reached Hollywood, Twentieth Century-Fox offered her a contract in 1941. Her most memorable film performances are in the musical numbers of films such as Week-End in Havana (1941) and The Gang's All Here (1943).

After World War II, Miranda's films at Fox were produced in black-and-white, indicative of Hollywood's diminishing interest in her. As a result, Miranda decided to produce her own films to limited success. Although her film career was faltering, her musical career remained solid and she was still a popular nightclub attraction. She continued to tour the US, Europe, and Latin America.

After filming a segment for the NBC variety series The Jimmy Durante Show, where complained of feeling unwell, she died at home in Beverly Hills, California from a heart attack. She was 46 years old.

Legacy:

Was the first contract singer in Brazilian radio history; subsequently, the highest-paid radio singer in Brazil in the 1930s

Chosen by former Brazilian president Getúlio Vargas as a goodwill ambassador in the United States in 1939

Was the first Latin American star to have a block in the forecourt of Grauman’s Chinese Theatre in 1941

Was Hollywood's highest-paid entertainer and the top female taxpayer in the US in 1945, earning more than $200,000 that year

Has a museum in Rio de Janeiro, Museu Carmen Miranda, established in her honor in 1976

Received the Ordem do Infante Dom Henrique Grande Oficial, a Portuguese order of knighthood, in 1995

Has a square in Hollywood named Carmen Miranda Square with a ceremony headed by honorary mayor of Hollywood Johnny Grant and attended by Brazilian consul general Jorió Gama in 1998

Was one of 500 stars nominated for the American Film Institute's 50 greatest screen legends in 1999

Honored by the Museum of Modern Art in Rio de Janeiro in 2005 and the Latin America Memorial in São Paulo in 2006 with a Carmen Miranda Forever exhibit to commemorate the 50th anniversary of her death

Bestowed the Ordem do Mérito Cultural by the Ministry of Culture of Brazil in 2009

Was a part of a set of commemorative US Postal Service Latin Music Legends stamps, painted by Rafael Lopez, in 2011

Commemorated in the 2016 Summer Olympics closing ceremony with a tribute

Honored with a Google Doodle on her 108th birthday in 2017

Was the first South American honored with a star on the Hollywood Walk of Fame at 6262 Hollywood Boulevard for motion picture

[localseos-blog]

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[blackswaneuroparedux]

I am by far your superior, but my notorious modesty prevents me from saying so.

- Erik Satie

To his contemporaries and peers Erik Satie was something of an enigma. Just a few of his quirks included claiming he only ate white foods, carrying a hammer wherever he went, founding his own religion, eating 150 oysters in one sitting, and writing a piece with the instruction to repeat 840 times! As a composer, Satie paved the way for the avant-garde in music and became a very influential figure in the classical music of the 20th century whose works still sound fresh today.

Born into a poor and difficult childhood in the Normandy harbour town of Honfleur on 17 May 1866, Satie would always be an outsider. The Paris Conservatoire to which he was enrolled by his stepmother, herself a pianist, became for him “a sort of local penitentiary” during his teens; he left with no qualifications and a reputation for being lazy. He signed up for military service in 1886 and dropped out within the same year. Immersing himself in the bohemian life of Montmartre, he became linked with the popular music scene and eked out a living as an accompanist, playing at the Chat Noir cabaret. Always on the periphery, and forever out of money, he later downgraded from the cramped room in which he lived to the less fashionable Parisian suburb of Arcueil, where he holed up in isolation and squalor – no visitors set foot in the room during the near-30 years he lived there.

Much has been made of the eccentricities of this flâneur, who was always seen in a grey velvet suit, and yet underlying Satie’s music is his serious desire to create something new. You can hear it in his popular piano pieces: the haunting scales and rhythms of the Trois Gnossiennes written under the spell of Romanian folk music, and the meditative world of Gymnopédies, where, as in a cubist painting, motifs are “seen” from all sides. At a time when French composers were looking to escape the shadows of Wagner’s epic Romanticism, the French composer’s stripped-back mechanical sound, inspired by the humble barrel organ, offered a radically simple approach.

Satie preferred originality to the mundane. The composer of the famous Gymnopedies, could never be accused of having an uninteresting personality. For one, his outgoing fashion statements always caused a stir. During his Montmartre years, he had 12 identical velvet corduroy suits hanging in his wardrobe, which earned him the nickname ‘The Velvet Gentleman’, and in his socialist years, he donned a bowler hat and carried an umbrella.

Debussy helped to draw public attention to Satie, orchestrating two of his Gymnopédies, yet Satie had to wait until much later in life to attain celebrity status. While still earning a living writing salon dances and popular cabaret songs, and after suffering a creative crisis, he enrolled himself at the Schola Cantorum in Paris at the age of 39. Rather than finding him validation, his studies seem to have fuelled his hatred of convention - it’s with more than a hint of bitterness that he claims to put “everything I know about Boredom” into the Bach chorale of his masterful Sports et Divertissements piano pieces. But notoriety led to a succès de scandale and when it came it came with a bang in Parade, his surreal, one-act circus ballet for Diaghilev. Into the orchestral score, which featured jazz and cabaret tunes, were thrown typewriters, sirens and a pistol - just the kind of noises a wartime audience would normally pay not to hear. With its rigid cubist costumes by Picasso - which restricted Massine’s choreography - and a promotional push from Cocteau, it was provocative enough to secure Satie’s position at the vanguard of modernism.

Yet Satie was continually frustrated in his attempts to be accepted as an artist in high society France - his failure to establish himself at the prestigious Académie des Beaux-Arts, to which Debussy had won a scholarship, only compounded his resentment. Was this treatment by the cultural elite fair? Certainly his determination to antagonise his audience in his late ballets did little to endear him to the critics, but the fierce criticism he received in Paris was also a sign of things to come. Pierre Boulez would later poke fun at Satie’s lack of craft, while composer Jean Barraqué - another proponent of 12-tone music - would deride Satie as “an accomplished musical illiterate … who found that his friendship with Debussy was an unhoped-for opportunity to loiter in the corridors of history”.

Satie is perhaps, to this day, the most audacious and original composer when it comes to naming his works e.g. Gnossiennes and Gymnopédies. With Satie you will not see symphonies, concertos or opus numbers. Satie possessed a wicked sense of humour and his mockery, both of himself and others, became an inspiration for many of his irony-tinged works. His Sonatine bureaucratique is a spoof of Muzio Clementi’s Sonatina Op. 36 and contained many witticisms in the score. For example, he writes Vivache (vache being French for cow) instead of the original Italian tempo marking Vivace.

Whether in the collage-like miniature piano parodies he wrote during the World War I, his creation of a theatre format that has endured over the years, or in his collaboration with Jean Cocteau, Pablo Picasso y Sergei Diaghilev, there is a liveliness of imagination and a hunger for innovation that made Erik Satie In the torch bearer of the vanguard in his work. Satie would influence so many so strongly that years later some of his closest friends became radical artists, for example. ManRay, the sculptor Constantin Brâncusi, and Marcel Duchamp, or a much younger group of Paris-based composers like Les Six.

Satie, a known drinker of absinthe, and apparently every other alcohol available, died of cirrhosis at the age of 59 in Arcueil, France in July 1925. But his compositions, especially those deceptively simple-sounding solo piano works, find life today through recitals, concerts, and great movie scores. Although he died in poverty with little success to his name, today Erik Satie is acknowledged as a founder of 20th-century modernism, who changed the face of music.

Personally I do find Satie's music enriching, But I also find that his calculated wackiness is culturally apt. Pieces like ‘3 Pieces in the Shape of a Pear’, ‘Flabby Preludes for a Dog’ and ‘Desiccated Embryos’ rewardingly deflate Wagnerism's excesses in a characteristically French way.

[xemily-similex]

Mechanic VS Glamrocks

It's dark and damp where you are cornered, the only light you can actually see with coming from the bright overhead light in the protective cylinder. Your breathing is quick, and your pulse quickens. You thought that working with the Glamrocks would be fun. Cool, even. This is something from straight out of your nightmares.

Three of the main four have you surrounded in Parts and Service. Roxy and Chica are standing guard on either side of the door to the cylinder, but the angry green gator is the one that has you trapped here. Freddy is nowhere to be seen, but you know if the fatherly tempered bear was here, you wouldn't be subjected to this!

You wipe the sweat forming on your brow and squirm. You just wish for this, this torture to end!

"Monty, please!" Your plead and it falls on deaf ears… microphone? Whatever the animatronics use to hear with. You could almost cry. The unshed tears of strife were stinging, and threatening to fall, but you had just enough pride to keep them at bay…for now.

You couldn't keep doing this, you couldn't take it!

Monty looks at you cruelly and bellows a laugh that echoes within the metal of his casing and the cylinder itself, amused by your apparent discomfort. Chica and Roxanne are cackling at your expense, as if your pain were funny to them. It probably was, thinking about it. They wouldn't have been so amused otherwise, you think to yourself.

You're getting to a point where you are uncomfortable. You thought the Glamrocks were supposed to be nice. Kind. Cared about the feelings of others. The treatment you're getting now is nothing short of cruelty, of barbaric-ness, of insanity!

It was like they had all gone mad, and their only objective was to kill you.

Monty blasts Take Me On louder from his speaker. You bite your lip.

"This is so stupid! You always pick the songs I can't resist!" You whine, your arms elbow deep in robotic gator guts. He had fallen, again, into the marsh in Gator Golf and had filled up with dirty, disgusting water. Monty was now propped up on the huge chair in the protective cylinder and you were doing your damnedest to dry him out and save him from any lasting water damage.

"Go ahead, Mechanic, you're gonna lose anyway." Monty says cockily with a laugh.

You and the Glamrocks were playing the usual game of 'IF YOU SING OR DANCE ALONG TO THIS SONG, YOU LOSE A KIDNEY!'. Except no actual kidneys are in danger. Only your pride.

"You're getting a free show, stop complaining so much." Roxy quips after she rights herself. She begins primping, fluffing her fluffy white hair and using the glass of the cylinder like a mirror. She began effectively ignoring everyone in favor of admiring her reflection, losing her amusement in anything outside of herself.

Chica squawks loudly after a couple minutes, and flaps her arms like her real life counterpart, knocking over cans of oil, paint and air duster, startling everyone. "Ohh! Oh, Monty play this one, play this one!" She stills, sending him a link through the animatronic only network, you assume. It was the only time they go unnaturally still like that, unless they are charging or powered off. You just got done checking over Chica, so you know she had full battery and no cause to just randomly turn off at the drop of a hat.

Monty nods, wicked smile forming on his minimally moving maw. You don't think you're going to like what's to come.

Music and theatre have always been your thing. You were still a theatre kid at heart, dramatic and over the top, and you sung like a canary, especially when you were alone, down in Parts and Service by yourself, flittering around after closing. Trying not to disturb the public with your 'off tune screeching' as Moon liked to call it.

You would just belt out whatever song was wracking around in your brain. It was almost like you had a playlist in your head, cocked and loaded for you to pick and choose from. The Glamrocks, on stage and off, have only added to your growing list. You still love it though, and it's one of your favorite things about working with literal rockstars.

It's also you're least favorite.

Even if you don't really know a certain song, if it has a good enough beat, you kind of have to just vibe with it. It puts you in the mind of Freddy and his programming to jam out on DJ Music Man's dancefloor. You have joked that you have the same programming.

Did that mean you were any good at it? Absolutely not. You admit, you are mid at best. Try telling your heart that, though. You heart believed itself to be a rockstar of the same caliber you're working on.

So now, you were wiggling in place, trying to stay still and stay focused while getting the water out of Monty's deep chest, and dry out his wiring before he started short circuiting. That meant very delicate work, which meant that you had to take your time which meant that your head had to be next to his speaker, where he could blast every song you loved and you wouldn't be able to get away, lest leaving him to rust.

You flex and curl your toes and do controlled breathing to try and work through it.

You were a third of the way done by the time he finds the next song.

"Damned copyrights." Monty curses while the song loads. He, along with all the animatronics, are hooked up to the Plex's WIFI and can access any music streaming app there is. The only catch is that they may access any music but can't play any music. Labels being afraid of the Band stealing songs for their shows or something. So, Monty had to go and find some unofficial lyric video or fan-imation project so he could play the song.

You start to laugh, calming down enough to effectively work. "Yeah, you almost had me the-"

Careless Whisper plays. Loudly.

You scream. You cry. You gag. You beg.

You lose yourself to the tune of Careless Whisper. Twice.

You slam Monty's chest plate shut. It took you an hour and a half to finish a twenty minute job. You are still a little bit proud of yourself, given such harsh working conditions.

The Glamrocks go to leave, filing out one-by-one and you go about cleaning up your mess. Monty pops his head back into the cylinder. "Hey, Mechanic, you want some singin' lessons? You were a lil' flat back 'ere." You throw the shop towel in your hand at the gator. He catches it flawlessly.

"Yeah, yeah, whatever! Don't try to fall into the swamp water next time." You quip with a smile.

The towel hits you in the back of the head forcefully enough to knock you forward.

[rjalker]

The Overcoat of Arsène Lupin, is now available in English, transcribed into text from a single PDF scan of the story from Popular Magazine #81, v6.

This is, as far as I am aware, the only version of this story available in English besides the original PDF. You're welcome.

Links:

Read or download from the Web Archive.

Download (and, optionally, leave a tip) on Itch.io <-- now includes two audiobook versions!

Buy a physical copy from Lulu.com

@walks-the-ages, @internet--archive (thought you might like to be tagged, lol)

You can also read this short story under the read-more right here on tumblr. It is 9,051 words long, not including the title.

Summary, by me:

A crime so terrible it barely bears thinking about has been brought to the attention of cabinet minister Jean Rouxval, and he has taken it upon himself to bring those responsible for this horrible deed to justice.

But his plans to go it alone are brought up short when a detective by the name of Hercules Petitgris is assigned to assist him. Despite his poor appearance, detective Petitgris comes highly recommended. The suspects arrive, and Rouxval begins his interrogation, the proceedings watched over by the silent Petitgris as Rouxval takes the lead, driven by anger over the crime he has discovered. Little does he know that Petitgris got the case all worked out as soon as Rouxval started talking...

(Archived read-more link)

[read-more link was here]

The Overcoat of Arsène Lupin

Written by Maurice Leblanc,

“author of “The Hollow Needle,” “813,” “A Gentleman,” Ect.”

[Image description start: A black and white illustration with a black border, showing four characters. One is a man sitting at a desk, in a suit and tie, gesturing with one hand, while another man stands in front of the desk with his back to the viewer, one hand on his hip. Then a man and woman looking worried, the man with his hat off and hanging by his side, his other hand held out as he speaks, the woman with one hand to her face, the other clutching her chest. Image description end.]

Hands behind his back, head sunk deep in the collar of his coat, his harsh countenance contracted in deep thought, Jean Rouxval nervously paced up and down the length of his vast study. At the threshold the chief page, detailed to the service of of cabinet officers, awaited orders. The minister betrayed by his short, quick steps, his drawn brow, his agitation, that he was shaken by emotion which assail a strong man seldom, and only at crucial moment of his life.

Stopping suddenly, he said to the page in a determined voice:

“A lady and a gentleman, no longer very young, will arrive presently. You will ask them to wait in the drawing-room. Shortly after I expect a gentleman, younger and alone. You will conduct him to the yellow room. They are neither to speak nor to see each other. You understand? I am to be notified at once of their arrival.”

“Very well, sir,” said the page, and withdrew.

Jean Rouxval’s political ability lay mainly in his tremendous energy, his attention to detail and a determination to know a bit about everything, whether it concerned his department or not.

Having enlisted almost at once in 1914 to avenge his two sons – both of whom had seemingly vanished from the field of battle – and the subsequent death of his wife, the war had given him an excessive sense of the value of discipline, authority, and duty. Affairs in which he was concerned always discovered him ready to undertake the most serious responsibilities and consequently found him assuming the greatest amount of power. He won the esteem of his colleagues, but they were also a bit wary lest the exaggeration of his good qualities might not drag the cabinet into needless complications.

He looked at his watch. Twenty minutes to give. He still had time to glance over the record of the frightful case which had caused him so much anxiety. Just then, however, he was interrupted by the telephone. He seized the receiver; the president of the council wished to speak to him.

He waited what seemed an endless time. Finally the president himself spoke. Answering, he said:

“Yes, Rouxval speaking, Mr. President.” He listened, seemed annoyed, and then replied in a bitter voice:

“Certainly, Mr. President, I shall receive the detective you are sending. But don’t you think I could have obtained the necessary information? Well, of course, if you insist, my dear president, and if this Hercules Petitgris is, according to you, a specialist in criminal investigation, he can attend the meeting I have arranged … Hello! … Hello! … Yes …. What? … My dear president. … This Petitgris may be… Really! Is it possible? Ah! Well, merely a supposition … That is-- Petitgris has all the perspicacity usually attributed to Arsène Lupin. … Yes, sir...Perfectly. … I shall wait for him. Hello! … You are quite right, my dear Mr. President. … The case is very serious, especially since certain rumors have already begun to be circulated. … If I do not arrive at an immediate solution, and if the truth of the matter is at all what we fear, it will be a frightful scandal and a disaster for the country. … Hello! … Yes, yes, rest easy, my dear Mr. President, I shall do the impossible to succeed. I will succeed. … I must succeed.”

After a few more words, Rouxval hung up, muttering between clenched teeth:

“I must! I must! What a scandal!” He was considering the various paths which might lead him to a successful solution, when he gradually became aware that some one was near him, some one who was not seeking to be noticed.

He turned his head and was dumbfounded by what he saw. All but next to him stood a shabby, wretched-looking individual, a poor devil, one might say, holding his hat in his hand in the humble attitude of a beggar asking alms.

“What are you doing here? How did you get in?”

“By the door, sir. The chief page was busy parking people right and left, so I beat it straight in.”

“But who are you?”

The stranger bowed respectfully and introduced himself:

“Hercules Petitgris – the specialist whom the president of the council just recommended to you, sir—”

“Oh, then you were listening?” Rouxval broke in peevishly.

“What would you have done in my place, sir?”

He was a sickly looking, pitiful object, sad-faced – his hair, mustache, his pinched nose, his thin cheeks, the corners of his mouth, all drooped pathetically.

His arms hung wearily in a long, greenish overcoat which seemed about to slip from his shoulders. He spoke in a disconsolate voice, not without care, but accenting certain words in a manner peculiar to the common people.

“I even heard you speak of me as a detective, Mr. Minister,” he continued. “Wrong, all wrong! I am not even on the police force. I was dismissed from headquarters for ‘weak character, drunkenness and laziness.’ Those were the terms of discharge.”

Rouxval was unable to conceal his amazement.

“I don’t understand. The president of the council has recommended you as a man with a disconcerting ability to diagnose clearly and correctly.”

“Disconcerting, Mr. Minister, is the right word. There are people who even believe I am Arsène Lupin, as the president was telling you. That is why some gentlemen consent to my services, in cases where no one has succeeded or could succeed, without looking too closely at my record or my character. Sure they say I am conceited and insolent to my employers. And then what? When one of my employers puts his foot in it and I see the point right off, haven’t I the right to tell him, have a little laugh on the side? On the level, Mr. Minister, I have turned down money more than once just to be able to bust right out laughing. They are funny! You ought to see the faces on them.”

In that melancholy face, under the drooping mustache, the left side of his mouth curled up in a little, silent sneer, uncovering a huge tooth – the tooth of a wild beast. It gave him a look of sardonic joy for a moment. With a tooth like that the possessor would bite, and bite deeply.

The minister was not afraid of being bitten, but the stranger certainly did not appeal to him, and if the president of the council had not so insistently recommended him, Rouxval would have gotten rid of him promptly.

“Sit down,” he said gruffly. “I am about to question three people and have them face each other in my presence. In case you have any remarks to make, you will make them to me directly.”

“To you directly, Mr. Minister, and in a whisper, as I always do when I always see my chief putting his foot in it.”

Rouxval frowned. In the first place, he hated people who did not know their place – like many men of action, he was very sensitive and keenly feared ridicule. Concerning his efforts the phrase “putting his foot in it” seemed particularly outrageous and almost an intentional menace. But he had already rung; the page entered. Without further delay Rouxval ordered the there people brought to him.

Hercules Petitgris took off his worn, green overcoat, folded it carefully and sat down.

The lady and gentleman were the first to enter. They were evidently aristocrats, and both in deep mourning; she, still young, tall and very beautiful, with a lovely face, pale and austere, framed in graying hair; he, slightly shorter, slim, elegant, his mustache almost white.

Jean Rouxval addressed him:

“The Count de Bois-Vernay, I believe?”

“Yes, sir. My wife and I received your summons, which I confess, startled us a bit. But may we hope it has no ominous portent? My wife is not very strong.”

He looked toward her with affectionate solicitude. Rouxval asked them to be seated and answered:

“I am sure everything will be suitably arranged and that Madame de Bois-Vernay will excuse the slight inconvenience I have caused her.”

The door opened. A man between twenty-five and thirty entered. He was of more modest mien, not very carefully dressed; his countenance, though frank and kindly, gave evidences of dissipation and weariness, confusing one’s estimate of his fair, broad-shouldered young man.

“You are Maxime Leriot?”

“Yes, sir, I am.”

“You do not know this lady and gentleman?”

“No, sir,” answered the newcomer, looking straight at the count and countess.

“No, we do not know this gentleman, either,” said the count in answer to a question of Rouxval’s.

The minister smiled. “I regret that this interview should begin with a statement which I am forced to disbelieve. But that little error will right itself at the proper time. Without haste and without undue delay over nonessentials, let us begin at the beginning.”

He opened the records on the table, turned to Maxine Leriot and in a slightly hostile tone said:

“We shall begin with you, sir. You were born in Dollincourt, Maine-et-Loire. Your father was a hard-working peasant who starved himself to give you a suitable education. The mobilization of 1914 found you a private in the infantry. Four years later you were an adjutant, with the croix de guerre and five citations for bravery. After the war you reenlisted. Toward the end of 1920 you were in Verdun. Your papers gave you credit for ‘ability as an officer.’

“But, about the middle of November, in the same year, came a bolt from the blue. One night in a third-rate dance hall, after opening ten bottles of champagne, you lost your head in a senseless brawl. You were arrested. You were taken to the post. You were searched. On you were found one hundred thousand francs. Where did you get that amount of money? You were never able to explain.”

Maxine Leriot protested:

“I beg your pardon, sir, I said that I had received the money from a person who wished to remain anonymous.”

“A worthless explanation!” said the minister. “Nevertheless, an inquiry was instituted by the military authorities. It came to nothing. Six months later, after obtaining your discharge from the service, you were again the center of another scandal,. This time your bill fold contained forty thousand francs in war bonds. And concerning these, too – silence and mystery. And again no explanation as to your means of livelihood or any reason for the dissipated existence you were leading. No position, no resources to speak of, yet money flowed through your fingers as if they supply were endless.

“The special detectives assigned to your case at the time could discover nothing, and you continued from bad to worse. Chance only, or a misstep on your part, could undo you. And that is what happened. One day, beneath the Arc de Triomphe, a man approached a woman who came there each day to pray, and said in a low voice, ‘I expect your husband’s letter to-morrow. Warn him – otherwise—‘

“The man’s attitude was surly, his tone snarling and menacing. The lady was frightened and quickly sought her motor. Must I specify that one of these persons was you, Maxime Leriot, and the other the Countess de Bois-Vernay, and only a moment ago you pretended not to know each other?”

Rouxval abruptly held up his hand. “I beg of you, sir,” he said to the count, who was about to interrupt, “do not try to deny the evidence. The episode occurred near me, for I also go regularly to the sacred tomb each week to pray for my sons. It was I who overheard the whispered threat; and it was for my own enlightenment, without knowing any of the facts which I have just related to you, that I undertook to discover who the man was, and the identity of his victim, in this too-apparently blackmailing scheme.”

The count said nothing. His wife did not stir. In his corner Hercules Petitgris nodded his head and seemed to approve the conduct of the investigation. Jean Rouxval, who had been watching him out of the corner of his eye, felt reassured. The tooth was not to be seen; therefore all was well. Rouxval continued, forging additional links in his chain of evidence.

“From the moment when circumstances placed the direction of this affair in my hands, it took quite a different turn, perhaps because I saw it in one light rather than another. Instead of Maxime Leriot, the man of to-day, I immediately saw the soldier of yesterday. His past interested me more than his present. Instantly, the moment I glanced at his record, two things struck me forcibly – a name and a date: Maxime Leriot was in Verdun, and he was there in the month of November, 1920 – that is, at the time when the anniversary of the armistice was to be celebrated and when most the solemn of ceremonies was about to take place.

“I went there and directed and inquiry on the spot, which proved neither very long nor difficult. His former battalion chief, whom I questioned, showed me an old order of that date over his signature, which also struck me forcibly. It seemed the key to the situation. The leader of one of the eight funeral cars, brought from eight different points along the great field of battle and bearing the bodies of eight nameless heroes, one of which was to be the Unknown Soldier-- this leader was none other than Adjutant Leriot himself.”

Jean Rouxval struck the desk with his fists, straining every muscle in his anger. Then in a muffled voice, deliberately emphasizing every word, he said:

“You, Maxime Leriot, were in the gallery of the fort where this historic ceremony took place; you were one of the guard of honor. Your heroism, your fame in military annals, caused you to be among those chosen for a part in this ceremony, amid the tricolor flags of your country and the trophies of victory in the great mortuary chapel. You – you were there—”

Overcome by emotion, Rouxval was forced to interrupt his vehement denunciation. It was necessary, moreover, to state facts more accurately and with less passion if the purport of his secret thought was to be clearly understood. Hercules Petitgris continued to nod his head approvingly, which only served to fan the flame of the minister’s ardor.

The former adjutant did not utter a sound. Like troops piercing an enemy line came Rouxval’s accusations. Hesitant, then stronger and stronger, and with greater force they had overwhelmed the foe before he could recover himself. The count listened and looked anxiously at his wife.

“Until this point in my investigation, I have only vague forebodings, no definite suspicions, no clews to lead me. I dared not understand. It was in this spirit, terrified, aghast, that I sought proofs of what I feared to know. These proofs were irrefutable. To begin: On All Saint’s Day, again the third of November, the fourth and the fifth, Adjutant Leriot, whose daily life I succeeded in reconstructing exactly, went, as soon as darkness had fallen, to an isolated inn.

“there he met a lady and gentleman with whom he remained in conference until dinner time. This lady and gentleman came to the inn in an automobile from a near-by city where they stayed at a certain hotel, the name of which I secured. I then went to this hotel and asked to see the register. From the first to the eleventh of November, 1920, two guests had been there – the Count and Countess de Bois-Vernay.”

A silence; the pallor of the countess deepened; Rouxval drew from the records two sheets of paper which he unfolded.

“Here are two birth certificates. The one of Maxime Leriot, born in Dolincourt, Maine-et-Loire, in 1895. That is yours, Maxime Leriot. The other, Julian de Bois-Vernay, born in Dolincourt, Maine-et-Loire, in 1895. That is your son’s, Monsieur de Bois-Vernay. Therefore, we may say, the same birthplace, the same age – two facts granted. Here is a letter from the mayor of Dolincourt. The two young men had had the same nurse. In youth they continued the friendship of their childhood. They enlisted at the same time. Again uncontestable facts.”

Rouxval went on reading from the documents as fast as he turned the pages.

“Here is the death certificate of Julian de Bois-Vernay; died in 1916 at Verdun. Here is a copy of the burial permit for the cemetery of Douaumont. Here is an extract of the report of Adjutant Leriot, who ‘brought back from a trench running along the road to Fleury-à-Bras and near an old surgical service station, the remains, in good condition, of an unknown infantryman.’

“Finally, here is a relief map of the whole scene of action. The old service station is here, about five hundred meters from the cemetery where Julian de Bois-Vernay lay buried. I went from one to the other. I had that tomb opened – it is empty! What has become of the coffin of Julian de Bois-Vernay? Who removed it from the cemetery of Douaumont, if not you, Maxime Leriot? You, his friend, and the friend of the Count and Countess de Bois-Vernay!”

Each sentence Rouxval uttered lent force to the final charge which the accumulated evidence imposed. The enemy was surrounded by undeniable arguments. There remained nothing but submission.

Rouxval, coming closer to Leriot and looking at him squarely, continued:

“This sinister venture is written on the pages of an open book. We know that the coffin of your foster brother was first taken from Douaumont, where he had been buried in an ordinary grave, to the trench where you were sent to secure the body of an unidentified combatant. We know that you took it there, and we know that it was this coffin which you brought to the fort at Verdun. In this we agree, I am sure. And the sequel – the choice, the supreme hour among the eight unknown—”

Again Rouxval could not go on. He mopped the sweat from his brow and tried to regain his composure. In a few moments he managed to continue in the same muffled and anguished voice:

“I hardly dare paint that scene. The slighted doubt in that direction is blasphemy. And yet, is this not rather a certainty than a doubt? Ah, what a frightful imposture! How did you ever succeed in your infamous plan? Answer—answer me!”

Jean Rouxval questioned, but it seemed as if he were afraid to hear the answer. His voice did not carry the authority which brings confession. A long silence ensued, fraught with uneasiness and anxiety. Madame de Bois-Vernay breathed the salts her husband gave her. She seemed very weak and on the verge of fainting. Maxime Leriot turned to the count, mutely asking his help. The count looked toward his wife, afraid to begin a dangerous struggle, asking himself upon what ground he would stand.

Then the count arose and said:

“Mr. Rouxval, because you have so shaped this interview, we there sit here facing you as if we were guilty. Before defending ourselves against an accusation, the meaning of which we do not yet clearly understand, we should like to know by what right you question us and by what right you demand our answers.”

“By the right, sir,” answered Rouxval, “of my great desire to suppress infamy, which, if it became public property, would injure my country inestimably.”

“If the affair is such as you have outlined it, Mr. Minister, there is no reason to believe it will become known to the public.”

“You are wrong, sir. Under the influence of alcohol, Maxime Leriot has talked. What he said was not understood, but various interpretations and rumors have been circulated—”

“False rumors, Mr. Minister,” broke in De Bois-Vernay.

“That makes no difference. They must be stopped.”

“How?”

“Maxime Leriot must leave France. A position will be found for him in southern Algeria. You will, I am sure, furnish him with the necessary funds.”

“And ourselves, Mr. Minister?”

“You will also leave – both you and madame. Far from France, you will be safe from further blackmail.”

“Exile, then?”

“Yes, for a few years.”

The count again turned to his wife.

Notwithstanding her pallor and frailty, she conveyed an impression of vitality and obstinate determination. She leaned forward and said firmly:

“Not a day, sir! Not for an hour will I leave Paris.”

“And why not, madame?”

“Because my son is there. In the Tomb of the Unknown Soldier.”

Those few words, that explicit, frightful avowal, seemed to drop into a pit of silence, which echoed and re-echoed, syllable by syllable,a message of death and sorrow. In Madame de Bois-Vernay’s attitude there was more than an expression of an unconquerable will – there was a defiance and the calm acceptance of a challenge which she did not seem to fear. Nothing could change the fact that her son lay under the Arc de Triomphe, and no power on earth could trouble his last sleep in that tomb of glory.

Rouxval held his head in his hands, desperate. Until that moment he had been able to keep, in the face of all evidence, some illusion of an impossible justification. The confession took the ground from under his feet.

“It is really true!” he murmured brokenly, “I did not really believe – I could not admit it even to myself – it is beyond all reason!”

Monsieur de Bois-Vernay, standing between the countess and Rouxval, begged her to sit down. She pushed him aside, ready for the struggle, determined and defiant.

Only two adversaries now faced each other, implacable enemies, with the count and Maxime Leriot mere accessories.

Scenes of such extreme nervous tension must necessarily be of short duration, when from the first each one throws every ounce of power into the grueling struggle. What further enhanced the tragedy of this duel was the calm, the intense quiet with which it was waged. Not a loud tone, no apparent anger, simple words, radiating emotion. Simple sentences, no oratory, revealing the depth of Rouxval’s amazement and horror.

“How dared you? How do you continue to live, knowing what you do? I, myself, would have borne any agony rather than permit such a deed for one of my sons. It would seem to me I had brought him ill luck in his last sleep. Given him a tomb which was not rightfully his! Diverted to him the prayers, the tears, all the holy thoughts which flow over a loved one, dead! What an abomination! Can’t you see that?”

He glared at her, opposite him, tense and white, and continued more aggressively:

“There are hundreds – no, thousands! -- of mothers and wives who may believe that their son, their husband lies there. These bereaved women, as sorely smitten as you, with the same rights to seek consolation there – these women have been betrayed, pilfered, robbed – yes, robbed and vilely robbed!”

The countess shrank under these insults, this contempt. She had surely never paused a moment to consider her course of action in itself; certainly she had never weighed its ethical values. She had reacted impulsively, moved by the bitter suffering of a mother seeking to regain a small part of the son so cruelly torn from her; for the rest – nothing mattered.

Murmuring, almost in a dream, she answered:

“He did not rob any one. He is the Unknown Soldier. He is there in the place of the others; he represents them all—”

Rouxval seized her arm. Her words exasperated him. He thought of his own lost ones, whose remains he had almost found again that day of solemn burial and consecration. Now they had vanished once more in a fathomless abyss. Where now could one pray? Where find the dear ones, gone forever?

But the countess smiled, her face transformed by the happiness which fairly irradiated her whole being.

“It was circumstance which caused him to be chosen among all the others,” she said. “What I did, alone, would not have sufficed, if there had not been a greater will than mine in his favor. Chance might have assigned the honor to some soldier who did not deserve it, either in his life or in his death. My son was worthy of the reward.”

“All were worthy!” protested Rouxval vehemently. “Even if during his life he had been the most obscure, the most odious of men, the soldier chosen by destiny became, in that instant, the equal of the greatest!”

She shook her head. Her eyes gleamed with a contemptuous pride. Before her rose the ghosts of a hundred proud ancestors and the heroic dead of her country acclaiming her son the chosen one, born for glory.

“This has happened for the best, sir,” she said. “Believe in me and rest assured that I have stolen no tears, no prayers. Every mother who kneels there and weeps, prays for her dead son. Does it really matter if it is my son, if she does not know it?”

“But I know it,” said Rouxval, “and they may find it out! And then what? Can you imagine what will happen – the anger, the hate, the wild scenes of unbridled fury? No crime in the would would arouse such indignation! Can’t I make you understand?”

Little by little he was losing control of himself. He despised this woman. Her exile seemed more and more the only solution which could avert a calamity and at the same time appease his own pain.

Without any attempt to spare her, he said roughly:

“You must go, madame. Your presence at that grave is an outrage to every other woman. Go, and go now!”

“No, I will not,” she said.

“You will; you must! With you out of the country, their wrongs will be partially righted; the soldier there will once more become the Unknown Soldier.”

“No, no, no! What you ask is impossible. I could not live away from him. If I had to continue to live, it is only because he is there, because I can see him each day, speak to him, and hear him speak to me. Oh, you cannot understand how I feel when I stand there in the crowd! They come from every corner of France, bringing their offerings of flowers, of tears, of prayers. There are moments when I am so overwhelmed by a wave of happiness and pride that I almost forget he is dead. I see my son alive – alive and standing beneath that arch, smiling at me as I kneel before him. And you dare ask me to give up all of that! It is madness. It would be like killing my beloved child a second time!”

Rouxval clenched his hands, to restrain himself from killing this ungovernable woman. He knew now that she was stronger than he was. Driven to desperation, he threatened:

“You force me to the worst. If you do not go – I swear – I swear that I will denounce you! I will unmask you to the whole world rather than permit this ghastly imposture to continue --”

She laughed mockingly.

“Denounce me? Is it possible? You will denounce me and inform the world about this imposture which causes even you to tremble?”

“Nothing, nothing can stop me!” he cried. “I shall do my duty even if it kills me. Your trickery has made life intolerable. If you do not go, madame, he shall go – the body of your son shall be --”

She quivered, stricken by the brutal words. The frightful image of that poor body, torn from the tomb, roughly handled and cast into another grave, was more than she could bear. Tears came to her eyes; with a cry of pain her hand went to her heart. The count made a vain attempt to reach her as she tottered and fell to the floor, unconcious.

The duel was nearing an end. Wounded to the depths, but triumphant, she fell, not yielding a step in her struggle. The count carried her, still unconcious, to the couch with the assistance of Leriot and Hercules Petitgris. She was stifling, grinding her teeth, still fighting in her coma.

“Oh, how could you, how could you hurt her so!” exclaimed De Bois-Vernay.

But Rouxval made no excuses for his conduct. A temperament which drove him to extremes, when he had curbed his desires too long, did not allow him time for reflection or regret in a crisis. He saw red. The problem seemed to him so hopeless he would have stopped at nothing, however ridiculous, to solve it.

What difference did it make what he did, as long as he did something? It seemed as if his revenge were already nearer, if he could only proceed in some way. Action became a necessity. Should he call the president of the council? The telephone! He seized the receiver and, as soon as the president answered, gasped out breathlessly:

“Yes, Rouxval, Mr. President. … I must speak to you immediately, in person… You’re not free? ...In half an hour? ...All right. In half an hour I shall be there. Thanks. Situation serious. ...Quick action… Yes...Later.”

The countess was being cared for by the three men. She was evidently subject to these attacks, as her husband had a small case of medicine from which he quickly administered a dose. He took off his overcoat, knelt beside her, and tended her in an agony of fear which all but suffocated him, speaking to her constantly, as if she could hear him.

“It is your heart, darling, isn’t it? Your poor heart! But you are better, aren’t you? You are better – your cheeks have a little color – I know you are better. Are you, dearest?”

Madame de Bois-Vernay remained in the swoon several minutes, but at last her eyelids fluttered and she slowly regained consciousness.

As soon as she saw Rouxval she gave a cry of distress.

“Take me away! Let us go. I cannot stay here!”

“But, dearest, be reasonable. You must rest a few minutes.”

“No, no, not a moment! We must go. I cannot stay.”

The count begged Leriot’s aid, it was he who carried the countess from the room, while the count followed, completely upset, having been assisted into his overcoat by Hercules Petitgris.

Rouxval had not stirred. One might have thought that he had no connection whatever with the scene which had just taken place. These people, guilty of the most odious crime, were beyond his sympathies; he did not feel he owed either pity or kindness to a woman like the countess. With his head pressed against the windowpane he tried to think of a reasonable course of action. Why talk to the president of the council? Would it not be better to finish the affair and get in touch with headquarters, with the department of justice?

“Come now,” he said to himself, “no nonsense; a level head at any price!”

He decided to go as far as the president’s home; the walk there, the cool air, might calm his overwrought nerves. Taking his hat and stick from the stand, he started on his errand. To his surprise he found Petitgris sitting on a chair in front of the door, completely in shadow. He evidently had not left the study.

“Well, it’s you,” said Rouxval. “Still here?”

“Yes, Mr. Minister, and I cannot advice you too strongly to keep me company.”

Rouxval was annoyed and about to reprove him for his familiarity when a second glance at the man gave him a sudden shock. He noticed that the huge tooth of the detective was clearly visible, under a curling lip. He could not have been more discomfited if he had seen a ghost rise in front of him. The appearance of that tooth, long, white and pointed, the tooth of a wild animal, could only mean one thing – Rouxval was being jeered at, mocked.

“Confound it, I certainly have not put my foot in it!” said Rouxval to himself, remembering Petitgris’ words.

He pulled himself together. A cabinet minister, used to handling men and affairs of state, does not go “putting his foot in it.” Nor does he step into the pitfalls which trip the unwary. Having risen to such a position, he sees clearly, and goes straight to the goal. Yet the sight of that tooth troubled him. Why – what did it mean at this time? To reassure himself, he blamed the detective.

“If one of us has put his foot in it, it is that scamp. This whole thing is perfectly clear; any college boy could see that,” argued the minister to himself.

As clear as it was, however, he answered Petitgris by asking surlily:

“What is it? I’m in a hurry. Speak up!”

“Speak up, Mr. Minister?” he repeated. “I have nothing to say.”

“What do you mean, nothing to say? I don’t suppose you expect to sleep here?”

“Oh, no, Mr. Minister.”

“Well then?”

“Well, I’m just waiting.”

“Waiting for what?”

“For something which is sure to happen.”

“What ‘something?’”

“Patience, a little patience, Mr. Minister! You are certainly more interested in knowing it than I am. It won’t be long, anyway – only a few minutes—at the most about ten minutes. Yes, just about ten minutes.”

“Nothing of the sort,” cried Rouxval. “The confessions these people have made are perfectly explicit.”

“What confessions, Mr. Minister?”

“What confessions? Why, Leriot’s, the count’s, and his wife’s!”

“The countess’, perhaps. But the count confessed nothing; neither did Leriot,” said the detective.

“What are you trying to put over now?”

“I’m not trying to put anything over, Mr. Minister; it’s a fact. You might say, the truth, the two men didn’t open their mouths. Only one person talked, and that was you, Mr. Minister.”

Without paying any attention to Rouxval’s threatening attitude, he continued:

“A wonderful speech, really, and I sure did appreciate it. What an orator! In the senate you would have been a riot! An ovation, publicity, and all the rest of it. Only a speech is not all that is needed. When you are trying to dig facts out of a criminal, you don’t stuff him with talk. On the contrary, you question him. You get him to gab. And then you listen. That’s the way to get to the bottom of things. If you think Mr. Petitgris was just snoozing in the corner, you can bet you made a mistake. Mr. Petitgris never took his eye off those two codgers, especially that Bois-Vernay. And that’s why I’m telling you, Mr. Minister, that in eight minutes some one is coming and something will happen – in seven minutes and a half.”

Rouxval was floored. He did not give the least credence to Petitgris’ predictions not to the special announcement that “something” was going to happen. But the man’s tenacity held him. And that canine tooth, which gave him an expression at once arrogant, fierce, wicked, enigmatic--

The minister capitulated, and returned to the other end of the room, where he gave vent to his rage by tapping furiously on the desk with a pen handle, by nervously moving the desk appointments about, by looking at the clock and watching Petitgris out of the corner of his eye.

The detective sat quite still, only moving once. He tore a sheet of paper from a pad, came to the desk, borrowed Rouxval’s own pen with an air of authority, and rapidly write a few lines. He folded the paper in half, put it in an envelope and slipped it under a magazine, which happened to be near the desk edge. Then he sat down.

What did it all mean? Why did he continue to sneer with that mysterious, abominable tooth? Three minutes. Two minutes. Rouxval, in a sudden burst of anger, jumped up and again started striding up and down the room, knocking over a chair, jostling against a table and upsetting all the bric-a-brac. This whole case was stupid. That blockhead Petitgris and his devilish tooth had unnerved him.

“Listen, Mr. Minister,” mumbled the detective, holding up his hand. “Listen!”

“Listen to what?”

“Footsteps! Listen. Some one is knocking.”

Someone was knocking. Rouxval recognized the discreet tap of the page.

“He is not alone,” asserted Petitgris.

“What do you know about it?”

“He can’t be alone, because what I told you would happen is going to happen, and it can’t happen unless some one else comes in.”

“Well, confound it, what is it that is going to happen?”

“the truth, Mr. Minister. There are times, when the hour has struck, that nothing can prevent the truth from being known. It comes in at the window if the door is closed. But the door is so near, Mr. Minister, you don’t want to stop me from opening it, will you, Mr. Minister?”

Rouxval, beside himself with rage, opened the door.

The page looked in. “Mr. Minister, the gentleman who left here a little while ago with the lady is asking for his overcoat.”

“His overcoat?”

“Yes, sir; the gentleman forgot it, or rather he got the wrong one.”

Hercules Petitgris explained:

“He is right, Mr. Minister. I see a mistake has been made. The gentleman took my overcoat and left me his. Perhaps the gentleman can come in and—”

Rouxval acquiesced. The page went out, and almost immediately Monsieur de Bois-Vernay entered.

After the overcoats had been exchanged, the count, having bowed to Rouxval, who carefully looked the other way, started to leave the room. On the threshold, grasping the handle of the door, he hesitated, murmured a few words scarcely audible, stopped and re-entered the room.

“The ten minutes are up, Mr. Minister,” whispered Petitgris. “Consequently, ‘something’ is going to happen.”

Rouxval waited. Events seemed to occur as the detective had predicted.

“What do you wish, sir?” inquired the minister.

After a few minutes’ hesitation Monsieur de Bois-Vernay asked:

“Mr. Minister, are you really going to denounce us? The consequences would be so serious that I am taking the liberty of calling them to your attention. Think of the scandal – public clamor --”

Rouxval lost his temper.

“Will you tell me if I can do anything else?”

“Yes you can – you should. Everything can be arranged between us two, in a perfectly legitimate way. There is no reason why we should not come to some agreement.”

“I did propose an agreement, but Madame de Bois-Vernay would not hear of it.”

“She would not, but I will.”

Rouxval seemed surprised. Petitgris had already made the distinction between husband and wife a short time before.

“Explain yourself!”

The count seemed embarrassed. Irresolute, hesitating between sentences, he went on:

“Mr. Minister, I love my wife beyond words – and – sometimes I am weak enough to do things – for her which I know are – wrong, dangerous. That is what has happened. The death of our son so completely demoralized her – that twice – in spite of her deep religious sentiment – she tried to commit suicide. It became an obsession. In spite of my watchfulness, my every care, she would have carried out her intentions. But at an opportune moment Maxime Leriot came to see me. While talking to him about the war, our son – the idea came to me-- to combine – the Unknown—”

He shrank before the decisive words. Rouxval, more and more irritated, broke in:

“We are losing time, sir, since I know the result of your machinations. And that is all that matters.”

“It is precisely because the result alone matters that I am here. Because you discovered certain preparations, you concluded too hastily, perhaps because of your apprehension, that a sacrilege had been committed. That is not so.”

Rouxval did not understand.

“It is not so? Then why didn’t you protest?”

“I could not.”

“Why?”

“My wife would have had to hear me.”

“But Madame de Bois-Vernay herself confessed.”

“Yes, but I did not. It would have been a lie.”

“A lie! But the facts are there, sir! Do you want me to reread the records, the inquiries, the proofs that the body was removed, your meeting with Leriot?”

“Again, sir, may I say that these facts show definite preparations, but not the execution of a deed?”

“That is to say?”

“That is to say that there were meetings between Maxime and ourselves, and the body was removed. But I never, never had an idea of committing an act which I, too, should consider unforgivable sacrilege. For that matter, Maxime Leriot would never have consented.”

“Your idea then—” began the minister.

“My intention was to give my wife the --”

“To give her?”

“To give her the illusion, Mr. Minister.”

“The illusion?” repeated Rouxval mechanically, as the truth was beginning to dawn upon him.

“Yes, sir, an illusion which might sustain her, give her a faint desire to live – and which has sustained her until now. She believes it, Mr. Minister; she believes it! Try to imagine what that means to her! She believes her son is in that sacred tomb, and that belief has kept her alive.”

Rouxval bowed his head with his hand before his eyes. Overwhelmed by this sudden happiness, the restoration of his shrine, he feared they might see how disturbed he was.

With an affectation of indifference, he said:

“Ah, that is what happened! There was a pretense—” He stopped. “But how about all these proofs?”

“The proofs I took great care to accumulate, that she might have no doubts. She saw all, sir; she insisted upon being there during the entire proceedings: the removal of the body, the transfer to the funeral car. How could she have suspected that the funeral car did not go directly to the fort of Verdun, that our poor child is buried a little way on in a country cemetery where I go, when I can, to kneel at his grave and beg his forgiveness – his forgiveness for me and his absent mother.”

Rouxval was convinced that the count told the truth, that there was nothing in the evidence to contradict his statement of the facts as they had actually occurred.

“And Maxime Leriot’s part in this?”

“He obeyed my orders.”

“How about his actions since then?”

“Alas! The money he received turned his head, degraded him. It is my one great regret. The more I gave him, the more he wanted; that is why he threatened to reveal all to my wife. But rest assured, Mr. Minister, I will answer for him. He is really an honest, loyal soul, and has promised me he will leave the country at once.”

Rouxval meditated a moment and then said:

“Are you prepared to swear to the absolute truth of your statements?”

“I am prepared to swear to anything, provided my wife learns nothing and continues in her belief.”

“We agree in that, sir,” said the minister. “The secret shall be kept. I swear it.”

He took a sheet of paper and was about to ask the count for a written statement when Hercules Petitgris leaned over and whispered to him:

“There it is, Mr. Minister — under the magazine -- just lift it up and you’ll find it --”

“I’ll find what?”

“The statement. I drew it up a few minutes ago.”

“You knew?”

“You can just bet I knew! The count only needs to write his name on it.”

Rouxval, nonplused, pushed the magazine aside, snatched the paper and read:

I, the undersigned, Count de Bois-Vernay, acknowledge that I, with the connivance of Maxime Leriot, proceeded with certain arrangements in order to impress my wife with the conviction that our son was buried under the Arc de Triomphe. But I swear on my honor that no attempt was made by me, or by the said Maxime Leriot, to fulfill these arrangements and give my poor child the honors and resting place of the Unknown Soldier.

While Rouxval remained silent, the count, who was as astonished as the minister, slowly reread the document aloud, as if weighing each word.

“Quite right. I have nothing to add nor curtail. I should have written the same thing if I had drawn it up myself.”

He then affixed his signature without further hesitation.

“Mr. Minister, I must trust you,” he continued. “The slightest doubt on her part would cause the death of a mother who is guilty of nothing but too great a love for her child. I have your promise?”

“I have but one word to give, sir. I have given it. I shall keep it.”

He shook hands absent-mindedly with Monsieur de Bois-Vernay, accompanied him without a word to the door, closed it, and came back to the window where again he remained standing, with his head pressed to the windowpane.

“So Petitgris guessed the truth!” he mused. “In that chaos, that entanglement of fact and fancy, he saw the narrow path which led to the truth.”

Rouxval was distressed, angry; the pleasure he might otherwise have felt in seeing his case in another light was singularly diminished. Behind him he heard a tiny chuckle, undoubtedly the detective’s manifestation of triumph. It conjured up a vision of the pointed tooth, that terrible tooth.

“He has the laugh on me,” thought Rouxval. “He has known from the beginning. He maliciously let me put my foot in it. He could have warned me and he didn’t. What a beast!”

But his prestige as a cabinet officer would not permit him to remain in that humiliating position. He turned suddenly and taking the offensive said:

“Yes, yes, and then what? Luck was on your side! You probably discovered some clew—”

“Not a clew,” sneered Petitgris, who was not granting any favors. “What did you want clews for, anyway? Just a little bit of judgment, a grain of common sense, were all you needed.”

And with hideous good nature, he continued:

“Come on now, Mr. Minister! That long rigmarole of yours didn’t stand up at all. It was just bunk. Contradictions, omissions, impossibilities of every kind and color. Just a rotten scenario! That the countess should have bitten, all right, but you, a minister of your rank! Honestly, do you think people juggle with corpses in real life? Have a heart!

“They make every effort to have the Unknown Soldier be an unknown soldier! Arrangements for the public, funeral cars, functionaries, generals, brigadiers, ministers; in fact, the devil and his whole crew, and are you credulous enough to believe that any little gentlemen with cash in his pocket can afford the luxury of making a laughingstock of the world, and of burying an everlasting concession under the Arch de Triomphe! Well, I’ve heard some good ones, but that one has ‘em all beat.”

Rouxval restrained himself with difficulty and said:

“But the proofs—” began Rouxval.

“Those proofs – they were good enough for kids. I said to myself right away: ‘As long as the count couldn’t possibly afford the Arc de Triomphe, what was he cooking up with Leriot?’ Just as soon as I saw the way he looked at the wife I got it. ‘My boy, you're a good thing. Just to help the wife along, you’re going to play a little game and make her believe you did the real thing. But you’re a bit weak, too, and if my chief gets good and mad and threatens you, you’re going to give in.’ There’s the whole trick, Mr. Minister! Rage and threats on your part, and little Mr. Bois-Vernay gives in.”

“All right, well and good so far,” said Rouxval. “But you could not know he was coming back and that ‘something,’ as you put it, was going to happen.”

“Say, listen! What about the overcoat.”

“The overcoat?”

“Great Scott! how could he come back without it? He had to have some excuse to leave his wife and to confess before the department of justice put its nose in it.”

“Well?”

“Well, when he was leaving, I helped him on with my overcoat instead of his. He was all up in the air; he couldn’t see anything – but red. Then outside in the car, when he saw my cast-off, he jumped at the chance to run back here! D’ye get it? What do you think of that piece of work? I put over some better ones in my life, a couple of harder ones, but never a shrewder one. I got that without moving – a decision with hands in my pockets – and landed a punch that knocked the other fellow out. That’s some good job!”

Rouxval was silent; the cleverness, the ease with which Hercules Petitgris had handled the situation, disconcerted him. All alone in his corner, without interrupting the inquiry, without asking a question, and knowing nothing about the case, except what Rouxval himself was telling, Petitgris had really conducted the examination, guided the trend of questions, thrown light on the whole case. With one little move at the right moment he had managed to have the problem solve itself in the only way possible.

Rouxval put his hand in his pocket to draw out a bank note. But it went no farther. The detective sneered:

“Put it back, Mr. Minister. I’ve got mine.”

The tooth gleamed implacably. A frightful chuckle, and his face again resumed the fierce look of a wild animal. Could one help remembering the jeering words: “when one of my employers puts his foot in it, haven’t I the right to tell him, and have a little laugh? I have turned down money more than once just to be able to bust right out laughing! Are they funny? You ought to see the faces on them!

“Don’t blame yourself too much, Mr. Minister. I’ve had worse cases. Your big mistake was to rely too much on logic, and the logic of what you see and hear isn’t worth a nickel. The real logic runs underground like some rivers, and when it does run out of sight, then you have to keep your eye on it. That was where you lost your head. Instead of going into the details of that ceremony in the fort of Verdun, you turned away! ‘I hardly dare paint the scene. The slightest doubt in that direction is blasphemy!’

“Damn it all, Mr. Minister, that’s the time you should have gone ahead, investigated, put your whole mind to it! You would have seen there wasn’t a chance of a fraud. And what is more, Hercules Petitgris wouldn’t be laying down the law to-day to a cabinet minister in his own study.”

He had risen and was putting on the worn, green overcoat. Rouxval had a strong desire to take him by the neck and strangle him, but – he opened the door.

“Let us say no more about it. I shall advise the president of the service you have rendered us.”

“Oh, don’t bother!” returned the detective. “I’d rather do that myself.”

“Sir!” cried Rouxval.

“Well, what, Mr. Minister?”

Petitgris suddenly drew himself up and seemed to change personalities under the very eyes of the minister. He was no longer the poor devil begging alms, but a lively, self-possessed young man entirely at his ease. With thumb and forefinger he delicately removed the enormous tooth; the lines in his face changed; the horrible grin disappeared. He looked cheerful and gay, but still arrogant.

Rouxval asked:

“What does this mean? Permit me to ask who are you?”

“Who I am is of no importance whatever,” he answered. “Let us say that I am Arsène Lupin. The memory of your recent mistake will perhaps be less bitter if you connect it with the name of Arsène Lupin, rather than with that of Hercules Petitgris.”

Rouxval showed him the door. The detective passed gracefully in front of the minister to the anteroom. In that doorway, he said:

“Good-bye, Mr. Minister-- and a word of advice: Don’t go out of your little world again. A case of shoemaker, stick to your last. Straighten out government squabbles, help them make the laws, but – when it comes to police work leave that to the specialist.”

He started to go. Would he never stop talking? He came back and said:

“After all, you may be right – perhaps I put my foot in it. Come to think of it, what proofs have we that the count did stop on the way, that he did not go through with his plot? It is quite possible, and he did make excellent plans! Well, it’s all over my head. Good-by, Mr. Minister.”

This time he had nothing more to add. He left the anteroom.

Rouxval returned slowly to his desk and sat down heavily. He was singularly troubled by the detective's last words. They were a last bite of that frightful tooth – a drop of distilled venom! He felt vaguely that he would always be in doubt, that his case would always remain a mystery. He knew it was absurd, but all the same – the proofs – the removal of the body – the transfer to the funeral car --

“Damn it all!” He cried, infuriated. “What an infernal bird he is! If ever I lay my hands on him again!”

But Rouxval knew that Petitgris was none other than Arsène Lupin, and Arsène Lupin was not one to be caught a second time.

[rebirthgarments]

Monday April 29 is Seraj's Support Soiree (virtual!)- Auction is live until May 3!

Come dance with me at Seraj’s Support Soiree April 29 from 7-9pm CST (Chicago Time!)

Get your $0+ up sliding scale tickets for the 2 hour virtual accessible dance party on Zoom hosted by Sky from @RebirthGarments!

Get event tickets and bid on the auction at givebutter.com/serajsupport Or support Seraj directly at bit.ly/payseraj

here is his go fund me: gofundme.com/f/help-seraj-survive

Dance to beats from DJ @QueerShoulders

Featuring selections from past @RebirthGarments + @RadicalVisibilityCollective fashion performances. We will be hyping up @Se3raj.0 fuhn-raizer while talking about all the art + services in our auction that you can bid on!

Access Info: Access Doula’s: @moira670 @xxAlexaDexaxx @TSuhh who will be providing audio description as well as sound description! Auto Captions available!

It will be hosted on Zoom, get a ticket to get the details! All ticket money goes towards Seraj’s family because our DJ + Access doulas are all volunteers!

[Image description: an illustration by @K8Deciccio of a zoom party featuring four squares with a purple border. The top left square is diagonally split between purple and blue and has handwritten-style text in white and purple that says “Seraj’s Support Soirée | Virtual accessible fundraiser dance party April 29 7-9 PM CST” with a black and white QR code in the bottom right corner.

The top right square is bright yellow and has an illustration of a person in a purple tank top over a black long sleeve shirt, purple hijab, orange and green sunglasses, and teal leggings leaning forward in a purple manual wheelchair. Text at the top says “get tickets + bid at givebutter.com/serajsupport”.

The bottom left square has an illustration of Seraj in a red jacket and black and white keffiyeh. He is standing in front of an orange background with black music notes surrounding him.

The bottom right square has a person in sunglasses and a pink hat dancing in front of a disco ball with a pale yellow background. They have one arm up and are wearing a black sports bra with a colorful band. At the bottom of the illustration along the border are small doodles of zoom icons, including a smiley face and the word “dance”.]

Here is the link that goes directly to the auction:

The Auction ends May 3 at 11:45pm CST (chicago time!)

I need everyone's help sharing both the auction and the virtual event!  Please help spread the word!