#while she's still trapped in it

[yuridovewing]

razorverse!ivypool is gonna be a self destructive girlie but i promise i mean it endearingly and not out of malice for the character

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[lemonsharkgirlfriend]

alicent, a woman who’s been stripped of all power and agency and has no sway or influence amongst the green council, should have concluded her liberation arc by… coming to the understand that her mistreatment within this patriarchal system pales in comparison to the love she holds for her sons (one of whom she’s disowned in 1x08, the other pre-2x01), and she should have used the power (that she doesn’t have) to continue to support the green claim (that she doesn’t believe in). she should have thrown away her own feelings of (freely chosen) love for rhaenyra, knowing these feelings ‘don’t actually matter’ (they do), and just, again, sacrifice her body, mind, and mouth for her sons (who she 1. doesn’t believe in and 2. knows do not have her own or helaena’s best interest in mind). the driftmark scene (that alicent verbally expresses regretting and which otto tries to manipulate her into believing was justified directly afterward) and alicent standing in front of meleys during aegon’s coronation (yet another example of alicent sacrificing her body to otto’s cause that she’s been manipulated into believing is her only purpose) are definitive proof that alicent should have become a scorched earth mama bear in season 2 that should have not have had any conflicted feelings about her sons’ unnecessary violence and total ineptitude at ruling the kingdom because… the ends (i.e., aegon being in the throne… which she doesn’t believe in) justify the means. alicent could have just used her voice (again, the one that she doesn’t have in this version of the story; let go of book!alicent) to sway her sons’ policy if they were trying to do something she didn’t agree with, and otherwise, she should have just let them do what they wanted to secure the green claim (that alicent doesn’t believe in). turning to rhaenyra (alicent’s only reference for freedom and chosen love) after concluding her liberation arc is out of character (it isn’t, alicent has chosen rhaenyra over her children several times) and doesn’t make sense (i’m just going to assume you weren’t paying attention to the plot, dialogue, set design, editing, costuming, etc., that suggested alicent was seeking out rhaenyra throughout the entire season, starting with her moving into rhaenyra’s childhood bedroom before the season even began). alicent is dumb (sure, i’ll give you that) for trusting rhaenyra (she can’t trust her own sons either, and arguably, to a greater extent). alicent should realize her love for rhaenyra is no longer relevant (it is and always will be, as expressed by the writers about… one million times) because she should care more about her sons (that she doesn’t support anymore and that she cannot control) than her own happiness and securing safety for helaena/jaehaera (her children/grandchildren that she’d like to see no harm come to). also, exploring alicent’s motherhood (alicent ‘switching sides’ still does this lol) would have been more interesting than exploring her repressed queerness/lesbianism (i mean idek know what to say to this bc how the hell do you think this isn’t interesting and novel and worth exploring). ultimately, i have another version of alicent in my head (book!alicent) that i wish had been adapted instead (totally valid opinion to have! though you ultimately shouldn’t project book!alicent onto show!alicent because they have been fundamentally different characters since the very beginning), so i’m going to pretend alicent going to rhaenyra in 2x08 is bad, unpredictable writing (instead of something those ‘annoying shippers’ had been theorizing about since before the season even began because the clues were literally there, even that early).

[kibibarel]

"whats the deep lore behind calyrex's blue dynamax?" "whats the lore behind oleana liking garbage?" who cares i wanna know the REAL deepest lore of why lusamine values beauty over everything yet at the same time has that ugly af hairstyle

[fisherrprince]

miskellaneous

[possamble]

Going back to work after this but

[bl00doodle]

she deserves her nappy tbh

[sysig]

Let him dad her!! (Patreon)

[sunburstsky]

So in this last episode we had confirmed:

1. Indri, who 2/3rds of the party is infatuated with, is Big BAD Lady in a very real way and can call down the memories of stars, including the ones shining into her library

2. If you “flee” (and i just feel that the definition of that might be a little squishy in this specific scenario) *within a mile* of Grimore, you are as good as dead

oh this is DELICIOUS

[damian-lil-babybat]

There's this kind of hybrid artstyle in comics lately that I wanna learn how to do (i just wanna stare at them coz its too pretty). Would it be an insult to call it hybrid? Hybrid in a way that its more anime-ish/cartoon-ish...but still very much in comic artstyle. It's very stylized too, and it's more softer and expressive on the face, and I love it.

I don't know if its a real thing, or I'm just seeing things in my fave artists in comics

Jorge Jimenez (Super Son Vol. 1)

Simone di Meo (Robin 2021 #16)

Belen Ortega (Batman 2016)

Yasmine Putri (Robin 80th Anniversary)

For chibi, theres

Dustin Nguyen (Lil Gotham 2021)

Juni Ba (Boy Wonder 2024)

Other notable artists that I like: (1) Patrick Gleason for giving us RSOB & for drawing kids who look like kids; (2) Joelle Jones for lineart; (3) Christopher Mittens for inking and panelling; (4) Otto Schmidt for character dynamic & fight scenes; (5) Gabriel Picolo for nostalgic DCAM feels

[cream-and-tea]

current favourite scene in lay me down is the one where judge sits agnes down and goes “listen…. you need to know that pallas is dangerous….. they’re violent and kill people… you need to get away from them…” meanwhile calliope is standing literally right next to her. i ❤️ u my beautiful beautiful hypocrite

[bugwolfsstuff]

Connor Stoll is a Hamilton fan to me, thats his hyperfixation

Chris is a certified Hamilton hater to me

And yes, Hermes is Linn in universe to me as well (they know this)

[itz-pandora]

What is the darkest character you have explored from a psychological point of view so far?

Hmm... Probably Silver?

Like I'd need trigger warnings just to TALK about what I do to him.

(look at tags)

[empty-blog-for-lurking]

Most of dark dome is Laia having no good, very bad, godawful week

[in-fair-verona-we-set-our-scene]

Something I really adore about Minthara is she's the only companion--and honestly the only major character really--who truly brings the horror and tragedy of what is being done to the True Souls to the forefront, and reveals just what an awful fate you and the companions avoided by mere chance. Because at that point you're mostly thinking about turning into an illithid and true destruction of the self, not how you would've been a True Soul--but still you--slaughtering your way across the countryside like every other infected.

Because it doesn't matter how good or noble or strong-willed you are. Every companion, from Astarion to Wyll, would've been willing to commit atrocities in the Absolute's name were it not for the Prism.

The way she describes the Absolute is so insidious. How she had no choice, or more accurately her mind had been warped to the point that whatever the Absolute wanted was the best choice she could ever make. Minthara is Minthara, she expresses absolutely no shame for some truly horrid things and proudly claims evil actions taken in the name of survival or faith as her own, and yet what she did under the Absolute's control is what she outright rejects as being in any way her fault. The way Orin tormented her and then it was remembered as something revelatory, divine, rather than a moment of fear and violation, is so fucked up. Minthara is such a genuinely proud woman, so seeing her so affected and her declaration that she'd rather die than have her mind and agency stolen again, is very disturbing.

There are a few moments where the True Souls get a bit of narrative sympathy and humanity. Those siblings outside of the Grove for example. But Minthara is the one who truly brings home how every True Soul is a person who has been taken and violated and exploited with no real say or ability to resist. They are victims and their Chosen-ness is almost a mocking parody of the relationship between the gods (Bhaal, Myrkul, Bane, Shar, Mystra, Vlaakith) and their Chosen (Durge and Orin, Ketheric, Gortash, Shadowheart, Gale, Lae'zel) where the entire farce and delusion of it is laid out for us to see. At the very least the vampire spawn have some sort of will outside of their master, the True Souls don't even get that. And you still have to kill them.

Very fitting for the tragedy-horror theme of the 2nd Act though.

[transannabeth]

hi. for people who saw gatsby: an american myth. do you remember mckee asking nick for lunch. and then gatsby in like the next scene inviting nick for lunch. because i remember.