#while seeing an older man

[11hearstrings]

i’m currently reading little rot and it is queer as fuck and west african as fuck - Akwaeke Emezi is a fucking lightning strike of an author and everything I hope to be. but little rot feels so completely in line with where I’m at in life ESPECIALLY in my pursuit of pleasure shared with other black women and nbs, with poc too. we do not need white people to Queer things up for us, we have always been here. hedonistic and nasty and inventing types of play white queers could never dream of.

overlook that mild overshare to focus on my main point of: I love when you find a piece of media that only means so much because of the point in your life at which it came to you, how easily it can settle into the gaps formed during the process of your becoming.

[iwasbored777]

The height difference in ITSV vs in ATSV is killing me 😭 Miles and Gwen were so shorter than Peter, now they're almost as tall as him

[kr-yoongi]

Draw Merlin looking up challenge: FAILED

[fatedroses]

Jullus???

[just-an-enby-lemon]

"The kid seems scared.

Tip had always been a little nervous. Or at least that was the reality when the two had met.

It was fairly obvious for everyone that met them that the child had not been treated well by their formar guardian and in a way that Elphaba sadly recognized still seemed to afraid of facing the same pain and rejection again.

Still lately the kid seemed more relaxed and open, treating her with the same easiness and earnest they did Jack. More determined to learn than eager to please. Following her around with questions and vibrating with excitement as she turned wooden sticks into dolls and toy swords alike. It made her think of Nessa in a very bittersweet way.

She failed her sister and she would not allow herself to fail another young person she became responsable for.

That's to say Tip's strange turn to the same scared kid she met soon after leaving her behind and being declared and enemy of Oz scared her.

"Miss Elphaba, I have something very serius to tell you."

Maybe they want to leave. They are not in fact different in the same way Elphaba is. Tip is a normal if deeply magical child who just ended up in the care of a horrible woman. Being her aprenticce is actually the only thing turning them into a dangerous and hated figure.

"I understand."

The kid takes a deep breath. Elphaba tries to think on the best words to explain that of course they can leave if they want to and that they can take as many provisions as they need. Tip will never again be a prisioner.

"I don't think I am a boy? Wait no. I know I'm not a boy. Like the idea of it is still a bit scary because it seems like it will be a big deal but I'm fairly sure I'm a girl actually. I just never though about it before but Jack called me she accidentaly and it just makes sense. I am still the same Tip and please let me keep being your aprentice." She says in a single breath.

"What?"

The girl looked scared. "I'm a girl." She says. Than in a smaller voice. "I can try to be a boy if you want?" It does not appear to be something she wants and the fact she still sugests it breaks Elphaba's heart a little.

"Oh! Oh. No, no, that's fine. Do you want to be called something else?"

Her eyes go huge and she stops deep in thought before answring.

"Uh. I guess so, but I'm still thinking on it. I don't mind Tip for now."

"Okay, tell me when it changes?"

"Will do."

"Anything else?"

Tip looks a bit shy for half a second before a excited smile covers her face. "Could you let me borrow a dress?"

Elphaba laughts.

"You are too tiny for my dresses, kid. But I can help you magic one for yourself. "

Her eyes shine. "Cool!"

[...]

"Morrible says you'll marry some prince soon." Dorothy says making a face.

"I don't see why you are soo distraught, my dear, I'm pretty sure she'll find me a great prince." Glinda says with false cheer.

"I doubt it. Princes are all very dull."

"Met many princes did you?" She jokes lightly, trying to find a way to change the subject. She loves the kid dearly and for all it's bleak consequences will always be glad the tornado ended up bringing the girl into her life but she would preffer not to discuss those subjects. Specially not in her own bedroom in a rare moment of relaxation.

"Well no." The girl pouts. "But most boys are dull and I can't imagine liking to marry even the ones that aren't. I guess I just thought you were the same? I'm sorry."

"No need to apologize. And I sure hope marriage is unimaginable for you, you are way to young for it."

The girl smiles a tiny bit before frowning.

"I can imagine myself marrying a girl one day."

"Oh!" Is all Glinda says.

"I told Aunt Em once she told me to never say it again, she told me I was too young. But I'm ten now and I feel the same. " Dorothy rarely talks about home, sometimes Glinda tricks herself into beliving it is because her the kid just loves Oz better, that she forgot all about it, but she knows deep down that Dorothy will always miss Kansas, always miss her uncle and aunt and Toto, she just accepted home as a place she'll never return to. In the good days Glinda knows Dorothy would also miss Oz, would miss her munchkin friends and mostly would miss being Glinda's apprentice. In the better days she thinks about bringing Dorothy's family here. After all Kansas always seems sad and hungry. "Girls don't marry each other in Kansas." She continues. "But I though maybe they did here. "

"I think they do everywhere, Dorothy, is just some people pretend they don't because the different scares them."

"Like the Wizard and the animals?"

Glinda had only recently convinced Dorothy to only speak her very dangerous beliefs on the Wizard in private and even there she sometimes corrected the kid. But right now it felt too much like liying to Elphaba she couldn't do it, not when she knew Dorothy to be right.

"Yeah. Just like that."

And after a second she adds.

"Between us, I would also like to marry a woman".

Dorothy smiles, just a little bit.

[...]

She knows she should not be here.

But it's fun, she likes the dancing and the food and the small chance of going back home with something that can actually help Elphie. Maybe a magical item or even just some usefull information.

Besides the girl she is talking to is very pretty and fun and smart and she is not open about it but she's definitivaly not the biggest fan of the Wizard either. Oh and a great dancer.

"I'm sorry" the girl says "but I think I did not catch your name?"

Now it's the moment to say something clever like 'i never gave it to you' or maybe just invent some fake name. She can't say her name. It's too easy of a conection to make. But she doesn't need to lie. After all it was never really her name. And she has a name now. Has had it for days and just keept it a secret in some weird form of fear. But it felt like time. She would tell it to Elphie and Jack when she went back.

"Ozma. I'm Ozma. What's yours?"

[...]

Dorothy had never had so much fun at a party before. Her new friend was the most beutifull girl she ever met and the funniest and cleverest and it had never felt so easy to talk to someone before. In fact the only thing Ozma didn't appear to be was a good dancer but Glinda had teached Dorothy well and she found herself leading the other girl steps into the best dance she ever had.

She noticed Ozma did not gave any surname but it was not her place to pry. She just hoped to mert the girl again.

"Dorothy." She says and takes the hand. For a second she considers continuing in the way she was instructed to (Dorothy Upland at your pleasure and a kiss to the hand) but while she loves Glinda that's not really her. And she somehow trusts Ozma enough to be honest. "Dorothy Gale." She shakes the hand just like Uncle Henry used to.

[eggcats]

My favorite barely ever considered RadioStatic fact is that, like, Alastor died about 20 years younger than Vox, but has been dead, in hell, about that same length of time, so he's both younger AND the same age as Vox. And then we all decided Alastor was Vox's mentor in hell, and never really acknowledge that this fully grown man is just letting this brand-new adult twink boss him around.

But we've decided (I've decided) Vox is usually the babygirl of them both, anyway. This man is in his 50s and so many of us were just like. Nah, he's babygirl. (We're right.)

Its just funny to me to think that one day they talk about the ages they died, and Vox is just like, "WHAT DO YOU MEAN YOU'RE IN YOUR 30s?!?!" bc he's been calling Alastor "daddy" this entire time, and now he has to reconcile the fact that he's significantly YOUNGER than him, lmao.

[maigetheplatypus57]

Do you guys ever think about the fact that we got to see Maya Fey at a point in time where she's older than Mia was when she died... do you ever think about younger siblings who grow older than their older siblings... who get a glimpse of how it felt for their sibling to be that age... and that their older sibling will always feel older and more mature in their memories, even as they're perpetually stuck as the age they died in while their younger sibling gets to surpass them in years and life experience... do you ever think about that and cry...

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[xxplastic-cubexx]

snap's uber cringe vampire cherik rambling !!!!!! read at your own risk of charles/erik origins But If They Were Vampires and more !!!!

very simple makeshift vampire age map for the sake of understanding this vague timeline i have (hint: just multiply by ten) this is all subject to change because time is mean and im indecisive

infancy - 0 - 40

childhood - 50 - 120 years

adolescence - 130 - 170 years

emerging adulthood - 180 - 240 years

older adulthood - +250 years

elderly - +700 years

about dhampirs: they're not immortal like vampires, they just have a (much) longer life expectancy than humans (they really are just like 'weaker' vampires in this, only possessing half of their strengths and weaknesses)

'what's our time period' EXCELLENT question brother.

jk i think the main events will be set victorian-edwardian period (1850's-1910's) but charles and erik are at least a couple centuries old- probably born amidst the late 1500's (1580's-90's more specifically), maybe meet during the 1800's

charles' profile

charles heralds from a wealthy vampire family whos had their influence in england for centuries (maybe established roots during the 5th century), the general public none the wiser to their vampirism. at most there's rumors, but the family's charismatic enough to keep the murmurs at bay

brian is like. a little less evil to charles in this timeline. most of their time together being brian teaching charles how to run the family's business and whatever else vampires do to balance the life of a vampire and a human. at most, brian emotionally neglects charles as he stays vigilant in ensuring the xavier family can prosper for centuries. sharon xavier would be the one to instill all that is good and human in charles despite her own vampirism (most likely turned by brian before they had charles)

brian xavier is murdered by human kurt marko once the latter figures out his vampirism right before europe's widespread vampire hysteria (so maybe late 1600's)- not for any heroic purposes but so he can steal the xavier family's wealth of course.

he holds the xavier's vampiric origins over them until his eventual death (maybe early 1700's).

considering the idea charles' accidentally summons a pack of wolves to the house during a heated moment and they tear him apart- maybe kurt tries to protect cain and charles idk. charles wouldn't realize he caused this until much later while learning about his vampirism, BUT im still chewing on this so don't take this as 100% canon to this au.....

kurt never discloses the true nature of the xaviers to cain while he's alive, but as the boys grow older cain figures it out for himself and decides to dedicate his life to hunting down charles- how much of it is to rid the world of one less vampire or to vent the unhappiness he experienced growing up in the xavier household onto his brother is unclear

while kurt was alive, he experiments on charles in an attempt to understand his vampirism in an attempt to achieve eternal life without the drawbacks of vampirism. but i mean how good can your science be: evidently he fails vjELKJALKJ

as an adult, charles is curious about his own vampirism as he attempts to live amongst humans and perhaps help them (maybe not give them eternal life but at least how to extend life). he doesn't seek to 'cure' himself, only figure out how his biology works to live comfortably and safely: after all, there must be a reason as to why he was born this way, he reasons

he pursues a life of medicine to do this and along the way meets moira mctaggart (around late 1700's/early-1800's), a scientist working closely with the occult and isolated from general society. after some time, he reveals he's a vampire to her and they effectively become partners to further understand vampirism (but not romantic partners)

most of their work concerns why vampires 'need blood' and how to find a suitable substitute ('surely it's not blood itself that satiates vampires but a property within it?'), but they also look to find out why vampires can be weak in the sunlight and why they appear immortal (aka: they're purely scientific in their approach to the vampire phenomena instead of thinking it's magical, charles reasoning that vampires are just humans with a type of evolved biology. time will tell if he's right or wrong in this approach, and brother he has plenty of time)

erik's/max's profile

compared to the house of xavier, the house of eisenhardt- while not as wealthy- still maintained some sort of reputation in east prussia. however, the news of their vampirism easier leaks amidst the mid-1700's heightened paranoia of vampires (probably a domino affect of the rumor of Renowned Xaiver Family being one of vampires expanding after kurt's death), and he finds himself to be the only survivor amidst the violence against his family

fleeing further east and with the benefit of his youthful visage despite his real years, max has no problem using his intelligence and experience to find work to support himself and manages life alone until he eventually meets magda (maybe around the same time charles meets moira, 1790's). with her being human, it isn't long until she and max introduce little dhampir anya into the world

he tells magda of his vampiric origins (after all, if they were going to have a baby it'd prob be best to let her know the baby's gonna be part vampire right..), but whether it's disbelief or not fully grasping the implications of such, magda accepts and loves him. max vows never to feed off his wife, mostly feeding off hunted animals to satisfy himself

for a while, max was content to live in relative solitude with his family: he wouldn't bother the humans, and in turn they shouldn't bother him. but soon enough (talking Ten Years Later soon enough), the true nature of max and his family is uncovered in the quaint town they lived in, and history threatens to repeat itself as a growing mob attempts to torch their home. they can't succeed before max makes a bloody example of the mob- a display that frightens magda and has her flee with anya in her arms. that would be the last time max sees his wife and child. he effectively repurposes the site of where he lost his family as a quaint memorial to them and the grounds remain relatively untouched bar his annual visits (the common people more often rumoring it to be cursed as a result)

max would change his name to 'erik lehnsherr' as a way to bury his past and move on with his new, less-human-sympathetic life. uttering his real name weakens his power if not strips them away for some time entirely, so he's greatly secretive to who he tells it to (spoilers: he never tells anyone). he spends most of his time alone in his castle, going out at night to feed off late-night wanderers in nearby cities

as for wanda and pietro, debating on exactly what to do with them and if they're blood related to erik or not. considering having pietro be a dhampir that maintained his superspeed while wanda's still just a witch. not sure what to do about lorna either. at the very least, if they do live with erik, he's greatly protective and overbearing about them (a possible blend of keeping them close to use their might against humans, and not wanting to lose any more of his family)

The Part People Are Here For charles and erik interacting

How Do They Meet wow great questions today !!!

around 1810's, probably during one of erik's Feeding Nights he bumps into charles and attempts to make dinner of him, charles at this point passing far too easily as a regular human. the ensuing encounter/fight eventually leads to charles having to reveal himself also to be a vampire (probably as a result of having to resort to using telepathy to keep erik at bay and thereafter explaining himself)

despite the rocky start, neither can hide the fact they're ecstatic about meeting another vampire and become fast friends. Yknow. After overlooking the Sorry I Tried To Eat You part

so now charles spends his mornings with moira and his humanly duties and at night he sometimes spends time at erik's abode and with his children (if i decide they live with him of course).

moira can't ignore the way charles lights up when talking about erik (and how could she: even if he was candid with her about his experiences, it was an entirely different feeling talking to another vampire who already understood- and perhaps understood better). as such, she doesn't let charles forget erik could potentially be a danger- something charles can't forget if he wanted to (see again: them meeting the first time. still, he chooses to believe in the better parts of erik)

of course charles tries to dissuade erik from seeing humans as purely food or menaces and encourages him to work alongside himself to find more 'ethical' ways to be a vampire, but of course erik is resistant to the idea and at times admonishes charles for his thinking.

Everyone's Favorite Part: The Divorce

for a while- maybe five years- erik isn't aware of moira's existence. but on a night charles neglects to visit him he spots the pair walking to moira's home. following them, he's quick to discover moira's lab and realizes charles has been cooperating with a human this whole time (how much had he told her about erik? how much of their weaknesses did he expose to her? why wouldn't he tell erik about moira sooner if she wouldn't be an issue?)

enraged, erik doesn't wait for an explanation as he barges into the small shack and barks accusations of betrayal at charles. it only gets worse when moira is puzzled that charles didn't tell erik about her when he was more than happy to tell her about erik, only reaffirming erik's suspicions charles was attempting to doom vampires as a whole

what happens next im still up in the air about, but it'll be how charles loses the use of his legs in this universe

scenario a is while erik and charles brawl in moira's shack, she hurls holy water onto erik and disfigures his face. while he's down, she attempts to throw more holy water on him to at least give her and charles more time to escape only for charles to shield him at the final moment. while he's mostly unharmed, his legs get burnt as he pushes erik out of the way and finds he isn't able to regenerate the damaged limbs

scenario b is moira still gets erik with the holy water, however charles drags them out of the shack and tries to break for the nearest town. unfortunately, during their escape erik finds one of moira's silver-tipped crossbows (or something to that affect: still deciding if he should have control over magnetism in this but Details Details) and shoots charles in the spine ultimate style. going off the myth silver is Not Good for all 'unholy' and dead creatures of course, charles' nervous system isn't properly able to regenerate for Above Mentioned Reasons (his body's so 'dead' the antibacterial properties of silver eat away at him). the cruel irony of it all really (or silvery... heh.. metal...)

as a result of being burned by the holy water, erik would wear his helmet more often- at least until he feeds off enough humans to regenerate the damaged tissue (note: only human blood can restore holy-artifact-induced wounds, which means charles won't regain the use of his legs because of his refusal to consume human blood)

either way, once she and charles escape erik and relocate, moira stays with him for some time- at least long enough for charles to get used to his new way of life without his legs and figure out what they should do next, maybe two-three years. eventually, charles and moira agree it might be safer to work apart from each other and effectively split. probably leads to charles moving to america to keep an eye on vampires on the other side of the globe while moira keeps an eye on europe

after the encounter with moira and charles, erik becomes more active and now seeks out other vampires (or humans to turn into vampires), fully intending on converting the world to become a vampire's (and hell why not monsters in general) paradise

Things to iron out

the difference between animal and human blood

Whats the benefit to drinking human blood: is it tastier? More nutritious? Evidently its restorative properties are more potent for vampires than animal blood

Maybe more animal blood is needed to supplement human blood (i.e. one human may need the blood of- say- five pigs or something yk what i mean)

Maybe its possible for a vampire to live off animals only, it’d just be more difficult and they might not be as physically strong as vampires who feed off humans

Would they eventually cave into craving human blood? Is it a conscious effort to Not feed off humans? Curious….

Perhaps moira tests the effects of human vs animal blood on charles, offering blood from her arm both directly from her and extracted first to then drink. He cant argue its wrong if she’s offering for science no…. Its For Science Charles its ok…

Another thing i want to solidify is time period: on one hand i wanna do this modern-ish period but im also thinkin bout the 14th century…. Shrug i still have a lot of finer details In General ill work out with myself. For now it’ll prob remain around 1700’s-1900’s

A final minor thing i wanna work on is erik’s ‘real’ name and his name situation in general, mostly how magda knew him. Maybe changes his name to ‘erik lehnsherr’ after the eisenhardt incident, and goes by ‘magnus’ after magda, her knowing him as ‘erik’ while charles mostly knows him as ‘magnus’. ‘Count magnus’…. Hm…. Dunno if i wanna reintroduce ‘magneto’ into this or not …… ill figure it out at some point …

Perhaps other vampires and dhampirs saying his real name doesn’t negatively affect him and it’s strictly only if humans/non-vampires say it

[fluffs-n-stuffs]

"Cuhut it out- you guys!" "Nu-uh, not until you're all perked up first! You don't want those gym challengers meetin' with an ol' mopey leader, do ya?" "Whitney's right, dear friend. No need to hide that beautiful smile of yours, alright?~"

What it takes to cheer up Johto's beloved ghost boy 👻💕

[peachyhoneyadventures]

EDOLISSE AND VARRICK

These Hands, If Not Gods by Natalie Diaz | Still from When A Man Loves (1927) | Snippet from Richard Siken's "Crush" | Still from Lodger (???) | Poem from Margaret Atwood's "You are Happy"

[spotaus]

If I have energy I want to draw out some designs for an au I'm spontaneously writing.

(Medieval times, there's a Prophecy. Nightmare rules over this kingdom and is supposed to complete this prophecy, he refuses to because it would harm the people. Dream was sent away and banished by Night because he was dis-illusioned into thinking the prophecy was a Good Thing abd what he was raised to complete. Night collected his Knights (Killer, Dust, Horror, and Cross most recently) and trains them and tells them the truth of the prophecy. They're loyal to him. One day the magic of the prophesy (Apple Magic) leaves Nightmare unexpectedly, returning him to the state he was in before he accepted the mantle. This puts a target on his back and gives Dream a huge advantage in maybe making a comeback. The Knight's decide that their King (newly a young lad and variably scared and frightened) must be protected and they run the kingdom as he normally would, while also ensuring he survives and that the prophecy can't be completed.)

[theygender]

I wish cats were like dogs where you could take them to a cat park or kitty daycare or on a playdate and let them run around with other hyper energetic kittens for several hours and then you bring them back home and they're so played out that they're just chill the rest of the day. Astrid is in her preteen phase now and she has the most violent destructive zoomies of any cat I've ever seen. Our older male cat can't keep up with her when she really wants to play and neither can we. I just played with her until she flopped from exhaustion TWICE a few hours ago and she's already jetting around at near light speed knocking shit off every horizontal surface and doing kickflips off of us with her claws out again

[boarprinceofdelusion]

Recognizing Early Signs of Mental Illness

[sylphwing]

hm. i do not like chilshi 🤔

[good-beanswrites]

Imagine if in OoA, Fuuta wasn't unconscious when Amane showed up during the initial attack. Better for Amane since she's not alone, but probably much worse for Fuuta since he's forced to watch helplessly.

So... prompt? 👉👈

OUGHGH what a concept... You would think the near-death experience is what's most traumatizing to him but no, it's the fact that, yet again, he couldn't be the hero that he thought he was... Thank you so much for the request and uuhh sorry I beat up your boy...

TW for violence/injury, nothing super gory but I did try to detail out Kotoko's canon attacks

He’s probably never even taken a hit in his life.

Kotoko’s fist connected solidly with Fuuta’s jaw. His vision sparked.

And anyway, it’s his own fault. He got himself into this mess.

Her knee jabbed into his gut, knocking the wind out of him before he could gain his bearings from the previous strike. Kotoko had appeared out of nowhere in the middle of the night. He’d been dragged out of bed with a cheap shot to his face.

The voices in his head spoke oblivious to the situation. He hardly processed a single word they said, the sound drowned out by the prisoners’ shouts. By the ringing in his ears. 

He’s so pathetic. 

By the crack of his own bones breaking. 

So weak.

By the choked sounds he could hardly recognize as his own. 

So cowardly.

The room dipped and darkened as his consciousness threatened to give out. His chest rattled with a struggling breath. Kotoko’s arm raised, and he got the feeling this blow would be the last.

Well, whatever happens, he did it to himself.

She paused. Something distracted her from behind. Fuuta was left in a heap, his body unresponsive to his mind’s desperate pleas to escape with this chance. The most he could do was angle his head to see what had blessed him with this moment of relief. 

It took only an instant for his gratefulness to sharpen into panic.

Just think of that poor, young girl. She had her whole life ahead of her.

Kotoko towered over her Amane. She had flattened herself against the cell door. The flickering fluorescents above cast a shadow across her face.

There was too much spinning inside – and blood outside – of Fuuta’s head to make any sense of what they were saying to one another. He got a pretty good idea when Kotoko lunged forward and struck the girl.

And now she’s dead. Because of him.

Fuuta tried to pick himself up. He had to stop this. More blood pooled around him, but he no longer cared. All he could focus on was the new splotches of red that Amane dabbed at with her uniform sleeve.

As hard as he willed himself to move, his limbs refused. He thought emergencies like this were supposed to give you newfound adrenaline. You were supposed to triumph over the pain, not succumb to it ripping through every inch of your being.

Does he think this is one of his stupid video games? This is real life. He’s nothing special. 

He dragged himself an inch or two forward, and that was all. He could only watch helplessly as Kotoko attacked again. Amane sank to the ground after a few harsh kicks to her legs. She lifted her arms to block her face. 

If he wanted to help society, he should have protected people. He should have protected that girl.

Fuuta had never begged for anything in his life before. 

He opened his mouth to beg Kotoko to stop. 

But his body was doing everything in its power to sabotage him. His words dissolved into wheezing coughs. He couldn’t speak, couldn’t breathe. He couldn’t save anyone.

He hasn’t done anything useful with his life. Worthless.

Darkness invaded his vision. The horrible sounds within the cell grew more and more distant.  

Amane was thrown to the ground nearby. She lay close enough for him to reach his arm towards her, though still out of his grasp. Her eyes were trained on him. He wished he had the voice to scream at her to look away – to turn her attention to Kotoko, and not the failure of a man who wasn’t going to help her. 

All he could do was hold her gaze until his own eyes slipped shut.

Some hero he was.

Just before the world disappeared around him, he felt warm fingers interlock with his, and squeeze.