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#while Richard would be
slime-sandwhich-nom · 3 months
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Since I'm crazy I wanted to know how technically old the Wattersons siblings are if they actually grew like the real animals
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I didn't actually count Darwin because like. Not only his case is him literally going through evolution but also I can't understand how to calculate the age of a goldfish
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noahmullariii · 4 months
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the rage I feel when reading Blood of Olympus chapters 45-56 is almost equivalent in magnitude to the absolute joy I experience when reading The Last Olympian chapters 1-23.
remember when percabeth was good? when they meant the world to each other but had other people they cared about (nico, for one. both of them. so much), other worries and other storylines aside from their romantic plot? and when nico's completed arc wasn't repeated for no reason other than to dump more trauma on the youngest character in the series? when background characters were included in the story not for all the unnecessary last minute romantic subplots but because they were fun and fascinating to learn more about? and were actually friends with main characters? remember when grover was percy and annabeth's best friend forever? and antagonists were actually interesting and intimidating and had compelling goals? and the story revolved around friendship and family and loyalty? and death was definite and loss was palpable and battles were thrilling?
yeah. good times.
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phantom-0-writer · 1 year
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prompt 03: angry colors
inspired by this post abt dick
tbh idr like this that much but it was a real big brain itch so i thought i'd air it out
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Dick came back to his apartment much later than he intended, losing track of time while he was tracking a lead he had gotten for a case. He sighed as he slipped through the window of his apartment, taking off his domino ready to face the mess he knew he had left the apartment as. But when he turned into the kitchen the dishes that had been piling up in the sink were gone, and the sink was even cleaned and shining in a way Dick hadn’t seen it ever do. Instinctively he checked the cabinets to check if he had been robbed, but the dishes were inside, clean, dry and put away.
Confused, Dick opened the fridge to get a cold glass of water only belatedly remembering he had forgotten to fill the jug up in his rush to get to work that morning. But there it was, full of water, the frost around the glass providing evidence it had been in there for at least a few hours. Maybe past-Dick had done him a favor that present-Dick had forgotten about. 
Gulping down the cold water, Dick headed towards the bathroom to freshen up and change into comfy sweats. The bathroom was through the living room, where he knew he would find a tower of pizza boxes weeks old, and crumbs would crunch under his feet. There was a pile of dirty laundry that was left in his bathroom floor that he should probably take care of, but Dick couldn’t find the energy in himself to put in the effort. 
“Maybe tomorrow.” Dick mumbled to himself for the 5th time that week, as he trudged through his apartment. His crystal clean apartment. There were vacuum marks on the carpet, no pizza boxes, and the pillows on the couch had been arranged and fluffed. The flowers Kory had given him were pruned and placed beautifully in a glass vase he knew hadn’t been there that morning. The TV was on, he noticed, his current show ready to play at the press of a button, and remote placed on the corner of the sofa he always sat at. 
“What is happening?” Dick asked himself out loud, befuddled. He checked the room for cameras or listening devices. Nothing. 
Alfred wasn’t the type to drop by for a surprise visit and leave without telling Dick. 
The bathroom was also a victim to whatever happened to the rest of his apartment. The floor had been mopped, the clothes were gone, the toilet, shower, and sink were clean and organized. There was even a clean towel and Dick’s favorite lounge set ready folded by the shower. The grime on Dick’s body felt out of place in the pristine apartment. 
Dick would definitely be looking the gift horse in the mouth. But maybe it could wait after he showered. 
While he showered, Dick let his mind wander. He thought about the strange newfound cleanliness of the apartment, wondering what or why it could’ve been. Was this another Tim situation? Something nagged at the back of Dick’s mind, something important, but he couldn’t remember what. 
That something important was in the living room, head snapping in Dick’s direction as the bathroom door opened, and standing at attention. 
Holy shit. Dick forgot he had a kid. He’d forgotten a whole child was living with him now.
Oh, he was such a dick. 
“I didn’t hear the door so I didn’t know you were home yet.” The boy- Daniel - rushed to explain when he caught Dick’s eyes on him. 
Still grappling with the fact that he had fully forgotten there was a child he was supposed to be taking care of now, Dick said the first reasonable response that came to mind. “I used the window,” Daniel already knew about Dick’s night job as Nightwing thanks to the circumstances Dick had found him under. 
Dick wasn’t sure why that answer had elicited a panicked apology from the 8 year old. But Dick wasn’t sure what had happened to Daniel before he had found him, but apparently they would have to dig into that at 4:30 AM. Maybe Dick should call off work tomorrow. 
Dick tried to get closer to Daniel but when his shoulders seemed to go impossibly more stiff, Dick took the sign to stay in his spot and kneeled on one leg so he would be face level with Daniel. “Daniel,” Dick made sure his voice was calm and inviting but the boy still flinched, “Did you clean the apartment?” 
“Yes, sir.” There was fear in Daniel’s eyes that Dick couldn’t help but be concerned by, but his voice was even when he spoke. 
“Why?” Dick asked calmly, making sure to keep his body language open. 
Daniel looked startled by the question, eyes darting over Dick trying to find the answer he thought Dick was looking for. When he couldn’t find it he looked around the room. Dick watched him, waiting for his response. “Because,” Daniel started hesitantly, voice shaking slightly, “Because it was dirt- messy.” his voice was a whisper as he spoke. 
“But you didn’t make that mess, so why did you clean it?” Dick prompted, fearing for where he could see this conversation going. 
“So you- so that-” Daniel looked like he wasn’t sure how he was supposed to respond. 
“I want you to be honest, Daniel. You won’t get in trouble.” Dick added quietly. 
Daniel tried to decipher if he was lying, a familiar analytical look in his eyes. After a long moment Dick wondered if he just wouldn’t respond. But when Daniel answered, it hadn’t been at all what he had been expecting. “So that you wouldn’t be angry at me.”
Coupled with his earlier fumble of forgetting the kid, Dick felt like he had just been gutted. “What?” Dick heard himself say. Daniel looked alarmed at the reaction, so Dick spoke again quickly. “I’m not angry at you Danny,” a nickname he had given the boy slipped onto his tongue, “I’m not angry at all why would you think so?” 
Tears were beginning to well in Daniel’s eyes, “You are angry.” He sounded scared, his voice wobbly. 
“I promise I’m not angry. Or mad. Or annoyed. Or irritated.” Dick reassurances seemed to do nothing for the boy. The reservoir under Daniel’s eyes was getting fuller, threatening to spill. So he tried a different approach, “What makes you think I’m angry, Danny?” 
“Because the-” Daniel tried to find the words, so Dick waited. “Your heart has angry colors.” He finally said.
Dick tried to decipher what that meant. Angry colors? He’d have to circle back to that later. “So you cleaned the apartment because you thought I was angry?” Dick summarized. 
Daniel nodded, he considered something for a moment. “Jazz said that if you’re good at something then people will like you and not be angry. And I’m good at cleaning.” 
“Did the people you were with before get angry at you a lot?” Dick asked, trying to keep his promise of not getting angry. 
“That’s why I cleaned.” Daniel nodded. 
Dick forced himself to stay calm. He may have a meta child that could sense emotions in his hands and he did not want to test that theory by blowing up in front of him. 
Not a child- he corrected himself- his child. Danny was his son. And maybe Dick didn’t know how to be a dad, but he knew how not to be a dad. And that had to be some kind of start. Today would be a one time thing, Dick promised himself, and Danny would never know and never feel like he was forgotten much less by his dad.
He would save the conversation about that for the morning, after a good night's sleep. “How about some ice cream, since you worked so hard?”
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andy-clutterbuck · 2 years
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Happy Valentine's Day
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gingermintpepper · 5 days
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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts
Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.
For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.
The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.
Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰
#ginger answers asks#greek mythology#the iliad#the odyssey#okay so now that I'm not recommending stuff I also highly highly HIGHLY suggest Stephen Mitchell's#Fuck accuracy and nuance and all that shit if you just want a good read without care for the academic side of things#Stephen Mitchell's Iliad and Odyssey kick SO much fucking ass#I prefer Fitzgerald's for the busywork of cross-checking and cross-referencing and so it's the version I get the most use out of#But Mitchell's Iliad specifically is vivid and gorgeous in a way I cannot really explain#It's not grounded in poetic or translationary preferences either - I'm just in love with the way he describes specifically the gods#and their work#Most translations and indeed most off-prose adaptations are extremely concerned with the human players of these epics#And so are a bit more ambivalent with the gods - but Mitchell really goes the extra mile to bring them to life#Ugh I would be lying if I said Mitchell's Apollo doesn't live rent free in my mind mmm#Other translations I really like are Stanley Lombardo's (1997) Thomas Clark's (1855) and Smith and Miller (1944)#Really fun ones that are slightly insane in a more modern context (but that I also love) are Pope's (1715) and Richard Whitaker (2012)#Whitaker's especially is remarkable because it's a South African-english translation#Again I can't really talk about this stuff because the ask was specifically for recommendations#But there are SO many translations and adaptations of these two epics and while yes I have also contributed to the problem by recommending#three very popular versions - they are alas incredibly popular for a reason#Maybe sometime I'll do a listing of my favourite Iliad/Odyssey tls that have nothing to do with academic merit and instead are rated#entirely on how much I enjoy reading them as books/stories LMAO
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karouvas · 3 months
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the most compelling reason for a trc show to exist would be so that someone could make a you belong with me Pynch fancam and the “listening to the kind of music she doesn’t like” part could show Ronan in his room listening (while Gansey and Adam are having their five hour phone call lol) to the EDM both Blue and Gansey canonically hate and then the end part could show Adam getting Cabeswater to play EDM for Ronan and associating it with “fire and sex” (lmaoo horny baby.) because of Ronan.
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wonder-worker · 3 months
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"It is too easy to dismiss [Leonor of Navarre] as an overambitious schemer who would do anything to obtain a crown, shedding the blood of her own siblings and her subjects in order to attain the throne. However, a deeper investigation of her long lieutenancy and ephemeral reign shows a woman who fought tenaciously to preserve her place but also worked tirelessly to administer a realm which was crippled by internal conflict and the center of the political schemes of France, Aragon, and Castile. She tried to broker peace, fight off those who opposed her, repair the wounds caused by conflict, protect the sovereignty of the realm, and keep the wheels of governance turning. Leonor was not always successful in achieving all of these aims but given the background of conflict and the lack of cooperation she received from all of her family members, bar her loyal husband, it is a huge achievement that she survived to wear the crown at all. Many writers have argued that Leonor deserved the troubled lieutenancy, personal tragedies, an ephemeral reign, and a blackened reputation, basing their assumption that she committed a crime that cannot be [conclusively] proven. However, a more fitting description of her would be that of a resolute ruler who successfully overcame a multitude of challenges in order to survive in a difficult political landscape and gain a hard-fought throne.”
-Elena Woodacre, "Leonor of Navarre: The Price of Ambition", Queenship, Gender and Reputation in the Medieval and Early Modern West, 1060-1600 (Edited by Zita Eva Rohr and Lisa Benz)
#historicwomendaily#leonor of navarre#15th century#Navarrese history#my post#I mean...the crime can't be explicitly 'proven' but Leonor DID have the means motive and opportunity; she had the most to gain;#the timing was incredibly convenient for her; and most contemporaries believed she was responsible.#She *did* ultimately act against her brother [Carlos] and sister [Blanca]#Though of course the fact remains that:#1) The final responsibility lies with Juan the Faithless: he was the King; the one in power; and the one who rejected Navarre's succession#Blanca herself - while criticizing Leonor and Gaston - placed the ultimate blame on their father as her 'principal...destructor'#All three siblings were reacting to an unconventional disruption in the system caused by Juan & their actions should be judged accordingly.#2) I am hesitant to believe accusations of 'poison' as a cause of murder given how that was commonly used to slander controversial women#and given how it contributed to the dichotomy of Blanca as a tragic beautiful heroine and Leonor as her scheming ambitious sister#3) Even if Leonor DID commit the crime (imo she was at the very least complicit in it) she is still worthy of a reassessment.#I don't think it's fair for it to define her entire identity#Because it certainly did not define her life - she lived for decades before and would live for decades after#It was on the whole one of the many series of obstacles and challenges she had to face before she succeeded in ascending the throne.#The fact that she died so soon after IS ironic but it is in equal parts tragic. And we don't know what Leonor herself felt about it:#Did she think it was a hollow victory? Or did she feel nothing but satisfaction that she died as the Queen of Navarre? We'll never know.#Whatever the case: given her circumstances the fact that she survived to wear the crown itself was an achievement#It's funny because Woodacre parallels Leonor to Richard III in terms of 'blackened' reputations for 'unproven' (...sure) crimes#(thankfully she admits Richard has been long-rehabilitated; what she doesn't bring herself to admit is that he's now over-glorified)#But I don't think this parallel works at all for the exact reasons she uses to try and reassess Leonor#Namely: Richard was the one in power. He was the King. The ultimate blame for what happened to his nephews was his own.#and moreover: Richard's actions against the Princes DID define his reign and were exactly what provoked opposition to his rule.#Any so-called 'rehabilitation' that doesn't recognize and emphasize this is worthless#also if we want to get specific: the Princes were literal children who did nothing and were deposed in times of peace.#Carlos and Blanca were adults with agency and armies and Leonor's actions against them took place in the middle of a civil war#So ultimately I think Leonor's case is fundamentally very different and I don't think her comparison holds well at all
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Joey Batey on Taskmaster when??? Send tweet.
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broke: richard being henry's sugar baby
woke: henry being richard's house husband
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prapo237 · 1 year
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Oblivious volume 5 Seigi
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anjoperario · 5 months
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why almost every media featuring richard iii exclude edward of middleham (his son) existence? it adds so much to his character
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twelfthhaus · 1 year
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God Was Always a Woman
how could they ever have said that God is a man?
God was a woman, she
held me in her empty plains in her
violent jungles in her
thunderstorms i felt her passion, her tears, 
in the sunshine i felt the love & i felt how it grew too hot & consumed me
i
felt 
how she blinded herself to keep from seeing the pain
her damned love had caused
i felt her in the grass, beneath my feet, in the cuts & the dirt ground into my skin
God was my mother & she held me when I swam in her
infinite sea, salt & blood of creatures whose pain
I would never know,
but whose pain laid the way for my birth,
fish & monsters & shrimp & grass,
churning & breathing to my benefit, to make air for my coming into the world
I know God was a woman because she
called my name against the high winds when I walked to edge of the cliffs & begged for a sign
I know God was a woman because she always cried for me
and never asked me to do
anything
i didn't want to do.
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blitzkennedyrieg · 9 months
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Idiot
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stardusteyes · 4 months
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Time Eats All in a nutshell
Pickman: I can excuse murder, but I draw the line at psychological torture!
Thurber, who is bleeding out on the basement floor due to having just been stabbed by Carter multiple times: ..You can excuse MURDER?!
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pastelpaperplanes · 1 year
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Hi! I just wanted to ask if you're planning to make some more voice headcanons? (Also if you are taking suggestions)
Yes I’ve got more lined up!! I just need to draw for them and edit the voice clips😅😅
Next trio will probably be Chromedome, Rewind, and Tailgate ✨
Yes PLEASE I’d love to hear other what voice claims people assign to bots yes I wanna see!!
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springforaspell · 1 year
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The movie is definitely not above criticism and there are plenty of valid reasons to be upset — and everyone is definitely entitled to their opinions and should be free to voice those opinions — but I think some of y’all need to admit that you wouldn’t have been happy with any adaptation that isn’t pulled word for word from the book or directly from your imagination.
This movie has a lot of good in it that I feel isn’t being recognized because people want to focus on the gripes. Which…fair enough. I get it. There were some changes that I wish hadn’t been made.
But I feel like the point of adaptations is really flying over some heads, and people aren’t giving the film the chance to be appreciated for what it is and what it accomplishes well.
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