#which was ironic

[sunflower-chai]

guys i was so caught up in the euphoria of seeing jeremy jordan perform that bama’s loss to vandy hasn’t really hit me

[humming-fly]

I love how Gerald was trying to keep Shadow from spoiling anything about the future meanwhile literally everything Shadow says and does around Maria is the biggest death flag ever

[eydilily]

gem n joel the strongest duo (family) that you are

and of course. her

[egophiliac]

So you know of other fairytale-theme school medias?

oh yeah, there's a few! the one I was thinking of specifically was Ever After High; I was mostly into the dolls, but I also really liked the webseries and the Shannon Hale novels! Apple was my definitely my favorite. 🍎

[stil-lindigo]

the fox god.

a comic about a trickster.

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creative notes:

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[3liza]

im loving every poll i see where the OP is innocently about to get their lived experience violently deuniversalized

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[enthyrea]

9AM in avengers tower 🏙️

stevetony art trade with @themissingmango!

this was so much fun, i hope you like it 💛

[akiiame-blog]

projecting my period cramps onto bowser

[mightytato]

tumblr probably ate the quality. aNYWAY- here i am, inspired by the iron might suit. but i just drew it as if it were his regular hero suit.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[wisteriagoesvroom]

false alarm with finance bro oscar guys. his twinky prince hair is intact

[x]

[faglaios]

one detail I really liked that I haven’t seen anyone touch on is how death only ever showed up when puss was close to potentially dying, which lead me to realize puss was probably going to drink himself to death at their first meeting

[abyssal-ilk]

since i'm talking about bull today, i think its a bit of a mistep to say bull turning against the inquisitor in trespasser is an act of revenge for the death of the chargers. this isn't a result of the inquisitor betraying bull or hurting him. it is a result of the inquisitor reaffirming iron bull's place within the qun. it isn't something that the inquisitor "deserves" for killing a group of beloved soldiers. it is simply the consequence of choosing a political allegiance- the qun- and enforcing the idea that a small part can and should be sacraficed for the greater whole. the chargers can be sacrificed for the inquisiton, the inquisitor (and dorian, and vivienne, and sera, and anyone else bull befriended) can be sacrificed for the qun.

[sharpace]

113. Exhausted

Inspired by @malicious-gay who kept blasting sleepy beams at me when I was trying to work on comics. Thank you to @sweetnsourdoo who made such wonderful notes on this to make it cuter!!!

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[rkrq]

I'll merge with a memory and live forever