#which ultimately. she does. but the story would have been much different for her. she would've felt More Madison

[madsway]

now that i've taken in the entire show and am about to rewatch simply because i can............... i'm so pissed that dave erickson got fired because damn........

[lavellane]

i was so set on replaying veilguard for the davrinmance but oh my god im SO attached to my agent-of-fenharel hardingmancer rn i actually think the choice is out of my hands lol

[queen-of-the-avengers]

Slippery Rendezvous

Pairing: Bucky Barnes x Female!Reader

Word Count: ~1.5k

Warnings: none

Summary: Natasha doesn’t approve of your feelings for Bucky despite your many attempts to convince her that he is the man for you. What else can you do when she forbids you to date any of her friends?

Squares Filled: natasha romanoff / black widow (2021) for @buckybarnesbingo

Author’s Note: any and all comments are greatly appreciated <3

x

You wake up to an empty bed. What did you expect? That he’d stay? Bucky isn’t known to spend the night after fucking you but you keep wishing he would. You run your hand down his side of the bed and feel the cool sheets. He must have left early in the morning so that your sister wouldn’t see him.

It’s not like she hates him but she hates the idea of you being with any one of her “coworkers”. Natasha isn’t shy when it comes to relationships and often encourages you to go out and have fun with different men. She loves dating even if she doesn’t show it, and you love telling her about all the dates you get to go on. The issue is that she doesn’t want you dating anyone she knows. She knows the baggage that comes with the men she knows and doesn’t want you mixed up with it.

You went to University to get a degree as a voice actor. You’ve gotten gigs across the country but ultimately settled in New York where you got a job working on a popular animated television series. You’re already in your third season and have no plans of stopping anytime soon. Natasha loves to tell you how normal you are and how different you are compared to the shit she goes through every day.

You’re not a spy and you have no desire to be a spy. You’re not Natasha’s biological sister because you came into her life well after she got done with the Red Room training. She was on a mission to kill your father for all the bad shit he has been doing. You hated the man and had always wanted to leave. However, your mother died at birth and you were a minor at the time. He always hid his shady shit which is why he didn’t get convicted for anything.

She saved you and she adopted you a couple of years later. You don’t blame her for your father’s death even if she did pull the trigger. He’s a bad man who is rotting in Hell and you’re better off for it. Now, you have a successful job and are in love with the infamous Winter Soldier. Only he doesn’t know it and if he does, he doesn’t do anything about it.

You two met when Natasha was having a party at the Avengers Compound. She didn’t want you to go but you insisted that with her by your side, you’ll be fine. It’s not like the Avengers are going to pick a fight with you or anything. Even Bruce had his alter ego under control, so she relented and let you come.

Her world is and was much different than yours. She told stories of how she went to space, how she kicked someone’s ass, and how she infiltrated an organization. All you have to show for is the work you’ve done for entertainment. You’re not nearly as special as any of them but Bucky makes you feel like you are.

He kept to himself in the corner of the room drinking something that wasn’t alcohol when you approached him.

“Hi. Do you mind if I join you?”

“No, go ahead,” he clears his throat.

“I’m Y/N. I’m Natasha’s sister. Adopted sister, actually, but she feels like a real one to me. What’s your name?”

“You seriously don’t know who I am?” he chuckles.

“I know who you are but I’d thought I’d be polite and let you introduce yourself instead of assuming I know everything about you.”

“Right,” he nods. “I’m Bucky.”

“It’s nice to meet you, Bucky.”

You two fell into conversation that lasted well past the party. Natasha had a secret thing for Steve and didn’t mind staying over as long as you were safe and okay with staying. You left that night with thoughts of Bucky and when the next time you were going to see him, but Natasha didn’t share your enthusiasm.

“Listen, I don’t want to tell you what to do but I don’t want you seeing Bucky.”

“Funny. That sounds exactly like you telling me what to do,” you scoff.

“I mean it, Y/N. Bucky is a good guy now but he wasn’t always like this. He’s not all the way back yet and I don’t want you getting hurt. With any of them. They have too much baggage and you don’t need something like that in your life.”

You look out the window in annoyance.

“I just spent the last two hours talking to a guy who made me feel like I was the only woman in the world. I’m not saying I want to marry the guy but I felt something that I haven’t felt with any of the guys I’ve dated.”

“I knew bringing you to that party was a bad idea,” she scoffs. “You’re not seeing Bucky. End of story.”

“I am an adult, Nat. Let me make my own decisions. Let me decide if he’s worth the heartbreak.”

“He will do more than break your heart. He will break you. He didn’t get his name for nothing. His body count is well into the hundreds if not thousands. I am not worried about him breaking your heart. I’m worried about him killing you. I mean it, Y/N. Stay away from that one.”

You tried, God knows you tried, but there is something about Bucky that you couldn’t stay away from. You formed friendships with Wanda and Thor which gave you an excuse of going to the compound where you knew Bucky was living. Wanda caught on pretty quickly at what you were trying to do since she can read minds and all that, and she agreed to keep your affair with Bucky from your sister.

You’re not trying to hurt Natasha but you fell for Bucky and fell for him hard. He just never stays the night like you hope he does.

You get out of bed and walk to the bathroom where you hear the shower going. Natasha must be in there. You slip in and knock on the door to let her know that you’re inside the bathroom with her.

“Hey, Nat, I’m just going to brush my teeth. I’ll be out shortly.”

You slip in, close the door behind you, and walk over to the sink.

“I’m not Nat.”

You tense when you hear Bucky’s deep voice but then smile when you realize he slept the night in your bed. The curtain slides to the side just enough for him to peek his head out of it, and you turn to face him.

“I thought you left last night.”

“Nope. I wanted to stay the night with you. Is that okay?”

“It’s more than okay.”

He closes the curtain again and resumes cleaning himself.

“Got any plans today?”

You’re about to answer when you hear the front door slam open and shut. Natasha is the only one who has a key so she must be back. If she found out Bucky has not only been dating you but secretly fucking you, she’d have a heart attack and probably kill him.

“Y/N? Are you in there?” The bathroom door shakes and you do the first thing that comes to mind. You quickly hop in the shower, fully clothed, and look at Bucky who smirks. The door opens and Nat walks in. “Y/N?”

“I’m in the shower!” Bucky’s mouth opens so you place your hand over it so he understands he needs to be quiet. “What do you want?”

“Listen, Steve and some of the guys are having a cookout at Clint’s farm. I was wondering if you wanted to come with me.”

“Really? You’ll let me go?”

“I feel bad and I shouldn’t keep you away from your friends.”

“Is Bucky going to be there?”

Bucky nods and looks at you with mischievous eyes.

“Yeah.”

“Then I’ll go.”

“I invited you because Wanda and Thor will be there. They’re your friends.”

“I know.”

“Y/N…”

“It’s fine, Nat. I’ll hang with them.”

“Okay. We leave in an hour.”

She leaves the bathroom and you remove your hand from Bucky’s mouth knowing you didn’t need it to be there. He knows Natasha’s opinion of him and how she wouldn’t approve of you two dating. He just wanted to feel your hands on him if he’s being honest.

“Great, now I’m all wet. Look what you did.”

“I like it when you’re wet,” he smirks.

You shove his shoulder and scoff playfully but he grabs you and pulls you into him. He slides his hands into your hair and kisses you. He must forget the situation you’re in because you can feel his growing arousal on your stomach.

“No, Bucky, we should stop. I will not be tempted into shower sex again. Remember what happened last time?”

“Damn, my arm malfunctions one time and you’re triggered.”

“Can I trust you to keep your hands to yourself at this cookout?”

“No,” he chuckles. “It’s gonna be hard not to. Now I’m picturing you wet.”

“Hurry up and leave before she finds you in here. I’d rather not know what a fight between Black Widow and the Winter Soldier looks like.”

You slip out of the shower and back to your room without your sister noticing. While you’d like your relationship to be out in the open, sneaking around is just too much damn fun.

x

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[mortalaura]

It keeps me up at night thinking about how Illario shouldn't be First Talon because he's done anything wrong (by Crow standards) but because he's doing everything RIGHT.

This is just me connecting dots from various story sources but all the information we have on him suggests that he does what (current time) Crows do to absolute perfection down to a T. He's cunning, he lies, he seduces, he cheats, he gets the job done no matter the cost. He's ambitious and is playing the system the way it's intended.

Caterina is an interesting phenomenon because we can assume she has been First Talon and alive for so many damn years (kinda scary strong ngl lmao), which means she has witnessed an incredible amount of change, and I do believe she wants to steer the Crows back to their somewhat freedom fighter form from the past - by trying to unite them to fight for a better cause, like defending Antiva from the Antaaam invasion (Eight Little Talons). But she's also aging and needs someone to continue this fight for her. Lucanis meanwhile is a rather soft personality for a Crow Assassin, and while not perfect, his morality compass is pretty strong - he refuses to kill the elf girl who spots them in Wigmaker Job because it would just be killing an (already downtrodden) innocent - while Illario encourages him to clean up and leave no witnesses (the practical, correct choice from an Assassin pov).

Teia even comments that Illario is a good assassin but Lucanis' jobs tend to have so many more fires to put out than the regular and I believe it's because he always makes things harder for himself in order to spare as many collaterals as possible. So what I imagine happened is that Illario in trying to get as much of his grandmother's approval (just as much as Lucanis) has done everything RIGHT in an effort to please her and prove he's got what it takes, but he can never win because it's never what Caterina intended, and honestly that's so tragic to me. He was playing the game right all along but it was an entirely different game. (The ultimate line crossed was him sacrificing Lucanis for his ambition, and doing so because it's what's expected. I do not believe Illario to be as one note as he ended up in the game at all, I think he actually does genuinely care about Lucanis except for the fact that Crows need to be prepared to make the right sacrifice for the job and love cannot play a part in that - see Zevran's polycule.)

[ennn]

Jac Schaeffer on Agathario, Rio as Nicky's dad, Rio' scar speech

Some highlights from the Jeff Goldsmith Podcast.

Jeff: That brings us obviously speaking of relationships to Agatha and Rio, you have a very interesting foundation and I know if stuff was cut, you wouldn't be able to speak exactly on some of it, but I'm curious, was there more there? It's good to leave your audience wanting more. And people have speculated as to whether or not there was more of a flashback between them and more of their history.

Jac: There was more in the writer's room. There was never any more on the page. We sort of, it was our story instinct, I would say, that getting too far into their backstory would sort of be too much of a counterweight to the Nicky material. And so we really included what we felt was vital to this chapter. But we, we certainly talked about it at great length of how they met and what their relationship was and what it looked like in happier times and all of that.

And I didn't anticipate that the shippers would be so fervent that there would be, you know– and I–it feels foolish for not – you never know how anything is gonna land and you never know if people are gonna care.

And the amount that people care is staggering to me. And it's my hope that in the MCU there's more unpacking of the Agatha and Rio backstory.

Jeff: You were talking about the shipping group, like was there ever anything about Nicholas's father or is there any credence to the concept that it could have been born as the love child between these two?

Jac: Yes. I mean, we talked about a lot of different versions of who is the father of Nikki. And we ultimately decided that for Agatha's story, it wasn't relevant to the story we were trying to tell and we didn't really wanna get into the weeds of if it was magical or, y'know – that's again – it's sort of more rules.

We certainly considered the idea that Rio is the father. I wonder if I should ask the writers if they sort of still hold that in their hearts. It's something that I certainly thought about a lot and, and like to sort of contemplate. I enjoy that it is left to fan interpretation.

I also feel that I know how the MCU works and I don't think it serves anybody to sort of for me as the creator to emphatically tell you something that isn't on screen. Because, you know, like I said, it's my hope that these stories continue.

So, so perhaps there is a later chapter that will address this, but I, but I will say that, that when we were casting, sometimes we were like, "Does that kid look like Rio? Does that kid look like Aubrey Plaza?"

Jeff: So it's a path that, that is...

Jac: Fans and viewers, yes, are– I think they're picking up on our brainwaves for sure.

Jac: [on the toughest scenes to do] And then Rio's like little speech by the campfire was really hard.

So Giovanna Sarkees wrote a beautiful monologue that was quite long. And then it was one of those things that on the day Aubrey was doing it, and it wasn't Aubrey's fault, but it just wasn't clicking. It didn't feel right for what Aubrey had brought to the role. There's so much economy in what Aubrey does, you know, like she accomplishes so much with her physicality and her very being, that this long speech just felt wrong to me.

And I changed it on the day –which is always a risk – I changed it in the moment and the "she is my scar" I came up with, watching her do that.

[julienbakerstreet]

I’ll never get over what an iconic choice it was to make A Scandal In Bohemia the first Sherlock Holmes short story. A Study In Scarlet and The Sign of The Four had already made Holmes a popular character, but he didn’t truly explode in popularity and become the cultural phenomenon we know and love today until after he started appearing in short stories in The Strand. And for the very first story, Doyle chose to write about a woman outsmarting Holmes. Holmes being a misogynist, underestimating a woman, and learning from it.

It’s such a contrast to the two previous books. In A Study In Scarlet, the only woman who is relevant to the mystery (Lucy Ferrier) serves as motivation for the killer. In the flashback passage, she’s depicted in relation to the men in her life. In The Sign of the Four, Mary Morstan takes a more active role in the mystery, seeking out Holmes and accompanying him and Watson through much of the investigation. She’s a woman who works to support herself and Holmes even praises her intelligence. Yet so much of her relevance to the story (beyond being the daughter of a man involved in a mystery) is Watson’s feelings for her. Additionally, she fits so neatly into the damsel in distress archetype that Doyle references it in-text:

“It is a romance!” cried Mrs. Forrester. “An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl.” "And two knight-errants to the rescue," added Miss Morstan.

Irene Adler is different. She’s an opera singer at a time when female performers were stigmatized as scandalous. She supports herself independently. She’s described as a “spinster” and an “adventuress” (used as another word for mistress). She had an affair with a King and then goes on to marry a man for no plot reason other than she wants to. She’s familiar with male costume and uses it to “take advantage of the freedom which it gives”— freedom which Victorian women were not normally afforded. She’s a contralto with a deeper voice (it’s worth noting that the most common operatic contralto roles are female villains and women playing men). In sum, she has a lot of traits that would read as unconventional to a Victorian audience. Unlike Mary Morstan and Lucy Ferrier, she doesn’t really embody the ideals of a chaste, refined, and benevolent Victorian woman.

The King of Bohemia describes her as jealous and out to ruin him, but it’s revealed that she isn’t interested in him and only keeps the photo to protect herself from him. Holmes is fascinated by her in a way that a lot of readers construe as romantic, but the text explicitly tells us that his interest in her is platonic. She earns Holmes’s respect and admiration as an equal. While she’s presented as an antagonist when the King of Bohemia first describes her, Holmes ultimately views her as a sympathetic person and the King as a rich asshole trying to control her.

Doyle could have easily written the story so that once Holmes switches his sympathies, he helps Irene and her husband get away from the King. It would have been a better look for Holmes not to get outfoxed by a woman and act (as he does in other stories) as a valiant gentleman always willing to assist a woman being mistreated. But instead, Doyle chose to show Holmes as a flawed character who lets his prejudices cloud his judgment and is beaten at his own game by a woman in his very first Holmes short story.

Furthermore, Irene comes out on top using her intellect, rather than falling into the trope of a woman using seduction to beat a man. She’s also better than Holmes at disguise- something he is very skilled at and prides himself on. The story literally ends with Watson writing “The best plans of Mr. Sherlock Holmes were beaten by a woman's wit. He used to make merry over the cleverness of women, but I have not heard him do it of late.” I find it very interesting that the story starts off with Watson saying how emotions would cloud Holmes’ judgment as a reasoner and ends by showing us how his biases hurt his ability to reason.

Irene exhibits dramatically more agency than Lucy or Mary. She drives the mystery rather than being an element of it. One of the reasons female Sherlockians have historically been inclined to identify with Irene Adler is because while male readers get to identify and project onto Sherlock Holmes, female readers gravitated towards the idea of a woman besting Holmes (in part because of his misogyny), earning his respect as an equal, and making Holmes stop being quite so misogynistic.

One of my adaptation pet peeves with Irene Adler is when “the woman” is used as a negative epithet. In A Scandal In Bohemia, Watson specifically says that it is an honorable title that Holmes uses with respect. Although she’s frequently adapted as a villain/antihero, as James Edward Holroyd wrote, “One may fairly claim that the only dubious and questionable aspect of the adventure was the conduct of the three men principally concerned!”

The overarching theme of The Adventures of Sherlock Holmes is righting social injustices. Of the twelve stories in The Adventures, six of them deal with women in varying degrees of trouble because of men who have power over them (SCAN, IDEN, TWIS, SPEC, NOBL, COPP). Three deal with Holmes clearing people of false allegations (BOSC, BLUE, BERY). Many cases also deal with the theme of rich men acting entitled and getting comeuppance (SCAN, REDH, NOBL; and to a lesser extent TWIS, and SPEC). A Scandal in Bohemia combines these themes. Irene is falsely accused of being jealous and trying to ruin the king. The king has used his resources to harass her repeatedly:

“Five attempts have been made. Twice burglars in my pay ransacked her house. Once we diverted her luggage when she travelled. Twice she has been waylaid."

The King of Bohemia is presented as rude, arrogant, and entitled, with Holmes flat-out telling him that Irene Adler is on a higher level than him, despite being of a lower social standing.

A Scandal in Bohemia is also unconventional in the fact that it’s not really a traditional mystery where Holmes is hired to help solve a crime. It was an odd choice for Doyle to reintroduce his detective to readers in this story on so many levels, and I think that’s why it tends to be one of the most popular Holmes stories. It shows Holmes as human and flawed, a man who can recognize his blindspots and grow from them. But of course, the enduring popularity of SCAN is primarily due to Irene Adler herself. Sherlockian spaces have traditionally been male-dominated, with the Baker Street Irregulars only allowing women to join in 1991, 100 years after the publication of SCAN. Although Irene only made one appearance in canon, she captured the hearts and imaginations of so many Holmes fans, and gave female fans assurance that they have an equal claim to everything that Holmes embodies.

[novaursa]

hi!! may i request a rhaenyra x celtigar!male!reader where his father is apart of her black council and he is his family’s heir. after ser steffon’s death of trying to claim seasmoke, she recruits the reader, knowing the celtigars are also of Valyrian descent despite never claiming dragons. lord celtigar is completely against the idea (rightfully so) but is pressured by rhaenyra and ultimately complies. the reader surprising enough does claim seasmoke which bewilders and terrifies rhaenyra of rhe possibility of betrayal. however she’s reminded that reader and her were once good friends when they were young and often joked that they would one day be married. it doesn’t happen but they both reminisce about it bitterly how different they feel about adulthood. honestly this can seen as platonic or romantic either way!! its up to you :D

The Claim of Fire

Requests are closed!

- Summary: Rhaenyra asks of you the impossible. You prove everybody wrong.

- Paring: male!reader/Rhaenyra Targaryen

- Rating: Mature 16+ (just to be safe)

- Tag(s): @sachaa-ff @alyssa-dayne @oxymakestheworldgoround @literaturedog

The hall is low lit as your father, Lord Celtigar, stands beside you, his hands clasped in a futile attempt to keep his voice steady. Across the table, Rhaenyra Targaryen, your queen, sits with her chin resting lightly on her hand. Her eyes are sharp, assessing—knowing the weight of her request, yet unflinching.

"This is madness, my queen," your father begins, his voice taut with a mixture of outrage and pleading. "The Celtigars have never claimed a dragon, and with good reason. To send my son—our only heir—into such a perilous task after what befell Ser Steffon..."

Rhaenyra’s expression softens, though only slightly. “I do not make this request lightly, Lord Celtigar. But I need men of Valyrian blood to claim the dragons that remain. The war is upon us, and without more riders, we are at a disadvantage.”

You glance at your father, who shakes his head almost imperceptibly, but Rhaenyra’s eyes are fixed on you now. She knows what’s at stake. She knows that while your family has never claimed a dragon, you carry the same ancient blood of Old Valyria as she does. Her gaze holds yours, as if willing you to accept the burden she places upon you.

You take a breath. “Why me?” The question hangs in the air between you. “Why not another of Valyrian blood?”

Rhaenyra hesitates for only a moment, and when she speaks, her voice is quieter, almost… familiar. “Because I trust you, Y/N.” There’s a pause, and her eyes soften, recalling something distant, something shared between you long ago. “We grew up together. Do you remember? We used to jest that one day you would marry me and sit the Iron Throne at my side.”

A faint smile flickers at the corner of her lips, but it’s bitter. You remember it too—the games of childhood, when politics and war were nothing more than stories whispered by older men, and you and Rhaenyra were free to imagine a different world. But now, everything is different. The woman who sits before you is not the girl you once knew. She is a queen, weighed down by betrayal, grief, and ambition.

“Yes,” you murmur, “but that was before.”

Rhaenyra nods, her smile fading. “Much has changed.”

Your father clears his throat, pulling you both back into the present. “My queen, this task… it will kill him.”

But Rhaenyra shakes her head. “It may save us all.”

The room falls silent. Your heart pounds in your chest as you consider the weight of her words. Claiming Seasmoke would be no small feat. Ser Steffon had tried, and his charred remains had been enough to dissuade others. But Rhaenyra’s desperation is palpable. She doesn’t ask for things she doesn’t believe are possible.

And some part of you—the part that longs for something greater, that ancient Valyrian fire stirring within your veins—wants to believe her.

“I will do it,” you say, your voice firm, surprising even yourself. Your father turns to you, his face twisted in anger and fear.

“Y/N—”

But Rhaenyra cuts him off. “Thank you,” she says softly, rising from her seat. “You will not regret this.”

The next morning, you stand before Seasmoke, the great dragon perched on the edge of the cliffs. His pale silver scales glimmer in the early morning light, and his eyes—those burning, intelligent eyes—lock with yours. The air feels thick with heaviness of the moment as the beast watches you approach, his nostrils flaring with each breath.

You can hear the whispers of those gathered behind you, soldiers and lords alike. Most are placing bets, some on whether you will die like Ser Steffon, others on whether a Celtigar has any hope of bonding with a dragon at all.

But Rhaenyra watches in silence, her face unreadable. Does she fear that you will succeed? That claiming Seasmoke will give you a power that could rival her own? Or is she simply afraid of losing an old friend, someone who once meant more to her than most would ever know?

The dragon’s breath rumbles in its throat, and for a moment, fear grips you. But then something shifts within you—an ancient stirring of your bloodline, something primal and fierce. You step forward, your voice steady as you utter the ancient Valyrian words that have bound dragons to men for centuries.

“Dohaeras.”

Seasmoke’s eyes narrow, and for a long moment, nothing happens. You can feel your pulse pounding in your ears, the weight of hundreds of eyes on your back.

Then, with a sound that is half growl, half sigh, Seasmoke lowers his head.

Rhaenyra stands before you now, her expression a mixture of shock and�� something else. Her lips part as if to say something, but the words don’t come.

“I did not think you would succeed,” she admits, her voice barely above a whisper. “You… you were always different, Y/N. Even as children.”

You watch her, noting the way her eyes avoid yours, lingering instead on the dragon in the distance. “I didn’t think I would either,” you say with a small, bitter laugh. “But I suppose things have a way of changing, don’t they?”

Her gaze finally meets yours, and for the first time in what feels like an age, you see the girl you once knew. The one who laughed with you in the gardens of Dragonstone, who dreamed of a life without the burdens of duty and war.

But that girl is gone, and in her place stands a queen who has seen too much, lost too much. And you… you are no longer the boy who joked about marrying her.

[kainuhsblog]

Mr. Choi from 2A • Jiung Choi

prompt         More Than Words Elementary gets the surprise of a lifetime when the kids figure out that the two kindest teachers for 4th and 5th grade are married. pairing          teacher!jiung x fem!reader genre           school teachers, established relationship, fluff warnings      mentions of food, playful banter, school word count    3,796 (this story wrote itself) a/n                 hi! i'm back! I have something written this time! jiung is my ultimate bias, so i’ve been itching to write something for him. please note that this fic will be told in 3rd pov, but kind of centric to none of the main characters, but to one of jiung’s students, emma! 

want more piwon posts from me? check out my fake texts here and here!

There are many things in the world that Emma loves. Her parents, for one –  obviously. They spoil her endlessly, and even gave her a little brother, so she loves them. 

Emma also loves trucks. She loves them simply because her dad always lifts her up to get in the thing. He even has to do a little stretch to get in himself.  Big trucks that make even her dad seem small are always fun. 

Third on the list – not that it has a particular order – will have to go to the bakery near her house. Ms. Lim makes the best cupcakes known to man, and her mom loves them just as much as she does, so they like to splurge on them every once in a while. 

Fourth; the quaint burger place lodged in an alleyway on that busy street Emma always forgets the name of. Every once in a while, her mom and dad take her (and her little brother, now) to the place, and she always manages to see her uncle manning the bar. She wonders if he works there. 

And last, but certainly not least; her 4th grade teacher Mr. Choi. Mr. Choi never enters the room without a fond smile on his face as he greets the class in the morning. He never lets them leave without some words of praise when they leave the class in the afternoon. 

Mr. Choi is very attentive, explaining things a million times over for everyone to understand (who knew there were different methods to learning how to multiply big numbers?) and is very interactive with his class. Mr. Choi is probably the kindest person Emma knows. 

If someone were to come up to her and shove a microphone and a camera in her face (because people do that now) and ask her who she thought the kindest person in the world was, her first answer would definitely be Mr. Choi. That’s just how good he is. 

Anyways, before the author starts her spiel on the guy, let’s get into the actual story – shall we?

The list of things that Emma loves in this world differ depending on what day you ask her. Her constants will always be her parents (and brother), trucks, Ms. Lim’s bakery, the burger place, and Mr. Choi from class 2A. 

Lately though, Emma thinks that a new constant might add to her list of things she loves in this world. The thought came to her mind halfway through the previous semester. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

At the beginning of her first semester in fourth grade, a new teacher for fifth grade arrived in bubbly fashion. With beautiful kind eyes and a charming smile; the new teacher tumbled her way into the lives of everyone at More Than Words Elementary School. 

Emma was one of the people who only entertained things within her bubble. As a bubble dweller, the only things she knew dwelled in her bubble with her. She didn’t know anything about new staff or teachers unless someone entered her bubble to tell her. Which is how she found out about the new teacher in the first place. 

She had many friends within the school who greeted her in the mornings, and her cousin Shelby was friends with her next door neighbor Tommy. Those two always brought her the gossip from their fifth grade circle. 

They were all hanging out on the playground for recess when Shelby mentioned it to Emma. Something along the lines of the nicest teacher ever just came to their school or something. Emma excused Shelby’s comments because the elder didn’t have Mr. Choi in fourth grade. 

Tommy described the woman like she hung the stars in the sky every single night for him to look at and ponder her. Shelby told him to write a book if he wanted to be that sappy. Emma laughed even if she didn’t get the reference all too well. 

For the rest of that week, the new teacher was all her fifth grade friends seemed to want to talk about. She stopped listening to them halfway through. Mr. Choi was the nicest teacher ever, so she wanted to see his competition with her own two eyes. 

If someone was listening to her thoughts, then they made quick plans, because the next day called for a multitude of rain and the absence of half of the students in her small school. Emma still went to school because her mom and dad had jobs to go to despite the rain, and her grandma was out of the country so no one her parents trusted could watch their kids. 

She walked happily to her class, thinking of the pastries she would smell in the afternoon (as it was the day her and her mom went to the bakery) when she spotted a beautiful woman standing outside her class door talking to Mr. Choi. Her smile stretched like the sun on the horizon as it rose in the morning. A warmth like no other had hit Emma the moment she saw it. 

Emma slowed her pace as she neared the classroom, and she heard the familiar words of reassurance from her teacher to the lady in front of him to ease her worries about whatever she stressed about. The kind words sounded a bit different in Emma’s ears though. 

Emma greeted the adults like she was taught, and both Mr. Choi and the teacher greeted her with similar waves of kindness. The other teacher even knew her name. Why would the other teacher know her name?

Emma tilted her head in confusion and stood before the two teachers. The lady laughed and nudged Mr. Choi to get him to notice. Then, the teacher moved her left hand from the books she clung so tightly to her chest and extended it to the little girl before her. 

“Hi Emma Kang, I’m the new fifth grade teacher Ms. (last name). It’s very nice to meet you!” The teacher introduced, and the shock couldn’t come fast enough as it morphed Emma’s face. 

The lady before her was the kind teacher Shelby and Tommy told her about. Emma shook Ms. (last name)’s hand, feeling the familiar weight of an engagement band (her aunt Nina had just gotten engaged last month, so she knows how it feels on someone’s hand), and told the teacher that it was nice to meet her as well. 

Turns out, Mr. Choi and Ms. (last name) were discussing the merge of their classrooms for the day so that they can watch movies and play games. None of the other fifth grade teachers wanted to do such things with their classes, (as it was still the beginning of the semester) but Mr. Choi thought it would be fun to let his kids relax for one day. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

Rainy days had now meant joint classes after the success of the first one that day, and Emma realized that she hoped for rainy days a lot more, so that she can see Ms. (last name) again and again and again. This was when she thought of the possibility of a new constant on her list. 

Emma thinks that Ms. (last name) felt like the sun, especially when she brightened up the classrooms. Ms. (last name) was extra involved in just about everything, and Emma found herself wanting to join a few things just to see the bubbly teacher again. 

Now, you (as the reader) might be wondering where I’ll fit the synopsis into this story, and I’m getting there. Anyways, back to the story. 

Emma also notices how much livelier Mr. Choi seemed to get whenever Ms. (last name) would come around their area, for rainy days or not. The two teachers seemed really close, like they were friends before working together. Well, that’s how Emma saw it. Shelby and Tommy seemed to disagree though. 

The two fifth graders often talked about how they coax small bits of information out of their homeroom teacher whenever they all can’t seem to understand a particularly hard subject (which is usually math.) Ms. (last name) never got into great detail about a lot of stuff, but she always talked about her fiance with a sense of “love” and “comfort”. 

Emma knew about those feelings and those words, (she’s 9 for crying out loud) but no one ever seemed to explain the concept of love to her in a way where she understood or related to it, so topics like these had her confused.  When she asked what that had to do with anything, Shelby exclaimed that she had a feeling that Mr. Choi and Ms. (last name) were a couple. 

Emma sat there for a long while trying to see things from her cousin’s point of view. Sure, they were friendly and got along well, but a couple? They didn’t seem like a couple. She’s seen a few couples in her nine years on this earth, and her teachers don’t act as gross as those couples. 

Besides, they both arrive in separate cars. From the couples Emma has seen, they usually arrive in the same car, do they not? Her mom and dad are almost always in the same vehicle. Aunt Nina and her fiance Sam never leave without each other at events. Uncle Darren and Aunt Lily only have one car. They drop Shelby to school in it everyday. 

Tommy and Shelby bickered back and forth whilst Emma was left with the most confusing theory of her life. 

Emma decided that day that there was no way Mr. Choi and Ms. (last name) were a couple. Well, that was until dinnertime, when she decided to ask the one couple she constantly has to see. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

“Mom, dad, can people be a couple even if they don’t hug and hold hands and kiss and arrive at places in the same car?” She asked them once her food was graced and her mom told her to dig in. 

Both of her parents stopped their utensils from reaching their mouths to look at their daughter, seeing her staring back at them with a curious glint in her eyes. 

“Sweetie, I think we’re gonna need more context than that.” Her mom answered. 

“Your mom’s right, princess. What brought this on so suddenly?” Her dad added on. 

“Well, you guys know my favorite teacher Mr. Choi right?” She started off, watching her parents put down their eating utensils to give her their undivided attention. 

“Yes we do, what about him?” Her dad asked. 

“And you guys know the pretty teacher I told you about a while ago? Ms. (last name)?” She inquired. 

“Yes we do sweetheart.” Her mom answered, picking up her son’s spoon to help him eat his rice. 

“Okay, so today at recess I mentioned to Shelby and Tommy how I thought the teachers were friends before working together because of how well they seem to just – what’s the word I’m looking for?” 

“Coexist?” 

“No not that one … although that one is really good, thanks mom.” 

“Of course!” 

“Cooperate then?” Her dad chimed in, finally picking his utensil up. 

“Oh yes that word! Thank you dad, you’re so smart! Anyways, yes I mentioned it to them, and then Shelby said something about how she thinks they’re a couple? So then I sat there to think about it and that doesn’t make sense? How are they a couple when they don’t kiss and hug and hold hands and go everywhere together and use the same car and have kids?” Emma rambled, getting more confused than ever as she’s explaining it to her parents. 

“Maybe they don’t act that way because kids are present, princess.” Her dad supplied. 

“Dad, you and mom were literally kissing in the kitchen … with me present!” Emma rebutted. 

“That’s because you’re our kid. There’s a difference when it’s your own kid,” Her mom informed. 

“And besides, they work together don’t they? Why act like a couple at work? That’s not very professional.” Her mom continued. 

“You can’t do stuff like that at work?” Emma asked incredulously. 

“No you can’t Emma.” Her dad replied. 

“Wow, you learn something new everyday. What about the car thing then, they’re married and don’t come to work together? That’s so odd. You guys ride to work together all the time.” Emma questioned. 

“Emma first of all, not all couples are married,” Her mom told her, ignoring the gasp of disbelief that escapes her nine year old. 

“Secondly, they probably don’t even live together. Of course they’ll come to work in different cars.” Her mom continued. 

Emma’s shocked beyond words, her brother Eric wasn't paying attention, just eating his food and replaying the opening for power rangers in his mind as he ignored them. Her dad’s just thinking about how all of this could’ve been avoided if they just gave her electronics and discovered the weird stuff on the internet in the first place. He pushed the thought from his mind though, his wife said no so he sticks beside her. 

“Wait, so you’re telling me that couples aren’t married and don’t live together and can’t act gross and work?” Emma asked. 

“Your Aunt Nina and her fiance Sam aren’t married, and they’re a couple.” Her dad answered. 

“They’re practically married.” Emma replied.

“Wait, but do you guys think they’re a couple? An unmarried one who doesn't live together?” Emma followed up. 

She saw her mom and dad rack their brains to see if they remembered anything out of the ordinary between the fourth and fifth grade teachers that night. And then she heard them agree with her crazy claim. 

The next day, when she took Shelby’s side in the argument, their conversations shifted forever. The three friends had made it their new mission to find out if their teachers were really together. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

In between that time, the semester had ended, and the long awaited break had begun. Her mom and dad finally sat her down and told her about the different types of couples and all that jazz. They also took her to see her grandparents, where she stayed with all of her cousins for two weeks. 

Emma, Shelby and Tommy met regularly to talk about their random findings, even during their break. Nothing was bigger than the time Emma saw them both at Ms. Lim’s bakery though. The two teachers didn’t notice her, and she didn’t try to get noticed as she saw them share a slice of cheesecake and basically smiled at each other for five minutes. 

Through it all though, the mission seemed to be leading them practically nowhere. The new semester started with Shelby and Tommy telling Emma how Ms. (last name) came back with a new ring on her finger, signifying that she finally got married. 

Tommy told her to check Mr. Choi’s hands to see if he had a ring on as well to confirm their suspicions. Mr. Choi always had rings on his fingers though, so that plan was fruitless. 

For days on end, Emma tried to figure out if there was a new ring on Mr. Choi’s finger, and for days on end it seemed as if nothing was out of the ordinary. 

Just as Emma was about to give up though, the answers to their questions fell right into her lap. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

It was a rainy Thursday, and like all rainy days, Emma gets dropped off to school earlier than usual. Emma told her parents goodbye at the entrance of the school, watching her dad’s truck drive off with her mom waving at her wildly from the window. 

Emma began to turn around to head inside before hearing the familiar purr of her teacher’s SUV pulling into the parking lot. She then stopped fully once she saw her teacher help Ms. (last name) out of the car?!?!!?!?! 

Mr. Choi and Ms. (last name) just came out of the same car. Mr. Choi is helping Ms. (last name) with her bags. Mr. Choi – OH MY GOODNESS DID MR. CHOI JUST KISS MS. (LAST NAME)’S FOREHEAD? were the thoughts that ran through Emma’s mind once she saw what transpired. 

Emma wanted to stand there and rack her brain to find the sense in all of what had happened, but the teachers were both coming towards the entrance? Oh my goodness, Emma Kang. Go and run into a hole right now. 

Emma picked up her pace and starts to walk away, but the warm tilt of a harmonious tone traveled to her ears as Ms. (last name) greeted her from her walk toward the door. Emma stopped like a deer in headlights, and turned slowly to greet the two teachers. 

My goodness, they’re even sharing an umbrella. Emma Kang, for the first time in her life, just wants to not be a curious kid. Having to see this from her favorite teachers isn’t good for her psyche. 

“Emma Kang, it’s been a while. How are you doing this morning? Are you ready for our rainy day movie session? I didn’t expect the rain to happen so quickly into the semester, but man am I excited for our class to get together again and have some fun. Do you want to help Mr. Choi and I choose the first movie? We’ve been arguing about the lineup all –” 

“(First name), you’re rambling.” Mr. Choi interrupted, and only one thing entered Emma’s mind like a blaring siren once she saw Ms. (last name) stop and giggle about it, apologizing to the kid. 

“You two are married.” Emma blurted out in the midst of Ms. (last name)’s apology, causing the two teachers to freeze up at the accusation – no, the declaration. 

They both rubbed their necks in tandem; Ms. (last name) laughing nervously and suddenly finding interest in the school motto placed on the wall beside them. Mr. Choi looked at his wife, and then looked at his (now unfortunate) brightest student.

“You two are married right? Mr. Choi kissed your forehead and you guys got out of the same car and you guys are even holding pinkies over the handle of Ms. (last name)’s bag.” Emma asked, pointing out her deductions to the newlyweds before her. 

The air stilled once she continued on with her findings, almost laughing at the fact that they immediately let go of each others’ pinkies. Mr. Choi told Emma to follow them, walking from the entrance and to the classroom of 2A. 

Emma watched as they both started to unpack the bags, placing stuff here and there and working together like they’ve been doing this for years. Emma watched a new level of their cooperation unfold on that rainy thursday. 

After they had set up everything, Ms. (last name) walked over to Mr. Choi, and pulled at his blazer to get his attention. They had a discussion with wide eyes and ragged whispers for about five minutes before Mr. Choi raised his hands in defeat. That’s when Emma noticed that he forwent the rings he usually donned, one simple band on his left ring finger catching the light in the room. 

“I guess the cat’s out of the bag now.” Ms. (last name) said after a few moments of awkward silence. 

Emma’s eyes widened to the size of saucers once she realized that they were admitting to her declarations. 

“You guys really are married?” She carefully asked. 

“Yes, yes we are. We recently tied the knot during the break.” Mr. Choi answers, stifling his laughter once he sees confusion slide across his student’s face. 

“What does tying a knot have to do with your marriage?” Emma confusingly questioned.

“It’s an expression. One of the many ways of saying you got married without actually saying it.” Ms. (last name) replies, pinching her husband for laughing. 

“Oh.” Is all Emma said in response. 

The adults studied her face for any odd reactions from Emma Kang, who started to have another mental battle with herself. 

“We actually wanted to tell you and the other kids about it later on.” Mr. Choi supplies helplessly. 

That didn’t seem to work though, as Emma continued to just … blankly stare at them. 

“Are you upset, Emma Kang?” Ms. (last name) asked after almost three minutes of heavy silence. 

Then Emma blinks a few times, looking up at them with something close to joy swimming in her eyes. Mr. Choi and Ms. (last name) let out the breath they didn’t even know they were holding. 

“Upset? This is the best news I’ve gotten all school year. Why would I be upset when the two nicest people in the world are married?” Emma exclaims. 

“I thought you’d be upset that we didn’t say anything.” Mr. Choi replied. 

“I thought you had a crush on Mr. Choi, to be honest.” Ms. (last name) replied at the same time. 

“I’m nine.” Emma deadpanned. 

“When I was nine, I had a crush on my music teacher. I don’t see how that excuse is relevant.” Ms. (last name) said. 

“(First name) you were just an odd kid.” Mr. Choi followed up. 

Emma chuckled when she saw Ms. (last name) hit Mr. Choi on the arm for his comment. 

“You who was crushing over Sam from ‘Danny Phantom’ at that exact age, puh-lease.” Ms. (last name) accused. 

“At least she and I were closer in age than you and your old shriveled up music teacher.” Mr. Choi responded. 

“Sam isn’t even real.” Ms. (last name) said.

“Neither was your chance with that wrinkly old music teacher.” Mr. Choi replied. 

“He was 25 oh my goodness Jiung, stop calling him old.” Ms. (last name) exclaimed. 

“Even worse.” Mr. Choi replied. 

The adults stopped their playful banter when they heard Emma cracking up from her seat. 

“You guys are the sweetest.” She replied once she stopped laughing, shocked at the fond looks that stretched their smiles wide at her.

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨ 

The rainy day ended up with Emma harboring their secret for them, a lot of movies, and a kid crashing from a sugar rush after sneakily eating too much candy. 

Later that semester, the teachers decided to tell their class separately about their marriage, which breaks another spout of gossip between Emma, Shelby and Tommy. The news spread through More Than Words Elementary like wildfire that day. 

Questions were thrown at the couple for weeks to come after that, and a new quest (bet) was formed between the kid trio. Guessing when they’d have their first kid. 

Emma now helped the kind teachers set up for movie days whenever it rained, and a new constant had been added to Emma’s long list of things she loved.  Her parents (and brother), trucks, Ms. Lim’s bakery, the burger place, Ms. (last name) and Mr. Choi from Class 2A. That was her list of constants.

[miraculouslbcnreactions]

This thoughts still cooking, so it might not make sense, but I think Thomas (Tomas?) Astruc is a very good case study on how being too attached to your own ideas can hinder your story telling.

I don't mean this in a "Thomas's original idea for the series was bad", but rather that he seems so attached to this concept that he can't stand other people having a differing view from him.

Chloe's the titular example here. Some people thought she deserved a redemption arc, and instead of just saying "nah, I don't think so" and continuing to write her the same way he had been, he had to prove them wrong, prove that his idea was the only correct one, and so turned her into the spawn of Satan and let her rule over Paris for some reason.

Instead of making Marinette less stalker-y, he wrote an entire episode poorly justifying it. And, imao, somewhat diminishing what PTSD actually is and does to people.

I'm not saying he has to make any change (though I think making Marinette less stalker-y would be a good change), but instead of 1.) sticking to his resolve or 2.) taking the criticism, he clung dearly onto this perception of his characters and his writing suffered because of how much he had to twist things to "prove" that his original assertions were right. And also that everyone who disagreed with him was wrong and didn't understand

idk if that makes sense, but the concepts been lingering in my head recently

It makes perfect sense! I've had similar thoughts. It's hard to say for sure, but Miraculous may be a case study in "kill your darlings". I'm not deep into the behind-the-scenes lore and I was not here in the early fandom, but I do know that, at some point, a much darker version of the show was pitched. That's why these exist (image source):

[Image description: two sketches styled like comic book covers. Both have the title "The Mini Menace Ladybug". The left cover shows Marinette's silhouette in a doorway. The door's glass and the glass of a nearby window are broken. In the foreground lies a hand holding a ladybug charm. The hand is limp and surrounded by blood, implying that someone is injured or dead. The right cover is Ladybug doing a spinning kick while looking angry.]

We also have this evidence of the darker original concept:

Jeremy Zag then proposed another project... which he was unable to sell to broadcasters... the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience... Sébastien had to make sure that the project could be broadcast on Disney and TF1.... Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted... In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

I've been aware of this darker origin story for a while due to Tumblr and, because of this knowledge, I have often had the thought, "are the writers trying to sneak elements from this darker version into canon?" Because that's the most likely explanation for what's going on here.

If I'm right, then I think that was a terrible move on their parts. They needed to let go of the story that they couldn't sell and embrace the story that they're being allowed to tell. It's why "kill you darlings" is such good advice. Many good stories have been ruined by writers clinging to an idea that ultimately doesn't work for some reason.

It's why the sitcom How I Met Your Mother has such a universally hated ending. The show was originally supposed to go for two seasons and so they wrote an ending that would fit the second season. The show ended up running for nine seasons and, by then, the ending didn't fit, but the writers kept it and left everyone with a bad taste in their mouths, which is not what any writer wants. That's why you have to do what's best for the story even if it means abandoning something that you really love.

This early version of canon may also be why the writers are so obsessed with Marinette. My understanding is that this concept had her mainly acting as a solo hero and, oh look! What is one of canon's biggest problems? Marinette being treated like a solo hero even though she has a partner and, later on, a team!

Not saying that this theory has to be true, just saying that it would explain some things. And if they're poisoning canon by trying to include elements from their darker original? Then it makes sense to assume that they're also doing it for smaller stuff. Like I'm pretty sure I've read that the head writer wanted Chat Blanc to be a lot darker originally, but no one would green light it, so we got an incredibly lackluster episode that spat in the face of the genres Miraculous' is trying to be part of while also falling to have the sort of impact we'd expect from an episode like that. It's a good example of a darling that really should have been killed. It just doesn't fit.

(Totally unrelated sidenote, but is your blog name from Tangled? Because that's what I immediately thought of and it made me smile!)

[lurkingshan]

I've been thinking a lot about the depictions of generational trauma and parental accountability being presented in dramas lately. Since you've watched way more than me, especially outside of BLs, what are some shows that present or include parental accountability?

This is such a good question and one I have been thinking about a lot since Last Twilight episode 10 aired. Westerners often assume that because of Asian cultural norms around filial piety, parental authority, and respect for elders, we can never expect satisfying parental accountability in our Asian drama narratives. But that's not true! It's been done and done well. It’s because these values are so deeply embedded in most Asian cultures that Asian creators are the best positioned to speak on the harms they can cause, and will often embed these themes in their work.

Now, there is an important distinction to make here: the difference between what characters do, and what the story communicates. A character may choose to abide by honoring their parents at all costs, but the story can still communicate how harmful that is. A character may never apologize for something they have done wrong, but the story can still make it clear they have fucked up and hold them accountable for that via tangible consequences. Here are a few examples from bl to illustrate what I mean, and the different ways this can show up in dramas.

Bad Buddy

One of the most obvious examples of parental accountability in genre, and also a pretty full metal version of it. This entire story is about the damage Ming and Dissaya did their sons with their decades-long feud and insistence on pushing that trauma down on their children, and we got some extremely cathartic scenes of Pat and Pran telling their parents exactly what they thought about that. Of course, even though they raged at their parents, they never got the apologies they deserved (and likely never will) and still had to hide their relationship to appease their parents going forward. But that doesn't mean there was no accountability here. The entire narrative held these parents accountable by showing us how they were harming their sons, forcing them to reckon with it, and ultimately showing them settling into a form of resigned acceptance.

Until We Meet Again

This entire show is about Korn and In's reincarnated souls healing from the trauma of their tragic ending, which was brought upon by the familial pressure and rejection they experienced from their fathers. We not only saw Dean and Pharm work through this trauma and forge new bonds with family members, we saw the direct aftermath of their first deaths, the despair and regret their families felt, and the ceremony that tied their souls together as a result. It's big karmic accountability on a grand scale, and the show never flinched from letting us see exactly how much harm was caused by these parents, or how the tenets of filial piety resulted in Korn's despair that he couldn't be what his father wanted. Even more crucially, we were shown, not just told, the counterpoint impact of good parenting, when Dean and Pharm were accepted by their families in their second life.

Blueming

A rare example of an Asian parent being called to the carpet, feeling the wrongness of their actions, and actually apologizing for it. This does in fact happen in drama! Si Won's mom raised him to hate himself, to be ashamed of his body, to fake his way through life so people would like him, and boy did it do a lot of damage. The story showed us how this affected Si Won and his relationships deeply, and brought him to the point where it finally burst out of him. And his mom, to her credit, was dismayed to understand what she had done to her son. This show also gets bonus points for Da Un standing up to his own mother after she interferes in the film contest.

Bed Friend

Uea's mother's sins against him are numerous, and I will not go into them all in detail to spare my own sanity. She is an abusive parent so horrific that she can never be forgiven, and doesn't need to be. An apology from her would be utterly meaningless. Instead, the drama holds her to account via showing us what she's done to Uea and the work he has to do to heal from the trauma she caused, and ultimately having her son cut her out of his life. It's the biggest consequence she can ever face for her choices and that Uea finds the courage to do it is the story's biggest triumph.

What Did You Eat Yesterday?

On the subtler end of the scale, we have our beloved KNT, which weaves parental accountability through its story in the long, slow journey for Shiro's mother to accept who he is and the partner he has chosen in life. What I love most about this particular depiction is that it's not at all linear in nature. We see her make strides by finally acknowledging Kenji and inviting him to her home, and then backtrack by rescinding the offer due to her own discomfort, and then include him in her family planning to ensure he will be cared for after her death. She’s homophobic and traditional, but she loves her son and sees how much happier he is with Kenji in his life. She is constantly reckoning with that tension. And Shiro and Kenji, being of an older generation themselves, don't hold it against her, even as the show makes sure we understand how much it hurts them. They are not okay with it, but they do understand why she's like this, so they take what she can give and forgive the rest. It's a really touching portrayal of this kind of impasse in a family.

Moonlight Chicken

There are several different vectors of parental accountability in MLC. There is Heart confronting his parents over their neglect and abuse and finally demanding to be treated with dignity. There is Li Ming directly calling out his mother for how her life choices have affected him. And there is Li Ming and his surrogate dad, Jim, working out their issues so that they can communicate better, and so that Jim can learn to stop pushing his own fears and anxiety down onto the next generation. All of it handled with deftness, with care, and with clear purpose to examine the ways intergenerational trauma can perpetuate in the absence of accountability.

[thekingofwinterblog]

You know what the most annoying thing about the Twists regarding the Elves in Inquisition was?

That all the twists, if taken on their own, would make for a really good story.

The reveals about Solas backstory and how him and his fellow God Kings rose, became decadent, warred with each other and fell, setting the stage for their transformation into the Old Gods is frankly speaking, some of the best lore that Dragon Age ever had, and lines up really well with how the world is structured while explaining how the Old Gods came to be, how the elves fell, and so on.

That the tevinter imperium when it conquered the nation of Arlathan was not the great imperial state lead by mighty mages their descendants liked to think they were, but instead a bunch of weaklings that needed years and years to take on one, measly city-state that had utterly obliterated itself in civil war.

There is so much great stuff here.

So where did it all go wrong?

The answer, is of course execution.

Inquisition overall is a great game... But man did it drop the ball so hard with the Elves that it's pretty much hard to believe that they will be able to tell a nuanced story about them in Dread Wolf.

Everything from the companions, to the world itself as the game presents , to retcons regarding mages that's there, not to tell a story about the elves, but to try and make the Templar vs mage conflict grey.

Starting with the companions, we have a great example of coming so, so close to greatness... and then falling right on it's face.

The game has two Elf companions, solas and Sera... and the contrast between them really illustrates the big picture with how incapable Inquisition is with trying to tell a nuanced picture with the elves.

Solas as a character is perfect. Love him or hate him, he is a fully fleshed out character with very clear, defined, understandable motives that makes sense to him.

And most importantly of all, his way of viewing the world is WRONG. The game acknowledges that he is wrong.

The entire story of where dragon age 4 is heading, is all about how the Dread wolf, for all his knowledge and intelligence and genuine virtues, is at the end of the day, a monster, who is willing to see the world burn to restore the Elves magic and immortality.

He is a racist, he is bigoted, and ultimately misguided. Despite all his development with the inquisitor, he does not manage to grow enough as a person that he manages to abandon his genocidal goals. And the game does not pretend othervise.

That is what makes the story of Solas rise to become the big villain of the sequel great.

There is no disconnect between the story, the characters, or the way the game wants us to view solas.

Solas is far, far more bigoted and close-minded than any of the dalish he so despises, and the game ultimately does not pretend othervise.

Which brings us to the opposite end of the elf spectrum with Sera.

Sera is a very disliked character by a lot of people, but by dalish and elf players/fans more than most.

Just like Solas, she is bigoted, racist, and ultimately misguided in her hatred of her fellow elves, whether they be city elves, or Dalish, or ancient elves.

And that frankly, would not be a problem if the game acknowledged that fact. If her character arc was about it, and either how she could not overcome her own issues, or actually managed to grow beyond them, she could have been a great character.

The problem is the fact that the game is not willing to handle this fact head on. Its not willing to come out and portray Sera as just as bigoted against her own kind as Solas is, and to treat this as a flaw.

Instead the game treats her as if her biggest flaw is that she's annoying, and not the fact that in a game that is in many ways about setting up the rise of the dread wolf, she is just as bad as Solas, just from a different origin point.

Sera should have been a mirror to Solas, both from a story point, as well as a thematic one, but unfortunately she is not.

Hell, she doesn't really overcome her racism either. The closest she comes to doing so, is basically burning out on hating the dalish and other elves in trespasser, not admitting she was actually wrong to hate them so much in the first place.

The game does not treat Sera's disdain for other elves and their culture as a problem, and it does not give a dalish inquisitor the option to tell her to go fuck herself on the topic that you are given with Solas if you really desire to do so.

You are given the option of kicking her out of the inquisition, but not actually stand up for the dalish or even city elves the way the player could against Morrigan's flemeth raised cruelty in origins, anders and Fenris obsessions with, and hatred for templars/mages in da2, or solas ideals in inquisition.

And thats a problem that really illustrates the bigger issue with the way Inquisition took what could have been a great story about the Elves and the reveals about their anceators, and frankly ruined it.

The dalish and city elvea were very thouroughly fleshed in both Origins, Awakening and DA2.

However, city elves largely managed to avoid being utterly destroyed by the narrative the way the Dalish were, for the simple reason that outside briala, we don't get much if any interaction with them at all, making them essentially a non show foe the game for the most part. They don't get a city elf inquisitor, and so we have no point of view to look at them from a pc perspective.

They got off much better than the dalish though.

Starting off with the arguably single worst thing in all of DAI is the retcon that Dalish clans, if there is more than two mages in a clan, sends off the third one alone in the wilderness to fend for themselves. This goes against absolutely everything that has ever been established about the Dalish, and worst of all, wasn't even an addition meant to demonize the dalish, instead being an addition to handwave away the obvious fact that the Dalish had a much better system than the human circles when it came to magic... Which in turn was made irrelevant by the fact the Avvar was later shown to have a much better and more effective solution to the possession question anyway.

It was, in essence, a pointless retcon, that overall only made the dalish look bad, and has now opened the door for the idea that most dalish clans acts like this, and will be portrayed so in future games.

Its bad, but unfortunately it was only the start.

The game goes out of its way to portray absolutely every single person who critices the dalish as having a point, that they brought on their own downfalls, even as they are being the most imperialistic, racist assholes imaginable, while the dalish inquisitor can only offer a token of defence for his people, a far cry from way origins allowed you to handle the same situation wheter your main ethnicity was ferelden, mage, city elf, dalish, casteless or dwarven noble.

But nowhere is it worse than the way the game handles the fall of the dales.

Now the actual lore you learn about it, is not bad. At all. I know some complain that the reveals that ameridan(and presumably other elves) worshipped both the creators and the maker, as well as the fact that the dalish unfortunately did have a bad relationahip with the rest of the world, in particular orlais, is bad storytelling, but i firmly disagree.

No the problem is the execution.

Ameridan is not wrong when he says that The Dales should not have distanced itself from the rest of the world, especially not in the face of a blight... But the Dales of his era were in turn not wrong when they argued that the Orlesians were little better than the imperium, and they would be completely right.

This is not a grey issue, its a grey and black issue.

Orlais was, and still is an evil, expansionist empire with 99% of its population living as serfs, that can be raped and beaten at will, little better than slaves.

The dales were the morally right side of the exalted march on the dales. No amount of new lore we learned in inquisition has changed that fact. We simply get the details fleshed out a bit more to add context.

Orlais was going to invade and enslave the elves anyway, as they proved through their actions against all their other, very much fellow Adrastian neighbors.

The problem is that you are not allowed to express this kind of point of view and stick to it like steel.

The characters you meet having the bigoted opinion that the dales ultimately brought on their own fate is NOT a bad thing in and out of itself... the problem is that you are not allowed to challenge that opinion the way you could challenge Lelliana's view of the dalish in origins, or the way you could tell both Anders and fenris to go fuck themselves on their extremist opinions all through da2, and ending that fuck you by killing them in the endgame.

And thats a real shame, because just looking at characters like cassandra's character development through Inquisition, you could easily have made a really compelling narrative put of a dalish inquisitor who stuck by his or her principles, and actually challenged the people they met's racist views on the dalish the way you could in origins, just with a more fleshed out and(unfortunately something way too many people just cannot emote to a character withouth) an actual voice to raise those arguments with.

I do genuinely like Inquisition, and i think it's overall a much better game than DA2... but man did they drop the ball with the elves so hard.

I feel so sorry for anyone who really got invested in the elves as their favorites factions, and i honestly don't think the elves will be handled particularly well in Dread wolf, especially as the only Dalish we are likely to see fleshed out will be the villains fighting for Solas.

[thefrogdalorian]

The Best of Both Worlds

Din Djarin x Female Reader Modern!AU

Summary: When a new Star Wars TV show called The Mandalorian premiered, you found yourself completely enamoured with the titular character. Enjoyment of watching the lone bounty hunter travel through the galaxy quickly turned to obsession. There was just something about the show that captured your imagination. Now, you spend much of your free time — when you're not working a fast-paced, minimum wage and incredibly stressful job at a prestigious London Museum— speaking to your online friends about your love for the show. There's just one thing... Despite how much you love The Mandalorian, no one knows the identity of the man behind the helmet... either in the show, or in real life. You only know him as Mando. No one has ever seen his face, no one knows his name.  Even after the countless hours of speculation from fans online, which even you have occasionally participated in, no one is any the wiser to the identity of the mysterious man who wears the shiny armour.  Surely, given the depth of your love for the show, you'd recognise if the man who you spend so much time obsessing over online was to ever cross paths with you. Right?

Content Warnings: Reader is AFAB, uses she/her pronouns and in her mid 20s. Age gap between her and Din is noted but not really central to the story. Grogu is human, hints of past trauma/child abuse before Din adopted him are mentioned but not described in detail. Some mature scenes later on in the fic but not explicit smut... because I just cannot write x reader smut! Author's Note: SO very excited to finally share this fic! Thank you to the lovely @suresnips for being my beta. I really appreciate you ♡ This baby was originally my NaNoWriMo 2023 project and was inspired by this post from @toxic-seduction that I saw one evening and couldn't stop thinking about! POVs will alternate chapter to chapter from Din to reader. It was fun to write that way! Set in London for a few reasons: partly because I love the movie Notting Hill and it has some of those vibes (if you squint), also, the village where Din lives is based on Elstree Studios just outside London, where the OT was filmed and ultimately because NO WAY was I writing a modern!AU set in the states, it would've been painfully obvious a Brit wrote it. While there are lots of references to places in London, I don't live there so it might not be truly accurate (Londoners don't come for me). Also, to be political for a sec, reader works at the British Museum and I hate that institution. This was actually the line of work I was interested in when I was at Uni but for many different reasons I did not pursue it. However, it works for the plot of this story and as you'll see, she doesn't exactly love it either and goes on a few rants. Just wanted to make that clear that her job there is not an endorsement of it or anything. I can't stand them or their historical apologist bs and I wish we would give back all the things we stole (including the Parthenon Marbles)! Finally, it was incredibly important to me that the actor behind Mando in this fic clearly be the fictional character of Din Djarin rather than the real person Pedro Pascal, because rpf is not my jam! I hope I did that pretty well but just wanted to warn that if you're expecting me to use Din as some kind of way to write a Pedro fic, this won't be for you! Okay, I'll shut up now! This fic is fully written, just needs editing so hopefully I'll get a couple of chapters up each week, but life happens. I'm very proud of this one and I really hope you enjoy reading it as much as I enjoyed writing it! Also if you would like to be added to my taglist for this fic, please let me know! Happy reading ♡

❁ My Masterlist ❁ Read on AO3 ❁

Why Does It Always Rain On Me? [Reader POV]: After a dreadful day which saw you drenched by a rainstorm after leaving a hectic day at work, you reflect on your love for Mando and upcoming excitement for the sci-fi convention you will soon be attending with your internet best friend.

He Is My Only Priority [Din's Pov]: The character of The Mandalorian is known and loved by millions. But there is another, much softer side to the man who portrays him that Din Djarin is determined to keep hidden from the world, despite the challenges that presents for him and his beloved son, Grogu.

This Is Why (I Don't Leave The House) [Reader's POV]: Your internet bestie arrives in preparation for the Star Wars convention you will attend together. Everything is set for the greatest weekend of your life! Until you arrive at the con and find yourself overwhelmed by all the crowds and noise. At least you have numerous incredibly realistic Mando cosplays to distract you from how stressed you feel, and there's one in particular which is uncannily accurate...

Curiosity Killed The Cat [Din's POV]: Despite his reservations and against his better instincts, Din heads to a Star Wars convention that he was invited to. Although he fears that his cover will be blown, curiosity gets the best of Din and he can't resist attending a panel. But Din doesn't exactly find the answers he was looking for. Instead, he finds something far more precious. Something that he would never have expected...

He's So Tall (And Handsome As Hell) [Reader's POV]: Being back in the real world and returning to work after an incredible weekend at the convention where you had so many fun experiences is taking its toll on you. The thought of collapsing on your couch in front of The Mandalorian is the only thing keeping you going. However, the universe has other plans for you. News of an out-of-hours tour for a private client that you are asked to lead almost sends you over the edge, but when you finally meet the man, he is the opposite of what you were expecting. Weirdly, he seems familiar...

With A Little Help From My Friends [Din's POV]: Din returns to the set of The Mandalorian to begin filming a new season. Despite his experience and capability, he finds that he struggles to focus as his thoughts remain firmly fixed on a certain someone...

You're The Sunflower [Reader's POV]: Despite feeling certain that you'll never see the ridiculously handsome man you gave a tour of the museum to, a special delivery is about to change everything...

Your Face Hung Up High In The Gallery [Din's POV]: After a difficult few days of filming The Mandalorian, Din is excited to spend time with you as he finally takes you on your first proper date...

Have I Known You Twenty Seconds or Twenty Years? - (Reader's POV):  Despite a messy evening which led to you waking up in an opulent hotel which you have no memory of falling asleep in, memories of kind brown eyes and breathless kisses soon come flooding back to soothe your soul. Your relationship deepens as the two of you spending time together whenever your busy schedules allow. But one night, a turn of events causes you - despite Din's reassurances - to wonder if everything you have been working so hard to build together has just come crashing down around you...

There's A War Inside Of Me - [Din's POV]: The realities of the secret he is keeping from you begin to weigh heavily on Din's mind and he seeks advice from a certain curly haired co-star on what his next move should be. Things don't go exactly according to plan, not least because of the typically awful English weather...

It Could Be Love, We Could Be The Way Forward - [Reader's POV]: With your respective busy jobs keeping you and Din apart, a mystery date after a hectic day at work is exactly what you needed.

The Calm - [Din's POV]: When filming overruns and conspires to keep Din from the fun weekend he planned for you, he agonises over his decision. Fortunately, he manages to salvage the weekend, even after a calamity involving a rowboat...

The Storm - [Reader's POV]: The happiness you feel in response to a question Din posed to you is somewhat clouded by lingering doubts. Yet your affection for each other helps you to push those emotions down, until a weekend spent at his cottage changes everything...

P.S. - I tried to be inclusive for all body types and skin tones in this fic, but if I missed something, I do apologise. If you do spot something that takes you out of the fic, I am more than happy for constructive criticism as I wouldn't want anyone to be excluded on those grounds. I am always trying to do better and would love to know where I went wrong so I can improve and be more aware of these things going forward, so I would appreciate it if you could let me know if you do spot anything. Thank you so much! ♡

[aloevhello]

Ghostflower & Earth-8

In Spider-Man/Spider-Gwen: “Sitting In A Tree,” Miles and Gwen travel across the multiverse to find Jefferson Morales. One of the universes Gwen found is Earth-8, a dimension where her and Miles are married and have a superpowered family together. Considering that the comic was released in 2017, prior to ITSV’s 2018 release date, and is one of the major comics where Gwen and Miles interact with each other, one might wonder if Earth-8 will be incorporated into BTSV? One way Earth-8 can be incorporated in BTSV is by having Miles and Gwen’s universes collide to create Earth-8. There’s also a chance that this idea has been foreshadowed through the visual language of the SV films.

The idea of universes merging together was already present in ITSV with the Super-Collider that allows multiple dimensions to crash into each other. There’s also the classroom scene where Miles and Gwen meet each other for the first time and how behind them is a poster of two universes colliding:

This collision imagery is present in ATSV, such as when Gwen and Miles swing around New York and this “Whooosh” onomatopoeia between them has two o’s be connected to each other:

There’s also the scene where Gwen says goodbye to Miles and between them are two holes that are in the similar formation as the two o’s and the universe collision in the poster:

The repeated imagery of two enmeshed circles is not only representative of two universes colliding, but when flipped vertically it resembles the number 8, hence Earth-8. Additionally, this image is akin to the infinity symbol ♾️, which is fitting considering how much this couple is linked to the idea of infinite possibilities:

(The scene above is from ITSV when Gwen and Miles first meet in the classroom and Dr. Olivia Octavia is talking about the vastness of the multiverse in the background).

(This scene is from ATSV when Gwen tells Miles’s parents about his disappearance and what she has learned from him).

Admittedly, this theory is a bit of a reach and there’s plenty of other ways Earth-8 can be incorporated into BTSV, if it will at all. It is interesting though to speculate considering how Miles’s guidance counselor states, “Every person is their own universe” (an epithet used in the ATSV script as well). If this statement were to be true then Miles and Gwen’s universes colliding implicates that they’re one in the same, as stated by Miles when he was talking with Gwen at the Williamsburg Bank Building:

In a way this sentiment is true as they’re both creative types with cop fathers who lost a Peter Parker and struggle with their families’ expectations, along with having to lead a double life as Spiderpeople. Gwen and Miles acknowledging their similarities in the text, highlights the intentionality in their connection despite them coming from different dimensions that would have made them meeting impossible.

There’s also the scene at the Williamsburg Bank Building where Gwen does her own version of the shoulder touch with Miles. This resembles the collision imagery presented prior, where in a moment of vulnerability, Gwen chooses to collide into Miles and forge this connection between them.

Granted, this wouldn’t be the first time Miles and Gwen left their respective universes to live in another one though. After the end of the Ultimate comics, Earth-1610 got destroyed to have Miles and his friends and family move to Earth-616, since he was the main popular character from the comic line. More recently, Gwen has moved from her universe of Earth-65 to Earth-616 due to her own popularity. Fans’ reception is mixed to say the least because while Gwen and Miles residing in the mainstream Marvel universe of Earth-616 allows for more comic appearances, the downside is that it comes at the expense of their own stories as their status as the main Spiderperson will be overshadowed by Peter due to Earth-616 being his universe originally. This is further shown in Gwen’s case where she’s currently the only character from Earth-65 to make the move, thus leaving her supporting cast, distinct tone, and art style of her world behind. However, with Gwen and Miles having their respective universes be combined to create a new one, these issues can be resolved since they’ll likely keep their supporting casts and have a hybrid of their pre-existing art styles. Their statuses as Spiderpeople also won’t be overshadowed due to Earth-8 being created specifically for them, making it their universe to claim. This adds to the sentiment of how Miles and Gwen are “the same” as the overlaps in their characters allow them to complement each other, being two halves of the same story.

There’ll probably be plenty of multiverse shenanigans in BTSV and if they culminate into a major universal collision, we’ll just have to see when the movie comes out. However, whether it’s fate, destiny, or pure coincidence that brought Gwen and Miles together, the SV films seem to be going towards the star-crossed lovers route where they’ll have to find a tangible way to be together, which is through the creation of Earth-8.

[aruanimess]

For the ask, what about reverse warrior/paradisian Aruani, where Armin is from Marley and Annie is from Paradis? How do you think this would change the story?👀

Fanfic Author Never Have I Ever

Hey, Stella!

Well, I have shared some ideas about a similar premise here, but I've definitely never written it.

If I were to write something like this, I'd probably have Armin being a lot more lenient with the Paradisians. The plot would revolve around Armin finally deciding to give up on Marley and join the Paradisians. I know a lot of people want to see him commit war crimes (and don't get me wrong, he would), but I think a character with Armin's moral compass would snap when faced with the blatant injustice of Eldian discrimination.

As for Annie, I'd keep her backstory similar: her father wants her to join the Military Police to benefit himself. Still, I think she'd be more open to developing friendships in this scenario as she is not actively betraying anybody. She and Armin would become friends and slowly through time she'd figure out something was off about him and his mysterious friends (as I believe Armin would spend more time with RB than Annie does in canon) and she'd go into sleuth mode.

After Trost, and the revelation of Eren, she'd put two and two together and confront him. Armin would fight her off and try to silence her, revealing that he's a lot more martially inclined than he let on (as he's been trained for years in this AU and also has the benefit of healing quickly). Ultimately though, he wouldn't be able to go through with Marco-ing her as he has a) developed feelings for her and b) has become unconvinced of the supposed evilness of the Paradisians. Then, they'd devise a plan together to uncover the monarchy's secrets and make the public aware of the truth.

P.S. Sooo, there's also the problem of which Titan Armin would get, as Bertolt has the Colossus and is Armin's ally in this. My friend @midnightlighthowlite has a little project where the third member of the titan trio is Pieck instead, and, as much as I loooooove this possibility, to propose something different I say: I'd give Armin the Female. Knowing me, I'd probably turn it into a whole theme about gender identity, toxic masculinity and trans issues too, by having Armin endure bullying back home bc he was chosen for the "girl" titan. I'd have him experience gender dysphoria (either when transformed or when in his regular body depending on where I took the story) and struggle with his presentation in general. Obviously, this would be resolved by Armin embracing his feminine side, either by deciding he's some flavour of trans or by accepting that body parts are gender neutral.

[mcbride]

Daryl Dixon Rewatch S1E06 - Coming Home

it's the first ep with an English title and the last of the season. overall, i wanna say i was actually surprised how much i did enjoy watching. the complete focus on Daryl without all the background noise/storylines/characters, the way he still means what he says, but he's actually using his words and lots of sass instead of the typical nodding and grunting. good job!

but i gotta confess that if i hadn't known beforehand that Carol was going to be a part of this show, i probably wouldn't have bothered 🤷‍♀️. the fact Carol's not only back on screen, but she is such a great part of the whole vibe of the show, was actually unexpected. this show is straight up showing us Carol is the driving force in Daryl's relentless journey to get back home.

whoever tries to convince you Daryl is conflicted about where he belongs and where he wants to be is lying to you (pointing at you, Z!!). he literally spends 6 whole episodes reminding everybody he's got a home, people who love him waiting, a promise to keep, and a need to get back asap.

it doesn't mean Daryl does not form connections while on that journey. because he does - the strongest with Laurent, obviously, however, none strong enough to hold him back from his ultimate goal, which is going home to keep his promise to CAROL!

anyways, let's get to the season 1 finale:

the super!walkers fighting scene in the arena is pretty epic: from Daryl's super cool kill with the French flag to that Daryl/Quinn team up! the cherry on top being Daryl throwing that walker head at Genet. Loved IT!

Quinn eventually does help Daryl escape, and later, unfortunately, almost kills Isa, who is once again totally helpless against any kind of threat (killer nun, my ass!). in a scene eerie similar to the one in Daryl's underwater premonition a couple of eps ago, Daryl prompts Laurent to kill walker!Quinn with a "God will forgive you."

Laurent says something that sounds like it will be the whole point of Caryl's French adventure. "Sometimes you have to do horrible things, and no matter how bad you feel, if there is no other choice, God will forgive you." this feels like the key to breaking out of the cycle Carol has been stuck to since she was banished by Rick. (i'll probably post my s2 spec and theories next week!)

next, we see Daryl watching lovebirds Sylvie and Emile saying goodbye, they have to separate (i see what you did there, Z!), and reassures Sylvie that Emile will be alright before she asks him if he's ever been in love. BOY, has he ever!! Daryl's non response is quite telling. he knows what it feels like to say goodbye to the one you love without knowing if you'll ever see them again. and he's not alright, he's all the way in a whole different continent, separated by the Atlantic ffs.

we get some new insight into Daryl's origins when he and Isa share stories about their fathers. Daryl believes that his grandpa never returning home from war ruined their family for future generations and worries the cycle might repeat itself. has Daryl been reading about generational trauma? sharing this with her will bite him in the ass, later!

Isa's confession of her lie about the drawing gets absolutely no reaction from Daryl because it had zero influence on what happened next. Daryl didn't stay cause he believed in a new Messiah, he stayed because the kid was about to get in trouble, when Codron attacked his home; he stayed because it was a way of finding help getting him closer to a radio or boat to actually get him home; he stayed so he could take the kid to a place where he would be safe, and Daryl could finally leave without feeling guilty.

the great Daryl and Isa exchange looks compilation is trying too hard to show us, yes, Daryl has made a connection to these people, and is fairly content at the Nest with Laurent and the most mundane activities like peeling potatoes. they are showing us Daryl could stay here, make this his new home. why not? HE MADE A PROMISE! no matter what he could never be happy here, this is not his HOME.

Losang gives him a way out, but also tries to convince him to stay. "Sometimes, when a person leaves home, he comes to find he belongs someplace else." and it's true, if Daryl didn't know where, with whom he belonged. and it's not with Laurent and Isa.

it's really embarrassing how Isa tries to manipulate and guilt trip Daryl into staying with them using Laurent and Daryl's history. it has been like 2 months tops, and they acting like Daryl himself gave birth to Laurent, and wants to abandon his kid. bitch please, he has kids he actually raised and a wife back home!!

Daryl resents his grandpa for abandoning the family to fight in someone else’s war, and that's exactly what he would be doing if he chose to stay in France. that's what Isa will never understand - he had a whole full life with people who looked up to him, relied on him, loved him, before he even met her and Laurent. he wasn't lost. the connection he found with the people there isn't new to him, he has Judith and RJ, he has Connie and Zeke. but most importantly, he has a HOME (Carol!!!).

there's this beautiful emotional moment of Daryl quietly saying goodbye to a sleeping Laurent, and it's clear this kid means a lot to him. however, not nearly enough to make him stay. he still chooses to LEAVE. so many people trying to convince him he belongs with them, and he is still 10000000% sure he has to go back. there truly is ZERO hesitation.

i lost count how many times Daryl actually tried to leave, but it was always the kid's safety that kept him around again and again. he is so close to getting on that boat, literally fiercely fighting walkers to get to the beach, to get closer to HOME, and the same happens AGAIN. biggest FML moment for Daryl. Laurent, who is surrounded by walkers, is calling his name! FUCK ME!

and finally, we get to the highlight of this finale, Carol's badass entry. the way she's so absolutely calm with a big dude pointing a gun at her, PLEASE. she knows he's fucked around and is about to find out. no one takes Daryl's belongings and gets away with it.

"if you're lying, i won't be back." and she rides off on Daryl's bike. ICONIC. LEGENDARY. EPIC.

21 days left until the premiere of THE BOOK OF CAROL!!!!!

[dollgxtz]

i hope this isn’t rude but is mc meant to be a little… slow? i get that she might have initially made really stupid decisions because she was way too stressed to think clearly but as time passes it’s becoming evident that the only way to get any sort of power is to have her wits about her. but it seems like she’s far, far behind sylus in terms of intelligence. for example the switch up when she decides to play along yan!sylus’s desires is way too abrupt to not be suspicious so ofc he’s going to realise she’s trying to trick him. i know that she is playing at a disadvantage but i can think of a few ways she could manage to at least push back a little bit but she just doesn’t take the opportunity? and idk if her being stressed explains it away cause it’s just as likely that she has all her mental faculties about her because that’s key to surviving and escaping the situation she’s in. tbh her being so easily got by sylus makes it less satisfying when he gets his way. cause her resistance is more often than not paper thin.

My intention was to portray her as someone who’s overwhelmed and making impulsive choices due to high levels of stress. She’s in a position where she’s constantly more on edge than not, which might make her seem less calculated or slower to adapt compared to someone like Sylus, who has more control and experience in an environment he’s made.

You aren’t the first person to bring this up. When she first came up with the idea to play along she hadn’t truly realized just how smart Yan!Sylus is. She ultimately just thought he was crazy, and just wanted her to accept her role in his fantasy. But as time has progressed she has been slowly realizing the man she’s up against.

I also very much disagree that she hasn’t taken any opportunities to gain some power back or at least thought about it. To name a few examples:

She pretended to want to read pregnancy books so she could find info on how to “accidentally” miscarry.

She thought about leaving some kind of message in why she wanted to say to Tara but ultimately decided against it as she realized Sylus was way smarter than that.

Faking sadness and tears after her punishment as she realized it would tug at Sylus’s heartstrings. Even weaponizing her pregnancy at that moment to make him feel bad

Everyone in this story is getting some kind of character development in different ways. She’s adapting to her environment and learning what does and doesn’t work with Sylus. Shes not “slow” just because she doesn’t immediately know what to do against a man of Sylus’s intelligence. That doesn’t happen overnight and it takes time. It hasnt even been six months since she’s been with him.

Not every reader may relate to her, and that’s okay! My choice as the author to portay her this way just made sense for my story. I appreciate your feedback as it really shows that you’re invested and paying attention ☺️