#which ultimately. she does. but the story would have been much different for her. she would've felt More Madison

[madsway]

now that i've taken in the entire show and am about to rewatch simply because i can............... i'm so pissed that dave erickson got fired because damn........

[rosykims]

i was so set on replaying veilguard for the davrinmance but oh my god im SO attached to my agent-of-fenharel hardingmancer rn i actually think the choice is out of my hands lol

[whatdidtheydotomygirljinx]

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[jonsnowunemploymentera]

We don’t appreciate enough how GRRM made House Targaryen the poster children for his de/reconstruction of the fantasy chosen family trope, and we don’t appreciate how Jon and Dany are the main lens through which he does that. House Targaryen is fantasy on steroids—magic swords, magic look, magic lineage, perhaps the most magic pet one could have in the genre, and a magic destiny that’s specific to them and only them. There’s a foretold magical conflict and its main hero (as many would think), “the prince that was promised”, specifically has to be a Targaryen. This House’s history is so rich, but from a genre perspective, it is Aerys II’s reign and Robert’s Rebellion that’s the most interesting to analyze. Aerys isn’t special himself, but he is to sire the future savior of the world. Then Rhaegar is born and tragic as they are, all the signs point to him being the promised messiah. And Rhaegar becomes THE fantasy hero on steroids. He’s the perfect heir to House Targaryen’s legacy because not only is he to be the best of them, and many think he would have been had he lived, but he is the most perfect manifestation of House Targaryen as the personification of fantasy. There’s absolutely a point to him living and dying as the heir, the inheritor, the eternal symbol of what could have been of the Targaryen’s old glory.

Part of Rhaegar’s legacy extends to his son Aegon. Aegon had everything Rhaegar didn’t. A comet was seen at his conception—and this is an most important herald for the chosen one. So he is given a song, “the song of ice and fire”, and a king’s name to match his status as the new messiah. He didn’t live long but he inherited Rhaegar’s look in his youth too; the fantasy protagonist look. But Aegon died before he could be the hero.

You see Jon and Dany as chosen ones only works so well because of their House’s history, especially as (anti)parallels to Rhaegar and Aegon. They are the unexpected inheritors and challengers to their house’s legacy but in different ways.

Dany is the most immediate and obvious heir. There’s a beauty to her being the last of them and thus, the one bearing the entire house’s legacy. Dany is THE Targaryen. And in being that, she becomes THE hero. She’s got the hero’s look, the hero’s magic and destiny, and better yet, she got the hero’s sword and pet all in one. And, she’s legitimate! She is House Targaryen. But there’s a problem….shes a girl. And we all know House Targaryen’s history with girls.

Maester Aemon’s “no one ever looked for a girl” is quickly becoming my favorite Dany-related quote because it pretty much encapsulates her entire arc, especially as an inheritor to her house’s legacy. The hero they died knowing and expecting was the boy: first Rhaegar, then Aegon. But father and son are dead. Yet Daenerys lives. She inherits everything else they did and more! The Targaryens tried and failed to bring dragons back, but it was Dany who ultimately did it.

Now, Jon is Dany but flipped. From a meta point of view, he’s more fantasy protagonist than she is. He’s a boy, he’s got a big magic sword that he can swing about, and he’s perhaps fantasy’s most prolific trope in action—the magical hidden prince. But within this story, GRRM flips these two characters. Jon’s fantasy protag-ness doesn’t go away, it just morphs into something else. Unlike Dany, he may be a boy and he may have a sword, but he lacks literally everything else. He doesn’t have the look, his magic powers are from his other family, so is his magic pet, and his magic destiny has thus far developed outside his immediate association with House Targaryen. Dany is “what if Rhaegar was a girl?”, but we can’t even begin to ask these types of questions with Jon because there’s so much that precludes him from the fantasy hero role in story. He’s Rhaegar’s heir…but he doesn’t look like him…and he’s not even legitimate. So what do we do now?

GRRM destroyed his fantasy protag house and decided to build up again from the ground up, but did so by challenging the two most critical points—primogeniture and exceptionalism. With Dany, he makes a girl the Targaryen’s outward successor. This works really well because the Targaryens have a history of denying their female heirs. But now what’s left of them is a girl, and she is literally everything they could have hoped for. And she is a a reflection of her house, but her arc has at many times seen her be the antithesis of her ancestors. And I can’t help but think of the oncoming meta-textual showdown between her and Young Griff. On the surface Young Griff, a boy, is the preferred heir. But Dany is, in truth, the one.

Jon is interesting because, in my view, he challenges the Targaryen idea of exceptionalism. He’s easily the fantasy protagonist from the outside looking in. But he doesn’t have the Targaryen name, nor does he have the look. He has the blood, but what makes him special is that it is mixed with the other major fantasy protagonist house’s blood—he’s special in that he’s a hybrid. And this is interesting because if Aegon conquered the seven kingdoms because of a prophecy regarding him or one of his princely descendants, it’s quite the twist to have this messiah not even be a Targaryen prince (not in name anyway). That’s why all the hand wringing around “is Jon legitimate?” or “no one cares because he doesn’t look like Rhaegar” really isn’t the point. The point is for Jon to be the manifestation of the hero—the king—outside of that narrow framework. And if he succeeds, then GRRM would absolutely still be subverting prophecy and genre conventions.

There’s something to Jon and Dany being born as or after House Targaryen falls. House Targaryen has no crown, no throne, and their prophetic mandate has been usurped. But GRRM is so attached to them, and he certainly wants to rebuild them and hold fantasy to account. But to do so, everything we know about the Targaryens, everything the Targaryens knew about themselves, has to be challenged and put to the test by the personifications of all that a Targaryen hero couldn’t be: a girl, and a bastard.

[queen-of-the-avengers]

Slippery Rendezvous

Pairing: Bucky Barnes x Female!Reader

Word Count: ~1.5k

Warnings: none

Summary: Natasha doesn’t approve of your feelings for Bucky despite your many attempts to convince her that he is the man for you. What else can you do when she forbids you to date any of her friends?

Squares Filled: natasha romanoff / black widow (2021) for @buckybarnesbingo

Author’s Note: any and all comments are greatly appreciated <3

x

You wake up to an empty bed. What did you expect? That he’d stay? Bucky isn’t known to spend the night after fucking you but you keep wishing he would. You run your hand down his side of the bed and feel the cool sheets. He must have left early in the morning so that your sister wouldn’t see him.

It’s not like she hates him but she hates the idea of you being with any one of her “coworkers”. Natasha isn’t shy when it comes to relationships and often encourages you to go out and have fun with different men. She loves dating even if she doesn’t show it, and you love telling her about all the dates you get to go on. The issue is that she doesn’t want you dating anyone she knows. She knows the baggage that comes with the men she knows and doesn’t want you mixed up with it.

You went to University to get a degree as a voice actor. You’ve gotten gigs across the country but ultimately settled in New York where you got a job working on a popular animated television series. You’re already in your third season and have no plans of stopping anytime soon. Natasha loves to tell you how normal you are and how different you are compared to the shit she goes through every day.

You’re not a spy and you have no desire to be a spy. You’re not Natasha’s biological sister because you came into her life well after she got done with the Red Room training. She was on a mission to kill your father for all the bad shit he has been doing. You hated the man and had always wanted to leave. However, your mother died at birth and you were a minor at the time. He always hid his shady shit which is why he didn’t get convicted for anything.

She saved you and she adopted you a couple of years later. You don’t blame her for your father’s death even if she did pull the trigger. He’s a bad man who is rotting in Hell and you’re better off for it. Now, you have a successful job and are in love with the infamous Winter Soldier. Only he doesn’t know it and if he does, he doesn’t do anything about it.

You two met when Natasha was having a party at the Avengers Compound. She didn’t want you to go but you insisted that with her by your side, you’ll be fine. It’s not like the Avengers are going to pick a fight with you or anything. Even Bruce had his alter ego under control, so she relented and let you come.

Her world is and was much different than yours. She told stories of how she went to space, how she kicked someone’s ass, and how she infiltrated an organization. All you have to show for is the work you’ve done for entertainment. You’re not nearly as special as any of them but Bucky makes you feel like you are.

He kept to himself in the corner of the room drinking something that wasn’t alcohol when you approached him.

“Hi. Do you mind if I join you?”

“No, go ahead,” he clears his throat.

“I’m Y/N. I’m Natasha’s sister. Adopted sister, actually, but she feels like a real one to me. What’s your name?”

“You seriously don’t know who I am?” he chuckles.

“I know who you are but I’d thought I’d be polite and let you introduce yourself instead of assuming I know everything about you.”

“Right,” he nods. “I’m Bucky.”

“It’s nice to meet you, Bucky.”

You two fell into conversation that lasted well past the party. Natasha had a secret thing for Steve and didn’t mind staying over as long as you were safe and okay with staying. You left that night with thoughts of Bucky and when the next time you were going to see him, but Natasha didn’t share your enthusiasm.

“Listen, I don’t want to tell you what to do but I don’t want you seeing Bucky.”

“Funny. That sounds exactly like you telling me what to do,” you scoff.

“I mean it, Y/N. Bucky is a good guy now but he wasn’t always like this. He’s not all the way back yet and I don’t want you getting hurt. With any of them. They have too much baggage and you don’t need something like that in your life.”

You look out the window in annoyance.

“I just spent the last two hours talking to a guy who made me feel like I was the only woman in the world. I’m not saying I want to marry the guy but I felt something that I haven’t felt with any of the guys I’ve dated.”

“I knew bringing you to that party was a bad idea,” she scoffs. “You’re not seeing Bucky. End of story.”

“I am an adult, Nat. Let me make my own decisions. Let me decide if he’s worth the heartbreak.”

“He will do more than break your heart. He will break you. He didn’t get his name for nothing. His body count is well into the hundreds if not thousands. I am not worried about him breaking your heart. I’m worried about him killing you. I mean it, Y/N. Stay away from that one.”

You tried, God knows you tried, but there is something about Bucky that you couldn’t stay away from. You formed friendships with Wanda and Thor which gave you an excuse of going to the compound where you knew Bucky was living. Wanda caught on pretty quickly at what you were trying to do since she can read minds and all that, and she agreed to keep your affair with Bucky from your sister.

You’re not trying to hurt Natasha but you fell for Bucky and fell for him hard. He just never stays the night like you hope he does.

You get out of bed and walk to the bathroom where you hear the shower going. Natasha must be in there. You slip in and knock on the door to let her know that you’re inside the bathroom with her.

“Hey, Nat, I’m just going to brush my teeth. I’ll be out shortly.”

You slip in, close the door behind you, and walk over to the sink.

“I’m not Nat.”

You tense when you hear Bucky’s deep voice but then smile when you realize he slept the night in your bed. The curtain slides to the side just enough for him to peek his head out of it, and you turn to face him.

“I thought you left last night.”

“Nope. I wanted to stay the night with you. Is that okay?”

“It’s more than okay.”

He closes the curtain again and resumes cleaning himself.

“Got any plans today?”

You’re about to answer when you hear the front door slam open and shut. Natasha is the only one who has a key so she must be back. If she found out Bucky has not only been dating you but secretly fucking you, she’d have a heart attack and probably kill him.

“Y/N? Are you in there?” The bathroom door shakes and you do the first thing that comes to mind. You quickly hop in the shower, fully clothed, and look at Bucky who smirks. The door opens and Nat walks in. “Y/N?”

“I’m in the shower!” Bucky’s mouth opens so you place your hand over it so he understands he needs to be quiet. “What do you want?”

“Listen, Steve and some of the guys are having a cookout at Clint’s farm. I was wondering if you wanted to come with me.”

“Really? You’ll let me go?”

“I feel bad and I shouldn’t keep you away from your friends.”

“Is Bucky going to be there?”

Bucky nods and looks at you with mischievous eyes.

“Yeah.”

“Then I’ll go.”

“I invited you because Wanda and Thor will be there. They’re your friends.”

“I know.”

“Y/N…”

“It’s fine, Nat. I’ll hang with them.”

“Okay. We leave in an hour.”

She leaves the bathroom and you remove your hand from Bucky’s mouth knowing you didn’t need it to be there. He knows Natasha’s opinion of him and how she wouldn’t approve of you two dating. He just wanted to feel your hands on him if he’s being honest.

“Great, now I’m all wet. Look what you did.”

“I like it when you’re wet,” he smirks.

You shove his shoulder and scoff playfully but he grabs you and pulls you into him. He slides his hands into your hair and kisses you. He must forget the situation you’re in because you can feel his growing arousal on your stomach.

“No, Bucky, we should stop. I will not be tempted into shower sex again. Remember what happened last time?”

“Damn, my arm malfunctions one time and you’re triggered.”

“Can I trust you to keep your hands to yourself at this cookout?”

“No,” he chuckles. “It’s gonna be hard not to. Now I’m picturing you wet.”

“Hurry up and leave before she finds you in here. I’d rather not know what a fight between Black Widow and the Winter Soldier looks like.”

You slip out of the shower and back to your room without your sister noticing. While you’d like your relationship to be out in the open, sneaking around is just too much damn fun.

x

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[ennn]

Jac Schaeffer on Agathario, Rio as Nicky's dad, Rio' scar speech

Some highlights from the Jeff Goldsmith Podcast.

Jeff: That brings us obviously speaking of relationships to Agatha and Rio, you have a very interesting foundation and I know if stuff was cut, you wouldn't be able to speak exactly on some of it, but I'm curious, was there more there? It's good to leave your audience wanting more. And people have speculated as to whether or not there was more of a flashback between them and more of their history.

Jac: There was more in the writer's room. There was never any more on the page. We sort of, it was our story instinct, I would say, that getting too far into their backstory would sort of be too much of a counterweight to the Nicky material. And so we really included what we felt was vital to this chapter. But we, we certainly talked about it at great length of how they met and what their relationship was and what it looked like in happier times and all of that.

And I didn't anticipate that the shippers would be so fervent that there would be, you know– and I–it feels foolish for not – you never know how anything is gonna land and you never know if people are gonna care.

And the amount that people care is staggering to me. And it's my hope that in the MCU there's more unpacking of the Agatha and Rio backstory.

Jeff: You were talking about the shipping group, like was there ever anything about Nicholas's father or is there any credence to the concept that it could have been born as the love child between these two?

Jac: Yes. I mean, we talked about a lot of different versions of who is the father of Nikki. And we ultimately decided that for Agatha's story, it wasn't relevant to the story we were trying to tell and we didn't really wanna get into the weeds of if it was magical or, y'know – that's again – it's sort of more rules.

We certainly considered the idea that Rio is the father. I wonder if I should ask the writers if they sort of still hold that in their hearts. It's something that I certainly thought about a lot and, and like to sort of contemplate. I enjoy that it is left to fan interpretation.

I also feel that I know how the MCU works and I don't think it serves anybody to sort of for me as the creator to emphatically tell you something that isn't on screen. Because, you know, like I said, it's my hope that these stories continue.

So, so perhaps there is a later chapter that will address this, but I, but I will say that, that when we were casting, sometimes we were like, "Does that kid look like Rio? Does that kid look like Aubrey Plaza?"

Jeff: So it's a path that, that is...

Jac: Fans and viewers, yes, are– I think they're picking up on our brainwaves for sure.

Jac: [on the toughest scenes to do] And then Rio's like little speech by the campfire was really hard.

So Giovanna Sarkees wrote a beautiful monologue that was quite long. And then it was one of those things that on the day Aubrey was doing it, and it wasn't Aubrey's fault, but it just wasn't clicking. It didn't feel right for what Aubrey had brought to the role. There's so much economy in what Aubrey does, you know, like she accomplishes so much with her physicality and her very being, that this long speech just felt wrong to me.

And I changed it on the day –which is always a risk – I changed it in the moment and the "she is my scar" I came up with, watching her do that.

[novaursa]

hi!! may i request a rhaenyra x celtigar!male!reader where his father is apart of her black council and he is his family’s heir. after ser steffon’s death of trying to claim seasmoke, she recruits the reader, knowing the celtigars are also of Valyrian descent despite never claiming dragons. lord celtigar is completely against the idea (rightfully so) but is pressured by rhaenyra and ultimately complies. the reader surprising enough does claim seasmoke which bewilders and terrifies rhaenyra of rhe possibility of betrayal. however she’s reminded that reader and her were once good friends when they were young and often joked that they would one day be married. it doesn’t happen but they both reminisce about it bitterly how different they feel about adulthood. honestly this can seen as platonic or romantic either way!! its up to you :D

The Claim of Fire

Requests are closed!

- Summary: Rhaenyra asks of you the impossible. You prove everybody wrong.

- Pairing: male!reader/Rhaenyra Targaryen

- Rating: Mature 16+ (just to be safe)

- Tag(s): @sachaa-ff @alyssa-dayne @oxymakestheworldgoround @literaturedog

The hall is low lit as your father, Lord Celtigar, stands beside you, his hands clasped in a futile attempt to keep his voice steady. Across the table, Rhaenyra Targaryen, your queen, sits with her chin resting lightly on her hand. Her eyes are sharp, assessing—knowing the weight of her request, yet unflinching.

"This is madness, my queen," your father begins, his voice taut with a mixture of outrage and pleading. "The Celtigars have never claimed a dragon, and with good reason. To send my son—our only heir—into such a perilous task after what befell Ser Steffon..."

Rhaenyra’s expression softens, though only slightly. “I do not make this request lightly, Lord Celtigar. But I need men of Valyrian blood to claim the dragons that remain. The war is upon us, and without more riders, we are at a disadvantage.”

You glance at your father, who shakes his head almost imperceptibly, but Rhaenyra’s eyes are fixed on you now. She knows what’s at stake. She knows that while your family has never claimed a dragon, you carry the same ancient blood of Old Valyria as she does. Her gaze holds yours, as if willing you to accept the burden she places upon you.

You take a breath. “Why me?” The question hangs in the air between you. “Why not another of Valyrian blood?”

Rhaenyra hesitates for only a moment, and when she speaks, her voice is quieter, almost… familiar. “Because I trust you, Y/N.” There’s a pause, and her eyes soften, recalling something distant, something shared between you long ago. “We grew up together. Do you remember? We used to jest that one day you would marry me and sit the Iron Throne at my side.”

A faint smile flickers at the corner of her lips, but it’s bitter. You remember it too—the games of childhood, when politics and war were nothing more than stories whispered by older men, and you and Rhaenyra were free to imagine a different world. But now, everything is different. The woman who sits before you is not the girl you once knew. She is a queen, weighed down by betrayal, grief, and ambition.

“Yes,” you murmur, “but that was before.”

Rhaenyra nods, her smile fading. “Much has changed.”

Your father clears his throat, pulling you both back into the present. “My queen, this task… it will kill him.”

But Rhaenyra shakes her head. “It may save us all.”

The room falls silent. Your heart pounds in your chest as you consider the weight of her words. Claiming Seasmoke would be no small feat. Ser Steffon had tried, and his charred remains had been enough to dissuade others. But Rhaenyra’s desperation is palpable. She doesn’t ask for things she doesn’t believe are possible.

And some part of you—the part that longs for something greater, that ancient Valyrian fire stirring within your veins—wants to believe her.

“I will do it,” you say, your voice firm, surprising even yourself. Your father turns to you, his face twisted in anger and fear.

“Y/N—”

But Rhaenyra cuts him off. “Thank you,” she says softly, rising from her seat. “You will not regret this.”

The next morning, you stand before Seasmoke, the great dragon perched on the edge of the cliffs. His pale silver scales glimmer in the early morning light, and his eyes—those burning, intelligent eyes—lock with yours. The air feels thick with heaviness of the moment as the beast watches you approach, his nostrils flaring with each breath.

You can hear the whispers of those gathered behind you, soldiers and lords alike. Most are placing bets, some on whether you will die like Ser Steffon, others on whether a Celtigar has any hope of bonding with a dragon at all.

But Rhaenyra watches in silence, her face unreadable. Does she fear that you will succeed? That claiming Seasmoke will give you a power that could rival her own? Or is she simply afraid of losing an old friend, someone who once meant more to her than most would ever know?

The dragon’s breath rumbles in its throat, and for a moment, fear grips you. But then something shifts within you—an ancient stirring of your bloodline, something primal and fierce. You step forward, your voice steady as you utter the ancient Valyrian words that have bound dragons to men for centuries.

“Dohaeras.”

Seasmoke’s eyes narrow, and for a long moment, nothing happens. You can feel your pulse pounding in your ears, the weight of hundreds of eyes on your back.

Then, with a sound that is half growl, half sigh, Seasmoke lowers his head.

Rhaenyra stands before you now, her expression a mixture of shock and… something else. Her lips part as if to say something, but the words don’t come.

“I did not think you would succeed,” she admits, her voice barely above a whisper. “You… you were always different, Y/N. Even as children.”

You watch her, noting the way her eyes avoid yours, lingering instead on the dragon in the distance. “I didn’t think I would either,” you say with a small, bitter laugh. “But I suppose things have a way of changing, don’t they?”

Her gaze finally meets yours, and for the first time in what feels like an age, you see the girl you once knew. The one who laughed with you in the gardens of Dragonstone, who dreamed of a life without the burdens of duty and war.

But that girl is gone, and in her place stands a queen who has seen too much, lost too much. And you… you are no longer the boy who joked about marrying her.

[distort-opia]

I keep pondering the nature of the Covenant in Nosferatu (2024), and here I think Eggers made a great choice in his use of Knock's character. His role is usually pretty simple-- he jumpstarts the chain of events by sending Thomas to Count Orlok's castle. And yet, in the original story of Dracula, there was no Covenant or Pact to speak of between them. Neither was there one in Nosferatu (1922). However, the very first thing we see in Eggers' version of the story is Ellen and Orlok forming a Vow: she swears to be his, ever-eternally. Then years later, this Covenant is broken; Orlok has to actively pursue Ellen in order to have her re-pledge it, as she is not within his sphere of influence anymore (not until the locket with her hair in it falls in his grasp). But what exactly broke their Vow? What does this Vow entail, and how does it work?

I think the most revealing are Knock's scenes, in this regard. Knock boasts while in the lunatic asylum, "‘Twas He that invoked me! ’Twas I that was chosen to serve Him, for I know what He covets." Which means that Orlok was the one to call upon Knock, simply because he was convenient. Knock's firm had contracted Thomas for business for approximately two years, and so it had power over where he went next. Orlok demanded that Knock deliver him Thomas, which Knock manages to do successfully... while he remained in Wisburg, "near the object of thy Contract."

Originally I thought that Knock meant Orlok's Contract with Ellen, but it's more logical that Knock is talking about his own Contract with Orlok, and that Ellen is the condition that it hinges upon. And if ultimately Knock delivered Ellen to Orlok... the Count would give him what, exactly? After Von Franz and Sievers rifle through Knock's papers, we find out the terms: "His thunder roars from clouds of carcasses, I feedeth on my shroud, and death avails me not. For I am his."

So it's immortality, obviously, like in all previous iterations of the story. Orlok made a Covenant with Knock, that he would turn him into a vampire like himself. But what's fascinating is the particularity of it-- immortality, but only if Knock belongs to Orlok. Later in Grunewald Manor after Orlok's arrival to Wisburg and Knock's escape, Knock is so eager to serve. He insists that he bring Ellen, "thy pretty possession", to Orlok.

But Orlok shocks him by betraying him. "The compact commands she must willingly re-pledge her Vow. She cannot be stolen." And that's when Knock realizes that Orlok never intended to make him his. That he had always wanted Ellen... though to be fair, it can't come as that much of a surprise, as Knock showed jealousy towards Ellen before. It's even likely that Knock left the means of destroying Nosferatu within his own possessions for the vampire hunters to find on purpose, as insurance. But at that moment he still says, desperately, "Yet my Lord, I beg thee." It's to no avail. Orlok strikes him and tells him to "crave nothing more of him", uncaring of his pleas. Later Knock is the one to die in Orlok's place-- a decoy within the Count's coffin, eager to be killed, heartbroken. Before he dies, he tells Von Franz, "I relinquished him my soul. I should have been the Prince of Rats – immortal… but he broke our covenant… for he cares only for his pretty bride." In doing so, he alerts Thomas to Orlok's real intentions, which arguably is one last shot at Orlok for his betrayal.

It's quite sad, in the end. It's also fascinating, because this means Orlok can bestow immortality... but the very foundation of the Covenant is made up by emotional belonging. It seems as if vampires can only make one other vampire, in Eggers' world-- mutually agreed upon and exclusive, like marriage vows. And if Orlok broke his Covenant with Knock by choosing Ellen, it means that Ellen broke her original Covenant with Orlok by choosing Thomas, and marrying him. A different type of Covenant, also steeped in belonging. Ultimately, Orlok had to trick Thomas into "signing Ellen away for a sack of gold", because she was bound to him, as per her own choice. And so, if Ellen hadn't kept Orlok with her after the third rooster crow, Orlok would have made her a vampire too.

It's just my personal interpretation, but I love this idea... vampires only being able to make one other. Being forced to respect the terms of a supernatural deal that works like marriage vows, which can be easily broken by infidelity-- you've got eternity and you can only find someone else to spend it with if that person wants it too. You cannot make another vampire if they are unwilling, which is why the others bitten by Orlok simply die, and don't turn. It must be something desired.

[cuntressgoingdigital]

needed a break from writing serious things, so here's more mma! abby x model! reader shenanigans - pt 1 if you care

cw: alcohol ment., minor nsfw

srry this is pushing 1k i got a lil too excited

☆ being one of the hottest celebrity couples, you get invited to the met gala. this is by no means your first time in attendance. not by a long shot. you were expecting the call from your agent about the guest list, but this time she tells you abby is invited to come along. abby is hesitant about the whole ordeal, but ultimately concedes after weeks of begging. 

what you (purposely) failed to mention is that there are a million and a half fittings that she had to suffer through before the day came. she was a fighter, not a model. she didn’t even take fashion seriously until you started dressing her. this was her personal hell. 

when the day finally came she was antsy sitting through the hours long hair and makeup process. if you hadn’t been there to take her mind off of everything, she definitely would’ve left in a huff. 

“how the fuck do you do this all the time?”

you shrugged. “i love hair and makeup! are you not having fun?”

“absolutely not.”

her attitude changed the moment you two stepped on the red carpet. abby was dressed in a deep cut off white suit jacket embellished with silver flower detailing along the sleeves and hem. the pants were made of white satin, matching the train that sat beneath her jacket. somehow, the hairstylist had tamed her long blonde hair into a slicked back bun with the hair atop her head falling in ringlet curls. this was one of her first times wearing makeup to an event, the both of you wearing marie antoinette inspired looks, dramatic eyes, heavy blush, and lipstick in the shape of a heart. 

you’d trained her on how to pose, when to pivot her head for different cameras, and how to answer interview questions. like a lost child, she didn’t let go of your hand the entire time. your matching emerald jewelry caught the camera flashes with every snap of the shutter. 

as you moved along the carpet you gave her reassuring whispers with every step. 

“you’re doing perfect. i love you so much.” 

she was trying so hard not to stare at you the whole time. she couldn’t give less of a fuck about everything going on around her, she was in constant awe of your beauty. you two had been strictly instructed not to kiss each other or touch your makeup in any way, but if you’d been allowed she would have in that moment. 

one of the interviewers approaches the both of you. you had seen her in years past, so you had already established a rapport. 

“abby, how does it feel to be at your very first met gala?”

she awkwardly chuckles. “you know, i never expected to be at an event like this. i’m just happy to be here with my beautiful girlfriend.” 

there were many screencaps of that interview of abby looking at you longingly. the pictures circulated with different variations of ‘how i look at my girl when she–’ captions.

that night, once the professional photos went live on social media, you reposted one of them on your story with the caption

she looks so good i should get her pregnant

☆ you’re invited to a couple’s interview with a popular media journalism group. you’re answering questions about each other to see if the answers match up and it starts to get unprecedentedly competitive. both of you are sore losers and contest each answer. 

“what do you mean you spend most of your free time reading?” you were absolutely not having it. “all you do is workout! we had to put a little chair in our gym so i can sit with you while you’re in there.”

abby huffs. “i don’t count that as free time. that’s my job.”

you wanted to argue back, but unfortunately she had a point. 

when the interviewer asked “who does more chores around the house?” god you would’ve thought she was trying to instigate world war three. for the next five minutes (all of which were cut out of the video) you went back and forth about who was right. the argument wasn’t out of malice, but neither of you wanted to be wrong. 

☆ in a recently posted photo from one of your friends while on vacation, fans point out that your middle and ring fingers are lacking the acrylic set on the rest of your fingers. 

one fan tweeted : oh so they’re GAY gay

you quote retweeted with: hell yeah we take this gay shit serious…some of us like to go acoustic every now and again

☆ the closest thing to a controversy you had gotten into was at a celebrity after party. you admittedly had gotten a little too drunk and a man referred to you as “that drunk bitch”. so of course you rip into him. abby is near the bar, but was able to filter out the music to hear your voice from across the room. she rushed to your side and asked what happened. you’re still screaming and incorrigible. once abby gathers the summation of the argument, she steps in between you and the man. everyone is expecting her to try and defuse the situation, but she joins in. 

“what the fuck did you call my girlfriend? are you fucking serious?” 

unbeknownst to either of you, the whole ordeal is being recorded. 

“dude, get the fuck away from her or i will embarrass you in front of everyone.”

the man seemingly catches the hint. no sane person would risk being in a physical altercation with one of the best ufc fighters on the scene right now. 

you leave pretty soon after that and you’re immediately all over her in the car. between kisses you tell her “that was pretty hot.”

you have some of the best sex of your life that night.

i refuse to ever write descriptions of reader's outfits bc like.....what if you don't like the outfit i picked? use your imagination

tags: @modedelagauze

[loversray]

“Byler is in Stranger Things to show unrequited love” Yet, it isn’t.

Stranger Things has shown unrequited ‘love’ before, with Dustin’s crush on Max (who liked Lucas) which i feel like it’s a storyline that most people forget. Which it’s okay, since it’s not that relevant to the story, i just wanted to show how differently Dustin and Max’s story is to Mike and Will’s.

🧢👩🏻‍🦰 How exactly were Dustin & Max written?

For starters, the show doesn’t tell us why Max and Dustin would be good together as a couple. They go well as friends, yes, but they do not show a meaningful conversation between them that really shows the romantic chemistry and how much they understand eachother, like the Lumax bus scene.

Dustin only thinks Max is “awesome” because she skateboards, and has the top score in Dig Dug, because he doesn’t know her.

They highlight that Dustin is not in love with Max, hence the Steve scene, where Steve goes “You’re not falling in love with this girl are you?” which to Dustin honestly says no, because he’s not in love, it’s a just crush. Also an important note when writing something unrequited with 15 year olds.

Then, Dustin speaks to Lucas and says “he could feel the electricity” between him and Max, which is him ultimately accepting that Max does not like him back, and instead likes Lucas.

Is he upset about it? Yes, he is, however, it’s not mentioned again in the show after season 2 because he’s over it. In just a few months, he’s got a new girlfriend, and he doesn’t like Max anymore. He got over it quick, because it was just a crush, and he didn’t know her that well.

In seasons 3&4, Dustin is able to act completely act normal around Max, because he doesn’t like her anymore.

Now, while Lucas also liked Max at first, not as much as Dustin, and as he talks with her more and knows her better (hence, them having more scenes) you see Lumax developing.

💙💛 Where does this put Byler?

Byler is written very differently. First, by season 4, Mike and Will have known eachother and been bestfriends for 10 years. (Since kindergarten), so right off the bat, they KNOW eachother. Dustin didn’t know Max.

Stranger Things has so many scenes of Mike and Will to show us just how special this thing between them is. They have a lot of scenes filled with chemistry, showing how much they understand eachother and how they’d do anything for eachother. (Said by Mike, he’d do anything for Will.)

So, they show us why Mike and Will would be a good couple. Something they didn’t with Max and Dustin.

Noah Schnapp then went on to say “You could never really tell if [Byler] was something romantic or just a really special friendship.”

Next, they show us just how much Will’s in love with Mike. (Also confirmed by Noah Schnapp) So, not a crush like Dustin. He’s in love with Mike. The painting and the van scene proves it. It shows us Will’s feelings for Mike, and how actually deep they are.

Will doesn’t say “Mike’s cool because he skateboards” like Dustin says about Max, he says “You’re the heart, and without you we’d (I) all fall apart.” and “You make her (me) feel like she’s (i’m) not a mistake at all. Like she’s (i’m) better for being different.” Basically, that he’s better for loving Mike. Mike makes Will feel like he’s not a mistake.

So, it’s very obviously NOT a shallow crush, and not something Will can move on from in a few months like Dustin. Will’s happy ending is not moving on from Mike, it’s getting together with Mike. If he moves on in like, a year with someone else completely whom he shares no understanding with, it’s completely bad writing, and i stand on it.

[ablogofloveandtrash]

Why was Diana so Reluctant to Open Up and Tell the Truth?

Returning from a previous post I had sent on this blog, I had theorized that Diana may have potentially gone through some experience in the past that has prevented her from being able to properly open up. I was rewatching the trial from chapter 1 and from what I could find on rewatch, is that Diana seemed to be particularly concerned about how others around her would react. And from three different lines of dialogue that I could find, is that Diana seems to be afraid of not being heard out or invalidated. Considering her bio states that she was in the popular crowds before the events of the game, it seems like Diana's fear came from the draw backs of being in the popular crowd. And in being part of the crowd, she would become much of the subject of conversation. She got so much attention on her, which may have caused her to become alienated or isolated in an emotional manner. In the screenshots I have provided, Diana has mentioned things like how others could twist her words around. Suggesting that she may have attempted to dispel or disprove untrue rumours about her. Which resulted in the aftermath not going her way and ultimately nothing was solved. The first screenshot details this aspect of her.

And because Diana must have failed to stop these rumours, this may explain why she often blames herself for not doing the 'right' thing or perceives herself as powerless. Because, Diana was caught up in an unfair situation. The rumours may have gotten so out of hand that Diana may have been cornered and forced herself to remain quiet. Complicit that these misconstrued words were true. She has likely accepted that at the time she couldn't change what others thought about her, and as much as Diana didn't like these rumours, she must have chosen to stop saying anything.

And this may have resulted in potential self isolation or some emotional blockage. As a means to avoid getting hurt by the people she cared about. For her own reasons, Diana seems to feel like telling the truth things would 'just get worse' in the following screen shot, the next sentence may allude to the case. But it does seem to be telling of what she feels about her self worth. She doesn't seem like her input is anything good. And that she would be better off staying quiet. Because she may have blamed herself for the rumours that occurred or worsened, because of her attempts to intervene.

It is possible that Diana could tell Damon about this particular issue in the story in Daily Life or from the Free Time Events, since Damon still needed to persuade Diana to explain her case. With some empathy, Damon may have used the right words to help Diana feel at ease to tell the truth. Assuring that he would listen and hear her out. Which may have not been something, Diana herself couldn't have had before the free time events or the trial. It's a stark contrast compared to the second free time event. Where he made his accusation of her being suspicious and making Diana uncomfortable with opening up. Though between the free time events and in the story, no one really truly knows why Diana is so afraid to open up, and be fully honest with others around her. In relation to a character like Damon, he is someone who is used to biting his tongue when others don't trust him or have something that would antagonize him. He doesn't open up to anyone because he percieves his vulnerabilities as an exploit. Yet in a similar vein, Diana too, cannot be vulnerable around others, out of fear that she would not be listened to. Potentially invalidated, unwanted or even abandoned. Possibly out of these fears she can't bring it in herself to lose her 'friends' again, and validates her helplessness by the end of the trial. The way Diana and Damon seem to handle their experiences past and present couldn't be anymore different from one another, yet they share an underlying similarity that sets up an interesting character dynamic. Damon acts more empathetic in response to her emotional distress. And in response to Damon's empathy, Diana was able to properly open up and have her voice heard in the court room. From this interaction it maybe possible that while tension between Diana and Damon will persist, ie: "I will follow in Wolfgang's Footsteps" (this maybe the source of Damon's anger in the end, not Diana's speech, exactly as many cut him out to be), it may fall on them growing closer that may allow them to become the better versions of each other. By helping each other out and setting their differences aside, for a greater common goal.

[multifandomloverthrowaway]

What Sky’s Character Should Have Been

(And why her and Viktor needed to be canon.)

This is LONG, and just my opinion. Please be nice!

In storytelling, each character, each scene, and each literary device is crucial for the advancement of the plot. If any is over or under utilized, the story remains cluttered or incomplete. That being said, it truly is a tragedy how horribly the characters, especially the Zaunite characters, came to be treated in season two. The characters and arcs set up in season one are butchered, and Viktor’s story is particularly disappointingly miswritten by the authors and misrepresented by the fandom, and we see this in the narrative and to a certain extent even fan treatment of Sky.

Sky is a ghost. Her presence, while tangible in the story, is not fully realized to the audience. We do not get to know much of her besides her interest in Viktor and a small flashback indicating that they knew of each other in their youth. Thus her existence and her death are ultimately unsatisfying; we do not know enough about her to be able to connect with her, and so she is ultimately only perceived to be an object to propel Viktor’s descent, even though we do not know much of his feelings towards her either. This is an unfortunate misuse of her as a supporting character, especially when it has a good potential reason to exist other than to solely be Viktor’s love interest.

Before understanding what Sky can represent, let us first define her in the context of the setting, particularly in relation to the characters that she supports. I have touched upon this in more detail in my Viktor character analysis posted, but for the TLDR:

It is clear that Jayce and Viktor are foils to one another. The difference in their opinions on Hextech sets them up to be a parallel to an important aspect of the class struggle set up in season one: Even when the oppressed are “good enough” to compete with their privileged peers, the resultant treatment by the oppressor between both is starkly different. Where the privileged will be lauded and commemorated, the oppressed will only be served minimal acceptance and approval. Thus, their characters and how they interact with one another, as well as the characters of their immediate mutual contacts and their own corresponding interactions, should serve explore this struggle further, especially when it comes to Sky, Mel, and Heimerdinger.

So Sky, like Viktor, should show how Piltover can misuse Zaunites against their hometown. However, to keep her character separate from him, unlike Viktor, who loses himself getting out of this trap and back to Zaun, Sky must be lost to trap itself. She must show just how inhumanely far Piltover will go in exploiting Zaun to maintain its subjugation over the latter. Like we see with other innocent Zaunite background characters that are killed by Piltover on the battleground, Sky must represent those that are killed in softer, more covert methods: through the extraction of Zaun’s finest intellect and the resulting false diplomacy. We must eventually see how Piltover indirectly kills her for being Zaunite, even though we know she is killed by Viktor and the Hexcore.

Sky then needs to have a fleshed out background that indicates of her optimism, grit, and innocence. It does not have to be as in depth as that of the main characters, but the audience must be shown the following:

Her academic prowess that indicates how she can capture sponsors and spin her botany research to help Zaun into something that Piltover thinks it can also benefit from. From which councilors or patrons does she benefit? How and why?

Her motivations for Zaun. What does she view an ideal Zaun to be? What would its relationship with Piltover be? We know she wants to make it better by creating natural greenery, but why does she choose to do so in Piltover? What pushed her to apply to the academy?

Her relation to Viktor, the only other known Zaunite at the academy. Did they interact more than that one time in the river? Were they friends or mutuals? How did Viktor help her get a position as his assistant and why? We know she is fond of him, but what about the other way around? What are their experiences at the academy like? How do they interact with casual prejudice? Do they stick up for each other? Do they find support in each other?

We must see her struggles to successfully obtain funding and traction for her own research due to Piltovan pushback and prejudice. (In this case, she must be in the same research group as Jayce and Viktor, but no longer their assistant as a decade is far too long to remain as such. She will be tied to Jayce’s name but not under him or Viktor.) This needs to be shown to contrast Jayce’s ease in becoming a councilor and gaining enough authority to push out Heimerdinger to further his and Viktor’s research. We need to see her project take the back seat because it is not the project that Jayce is directly tied to. We must see her have to to be careful and planned in who she talks to, how, and what she is able to get from them. This would provide a perfect parallel to Mel and about how being outsiders provides challenges when it comes to change; one being born into power with an imperialist upbringing and getting past Piltovans gracefully to a councilor position to invite it, and the other having no power and so relying on the street smarts and a resource seeking mindset from a more impoverished background to scavenge for it… yet both using the same methods (smooth talking, strategic connections, etc.) to do so.

We need to also know her relationship with Zaun and her perception of Piltover. She must be shown to nurture her feelings about the unfair treatment of her home into a more determined and optimistic view of potential equality and diplomacy, and their growth over time with her and Viktor’s research and their duty to represent Zaun. We should see her friendship with Jayce. We should see her interact with Mel and Heimerdinger. This not only lets the audience sympathize with her by empathizing with the struggles she faces above and her defiance in face of them, but also contrasts Viktor’s internal anger about Zaun and Piltover that he lets fester with his growing ailments and erasure of academic and technical contributions. This contrast sets her up nicely to symbolize the “good that could have been” in the relationship between Zaun and Piltover, and thus by extension, between Viktor and Jayce - hence her initial role as their assistant, and something that is cast aside as each character grows more towards their goals rather than the partnership.

This also sets her up to personify Viktor’s humanity. We’ve seen them meet. Let us see them study together, build things together, perhaps even fend for essentials together. Let us see how and why Sky fell in love with the Viktor from her youth. Let us know of Viktor’s endearment of her as we see him choose her to be his assistant. Let us see how they interact after facing prejudice from Piltovans and band together. Let us see her meet him when he’s on the hospital bed. Let us see her and Viktor be protective of and vulnerable with each other as they face the enemy. Let us see them bond just like we have seen him do so with Jayce. With Sky, we can see Viktor’s insecurities and his empathy like no other character can; in her we can see what makes him human.

This is integral to Viktor’s character and his arc. Whereas Jayce can actively work towards a future for his life with Mel and his career outside of Hextech, Viktor does not have the same luxury due to his illness. He cannot pursue anything but Hextech because his life and the lives of his people are on the line due to Piltover’s control. And that is precisely why when Sky loses her life due to the technology, it isn’t just Viktor that kills her. It’s Piltover’s waste, Piltover’s luxuries, Piltover’s unfulfilled promises that do. And Viktor realizes that after. Sky, in all her optimism, is fundamentally what Viktor could have strived for had he not let his anger and urgency spiral. As a mirror to Mel and Jayce, Sky is not just Viktor’s past but also his hopes for the future. And he realizes that he and Zaun has lost what could have been.

By giving Sky agency, we see just how much she could have done for the plot. But seeing how much the story fumbled Viktor, it’s not surprising to see her get “fridged” twice. I hope I did her justice!

If you’ve read this all, you deserve all the desserts. Thanks for reading!

[kainuhsblog]

Mr. Choi from 2A • Jiung Choi

prompt         More Than Words Elementary gets the surprise of a lifetime when the kids figure out that the two kindest teachers for 4th and 5th grade are married. pairing          teacher!jiung x fem!reader genre           school teachers, established relationship, fluff warnings      mentions of food, playful banter, school word count    3,796 (this story wrote itself) a/n                 hi! i'm back! I have something written this time! jiung is my ultimate bias, so i’ve been itching to write something for him. please note that this fic will be told in 3rd pov, but kind of centric to none of the main characters, but to one of jiung’s students, emma! 

want more piwon posts from me? check out my fake texts here and here!

There are many things in the world that Emma loves. Her parents, for one –  obviously. They spoil her endlessly, and even gave her a little brother, so she loves them. 

Emma also loves trucks. She loves them simply because her dad always lifts her up to get in the thing. He even has to do a little stretch to get in himself.  Big trucks that make even her dad seem small are always fun. 

Third on the list – not that it has a particular order – will have to go to the bakery near her house. Ms. Lim makes the best cupcakes known to man, and her mom loves them just as much as she does, so they like to splurge on them every once in a while. 

Fourth; the quaint burger place lodged in an alleyway on that busy street Emma always forgets the name of. Every once in a while, her mom and dad take her (and her little brother, now) to the place, and she always manages to see her uncle manning the bar. She wonders if he works there. 

And last, but certainly not least; her 4th grade teacher Mr. Choi. Mr. Choi never enters the room without a fond smile on his face as he greets the class in the morning. He never lets them leave without some words of praise when they leave the class in the afternoon. 

Mr. Choi is very attentive, explaining things a million times over for everyone to understand (who knew there were different methods to learning how to multiply big numbers?) and is very interactive with his class. Mr. Choi is probably the kindest person Emma knows. 

If someone were to come up to her and shove a microphone and a camera in her face (because people do that now) and ask her who she thought the kindest person in the world was, her first answer would definitely be Mr. Choi. That’s just how good he is. 

Anyways, before the author starts her spiel on the guy, let’s get into the actual story – shall we?

The list of things that Emma loves in this world differ depending on what day you ask her. Her constants will always be her parents (and brother), trucks, Ms. Lim’s bakery, the burger place, and Mr. Choi from class 2A. 

Lately though, Emma thinks that a new constant might add to her list of things she loves in this world. The thought came to her mind halfway through the previous semester. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

At the beginning of her first semester in fourth grade, a new teacher for fifth grade arrived in bubbly fashion. With beautiful kind eyes and a charming smile; the new teacher tumbled her way into the lives of everyone at More Than Words Elementary School. 

Emma was one of the people who only entertained things within her bubble. As a bubble dweller, the only things she knew dwelled in her bubble with her. She didn’t know anything about new staff or teachers unless someone entered her bubble to tell her. Which is how she found out about the new teacher in the first place. 

She had many friends within the school who greeted her in the mornings, and her cousin Shelby was friends with her next door neighbor Tommy. Those two always brought her the gossip from their fifth grade circle. 

They were all hanging out on the playground for recess when Shelby mentioned it to Emma. Something along the lines of the nicest teacher ever just came to their school or something. Emma excused Shelby’s comments because the elder didn’t have Mr. Choi in fourth grade. 

Tommy described the woman like she hung the stars in the sky every single night for him to look at and ponder her. Shelby told him to write a book if he wanted to be that sappy. Emma laughed even if she didn’t get the reference all too well. 

For the rest of that week, the new teacher was all her fifth grade friends seemed to want to talk about. She stopped listening to them halfway through. Mr. Choi was the nicest teacher ever, so she wanted to see his competition with her own two eyes. 

If someone was listening to her thoughts, then they made quick plans, because the next day called for a multitude of rain and the absence of half of the students in her small school. Emma still went to school because her mom and dad had jobs to go to despite the rain, and her grandma was out of the country so no one her parents trusted could watch their kids. 

She walked happily to her class, thinking of the pastries she would smell in the afternoon (as it was the day her and her mom went to the bakery) when she spotted a beautiful woman standing outside her class door talking to Mr. Choi. Her smile stretched like the sun on the horizon as it rose in the morning. A warmth like no other had hit Emma the moment she saw it. 

Emma slowed her pace as she neared the classroom, and she heard the familiar words of reassurance from her teacher to the lady in front of him to ease her worries about whatever she stressed about. The kind words sounded a bit different in Emma’s ears though. 

Emma greeted the adults like she was taught, and both Mr. Choi and the teacher greeted her with similar waves of kindness. The other teacher even knew her name. Why would the other teacher know her name?

Emma tilted her head in confusion and stood before the two teachers. The lady laughed and nudged Mr. Choi to get him to notice. Then, the teacher moved her left hand from the books she clung so tightly to her chest and extended it to the little girl before her. 

“Hi Emma Kang, I’m the new fifth grade teacher Ms. (last name). It’s very nice to meet you!” The teacher introduced, and the shock couldn’t come fast enough as it morphed Emma’s face. 

The lady before her was the kind teacher Shelby and Tommy told her about. Emma shook Ms. (last name)’s hand, feeling the familiar weight of an engagement band (her aunt Nina had just gotten engaged last month, so she knows how it feels on someone’s hand), and told the teacher that it was nice to meet her as well. 

Turns out, Mr. Choi and Ms. (last name) were discussing the merge of their classrooms for the day so that they can watch movies and play games. None of the other fifth grade teachers wanted to do such things with their classes, (as it was still the beginning of the semester) but Mr. Choi thought it would be fun to let his kids relax for one day. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

Rainy days had now meant joint classes after the success of the first one that day, and Emma realized that she hoped for rainy days a lot more, so that she can see Ms. (last name) again and again and again. This was when she thought of the possibility of a new constant on her list. 

Emma thinks that Ms. (last name) felt like the sun, especially when she brightened up the classrooms. Ms. (last name) was extra involved in just about everything, and Emma found herself wanting to join a few things just to see the bubbly teacher again. 

Now, you (as the reader) might be wondering where I’ll fit the synopsis into this story, and I’m getting there. Anyways, back to the story. 

Emma also notices how much livelier Mr. Choi seemed to get whenever Ms. (last name) would come around their area, for rainy days or not. The two teachers seemed really close, like they were friends before working together. Well, that’s how Emma saw it. Shelby and Tommy seemed to disagree though. 

The two fifth graders often talked about how they coax small bits of information out of their homeroom teacher whenever they all can’t seem to understand a particularly hard subject (which is usually math.) Ms. (last name) never got into great detail about a lot of stuff, but she always talked about her fiance with a sense of “love” and “comfort”. 

Emma knew about those feelings and those words, (she’s 9 for crying out loud) but no one ever seemed to explain the concept of love to her in a way where she understood or related to it, so topics like these had her confused.  When she asked what that had to do with anything, Shelby exclaimed that she had a feeling that Mr. Choi and Ms. (last name) were a couple. 

Emma sat there for a long while trying to see things from her cousin’s point of view. Sure, they were friendly and got along well, but a couple? They didn’t seem like a couple. She’s seen a few couples in her nine years on this earth, and her teachers don’t act as gross as those couples. 

Besides, they both arrive in separate cars. From the couples Emma has seen, they usually arrive in the same car, do they not? Her mom and dad are almost always in the same vehicle. Aunt Nina and her fiance Sam never leave without each other at events. Uncle Darren and Aunt Lily only have one car. They drop Shelby to school in it everyday. 

Tommy and Shelby bickered back and forth whilst Emma was left with the most confusing theory of her life. 

Emma decided that day that there was no way Mr. Choi and Ms. (last name) were a couple. Well, that was until dinnertime, when she decided to ask the one couple she constantly has to see. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

“Mom, dad, can people be a couple even if they don’t hug and hold hands and kiss and arrive at places in the same car?” She asked them once her food was graced and her mom told her to dig in. 

Both of her parents stopped their utensils from reaching their mouths to look at their daughter, seeing her staring back at them with a curious glint in her eyes. 

“Sweetie, I think we’re gonna need more context than that.” Her mom answered. 

“Your mom’s right, princess. What brought this on so suddenly?” Her dad added on. 

“Well, you guys know my favorite teacher Mr. Choi right?” She started off, watching her parents put down their eating utensils to give her their undivided attention. 

“Yes we do, what about him?” Her dad asked. 

“And you guys know the pretty teacher I told you about a while ago? Ms. (last name)?” She inquired. 

“Yes we do sweetheart.” Her mom answered, picking up her son’s spoon to help him eat his rice. 

“Okay, so today at recess I mentioned to Shelby and Tommy how I thought the teachers were friends before working together because of how well they seem to just – what’s the word I’m looking for?” 

“Coexist?” 

“No not that one … although that one is really good, thanks mom.” 

“Of course!” 

“Cooperate then?” Her dad chimed in, finally picking his utensil up. 

“Oh yes that word! Thank you dad, you’re so smart! Anyways, yes I mentioned it to them, and then Shelby said something about how she thinks they’re a couple? So then I sat there to think about it and that doesn’t make sense? How are they a couple when they don’t kiss and hug and hold hands and go everywhere together and use the same car and have kids?” Emma rambled, getting more confused than ever as she’s explaining it to her parents. 

“Maybe they don’t act that way because kids are present, princess.” Her dad supplied. 

“Dad, you and mom were literally kissing in the kitchen … with me present!” Emma rebutted. 

“That’s because you’re our kid. There’s a difference when it’s your own kid,” Her mom informed. 

“And besides, they work together don’t they? Why act like a couple at work? That’s not very professional.” Her mom continued. 

“You can’t do stuff like that at work?” Emma asked incredulously. 

“No you can’t Emma.” Her dad replied. 

“Wow, you learn something new everyday. What about the car thing then, they’re married and don’t come to work together? That’s so odd. You guys ride to work together all the time.” Emma questioned. 

“Emma first of all, not all couples are married,” Her mom told her, ignoring the gasp of disbelief that escapes her nine year old. 

“Secondly, they probably don’t even live together. Of course they’ll come to work in different cars.” Her mom continued. 

Emma’s shocked beyond words, her brother Eric wasn't paying attention, just eating his food and replaying the opening for power rangers in his mind as he ignored them. Her dad’s just thinking about how all of this could’ve been avoided if they just gave her electronics and discovered the weird stuff on the internet in the first place. He pushed the thought from his mind though, his wife said no so he sticks beside her. 

“Wait, so you’re telling me that couples aren’t married and don’t live together and can’t act gross and work?” Emma asked. 

“Your Aunt Nina and her fiance Sam aren’t married, and they’re a couple.” Her dad answered. 

“They’re practically married.” Emma replied.

“Wait, but do you guys think they’re a couple? An unmarried one who doesn't live together?” Emma followed up. 

She saw her mom and dad rack their brains to see if they remembered anything out of the ordinary between the fourth and fifth grade teachers that night. And then she heard them agree with her crazy claim. 

The next day, when she took Shelby’s side in the argument, their conversations shifted forever. The three friends had made it their new mission to find out if their teachers were really together. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

In between that time, the semester had ended, and the long awaited break had begun. Her mom and dad finally sat her down and told her about the different types of couples and all that jazz. They also took her to see her grandparents, where she stayed with all of her cousins for two weeks. 

Emma, Shelby and Tommy met regularly to talk about their random findings, even during their break. Nothing was bigger than the time Emma saw them both at Ms. Lim’s bakery though. The two teachers didn’t notice her, and she didn’t try to get noticed as she saw them share a slice of cheesecake and basically smiled at each other for five minutes. 

Through it all though, the mission seemed to be leading them practically nowhere. The new semester started with Shelby and Tommy telling Emma how Ms. (last name) came back with a new ring on her finger, signifying that she finally got married. 

Tommy told her to check Mr. Choi’s hands to see if he had a ring on as well to confirm their suspicions. Mr. Choi always had rings on his fingers though, so that plan was fruitless. 

For days on end, Emma tried to figure out if there was a new ring on Mr. Choi’s finger, and for days on end it seemed as if nothing was out of the ordinary. 

Just as Emma was about to give up though, the answers to their questions fell right into her lap. 

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨

It was a rainy Thursday, and like all rainy days, Emma gets dropped off to school earlier than usual. Emma told her parents goodbye at the entrance of the school, watching her dad’s truck drive off with her mom waving at her wildly from the window. 

Emma began to turn around to head inside before hearing the familiar purr of her teacher’s SUV pulling into the parking lot. She then stopped fully once she saw her teacher help Ms. (last name) out of the car?!?!!?!?! 

Mr. Choi and Ms. (last name) just came out of the same car. Mr. Choi is helping Ms. (last name) with her bags. Mr. Choi – OH MY GOODNESS DID MR. CHOI JUST KISS MS. (LAST NAME)’S FOREHEAD? were the thoughts that ran through Emma’s mind once she saw what transpired. 

Emma wanted to stand there and rack her brain to find the sense in all of what had happened, but the teachers were both coming towards the entrance? Oh my goodness, Emma Kang. Go and run into a hole right now. 

Emma picked up her pace and starts to walk away, but the warm tilt of a harmonious tone traveled to her ears as Ms. (last name) greeted her from her walk toward the door. Emma stopped like a deer in headlights, and turned slowly to greet the two teachers. 

My goodness, they’re even sharing an umbrella. Emma Kang, for the first time in her life, just wants to not be a curious kid. Having to see this from her favorite teachers isn’t good for her psyche. 

“Emma Kang, it’s been a while. How are you doing this morning? Are you ready for our rainy day movie session? I didn’t expect the rain to happen so quickly into the semester, but man am I excited for our class to get together again and have some fun. Do you want to help Mr. Choi and I choose the first movie? We’ve been arguing about the lineup all –” 

“(First name), you’re rambling.” Mr. Choi interrupted, and only one thing entered Emma’s mind like a blaring siren once she saw Ms. (last name) stop and giggle about it, apologizing to the kid. 

“You two are married.” Emma blurted out in the midst of Ms. (last name)’s apology, causing the two teachers to freeze up at the accusation – no, the declaration. 

They both rubbed their necks in tandem; Ms. (last name) laughing nervously and suddenly finding interest in the school motto placed on the wall beside them. Mr. Choi looked at his wife, and then looked at his (now unfortunate) brightest student.

“You two are married right? Mr. Choi kissed your forehead and you guys got out of the same car and you guys are even holding pinkies over the handle of Ms. (last name)’s bag.” Emma asked, pointing out her deductions to the newlyweds before her. 

The air stilled once she continued on with her findings, almost laughing at the fact that they immediately let go of each others’ pinkies. Mr. Choi told Emma to follow them, walking from the entrance and to the classroom of 2A. 

Emma watched as they both started to unpack the bags, placing stuff here and there and working together like they’ve been doing this for years. Emma watched a new level of their cooperation unfold on that rainy thursday. 

After they had set up everything, Ms. (last name) walked over to Mr. Choi, and pulled at his blazer to get his attention. They had a discussion with wide eyes and ragged whispers for about five minutes before Mr. Choi raised his hands in defeat. That’s when Emma noticed that he forwent the rings he usually donned, one simple band on his left ring finger catching the light in the room. 

“I guess the cat’s out of the bag now.” Ms. (last name) said after a few moments of awkward silence. 

Emma’s eyes widened to the size of saucers once she realized that they were admitting to her declarations. 

“You guys really are married?” She carefully asked. 

“Yes, yes we are. We recently tied the knot during the break.” Mr. Choi answers, stifling his laughter once he sees confusion slide across his student’s face. 

“What does tying a knot have to do with your marriage?” Emma confusingly questioned.

“It’s an expression. One of the many ways of saying you got married without actually saying it.” Ms. (last name) replies, pinching her husband for laughing. 

“Oh.” Is all Emma said in response. 

The adults studied her face for any odd reactions from Emma Kang, who started to have another mental battle with herself. 

“We actually wanted to tell you and the other kids about it later on.” Mr. Choi supplies helplessly. 

That didn’t seem to work though, as Emma continued to just … blankly stare at them. 

“Are you upset, Emma Kang?” Ms. (last name) asked after almost three minutes of heavy silence. 

Then Emma blinks a few times, looking up at them with something close to joy swimming in her eyes. Mr. Choi and Ms. (last name) let out the breath they didn’t even know they were holding. 

“Upset? This is the best news I’ve gotten all school year. Why would I be upset when the two nicest people in the world are married?” Emma exclaims. 

“I thought you’d be upset that we didn’t say anything.” Mr. Choi replied. 

“I thought you had a crush on Mr. Choi, to be honest.” Ms. (last name) replied at the same time. 

“I’m nine.” Emma deadpanned. 

“When I was nine, I had a crush on my music teacher. I don’t see how that excuse is relevant.” Ms. (last name) said. 

“(First name) you were just an odd kid.” Mr. Choi followed up. 

Emma chuckled when she saw Ms. (last name) hit Mr. Choi on the arm for his comment. 

“You who was crushing over Sam from ‘Danny Phantom’ at that exact age, puh-lease.” Ms. (last name) accused. 

“At least she and I were closer in age than you and your old shriveled up music teacher.” Mr. Choi responded. 

“Sam isn’t even real.” Ms. (last name) said.

“Neither was your chance with that wrinkly old music teacher.” Mr. Choi replied. 

“He was 25 oh my goodness Jiung, stop calling him old.” Ms. (last name) exclaimed. 

“Even worse.” Mr. Choi replied. 

The adults stopped their playful banter when they heard Emma cracking up from her seat. 

“You guys are the sweetest.” She replied once she stopped laughing, shocked at the fond looks that stretched their smiles wide at her.

୧‿̩͙ ˖︵ ꕀ⠀ ♱⠀ ꕀ ︵˖ ‿̩͙୨ 

The rainy day ended up with Emma harboring their secret for them, a lot of movies, and a kid crashing from a sugar rush after sneakily eating too much candy. 

Later that semester, the teachers decided to tell their class separately about their marriage, which breaks another spout of gossip between Emma, Shelby and Tommy. The news spread through More Than Words Elementary like wildfire that day. 

Questions were thrown at the couple for weeks to come after that, and a new quest (bet) was formed between the kid trio. Guessing when they’d have their first kid. 

Emma now helped the kind teachers set up for movie days whenever it rained, and a new constant had been added to Emma’s long list of things she loved.  Her parents (and brother), trucks, Ms. Lim’s bakery, the burger place, Ms. (last name) and Mr. Choi from Class 2A. That was her list of constants.

[miraculouslbcnreactions]

This thoughts still cooking, so it might not make sense, but I think Thomas (Tomas?) Astruc is a very good case study on how being too attached to your own ideas can hinder your story telling.

I don't mean this in a "Thomas's original idea for the series was bad", but rather that he seems so attached to this concept that he can't stand other people having a differing view from him.

Chloe's the titular example here. Some people thought she deserved a redemption arc, and instead of just saying "nah, I don't think so" and continuing to write her the same way he had been, he had to prove them wrong, prove that his idea was the only correct one, and so turned her into the spawn of Satan and let her rule over Paris for some reason.

Instead of making Marinette less stalker-y, he wrote an entire episode poorly justifying it. And, imao, somewhat diminishing what PTSD actually is and does to people.

I'm not saying he has to make any change (though I think making Marinette less stalker-y would be a good change), but instead of 1.) sticking to his resolve or 2.) taking the criticism, he clung dearly onto this perception of his characters and his writing suffered because of how much he had to twist things to "prove" that his original assertions were right. And also that everyone who disagreed with him was wrong and didn't understand

idk if that makes sense, but the concepts been lingering in my head recently

It makes perfect sense! I've had similar thoughts. It's hard to say for sure, but Miraculous may be a case study in "kill your darlings". I'm not deep into the behind-the-scenes lore and I was not here in the early fandom, but I do know that, at some point, a much darker version of the show was pitched. That's why these exist (image source):

[Image description: two sketches styled like comic book covers. Both have the title "The Mini Menace Ladybug". The left cover shows Marinette's silhouette in a doorway. The door's glass and the glass of a nearby window are broken. In the foreground lies a hand holding a ladybug charm. The hand is limp and surrounded by blood, implying that someone is injured or dead. The right cover is Ladybug doing a spinning kick while looking angry.]

We also have this evidence of the darker original concept:

Jeremy Zag then proposed another project... which he was unable to sell to broadcasters... the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience... Sébastien had to make sure that the project could be broadcast on Disney and TF1.... Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted... In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

I've been aware of this darker origin story for a while due to Tumblr and, because of this knowledge, I have often had the thought, "are the writers trying to sneak elements from this darker version into canon?" Because that's the most likely explanation for what's going on here.

If I'm right, then I think that was a terrible move on their parts. They needed to let go of the story that they couldn't sell and embrace the story that they're being allowed to tell. It's why "kill you darlings" is such good advice. Many good stories have been ruined by writers clinging to an idea that ultimately doesn't work for some reason.

It's why the sitcom How I Met Your Mother has such a universally hated ending. The show was originally supposed to go for two seasons and so they wrote an ending that would fit the second season. The show ended up running for nine seasons and, by then, the ending didn't fit, but the writers kept it and left everyone with a bad taste in their mouths, which is not what any writer wants. That's why you have to do what's best for the story even if it means abandoning something that you really love.

This early version of canon may also be why the writers are so obsessed with Marinette. My understanding is that this concept had her mainly acting as a solo hero and, oh look! What is one of canon's biggest problems? Marinette being treated like a solo hero even though she has a partner and, later on, a team!

Not saying that this theory has to be true, just saying that it would explain some things. And if they're poisoning canon by trying to include elements from their darker original? Then it makes sense to assume that they're also doing it for smaller stuff. Like I'm pretty sure I've read that the head writer wanted Chat Blanc to be a lot darker originally, but no one would green light it, so we got an incredibly lackluster episode that spat in the face of the genres Miraculous' is trying to be part of while also falling to have the sort of impact we'd expect from an episode like that. It's a good example of a darling that really should have been killed. It just doesn't fit.

(Totally unrelated sidenote, but is your blog name from Tangled? Because that's what I immediately thought of and it made me smile!)

[impactrueno]

I don't think the crew's comments about Lydia and Beetlejuice being endgame should be taken seriously. If that was seriously considered I feel like the movie would have gone on a different direction, they were pretty consistent with Lydia being disgusted by Beetlejuice and he's the villain all the way to the end

yeah that's kiiind of how i feel too. i would not say he's the villain though? i think he's more of an anti-hero type of character in this one. definitely not a good guy though lol not by a long shot

ultimately the cast isn't the one who's making the story here, however they do have some insight the audience might not have. like i feel like they know something we don't and that's why they feel that way, because they were all VERY sure about it.

this is just my guess so take this with a grain of salt, but i feel like the cast might be a little biased because they know michael personally and he's nice to everyone behind the scenes, you can tell everyone has a lot of love for him. i don't like assuming stuff like this so AGAIN don't take this as fact, but i remember winona saying something along the lines of like, him making sure she wasn't uncomfortable while filming the first movie, so maybe that kinda stuck with her and she conflated it with beetlejuice's character. she speaks of the whole thing in a very shy fangirl manner (which is honestly kind of adorable winona youre 52 and acting like this) like she knows it's silly and she knows she shouldn't want them to be endgame but she does anyway. so THAT feels like it really is her own personal opinion that hasn't much to do with what's planned for them (if there's anything planned at all because we don't know anything for sure, we can only guess and hope there'll be a third one)

tim burton has talked about how he wanted the whole macarthur park scene to be straightforwardly romantic and emotionally intimate, in its own fucked up beetlejuicey way of course. i think it can be all that and still be pretty one-sided idk i personally enjoy the one-sided aspect? macarthur park IS a breakup song after all. so i think i kinda see where he was going with that. it's uh. kind of an enigmatic scene once you stop laughing at the ridiculousness of it all and try to analyze it lol

sorry i lost my train of thought there i got interrupted many times while typing this

i think what i was trying to say is that, even with the one-sidedness and breakup song and all that, there could still be a possibility that things take a strange turn in a third movie if it happens. it's just. wow. how would they even make THAT work, you know? because this movie didn't push hard enough in that direction. it's not impossible but if they do go for it, it will be insanely hard to pull off successfully. fics are one thing, you can do whatever you want in fanfiction, but canon can't be approached like that.

who knows man. lately i've been thinking about how i would've reacted to learning about the events of the sequel if i hadn't been eased into it with trailers and promos and through the movie and its storytelling, and i just know i would've thought "that's insane and would not happen, ever, come on" and now here i am. accepting it. breaking it down and analyzing it. enjoying it! i love this crazy ass movie.

at this point i think anything could happen even if i'm also very skeptic about everything. i won't believe anything until i see it.

[lurkingshan]

I've been thinking a lot about the depictions of generational trauma and parental accountability being presented in dramas lately. Since you've watched way more than me, especially outside of BLs, what are some shows that present or include parental accountability?

This is such a good question and one I have been thinking about a lot since Last Twilight episode 10 aired. Westerners often assume that because of Asian cultural norms around filial piety, parental authority, and respect for elders, we can never expect satisfying parental accountability in our Asian drama narratives. But that's not true! It's been done and done well. It’s because these values are so deeply embedded in most Asian cultures that Asian creators are the best positioned to speak on the harms they can cause, and will often embed these themes in their work.

Now, there is an important distinction to make here: the difference between what characters do, and what the story communicates. A character may choose to abide by honoring their parents at all costs, but the story can still communicate how harmful that is. A character may never apologize for something they have done wrong, but the story can still make it clear they have fucked up and hold them accountable for that via tangible consequences. Here are a few examples from bl to illustrate what I mean, and the different ways this can show up in dramas.

Bad Buddy

One of the most obvious examples of parental accountability in genre, and also a pretty full metal version of it. This entire story is about the damage Ming and Dissaya did their sons with their decades-long feud and insistence on pushing that trauma down on their children, and we got some extremely cathartic scenes of Pat and Pran telling their parents exactly what they thought about that. Of course, even though they raged at their parents, they never got the apologies they deserved (and likely never will) and still had to hide their relationship to appease their parents going forward. But that doesn't mean there was no accountability here. The entire narrative held these parents accountable by showing us how they were harming their sons, forcing them to reckon with it, and ultimately showing them settling into a form of resigned acceptance.

Until We Meet Again

This entire show is about Korn and In's reincarnated souls healing from the trauma of their tragic ending, which was brought upon by the familial pressure and rejection they experienced from their fathers. We not only saw Dean and Pharm work through this trauma and forge new bonds with family members, we saw the direct aftermath of their first deaths, the despair and regret their families felt, and the ceremony that tied their souls together as a result. It's big karmic accountability on a grand scale, and the show never flinched from letting us see exactly how much harm was caused by these parents, or how the tenets of filial piety resulted in Korn's despair that he couldn't be what his father wanted. Even more crucially, we were shown, not just told, the counterpoint impact of good parenting, when Dean and Pharm were accepted by their families in their second life.

Blueming

A rare example of an Asian parent being called to the carpet, feeling the wrongness of their actions, and actually apologizing for it. This does in fact happen in drama! Si Won's mom raised him to hate himself, to be ashamed of his body, to fake his way through life so people would like him, and boy did it do a lot of damage. The story showed us how this affected Si Won and his relationships deeply, and brought him to the point where it finally burst out of him. And his mom, to her credit, was dismayed to understand what she had done to her son. This show also gets bonus points for Da Un standing up to his own mother after she interferes in the film contest.

Bed Friend

Uea's mother's sins against him are numerous, and I will not go into them all in detail to spare my own sanity. She is an abusive parent so horrific that she can never be forgiven, and doesn't need to be. An apology from her would be utterly meaningless. Instead, the drama holds her to account via showing us what she's done to Uea and the work he has to do to heal from the trauma she caused, and ultimately having her son cut her out of his life. It's the biggest consequence she can ever face for her choices and that Uea finds the courage to do it is the story's biggest triumph.

What Did You Eat Yesterday?

On the subtler end of the scale, we have our beloved KNT, which weaves parental accountability through its story in the long, slow journey for Shiro's mother to accept who he is and the partner he has chosen in life. What I love most about this particular depiction is that it's not at all linear in nature. We see her make strides by finally acknowledging Kenji and inviting him to her home, and then backtrack by rescinding the offer due to her own discomfort, and then include him in her family planning to ensure he will be cared for after her death. She’s homophobic and traditional, but she loves her son and sees how much happier he is with Kenji in his life. She is constantly reckoning with that tension. And Shiro and Kenji, being of an older generation themselves, don't hold it against her, even as the show makes sure we understand how much it hurts them. They are not okay with it, but they do understand why she's like this, so they take what she can give and forgive the rest. It's a really touching portrayal of this kind of impasse in a family.

Moonlight Chicken

There are several different vectors of parental accountability in MLC. There is Heart confronting his parents over their neglect and abuse and finally demanding to be treated with dignity. There is Li Ming directly calling out his mother for how her life choices have affected him. And there is Li Ming and his surrogate dad, Jim, working out their issues so that they can communicate better, and so that Jim can learn to stop pushing his own fears and anxiety down onto the next generation. All of it handled with deftness, with care, and with clear purpose to examine the ways intergenerational trauma can perpetuate in the absence of accountability.