#which slays actually

[tortellinigirl]

ok i know that americans from other states generally seem to have no idea what goes on in montana, which is so fair, bc our ratio of land:people is like right behind alaska, but i was just watching an episode of king of the hill where it’s thanksgiving, and peggy says that in montana it’s 70 degrees and they’re going swimming??????? so do other americans think montana is like. hot in the winter??? do they think we don’t have seasons??? hey. we literally share a border with canada. like i know a fair amount of people have no idea where montana is, but it shares a border with canada, and the rocky mountains run directly down the middle of it. like excuse me peggy hill, but we definitely get far more snow than TEXAS does. we are one of those places where they never fucking cancel school for snow unless it’s physically impossible for the buses to run. and personally i think that sucks asshole and i don’t like it here at all, but it is definitely like. the opposite of florida here. idk i just thought that was a silly little funny moment that made me giggle a little and also be a little surprised, bc i just hadn’t heard that one before.

[dappy-dappernette]

I keep on hearing people go all "The voice of the Smitten is such a creep. All he wants in the princess is someone to control and keep as a pretty object. He'd drop the princess if she wasn't the perfect petite maiden like in the damsel route." and I will not stand for the Smitten slander.

Like- He's been in love with her as a burning corpse ghost lady:

A terrifying ghost woman who wants to bring fear and chaos to the world:

And even a murderous blade monster woman who would kill you and enjoy every second of it:

Like, he ALWAYS loves the princess no matter what she looks like or how she acts, he loves her for being herself no matter what or who she is. That's the point of his character and I'm tired of people slandering my boy.

[welcometogrouchland]

I have a LOTT of sketches I could post rn but these 2 are recent and I'm fond of them <3 Steph costume ideas and Tim/Damian cringe bickering inspired by Batman: Brave and the Bold #18!

[elleselanguitsansfin]

it's hailing today and the gloom outside is casting peculiar shadows around my room...

[obsob]

one small step for. kitties

[wasyago]

i imagine it's quite chilly in the black sea (for the lack of sun and color), so they're wearing slightly warmer clothes now uwu

+ thoughts

[vlindervin7]

realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[crystaljellie]

Scott and Pearl analysis moment

Because I’m sick and tired of people mischaracterising C!Scott he is not evil!! Pearl does not hate him!! She’s bitter sure but she doesn’t hate him.

Starting with them in last life Pearl and Scott always sticking by each other always being there for each other, I’ve seen so many “Scott was using Pearl” because he wanted a life from her. Like he’s trying to live?? It’s different from Grian stealing a life from Scar and then tormenting him and giving him nothing in return. Scott does his absolute best to protect Pearl protect their house and spend time with her.

He’s a good friend. And he’s absolutely heartbroken when she dies, because Scott knew she was going to but he didn’t want her to go before him. And he definitely keeps his cool because Scott isn’t the kind of guy to go if the rail easily, the way you can tell Scott is angry is by how reckless or determined he gets. In third life he’s distraught by Jimmy’s death and then rushes in and dies quickly because he doesn’t want to be alone. And in last life he kills Ren because he killed Pearl. He’s doing it to avenge her.

He’s glad when he wins but he’s not upset when he dies either. He’s annoyed that he didn’t get to choose his own death but. He celebrates winning because he doesn’t have to lose anybody else.

And so jump to double life and all of a sudden the person he loves so much and has gone out of his way to protect doesn’t even take the time to go looking for him, so you can see why he’s upset. And it’s the biggest miscommunication moment ever because Pearl is expecting to go back and have Scott waiting with open arms for her, and she can’t explain to him and doesn’t understand what she did wrong, which tbh is nothing but that doesn’t make the way Scott feels invalid either.

And then it kind of all goes to shit, Scott’s more snappy and on edge this season because he won the last one and ya know winners trauma. And he honestly doesn’t want to win again so when Cleo suggests tormenting Pearl (I think that’s how it happens I don’t remember it might have been scar with the snow buckets first) he’s all for it!! Because he’s hurting!!

And pearl on the other hand is left alone and has no idea what to do with herself, because sure she can handle being alone but she can’t handle being alone like this, where’s she’s forced into isolation, she’s going crazy because she feels like everyone she loves has left her, she’s mad at Scott and she’s more mad at Cleo because she feels like Cleo has stolen him from her. And so she lashes out because it’s all she knows how to do here, and in a death game what’s a better form of communication than violence?

But she doesn’t want Scott to die not because she wants to live but because she still cares even if she doesn’t want to care. She wants Scott to hurt because she’s hurting, but like Scott in last life she can’t bare to see him die before her.

She’s winning this to prove herself to be someone who doesn’t need Scott. But she still cares so much and she hates it, that’s why she spends the first couple sessions trying to win him back.

And Scott is with Cleo but he feels alone too, because Cleo’s relationship with Martyn isn’t as strained as his is with Pearl. And he knows it’s his fault, he does. That’s why he starts trying to sabotage other relationships, so he doesn’t have to feel as bad.

That’s why he’s careful to stay alive, so he can make it up to Pearl in some way.

He avoids everything he can that might make him face that guilt. But he’s hurt and is stuck with all the blame placed on him. Everyone KNOWS it’s Scott’s fault Pearl is the way she is. But no one but Cleo acknowledges this which makes Scott more bitter, and honestly he’s a little bit scared of Pearl not that he’ll admit that to anyone ever.

But him feeling this guilt is why he kills himself at the end that and because he’s scared of winning again. But he knows he doesn’t deserve getting to where he’s gotten to, and with his self sacrificial nature he’s trying to make it up to her. If she watches him hurt and hurt and die, maybe she’ll feel better.

AND SHE DOES FORGIVE HIM!!! NOT BECAUSE SHE LIKES SEEING HIM HURT!! SHE HATES THAT PART!! SHE FORGIVES HIM BECAUSE SHE CAN SEE HOW MUCH HE CARES! And obviously she’s still a little bit bitter because like who wouldn’t be. But she forgives him and she can see he’s trying that he feels awful about it, so awful that actually kills himself.

And you can see how double life effects both of them moving forward, mainly Scott, he’s scared of hurting anyone the way he hurt pearl, so he goes out of his way to let his friend and allies kill him over and over so he can be of use to them, because he’s realised that his life, lives can be used as currency as friendship as a way to get people not to hate him. He’s putting himself on sale.

He does it in secret life too giving up his lives his hearts his safety, just to be of use. He can’t even bring himself to really care when people betray him, because hey he betrayed Pearl worse right?

Pearl is so much more unhinged after double life too so much more reckless. Because why try and stay hinged when you’re going to loose everything anyways?

And coincidentally all of pearls allies start dying before her, and Everytime it happens she’s just reminded of double life, of that tower, of everything bad that ever happened. And because of that she can’t bring herself to forgive Scott yet. Because she doesn’t feel loved yet.

And then wild life comes, and they team together again, and yes it starts with some bickering and fighting but they needed to get that out they needed to bring it up so they can let it go.

Pearl has her own issues with Gem that season sure, but she gets something close to closure with Scott. Not proper closure, because they’re in a death game, they don’t have enough time they never will. But she gets a real end, and gets a chance at a real friendship with Scott again. She even gives him her hoodie when he turns red. They stick together they’re friends again.

Pearl doesn’t hate him!! He doesn’t belittle her!! I keep seeing “oh Scott didn’t trust Pearl oh he’s treating her badly because he’s keeping her on a leash and not enabling her chaos!!” HES WORRIED ABOUT HER??? HE WANTS HER TO BE SAFE AND KEEP THE TEAM SAFE AND THE ONLY WAY IN SCOTTS BRAIN IS TO CONTROL??? HE DOESNT NOT BELIEVE SHE CAN DO IT HES JUST WORRIED FOR HER FUCK OFF MAN

Anyways, and then Scott dies before Pearl and she doesn’t have the time for a reaction.

It’s not over for them, it’s not close to being over, but it’s getting better. And they’re BOTH getting a chance to heal, not just Pearl, because Pearl wasn’t the only fucking person that got hurt.

Sometimes I wonder if people watch the series with their eyes closed and volume off because how could you ever believe that Pearl truly hates Scott?

[borgialucrezia]

"Both Oakes and Grainger have always done well when given the right material, and each has some terrifically frightening silent moments: an uncontrollable clenching of fists from Juan as he is exiled to Spain, a subtle grin from Lucrezia as she hears her brother's groans of pleasure shift to agony." — The A.V club

[rainbowpufflez]

Giovanni homophobia arc™️

[graynide]

Hm..

heheheh

**gives you a V.Smitten, then runs.**

Love is not only limited to loving others

HAH! get self-loved idiot!

I got this ask like after I posted that Cheated plus Broken ask and it feels like there is a line of people slowly waiting their turn to tell me to draw each of these birbs in standalone ask posts what

[royaltea000]

I’ve never felt so conflicted about a franchise in my life but at least this dude was hot

[everyones-least-favorite-bard]

conviction

[hello-universe-lovers]

"Then...we throw it out the window!!"

Posting this separately so I can rant about design under the cut

I have colored a few Voices (Opportunist and Smitten) but Contrarian is my first proper ref sheet. She (yes she is a girl) was a lil hard to think of a design for. Her whole point is to be a contrast to most, if not all, of the things happening around LQ in the construct. I personally interpret her as LQ's desire to break free of the restrictions placed on him by the Narrator and, to a lesser extent, the Princess. Hence why she is such a pop of color. I based the look more on idol and cute girly clothes than straight jester/clown aesthetics (not that there's anything wrong with that).

I tried to make it as bright but not too bright as I do not like over saturation as well as over complicating a design since i wanna be able to draw her again later. This is where the masks come into play. I got inspired by theatre masks and came up with the idea of her changing her mask to fit the mood/atmosphere of the route. It gives her something to subtly express her mood without breaking away from her routine. Plus it's fun to come up with what her mask would look like in routes.

And also, this design is specifically for an AU that I still need to draw, hence why she has humanoid features but is still very much bird like. I tried to strike a balance but..eh, it still works. Like how she turned out and I hope you do too.

[grecoromanyaoi]

again so sorry im still on gladiator 2 but i cant stop thinking abt it (derogatory). it shows exactly the type of surface level "progress" we made in the last 2 decades. literally gladiator but "woke" as conservatives think of it bc that racial diversity n inclusion of lgbt characters is entirely surface level n covers up existing racism, eurocebtrism n homophobia.

they try to show rome as a brutal imperialist force spanning 3 continents for exactly 10 minutes, and then forget about it. no more discussion of imperialism and its consequences on both colonized ppl n colonizers. the message is 'rome is an empire built upon the blood of enslaved n colonized ppl. it could b good tho. it could b a REPUBLIC built upon the blood of enslaved n colonized ppl #progress'.

they were characters who were explicitly mentioned to enjoy n seek out gay sex, but these characters were either not shown or the villains. the brothers were rly effeminate as well to show how theyre morally corrupt, as one does when they try to present men as decadent, corrupt and morally reprehensible.

not to mention the whitewashing of the brothers. he tried to push as many poc into the plot as he could but whitewashed the two emperors that were arab irl. insane. all the main characters of color in the movie, esp the ones played by black actors, were either currently or formerly enslaved. he tried to be as "inclusive" as he could, but failed to imagine a past in europe where the emperor is arab and black ppl r anything but enslaved? even tho that past did exist? what kind of progress is that?