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#which mind you is still 300 something achievements
g0dtier · 9 months
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hey im like 2 years late but Hades is really good lol
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no-name-publishing · 11 months
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Tiny Book? Tiny Book. Pt1.
Idk yall I just felt like writing a little how-to of how-I-do my tiny A9 books! So if you've ever been interested, I hope this will be helpful. This will be neither a beginner typesetting nor beginner bookbinding tutorial; as I go through my process I will only be showing my process and providing a few tips, assuming you already have the basics understood. We can worry about the rougher technical skills in another post.
Also keep in mind that this guide includes images of fic I've bound, and you're zooming into these fics at your own discretion. I am not responsible if you read something yucky. I know you have a lot of options out there but thank you for flying No-Name Publishing.
Tiny books part 2; Tiny books part 3
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Just like with regular ficbinding, there are layers, and they are:
1 - Typesetting and Imposing 2 - Printing 3 - Cutting, Folding, and Sewing 4 - Gluing, Rounding/Backing, Endbands 5 - Building the Case and casing in 6 - BOOK
In this part we will be focusing on steps 1 and 2. Please feel free to skip to the area you're interested in most.
1 - Typesetting and Imposing
Okay, so this area has some nuances that you don't have to consider so closely with typesetting for more traditionally sized books. To me, these tiny books are not about readability, they are about novelty. As such, I do not prioritize readability. Instead, I try to achieve something that is closer to scale. That said, neither do I want these illegible. But we'll begin from the top.
You want to make a tiny book, but you're wondering, what would be an appropriate word count for a tiny book? Tiny books are the perfect medium for the ficlettes, the shorties, the one-shots. They are also perfect for the mid-sized, 10-15-20k fics, in my opinion. Here we can see,
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On the left we have a fic that is exactly 12,771 words, typeset on a 1.5" x 2" (37 × 52 mm) document, with .3" margins, 6pt Garamond font, and 5pt line spacing. This book is only approaching 1/2" (13mm) wide, and only took 5 sheets of Letter paper to print. On the right we have a fic that is exactly 1,939 words, typeset to the same specifications. This book is only 4-5mm wide, and took only 1 sheet of Letter paper.
In my opinion this format of book begins getting unruly around the 300-page mark. However, making any combination of margins, fonts size, and line spacing will yield different page results for different word counts. For example:
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Like the above, in each of these examples I typeset in Garamond font @ 6pt size and 5pt line spacing. Typesetting on an A9 page, this is about as small as I felt comfortable sizing my font while still being legible. But notice the rivers between the words--the rivers of white space bisecting the lines, due to the Justified alignment battling the admittedly tiny work surface. At this scale, with the font at this size and alignment, those will be unavoidable. Over time I began disliking this in my own work, so I pursued a different method, which was typesetting on a quarter letter page (4.25" x 5.5" / 108mm x 140mm), and allowing my imposer to scale the PDF down.
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Have you ever seen anything sexier. THIS looks like a tiny book. Little to no rivers, still legible (hand-wobble), and preserves the novelty feel that I desire from a tiny book. This method of scaling down (specifically from quarter letter to A9) does change the final shape of the book, from A9 to A9-ish in this case. Specifically, from 1.5"X2" (37 × 52 mm) to 1.625"X2" (41.3mmX52mm). You're achieving something closer to a square shape, which is delightful to hold. All this to say, you have some freedom with word count, with font size, with page size. I've done as many pages as 376 and as few as 17. The fantastic thing about tiny books--their structure will not be load-bearing, meaning--the only thing stopping you are your tastes.
Quickly, some more examples of features in a regularly sized typeset and their tiny counterpart after the imposer has scaled them down. First, scaling half-letter down to A9, a little-over 4X shrinkage:
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And from B6 to B9, smaller by 3x:
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You notice the compression of every element, and too how entirely unparcable the text in the first example is, sometimes not horrible, sometimes very. Make your decisions dependent on your tastes!
You have decided on the fic you'd like to bind into a tiny book. I will be using my own fic as the typesetting example, and I will be using Word 365 for PC. I'm sure many of my pointers during this process might not apply 1-to-1 if you are using a different word processing software, but hopefully you can adapt the concepts to your program of your choosing.
Kay, next you will do your typesetting. Since this is not a typesetting guide I'm trusting that you have your preferred methods, but I will go through my key steps for setting up a tiny typeset:
First, for every typeset I delete each default Style, create mine own, and dictate the document size. For this example I will be doing my preferred quarter letter method, setting the custom page size to 4.25" wide and 5.5" tall, and .5" page margins all around (except Gutter; leave 0"). On the Multiple pages dropdown I will select Mirror margins (however, as all my margins are the same size, this is redundant, though may not be the case for you). My body text style will be Cardo font @ 11pt size and Exactly 15pt line spacing, with a .2" first line indent and Justified alignment.
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You can use whatever body font you like, I only encourage you to do many many test prints to refine your preferences. Your favorite font for half-letter books might not translate to tiny books. After ~30 tiny books I've found I like Cardo at this size and spacing. And if you're using A-paper sizes, consider doing quarter A4 instead of quarter letter, which is technically A6--4.1"X5.8", or 105mmX148mm. Follow your heart~~nyah 🐱♥
Now I will go to my fic and download the HTML file. I hugely prefer copying from the HTML file rather than the browser itself. It kind of standardizes any goofy formatting that might try to make its way over otherwise, while still preserving the italics and bolds, etc, and makes for an easier editing process. It was important I made my body Style in Word first, so that once I paste the text into my document that Style is automatically applied in one fell swoop (if not, you can change that in your Word settings. Advanced -> Cut, copy and paste -> Merge Formatting. It is a huge time saver.)
Now you've gone through your typesetting process, you have a liddle quarter letter Word document that you're happy with. Gets real close to you. Listen to me--listen, you're going to Export as PDF. Not Save As PDF. Not Print to PDF. Export. It's in--listen--it's in File, then Export, then Create PDF/XPS. You need to Export. Especially if you selected Bookfold instead of Mirror margins in your page settings because we need an unimposed PDF in order for this to work right and exporting to PDF is going to solve 99% of your pdf formatting woes with Word. Okay, I love you 👨‍❤️‍💋‍👨
Now, your EXPORTED pdf should look something like mine. Straight, unimposed.
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Now what we're going to do is take this PDF back to my penthouse and freak it. Go to this link for the Renegade Bindery-created and -curated imposition tool. This has been will be is such an incredible FREE asset to you, maintained by a crew of intelligent, skilled Renegade Bindery members who understand the importance of community and accessibility. If you find someone hiding this link behind a paywall of any kind it is not with the creators' permission, so shame on them.
Anyway I will be assuming that you know what imposing your document means. If you've never used this site before, it's very straight forward, and here are my settings for making Tiny Books.
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1 - Upload your unimposed exported pdf. 2 - ignore 3 - Select the paper size you will be printing on. This is not the FINAL size of the book, this is what paper you are printing on. These instructions are for Letter sized paper. Don't change any of the other settings right now, I will explain more about the Single-sided vs Duplex option in a bit. 4 - Skip aaalllll the way down to Signature Format. Under Wacky Small Layouts, click on the bubble next to Little. You'll notice there are a lot of options here. I encourage you to play with these settings later on as well, there are so many things you can make with this tool.
Once that's done, scroll down to the very bottom. You'll see the Signature Info area, telling you the results of your imposition. In the case of using the Little option we've selected, 1 sheet of our paper will make 40 book pages. 3-signature-sets of 3/3/4 folio configuration. That's a lot of pages per page.
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Anyway for our document today it will cost us 2 sheets of Letter paper, and will make 6 signatures. Math says that's 80 pages. Now, you may be concerned because your typeset PDF is not formatted in a number equally divisible by 40. And why would it be. The imposer is doing that math for you in the background, organizing your pages regardless. In my case, my finished typeset is 62 pages, which means that from my second page, I will only be using my 3 folio segments, and discarding the 4 folio segment. This will make more sense later. Click the Generate button, and save the zipped folder wherever you want. Don't change the name of it.
Unzip that baby, and inside you'll notice 2 files--(filename).pdf_little_packed_backs, and .pdf_little_packed_fronts. Appropriately named as one file contains one side of the sheet that will be printed, and the other file the other side.
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And when you open them up, they will look like:
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2 - Printing
We are manually duplexing this bad boy, because working at this scale amplifies and compounds every millimeter of difference. Manual duplexing will keep printer skew to a minimum, as the printer will not have to perform gymnastics in order to print on the reverse side of your page. Here are some examples:
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Two auto-duplexing examples of skew, one horizontal and one vertical, dependent on which direction my paper was loaded into the feeder. There is significant skew. Not a horrible issue on full-sized books but these will matter much more on our tiny books, the key issue being that we do not have much to work with in the margins department. Trimming 5-6-7mm of margins of your half-letter sized textblocks might not be much of an issue; however, here, in order to remove all the trim lines during the cutting process, you will be significantly impacting the margins of your tiny textblock.
Now here is an example of the skew from manual duplexing:
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MUCH subtler. Your skew with manual duplexing will range from this--less than .5mm--to no skew at all, and you will have to cut off far less of each page to remove the trim lines, maintaining the consistency of appearance of your tiny, beautiful pages. This is why during step 3 of the imposing process we selected Single-sided (which is MANUAL duplexing), and not Duplex (which is AUTO duplexing) appropriately. This will result in you either getting two files for manual duplexing, or one auto duplexing file.
Your next consideration when it comes to printing your liddle book will be whether you want to use an inkjet printer or a laser printer. I've until recently only had a laser printer available to me. I can say after about 6 or 7 little books on an inkjet printer that I prefer the laser printing on tiny books. Here is an example of why:
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On the left you have a tiny book printed from an inkjet printer printed on the highest quality setting, and on the right is a tiny book printed from a laser printer. These were both printed at the same scaling, same font size, same line spacing, everything. The inkjet printer, printing at this scale, introduces pretty glaring feathering on the letters, whereas the laser printer is crisp as can be. I've said before that to me tiny books are more for novelty rather than readability, however I do still want to make out the word I'm looking at, you know what I mean? For this reason I prefer printing my tiny books from a laser printer. Use what you got though, you'll get a tiny book regardless. Make sure you're flipping on the short edge with these tiny books too, and double check to make sure your page numbers line up. And when you're done you got...
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BOOK(-adjacent).
Continue on to part duex.
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lizzaneia-elizalde · 8 months
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I'm so glad you're doing well!
Could I perhaps ask for Damon and his darling nerd? Maybe something really good happens to her that she's excited about and when she tells Damon about it, she hugs him without thinking because of how happy she is. I'd imagine him getting drunk off of the physical contact and just wanting more
Yandere! Jock x Honor student! fem! reader everyday tidbits: achievements
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Damon was nervous.
He's rarely nervous.
And, the fact that he's nervous for another person is weirder.
But, at least he's nervous for you. That made it more excusable as he watched you from afar on the bleachers, biting his nail while praying to whoever God that still didn't give up on him.
Sweat riddling down his temple, he watched as you raised your whiteboard with the words "300 to 3,000 Mega Hertz". Your eyes focused on the screen projector up above the University stage, with the question reading "What range of frequencies are usually referred to as the Ultra High Frequency (UHF) Band?"
It was your University's Intramurals week, with today being the Academic night. You were assigned to be the representative of your college's individual science quiz bowl, and that meant that Damon didn't get to have that much tutoring off of you.
Other than being pissed that you just had to join the quiz bowl, he felt somehow proud. You, the academic genius, the introverted yet blunt student of the Education department, is in a competition in front of such a huge crowd like this? It was unbelievable.
And yet, his unfounded jealousy trickled down his spine when the people cheered for you once the proctor beside you raised the green flag, signaling you got the right answer.
He may be cheering for you, but others are too. Just thinking about how other people can see your brilliance other than him was boiling his blood under his skin.
"One more round..." He whispered, gripping his fist. "Just one more, and she's for my eyes, and my eyes only once again."
His muttering scared his friend beside him, not used to seeing Damon so... ??? What is Damon's face projecting? He doesn't know. It was foreign to him.
Damon's heart jumped once he realized it was the last round. This is it.
The projector flashed once more, with the last item of the hard round. If you got this, then you'll be the champion of the individual science quiz bowl. If not...
"Which prefix is often used with scientific terms to indicate that something is the same, equal or constant?"
Hmm? Why did language studies came here?
Anxiety riddled his body for you.
What is it?
Whispers got out on the surrounding stadium and from the bleachers, wondering what the answers are. Some students are trying to mouth the answers to their representatives, but to no avail.
He found himself clasping his hands together, eyes wide as he leaned forward and bit his tongue.
"Come on, y/n... You know this... Wait? Do you? Whatever...." He whispered under his breath, watching you turn the gears click and clack on your pretty head.
Then, your hand started to move on the whiteboard you're holding.
As the timer ran out, you put your marker down with a shaky breath and an unsure frown, making your college groan in defeat.
Damon almost lunged at them. How dare they? How can they not believe in you, sighing in defeat-- do they not know it affects your morals too?
As murder plays on his mind, the projector flashed, showing the answer.
"iso"
His breath hitched, watching you put up your whiteboard marker.
iso
"OH MY GOD!"
"YES!"
"LET'S GOOOO!!"
"LET'S GO EDUCATORS LET'S GO!"
As the College cheer and the defeaning beat of the drums wafted from the bleachers, your eyes widened in delight, covering your mouth from disbelief. You actually got that right?!
Damon was suddenly buzzing with energy. His eyes wide, mouth a small "o". He stood up, and as if time stood in a slowmo, he vaulted over seats, and down from the bleachers. Ignoring the shot of pain on his feet, he ran through the barriers and ran past shocked people.
But before he could scoop you up in a hug, your eyes found his and with a huge grin, you ran to him and embraced him first.
Your soft body on his hard one, your arms giddily wrapped around his neck, your head buried on his shoulder.
He froze, not knowing what to do.
"I-I did it! Damon I did it!" You giddily whispered. Your voice, usually laced with shyness and a bit of ridicule, was full of elation and happiness. You felt so light, free from the pressure that you were placing on yourself. Tears of happiness trickled down your cheeks.
Damon trembled. His senses were overwhelmed with yours. Your scent, your body, your warmth... It was too much.
His arms shakily wound around you, gripping you tightly as his nose buried on your neck, inhaling your scent and calming down.
He can't be too worked up. After all, he's in front of countless people.
He reluctantly let go of you, wiping your tears away from your cheeks.
"I'm so proud of you, y/n." He whispered, eyes filled with so much affection that even your blindness to his advances got shunned away for a bit, making your heart race.
"Thank you, Damon..."
Meanwhile, everyone at your college were shocked, and other students let out high pitched coo's and aw's, thinking that you and Damon are together.
"What the fuck? Damon?" His friend was bewildered. Sure, he knew that Damon had the hots for you. But this?
It was too cheesy for him. Blegh.
Sure, maybe Damon took advantage of the crowd, vaulting over people to hug you and make it seem that both of you are dating. Will he deny it? Nah. Maybe even vaguely insinuating and egging these people to believe more.
At the very least, with him being your "boyfriend" nobody will try to snatch you away from him now that people saw your brilliance.
And as he buried his face on hair once more and spun you around happily, he knew the next few days and weeks will be one hell of a ride.
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fairytale-poll · 5 months
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SEMIFINAL ROUND, MATCH 2 OUT OF 2!
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Propaganda Under the Cut:
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Original Fairytale:
The OG, she suffered so much more than Ariel in the Disney version, and gave up her love for Christianity. When she's turned into a human her feet are in agony with every step, but she dances anyway to enchant the Prince. The Prince marries a princess who found him after the Little Mermaid rescued him. The Little Mermaid is distraught at the prince marrying another, so her sisters give her a dagger from the Sea Witch that will turn her back into a mermaid if she kills him. She refuses to kill him, and then she turns into sea foam and dies, but because she was a good person she becomes a spirit of the air and does good deeds for 300 years until she dies again, gains a soul, and goes to Heaven.
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yorshie · 9 months
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Omg so I saw your headcanons on the heights and weights of the turtles and yes yes let's talk body-building and math.
They are big muscle boys with big ass shells. They gon be heavy. Also in the first movie we see Raphael (720lb/326kg) throw a fucking shipping container at The Foot which, when EMPTY, can weigh between 7,700-8775lb (3.4 - 4 tonnes). Weightlifters know that mass moves mass so the bigger you are the easier it is to move stuff.
And when Eddie Hall achieved the world record of deadlifting 500kg, he weighed 200kg (so about 2.5x his bodyweight).
Now it wasn't a controlled deadlift but rather a bodyslam/toss. But for Raph to move a 3400kg container, he would need to weigh alot. 3400÷2.5 would be 1360kg but I doubt he would be that heavy. Still, the turtles are insanely strong from the effects of their mutation (which is also shown in other universes e.g. the og cartoon when Donatello rips a steel truck apart with his bare hands like it's bark off a tree) so I would agree he could be 300-400kg to do stuff like that easy.
Aha! God yes I saw that container toss in the first movie and I was like oooooooooooo
I fidget with their weight every now and again because I get a new thought but they actually spawned from the elevator scene and wondering about weight limits. And. Maybe. I might have been struck a little bit with the irate reading something (it was rise mind you but still) that put grown up Leo at 150lbs (which was my weight in college when I was still lifting and yes I had thighs for days but damn I’m only 5ft3inches). I kinda feel like not a lot of people actually get what men, especially muscley men, actually weigh. So I might have been like “if no one else will do it by god it’ll be me!”
Also…… not admitting anything…… not admitting anything at all…… but ya know. Ya know-
Big heavy man go brrrrrrrrrrrr
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I’m sorry did you say something? I uh. I blanked there for a minute.
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But Eddie offers great visual aide. Eddie here probably weighs. Eeehhhh. In the lower 300s lbs. he’s younger here. That’s likely years ago. 2017? Yup 2017 on the banner.
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Eddie here. Yes. 400lbs plus some. Is that healthy? Weeeeelllll….. are you gonna tell him that? But you can see the difference.
I have seen video of him on YouTube now that he’s “retired” and he’s slimmed down some. Probably back in the upper two hundred range. Still though. He’s only two inches “shorter” than Raph. It’d stand to reason without the shell Raph would probably weight about the same... though his shoulders are still. Somehow. Wider. All I’m saying is there’s a reason I put “don’t get in my way” as Raph’s theme song.
Here’s Eddie’s world breaking record deadlift of 1102lbs/500kg. And to anyone that says Eddie only got the record because so and so retired, we all retire. But none of us could do what Eddie Hall does
youtube
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beardedmrbean · 6 months
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Hey zoomer Huey, oh my god ac red is going to be HELL when they finally revealed Yasuke is going to be the second playable character
https://x.com/oliverjia1014/status/1768104847071719880?s=46
My thing with Yasuke for the upcoming game that they acknowledge he a OUTSIDER. Hell I did some dna research in Southeast Asia and it stated many communities are East African descent so they can say post main story Yasuke settled down and retired to one of those places
Also I saw people said Japan achieved more than those 54 countries….sigh….
People forget that modern Japan is HEAVILY westernized due to American military there (mainly because we don’t want more batshit crazy soldiers like imperial Japanese ones)
And we took care of most of military might because we all know how fucked Japan would be after China got it shit together right?
So Japan was able to rebuilt faster than most countries
We just didn’t pull a British Raj and let Japan keep most of their culture. Okay okay it more complicated
Not to mention our knowledge of japan is due to american occupation there thus the culture exchange for 80 years.
Like my Yoruba thing, yes I want to show more Africans stories. But I swallow the hard pill that I can set the foundation for more better and accurate African stories. But will die before seeing African warriors be treated the same way as Samurai warriors
Also the inferiority complex, look yes African cultures are still shit on
But just grow the fuck up and stop acting like Twitter discourse is everything
I mean I recently bought the Ramayana after finding a mutual who like a naughty character Twitter see as the devil.
Just saying there are good African AND African Americans stories we can tell.
Actually have fleshing out the chimera republic in mind. I think I started to realize an issues with the knights and samurai shit. Wanna read in an another anon?
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Did a reverse search on the image here, nice to see most everyone is on the same page, which is Yasuke was real and the only black samurai that's known
Fellow from Japan suggested checking this site if you're looking for dark skinned people, not sure if he means African or not, Spain and Portugal did lots of trading might have had some African slaves or something like that with them. I dunno.
My thing with Yasuke for the upcoming game that they acknowledge he a OUTSIDER. Hell I did some dna research in Southeast Asia and it stated many communities are East African descent so they can say post main story Yasuke settled down and retired to one of those places
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I can believe the East African bit, these are the "bad guys" from 300 from India to Ethiopia and they were big on moving people from one place to another in order to keep them from creating a large enough community to pose a threat.
They've become pretty westernized over there in Japan ya, not all the way the commercial with the company apologizing for raising the price of a ice cream after like 25 years is not a western thing at all, we'd say fuck you and then increase it again.
Arizona Ice Tea is a outlier there.
And we took care of most of military might because we all know how fucked Japan would be after China got it shit together right?
We took care of military for the same reason we did with Germany, don't want to have to deal with that shit again so you can have a very limited military that's geared for self defense, someone attacks we'll come running and cover you.
Like my Yoruba thing, yes I want to show more Africans stories. But I swallow the hard pill that I can set the foundation for more better and accurate African stories. But will die before seeing African warriors be treated the same way as Samurai warriors
See if you can find the Shaka Zulu series they made, man literally changed warfare in that part of Africa.
Big issue with sub Saharan Africa is I don't think there was any groups that could field a 10,000 man army, not many at least, not till after islam showed up and gave a unifying identity to different groups. This is just from what I know I may be wrong though.
Just saying there are good African AND African Americans stories we can tell. Actually have fleshing out the chimera republic in mind. I think I started to realize an issues with the knights and samurai shit. Wanna read in an another anon?
True dat, and ya that could be a fun read feel free.
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rayadraws · 4 months
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Sorrel things rotating in my head:
- Sorrel is 300-something years old which is still young by a dragon's standards, he's basically the equivalent of a young adult fucking around and doing whatever before deciding what they want to do with their life. But for him, that phase is going to last for uh, up to a couple thousand years
- One of the things that differentiates him from humans is that he he more even-keeled than most of us would be in any given situation. He's very expressive in human form but rarely feels any overflowing emotion, he's in an even content mood most of the time and it takes a lot to truly upset him. A lot of things that would bother/frighten us don't affect him at all, they're just not concerns to him. While in dragon form he isn't capable of much emoting, he looks pretty intimidating even while calm.
- Once pushed to true anger he can be VERY aggressive, "I will delight in ripping out your intestines with my teeth" levels
- He does genuinely like humans (his definition of "human" is very loose btw, this includes elves, tieflings etc) but he doesn't truly understand them all the time. This is something that'll improve over the centuries with experience
- On that note, he IS very supportive; he truly sees beauty in everyone (who's not evil) and he, again, genuinely cares about people. Just in a somewhat distant/strange way sometimes. But if you're feeling down and need reassurance he'd give the BEST positive feedback, perhaps with a bonus Bless to send you on your way
- "Soldier, Poet, King" is a song that fits/summarizes him well I think, currently he is at the "soldier" stage, he will fight evil with his sword, relying almost entirely on his physical strength. Give him a thousand years and he'll learned to achieve greatness with diplomacy instead/as well. Another thousand years and he'll have the wisdom to guide and/or lead a kingdom, should the need arise
- He is social and outgoing while in a settlement but dragons are solitary by nature and he does not suffer from being alone for extended periods of time, which he often is while travelling. He doesn't crave friends or a family, it's just not in his nature to wish for that, but he doesn't mind adventuring with others if someone asks him to go with them and he will protect/care for the people around him.
- His motivations are the fight for justice, good vs evil and honourable actions, these are qualities he encourages in the people he meets
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gogogogolev · 11 months
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The 2023 Grand Prix de France men's FS results, final results, and Stephen's protocol.
So keeping in mind that Stephen had three days of prep coming into this event we will discuss these results, and speak in general about his season.
To start off let's acknowledge that Stephen got two different quads out and two triple Axels done. For some reason he just popped that 3Lz which was costly considering how close the scores were. He is still having multiple pops per free skate which is really hurting his technical score. He also missed a combination for the second straight event. He did well to hang onto the Euler combination. He also got another level 4 step sequence, which is great. The starting 4T was really nice. He should definitely consider just doing a 4T3T in the FS as well, like he is in the SP. It would mean less pressure for him to get the 4S in combo, and maybe that would keep him from popping it. He could do a solo 4T instead of trying two 4S and popping one or both.
Someone was saying Stephen needs to work on everything. His jump consistency, his GOEs, his PCS. He's popping jumps at every event. He has had some of the lowest PCS scores of the field in his two events. Canadian judges give him even lower PCS scores than he gets internationally so it's looking dire. Even if he skates clean in terms of jumps his PCS score is going to have him around at least 20-30 points back of the top men (this problem is not exclusive to him). He has been relying on his choreographers to improve his PCS, but the top men work with the same choreographers as him. That's not it. The question that arises next from the fans is that - does Stephen want to skate? They get the sense he does not care to improve because his heart is not in this sport, that he is only being forced to do it. Which is concerning, but how are we to know what's really going on with him?
For what it's worth I think Stephen still wishes to skate, it's just not as enjoyable for him anymore. Nobody puts their body through the hell of training these jumps without a desire to achieve something, and he still has that desire. His environment is just not allowing him to produce the results he wants and that's demoralizing. I mean he has gone to two major international events in 2023 without a coach - WTT and now Grand Prix de France. I am not sure why Skate Canada is ok with this, but this is not going to help him. I'm grateful Benoit was with him, and he could get a better result with him than he had at Skate America, but it's kind of ridiculous that a top Canadian skater is going to events without a coach. I would not find this acceptable for any skater, let alone Stephen who really needs the guidance and support of a coach.
You have to wonder sometimes what level Stephen would be at with a coaching team that helped him thrive like when he was younger because his potential is so high. At this event 2/3 of the guys who competed at 2018 JGPF were competing, and the guy who finished 4th back then won the event with a score of 300+ to put things in perspective. But you can't live in the past or in a world of imagination.
Looking on the bright side Stephen finishes this GP season with a higher score than he put out all of last season and he also picked up some points and moved up to 31st in the World Standings. He will probably go down a bit by year's end but hopefully he's still top 40. He also picked up a new personal best tech score for the SP. And seventh in this field is a respectable finish for a guy who found out he was going to compete a week before.
I hope Stephen is able to return to Granite Club and get some training in before Nationals during UCI's winter break. Otherwise I am really not sure how Nationals will go for him. He'll be skating 16th in the SP there. You can view the schedule here. The media is going to be focusing on the men's event with the unpredictability and the possibility for a new National Champion so it's going to be a little bit of a circus but I'm sure these guys will survive.
Thanks for your hard work Stephen and for doing your best to improve your results. Keep your head up, stay healthy, and keep going into 2024.
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mbti-notes · 1 year
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Anon wrote: Hello, I am INFX, 21 y.o. After reading your blog, taking some tests and understanding functions (hopefully) a little better, I narrowed down my options to INFP and INFJ. If you are able to, I would gladly use your help in determining my type. As for important information: I have a generalized anxiety disorder, I had depression for several years and I am still prone to depressive episodes. English is not my first language.
I will start with INFP functional stack. Fi Dom: I have a fuzzy sense of identity, which is why I often don't know what I like or dislike, get stuck, don't trust my gut feelings, rely on others a lot in decision-making processes. I do tend to judge things as either good or bad depending on my beliefs, but the beliefs are weak. I don't trust them unless they are built on a solid framework of knowledge and evidence. I need to know rather than believe. My emotions emerge seemingly from nowhere. I can't identify what's the reason for them and how to deal with them. But for some reason I still think I make decisions relying on my emotions, it's just that if I always relied on them it would do more harm than good.
Te Inf: I have trouble understanding Te. I know Te is about external structure. Actually I rarely encounter extremely messy lifestyle as in Fi extreme and I can plan things decently, even if I don't like doing so. Structure helps me and I need it in order not to become chaotic, so I always have an agenda and don't like it when plans are cancelled. Especially in recent years I got better at structuring my life. Most of the time I know what to do to solve my problems, I just don't want to do it. So I don't think I've ever encountered Te grip (at least not from what I'm aware of). At my lowest points I did have trouble to take care of myself but I attribute it to depression.
Ne Aux: Ne is one of the few functions I can decently use and understand in a positive way. I often look for new activities to participate in, new hobbies (especially creative ones). I have 300+ tabs open at all times because I research many different topics at once. I can generate creative ideas (usually for my art) with the help of sensory experience (such as music). Often manifests in unhealthy ways - I use daydreaming to escape responsibilities.
I can find a lot of opportunities but I don't indulge in them or follow through, which makes my interests shallow. I like making lists (of albums to listen, movies to watch, stuff to draw, things to do in general), but I rarely do what's in those lists. I'd rather daydream about it than actually do something. This is one of my greatest struggles, because I have ideas and inspirations but they always stay in my head or on paper and never come to fruition.
What makes me think Ne is my Aux rather than Dom is that I am very risk-averse and not very extraverted (I know ENXP are the most introverted extraverts though), I have never been very positive either or extremely chaotic either.
Si Tert: I am prone to not stepping outside of my comfort zone. I want new experiences but at the same time I'm afraid of them. As I've mentioned before I am very risk-averse, not taking even calculated risks. Fear of failure holds me back. I'm afraid that the status quo may change not in my favor (it will all go downhill if I make a mistake, so I'd rather do nothing at all).
Moving onto INFJ stack: Ni Dom: I struggle with perfectionism because I have an ideal image of things I want to implement and I'm too afraid I will fail to achieve the ideal; I have a perfect version of myself in mind which I strive to be one day (but often fail to come even close to it). I don't have a clear picture of my future though.
I know that many people equate Ni with "insightful" thinking, which I cannot relate to. I "predict" the future in a negative way, always expecting a catastrophe and feeling paranoid at worst. I often jump to pessimistic conclusion way before anything bad happened. I keep telling myself that it's better to keep expectations low in order not to get disappointed.
Se Inf: I cannot engage with physical world because of escapism. When I'm outside I don't notice my surroundings at all. I go through life on autopilot. Even when I try to be present and focus on the current moment, my sensing is dulled, almost muted, and the engagement feels shallow. I'm always in my head, made-up scenarios are more comforting to me than the real world. I reflected on it for some time and decided depression is not to blame because my Se was unhealthy/unused before that as well, it just escalated.
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You've made it clear that dominant Fi and inferior Te don't fit. That is more than enough to rule out INFP, so I'm not sure why you're still considering it. The info you gave for dominant Ni and inferior Se sounds fine, but I'm not sure why Fe and Ti are missing. Did you not send them? Did I not receive them? In any case, I can't draw a firm conclusion without information about the entire stack.
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eye-of-tichodroma · 2 years
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“Oh but AI art is just like photography!”
EDIT: Actually I thought of a way shorter way to phrase this drawn-out essay: If using an AI to make art makes you an artist, then by the same logic commissioning a human artist makes you an artist too. After all, it was your basic idea. You told them “Draw a wolf in the forest at sunset for me”. They just did the “grunt work” of planning out the details and creating the actual picture (i.e. 99% of the work).
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I see this argument around that AI generated stuff is to both digital and traditional art like 100 years ago photography was to paintings: a recent technological invention that will automate certain procedures that were traditionally done by humans. Cue outrage by people who were left behind by history. Bummer. I suppose the argument has some truth to it - you don’t need the technical skills of drawing anymore and can still “create” a nice image - and as someone who does photomanipulations I can’t disagree with the idea that using computers to help you create art is legitimate, but there is still the huge difference that all human-created art - including photography, at least the more artistic stuff, as I will explain below - is created from scratch in accordance with an artistic vision and AI stuff generally isn’t.
To me, if your prompt to an AI is a 300 word description of the precise thing you imagine in your mind’s eye, down to the details, the colours, the image composition, and then the computer generates that for you, I would actually be open to calling that “art”. You still have the moral/legal issue of image scraping and copyright of course (though there could be an AI that only uses open domain pictures and other pictures where the artist has given consent), but that doesn’t impact whether it’s art, just whether it’s moral/legal to make art this way. If the problem you are solving with AI is that you lack the technical skills to make your ideas a reality, I would be fine with that. But if you just enter a general twenty word description into a prompt window (at worst including the name of an artist or a word like “beautiful” or “trending”) and sort through the results, that’s a very different matter, and to me that is not art.
I looked up how “prompt engineers” craft their prompts currently, and they’re much closer to 7 than to 300 words, not big on details, and use words like “magnificent” or “trendy” - which means that the computer does the actual thinking and decides how to achieve the wished-for effect. (Disclaimer: There might be AI systems that actually use 300 word prompts and artists who already use the level of control that I’m citing as a pre-requisite for “real art”. If so, please direct me to it, because I haven’t seen it.) An artist thinks “An eagle is magnificent, I will add an eagle to make the viewer think my image looks magnificent”. That’s creativity. These prompts say “Put in something that is magnificent”. See the difference? But even when the prompts are more concrete, they’re still leaving out most details. They say: Generate a wolf in a forest. What does the forest look like? The machine decides. Is that creativity? I don’t think so. Clearly a birch forest in spring evokes different emotions than a fir forest in winter. A fir forest in winter at dusk vs. at dawn evokes different emotions. Are the needles brown or green? Different emotions. Is there snow on the branches? Is the forest on a slope or on a plain? Are there branches only high on the trees or do they extend to the ground? Different emotions. An artist has to make dozens or thousands of decisions, depending on the complexity of their project, or there will not be an image.
I recognize that books have been written on the question of “What is art?” and everyone has a different answer to it. Maybe all of them are self-serving to a certain degree. Maybe I would have a different definition of the word, one that doesn’t put the concept of “vision” in a central place, if my own work hadn’t in the past been praised (if and when it was) most often for its “originality”. Maybe if the predominant praise had been that was “beautiful”, I would criticize AI stuff for being “tacky” instead. All those fake little details that look intricate but are really just swirls! And it takes its cues from so many different artists that there’s no visual coherence to it! But if “what is art?” is a question that has had thousands of answers in (probably) thousands of years, I might be forgiven for having my own. Creativity and self-expression matters for art.
Also this “AI is like photography” argument implies that nowadays everyone sees photography as equivalent to a painting/drawing, which is entirely not true. There are plenty of art websites that don’t accept photo submissions, and photography has to generally live up to a higher standard to be seen as art because of a general awareness that, in principle, every moron with a hand (or a nose) can press a shutter release. No one claims an idle snapshot has the same artistic merit as a painting that took 30 hours to complete. Serious, “artistic” photographers do a lot more than just take snapshots, there’s plenty of planning involved. You have to know about the effects of different lenses, lighting, make-up if you’re dealing with a human model, just the general staging of the scene. Serious photographers are generally able to edit an image after pressing the button as well, again in accordance with their plans, or “vision”, for the photo.
And also, photographers generally don’t pretend to be painters. It’s its own category. In analogy to that, if you autogenerate a landscape painting based on an open domain collection of Romantic era paintings, that is of course an entirely different matter than if you can replicate the style with your painting skills. Again, I make photomanipulations. If I pretended to be a painter, I’d get undeserved praise for how photorealistic my work is. But of course it’s photorealistic because there are, say, 30 different photos involved in the picture you see. Also, to return to the moral implications of AI image generation again, in general all the photos I use will be stock that is legitimate for me to use and I will link to each and every one of those if I didn’t take them myself. Because it’s the decent thing to do and because the DA photomanip groups I’m in wouldn’t even accept my submissions if I didn’t use and credit legit stock sources exclusively. Contrast that with how AI “art” is made.
So, in conclusion: I, personally, would see AI generated images as legitimate art if they are (1) planned out by humans, (2) based on willing/open domain source material, and (3) clearly marked as AI-generated. And currently, for the vast majority of AI-generated images I’ve seen, none of these criteria, or one at most (usually number 3) apply. And perhaps over time there will be more regulation that will make point 2 and 3 more common. I don’t think number 1, the point I consider the most important for the question whether it’s art or not, will become more common. In my best case scenario, in a year AI art uploads will have captions that begin with words like:
Created with Open Domain AI DreamBurst using the following prompt: ...
People who make fractals already write captions like this, so it’s not like it’s impossible. I think a lot of it will be up to how much of a “community” solidifies around AI image generation, and what the values of that community are. There are, after all, different types of people everywhere. But considering how much art theft there was on the internet even before AI images, I’m not holding my breath for it to become very common among people who use AI to generate images.
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eazy-group · 6 months
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LaKesha lost 129 pounds
New Post has been published on https://eazydiet.net/lakesha-lost-129-pounds/
LaKesha lost 129 pounds
Transformation of the Day: LaKesha shares how she lost 129 pounds. This proud mom is determined to live a long, healthy life for her son. She also wanted to prove to herself that she could reach her wellness goals. She has achieved impressive results by working with her trainer and committing to a healthy lifestyle.
Social Media: Kesha Marie on Facebook @keeshmarie83 on Instagram @mbakeesh on TikTok
What was your motivation? What inspired you to keep going, even when you wanted to give up? My motivation has always been my son. He is the reason why I keep going. I would never want him to have the burden of losing me early in his life. I want to do this for myself as well, to prove to myself that I can do it and overcome the struggle.
How did you change your eating habits?  Sugar has always been a huge problem for me. I love pizza, pasta, and bread. This is not my first time on this journey, so I know what to do. It’s just a matter of telling myself daily that I have to do it. Eating more protein and getting the right amount of healthy foods is still something I find myself struggling with, but I’m better than I was before. That’s what makes me confident that I will reach my goals. 
I know that food intake is the biggest part of weight loss. I realize that my meals have to be filled with fruits, veggies, and lean meats if I want to see real results. 
What is your workout routine?  The first time around, I did it on my own. I lost motivation and found myself regaining 60 lbs of the 80 lbs I lost. 
I realized this time I needed help. I work out with a trainer (Brianna CroMartie of CroMartie Fitness) which was the best decision I made for myself. We come across trainers who are there but not there, if that makes sense. She really cares about every single one of her clients – Not just our physical health but our mental, spiritual, and emotional health. It all plays a part in our success. 
How often did you work out? Bri offers 1:1 sessions online and in person. She also does three weekly boot camps (please get with her if you are ready to change your life). 
I work out six times a week, depending on my schedule and my son’s schedule. I do three 1:1 sessions with Bri and three Bootcamp sessions with her other clients. She recently started offering a Saturday circuit Training session that I attend as well. I also work out at Planet Fitness to get some extra work in sometimes. 
What was your starting weight? What is your current weight? My highest weight was actually 387 pounds. The first time around I lost over 80lbs. I went from 355 lbs to 275 lbs. I gained weight back and found myself back over 300 lbs when I started training with my trainer. I am currently down over 125 pounds and my current weight is 258 pounds. 
What is your height? 5’8″ 1/2 
When did you start your journey? How long did your transformation take? This is my second time at this, so it has been a journey for me. I am years in the game but I’m determined to finish this up in 2024. Losing weight and then gaining it back after a few years was one of the hardest things ever. Putting all that hard work in and then seeing myself slip and gain it back wasn’t easy to accept. 
Is weight loss surgery part of your journey? No, weight loss surgery is not a part of my journey. 
What is the biggest lesson you’ve learned so far? This is an ongoing process; I have to make a conscious effort daily to make the right choices/decisions. Some days, I pass, and some days, I fail. It’s not about perfection. It’s about progress. That’s the biggest lesson I’m learning as I continue on this journey. 
If I want to truly reach the best version of myself, I have to understand that every day will not be easy, but it will be worth it.
What advice do you have for women who want to lose weight? Get ya mind right! Mind over matter is a huge part of the journey and one of the biggest struggles to overcome. Deep down we know what we need to do to be the healthiest version of ourselves but we have to get our mind to follow. 
Many of us also struggle with self-discipline. Once the motivation to keep going is gone, you have to have self-discipline to carry you through.
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cornholeaddicts · 9 months
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kvetchinglyneurotic · 10 months
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Do you have a process with your writing? It’s so good
Thank you! In practice it's not quite as neatly divided into steps, but the writing process basically looks like this:
Step 1: an idea approaches
I'm going about my day when suddenly I'm struck by a scene, a bit of dialogue, or — and these are usually specific to original fic ideas — a setting/magic system/historical event. Fanfic ideas can also come from questions about canon: The Hedgehog's Dilemma started with me asking myself 1) how Jamie would react to something like Wembley in season 1, and 2) how the relationship he's shown to have with Georgie in season 3 fits with what he says/is implied about it at the ghost bonfire.
Step 2: the world and characters
This step is definitely a bigger part of the writing process for original fic — this is where I flesh out the setting, the history, cultures, laws, and magic systems, draw the maps, create broad strokes character profiles, ect. — but it is also part of the writing process for fanfics, although it usually happens concurrent with or after step 3. The fanfic version is basically making a note of the timeline, coming up with or deciding on an interpretation of character backstories (depending on how much canon evidence there is), and just generally making sure I have a clear idea of who everyone is, what motivates them, how they see the world, ect.
Step 3: plot and character arcs
Before I start outlining, I let the fic percolate in my mind for a couple of days. If it didn't already happen during ideas phase, this is when I figure out what I'm trying to say thematically and get a sense of how the handful of scenes or the premise I have floating around would fit into a story. Once I have the main plot beats, and ending, and character arcs for the leads, it's outlining time.
Step 4: turn step 3 into an outline
If I already have a pretty good idea of the plot, I just get right to it and write all the scenes into a checklist, which is divided by chapters if it's not a one-shot. If I'm still working out some of the finer plotpoints, I write out everything I have so far in a list and then break that down into scenes. My outlines are usually general descriptions of a scene with notes on dialogue or the characters' emotions, and I'm not really strict about following it as I write, although I will go back and rework the outline if things are really going in a different direction than anticipated.
Step 5: write
For me, a lot of writing is about momentum: I enjoy it when I'm doing it regularly but I have a hard time getting back into it if I've taken a break, so I try to write every day, which I accomplish this by having a very low daily goal of 300 words. I'll often write more than that, but it's low enough to feel achievable when I'm busy or tired or just don't feel like it. Otherwise, my writing process is just to go through my outline in order and check off scenes as they're done.
Step 6: edit 😕
When I write fiction, I'll usually edit a chapter once or maybe twice before I post it. In my academic life, however, a solid 40% of the writing process is just editing, so here's how I do that in case anyone is looking for an editing process:
The read through: after I finish writing, I let it sit for a day if I have time, then read the entire thing. I'll usually fix minor grammar/spelling mistakes just to keep myself paying attention, but the goal here is to make note of structural problems. Is there a natural flow between scenes/ideas? Are there any parts that are repetitive or extraneous or, alternatively, is there anything missing?
Structural edit: fix the things I noticed on the read through.
Repeat steps 1 and 2 until I'm satisfied
Line edit: this is where I clean up the writing itself — spelling, grammar, making sure there's variation in sentence structure and word choice, ect.
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zero-ek · 2 years
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I think everyone had that one time where they binged a bunch of space videos on Youtube and ended up awake at night, filled to the brim with deep thoughts and existential dread, which is probably one of the best experiences i've ever had, 10/10, would do it again. But weirdly enough nowadays i find the stuff on the smaller, earthly scope a lot more, i don't know how else to describe this, but "existentially epiphanic".
While a lot of the space induced cosmic gets you thinking about humanity and the individual's place in the unfathomably large universe and the grand scheme of things, the sort of stuff i'm talking about is a lot more about our existence on this planet in particular.
I feel like, on average, we as a species tend to put ourselves on a pedestal, i mean, granted, we did conquer an entire planet, built an incredibly complex society and achieved incredible things no other being on this planet could even dream of (as of now). But that aside, even as living things, at our most basic, there is still this sense that we are not like anything else on this planet, living or extinct, we're above everything else, we're like gods to them. Which, while not exactly wrong, is a thought that i find very hard to conciliate with just how little time we've been here and, if i may add a dash of pessimism, are likely going to be.
Think about it, our subspecies has been around for some 200-300 hundred thousand years, give or take. Out of those, we've only been the only humans around for some 40.000, and out of those, we've only started to settle into civilization for less then 10.000. Our oldest ancestors being 2.5-3 million years old, that's a 2 point something window where humans were really no different than everything else around us, other human species included, and still, that's only 3 out of the roughly 400 million years multicelular life has been crawling about on land.
I think it's a common sentiment that it's just mind boggling to think that we did so much in such a short amount of time, but it starts to feel weird to see humans in the glorified way a lot of us do if you consider that, all in all, we are way more of a consequence, of the humans of old, the humans of other species that our ancestors met, taught and learned from, the ones they didn't meet and the things they gave us through genetics, the countless other species and enviroments that selected those genes, and the stuff that allowed those beings to live just at the right place and time for that to happen. Things and beings and circumstances most of which are locked away in the past forever, just because that's how things are, all of that in just a tiny little segment of the whole story of multicellular life on land, never mind life in general.
It's very humbling to think that as incredible of a species as we are, *the* species of this planet right now, the majority of the things that got us here go way beyond what we did with our own hands, and that all of it was just a byproduct of a system that really didn't care what it was making as long as it worked well enough.
And it just gets you thinking, if we're just another one of mother nature's machinations, than that uniqueness that we feel so entitled to isn't really there, is it? Who is to say that in the far, far future, some other highly intelligent species won't show up again much in the same way we did? Heck, as unlikely as it certainly is, who is to say we're even the first? Rather than alien life, what would be of us and our preconceptions about intelligent life if we ever live to see others like us take form right here on this planet.
Well, just like cosmic dread, it's all a bit of an useless thought, i mean i don't expect to carry on my day to day life while thinking about the importance of everything that allowed me to do so stretching back millions of years. Buy i am glad that i am able to think about it, and in the context of it all, that is pretty cool enough by itself.
TLDR: me overthinking my nephew's surprise on learning that humans are in fact animals.
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sayruq · 2 years
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who do you think is the bigger foil for the martells - lannisters or tyrells? or are they on the same level? (the targaryens are another conversation)
I would say the Lannisters. The Martells have a lot of dysfunction inside the family but that's usually caused by external factors and not something that they purposely inflict on one another with the exception of Oberyn who gave Obara lifelong trauma by separating her from her mother like that. Quentyn being raised by the Yronwoods happened because Oberyn was involved with Edgar Yronwood's death. This separation dealt a heavy blow to Doran and Mellario's marriage because Doran had to keep the peace but the act of fostering is alien in Norvos. Elia's murder has hung over the family like a dark cloud leading to Oberyn's obsession and Doran making moves with both revenge and avoidable mass death in mind. These are things the Martells don't have complete control over. It makes them tragic.
Compare that to Tywin deliberately breaking his children for not achieving a level of perfection that not even him can reach. The way the Martells accept everyone in their family- including and especially the bastard children is a world apart from Tywin holding his children's gender and disability against them. No Martell would ever think to subject their children to the kind of abuse Tyrion and Cersei endured.
When Doran paraded a group of old men before Arianne, not only was her refusal respected, it was expected because Doran never had the intention to marry her off. Meanwhile, Cersei is a queen and treated like a broodmare by her father still. Tywin only see Cersei as a womb and while Doran didn't confide in Arianne until she was 23, it was less to do with her gender and more to do with his paranoia. Once they got past that, Arianne was effectively his right-hand person. She's the one helping Doran plan against the Lannisters and she's the one sent to Aegon. Tywin would never dream of treating Cersei with such respect.
Doran sent Quentyn to Daenerys and while he knew the journey was going to be dangerous, Doran doesn't know how quickly the situation in Slaver's Bay deteriorated. In fact, the only reason he insisted on a small retinue for his son is so that Quentyn isn't found out which could lead to open war. The main conflict Doran deals with is between the needs of Dorne and the needs of his family. This is something Tywin (and his kids) doesn't care about because he'll put his pride and ego above the lives of millions without looking back.
The Martells also inspire loyalty. Oberyn came to King's Landing with 300 men and women, and thousands went to receive his body. Quentyn's companions followed him to his death and it's obvious that avenging his death (whether justified or not) is something Archibald and Gerris are going to be focused on in TWOW. Arianne got Orphans reporting to her, and her friends went with her during the Queenmaker plot- a treasonous plot designed to start a war. Doran was losing control over the smallfolk because of the anger the Sand Snakes inspired in them. Areo is wholly loyal to Doran and so is everyone else in his employment.
Compare that to Tyrion being left to die after Joffrey's death because no one wanted to fight with him. Cersei is Queen Mother and Queen Regent and she is forced to rely partly on sex to get people to do what she wants. She is also forced to do the Walk of Shame- the most powerful woman in Westeros. Jaime was a hostage in Riverrun while his father planned the Red Wedding and when he was captured, his father's men were critiquing his commander skills. The reason the Tyrells were able to encircle the Lannisters easily is that the Lannisters don't inspire loyalty. While his kids are at fault, it's mostly Tywin's fault for preferring brutality over soft power.
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itsclydebitches · 3 years
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I kinda wonder, what could bakugou do (hori write bakugou to do) to make him less popular with the "anti" crowd. Like He was a horrid child no doubt and people who try to put blame on Deku or lessen the terrible shit bakugou did aren't great. But as we don't rly see it, we have to assume bakugous behaviour wasn't stopped, we only ever saw his mum "punishing" him when he was being rude after getting kiddnapped. Nothing will excuse what bakugou did, but he has stopped? He's overall a harsh person but he's not harrassing and bullying people anymore, specifically not deku, he's trying to attone for what he did to deku and has now apologised for it. His behaviour was never viewed as justified or good in the series, he's a scary figure in middle school, we're not meant to like his behaviour, so the series itself hasn't justified his actions.
As someone who relate to both bakugou and deku more than I'd like to admit (never told someone to jump tho, that's fucked lol) so I can 100% understand not liking or even hating bakugou but as someone who's not 15 anymore, looking back I also made a lot of really shitty decisions and like bakugou have tried to make up for it, and like deku I was 'friends' with people who hurt me.
Is there anything he can do for the "antis" to just dislike him rather that be "anti"?
(I'm very sorry if you've talked about this somewhere, you can just tell me to look for it if you have, I'll continue to look for your posts on the subject)
Hey there, anon! I think I’ve spoken about this only tangentially and/or in my main Bakugo meta, which is too big for anyone sane to read. So yeah, let’s chat here!
For me personally—and that’s all I can ever do: speak personally. I think it’s important to keep in mind that there is no single solution to please the “anti” crowd. Each fan will be looking for something slightly different in Bakugo’s character, much of which might contradict what a “stan” is currently enjoying. Given how charged a character he is, I'm not sure it's possible to get the entire fandom to like him—what I’m looking for hinges on having a different reading of the story than you seem to. Meaning, I think the series does justify his behavior. Not in any overt, super obvious way like having all the characters go, “Wow, Bakugo! I sure do love how you threaten people all the time. That’s super cool and heroic!” Things are rarely that straightforward. Rather, it’s in a more subtle, but consistent manner that paints a rather conclusive picture across hundreds of chapters.
Simply put, Bakugo is continually rewarded for his actions. Or, if not outright rewarded, his actions are ignored in a way that implies silent acceptance. Characters may not always like what he does... but they're willing to let it slide because Bakugo's heroism was always treated as a given, not something he had to earn and prove.
With the ever necessary disclaimer that I’m not fully caught up yet, here’s a list of some of the things that stood out to me in the first half of the series:
Bakugo’s bullying made him the most popular kid in school.
Bakugo’s bullying was ignored by/outright supported by the teachers.
Bakugo’s bullying did not hinder him from getting into U.A., one of the most prestigious hero schools around.
Despite acting horribly throughout his time at U.A. too, this behavior was continually ignored by the teachers and other authority figures around him.
Bakugo’s struggle to realize that other people aren’t “trash” doesn’t hurt his achievements in any way. He still gets top scores, still wins the tournament, etc.
Bakugo’s behavior gets him special attention from All Might, the greatest hero and Bakugo’s personal idol.
His behavior doesn’t make others dislike him in any manner that’s taken seriously. Everybody is still willing to not just put up with Bakugo, but—in time—start treating his behavior as a quirk (no pun intended lol) that they’re secretly fond of, rather than something he should legitimately be striving to change. Kirishima is the most overt example of this.
This is compounded by his behavior constantly being framed as humorous. Much like with Mineta’s perverted actions, characters might superficially go, “No, that’s bad!” but the story never demands any significant development because then we’d lose the “joke” of Bakugo screaming in rage at the slightest inconvenience, threatening to murder someone over nothing, constantly belittling everyone around him in a “funny” manner, etc. When fans talk about development of a manga character as archetypal and extreme as Bakugo, most don’t really want to see significant change to his base personality. Because then that would result in someone who doesn’t look like the “real” Bakugo: someone nicer, more even-tempered, more mature, etc. But for those of us who were never drawn to that personality in the first place, the continued acceptance of his rude, egotistical, and violent behavior is discomforting. The easiest comparison I can draw is between this and Bakugo’s mother slapping him. That slap is meant to be another “joke”—we see it constantly in shonen anime, something "humorous" you shouldn’t take too seriously because haha, it's just an overprotective mother—but many fans do take it seriously, using it as the basis for a whole “Bakugo was abused and this explains his behavior” reading. Well, I take the “joke” of Bakugo’s threats and insults seriously, especially in a story that starts with something like telling Izuku to jump off the roof. In the same way that many fans want others to treat Bakugo’s mother as a serious topic that has had a negative influence on his development, I want the series to take Bakugo’s everyday actions seriously as a negative influence on… well, everyone around him. But it doesn’t. His base personality is grudgingly adored.
The above two points are seen most overtly in Izuku, who never wavers in his respect for Bakugo despite how Bakugo treats him. Not just prior to U.A., but during their training too. Izuku, as the protagonist, is the emotional heart of this tale, so when he talks about how inspiring Bakugo is, it encourages the reader to see his behavior as inspiring too. Rather than, as said, something that needs to change. Izuku's continued friendship with Bakugo, his adoration of him, and his acceptance of the way he's treated has severely warped how the entire story sees Bakugo's actions. After all, if #pure Izuku can see the good in Bakugo, why can't everyone else? He must not be that bad after all.
I could get into detailed analyses of all the above—like how Bakugo was the one comforted after attacking Izuku outside the dorms at night and how the messed up relationship he has with Izuku is upheld as something to nurture; how the remedial courses he had to take were made to be rather silly, thereby undermining their supposed importance to his development; how Bakugo’s kidnapping had nothing to do with his flaws, but much of the fandom uses it as a way to dismiss any appropriate consequences because, “Hasn’t he suffered enough?” etc.—but in the interest of keeping this within a readable length, I’ll leave it at that. The point is that Bakugo has always been privileged when it comes to his behavior, resulting in others either outright praising it, ignoring it, or demanding that he change a miniscule bit, which always keeps him far below the standards of both his peers and the expectations of a hero. Everyone in 1-A must learn to be even better than the good people they already are... Bakugo needs to learn that other people aren't dirt at the bottom of his shoes. It's never been a particularly impressive development when pit against the rest of the class. All of which can make something like an apology feel pretty hollow. Yes, he’s apologized and I say with all seriousness that that’s great! But how does that apology stack up against 300+ chapters of content? As Bakugo’s words highlight, he's been a really awful person up "until now": he was consumed by Izuku being “miles ahead of [him],” he “looked down on [him]” because he didn’t have a quirk, he “didn’t want to recognize that,” he “hated that,” “grew distant,” “tried to beat you down,” “opposed you and tried to show my superiority over you,” and ends it all with, “it probably doesn’t mean anything telling you all this” before finally getting to the “I’m sorry.” This is basically a laundry list of how horrible a person Bakugo has been for the entire series, with an acknowledgement that this apology is coming really, really late. This is the moment where I could START to like Bakugo, depending on how he acts form here on out, but that pivotal moment arrived after six years of content and in the final arc of the story. It’s too late. Bakugo needed this kind of self-reflection and positive action 250+ chapters ago so he could (hopefully) grow into a better person across the story, not at the story's end. What we got instead is 322 chapters of him being a really horrible person, but the story going out of its way to excuse or even praise that behavior the majority of the time.
As a quick comparison to end on, I think what Bakugo needed was what Soo Jin got in True Beauty. You don’t need to have seen the drama to follow along. The tl;dr is that she has a lot of the core qualities of Bakugo: an all-consuming drive to win that was created due to abusive parents with high expectations, resulting in her bullying a peer to a pretty horrific extent. The difference between them is how the story frames their actions. When Soo Jin becomes the bully she loses everything. Rather than succeeding academically, her grades plummet, making it clear that this anxiety and self-doubt (things the fandom keeps insisting Bakugo is struggling with, but that rarely ever show up in the text) is actually impacting her day-to-day life. Her best friend drops her because she’s not going to support her choices. The boy she likes rejects her. She’s eventually forced to start over somewhere new - which importantly separates her from the girl she was bullying - and get some distance from her parents, resulting in the growth needed to become a healthier, happier, good person again. So when Soo Jin apologizes to the girl she hurt, it feels earned. The story continually recognized how horrific her actions were and put her into a place where she either had to change, or continue losing at everything else that was important to her. Bakugo? Bakugo doesn’t lose. Oh, he claims he does because he’s comparing himself to Izuku constantly, but that’s just him thinking in extremes. He still wins academically. Still wins many battles. Still wins at having friends. Still wins by maintaining the prestige of being a U.A. student. Still wins by getting All Might’s attention. Still wins by receiving Izuku’s respect and an agreement to maintain this rivalry that Bakugo is so obsessed with. Bakugo comes out well 99% of the time, he just thinks he's "lost" because he can't stand not being the absolute best.
For me, the story needed to have Bakugo face consequences for his behavior, not receive rewards and/or have others ignore it, and that revelation/apology needed to come way, way sooner. For me the issue is not a specific action that Horikoshi can have Bakugo do in the next chapter and them bam, I like him now. The problem is Bakugo’s entire concept, how he’s received by the entire cast, and his run across this entire series. "Entire" is the key word there. Which is why the “But he’s apologized. What more do you antis want?” reactions don’t sit well. What we wanted is a better written redemption arc across those 300+ chapters, not a single scene that’s meant to have us forget all the other problems inherent in the story. At this point it’s a far more complicated situation than, “Bakugo just needs to do X, Y, and Z and then we’re golden.” At the end of the day, Horikoshi failed to make me like him as a person and I’m pretty sure he isn’t going to change Bakugo enough to make him likable to me. Bakugo was never the sort of character I’d be inclined towards without a serious, nuanced redemption arc, but sadly, a core, crucial part of that redemption arc took six years to arrive. At this point there’s no way to change the problems in Bakugo’s writing for that huge chunk of the series and not enough time left in the series, it seems, to do the work we should have seen across the entire run. Honestly, idk if the Bakugo we'll get going forward is someone I can just dislike as opposed to being really uncomfortable with, but my money is on there being too little story left and too much investment in upholding Bakugo's base personality for that to happen. I could absolutely be proven wrong! But I think the problems are structural and needed to be better dealt with from page one, not hastily patched over in the final hour.
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