#which means that youre a fan of them

[paintedcrows]

they make me feel unwell

(continued: Stan & Young Ford)

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[front-facing-pokemon]

[hauntinglyghostie]

inseparable. a shadow and its source. life and death. as much as you want to tear away the thought of him, you can't. you stood by him, and his shadow lingers.

also here's this TERRIBLY shitty drawing I made inspired by @denimscotch saying Lysandre needs to "take a chill pill. make slime or something" and @rainbowpufflez encouraged me to actually post it.

[starlitvick]

The respect I have for people who have actually been able to read The Odyssey and The Iliad is insane.

I was at the bookstore today buying the newest pjo book and I went to the classics section like “hm maybe I can buy The Iliad and The Odyssey so I can finally read them instead of getting all my information on the plot from video summaries, spark notes, and tumblr” then I grabbed both of them and decided to yk sift through to see if I could actually even read it. I in fact, could NOT read those things. Like the style of English and speaking hurt my brain, I thought the spark notes summaries were brain melting but oh lord the book itself hurt more.

So yeah I did not buy either one and only both wrath of the triple goddess lmao, but I did leave with a lot of respect for the people who have been able to actually read the book because I just can’t

But also if anyone has like a translation of either one that’s easier to read please do recommend and I’ll see if I can get it because I would really like to actually have a copy I can refer to when I need it (a copy I can actually understand that is)

[unordinary-diary]

Blyke and John: the Followup

In my last entry, I pointed out the similarities between chapters 249 and 121, but I had hit the image limit and wasn’t able to embed screenshots. I got around this by linking the chapters, but this is probably my favorite parallel, and to do it justice I think I need to really put them next to each other.

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

(121) (249)

It’s the same fucking scene but backwards and in a different font.

They’re the SAAAAAAAAAAME!!!!!!!!

This was definitely on purpose. Shit like this ^^ doesn’t happen by accident.

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[fountainpenguin]

Things that happened in Martyn & Cleo Double Life canon:

Cleo hoping to find her soulmate and start a life with them

Cleo dumping Martyn without giving him a chance to explain his side of the story, but hearing him out when he comes to her later

Martyn watching Cleo through his spyglass and telling the audience she seems safe and happy even though he thinks it's weird she's outside at night

Martyn, after he's had time to consider how he wants to play this, spinning a story about trying to be a provider for her and Cleo explaining that she wanted him, not things

Cleo not being remotely impressed by the "I was providing" sob story, lol

Martyn calling Cleo selfish for choosing to be with Scott because she's supposed to be HIS soulmate and he wants a partner

Cleo willing to forgive Martyn if he meets them halfway

Martyn refusing to meet them halfway because he doesn't think he did anything wrong

Martyn screaming about how Cleo's building bridges with Scott but "When will she think about mending our bridges???"

Martyn explaining to Cleo that he doesn't understand why his Session 1 actions bothered them

Martyn centering his character arc and roleplay on trying to win Cleo back without actually apologizing

Cleo giving Martyn a flower and stating that if he loses it, she'll be real cross with him

Cleo chasing Martyn out of her yard because he tried to put an HOA sign on her base and she wanted to make it clear that she wasn't associated with them and their hate for his base (even though she does think his heart base is strange)

Martyn attacking Cleo after she said attacking is a form of affection to her

Cleo setting boundaries with Martyn and explaining what he can do to get her back

Cleo sighing when Scar set her up on a date with Martyn, but taking the chance to talk to him instead of walking out

Cleo genuinely wanting Martyn in her alliance

Martyn and Cleo giggling constantly when they chat

Scar asking if Martyn wanted him to play a romantic music disc for him and Cleo (and Martyn getting excited and saying yes)

Martyn offering to take Cleo's armor and weapons to the deep dark so he can enchant them and bring them back while she stays safe

Cleo gifting Martyn diamonds, expecting nothing in return but not wanting him to die from lack of a good sword

Martyn and Cleo forming a secret alliance that allows Cleo to live with Scott while being on good terms with Martyn

Martyn expressing frustration that Cleo wants to keep this alliance secret because he wants them to be public allies; Cleo softly shushes him when people approach and might overhear

Martyn telling Cleo that she's putting out a lot of mixed signals because she keeps reeling him in and then pushing him away, claiming he is very confused about where he stands with her

Martyn teasing Cleo by punching her off a cliff and accidentally killing her and feeling so bad about it that he apologizes profusely despite roleplaying as someone who refused to apologize for Session 1

Martyn and Cleo immediately threatening Bdubs together when he said hi to them while they were hanging out, sdkfj

Martyn genuinely apologizing to Pearl for dumping her after Session 1

Martyn hiding under Cleo's bed while she defends him from an enderman attack

Cleo offering to let Martyn move into her house after Etho and Joel grief his base; Martyn saying he might take her up on that

Cleo and Martyn agreeing to move out and base together at Box

Cleo trusting Martyn with the location and resources of her red life base

Martyn rushing to Cleo's aid in the deep dark and trying to turn everyone against him instead

Cleo responding to Martyn's panicked shouts for her to eat by opening her inventory to get food (and drowning because she forgot she was in water)

Cleo hanging back and letting Martyn attack Scott while she does nothing to stop him from doing so, implying as much as she likes Scott, she won't kill Martyn (and herself) for him (and/or she trusted Scott to handle himself even though he ran away while Martyn was shooting at him)

Things that did not happen:

Cleo unwilling to forgive Martyn or consider being his friend and partner

Martyn and Cleo hating each other

Thank you for coming to my TED Talk

[barbieaemond]

Tempted to turn anons off for the whole premiere week I swear

[necrotic-nephilim]

Sorry if this might be a rude question but why don’t you just make a seperate account for your nsfw fics?

not rude, it's a valid question! tbh it's a combination of a couple reasons.

i started posting anonymous dead dove batcest fics long before i had the balls to make a tumblr. at first i was content to just leave them unassociated with each other because i didn't really care about them being tied to me. i made this blog to actually show solidarity to my partner who wanted to make a sideblog for Sandman comic stuff so we could cheerlead each other and be brave together, since i've wanted to make a batcest sideblog but i've been nervous about actually having to get it going. (mal ik you're reading this go be brave and actually make your blog so i can cheerlead you damnit-) only did it dawn on me then that i should probably mention the fics i've written on the blog after like, three of them were posted anonymously. and it would've annoyed me to have half of them anonymous and half of them not, because notifications for them would've gone in different places. i could go back and take my fics off anon if i wanted to, but i can't switch the account they're on without taking them down entirely and that'd fuck over people who have them bookmarked already.

which, ties into my second reason, if i made an entire second ao3 account it'd be harder for me to see notifications, reply to stuff, and post things for both accounts because i'd have to constantly switch. and honestly i'd be terrified of accidentally posting on the wrong one on a brain fog day. posting fics is always the most tedious part of writing them for me lol. it's easier for me to stay logged into one account and have all of my stuff in one place for me and just use the anonymous collection when i feel like it. if ao3 pseuds worked like tumblr blogs, where you can't see all my side blogs but i can, i would've used pseuds, but since you can see all pseuds on an ao3, i felt it was a moot point.

and the last reason is i just feel more comfortable being anonymous on ao3 because of the rise in anti culture. on tumblr it's very easy for me to just filter that out and find the people i want to follow and block the people i don't. i don't mind getting hate, on tumblr or on ao3. but i think, for whatever reason you want to blame it on, there's been a massive boom of antis on ao3 who are very entitled about how they read on ao3. i tag extensively, but i just feel safer from getting targeted attacks if everything i write on ao3 isn't attached to one profile. if people like a fic i wrote, want to find more i always link my tumblr in the notes, but if an anti wants to get huffy with me, they can't easily track down my other things. they definitely could if they wanted to, but being anonymous on ao3 just makes me feel more secluded, in a weird way. it's like saying "if you want you can come find me but on here i'm just a weird faceless guy throwing stuff in the void". i've used ao3's anon feature a lot, actually, i used to be a hydra trash party dumpster kid back when that was in it's prime.

i also used to be vaguely popular on a different tumblr blog and my main ao3 and while i think it'd definitely be cool if i got a decent chunk of followers on this blog too, i don't really miss having fanfiction do so well i got targetted hate on all of my fics from the same people, i had my fics stolen, etc. it was really exhausting for me. i have 120+ works on ao3, not counting what's anonymous, and that level of exposure tires me, even when i use my main ao3 to post things that aren't trashy. it's just a weird feeling knowing so many people are subscribed to you on ao3 and what if you post something they won't like because you jumped fandoms again, or you're posting something niche, or you don't think it fills enough fandom tropes to be well-liked. i used to obsessively think like that, and it made me not write the things i wanted to because i cared about numbers. and i don't want to slide back into that hole. writing on anonymous is mostly to remind myself i wrote this for me, and if other people like it, they can come find me, but i don't have to perform like that anymore. if i get a really weird fucked up idea, i can write the really weird fucked up idea. at the end of the day, just makes me more comfortable! but i get it's a super confusing set up from an outsider perspective so, i really don't mind the question, thank you for asking!!

[silusvesuius]

fictional female characters and characters with insanely obvious cluster B personality disorders will never know peace as long as te/s fans keep making posts about them i mean it

[dollypopup]

y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!

like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.

and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye

you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .

when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?

if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self

and that's that on that

[moonshynecybin]

I need the riders to be crammed around a table for press cons again. Need Pecco/Marc/Bez/Pedro jamming their elbows together and biting their way through the answers. Well not Pedro because he will be having too much fun on there. But Marc/vr46 would be great

i knowwww i miss when they would take the people who hated each other most and put them shoulder to shoulder like they were in a get along shirt… just absolutely hoping they would brawl stone cold crazy style. NOW it’s swagless covid-distancing bar stools. they don’t even have a TABLE to play FOOTSIE under. catastrophic. liberty media if you want to capitalize on the rpf engine we’ve assembled for you PLEASE at least bring in some sort of couch situation. like this is genuinely terrible to look at you should want them sucking and fucking at the table or at the VERY least yelling THATS MY OPINIOONNNN over dani pedrosa's perfectly still tiny little body at each other like the golden days of yesteryear. COMPARE !

like dovquez is vibing. it ALSOOO serves as VERY easy shorthand to see who actually likes each other. like genuinely and for real who do you talk to at the lunch table. for what twink do you ignore your literal job for. you literally could not payyyyyy rosquez not to yap at each other for three entire years. like every weekend you have SEEN the photos. (until the papers get served and then it’s uh. it’s different.) like i think we should all take a moment of silence and look at the qatar 2016 presscon table line up and send yorg good vibes through the ether universe for having to sit through that one. a conceptually nauseating presscon experience.

i mean. compared to cota the year before. its like when two of the people you are forced to hang out with semi regularly USED to annoy you because they wont ever SHUT UP. but then they break up and its sucks in a different way. AND they made their breakup about YOUUU.

anyways i also miss when they would stand up for the photo at the end and i could mentally arrange them via height like little matryoshka dolls. what im saying is they should be gathering all twenty of them in a room and having them sit in each other's laps.

[harrowscore]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[front-facing-pokemon]

[mxdotpng]

seriously though the amount of characters they make blatantly clear are disabled in media where fandom still finds a way to ignore it as much as possible is like. insane. sakamoto ryuji is disabled. cloud strife is disabled. midoriya izuki is disabled. noctis lucis caelum? is disabled. kaz brekker. disabled. iron man? you might not believe this. but he is also disabled. crazy, right! its almost hard to believe.