#which means i'm always thinking about this

[crossdressingdeath]

Ah, I think what we're getting into here is the difference between Andrastianism and the Chantry. There were a lot of different Andrastian sects(? Cults? Not entirely sure what the right word is, but I'm gonna go with sects) when the Chantry was first founded; most of them aren't around anymore (at least some of them gone because of the Chantry and its habit of wiping out every other religious group it can, see the codex entry on the Daughters of Song for an example; that one's especially nasty since they were pacifists and the Chantry steamrolled over them anyway), but even in the games' time period there's still a couple, most notably Chantry Andrastianism and Tevinter Andrastianism. Orlais chose a very warlike sect to follow right from the start, which might just have been because that's how Orlesians are but it's still a thing to keep in mind: the sect the Chantry came out of was already one that glorified war above most other things. How convenient for an expansionist empire! The Chantry itself was absolutely created from that initial sect with propping Orlais up in mind, and it has stuck to that mandate pretty consistently throughout Thedas's history (even up to the occupation of Ferelden, the Orlesian king put in charge had a Chantry advisor; as far as I'm aware there was no significant Chantry presence among the rebels, at least not in any official capacity). It's also important to me to keep in mind that in the games there is a vague acknowledgement of how Andrastians don't necessarily follow the Chantry and many don't agree with it; Anders is a devout Andrastian, and he understandably despises the organization. Varric is Andrastian, and Cassandra comments he wouldn't be caught dead in a Chantry. Basically the Chantry as an institution and Andrastianism as a religion are not the same thing, the Chantry was created with a specific goal that Andrastianism did not share, and after a point they have to be discussed as separate entities.

I sort of agree with the "institutions are at their heart the people" thing? But also that only goes so far when we're talking about an institution that is fundamentally not in it to do good, or at least not for anyone who isn't already wealthy and in a position of power. I think the best example is Mother Giselle; she was working in Jader during a famine, and she demanded the Chantry step up and offer aid to the people who were starving. She's the epitome of someone determined to do good within the Chantry and fulfill their supposed mandate of charity. And... the Chantry refused to help. Just straight up refused to send aid no matter how many times she entreated them to help these desperate people. Eventually Mother Giselle fell back on a hunger strike, and that worked (although the Chantry insisted she feed herself and her fellow sisters first, which they merrily refused to do; I have issues with Mother Giselle but this is very good, gotta respect the determination). But the Chantry was so furious with her for "shaming" them and forcing their hand that by breaking that famine she ensured she would never be able to move any higher in the institution than she was already. Mother Giselle was fighting the Chantry the whole way and was punished for succeeding. That's kind of the running theme in the Chantry; there are a lot of genuinely good people who are genuinely determined to help! But outside of the individual level they consistently find themselves stymied and slapped down by the organization they serve, because the Chantry does not actually exist to help and does not actually want to. There comes a point where you can't take the intentions of people who join up as the true purpose of the institution, because the institution absolutely does not agree with those intentions and will do everything in its power to shut them down. (Also I mean there comes a point where it's like... hey if you people are in this to help people why aren't you quitting when it becomes clear the organization is going to demand you hurt people at every turn, Keran DA2 you will always be famous to me.)

FINALLY SOMEONE SAID IT. Thank you Dorian for being the best once again and pointing out that hey maybe if the Chantry didn't treat their mages like shit and traumatize all of them they'd get possessed less often.

[woso-dreamzzz]

If You Were My Little Girl II

Alexia Putellas x Teen!Reader

Summary: Things are looking up

Alexia watches from the stands.

They're mostly empty, like almost all Barcelona B matches.

Women's football has only really started picking up steam recently but only at the top flight. The lower level leagues are still having a bit of a popularity issue.

But Alexia, for once, finds that she doesn't mind.

Because it means she can sit practically alone in the stands as she watches the home match.

A notepad sits on her lap, a pen tapping against the pages thoughtfully as she watches.

Barcelona B are good and Alexia has never expected anything different. She's seen the system at work many times as La Masia churns out players like Aitana and Pina and Jana, and more recently Vicky and Martina.

There's a reason so many clubs wants La Masia products.

They're all good players but even now, Alexia can tell a great player when she sees one.

You rise up among the crowd in the box and slam the ball into the goal, the net rippling with the force of the shot.

The best part, Alexia thinks, is that you didn't even need a moment to control the ball, hitting it in on the volley and grinning as your teammates practically dogpile you.

A hattrick in ten minutes is impressive in any league and Alexia makes another note in her notebook, humming softly to herself.

She rises out of her seat at the end of the match, disappearing into the building and out the doors.

It takes another half an hour for you to appear again, hair damp and an old crew neck sweater that Alexia's pretty sure is Alba's being tugged over your head.

You slip into the passenger seat, throwing your bag into the backseat and Alexia pulls your head down to press a kiss against the side of it.

You smile shyly at her as she offers up the fries she'd bought for a job well done.

"You did good, kid," She says," Very impressive."

"Yeah?"

"Yes. But I think we're going to work on evading slide tackles next," Alexia says as she drives off," We're trying to keep those ankles of yours intact, alright? I'm going to need them this season."

You roll your eyes and Alexia clicks her tongue.

"Don't roll your eyes at me," She says," I've got a good feeling about that meeting later in the week. A great feeling, actually. You should have one too."

"I'm managing expectations."

Alexia looks at you fondly. "Well, we'll see which one of us is right in a few days."

She lets you choose the music in the car, like she always does when you've scored a goal and you pull up to the apartment a lot quicker than you want to seeing as you're in the middle of singing along to your favourite song but, still, you drag yourself out of the car and up the stairs.

"How was the match?" Olga asks as she greets Alexia with a kiss on the lips.

"She did very well," Alexia brags," A hattrick within the first ten minutes and another goal in injury time."

"Exciting," Olga says indulgently as Alexia grins, already giving her running commentary of everything that happened during the match.

You escape though, hurrying to raid the cupboards before Alexia finally comes to her senses and tries to stop you 'spoiling' your dinner.

You don't know if there's any way to thank Alexia for what she's done for you.

Just three months ago, you were convinced that you were going to quit. You had no passion for the game, no hope of what your future was going to be but now all of that had changed.

You had direction. You had a manager. You had new boots and a place to live that wasn't a group home and support and love and everything seemed to be coming together for you.

A toe pokes you in the leg.

"Move."

"Alexia says that if you're trying to nap on her sofa again then I don't have to move," You tell Alba, who huffs and pokes you with her toe again," She also says that you have your own apartment and should stop mooching of us."

"But Olga's a better cook than me," Alba complains and you roll your eyes.

"Aren't you an adult? Even I can cook."

"Yeah but it's not like you could mooch off your sist-"

Alba falls silent quickly and you pretend to not notice what she was going to say for both hers and your own sakes.

The topic of your sister is kind of off limits when you're in the room. It's not completely banned because Alexia's still Jenni's national teammate but she's not really spoken about if you're in the room.

Alba's face flashes with terror for a moment so you pretend you don't notice her slip up ever though it sends a bolt of lightning into your stomach, a deep pit forming there.

It works for the most part, everyone in the house pretending Jenni isn't who she is to you, pretending that she's just Alexia's teammate and not her friend and ex, pretending that Alexia fostering you isn't her walking on a tight rope because Jenni doesn't know.

All Jenni knows is that you didn't quit when she told you to.

Jenni doesn't know that you live with Alexia. Jenni doesn't know anything. You doubt she even thinks about you when she's got a life far away in Mexico.

She lives there, far away from you and your life here in Barcelona.

She lives there and her presence is hardly ever mentioned around you.

Life is good at Alexia and Olga's house. Life is even good at training, though you could do without the smug little smirk Alexia has on her face when she picks you up.

"You already knew!" You accuse her, waving a finger in her face.

"Knew?" She asks, lips curl up in what can only be described as pure smugness," Knew what?"

"Right, who told you? Go on. Who was it?"

Alexia grins. "You do realise I am the captain? Any time they're looking to bring someone in, they ask me my opinion."

You roll your eyes. "Yeah and I'm sure you gave it."

"You're a good player. A great player," Alexia says," All I did was tell them what they already know."

You look down at your lap, fidgeting with your fingers. You want to be mad at her, to yell at her for keeping this from you. Maybe even yell at her for promising to the staff something you're not but you know she hasn't done that.

If she thought you weren't ready, she would have told them that.

But Alexia didn't. She didn't tell them to let you have a bit more time with the B team. She didn't tell them that you don't quite have what it takes.

"Thanks."

Alexia smiles at you as she drives home, a comfortable silence enveloping you both until your hand is on the door handle.

You stop.

"When I open this door, there's going to be a party, isn't there?"

"I may have told Olga...who told Mami...who told Alba...who told the rest of the family..."

"Is that a yes?"

"Possibly..."

"And there's no getting out of this?"

Alexia ruffles your hair, a soft kiss being pressed to the side of your head. "They're here to celebrate you."

You suck in a breath, just ready to turn the handle when the sound of the lift doors opening chimes down the corridor.

Both you and Alexia turn your heads towards.

It's just a fleeting second.

Just a moment.

But your good mood plummets as the door opens.

Alexia's hand tightens on your shoulder, pushing you slightly behind her and putting herself between you and the elevator.

Between you and Jenni.

[here-for-fanart]

JINX REMEMBERS THE TIME LOOPS!

I'm probably gonna get a lot of nay sayers on this, but I don't care. I believe Jinx was fully aware of Ekko rewinding time. Here's why:

We know Jinx is medically enhanced with Shimmer. It has become fully integrated into her system, as we've seen her use it multiple times to move at super fast speeds (especially during a fight).

But it gets even better: She appears to actually glitch through time, when using it. She's THAT fast. Here's a few screenshots that show her partially glitching through time. In a few of them, she almost disappears entirely.

Now, I'm not saying she's physically travelling through time (yet). This isn't teleportation or rewinding; this is simply acceleration. But remember, Ekko himself said he was playing "with inversions on Jayce's acceleration rune", when he discovered the Z-drive. So, Jinx and Ekko's powers are connected, as they are complete opposites of what the other is doing.

So, how does Jinx manage to negate Ekko's travel backwards when she's travelling forward? Well, Shimmer is a substance made for adaptation and survivability during transitions. Hextech (which Ekko's Z-drive and her monkey bomb both use) has been known to have unpredictable results when combined with Shimmer. It's possible the shimmer in her system counteracts the Z-drive naturally, or it adapted to it to prolong Jinx's survivability during the first explosion.

The first time Ekko rewinds Jinx's explosion, she is zipped backwards just like the first time the Z-drive was used. But in the aftermath of this rewind, Jinx looks somewhat confused (indicating she has at least a noticeable case of deja vu, even if she does not fully remember the events).

One might think this is surprise in response to Ekko calling her name. But we know it's not, because she quickly dismisses his presence and goes back to blowing herself up. This is her way of saying, "Okay, my mind is doing a weird thing again but back to business."

NOTE: We don't get to see her initial reaction to the second explosion, but I think the second explosion is where she finally understood something was seriously off.

Because the next time we see her,

She's in experimentation mode. And the fact that she's watching Ekko, means she suspects he's the cause.

If you watch her micro expressions, during the third explosion, you'll see: default curiosity; a narrowing of the eyes, indicating suspicion (right before she pulls the pin); she keeps her eyes open and on Ekko during the explosion and does not blink; then when everything is set back, there's a slight widening of the eyes; her eyebrows raise; then her eyes narrow; before they dart downwards, noticing Ekko's blood and charred state.

[Before you start berating me for "reading too much into it", this is animation. Every single twitch is purposely added.]

After she sees the condition he's in, she knows this is his doing but that he can't keep it up forever. That's why she says "You're too late, Ekko" and goes again. It's too late for talking out her problems anymore. She's just gonna weedle him down, until he gives up.

But then, he says, "It's always a dance with you". Well, now, she's just curious about what the heck THAT means. So, she gives him a second to see if he'll tell her.

That's when Ekko says he's gonna sit there a minute, to see if he can talk an old friend out of blowing them up. And when it's clear he's waiting for her to say something, her mind focuses back on dying. "I'm tired of talking." But! She tries something new again. If he can stop an explosion, maybe he can't stop something else. She falls over the edge.

After this reset, we don't see her expression, but I can only imagine she's thinking through her slowly dwindling options. Then, he says, "Ya know, I learned from someone..." and suddenly, she's back to curiosity. How is Ekko doing it? Is he finally going to tell her?

"No matter what happened in the past, it's never too late to build something new". And that's when she notices the Z-drive and the monkeys. That's not Ekko's style. It's hers.

The next sentence actually doesn't make sense, grammatically, unless you follow it up with the previous sentence. "[It's not too late to build] Someone worth building it for."

And having just been given evidence that there is a good version of her, [There's no good version of me.] one who did fix things [It was something I could fix.], and who made it possible for Ekko to save her [big fat hero], she decides to try one last time.

It's curiosity that keeps her pausing over and over again. Even trapped in depression and suicidal ideation, she's still the girl with a brilliant mind and an inventive spirit.

It's my opinion that Ekko would not have been able to save Jinx, if she was not aware of the time loop situation. It was her curiosity of Ekko's new toy, combined with the realization that she helped build it, that led to her giving life another chance.

Lastly, remember when I said she's not capable of physically travelling through time yet?

Unless Warwick let go of her before the explosion, yes, yes she is. Or at least, she's come as close to it as she's physically able to. Either way, our girl is alive and on her way to a new life.

############################

[Thanks for reading, but don't take this too seriously. It was just some thoughts in my head I needed to get out.]

[prael]

An Oral Agreement

QWER Magenta x male reader

Masterlist word count: 3,008 Kofi(donations/commissions)

She's equal parts infuriating and fascinating.

Magenta.

No last name. Or maybe that is her last name. Either way, that's all it said on the rental agreement and her bedroom door when you first moved in: Magenta. The letters were all lowercase like she was too cool for proper grammar. You know Magenta, in the Biblical sense (and it didn’t take long).

She's always in her room streaming or recording or...doing whatever it is social media influencers do when they aren't online. But she likes candles, fried rice and catcore aesthetics. She thinks pumpkin spice season starts September 1st and she loves reality TV. Not exactly the makings of a deep and spiritual connection.

Now, living with Magenta, well, it has its ups and downs.

There are some things that never get done around here without you doing them; she rarely cooks, which wouldn't bother you so much if she at least did dishes once in a while. It doesn't help that she takes long hot showers. In a house with only one bathroom, this can really put a cramp in your morning routine.

Magenta doesn't clean the place very often either. At first, you just let it go because everybody has their own ways of doing things, right? But after a few weeks of living together, you realised that she's just...not going to do it. Like ever. So then there's nothing for it but to either live in a constant state of messiness or bite the bullet yourself.

Sometimes you feel like you're not living with a roommate so much as providing lodging for some kind of freeloading spirit that passes through periodically.

When you first moved in, you were worried about what your roommate might think of you: would they be weirded out by your habits? Would they judge your taste in decorations? Would you get along? Would you have enough space for both of you?

Those fears melted away pretty quickly once you met her. You could tell from the moment she opened the door that day (and didn't even look up from her phone) that she didn’t care.

You soon learned that Magenta is messy but friendly. She stays up all night and sleeps during the day. She's everywhere online: Instagrammer, Tiktokker (is that what they call it?), live streamer or these days she’s even on the radio and TV. She doing something for one of those things right now, with her bedroom door closed and music playing faintly behind it.

You're standing in the kitchen, staring down her latest infringement. Now, these empty take-out boxes were here this morning when you left. They were also here last night, and yesterday afternoon, and...you get where this is going.

"Hey, you awake in there?!" you shout towards her bedroom but get no response.

With a sigh, you walk over to her door and knock. Twice. Then again, louder when you still get no response. Finally, you resort to pounding on it repeatedly until it suddenly swings open to reveal your roommate shouting, "What!?" You step back, slightly taken aback by how loudly she said that single word. Her eyes soften instantly, though when they land on you.

She looks good. Not even just in a 'good for someone who hasn't slept yet today' kind of way. Just straight-up hot. Magenta wears a faded pink crop top emblazoned with an anime character and little cut-off cotton shorts covered in cookie prints. The low waistband of the shorts hangs off her hips, exposing the start of a light purple thong that cuts diagonally across her hip bones.

"I think our apartment might get condemned if you don't clean sometime soon."

Your roommate leans against the door frame. She pushes some dark brown hair behind her ear as she says, "Can't you do it for me? Just this once?"

"Just this once?" you repeat, crossing your arms. Your lips curl into a smile as you ask back to her, "Can't you do it just this once?"

"What's that supposed to mean?"

"I'm always reminding you to clean, and you never do it. So guess who does it? It's not the magical cleaning fairy—it's me."

Her eyes roll skyward so forcefully you imagine you can hear them squeaking in their sockets.

"Why are you giving me such a hard time about this?" she says. "This seems really petty."

"It's not petty," you protest. "I have stuff to do and I shouldn't have to keep picking up after my adult roommate." You say the word 'adult' laden with implications. She gets your meaning immediately. Her lips twist.

"oh, I get it," she says with a smirk. "I guess it's been a while since I gave you a little thank you. Well, I need to get this video finished, so could you maybe clean it up and come back here after?"

So there's the perks. Two of them actually, as she pulls up her pink crop top and flashes you what's beneath. A pair of purple lace bra cups strain to contain your roommate's ample endowment. Pale skin pours out from beneath them, flesh squeezing together into a deep cleavage that entices you closer even as you shake your head.

"You can't keep pulling tricks like this, Magenta," you say, trying desperately to hold onto your train of thought while also enjoying the view. It helps that you know those breasts intimately. Hell, you've worshipped those breasts. They've spilt around your hands, smothered your face and laid upon your thighs. You know what the soft warmth inside each cup feels like. And, God, they feel really fucking good.

"I really appreciate your help and everything," she says, her bottom lip suddenly pushing out into a cute pout that goes well beyond suggestive. "And I'd like to show you just how much I appreciate it..."

Your resolve lasts right up until Magenta runs a finger down one of her tits to tease along the edge of the lacy purple material. That's when you give up. There's no point in fighting anymore—she has won this battle (just like all others).

"Just go finish your work already," you finally say, letting out a sigh.

Magenta smiles and giggles, lowering her shirt. "Thanks. Love ya!"

With a wink, she slips back into her room. You stand alone for several seconds before shaking your head. Back to cleaning, then.

-

It's not exactly easy to focus on sorting the recycling into the correct bins when your roommate has just reminded you how nice her tits are. They're on your mind a lot, to be honest. More than they should be probably. Sometimes they're on your cock, though not as often as they should be. Probably.

You're counting your blessings that none of the neighbours are doing late-night recycling because then you'd have to explain why your face is red and your pants are bulging.

That doesn't stop the occasional glance towards your neighbour's house, where Mrs Kim likes to smoke on her front porch some nights. You think she smokes more than she should, but that's really none of your business. Her watching you from across the street, however, is very much your business, so you peek over your shoulder once in a while to check if she's spying. Again. Or still. Whatever.

One last box. The light outside is fading rapidly, but you can just barely make out that it comes from...the Greek place you love?

Oh. Oh no. Did she eat gyros and not bring you any? Damn, that girl knows how to be cruel!

When the recycling is finally squared away you dust off your hands. It's a symbolic gesture since all you've done is shove cardboard and glass into the right bins, but it makes you feel accomplished nonetheless.

Back in the apartment and lock the door behind you.

"There you are. Where have you been?"

"The bins, have you ever seen them before?" You mock while still fiddling with the lock chain.

"That was quick," comes her response. Your eyes follow the sound of her voice. Magenta is lying upside-down on the couch. She swings her feet lazily in the air while looking at something on her phone. Her dark hair cascades nearly to the floor. Those short shorts mean you can see most of her long legs. Then there's the curve of her hip, the crease of her thigh... "Get over here."

It's a rare occasion that Magenta voluntarily puts her phone down, yet she does just that as you walk over. The closer you get, the more enticing her position becomes: laying across the couch, head tipped backwards off the cushions to watch you approach her.

"So," she says. Her fingertips brush over the exposed skin of her belly. The fingers trace lines up and across her abdomen, moving between the edge of her shorts and her top. The motion catches your eye—and she knows it. "I owe you, don't I?" Her eyelids flutter innocently. Or rather, far less than innocently.

"For today? Yeah. Definitely." You clear your throat and try again, "For quite a few days, actually."

"Quite a few," she echoes in agreement. Her hand continues to crawl upward until it reaches the peak of her breasts rising beneath her faded pink crop top. The movement presses the supple skin together in a way that has you standing right in front of her before you even realize you've walked over.

She pushes them hard together before letting them settle back to normal. Gravity spreads them apart, flesh pouring across her chest from the tightly gathered fabric keeping them barely contained. She reaches out over her head, to you, and grabs you by the belt buckle. Pulls you forward until you are stood over her. Even though she's upside down, she makes such effortless work of unbuckling the leather strap that you barely notice. One second it's on; the next it's flapping loose.

It takes only two sharp tugs to force your pants and boxers down past your knees. Magenta doesn't waste any time reaching out to touch your cock, gently running her hands over it until she can wrap her entire hand around the warm shaft and pull you until you fall to your knees. Her head hangs right in front your your length, and you see the teasing sparkle in her eye even upside down.

Her hot breath hits the skin of your bare cock. Lips press a series of soft, wet kisses down from your tip towards your balls. Then back up again, trailing even more tiny pecks that leave your skin tingling. You let your cock nudge against her cheek, feeling it slide along the smooth skin.

With both hands wrapped around your cock, Magenta holds your tip right in front of her mouth. Her tongue sticks out from between her lips, slowly, methodically lapping circles around the crown of your cock.

"Oh, God," you mutter, and you need to hold onto something, anything. First, it's the couch, then it's her tits.

Your hand lands heavily atop the nearest swell of flesh and squeezes tight, pushing it further out of her crop top. She hums approvingly at the groping and wraps her lips around your cockhead. Suckles sweetly. Slurps noisily until spit pools at the corner of her stretched lips.

She lets gravity help guide your cock into her waiting mouth. The further you slip inside, the more she relaxes her jaw to accept you. But then she reaches up and pulls on your hips. You glide up against her grateful tongue. Until her nose meets your stomach. She gags. It's so fucking lewd.

The whole thing makes you squeeze her chest harder. So big in your palm and yet somehow always bigger than you remember. You forget sometimes just how incredible these tits are. When they bounce in a video she's recorded, you remember—but never quite how heavy they are when you hold them; the way they give to your grasp in exactly the right amount; or the way her nipple puckers just slightly as it stiffens beneath your kneading grip.

"You're so sexy like this," you say.

The compliment elicits an appreciative groan from Magenta. Her head moves with your hips now, bobbing to meet each thrust, spit dripping down her cheeks. The messiness of the sloppy blowjob matches her other personality traits frighteningly well.

With her head pinned and her arms on you, you're free to pull up her shirt and expose her. The dirty minx has taken off her bra, so the expanse of her milky skin greets you. You cup them in each palm, feeling the heft of them, squeezing them greedily. They push back, moulding into the shape of your desire, and she moans, a low guttural note vibrating right through your length.

Her body writhes beneath your attention. Her thighs spread outwards, feet rolling at the ankle in time with each gently guided thrust into her throat. Fingers squeeze you, scratching lightly at the skin above your ass to encourage you deeper inside her hungry maw. Deeper into her throat until she chokes—

You let up, panting, admiring the sight of her stretched out for your viewing pleasure. Her eyes flutter open, looking up at you from her upside-down position. The intensity in them draws you in again.

"Oh shit," you groan as you drive into her, plunging your cock balls deep until her purple-painted nails dig into the small of your back. You pump faster, lost in the warm embrace of her greedy sucking.

Magenta squirms beneath you, whining and groaning and bucking, begging you for more. Her cunt must be throbbing with anticipation. Poor thing wants your cum. You can tell.

You want her tits.

She gasps when you fully withdraw from her mouth. Her face is a fucking mess of saliva and smudged makeup. Before she can question you, you reposition yourself in front of her, straddling her beautiful face as you lower your rigid length between her breasts.

She's quick to pick up what you're putting down. With both hands pressing the creamy flesh of her boobs inward, she creates a tunnel for you to slide your dick into.

It feels as good as it looks. Soft pressure envelops your slick length, wrapping around the sensitive skin and creating a delightful sleeve for you to hump into. You can't get enough.

As soon as you hit a good pace, fucking your roommate's chest hard and fast, she starts giggling.

"What?" you ask.

"It tickles." Her laugh is breathy but not as loud as it usually is. "Keep going."

So you do. Thrust after thrust you plunge deeper, drawing more and more of yourself into the valley between her perfect tits. The more you use her, the further she parts her legs that run up the back of the sofa. Soft thighs splayed for nothing but display. Then, just as you start to admire them, she clenches them together. Your eyes trace down the pale skin until they arrive at her crotch where the bottoms of her cookie-patterned shorts have ridden up against her wet slit. She's gyrating her hips in all sorts of directions and rubbing herself against the material in some attempt to satiate her growing needs.

The soft flesh of her midriff jiggles between the thrusting into her tits and the twisting of her hips below. You can't stop staring. Fuck. How does this girl have every single curve?

At first, you try holding back—you want this to last longer. But after a few seconds, you realize you can't fight this feeling. Not when you've got such a good view. And certainly not with her nipples so hard under the press of your thumbs. She arches up when you pinch them, and you know you're done for.

And then, as if she can feel it by the way you're thrusting, she begins to coo and beg under you. She knows she's getting you close, and she wants it. Bad.

"Cum on me," she coaxes sweetly, the words barely audible over the slapping sounds. "I've been so bad, baby. You deserve to paint my body."

That's all it takes. That final little plea. Your eyes roll back, your hips snap forward and your cock explodes. Thick ropes over her body, the first reaching her thighs before you adjust your aim and finish across the plane of her belly. Soft curves take your load while she encourages you through soft, little pleasured mewls. You may have got some on her shorts, but you paint her stomach white before pulling up and jerking the final drops onto her chest.

"Mmmm, messy boy," Magenta laughs breathlessly as your cum drips down her curves. She lays there beneath you, her smile wide and wickedly innocent, one hand slowly running circles over the sticky mess on her tummy, smearing it across her skin.

After a few seconds of panting and trying to gather yourself, you climb off of her and sit back against the couch. She turns so her head rests in your lap, facing your spent and dripping length. Magenta teases you still by using her own fingertip to collect your seed and place it across her lips, then licking them clean while making sure you're watching. And fuck are you ever.

"So, about my room," she purrs, eyes twinkling mischievously up at you.

"What about it?"

"Well... It needs cleaning, and I was thinking—"

"No," you feign protest, knowing you've already agreed. "Just clean it yourself." Her negotiation will come next. You can see it on her lips. "I'm not doing it."

Magenta leans up and whispers, "But you might change your mind if you find out what's waiting for you beneath my shorts."

That damn purple thong, still visible at her waistband, calls you toward her like a beacon. "What's beneath your shorts?"

Her laugh is playful. A little shrug as her fingers toy at the hem of the garment in question. "Agree to clean my room and you’ll find out."

[beautifullilacsky]

"Will you overthinking this?" He asked as we were walking hand in hand in the park.

Me, fully aware I have already started overthinking the moment he mentioned that her friend broke off her relationship: "....... juuup"

"What are you overthinking about? Lets discuss it together, let me help"... I explained how, maybe, now that she is single, she might try to get over a guy by getting under another one. Or maybe, since you guys tall about problems and are pretty close, she turns to flirting now that she is single. "Okay and? Why would I get into that while I have my girlfriend at home? I would say no thank you. Also, I don't think she is the person to do that. I have met her before she was in a relationship, and she also wasn't like this then". Okay, well, .. maybe she will have heard bad things about me and will not like me or she will think I am not good enough for you, or too much, and tell you to break up with me. I mean, I'm in a relationship with you, not with her, but ja, well... He put his arms around me and stopped us from walking on, hugging me from behind. "Sometimes I forget how insecure you can be. Do you really think I'll just break up with you because someone tells me to? And besides, I think you should meet her. She is really kind and everytime I mentioned something, she was always more on the reassuring side." Well, I also thought your other friend was kind.. "..... true. ..... I don't have an argument against that."

"So... if she were to still be in a relationship, would it be okay? .. meh, I feel like that's a bad excuse. "Yeah she is in a relationship anyway" , as if that changes anything. Doesn't that sound like a bad thing to you?" Hmm. Well. Honestly, I felt better when she was in a relationship, assuming it wasn't an u know who typa relationship. It's always a 2 people's decision. And that way, I am at least sure that one side is on the no side (as I said it out loud, I realized how fuckedup it sounded.) "Shouldn't you trust me to already be on the no side?" .... I should, yes. I just don't know what to make of the fact that you told me that you can't promise me that it won't happen again. "That was a year ago" .... "back then I wasn't super sure, and before that I was def not sure. Also, I did not want to force you to trust me (def different exact words from his, buthey, u get the point.). It's been a year." Would you get back to it and say something different now then? "Yes. I am sure that it will never happen again".

And there it was. I know he is a firm believer in actions over words, but sometimes I need words to be sure. He told me that he tells me the truth, and I know he does. Thus, if he tells me, I believe him. So. Maybe this is what I needed to truly get to trusting him again. His word. It's not a signed contract, I know. I can't sue him if his words turn out to be false. Though, I needed this. I needed his faith in himself to make sure it won't happen again. Fuck damn hey. I needed him to believe in himself. If he doesn't believe he will stop it the next time, who am I to believe so? Well well well. Before he left, if our roommate wasn't sitting right next to me, I would've said after he asked me if I'm still okay (for like, the 3th time): "if you say it won't happen again, I trust you." Fuck. And I'd mean it. I feel like I have entered a new reality. One in which it is safe for me to have faith in him. In which, sure, maybe a girl will flirt with him, but I can laugh about it. I can be proud to be with that hotstuff that she can't help but talk to. I can make jokes about it and raise my eyebrows up and down. I can do it all, and enjoy the situation, knowing. Truly knowing. That it doesn't matter at all if the other party is on the "yes-boat". He isn't, and he won't get onto it either. Even if a chance presents itself, he won't even see it as one. He has the set in stone plan to come back home to me. Even if she would get him drunk and touch him all over, ... he will say no. Even if it scares me more with booze, he is still himself. He doesn't get into a crazy trans and turns into a different person with different values. He is still the same person who held my hand as we walked in the autumn colored park, and said that it would never happen again.

It feels like something in me has been freed. As if trust was a fluffy creature within me, which was tied down. His words freed it. It still can't believe that the tiny trust guy is free. That it's safe to stand up now and run and smile and truly trust. It's astonished, grasping for those words that set it free. Wanting to hold them and craving for them to invade its veins with its lightning energy and brightness. May it no longer feel the need to stay on the ground; the ties have been undone. Fuck.

[copperbadge]

I'm beginning the first steps of a job search currently; I love my job but I'd love earning six figures way more, and nonprofit work is just never going to pay me that in my role. Job searching when you have a job is always funny because you aren't stressed about money and you come across shit you'd never find otherwise (my favorite is still the Army officer school hiring a Professor of Mass Destruction).

I'm looking at an interesting niche that's basically "nonprofit within for-profit" -- corporate foundations which are well-funded, so the pay and benefits are superior. It's a tough job to look for so I'm basically right now building a directory of big corporations and how they handle CSR (corporate social responsibility) and hiring for it. So far:

Lego is way out ahead when it comes to having a good CSR site and a good separate CSR jobsite, it's almost laughable how much better they are than the rest.

A number of corporations, particularly in the food sector (think McDonalds, Kraft, etc) now have Pandemic Planning offices.

I couldn't decide whether to feel skeptical or pleased by the fact that there are now Pandemic Planning offices, because corporations are terrible but at least they're planning for it, and then I realized most of them are either in partnership with or under the aegis of the supply chain logistics office. Which means they're not planning for health and safety, just for how to keep burgers in the buns.

I guess better supply chain planning is a good thing, but the Beer Game does tell us that all the supply chain planning in the world is eventually of limited use...

[thingsidrawgohere]

Alright. I'm calling it done before it kills me. This is Second Head. It's an Art Book containing instances of the phrase "second head" in fanfics found on AO3. I'll explain much, MUCH more in the cut.

So when I say 'art book', I mean this is an intrinsic piece. I have no motivations aside from personal amusement and interest in outcome. A lot of money was lost/transmuted into free frustration in this project and I have no claims, obviously. I will prolly be the only person alive to read this.

THAT SAID. I have noticed in my years reading fanfic, there's a few linguistic shibboleths that arise in authors who also have experience in the mines. I think there's not a soul alive who hadn't wandered across a 'ministrations' when reading Narutos oral sexing. There's- Hold on. Here's some pix.

There's an impulse, I think, to in-group even when performing a creative act. A feeling that there are certain ways one Should go about the act, by virtue of seeing it performed that way. Especially so when 'training' at the act is often just Doing. Double Dog Especially when the act is exclusively for oneself with very little oversight. Which is to say, we make what we see and we make what we think we should make. At least, at first.

Now, I've been noticing 'grew a second head' (to insinuate surprise) in fanfic for some time. I've never seen it used Outside of fanfic. That may speak to my own bad habits but it got me curious. So a friend and myself downloaded a mirror of AO3 from July of 2024. He did some code- Stuff to scan the mirror for "second head" and of the ~13 million works, ~70k (English) results were returned. That's a rounding error, honestly, but Far FAR more than I expected.

This book is 401 such examples that I personally selected for a variety of reasons. The number itself was arbitrarily chosen. Each page is separate fic, the roughly 300 words around our key phrase.

I don't think repetition or mirroring is a negative thing. I think it's quite charming. Nor do I think it's a sign of a 'bad' artist or 'bad' art. I think it's a signifier of personhood, of belonging, of enthusiasm. Of culture shared and wishing to share. I think it's real sweet. I always smile when I catch a 'grown a second head' in a work.

And it's really fucking funny when it's John Sherlock getting a sloppy toppy. Bless.

Edit: Fixed a very VERY funny error.

[jayparked]

85 and 92 with jake pleasseeeee 😩😩

loud moans push past your lips despite how hard you try to suppress them. you hate being in this position, hate how easily he gets you here, and hate how much you like it. the only good thing about jake sim is that he was somehow blessed by the finger banging sex gods. the way his digits piston in and out of your aching cunt has your thighs shaking, hands grasping onto him for some sort of leverage. it pisses you off that you even have to hold onto him, or look at him for that matter. but dammit he just makes you feel so, so good.

"try not to be so noisy, yeah?" chuckles jake, a little too smugly.

"shut up, jake. we agreed no talking," you bite back.

he leans closer to you, lips brushing against your ear as he drops his voice down to a coy, sultry murmur, "aw, c'mon. you don't want me to whisper sweet nothings in your ear while you get off on my fingers?"

fuck. fuck fuck fuck. that should not turn you on more. that should not have you shutting your eyes tight to avoid them from rolling back. which you're able to resist from doing. every part of your body is under your control. that is, except where it matters most.

"oh, baby look at you clenching around me. you like that? do you like the sound of my voice?"

"shut. up." you say through gritted teeth. you're half tempted to knee him in the dick. but that would mean acknowledging the very obvious tent he's sporting and if you think about that- fuck. you're already thinking about it. how girthy he is, the way you can feel his veins against your walls as he pushes his mushroom tip to the deepest parts of yourself

"c'mon, sweetheart. drop the spiteful act just this once. you can pretend we're not enemies just this once, can't you? for me?"

you consider it for a moment. just a moment.

"nice try but i'm not falling for it. just hurry up and make me come so we can go our separate ways like always."

your eyebrows furrow together as jake pouts, fingers slowing to a stop inside of you.

accepting that things are ending here, you grab your bag and pull your pants back up to your hips, swallowing how annoyed you are as you walk away from him.

"wait! y/n!" jake runs after you and grabs your arm, turning you back to face him.

"get used to the view, sim. i look best when i'm walking away from you.

"actually, i think you'd look even better under me. please let me properly fuck you. i'll show you i'm not a waste of time."

"if that's what it takes to get you to stop begging." you laugh softly, trying hard to ignore the feelings of endearment and flattery that are bubbling up to your chest.

"oh baby i'll beg for you all day if that's what you like. just say the words i'll be on my knees." and without hesitating, jake is on his knees, hands clasped together and shaking back and forth. those puppy eyes are impossible to resist, you can't deny it. so you laugh nervously instead, looking around you to make sure no one is seeing this pathetic sight.

"what happened to being enemies?" you say with a smile you just can't mask.

jake gets to his feet, brushing his hands on his clothes before looking at you with a wide, dorky smile.

"i'd like to skip to the lovers part. if that's okay with you."

for part of my 1k follower celebration send me a member and a number from this list and i'll write a short drabble about it ♡ masterlist

[mumblingsage]

#🤔 i remember reading about trauma being a psychic wound#from witnessing or experiencing an event where someone's physical integrity was threatened#i know you can't start talking about ptsd until 6 months after the event if you're still seeing effects from it#i'm not so sure about the formal definition of traumatized#bc most people heal after even really bad trauma. ptsd is what you get around 1/3 times when your psyche like. doesn't#so i think traumatized might be for shorter term effect? but still like a specific term for you know like an actual medical condition#and indeed i'm no health professional or expert but i'm p fucking sure that can't happen from stuff happening to fictional people#and much less from reading words on a page#anyway thank you for this post op

I also find these distinctions and definitions super interesting! (I'd say "fun" but it's just not a fun topic.)

-My understanding is that you're right, post-traumatic stress syndrome can't be diagnosed until 6 months after the event. If you're having stress symptoms in the immediate aftermath - and this is quite common, much more common than longer-term PTSD - it's called acute stress disorder (there's also 'adjustment disorder' which might overlap?). And people actually going through the fight-flight-or-freeze survival response to trauma may not be aware of themselves as particularly upset or realize they're having symptoms; those often emerge after the immediate threat is past. I cannot stress enough that people with PTSD are not weak and have not failed; to survive trauma requires immense resilience whatever the outcome. But PTSD also isn't an inevitable outcome. (George Bonnano's book The End of Trauma is poorly titled - he doesn't promise to end trauma - but was a really informative read on resilience.) Also, the fact that 85% of the people who evacuated the Twin Towers on 9/11 did not develop PTSD makes me skeptical of how many people would develop PTSD from reading or watching a movie; if as a species we're that resilient when our lives are truly threatened and death is all around us, I expect we'll be pretty resilient in milder circumstances. [However, some forms of trauma have far higher likelihood of PTSD than others because of different factors: for instance, about half of sexual assault survivors experience PTSD, because our culture really sucks at supporting SA survivors. The same article says 94% of survivors experience PTSD symptoms in the first 2 weeks; I think this is what the 'acute stress disorder' diagnosis is intended to cover.]

-So then what do we actually mean when we say "traumatized"? Speaking for myself as OP, I'd mean either/or 1. Developed symptoms of PTSD or acute stress disorder, or 2. Went through an experience known to lead to symptoms of PTSD or acute stress disorder (on which I'll defer to section A of the DSM-5's diagnostic criteria for PTSD), even if such symptoms didn't develop or have since resolved. This definition may be somewhat circular. It is not perfect (the DSM is not an unimpeachable document; at the same time, informed and caring people are always at work to improve it). But I think it gets at a real distinction that will emerge if we compare the experiences of, for instance, people who actually had a friend die suddenly in childhood vs people who just read Bridge to Terebithia.

-In hindsight it might have been helpful to define what I think it means to be "traumatized" in my OP, but it isn't easy to get the entire contents of Judith Herman's Trauma and Recovery plus Bessel van der Kolk's The Body Keeps the Score plus the odd discussion in the therapist's office into a concise blog post. And maybe it was more productive to leave the term undefined so each reader has to examine their own definition/understanding of it. (I'm giving myself too much credit. Even so.)

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[lost-romantique]

The Needs of Both these Messy Gays~

I just want to make a point and state that I'm not attacking or pitting both these guys against each other. They're dumbasses, the both of them.

Blitz is someone that is going to need constant reassurance when he's in a relationship.

Being told the words "I love you" scares the fuck out of him because he doesn't trust those words of love.

At the same time, romantic gestures don't work on him because he's always going to assume the worst.

"And then, he'll call me to see how my day was! And he'll pretend to care about me, and comment on my photos, and LAUGH AT MY JOKES—"

Blitz is someone that has used his body and sex as a way to get what he wants. But his relationship to sex is one of the reasons why he's unable to trust those romantic gestures.

Blitz constantly seeks reassurance, and he asks Stolas for that reassurance a LOT throughout Full Moon and Apology Tour...

"Am I not, like, fucking you good enough? Because I-I can always- I can always do better--"

Blitz immediately asks Stolas for reassurance that he's good enough, and that if he isn't good enough, he makes it a point to tell Stolas that he can do better.

Stolas responds to Blitz saying he cares very deeply for him, but being told he's cared about doesn't give him the reassurance he needs.

Blitz asks for reassurance twice from Stolas in Apology Tour...

"This whole thing we had going... I'm- I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?"

"Stolas, you are better off without me. 'Kay? You deserve so much... I don't even know why you would want to be with me."

Stolas never says anything really wrong in his responses to Blitz, and I think Blitz himself needed to here that. BUT if Stolas were to make one mistake, it would be that he states that he wants somebody / anybody.

Blitz doesn't reach out to Stolas because of his issues in intimacy, and because Blitz himself hasn’t been given the reassurance that he's the one Stolas wants.

Do you know who does give Blitz the reassurance that he's needed? Millie.

Millie is able to give concrete examples to Blitz on how he made an impact on her life.

In fact, Millie states that Blitz is the reason that everything she has in her life is thanks to him being unapologetically himself.

"He gave me so much: a career, a husband, a future, and now... he's my best friend."

The moment Millie gives Blitz the example of how much she values him as a person and as a friend, Blitz immediately asks for reassurance...

"You... you don’t hate me?"

And Millie automatically says, "Nah, never."

The moment Blitz is given the reassurance that he isn't hated by Millie, he opens up, he becomes vulnerable.

Blitz allows Millie to comfort him, and Blitz initiates that intimacy with Millie to which she obliges.

What's beautiful about this exchange is that there isn't anything remotely sexual about it. This is just one friend comforting another friend in need.

Blitz asks for reassurance again in the form of a question...

And the moment Millie reaffirms that sentiment, Blitz opens up and shows Millie the real him.

Not the fuckboy facade, not the mask he wears... this is the REAL Blitz...

Blitz also shows incredible growth by not deflecting to jokes like he usually does, but instead by being honest with Millie...

Blitz promises to Millie that he'll stop impeding on her marriage

Blitz states in the most subtle way that he has feelings for Stolas

Stolas needs to be told that he's cared for and that he's loved by someone.

He's also someone that seeks romantic affection in the form of compliments, and big and small romantic gestures mean the world to him as well.

Blitz unknowingly makes Stolas’s romantic fantasies come true...

A rogue assassin comes into his bedroom to "scale the walls" and he acts like he wants Stolas a lot.

This man is attractive, he is literally the protagonist of a romance novel. His boldness and confidence is alluring. He is a dream come true and he's here to take what's his.

This man just literally sweeps Stolas off his feet, and he still does this while giving you the most smug grin.

Blitz throws Stolas to the bed, and gives him ultimate rizz in the form of this shit eating grin.

And the moment Blitz bites his neck, Stolas is so fucking into it he creams himself.

Blitz is so good actually, extremely good in being bold, confident, and sexy. He knows how to unravel Stolas. *cough*

In fact, the moment Blitz catches him, Stolas is smitten and he is down bad.

To Stolas, this is a big romantic gesture. This is a motherfucking dream come true for Stolas because, "OMG THIS HOT ASS MAN JUST FUCKING SAVED ME!"

But Blitz isn't a romantic, he's not good at showing romantic affection in small ways, and that's what screws him over.

Stolas wants and actively seeks the smallest bit of reassurance and comfort that Blitz can provide, whether it be through text and or in other small ways.

This motherfucking birb, this dumbass Prince, even when he has every right to be angry at Blitz for the shit he said to him, still wants Blitz to hold him. In fact, he makes him hold him.

Stolas is so fucking cute, being all like, "I'm mad at you, but I still demand you hold me."

"You wanna know what I want? I want to know what it's like, to not be alone. I want to be someone's someone. I want to feel wanted. But like, in a romantic way, like I'm standing out in the rain at a train station and someone is shouting: “Harriet! Don’t get on that train, it’s going to London and I cannot be without you!”

Harriet the Train is a big romantic gesture. Stolas likes big romantic gestures, and Blitz is really good at doing actions that are big and bold.

Blitz has made Stolas feel wanted in The Circus and he makes him feel protected in Seeing Stars. Blitz knows how to be big.

Stolas doesn't need Blitz to perform Harriet the Train, but can he? Oh fuck yes he can.

"The point is, I just... want someone to care if I stay or go. I want someone to want... me! To want to see me. To hold me. To look at me and think "You're the only one I want!" [sheds tears] "I desire to hold you and talk to you, and never let you feel so..."

This is what Stolas wants from someone right now. He wants to feel wanted in the small ways, he wants to be held, he wants someone to talk to him, to make him feel not so alone.

Right now, at this very moment, Stolas needs the small stuff. He needs the small bits of intimacy that Blitz is not in the right headspace to provide in Apology Tour.

Do you know who gives Stolas what he needs at the moment? Better than Blitzo guy.

He's smooth and charming in a different way from Blitz. He doesn't even look at Blitz, actually, his eyes are only on Stolas.

"Great song earlier. You have great pipes."

He compliments Stolas on his singing, and Stolas is happy to be given a compliment.

BTB than asks Stolas to dance, and Stolas is both surprised and in disbelief.

Stolas is so happy and genuinely has an amazing time dancing with BTB, he even goes out of his way to use his wings to give Stolas a spin.

BTB even performs a big romantic gesture of pulling Stolas into a sloppy wet kiss, to which Stolas happily reciprocates.

I think both these idiots have the potential to be what the other really needs, and I honestly think with proper communication they can have the most beautiful relationship.

[onejellyfishplease]

So I have a few questions for the minecraft bois. (Btw, I freaking LOVE your artstyle, I'm just hyperfocused on minecraft because I've been in a crafty mood)

How does Raph react to Screechers? I mean, you say he doesn't have as strong a connection to the Sculk, but it's still there right?

Have the boys ever found a way to satisfy Donnie's need to be submerged (i.e. giving him a fire res potion so he can take a lava bath)

Why does Leo love Chorus fruit so much, and more importantly, will he ever be able to go to The End to gather some for himself?

How do the boys interact with their home environments? (Like, how does Donnie feel about Shulkers, does Mikey enjoy cooking using Nether materials, etc.)

Sorry if this is a LOT but ohnigosh I adore these boys and their silly little designs

I may have gone a little crazy whilst answering lol

With Raph and the screechers, They dont summon him, no matter how much they go off. Though if hes close enough to them then he'll get an uneasy 'feeling' (though it was random for a while, and had no clue why it was happening)

None of the Boys or April are good enough at enchantments and potions to start creating their own (yet), So making it from scratch is off of the table. (Theyve also been banned from attempting after April blew the side off of a mountain)

Instead, Donnie sometimes searches the old tomes in the End Cities. Though most of the books are unreadable now, the rare few are still ledgible. Maybe one will be able to give him immunity to water.

Leo got hooked on Chorus fruit once Donnie started visiting the End and brought some back with him. Its his favourite fruit hands down. And he always has a blast teleporting around. (hes eaten it enough that he can almost control where he goes but its really unreliable)

Also he thinks it's hilarious that sometimes when he tps an Endermite will spawn and Donnie will just go absolutely batshit trying to kill it. Peak Comedy.

Leo would do anything to get his hands on the fruit. Which gives Donnie a massive bargaining chip, which he flaunts a lot.

Until April finds the End Portal, Leos gotta rely on Donnie for his Chorus Fruit supply.

Donnie was pretty uninterested in Shulkers. They didnt really do anything (at least to him) after all. Though once he found out what he could use their shells for??? Their population took a nosedive.

And Mikey absolutely cooks with Nether materials! they're his favourite! especially the mushrooms. And with four hands, he can do so much more cooking!!!

[croquis-el]

Self-addressing of minor male characters in Ace Attorney (Gyakuten Saiban) / Personal pronouns

We've talked about the main male and female characters, but we shouldn't forget about the minor male characters who accompany us throughout at least each part of the Ace Attorney (GKS) series

The first man who accompanies us throughout the first trilogy is Itonokogiri Keisuke (Richard/Dick Gumshoe)

And here's an interesting point. His pronoun is "jibun" (自分)

自分は、刑事課の イトノコギリという者ッス。

Jibun wa, keiji ka no Itonokogiri to iu mono ~tssu.

I'm from the Criminal Affairs Division. My name is Itonokogiri.

This is a rather rarely used pronoun; it literally translates as "self", although it has the meaning "I/me".

Jibun is used by about only 14% of men and 1% of women. This fact makes the pronoun gender-neutral, but predominantly masculine.

Compared to other first-person pronouns, the nuance of 自分 is introspective, and it's often associated with the military or athletic community, which have strong hierarchies. This suits Itonoko's personality very well, considering that he is a subordinate of the prosecutor and rarely thinks for himself.

Also, "jibun" can be an indicator of the Kansai dialect (Osaka), where it is used to denote both the first and second person. But, since Itonoko's speech was not noted to have any dialect (there are other features), and he was born and raised in the same city (and the city is from the Kanto region), this option is out of the question.

Interestingly, even after Itonoko realized that detectives should do their own investigations rather than rely on directions from prosecutors, and began making decisions on his own, his self-address did not change. Probably a matter of habit.

自分は、何をしたらいいッスか････

Jibun wa, nani o shitara Ī ~tsuu ka...

What should I do...

___________________________________________

Next is our dear friend's father, Mitsurugi Shin (Gregory Edgeworth)

His speech is very formal (like his son's), and he uses the formal personal pronoun "watashi" written in kanji.

私は弁護士の御剣信と申します。

Watashi wa bengoshi no Mitsurugi Shin to mōshi masu.

My name is Shin Mitsurugi, a lawyer.

___________________________________________

Let's not forget about Mitsurugi assistant - Shigaraki Tateyuki (Eddie Fender, almost wrote Raymond Shields)

Most of his dialogues take place with Mitsurugi and young Yatagarasu, and he stubbornly continues to call himself "uncle". (オジサン - ojisan)

オジサン、アトでここの館長に 文句言っとくから。寒すぎだって。

Ojisan, ato de koko no kanchō ni monku I~tsu toku kara. Samu sugi datte .

Uncle going to complain to the director of this place later. It's too cold.

It was not easy to catch his personal self-addressing with other people, but not impossible.

In dialogues with others, Shigaraki-san uses the polite male pronoun "boku" (like Naruhodō/Wright)

ぼく、その････! がんばって助けますからッ!

Boku, sono! Ganbatte tasuke masu kara ~Tsu !

I, well...! I'll do my best to help you!

___________________________________________

Let's not forget about our permanent presiding judge (here is someone who, with rare exceptions, is always with us)

ええ!わ、私がですか?

ē! Wa, watashi gadesu ka?

What? Me?

___________________________________________

The new generation is first represented by rock star and hard-working prosecutor - Garyu Kyoya (Klavier Gavin)

Despite his prominent image as a musician and rock star, Kyouya uses the polite masculine pronoun "boku" (the same one used by Naruhodō/Wright).

ぼくも楽しみにしているんだ。

boku mo tanoshimini shite iru nda.

I'm looking forward to it too.

His speech is generally polite, and in the original he uses various English phrases in his speech, written either in Latin or Katakana. These phrases, by the way, are often used at concerts of musical groups whose first language is not English. (In the localization, as you know, German was used as a substitute).

オーケイ、ベイビー!

ōkei, beibī!

Okay, baby!

___________________________________________

Mr. Garyu Kirihito (Kristoph Gavin) uses the personal pronoun "watashi", which is written in kanji, indicating formal speech and an adult character.

___________________________________________

The second prosecutor from the new generation is a master of psychological manipulation, Yugami Jin (Simon Blackquill)

To be honest, his image as a samurai somewhat clouded my eyes, and I expected some self-addresses inherent in this category (for example, "yo")

But no, Yugami-kun uses the crude male pronoun "ore" (like Odoroki/Apollo)

それと、俺は検事ってェ立場上、 おめえさんに手は貸さねェからな。

soreto, ore wa kenji tte ~e tachiba-jō, o-me e-san ni te wa kasa nēkara na.

Also, because I'm a prosecutor, I won't help you.

We don't know when he started using this designation (there are no monologues from him before his arrest), but judging by his characterization from other characters, he behaved very noble and politely, so perhaps he could change the personal pronoun to a more rude one to maintain the image of a "cruel criminal".

His manner of speech is, in principle, extremely interesting, and, I think, worthy of a separate post. In short - he speaks in a dialect + uses obsolete words + he has a special way of addressing other characters

___________________________________________

The third prosecutor from the new generation, who is also a monk from the kingdom of Khurain - Sahdmadhi Nahyuta (his name was not localized, thank you)

But this young man has an extremely interesting way of addressing himself.

"Sesso" (拙僧) literally means "inept monk".

This is a VERY modest form of address that was used by Buddhist monks.

拙僧がこの事件の担当に ふさわしくないと････?

sessō ga kono jiken no tantō ni fusawashikunai to?

Are you saying I'm not fit to take charge of this case...?

But, this is very different from his speech. Canonically, he is a foreigner, so he does not know all the features of the language in which the hearings are held. Therefore, Nahyuta uses, either unknowingly or intentionally, quite rude vocabulary and manner of speech (at the first hearing with him as a prosecutor, the judge, Odoroki and Kizuki were shocked). Even a native speaker, whose walkthrough I watched, was surprised and commented on this moment.

___________________________________________

Well, that's probably it for now on the topic of personal pronouns, but if you're interested in someone specific that I haven't mentioned, give me a sign.

[fuctacles]

<< nine | 😺 | eleven >>

Posting early so you have something to think about on Thanksgiving. I'll be taking a break from posting my wips in December to focus on all the events. Speaking of, check out @genderthings @stmonstercalendar and @stevieweek

"They're so—" Eddie's sentence is broken with a yelp when Stephanie slaps his hands. 

"Fluffy?" Steph offers, going back to closing up her salon. "Soft? Healthy? They won't be if you keep touching them."

He huffs, slotting his hands under his armpits so he wouldn't be tempted to reach up. 

"If you want, I can get you some of that conditioner to take home. You could charm all the city girls with your nice hair." She turns to him with a smile, looking over her work once again. She pulls a strand of his hair back in place and Eddie imagines his band making it big, touring with a private hairdresser fussing over him before every concert. They'd take all the cats on the tour bus too.

"The city girls like my unkempt poor artist looks, thank you very much," he jokes. "The boys may appreciate it, though."

"For the boys, then." She smiles. "Did you walk here?"

He shakes his head. 

"Nah, I'm too lazy for that. You?"

"I try to walk to work as long as the weather lets me," she says. "Need to keep the old bones in shape." She pats her plush thighs distractingly, but it's not enough for Eddie to miss her words. 

He rolls his eyes. 

"Your bones aren't old. I was gonna offer you a ride, but maybe you deserve to walk since you're so young and energetic," he sends her a wry look. 

"Ah, but I always wanted a ride in a big old kidnapper van!" She bats her eyelashes at him, her playful pout in full swing. Eddie is so, so weak. 

"Don't call it a kidnapper van." He scrunches his nose. "It's a stoner slash garage band van," he corrects her.

"Ah, mea culpa. Lead me to your stoner van, then?"

"You call yourself old and yet you act so insufferable," he shakes his head with a smile and offers her his elbow. 

"Gotta keep something about me young," she jokes back and then yelps when Eddie pinches her in the side as she grabs his arm. 

"I think there's plenty young about you," he says, giving her a pointed up and down. 

"Yeah, bet you say it to all the old ladies," she snarks back. "When you help them cross the street or carry their—ah!"

"Oh my gods, Stephanie!" Eddie cuts her off, pressing her against the side of his van. "If you think you're old then call me a geriatrophiliac, because you're so hot I can't think about anyone else."

Steph's eyes are wide and her cheeks are flushed and he wants to kiss her so badly. He backs away, though, because he's a gentleman (sometimes) and wants to give her some space. Besides, he probably just crossed some lines he shouldn't have. 

She breathes out once he steps back, and chuckles. 

"You're just saying that," she deflects, making something in Eddie boil. "You're out there in college and I'm stuck here with my small hair salon."

"Oh, you mean you're a successful hot businesswoman with her own salon and plans to branch it out?" He raises an eyebrow, putting his hands on his hips.

"Plans," she points out. 

"Very plausible plans," he adds. 

Stephanie shrugs. 

"Just, get in the car before I lose my patience." He shakes his head. But then seeing her hesitance he deflates, losing his bravado instantly. "Unless you're not comfortable with that? I promise I'll drive you straight home."

"Why would I be uncomfortable?" she asks, her voice a little small like she knows exactly why but doesn't want to put it out there. Albeit reluctantly, Eddie will do it for her. 

"Because I said I'm into you and now I'm inviting you inside my shady not-kidnapper van," he reminds her. 

"Yeah, but you're just saying that to make me feel better." Steph shakes her head softly, smiling her small, self-deprecating smile. "Which I do appreciate, but..." she trails off with a shrug.

Eddie is fed up with her. As beautiful as she is, her head is a maze she's clearly getting lost in and someone needs to pull her out of it. 

"Can I kiss you?" he butts in, realizing she's losing steam.

"What?" Her eyebrows jump in surprise. 

"Oh, you heard me." He takes a step closer, crowding her in. Maybe space is the opposite of what she needs. "Can I kiss you?" he repeats. "On the mouth. Tongue and all, if you don't mind."

He watches in real time as her cheeks turn red and her gaze drops down to his lips. 

"Here?" she breathes out. 

"Yes, here. So everyone knows how lucky I am." 

She looks up into his eyes, searching for any deceit but she won't find any. Her lips press together and come back shinier, wetter, and Eddie's own tingle in anticipation.

"Are you sure?"

Eddie's done with her. And done for her. He knows she won't admit what she wants, won't ask for it even when laid down on a silver platter in front of her. So he changes his question. 

"Just say 'no'." He leans just a tiny bit closer. 

She doesn't. Her eyes zero on his lips and her chest expands with her deep breaths. Eddie leans in more, and she twitches like she wants to reach back but won't. 

He closes the distance. 

Stephanie smells of hairspray and coffee. She's soft and perfect and he's afraid she'll flee if he touches her, but to ground them both, he reaches with his arms to cup her elbows, a safe place to hold her and not spook her. He moves his lips gently, slowly, but then he feels a tug on his jacket, which she grabs to hold on to him, and presses just a little bit closer. 

Eddie feels the exhale from her nose on his cheek as she relaxes against the van, giving him the illusion of towering over her, despite them being almost the same height. He slowly drags his hands up to caress her neck, angling her jaw gently how he wants it. When he finally sucks on her pouty bottom lip as he's been dreaming of, she exhales into him, tentative yet asking. She jolts at the touch of his tongue but parts her lips further anyway.

She feels like heaven and Eddie is almost ashamed by the sound he makes after tasting her properly, but her hand slides to his waist and he doesn't care about making a fool of himself in front of her and anyone else for that matter. 

If she wanted to, he'd deck himself in full jester attire just to make her smile, to take the load of worry off her chest. Oh, how he wants to take things off her chest. It's been a while since a simple kiss made him feel so giddy, so exhilarated, and he hopes she feels it too. 

He's excited for what's to come, not just in bed, though he hopes, yearns for that too, but making her happy and whole, seeing herself how he sees her. 

The sharp sound of a whistle pulls them apart. 

"Get a room, kids!" someone laughs jovially as a car slowly passes by, but by the time their heads snap towards it, it's gone behind the corner. 

"Well," Eddie chuckles softly. "Still feeling old?" he asks Steph with a smile that quickly falters when he can't read her expression. A million things he could have done wrong fleet through his head and he takes half a step back, but her hand is still holding on to his jacket. 

She's still relaxed against the van, so he forces his brain to quiet and waits. Her head tips back, exposing her neck and the faintest hint of an Adam's apple, invisible otherwise. He's ridiculously happy to be able to see it and hopes he'll be able to suck on it too. 

"I feel..." she finally says, and Eddie latches to every sound leaving her lips. "Something, for sure."

Nothing else comes so he trails his palm down her arm to gently squeeze at her wrist. 

"Good something?" he asks hopefully.

Their eyes meet again, giving him some relief, though the prolonged silence is fighting against it. He still waits and gives her time to think. She doesn't shake off his hand so he rubs his thumb against her pulse point.

Until it twists in his grasp, and he's ready to let go but she grabs at his fingers to squeeze back.

"I think so," she finally decides, giving him a small, tentative smile. 

my ko-fi bc i'm in deeper shit than i thought

the boys: @wheneverfeasible @steddieinthesun @hattsy-likes-pretty-stuff @bumblebeecuttlefishes @phantomcat94

@tartarusknight  @tinyplanet95 @steddiefication @estrellami-1 @disrespectedgoatman

@madigoround @tartarusknight @blasvemous @cryptid-system @lawrencebshoggoth

@hellowhatthehellisgoingonhere @dreamercec @manliest-of-muppets

[yourtoradorasextendedwarranty]

Would you tell POC that vent their frustrations about white people that they're being hateful?

Yes actually. I would. Unless it was a joke. In which case I wouldn't care. But if I were to take a gander, you'd have issues about white people complaining about literally anyone else. That kind of talking is funny to me and always has been because it means that you actually have a white supremacist view of the world. You are just to jaded and stupid to realize that you do.

Which is to say that you should be justified in criticizing an entire race. Or an entire sex. You fully believe that men are the superior sex and that whites are the superior race. You'll say you don't. But you do. It's just that you believe that it IS the case and needs to be overturned. But in saying that you still admit you view non whites and women as lesser. As I fully expect. Because you're a marxist at the end of the day. Though I doubt you are even smart enough to realize that yourself. I could be wrong though. Maybe you are a marxist willingingly.

I'm guessing you're a man who's never experienced misogyny in your life

So this is kind of a dumb statement. If I am a man, and regardless of if, of course I can't experience misogyny. However if I am a man I can experience Misandry. Which is still discrimination based on sex. Which you are ignorant to it seems. To be treated like a rapist purely for existing. To be treated like a predator purely for existing. To be treated like a pedophile purely for existing. To be treated like a murderer purely for existing. To have all access to mental health and domestic violence cut off. Because of people like you no less.

Why do you always act like women aren't oppressed

Because in most of the Western world they aren't. I could post a list of the richest people on earth or just in the US and among the top of that list, from the 80's until now, there would be a huge number of them. Not just rich, but self sustaining. I've never once in my life said, "there are no areas in the world where women are oppressed". I have never said that once. However, in the western world, oppression is not something you see often. Because truth of the matter? You probably have no idea what real oppression looks like.

People often don't recognize misogyny as oppression because of how normalized it is.

Criticism isn't misogyny. And having complaints against a person voiding discussions of their sex as a relevant factor in the complaint ISN'T misogyny. Misogyny contrary to the FEMINIST definition, was originally "Hate or discrimination against a woman based on her sex". Not the bullshit expanded definition where literally anything and everything under the sun qualifies.

And lastly. I stand by my point that Radfems treating women like infants that can't make decisions for themselves is FAR more sexist than most of the actual sexism I've seen in my own life from others.

I don't think I'll continue to argue with you. Seems like there's no point. Marxist never listen and think their worldview is godlaw.

[ir-abelas-vhenan]

Something Something Yeah It's Still Solavellan Hours (Mythal is kind of here, too)

I've seen a few very beautifully articulated posts talking about the conflicted responses players are finding themselves having in regards to the decision by writers* to have Solas' atonement route possible because of his conversation with one of the remaining fragments of Mythal.

(*honestly I hesitate to put the weight of bigger game events on their shoulders because of how much I know bigger players in the company were involved, so when you read 'writers' know I just mean whoever had final say on plot)

I love reading where people are at on this, and having now breathed, re-played the scene, cried, read some more theories, and then played the scene again enough times I think I'm now able to figure out where I'm at.

TLDR: in my humble opinion, the conversation Solas has with Mythal doesn't bring him any actual closure at all. It is only the version of the atonement ending that has Lavellan in which he is actually set upon a road to redemption.

This, like everything else where I lose my mind, will be long. I tried to restrain myself and here we are, unhinged as ever.

I was unhappy at first that Mythal's incredibly brief conversation with Solas where she releases him from her service seemed to be what finally allowed him to make a decision based on his wants and not hers. My concern stemmed mostly from the fact that a lot of us are trying to be active participants in a society that recognizes patterns of abuse and seeks to establish channels through which individuals can pursue healing without the approval, consent, or demise of their abuser.

But the more I look at the scene, the more I wonder what would have happened in a world where Veilguard got just a little more time in development. Could we have gotten a scene that more elegantly conveys the theme that we cannot heal every part of our loved ones, much as we might like to?

In an imperfect world it isn't always up to us how someone finds closure, which really sucks when you'd like to ensure a loved one finds it in a way that preserves their dignity and limits exposure to the individuals who have harmed them.

And while it could be left there, I'd like to actually push back on the idea that Mythal is in any way responsible for "healing" Solas in this moment.

I went on a different tirade a few days ago about how at the end of Inquisition, Mythal says words to Solas that on their surface seem well-intentioned or placating, but they actually just serve to further bind him in guilt and a position of servitude. In Veilguard's finale, she still does not take accountability for exactly how much of a role she played in the pain that Solas, a man others have revered and feared as a god, has gone through as he cowers, actually cowers before her.

Mythal's interaction with Solas conveys exactly two things to him as far as I am concerned (I'm going to botch these quotes but my laptop is dying so please accept some paraphrase as I rush to finish this before I go cry about this analysis to my uncaring dog):

"The terrible things we did, we did together." You are forever tied to me.

"I release you from my service." But what am I releasing you to?

Because up until Lavellan joins the fray here, all I take away from the physical and unwilling emotional cues Solas gives in this scene (he is a master in trickery, for goodness' sake, the thought of so many witnesses seeing him unable to hide behind a mask has to leave him feeling anguished on top of everything else) is that Mythal has once again reminded him of everything he did in her name and telling him that all that's left for him is to go back to the fade prison and, as he as always done, endure the crushing weight of his failures alone.

To me, in my interpretation, the Solas that hears this from Mythal with no Lavellan intervention may choose to willingly step down from his original plan (and yeah, that's gonna do some damage) but he is certainly not free of his past. He's going to be reminded of it every time he turns a corner and finds more blight to try and soothe, and even the moments that he rests will be filled with more manifestations of his regret. He says it himself: where he's going? It's terrible.

Enter Lavellan. Yeah, he couldn't bring himself to listen to her at her first plea (but like damn how many times are we going to have to watch her give a heartfelt speech only for him to be like 'something something beautiful elven rejection'). But I know that you know that our clever icon knows better than to take what Solas says at face value. She tells Rook plainly that he's absolute dogshit at lies of the heart, and she says it with her whole chest.

Lavellan sees the way his shoulders slump (in resignation yes, but you can't convince me there's not a little bit of relief there, too), she hears the agony in the "vhenan" that escapes his lips (which, don't even get me started on the fact that it's been like nine years and he has no hesitation at all calling her his heart, it just spills out of him). It is not the sound of a man delighting in the steps he's about to take. They're certainly not steps he does not dislike that lead to a destination he enjoys.

And then she watches Mythal (who I can't imagine she feels any sort of fondness or respect for) pull some weird nonsense on her love one final time, and she knows it's her moment to shine.

Mythal, I would argue, pushes Solas down one more time, shames him into seeking atonement, into once again being alone.

It is the romanced Lavellan that kneels so that he cannot fail to meet her eyes. It is she who invokes their connection, not to remind him of his failures but to reaffirm his greatest strength: their love and their love alone is inevitable. Not the consequences of his past, not the regret he thinks will consume him as he seeks to mend what has been broken. It has only ever been them.

"There is no fate but the love we share". We are forever tied together.

"There is no fate but the love we share." *I* am releasing you from everything else save for this love.

Put colloquially: get absolutely fucking wrecked, Mythal.

Body language comparison to chase up the dialogue one, anyone? The way Solas shrinks before Mythal as opposed to him walking off into the fade with Lavellan at his side and standing tall, and he does not flinch when she lifts a hand to his shoulder?

Ultimately, Mythal is a part of the atonement endings no matter what. But it is only Lavellan that refuses to let him walk alone. It is only Lavellan that guarantees that his dinan'shiral ends not in a prison of regret, but a place of promise.

Mythal bends Solas until he breaks one last time. Lavellan takes each piece, claims it as hers, and uses them to build the beginnings of a future.