#which makes sense because i was 17 when i decided how to draw their faces and it's inconceivable how much my art has changed
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Got inspired by @loryn-art and decided to make some modern AU Wakfu headcanons because I always love making head canons when I see cool AUâs
1. Yugo cannot skateboard for shit. He always face-plants into the pavement (Adamai can skateboard and laughs his ass off at yugoâs misery)
2. Adamai is surprisingly good at baking, he can make a pretty good looking cake (if he tryâs)
3.qilby has horrible fucking sleep schedule I cannot describe how bad it is but it is horrible.
4. Chibi is a morning person and has a decently sized ego.
5. Grougal has the best hair in the family (he gets it from his mom what do you expect?)
6. Shinonome (I cannot spell her name for the life of me oh my god) likes to live a cozy and organized life⊠qilby does not knowing the meaning of organized
7. Adamai works in retail and has clip on earrings (he doesnât want to get his ear pierced again it sucked for him he hated it. I also have an example in one of my drawings!)
8. Phaeris is very very good at making sure shit doesnât go down in the house. Mostly because he has a resting bitch face and I love it
9. Baltazar works at a daycare. He likes the job (quilby is not allowed near baltazar because of what happened in season 2, they will full on fist fight im dead ass)
10. Efrim isnât very responsible with money (do not give him any he will spend it⊠and so will Nora)
11. Glip is often tired he has a pretty good sleep schedule (unlike qilby) but still often complains of being tired.
12. For mina I wanted to make her a teacher but since she was known to be basically a lawyer in Wakfu but I feel like a teacher would fit her as well.
13. Adamai doesnât talk about his private life.. at all for that matter he keeps to himself a lot and you basically have to pester him to tell you whatâs wrong.
14. Adamai has a creepy smile (this is canon.. oh my poor boy) and often times wonât smile in photos he just kinda grins and walks away.
15. Yugo has such horrible and I mean horrible taste in fashion (you can hear Adamai holding back tears in the background while Mina or Nora has to tell him to change or else heâs gonna scare their mother to death due to his shitty fashion sense.)
16. If you where to ask qilby about a specific historical event, he will tell it in such great detail it makes it seem like he was actually there.
17. The dragon bros cannot taste spicy foods (I heard somewhere since lizards are cold-blooded they canât taste that thing that makes you taste spicy foods) so if you see grougal chowing down extreme spicy ramen donât ask.
18. Efrim is very clumsy and often stubs his toes or accidentally hits something when he walks (everyone thinks he needs glasses but he has 20/20 vision this fucker just canât walk straight)
19. I like to think Adamai is a bit of a nerd. In his own way of course (if youâre lucky you can catch him reading comic books in his room.. which is always locked)
20. Nora and Efrim collect random stuff they find on the ground and they have this huge stash of random shit. Nobody knows how long they have had this but god is it large
21. Glip can often be seen grading papers (I like to believe baltazar is a daycare teacher while Glip is a high school - collage teacher/professor)
22. Chibi does not know the meaning of âsocial cuesâ (and neither does yugo.)
23. Shinonome works at a flower shop (qilby doesnât like flowers mostly because of bad allergies but he supports his sister anyway.)
25. Efrim hates having to work and I mean HATESSS it he will complain the whole time (Adamai is one step away from hitting him with a shopping cart at 100 miles an hour)
26. Yugo canât focus for shit, but can surprisingly describe how to make a specific meal in great detail (alibert you have raised a good man.)
27. Phaeris is very good with solving puzzles and likes to do them in his free time, he says he enjoys the âthinking processâ
28. Chibi is a horrible flirt if he sees a pretty lady and he wants to say hi? Immediately tripping and stumbling and accidentally embarrassing himself (grougal is laughing his ass off silently in a corner.)
29. (Can you tell I like Adamai?) heâs a pretty good babysitter although he isnât a huge fan of it but he doesnât mind helping people out.
30. Nora canât roller skate while Mina is a fucking mastermind.
31. Baltazar and qilby can be seen giving the meanest fucking side eyes at family dinners (Adamai prefers to eat in his room. But once thereâs drama he appears and watchâs from afar.)
32. Qilby has the worst back pain in the world.
33. For someone who canât focus for shit yugo is an incredibly fast learner! And can learn anything in a matter of seconds (Adamai is often jealous out how quick of a learner he is.)
34. Glip doesnât like being forced to work at such late hours but he has no choice (the curse of being a teacher)
35. Adamai often runs away from yugo when heâs at work. And yugo likes to chase him down for shits and giggles (yugo please heâs trying to do his job)
Great Lordy I have made so many! I might make some insert modern AU ones as well. Involving ecaflip and Xelor and the rest of the gods, I like to think they also live in the world of twelve but they donât really show their faces (kinda like Greek gods? If you get what I mean)
Anyway Iâm glad I got to share more headcanons! Have a great day!
#Wakfu#baltazar wakfu#adamai my beloved#adamaĂŻ from wakfu#wakfu adamai#adamai wakfu#adamai#wakfu qilby#wakfu grougaloragran#wakfu chibi#Wakfu Glip#Glip#Nora#Chibi#Mina#wakfu mina#Wakfu Phaeris#there are so many names my god#Wakfu Nora#wakfu efrim#Efrim#baltazar#grougaloragran#Iâm not putting all those fucking names#Wakfu MODERN AU
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Blog Post 10/17
This is my gaming avatar, the mii I created on my twelve year old Nintendo Wii. I have chosen to name this avatar after myself, because she is meant to resemble real-life me as closely as she can. She is a little dated, dare I say obsolete, but she encapsulates the essence of myself in this ancient digital world. My creative options were limited, I was forced to tap into my inner artist, the visionary. I have subdued some of the more feminine elements of the Wiiâs collection of human characteristics in an effort to avoid the appearance of an eighteenth century French aristocrat. The Wii has rudely denied me the luxury of a shirt, and so has represented me in the guise of a living traffic cone. This blatant confiscation of free choice made me consider the implications of having to decide between a male and female image in a digital space. The feminine design options available in the mii plaza are overtly so, and leave little room for any fluid interpretation of gender. In my case, this has resulted in the only obviously feminine aspect of my design being my lampshade torso. This to me is an obvious example of sexism, which has manifested itself as the removal of options, forcing female users into an extremely feminine mold.
This is the incarnation of me that might be capable of getting a date. It is the profile picture I use for my Instagram account. Since this is an image I already use to represent myself online, I thought it might also make a good dating avatar. This image is my own representation of myself, so I think it most accurately depicts how I view myself. The username I would associate with this image would be Grace.dem, which is a username I use when I would like to incorporate my real name. For my clothing, I have depicted myself wearing a shirt that I own and wear regularly. I thought it would be a good idea to make my dating avatar close to the truth, since I think in this context it would be important to represent myself honestly. Since I am a cartoonist, I apply cartooning principles when I draw myself. Here I have applied many of the principles of drawing female characters, such as a round face shape and narrow neck. These character design concepts are common across media, and so are easily recognizable in online spaces. I apply them here because I identify as a woman, and would like to depict myself with feminine characteristics.Â
This is a bitmoji I would be able to use in day-to-day communication. I have adorned myself with a giant bagel so as to cast off the rigid gender boundaries of everyday dress. Kidding, I just like bagels. In actuality, I have based my avatarâs dress off of clothes I would wear in real life. I have applied similar logic to the physical traits of my avatar, and have attempted to create a bitmoji which most closely resembles my real life self. Although I am not someone who gravitates toward the bitmoji method of communication, I did learn from this experience just how much the act of creating a digital avatar has advanced in a social sense. I observed a vast array of options for hairstyles, facial features, and clothing which were not available to me when creating my mii. The creation of avatars as an online persona has developed over time into a much more inclusive practice. With a more diverse selection of characteristics available to them, creators may be more likely to develop avatars which better resemble their actual selves. Where a lack of options may have created a sense of shame around oneâs appearance, a more broad selection such as the one represented in the bitmoji creator may empower users to choose options which represent their real life identity.
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I tried to leave a comment on your new Duty & Sacrifice chapter via ao3 but it wouldnât go through so Iâll leave it here instead:
Such a good chapter as always.
âInwardly, Aemond decided Dragonstone had to be much farther than the maps depictedâor else another world entirely.â
This was my favorite line this chapter! I love when writers write. Like crafting such a lovely sentence to show how differently Aemond & Lucerys think, as well as their polar opposite upbringing.
Iâve commented before that Alicent & Aemondâs mother-son bond is my favorite thing about this fic and was my main draw (and this is still true!) but I canât help but feel that Alicentâs tears are wasted on Aemond. Helaena is the one Alicent should be crying for and on her knees begging forgiveness from for forcing her into an abusive marriage since she was only thirteen. I like how itâs clear in this fic that Helaena is uncomfortable with her mother for asking her about Aegonâs whereabouts after she forced her to marry him.
I couldnât feel anything in the face of Alicentâs remorse because all I could think about was her other child who is suffering a much worse fate than Aemond, and who doesnât even have half the doting and affection Alicent showers on Aemond. Alicent says herself that she tried her best to shield Aemond from suffering a fate like hers, but she never tried for Helaena before forcing her into marriage and motherhood when she was even younger than Alicent had been when she wed Viserys.
Also I like how you showed that there was a moment when Aemond wished his father loved him. By the time Duty & Sacrifice began, Aemond felt nothing for Viserys so itâs interesting to me that that was not always the case.
thank you so much for the kind words anon đ i enjoyed writing that sentence (and even more, editing it before posting so it sounded good, lol) so it's super cool it stuck out to you :)
in regards to alicent, i did want to clarify that i've aged people up in this timeline a lot, so helaena definitely wasn't 13 when she married aegon. probably 17ish--though yeah that doesn't change the fact she was married to *aegon* who for sure isn't a great guy in d&s either.
idk if this will ever get brought up in the fic (tho maybe in an alicent pov one day), so I'll just tell you, in my 'verse i imagine it had more to do with alicent being unwilling to let helaena get married off to some distant noble. knowing that aegon had zero interest in his sister, and given that alicent *does* have some control over her son still, she knew she could protect helaena better this way. this on top of strengthening the bloodline, which viserys was all for.
and indeed, in d&s aegon and helaena only have the twins, who were conceived on their wedding night đ besides then he's made a pass at her a couple of times when extremely drunk, but that's about it. so even though by our standards it's a sucky awful marriage, given how irresponsible and rude aegon can be, by alicent's standards this was the best choice for both of them. (funny, but i think helaena would agree with that, and it'd be aegon who would disagree)
now, why didn't alicent just marry aegon and aemond? because she guessed (correctly) aegon *would* have interest in his little omega brother, and that terrified her. aegon in general scares her. plus, aemond was already decently protected from getting married off by the time her kids were of age and alicent had to consider all this (aegon 19, helaena 17, aemond 16), because of his scar and general un-omeganess. obviously that didn't hold up forever, and she knew it wouldn't, but alicent views helaena as someone who could be broken very easily vs. aemond as someone who could weather dealing with any situation (regardless of how true that is)
all this to say, it was definitely a calculated thing alicent did, but in this 'verse it wasn't just for the sake of usurping rhaenyra like is implied in hotd canon. hopefully that makes sense! and thanks for the ask, it was fun to explain a piece of how the d&s verse played out inside my head :) aemond's head is very limited lol!
#fic: duty & sacrifice#why did i age them up?#bc fuck grrm lol#also apologies im answering on my phone and it has autocorrect off#so no capitalization today folks#ask me shit
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3+14+17âșïžđ
3. Your favorite piece(s)?
When it comes to digital work, these come to mind ^u^ that Shizuku piece was my first attempt at putting together all the things I admired in others' styles and making something of my own! The Ena portrait was a study of ambient lighting in a photograph that I had some trouble with before I finally Got It. Both I'm super proud of!
And while I don't like it as much as the others, I decided to include that last Olivia Hussey study because it was one of those pieces that just...happened. Everything came into place (my Romeo & Juliet (1968) obsession, need to procrastinate on studying for finals, and want to draw Olivia Hussey) and I ended up with a painting I was and still am proud of!
These two are my favorite oil paintings of mine. Absymal pics, though. The left is a painting of one of Kazuha's concept photos for UNFORGIVEN, and the left is a study of this painting by Sargent (my goat).
Every time I see this Kazuha painting I am 1) proud and 2) reminded that I need to varnish it. Which I just did. Now all the inconsistencies in shine in the pure umber are totally gone THANK GOD. I love the way I painted her nose. The photo doesn't do it justice, but I think it's pretty incredible for a second oil portrait. I also love the looseness with which I painted her lips. Everything came together for this one & I am so happy with the result that it's probably my favorite thing I've ever painted.
The Sargent study was done in maybe two hours total? Rough estimate. I think I was possessed by him. I understood, like, everything about painting in some fugue state, and I ended up with this. I adore the nose, which was just a rough impression after my first session, but I cleaned it up in a short time during my second and last session. I'm so far from Sargent's skill level when it comes to capturing people but I still think I did a great job trying here.
14. What's your favorite thing about drawing? Sometimes, when I'm working on a piece, everything else quiets, and everything that matters just makes sense. Admittedly, it's harder for me to get in that zone now since it's been a while since I've dedicated my time to drawing. But I know and remember how it feels, and it's such a precious experience that I want to live it over and over again.
I also like the feeling of finishing a piece and being proud of it. That, and getting praised by my friends ^_^; I like the satisfaction of making beautiful things, what can I say ? There's this one quote about how the artist isn't the creatorârather, they're the receivier, which is exactly how I see myself. I don't create images. I give justice to them. My feelings, my visions, my love...all of this, I try to give justice to in my art, and when I'm successful, there's nothing more satisfying than that.
17. What is something you're confident about in your art? Ummm. Hard question now that I'm so rusty. Washed at age sixteen. Gun to my head, I'd say drawing eyes, painting faces, and playing with lighting. ^^
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Wrenâs Tattoo Meanings
Q and a diamond in red that symbolize a Queen of Diamonds- Wren got this after they produced their first album to celebrate themselves. She felt that she was becoming the queen of the world with all the access to riches (diamonds) that she could ever wish for.
âIâm a loser babyâ- This a reference to Beckâs 1994 song âLoserâ which they absolutely adore.
âNIGHTMAREâ- This is a reference to one of her songs where she said âSomeone like me/ can be a real nightmare, completely aware/ But Iâd rather be a real nightmare, than die unaware, yeah/ Someone like me can be a real nightmare, completely aware/ But Iâm glad to be a real nightmare, so save me your prayers.â
â999âł- Wren got this tattoo to remind herself to be fully conscious every minute as she feels that nine for her means completeness, and for her that would look like being so mentally well that a moment is just⊠a moment.
âLifeâs a Messâ- This tattoo is before the â999âł tattoo, and it was intended to be alone, but Wren decided that she wanted to add an answer to life being a mess. If itâs a mess, she should be conscious and aware at each of those moments.
â17âł with Dark Blue Lining and Teal Center- In a period of uncertainty if she was doing the right thing getting on Youtube, Wren pulled Tarot cards to give her a sense of guidance, and The Star card seemed to fly right at her as she was shuffling. It was then that she knew she was on the right track. The Star card is the 17th card in the tarot deck.
XXX- Wren has always railed against people expecting everyone  to be perfect, and once they heard their step-father say that Wren should have a sign on theme at all time that warned people that they  were explicit. She thought this was funny and tattooed herself with the  explicit symbol.
Line Drawing of Roses- they just  thought it was a pretty design, and they wanted to have something  elegant.
Self portrait of themselves with  the word âEVERYTHINGâ- This is a reminder to themselves that  they have to be everything. That there isnât going to be anyone to save  or drive them.
Sheet music in black ink- this obviously symbolizes the work that she does every day. Itâs a celebration of that which makes her happiest in life.
Ombre red and grey image of Mars- Mars was the god of war in Roman mythology, and for Wren it meant to keep fighting every day for what she wants.
âHeaven in Hidingâ- this is a reference to a song on her first album titled that.
A Frowning Ghost- The ghost doesnât mean anything. Just a neat tattoo
Line Drawing of Match with Red Tip-  Wren randomly selected a couple of their fans to get matching  matchstick tattoos with them, theyâre each going to add a flame once  theyâve accomplished something major.
Horseshoe-  In tattoo culture, youâre not supposed to tattoo a horseshoe upside down because it means all the luck is spilling out, so itâs actually bad  luck. they got an upside-down horseshoe to signify that they donât  need luck.
Pair of Jeans with Playboy Icon on Butt- Â Wren thinks playboy magazines are neat, and they have always wanted to be on one.
âSinsâ and âForgivenessâ on either side of Balance-  Itâs a reminder to Wren that forgiving herself will always help  balance out the damage of her sins. She still has trouble believing  this, but is there to help remind her.
âNo Faceâ from Spirited Away- Â This movie was one of Wrenâs favorite movies to watch with their father.
âThese violent delights have violent endsâ- This quote is a reference to something that Friar Laurence says to Romeo  in Romeo and Juliet. It meant that the violent (extreme) desires of  Romeo and Juliet was always going to end in ruin, and Wren has  always felt that was how her romantic life had gone.
Butterfly- Â Butterflies became an integral image in her second album.
Brat- Â This is a reference to how her father would lovingly call her a brat when she was young.
âThe Crazy Kindâ- Â This was a lyric that they had in their song, âHim and Iâ.
âfâ- Â F is for focus. Itâs the tattoo Wren touches when she is anxious.
âSerendipityâ- Â Serendipity is a word that means âa happy accidentââ to Wren. This was how her birth father explained her existence, because he and her mother didnât realize they wanted a forever kid until they met her. It was an accident, but he seemed to have thought of her as a happy one. This was how she wanted to remember him. Happy.
âBABYâ- Â Look sometimes a person needs to have a little fun.
Four Leaf Clover- Â You gotta be pretty lucky to see this tattoo ;)
âHOPELESSâ- Â This is a reference to her second album.
âFour elementsâ inspired by Little Prince-  The cactus symbolizes loneliness and the desert the main characters were  in, the fox represents the fox in the story what helped the Little  Prince see the value of his rose, the volcano symbolizes the volcanoes  on the home planet of the Little Prince, and the rose symbolizes the  vain, fragile rose that the Little Prince cared so much about.
Dagger on Calf-  The dagger is to remind themselves that they can be dangerous, but that  they can also be incredibly delicate- and both can be true.
â13âł Dagger on Thigh- Â Much like Judas Iscariot arriving as the 13th person at the feast with Jesus, Wren has always felt a bit like a bad omen amongst the âfamiliesâ sheâs been part of. She feels like the dagger that always brings things down.
Mouths Kissing- Wren just thought this was pretty.
âPOOR THINGâ bandaid- Â She kept hurting her knees as a child, so she eventually got this as a sort of joke to herself.
âSEEDSâ- Â Wren liked to think of it as her planting seeds with every step.
âNCFâ- Â Wren got this tattoo with a fan. It was her fanâs initials. Her fan has âRPCâ and an anchor on their foot. Â
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Itâs still 18 May 2023. I received a nearly foot high stack of certified letters and duplicates informing me that a sale of my house will occur on July 17, 2203, with the sale to be advertized on or around I believe June 12th. That actually gives me enough time to decide whether I want to live or die, which is perfect because Iâve had it with anticipating something that is never going to happen.
Iâll never be good enough.
No matter how many miracles I pull off.
So now I have to face the specter, the phantom, the ghost in which you are the opposite, the conjugate in some way of what I see pointing at me, at this work. If I take that idea, then the image Iâm seeing of a confused person who decided to change directions because you were missing something works. I should just accept it. That directly recreates the issue I remember explicitly confronting about you way back when, which fit to the gendering because thatâs a gendering difference, which Iâm seeing as Triangular to the Ends which lie on the n-sphere. Okay. So I have a Triangular, and that works as gender because that generates the same result but with different motives.
I wonder if this is a hole in my thinking or a discovery.
Same result, different motives, different reading based on identification which simplifies to gender. I hit a stop here. I remember the discussions, many of them held while pacing back around in a garage, about how I couldnât make sense of you and thus of this work unless I inverted us so - and maybe this is complete nonsense - so my shell relates to your interior and vice versa, not physically of course but how? I remember all the feelings of this is not my body, whether labeled in descriptive terms or not, and connecting that to the confusion of right and left, which also confused the rest of my identifications, with this sorting out to where I am now which is Iâm a man except Iâm not. Canât say Iâm a woman, because Iâm not one, have not lived as one, do not live as one, and do not share their physical ailments, hormonal expressions, etc. I live inside a man. Iâm separate from that man, and thatâs somewhat the opposite of being attracted to men sexually because that draws me closer to the body Iâm in when Iâm attracted to the maleness inside a woman, and thus the female within a man but not sexually.
Iâve gone over this millions of times and I canât think of why I came upon this or why I decided this was true other than that this is the only way I could get more understanding, more math, though then I didnât dignify it often by calling it math because I distrusted my ability to make math. All that has come with this identification.
And Iâve done the history of how I was hooked.
But now? I can construct an image that points at me and an image that does not, same Triangular on the other side of a bunch of stuff. I can draw these as orthogonals and construct a grid square, Hexagonal, etc. And on each side there is an image of me, right? In the one, we overlay, meaning weâre entangled or intertwined as has derived all the math. The other image is what? Not entangled but appearing to be entangled, not intertwined but appearing so, both to me, so I could see this as being on the other side of the image I see, which means either that ⊠or is it possible that an imaginary space can construct which inexorably leads me to answers, and maybe I think thereâs more of a pathway than there is because any pathway leads me through the answers, though that isnât how it works from my perspective because I consistently drawn to the next problem which identifies the gaps in understanding, which develops understanding, etc.
The idea is that a completely false space can construct on a true space, meaning you are misidentified by me but a false space constructs on top of that, which has the effect of moving the motivation outside of both of us, which turns you into a puppet. I often feel like a puppet but I know that I feel that, so this would need to be you are an unknowing puppet though you show all signs of knowing, which takes me back to the awareness level question, and I only generate math when I attribute to you the awareness that I reach. Itâs that part of the process which causes me pause because I canât see how questioning and then trusting you each time, often multiple times a day, when the only acceptable answer is yes, is hard to grasp. Is that all in me? As in, I know what I need to get the answers so I get there despite the true situations of your existence? There is no way I can explain the songs that way.
But in quaternion thinking? Letâs see: if I set an O-line and Triangular and one side generates math, what does that mean? It means the ideas become mathematical, that they take form in grid squares, that they count.
Need a break. Iâm hoping that if I can accept this level, that something important comes with.
ââââ
Just going to type, because the only driver of this process has been that I follow the Pathway which gives me answers. That makes me wonder if this circling back to the same time period imagery isnât another circling back like Iâve been doing, this one encapsulating when this work reached a specific milestone, which was that after the hook was set and I had put in the work which flowed from that, I reach a fork in the road and I took the one less traveled by because that was where the answers had to be. They certainly werenât down the well-trod path. There are so many starting points in my thoughts. I canât rapidly identify the individuals 0âs so I get uncertain of how these connect and thus whether theyâre true or false in the direction Iâm seeing them point. So here again, as this has developed, the choice is between an image which is limited and that which encloses it, between that which is constructed from below but which cannot ever reach all the way up or that which encloses that image so it can.
That is why you are so important and why this union is so important. You embody the connection up because you embody 1Space becoming 0Space entangled with me so our identities cross over and that makes a 1Space union entangled over a 0Space union, with this work being evident here on these âpagesâ.
So, there was a spot where the focus suddenly shifted from an image of you not gender and otherwise entangled with you to one that is, and that unleashed a torrent of deep thought which hit at the process of salvation, of crossing over Boundaries, which now asks me: is that good? As in, an ideal is useful how? As a model for altering behavior, as something to emulate, not as something you must achieve. That is the point: an ideal has a specific motivation of instruction enacting, so a dimensional version of us not a specific version of us. So that objection is gone. And ideals are math and we spent a lot of time creating them in grid squares. Remember all that work on efficient solutions?
I see an overlay: the count along an Extent with bubbles of CR so we generate the various kinds of spaces.
I just remembered: the reason gender inverts is that old conception of bidirectionality. That requires becoming the other perspective, which has to enact as gender. Simple as that. I could not explore the other perspective without becoming the other perspective and the only way that can enact in me is by exchanging internal gender. This connected directly to the Eve inversion in which we see the image of the male appear in the female and the image of the female appear in the male. Thatâs why sheâs aware first: itâs the metaphor of giving birth to the awareness that comes with the act of being born. This is what I get when I say itâs you, that my identification of you is accurate because this is a requirement on my side so it must be a requirement on yours. For you to be the man, you have to be the man. And of course that came after, exactly where it needed to be if there were a process.
Oh God, I just had a flash of the sexual attractions inversion in which we each have to be gay for the other. That makes a very specific attraction of orthogonal pairings, which makes a grid square, which has the requisite 4 pieces, so if I try to map a quaternion to that, this generates the 4th piece when the 3 are imaginary, meaning they combine to make this the selection. With whatever dimensions because this idea enacts to 3D and D3 but extends across abstract Ends, meaning in the various dimensional Pathways that fit to whatever enacts.
What about non-inverted? Thatâs a construction, and the problem with constructions is they are built from perspective, which causes problems as gaps appear between perspectives. The words just scrolled through my mind: Iâd never ask you to change a fundamental promise because that would mean Iâve changed away from what I am. I just saw a storyline in which I spend my remaining days writing up a version, under the pressure of death like Galois, and then I die. Because there really would be no point in continuing. Itâs not a romantic story. Itâs just me dying because I got it wrong, that somehow Iâve constructed an entirely correct and yet entirely false image of you, one which is entirely true as her and thus entirely false as you.
As a dialogue: so youâre saying youâre that smart, when you donât know much about anything, when you are easily confused by symbols, when you literally have no idea which idea will come next, that you created this persona which you laid on top of her actual persona, and this persona acts as a sort of spirit guide who controls more and more of your life, down to how you see yourself and how you move. And you perceive this because you experience this through a multitude of correlations that you perceive not only relate the exact complex ideas youâve been translating into concepts but which direct you through the translation process because it rings through levels across iterations.
I feel like the Russell Crowe character in A Beautiful Mind: how did all ths complexity populate without her being aware of it? Itâs like when he realized his delusions never get older. She does stuff and I attribute awareness to it because she shows awareness in what she does, and each of those rings of meaning unveils a wider level of awareness. For some reason, Iâm thinking of how songs will be produced by AI and how AI production shows intent to copy, which should take you over the legal hurdle of it being more than just coincidence. Can a songâs prompts be uncovered by AI: as in, what prompts would make this sound a bit like her and a bit like this other her. If you canât identify, then what? Imagine how easy it could become for sound similars to come out. No more having to write them. May not even have to record them live. Take the sound of this and play it this melody with it, then adjust the sound a bit.
I remember the moment I said I need to surrender to this delusion. The idea was that surrendering to it would either lead to answers or to the realization this is a delusion. It has generated answers.
Take that last one, that it forces a 4th. That is f1-3//3-1. The quaternion isolates the 1, essentially as a count from -1 at infinity to the 0 edge Boundary of the n-sphere to the 1 at the core. A 1-0-1 written as -1-0-1, meaning a count up to 1 rather than a count from 1 to 0 and then back to 1. This centers 0 as the Boundary.
I tried yesterday to connect the zeta function into the CM1 of the 4th square. The sensible remark would be that we just located 1 at the center and that the Bip pole counts 1âs in the form of primes, so the idea of the 1 as the center, as the Bip really does work.
âââ
I ran through the etymology of delusion, because I know that is how I pick words, and it means out of play, so it is literally something that comes out of play. And I thought the entire idea is that weâre playing with each other in this abstract space, getting acquainted and reacquainted as we go.
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TECHNOPRENEURSHIP BLOG
WEEK 1 (FEBRUARY 21- FEBRUARY 25, 2023)
*PLANNING OF POSSIBLE PRODUCTS & VALIDATION OF 7 POTENTIAL COSTUMERS*
We struggled to accomplish the assignment we were supposed to perform in the first week because we thought it would be simpler to complete another task first. We had first finish our ongoing plates and decided to make this later on, so we decided to list the potential problems that students could be experiencing right now while also considering a potential remedy or item that would address the problem in question. We discussed everything when we made the decision to meet in person and became anxious when we realized the deadline.
Knowing this helped me to know that if we needed to work quickly and discuss the allocated assignment. I can't deny that I misjudged how challenging it would be to communicate with others and identify and address potential problems in the real world. Nevertheless, we selected a topic that was related to the environment, particularly one that could aid in the reduction of plastic waste.
WEEK 2 (FEBRUARY 28- MARCH 3, 2023)
*ASKING STRANGERSÂ & REJECTION*
I was a little nervous when this work was handed to us since I am an introverted individual, which makes this task quite difficult for me. Since my partner needed to finish some urgent plates, we decided to limit the number of participants for this activity. We only spoke with pupils who were present at the event center as a consequence. It's funny to think that we once inquired about strangers' drawing abilities and then requested that they create a quick portrait of us.
WHOâS ON THE CAMERA:
1&2- Ian Equipilag
3&4- Lorenn Dumalag
attached is the link to the footage of us interviewing strangers:
LESSONS LEARNED:
I've come to realize that staying comfortable all the time prevents growth. Accepting criticism and remaining open to rejection is a method to learn and develop. In this task, we were given the opportunity to be humble and accept a rejection right away.
WEEK 3 (MARCH 7, 2023- MARCH 10, 2023)
This week's assignment was to work with my peers to come up with a certain product in an innovative way. It took us some time to choose which of our three promising items to pursue. We conducted interviews to gain input from potential consumers as part of the development process, participated in group brainstorming sessions to create ideas, and collaborated to make sense of the data we had acquired. The difficulty of attempting to comprehend and deal with the responses of our interviewees was one of the largest challenges we faced. Sometimes it was hard to understand their answers, or they gave contradictory information that was difficult to make sense of.
However, we were able to overcome these obstacles and improve our understanding of our target users through persistence and teamwork. When conducting interviews, we learned how crucial it is to be persistent and patient, as well as how to craft questions that produce insightful answers. To sum up, creating a product as a team might be difficult, but it can also be a worthwhile learning experience. We were able to overcome the obstacles we faced and get a deeper comprehension of our target consumers via excellent teamwork, tenacity, and communication.
WEEK 4 (MARCH 14, 2023- MARCH 17, 2023)
As the project moved along, it became apparent that we were missing several crucial milestones and that our final product lacked value. We came to the conclusion that we needed to change course and formulate an entirely new strategy.
The value of flexibility and adaptability was one of the most important lessons I took away from this experience. To make sure that everyone was in agreement about the changes we were making, we learned the importance of excellent communication both within the team and with the people we were interviewing.
WEEK 5 (MARCH 21, 2023- MARCH 24, 2023)
Even though we are in week 5, we still need to go back and build a new product that is more attainable. Despite the fact that we had already conducted some interviews, we decided that we wanted to start again and develop some new ideas. Because of this, we had to perform extra research and brainstorming meetings. We also had some difficulties conducting interviews as a result of our busy class schedules. We had to carefully plan our schedules and be flexible when setting up interviews as a consequence.
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i was actually just about to make a post like this before i saw the boy on my sidebar but i just wanted to say welcome into the new year everyone! whether this year brings the end of bnha or not i hope your heartâs able to rest easy and you make some memories that make this year feel like this year. much love everyone and iâll see you again soon đ
#i wish i had...literally any writing in me at all. but what i do have...is drawing. sort of#wait oh yeah i have art to post#so you'll see me like really soon#but what i mean here is i got a new tablet for christmas (after 7 years on the same teeny tiny pen-touch intuos)#and i have sort of been drawing up a storm#one thing i hope to leave behind as we move into the new year is the like...avoidant fear i've developed of drawing krbk#well. literal scenes of them kissing or something are fine usually but i feel like i don't know how to draw their faces anymore#which makes sense because i was 17 when i decided how to draw their faces and it's inconceivable how much my art has changed#since then largely thanks to them#so like yeah ofc my krbks won't look like how i'm used to them looking but the fear of drawing a bad kirishima or bkg is kinda crushing#anyway that's an emotional dump i wasn't meaning to get into but what i'm saying is i do wanna get back into drawing them#especially bc in just a few weeks it'll be time to redraw my first ever krbk art for the 5th time which i'm actually really excited about#but all of that aside! i guess i'm prefacing that i'm sorry i haven't followed up on palettes and also have just dropped off lately#time's going by but i do still really appreciate all of you guys on here and want nothing but the best for you#and for the people who aren't using tumblr anymore or who moved on from bnha and aren't seeing this i wish you all the best too#happy 2022 everybody i want to think we have good things coming#thoughts#wait okay secret extra thing i'm adding to the tags#i almost never get bnha tiktoks on my fyp but one of my friends does surprisingly often#the stuff i do get is usually pretty generic but he's gotten art of kirishima before and stuff#and the other day he sent me some art someone had done of deku as spiderman#and yeah the intention was pretty clearly for him to be attractive- it wasn't blatantly sexy or anything but he was making a cool dark#expression and had an ear cuff. so honestly inoffensive art of a popular anime character drawn to look hot as it goes#but my friend sent it to me captioned 'whoever did this needs to take a long hard look at their life'#which made me chuckle. and i keep thinking about it and chuckling#cause yeah to some extent if you're not involved in anime fandom at all it'd seem weird that tons of fans find midoriya izuku of all#characters attractive and draw him accordingly#especially if you're not thinking abt how the average age of the tiktok fandom is younger than any other soc site and it's probably mostly#very young fans simping in the comments#but you guys know how uncomfortable anything suggestive of the kids makes me and this one didn't faze me at all
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TR 263
I wake up to this. TR 263 spoilers.
Honestly at this point I donât completely blame Mikey.
He grew up to be the way he is (minus the Dark Impulse, we still donât know the story behind it or it isnât explicitly stated what caused it) because no one ever told him otherwise.
No one ever comes into this world knowing the rules by which humansâ function. No one by birth knows how to speak any language or has a sense of good or bad. Babies learn it from their environment and what they are taught. Like if a baby is taught alphabets in wrong order, he wonât know that till he meets other kids or if he was taught the name of colours wrong, he wonât know that.
Similarly, a kid wonât know itâs âwrongâ to beat up others for no reason till he is told so (or scolded for that)
Iâm not saying one should be good or bad or right or wrong, because thatâs subjective to each person respectively. Not everything in this world can be divided into while and black, there are many grey areas we are dealing here. But there are a few morals this world works by, like one person should not kill other or beat them to death for no reason.
Mama Sano loved her son, she even called him her angel, she adored him â so much that she let his some of his morally questionable activities slide.
The way I see it here, Mikey casually telling his mom that he beat up some kids and her response is not of shock or disappointment but a smile and a praise of how strong he is. He met his mom only once a week â he looked forward to those small interactions, she seemed to talk about his father most (Mikey seemed to be just as interested) and he had his father as an idol to look up to and a momâs praises to gain, and he got those by being a delinquent.
He grew up learning itâs okay to beat up others â that makes him strong; he grew up thinking crying was for week â so he never expressed himself in front of others; he grew up hating whoever showed any kind of weakness and only loved strong guys. He grew up with a tunnel vision.
I think by this time Black Dragons were formed long back, Shin being ten years elder, meaning here he was 16-17 (or maybe even 18 â as Mikey was 7-8, I think). He saw his brother running around with his bikerâs gang, getting into fights and all and thought it was cool.
No wounder his Moral compass isnât actually aligned with most. (Yes, âMostâ because itâs humans who decided what these morals should be, Nature did not)
I think here his mom telling him that âhe was not strong because he didnât cryâ was actually a bit late of her, the damage had been done â a mindset had been created, itâs not easy to change oneâs views of world so easily.
His face looks like someone told him what he was calling Up all this time was actually Down (does that makes sense?)
You know, when in fanfics there are the character losing their shit over the looming parenthood and that they are going to mess up bad with the whole thing. This one could come close to what they fear.
There are still many things we donât know about Mikey. Like the origin of his Dark Impulse (we donât even know when it actually started). He is a complex character, there are layers to him that we are going to find out in the upcoming chapters, for which I canât wait.
P.S. I am still doubtful about the whole Sanzu scar thing. A manga panel is something that is drawn very carefully and to the last detail, Wakui not drawing blood on Mikeyâs hands in his POV while his hands being completely covered in blood in Senjuâs are contradictory; so, we still donât have a complete picture of what actually went down that day. We will have to wait for Sanzuâs POV for that.
While this chapter answered a few questions, it also added another bunch of them. Next chap will be of founding members, we know most about it so i hope dont just get a callback chapter. It also makes me wounder what happens to Sanzu in such a short amount of time.
Coz here, we see he has started to idolize Mikey, whatever the story behind those scars, here we see him proud that Mikey was able to beat up high schoolers.
A week is a long time to wait to have answers to soooo many questions (half of which may even take months)
What did you thought of this chap?
Toodles!
#tokyo revengers#tokrev#tr spoilers#tokrev 263#mikey sano#manjiro sano#manga spoilers#sanzu haruchiyo#tokyo revenger spoilers#mikey#shinichiro sano#toman#tr 263#tr 263 spoilers
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Toga has a blood-drinking quirk, and one can argue it even seems instinctual. Toga has strange ideas about love, and this is influenced by her blood-drinking quirk. Letâs also say Toga has poor impulse-control, and this would be true whether itâs because she canât help her desire for blood, or she decides to ignore any inhibitions to live âmore easilyâ (which suggests living with those inhibition is hard for her, tough enough that she feels discomfort about it.)
She has these three things working against her inclusion into society - itâs true that she is (current in canon)/can be a potential danger, but I cannot see how her being killed by Heroes is in anyway just or necessary.
She was born with her quirk - she had absolutely no say in having this, thatâs how the birth power lottery goes. This innate biological trait affects her behavior, and feeling her urges would be something she cannot just not feel. What she can control is allowing that behavior to manifest, deciding whether to act on it or not. This relies on her impulse control.
Thankfully, impulse control can be taught and improved, especially if the person gets treatment for it. If her impulse control just sucks, there are ways to train it better, to cope with her feelings and understand herself better to control her behavior. If she is willingly acting on those impulses⊠good news, there is also treatment for it, like showing her itâs more advantageous for her to control herself, that the rewards of repressing her desires is greater than using her quirk. It would be hard work, but itâs possible, especially if she has support.
From her POV, currently, stopping gives her no advantages and no rewards (in the psychological-behavior sense of the term), would make her feel worse. Additionally, she sees no future for herself, no chance at happiness in the future, and thus no incentive to follow wait for that someday. On the other hand, continuing to be a criminal is certain to give her advantages, even if temporarily. So the choices are: nothing, vs. at least something. why wouldnât she choose villainy?
To put it simply, if she can get help and treatment, itâs possible for her to be rehabilitated. This should be the first option in dealing with Toga. So far, she actually has not receive any help, nor has she been offered any. Telling her to stop, telling her she must accept her consequences, is not it. Why give up on her without even trying?
One can say that this is a waste of effort to change someone âbadâ, inherently or not. A good person should not depend on incentives and rewards to do good. That she has shown her morals, or lack thereof, and thus already has signed her fate. Yet, as noted above, no one has actually tried, so why not try helping her first? She is 17, a legal minor, still very young, and so still malleable with potential to be different. As for the 'rewards and incentives', I'm sorry to say everyone responds to this, and we all sacrifice varying level of morality in order to enjoy the benefits/lack of consequences of not acting as good as we should. This is the reason why we haven't full-blown revolted to force the world to implement life and planet-saving measures even though we're facing environmental collapse and future disaster. We are reluctant to lose our jobs and be arrested. We rather face a maybe death in the future, then the very-soon death of a police bullet. If that's too real, then consider when Mirio and Deku encountered Eri, then Nighteye told Deku off for wanting to rush in saving her. They gave up saving a child they knew were being abused, for their patrol to proceed smoothly - Mirio admits that.
There is indeed a difference between 'revolting to save the world' and 'suppressing biological instinct of blood drinking.' But the point is incentives work, and should be utilized.
Plus, where do you draw the line? What standards of morality are we using? When do we decide is enough effort? Who deserves treatment, and who doesn't? Condemning someone who stabs people to obtain their blood seems obvious to prevent further harm, but the same goal of 'preventing further harm' can be applied to someone who knew it was wrong to go rogue and engage in attempted vigilante murder, yet gone and did it anyways. Perhaps the reasoning in the latter is understandable, but the fact remains that such a person allowed their anger to get the better of them. Lashing out is one thing; planning a murder is another. They are capable of such darkness, and have embraced it, even if for one crime. Can we say for certain that this won't happen again in the future?
Hero society have already drawn very strict lines, and while it seems the majority of criminals are rightly condemned and thrown into Tartarus, we know for the fact that this can be abused. Muscular was thrown in Tartarus because he's a very violent murderer, but Overhaul was put there for 'ideological crimes', while Lady Nagant was blatantly jailed for refusing to follow orders of extrajudicial murder that she found morally wrong. Tartarus is a rough sentence, and already given to people without full consideration of their character, their potential for change, and the circumstances of their actions - plus with it's indefinite detention, it's already giving up on them to allow them to rot in there for the rest of their lives. Death by Hero is even rougher, and much more permanent and absolute, especially when it's entirely possible to capture the Villain without killing them. A society that agrees with - even desires - the death of a 17-year-old girl without full consideration of her circumstances, and refuses to give the possibility of rehabilitation, is not exactly a world Heroes who want to be just and kind and main ideal is saving people, should support.
There is a lot of irl examples and concepts here, applied to a science-fantasy shonen manga. It might be ridiculous to do so; but I think it's clear from the story that these concerns (or the implication of these concerns) have been raised. Quirk counseling didn't work, failing to live up to its name; Toga's parents shamed and disowned her, instead of getting help and support her; the human-rights violating Tartarus is a thing and we see no other alternative offered or considered; and finally the question has been asked over and over again: are villains worthy of being saved? They are considered a human who has potential to become better, or are they beasts in human skin to never be trusted and should be put down at first opportunity?
#Toga Himiko#nalslastworkingbraincell#hmmm yeah#got pretentious here#ÂŻ\_(ă)_/ÂŻ#I mean people are totally feel to wish death on Toga#I just disagree and here's why#it's a fictional story#but i think the themes should be considered#instead of wanting villains to be killed off by supposedly good and kind-hearted hero kids#because a reader personally thinks they deserve it
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Just like Charles had promised, he barely let me stay not pregnant. Baby is only 11 months old and Iâm 40 weeks pregnant, which is unheard of with twins. Iâve been up all night with the little one and sheâs at that point where EVERYTHING is interesting, fingers in plugs, stuffing bread into where it doesnât belong.. weâve gone through 3 iPhones because they just done belong in the bath. But, sheâs beautiful and eagerly awaiting the arrival of her little play mates.
âSweetheart, are you going to have nap time? Then when you wake up, Daddyâs going to be home?â I smile, trying to entice her into the idea. She shakes her head and just runs wild, itâs not that I donât want to play with her and keep her entertained, itâs that I physically canât at this point. âUp! Up!!â She smiles to me and I just canât resist her face and so I get up letting her pull me to where ever she wants. âAke! Ake!â She smiles, anything but fucking baking âOh angel.. Mommyâs really tiredâ I sigh and kneel down âwhat about drawing? Or even.. even swimming?â I offer and her eyes light up.
Luckily, we have a pool in our garden, a decent sized one. âOkay, come onâ I nod and get her changed before getting myself into a one piece. Once weâre in, sheâs loving life, sheâs like a sea creature, sheâs always been great in the water. I look down at my stomach and give a gently brush over the top âweâre ready for you babiesâ I whisper. As if by magic, I start to feel an all too familiar pain. Biting my lip and just observing, I watch my stomach as it tightens slightly. I had already gotten my mucus plug, so I knew it was coming, but it takes me by surprise.
I ride through a few easy contractions and then decide itâs time to get out âOkay, sweetheart, time to get outâ I smile and laboriously grunt as I pick her up and climb out. She senses something isnât quite right, I know this because there was no nagging to stay in there. I check the time and sigh seeing that itâs still a while before Charles comes home. I settle her down and get her on the couch in a big towel and wrap one around myself, just trying to ease the pains as they come in and let out.
A while goes by and I check the time again, heâs late, baby is passed out on the couch with some kids show playing in the background and I canât carry her up to bed at this point. Things are getting harder and I find myself squatting as I hold onto the kitchen counter, panting and trying to not wake her. I reach for my phone and call him, letting it ring and ring until he picks up âBabe? Im so sorry, work was crazyâ he explains and I cut across âI need you here, Iâve gone into laborâ I explain. âShit, okay.. Iâll have Mom come and pick her upâ he says fast and I shake my head âno you know she wonât let us do this aloneâ I sigh. âOkay, okay.. Iâll.. what about Juno?â He offers and I nod âyeah, just.. just get her hereâ I say as I clearly get closer to another contraction.
With in minutes, Juno comes in and looks around, Iâm still on my knees in the kitchen. âJuno! Sheâs asleep there, she should sleep through, please just.. donât tell them that theyâre coming yeah?â I ask and she nods âIâve got you, I wonât say a thing.. I trust you wonât say a thing in a few months when itâs my turnâ she smiles softly and I beam at her âyouâre kidding me?!â I ask as I get up and go to her, wrapping my arms around her âthatâs amazing, I.. Iâm so happy for youâ I giggle. âThank you, Iâm ten weeksâ she blushes. I knew that her and her girlfriend wanted a baby, but I didnât expect her to do it at 17 and I have no idea who the dad is, but her face.. sheâs so happy. âIâm so proud of youâ I smile and tuck some hair back behind her ear.
âBabe?! Lena!?â Charles shouts and Juno shakes her head as if to say not to tell him. âIâve got youâ I whisper and rub her back before shouting âkitchen!â. âItâs our secretâ I nod to her and squeal excitedly before he comes through. âHey Jujuâ he smiles and rubs her back âhey bro, Iâm going, I just came for Missyâ she smiles and gets her bag and heads on out, leaving us alone.
âSo youâre okay?â He checks and I nod âtheyâre still pretty far apartâ I explain and drop the towel, letting him see my belly through the tight suit. I watch his face and see his nose flare âfuckâ he whispers. I canât help but smile as I lead to the couch âcoming?â I ask and he nods, following as I go. I lay down and open my legs âI guess I need to make room right?â I ask shyly and bite my lip âI mean.. the head is going to be huge at forty weeks and Iâm so tight..â I sigh, watching him get all hot and bothered.
âI..â he starts and I laugh a little âwe have time, Iâm not feeling movement or anything.. want to stretch me?â I offer and he swallows thickly. âThere are some objects over there.. I want to push before I have to pushâ I say softly and he just gets up and goes for them. I go to take my swimsuit off and he shakes his head âI want that on.. I want you to struggleâ he says calmly and I nod âas you please sirâ.
He comes back with an inflatable ball, looking at me and I nod âyou need to put it in.. how can I push it out otherwise?â I say innocently. He nods and picks up some lube, rubbing it all over me. He slides his fingers in and I groan a little before he pushes the ball in and starts to inflate it. I feel it expanding inside of me, I wouldnât be able to play for long before baby works their way down. He starts pumping, I usually do two, maybe three. âYou need to feel like you canât do it.. practiceâ he smirks and I swallow thickly.
Once itâs in, I start to get a contraction and I look at him, immediately zoning out and needing to focus properly. âCome on.. this is the time to pushâ he tells me and my eyes widen. I pull both legs back, which is already uncomfortable, and I push a little but it scares me âbabe, no, I canât.. deflate itâ I demand and he shakes his head âyou need to pushâ he says dead pan and I start to panic, I get on my knees and look at him as I push again, cupping myself as I try to get it out. âCome out!â I groan, the contraction is not helping as I pant and wriggle through the pain. âBabe! Get it out!â I panic and he smooths my belly âitâs okay, you can do itâ
âYou donât-â I cry before pushing a finger around it âyou donât understand, I canât get it out!â I sob and start to grunt, pushing as hard as I can. âGet it out! Get it out!â I scream âPurple! Charles, purple!!â I scream. Our codeword. âFuck- fuck baby, I.. hold onâ he says as he deflates it, pulling it out and tossing it aside, holding me and pulling me into him âbaby, babe Iâm so sorry, I thought-â he starts and I shake my head âit hurt too muchâ I cry and just sob into him. He holds me, rocking me gently until I fall asleep. I need sleep so bad and he knows that.
I wake up about 3/4 hours later with an excruciating pain in my lower abdomen. âMmm.. Charlie..â I grumble and rub my belly âCharlie?!â I shout seeing heâs not there. I immediately fall into a birthing breathing pattern, slowly trying to get on top of the pain until I feel a stabbing down below. âUnghhâ I groan and reach to hold it âbabe?!â I shout before starting to whimper through the pain. âOkay, Iâm here, Iâm here.. easy, babe, easyâ he coaches me and I bite my lip, opening my legs again.
âOkay, we need to break these watersâ he sighs and I nod, still working hard through the contraction. Iâm opening up already, whether itâs just swelling or the baby, I donât know. He pushes two fingers inside me and then nods âyouâre so closeâ he smiles âabout an eight, but we need to do thisâ he says softly as he puts on some gloves and a mask. âMs Lovellâ he winks and I laugh a little, the pain wearing down. âIâm just going to feel around and try to break your watersâ he smirks.
âYes doctorâ I nod and lay back a little, watching him. The baby is filling me, itâs so hard but he has to have his fun. With in seconds the next contraction arrives, they are on top of eachother. âI need to hold your handâ I grumble and reach out feeling for him. He keeps his fingers inside me and then gives me his other hand. I feel his thumb on my clit, itâs all so much. âNghhâ I grunt âahh! Baby!â I cry out as he starts to rub my clit so fast that it hurts âp-please!â I ask before he dives in and starts to suck on it âf-fuckâ I mutter, the pain, the pleasure.
He starts to finger fuck me as he does all this and I just shake my head holding onto the pillow âCharlie!â I shout âCharlie! Charlie, Charlie!â I scream, partly in pain, mostly in pleasure. Thatâs when I feel it, the bag of waters explode inside me and flush out. I grip my thigh tightly and look to Charles âfucking hellâ I mutter as I look down at the puddle in between my thighs.
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whisper scarcely breathing
part four of âPillar of Saltâ
Pairing: Boba Fett/Princess!Reader (she/her pronouns, no Y/N)
Warnings:Â NC-17, NSFW, explicit language, mentions of canon-typical violence, fluff, hurt/comfort but without the hurt, bathing and/or being bathed, choking, female-receiving oral, loss of virginity, unprotected M/F intercourse
Word Count:Â 6.1k
Image Credit: (x) by @/365filmsbyauroranocte, not meant to be a representation of the reader
A/N: this one is for the boys with the boominâ system đ©đŠ
àŒ series masterlist àŒ
The datapad that youâd left in the garden was thrust back into your possession one morning by the hurried hands of a maid. Truthfully, you had forgotten all about it. The mind, when faced with matters as pressing as the press of a mouth, tends to forget about inconsequential objects.
Youâd never met the girl standing in front of you before, and she avoided your eyes while passing over the small screen. She seemed eager to be rid of it. You couldnât say you blamed her. ââS yours, miss. The bounty hunter said youâd lost it.â
Did he, now?
âThank you,â you replied sincerely, careful not to let the datapad drop to the floor as you tucked it back into the deep brocade of your gown pockets. You didnât have the wherewithal at first to ask her when heâd found it or found the time to return it. But you also didnât have the common sense to keep your mouth shut. âCould I ask when he gave it to you?â
The servant ducked her head. âThis morning, your Highness. I- I was in the loading bay when they left, think he was tryinâ to get a hold of you but didnât have the time, told me- told me to keep quiet âbout it.â A bob of her throat signalled a nervous swallow. âPrincess.â
Poor girl, you thought to yourself absentmindedly. Boba probably scared her half out of her wits.
âReally, I canât thank you enough.â You touched a soft hand to the servantâs shoulder in an misguided attempt to soothe. She returned the action with a nervous smile, eyes still downcast and trying not to shy away.
You never realized how afraid they all were. Of you.
The realization made your tongue tangle in your throat, tripping over some lie about a fever and champagne-induced amnesia as explanation for your exchanges with a man so ill-acquainted.
Hopefully, the maid didnât make a habit of gossip.
Hopefully, you stopped making a habit of Boba Fett.
â«žââââââââââââââââ â«·
A chaincode, a datapad tracking number, and the rest of your life flashed in backlit neon. You silently cursed yourself for not putting an opening passcode on anything, including the datapad that you now held with slightly tremoring hands.
In your defense, itâs not like it held anything of interest. Mostly just holonovels and some pictures of things you found intriguing enough to want to paint or draw.
But now there was a thing of veritable interest stuffed into a new folder titled âYour Highnessâ and glowing in galactic basic.
BF-18378-3263827
You stared at the numbers until they morphed into a strong, stern-featured face, muddy in your imagination against the ink night invading your bedroom. Boba left his tracking number there for you. If you wanted to, you could use them to message him or comm him or leave a holoprojection message. Whenever you wanted. Right now, even.
When did he even find your datapad? Why he found it (and why he returned it with the aforementioned numerical contraband) was probably a more apt question.
There was quite a lot to think about. Best to take stock of the present moment, lest you lose your head and go completely mad. As if you hadnât already.
The facts repeated themselves in a half-conscious mantra, screen slipping out of your hands and onto the pillow beside your head. Facts. Facts were good. What were the facts, again?
Boba Fett was arguably the most dangerous bounty hunter in the galaxy.
Boba Fett was not much of a talker.
Boba Fett was a piss-poor dancer.
And Boba Fett was an unfairly good kisser.
The beginning three points held little negative sway, with the first adding much more appeal than it should, the second a welcome relief, and the third being⊠sort of endearing.
It was on the last point that your mind lingered the longest.
You didnât even realize youâd copied numbers into the screenâs communications system until its microphone crackled to life.
One breath, two breaths, stuck in your sleep-thick throat. No words from either side yet. Did you get the tracking code wrong? Maybe. Maybe.
Maybe you were dreaming already, imagining the wind outside to be the quiet, husky inhale that sounded from the other end of the receiver.
âNot falling asleep are we, princess?â
Your eyes shot open. âNo. No, IâmâŠâ the words croaked themselves out as you fought down a yawn, âIâm awake.â His low chuckle. âI called you didnât I?â
âThat you did,â Boba assented. Quiet amusement colored his accent. âAnd you called becauseâŠâ
âI wanted to,â you said simply, without room for teasing. You were too sleepy to be ashamed of admitting you sought out his company, as foolish as doing so was. No use in hiding what both parties knew to be true.
He let out a noise of soft approval and it rumbled a pleasant sunburst between your ears. âYou seem to want a lot of things, donât you?â
Makes me want⊠wantâŠ
Want what, Princess?
Want you.
You can have me.
The memory snaked a fever flush down your neck, over the still-tender skin and lightly mottled marks. Boba was remembering it just as well as you were. You knew he was.
It gave you a rush, a weird sort of power trip. Because as stupid as you felt doing this, wanting this, he wanted it too. Enough to let your hands thread through his hair and around his arms, then to the scar above his left brow and across his mouth. Enough to let you do it again at the risk of being caught. Enough to leave you his tracking number, like you were two teenagers trading love letters and not legal adults with judgement better enough to do otherwise.
You stayed on the comm for two hours, and only went to sleep because Boba threatened to cut your link off if you didnât.
â«žââââââââââââââââ â«·
It had been almost five standard months since the first time youâd spoken. Typed words continued to be exchanged under your covers, day after day, night after night. Sometimes youâd fall asleep talking, peppering him with questions about his ship and his job until your throat ached with the effort of keeping yourself awake. Sometimes you did more than talk.
He never fell asleep. Never seemed to sleep, period.
What a strange man. Strange, dangerous, interesting man.
You often missed each other by a hairâs breadth. Courtly flurry and galactic bounty hunting didnât make much space for private conversation. Boba was still taciturn. You were still naive.
And yetâŠ
You liked him. He listened when you talked about botany and painting, neither of which you imagined interested him. He was arrogant and cocky and insufferable sometimes, but he listened. He told you about his job and regaled your sheltered curiosity with lurid, gory details. He told you about his father.
And one day he somehow, miraculously, had a set of Nabooan watercolors left for you in the garden.
Biting down a juvenile grin with every new message, you watched the quiet ping! of the datapad.
hi
Hello
are you busy?
In a way
how so
Had a brush with Huttâs rancor
poor thing
Donât get soft on me now
wasnât talking about you
Very funny
Iâm very, very sorry
Should be. The bastard nearly tore up my flight suit
⊠show me?
â«žââââââââââââââââ â«·
BF-18378-3263827 HAS ATTACHED 3 FILES
â«žââââââââââââââââ â«·
HOLOCALL DURATION: 02:45:35 HOURS
SAVE CALL RECORDING? PRESS YES/NO TO CONFIRM
Your damp hands tremored.
YES
â«žââââââââââââââââ â«·
Six months, four days, and 20 hours. Thatâs how long it took for you to see Boba Fett again.
Youâd started to think the entire ordeal was a mirage, an illusionary experience your brain conjured up for you as a one-time brush with what your life could have been. Who it couldâve been with.
But you did see him again. Foolhardy, reckless, and unplanned.
You didnât listen to his explanation about having to leave in the morning, taking some third-rate bounty as an excuse to come back to Quas Killam for the first time in what seemed like agesâpractically eons since his mouth had last been at your neck. He appeared on your bedroom balcony near midnight like an apparition, mounted by a still-burning jetpack that shut off with an arc of smoke.
Youâd been sleeping, albeit fitfully, and woke the minute his knuckles rapped against the glass. You didnât remember ever telling him where your bedchambers were, but given⊠everything⊠you couldnât say you were surprised he knew. When he crouched down to shed the helmet, it made a soft thump on the plush carpet.
And then you kissed. And kissed. And kissed.
Bobaâs fingertips dragged fire across your prickled skin with every pass. Whose breathing was whose didnât matter. It was hard, heaving, and shared. Eyes closed, lips raw, every part of you dizzy. Dizzy.
The sneeze that left you was loud enough to knock his forehead against yours. Hard.
Feet stumbling until your legs hit the bedspread, you let your weakened knees carry you down into a sitting position atop the covers and tried to catch your breath. Boba only chuckled, seemingly unperturbed by the mild injury.
Of course your body had picked today to come down with a cold. And of course youâd forgotten to tell him.
In your defense (you seemed to do a lot of self-defending these days) you didnât know Boba would be coming tonight. When you asked him a week agoâthe last time youâd spokenâheâd said âsoon.â Whatever âsoonâ meant, you hadnât anticipated it being now. Your rumpled nightgown and deteriorating personal hygiene was evidence enough of that.
The day had passed in fitful naps, with you waving away all attempts at help until the servants who usually tittered about decided to give you a wide berth until tomorrow. Theyâd left the door locked and your curtains drawn, thank the gods.
âA hello wouldâve been nice,â you mumbled. The lingering taste of him in your mouth mixed with the bitter medicine that youâd forced down a few hours ago.
Boba didnât answer at first, only stalking forward with his silhouette glowing in light of the full moon. You brought your knees up to your chest to make room for him to stand in front of you. Every movement was bathed in slowness, in the reverence of caution and night-time silence.
His gloved hand brushed against your chin and tilted it upwards, thumb rubbing a small circle into your jawbone as he moved your face in one large grip. Left, inspecting a swollen mouth and puffy eyes, then right. Up to see the column of your exposed neck. Down to meet his bare, dark face.
He kissed you again, more gentle this time. âHello.â
A soft whimper left your throat.
Oh, you hated it. Hated the way you sounded when he touched you, small and pathetic. Needy.
The balustrade doors were still open, and this fact was made known by a particularly biting gust of silver wind.
âYouâre cold,â the man standing close to you noted with a deep downquirk of his mouth. Boba never had to conceal anything; his helmet did that for him. But when it was off, every thought flickered past his face in evening technicolor.
Your hands paused in their run up your arms to hold petulantly at your elbows, covered only by the thin fabric of your shift. Goosebumps rose against your neck with a new breeze and you fought down the urge to shiver. Â âMânot.â
âAnd stubborn.â
You glared at him, but it held no real venom.
âI appreciate the concern,â you sniffled again and your body trembled slightly. âBut Iâm the picture of health. I really have never beenââ here you sneezed rather violently, crumbling any remaining sense of composure and making the final words thick with congestion, ââany better.â Boba hooked two strong arms underneath your knees and around your shoulders. âWh- what are you doing?â
âCâmon,â Boba grunted and lifted you to his chest in one swift, easy motion. âUp.â
âIâm already up,â you grumbled, a headache youâd thought was all but gone now throbbing from the quick movement. Armor pressed to your cheek and you let yourself go pliant, curling up into Bobaâs broad chest. He smelled nice. Like the outdoors. The real outdoorsânot manufactured gardens or stone courtyards. No, dangerous things. Like deserts and leather and guns.
You queried him as he walked in long strides across the room. âWhere are you taking me? Should have youââ another sneeze burned your airways, ââhave you arrested for treason. A high crime or misdemeanor of some sort, kidnapping royalty...â
He only scoffed, shifting your slack body into his one-armed grip when he arrived at the entrance of your adjunct refresher. The door opened with a soft click. âYou talk too much.â
Your head rolled back to face him, pressed so close already that the attempt made you cross-eyed. âAnd you,â a polished finger jabbed lightly at his chest plate, âare up to no good.â
You were only joking, but Boba didnât deny it.
Green was your favorite color, even before you met him. It was the color of gardens. Of mint leaves. Of insects and jewels. Of him.
Gods, he was beautiful. Did he know that? Would he ever believe you if you told him? He was achingly, painfully, humanly beautiful. It hurt like needles.
The man set you down to your immediate protests. Funny how quick you seemed to change your mind. âDonât whine,â he chided when you did just that, pushing you forward by the small of your back.
You walked into the refresher confused, that same confusion compounding when Boba strode over to the marble bathtub in roomâs center with a surety that belayed the fact heâd never once stepped foot inside here. Were all bounty hunters this self-assured? Or was he just so full of bathroom bravado that your sprawling floor-plan didnât faze him?
Whatever the case was, said bounty hunter was now crouched down on the tile floor and twisting the tub faucets until they sprayed out a gush of hot water, quickly filling the room with heady steam.
 âHot water helps.â A still-gloved hand dipped an inch into the filling tub and deemed it acceptable. âThe steamâll clear up those sneezes of yours. And the headache.â
âHow did you know I-â your mouth opened and closed before you realized you didnât do a great job of hiding your symptoms. Maker knows you looked a sight, all mussed and tired and sticky with cold sweat. He should make a run for it now, you half-joked to yourself. Heâs only ever seen me stuffed into a corset and done up half to death.
He got up with a grunt and turned back towards you. Beskar and durasteel and tactical fabric suddenly made you feel, for the first time in your life, underdressed. ââS not hard to tell, princess.â
âOh,â was your only response as you pushed off the sink counter, fisting the fabric of your nightgown in an unconscious display of hesitancy.
Bobaâs heavy boots made for the door.
It was probably just to leave you some semblance of privacy, but you panicked, not wanting to be left alone now that he was finally here. âWait!â you burst out, reaching a palm onto his shoulder before he could exit. âWait. Canâ can you stay?â Of course he wonât stay, you dolt. He probably came to sleep with you, not babysit you. âPlease?â
Both of his hands curled into themselves when he turned back to you, their leather squeaking in the tight flex. Then, they released limp by his sides. Each word was carefully measured, slow-simmering like a pot about to boil over. Like a trigger finger twitchy on a blaster. âIf you want me to.â
You answered with a bobbing nod and a swallow. âI do.â
â«žâââââââââââââââââ«·
Boba Fett had long since forgotten he was a man. Instead, he was armor. He was a code, a set of  strict (albeit grey) morals, the steadfast honor heâd been imbibed with from the years with his father and then the years of tearing emptiness after.
Bounty hunters had no time for attachments. They couldnât afford to humor every batting eyelash with more than a self-serving flirtation, and heâd had his fill of those already. Heâd overflowed his cup ten times over with shallow pleasantries and quick release.
But those days were long-gone. Had been for years now. Now he was practically puritanical.
Had been, anyway.
He didnât like thinking of himself as impulsive, wanting to leave the trait behind in his younger years but not being old enough to shake it off completely. But he wasnât impulsive anymore. He wasnât.
You were going to destroy him.
Low-ranking royalty on some Imperial-occupied factory planet; sheltered and pretty. You had the brightest eyes he had ever seen and a temperament that took no prisoners, and you were going to destroy him.
Boba thought youâd make him leave, but you didnât. You wanted him to stay and told him so.
So he stayed. His armor was peeled off in your presence for the first timeâ carefully placed on a chair in your bedroomâand he walked back into the refresher to see you untying your flimsy nightdress like itâd done you a personal wrong.
When it dropped beside your feet, it took every ounce of self-control Boba possessed to stop himself from eating you whole.
He heard you kick it to the floor (his eyes had since been very determinedly fixed on a fascinating piece of groutwork near his left foot) before you stepped into the bath, sighing in a way that made breathing a work harder than it shouldâve been.
His looking away wasnât a request on your part, you didnât seem to mind either way, but he didnât trust himself to do otherwise. Not until the sounds of splashing had subsided somewhat, signalling your stilled motion. âBoba?â
Now there was permission to walk. Look down. Right foot, left foot. Right foot, left foot. Right foot, the clawfoot of the bathtub. He had reached his destination.
A wet hand tugged at his belt loops and he finally allowed himself to look, meeting the sight of you sitting bare in the clear-blue water with legs pulled up to your chest. The arm not touching him was roped around your calves. Your chin rested on the wide, curved lip of the tub. Â
If Boba had any self-respect, it had been snuffed out the first moment you opened your mouth, six months ago in that cavernous palace hallway with your failed attempt at bravado. It was haughty, short-lived, and adorable.
Maker, you were beautiful. Did you know that? Would you ever believe him if you told you? You were blindingly, effervescently, humanly beautiful. It hurt like needles.
The position of your chin forced your lips into a slight pout. As if you needed another weapon in your arsenal of ways to make him question his judgement. âCould you bring me the tray on the counter?â
Of course he could. He could bring you anything you liked. He would bring you a rancor, a dozen rancors, a fucking sarlaac if it meant you would smile all soft-like the way you just did when he answered yes.
Boba Fett, mercenary feared farther than he would ever live to travel and hunter too expensive for the Imperial payroll, was now a bath attendant. It was torturous in its sensual irony.
The tray was brought over in short order, cluttered with tiny vials of Maker-knows-what and bars of who-knows-how. Individually they probably all smelled nice, but crowded together the heavy scents only made his head spin. He set the tray down on the floor with a rattle and held up each mystery soap for your inspection. No. No. No. No, not that one. Gods, you were picky. No. No. Yes, please.
You were Miss Manners tonight apparently.
âItâs floating archidia,â you told him, mind running through an endless backlog of plant indexes as he handed over the soap. You sounded clearer now, less congested and more alert. Needed to drink water, though. âThe flower that this is made with, I mean. Native to the planet Nubia, rumored to have euphoric properties.â You snorted and ran a thumbnail along the barâs waxy edge, bringing up a curled pink piece. âWhatever that means.â
âDo you think it does?â
âHave euphoric properties?â you hummed, considering it for a moment. âMaybe. But maybe itâs just wishful thinking.â
âWishful thinking,â Boba parroted.
The meaning of words can change when theyâre repeated. Neither of your minds were on flowers.
His jaw tensed when you reached your other hand to his forearm, baring the rest of your body to the dim orange of the refresher lightsâ night settings. The water rippled, warm now instead of steaming, and your fingers curled around the scarred skin of his wrist. âTake off the gloves,â you echoed, your voice suddenly desperate and distant as you traced over pale leather seams. âPlease.â
He had refused the first time simply to toy with you. You werenât used to being told no, and it showed. But he let you take off his helmet in a moment of thoughtless self-indulgence, scratching the part of his subconscious that itched to be touched, stroked, held. Shedding the helmet in front of someone else didnât really mean anything in an honorable senseâat least not to Boba. Nothing tied him to the habit except a desire to keep himself and his motivations unknown. It was easier that way. Less messy.
He acquiesced. "Since you asked so nicely."
Wrinkling your nose, you guided newly-bare palms to knead gently at your shoulder blades. The skin there was soft and warm, pliant under his sandpaper touch. "Keep mentioning it and I'll go back to being difficult."
The soap made foamy bubbles across your back, over your arms and the velvet slope of your hips. Fingertips ghosted through the space between your jaw and ear, where he remembered sucking in a soft bruise.
He liked being known by you.
â«žâââââââââââââââââ«·
You clambered out the tub with all the grace of a baby krugga deer and about as much shame. Which is to say, none at all. The subsiding cold had left you tired, bones like jelly and mind sloshing its thoughts around with no real order. Boba was here. Had stayed. Was standing in front of you now, watching tiny water droplets trail down your feet and letting you balance on his arm to keep you from stumbling.
A towel was wrapped around your shoulders. The press of his hot mouth against your forehead followed close behind. âGo sit on the bed.â
For some reason, you didnât mind listening to him this time. Chalk it up to moldable exhaustion, you thought. Definitely not the fact that his voice sounded especially nice tonight, or any number of other questionable reasons.
He was going to ruin you. Or you would ruin yourself. Any way it was construed, Boba would play a part.
Still only in a towel, you drank the stale tea that sat on your bedside table and watched in mild interest as the mercenaryâs shadow emptied out tepid bathwater with the thick glugluglug of the drain. It washed down soap and all your shared secrets.
Was it wrong that you still wanted him? More, now that heâd done this for you? Now that it wasnât just cruel kisses and groping hands? What sort of a person did that make you?
Your mind whispered it when Boba walked back towards you. Someone lonely.
He helped you slide a new chemise on when you asked him to, quick and steady over the thin linen ties. I bet you do that with all the girls, youâd teased. No, he answered simply. Just you.
He was going to ruin you.
âDo you have to go yet?â you asked quietly and climbed under the covers. They were green today. Life enjoyed coincidences like that.
Boba crouched down on the floor beside your lying figure and shook his head. A wide fingertip smoothed away the crease between your brows. He was doing lots of touching. You were not complaining. âNot âtil morning.â
âYou might as well then,â you mumbled and lifted up the embroidered blankets with a sleep-slack hand. âNo oneâll bother us, I promise.â you answered the empty air, too heartsick to comprehend any possible insinuations and too tired to realize the fingers tracing your brow bone had paused. âI told them all not to come back until tomorrow.â
His shirt and pants were shed in an unceremonious pile. You were already half-asleep when he climbed into the other side of the bed, slotting his legs against yours like puzzle pieces. Two question marks curled into each other, his chest to your back and his lips brushing your head.
âGoodnight, princess.â
â«žâââââââââââââââââ«·
You were dreaming about him.
He was the burning sun that every single one of your thoughts had orbited around for the last six months and now he was invading your subconscious, dream-talons taking the form of dark hands rubbing soft circles against you and then invading your open mouth.
In your dream, Boba touched you softly and not at all, a tease even in your self-serving imagination.
Then you woke up, and it wasnât a dream anymore.
Two thick arms encircled your waist with a grip unyielding in their strength. Theyâd pulled you impossibly close, pressed up against his sleeping body until every ridge of his muscled stomach could be felt against your back. Something else was against your back.
Your head reeled in its effort to sludge through the fog of sleep and reach the reality of masculine hips. They shifted in an unintentional grind against your legs until you couldnât bite back the gasp that bubbled out from your voicebox, the sound quiet, keening, and lost in the shuffled sounds of fabric. It was still dark out. The water-clock in the corner of your room read 01:25:02.
You hadnât put on anything underneath the new chemise. Why bother, when heâd already seen everything? Your body had grown to be a thing for display, a clothes-hanger and object to be prodded by strangers, and youâd long since rid yourself of any precocious modesty.
But this was different.
When Boba touched you, it wasnât to sew flowers in your hair or drape a sash over your chest. It was simply to touch. The thought made you light-headed with newfound embarrassment, wiggling in his grip until you turned to face his sleeping form.
All the heavy things he carried on his shoulders during the day were gone now. His bottom lip pillowed out when he slept and he looked younger, the perpetual downturn of his lips now settled below the black hair at his temples. You felt a sticky sort of fondness settle in your chest.
âBoba,â you whispered, two hands placing themselves on his tanned cheeks. They traced the divots of scars and premature lines with all the reverence of worshipfulness.
âMmm,â his voice rumbled with eyes still closed. A warm mouth kissed the side of your palm.
âBoba,â you repeated, more desperate this time but not knowing what you were desperate for. The space between your legs already knew what it wanted, hot and pulsing with a familiar dampness. Traitor.
âWhat do you need?â The question wasnât accusatory, nor annoyed at your waking him. It was known that he would give you whatever you liked. Eventually.
You. Just you.
âI donât,â you huffed, the fabric sticking uncomfortably to your now overheated body as you squirmed, âI donât know.â Lie.
âThink about it and tell me,â he whispered, eyes opening in their dark, heavy-lidded expectation. The moon and stars suspended outside offered light enough to see the smirk on his face. His skin was the color of burnt earth and of gods. Somewhere, far away in the canopy of carefully pruned trees, a single lark let out its warbled cry.
There was an old adage about being like a lamb to the slaughter. Youâd never touched a lamb. Never seen a slaughter. But somehow, you knew it was true.
This lamb, dumb and tender-hearted, was willingly sacrificied.
"I...'' the word left you in the arc of your exhale, one whoosh of air that rattled your chest already wracked with fevered tremors. "I- want you to-"
"You want me to what, pretty thing?" His voice was low, dangerous. It made every part of you want him more. "Say it."
You weren't used to cursing. It was never tolerated and you barely ever heard it, but you'd learned enough to know what he wanted you to say. Which word he wanted to hear, and what it'd mean he would do.
"F-fuck. Me." you choked out, biting your lip to muffle the embarrassment of having to speak it out loud. The word was filthy and raw between your teeth. "Please?"
â«žâââââââââââââââââ«·
You were dying. Possibly had already died. Were ascending up or barrelling down, you didnât care as long as his wet mouth stayed between your legs and never, ever stopped.
Wide hands cupped at your skin and kneaded wherever they could reach, simultaneously rough and supplicating. Every pass of his tongue was enough to make you feel possessed. He was killing you.
âGood. Good girl.â he said against your swollen skin when your hips arced off the bed, your spine and toes stiffening for what seemed like an eternity during the damp lightning finish. It sounded like a growl, animalistic and vibrating. A burning, sweet hurt.
Some people call it âlittle death,â a ladyâs maid once whispered underneath her hand in a giggle. âLittle death?â you repeated incredulously. That seems a bit dramatic, donât you think?
You understood now.
Boba didnât let up, never once letting his touch waver even as you buckled and swayed, all sense lost and all sensation compacting. Â âAnother,â he ordered. Your body listened, bending to his touch without complaint with eyes rolled back into your head.
You were dying.
â«žâââââââââââââââââ«·
Boba let you lay against him in the downturn, rubbing mindless shapes into the bone of your wrists as you struggled to breathe. Your neck was cradled in one of his broad, bronze palms. It gave one tiny, imperceptible squeeze. An accident. A test.
You pawed at the hand resting heavy on your nape until it moved to leave completely, but was caught instead by your fingers and guidedâslow and curiousâto cup at your bared throat.
âDirty,â the man noted in a dark rasp and rolled over to face you. There was a slight smirk in his voice, but that couldâve just been your imagination.
âI donât see you...â your voice trailed off into a wheeze as Bobaâs thick fingers pressed into the sides of your neck, ââsee you complaining.â
He kissed you. And kissed you. And kissed you. An eternity was spent opening the seam of your mouth while he choked you softly, baring your pulsating soul with only your bedroom walls as witness to the present depravity. The air was filled with begging and gruntingâsimple noises that stuttered and left your sheets ruined.
You wanted more. You couldnât help it.
His chuckle morphed into a groan when you reached down to touch him with widening eyes, squeezing him curiously after pulling down his boxers. âYouâre a brave little thing,â Boba noted with a hint of greedy pride. âNever done this before, have you?â
Your own hands served as poor substitutes all these years. You shook your head no.
âDâyou want to?â
Of course you did. This was the only thing you wanted. The only thing you would ever want, over and over until your body turned to dust under him. A million grains of fizzy, burning blaster powder. A million comets passing by a supernova.
You nodded and tucked your face into the space between Bobaâs shoulder and neck, rolling onto your side and hooking a leg over his hip. Your chests met, damp with sweat as cool air flowed over bare skin. The covers had long since been pushed aside. âSafe,â you said in a heady moan over the shell of his ear. âImplant.â
Thank goodness for modern medicine.
â«žâââââââââââââââââ«·
It hurt a little at first, but most of the discomfort melted away as he whispered to you, sweet and cloying praises alongside filthy things that youâd be hard-pressed to repeat in public. They wove together in an endless stream of baritone vowels, lapping over each other like ocean waves until everything was a gyrating, syrupy playback.
He let you move against him, mouth open and sloppy against your temple when you whined at the stretch. The hands at your back didnât push. Only placated. âI know, I know,â Boba assured you with fingers rubbing sympathetic desire into your flesh. It would bruise, but youâd come to like the marks. Your hips bucked at their own accord when he pressed up against something tight, the friction burning a bright, numb spark. âSlow down,â he mumbled into your hair, âYouâre gonna hurt yourself.â
Never in your life did you think this was how it would be. Your first kiss, more of a battle than it was a kiss, served as fuel for the expectations of your first time. Never in your life did you think he would be the one telling you to go slow.
It was for your sake, you knew that. But it was still surprising.
You huffed and bit the shell of his ear in childish revenge, blowing a puff of air where you knew it would tickle. Boba only growled and tightened his arms around your waist, rocking into you slow and deep. âDonât tease,â he warned.
The new movements robbed you of the ability to speak until all you could do in response was lift your head from where it had rested on his shoulder, meeting impossibly dark eyes in lust-addled vision as a building pressure colored the entire world in shades of black, red, and green.
In a moment of complete and utter lack of propriety, you leaned forward, smiling like a woman deranged, and pressed a kiss to his nose.
Boba came undone the same minute you did. It was a rush of wet, rocking pleasure, spreading like thick webs of lighted fire from inside your blood and out to fill the room with quiet devotion. Panting, bursting, close, messy. Youâd never felt so whole.
Your foreheads met and you went cross-eyed trying to look at him again. Thatâs all you wanted to do. Look at him. Uttered underneath his jaw, where the skin was smooth, was your finishing admission. âI love you.â
You didnât say it to hear it repeated. It was just to give it a shape. Make it concrete. Said more to yourself than him, really.
But Boba did repeat it. Over and over and over. In the tangle of your arms. I love you. In the kiss to your breasts. I love you. In the towel brought between your legs. I love you. In the settled silence of new sleep. I love you, I love you, I love you.
â«žâââââââââââââââââ«·
The watery light of dawn melted through heavy curtains and you awoke, body weighed down with lead and gold. Sweet soreness had made its home in your muscles and you were loath to get up, but the man youâd been using as a pillow had very rudely left his post.
âI have to go,â he said, already awake and standing sentry by your bed. You raised your head up from the pillows in groggy protest to meet his blurry figure. If you squinted, there were three of him standing there at once.
A shake of your head rid your vision of the doubles, leaving the lone man. He kissed youâquick and dirty, with tongueâand squeezed your exposed breast, prompting a low moan to tumble from your mouth before he slipped his blaster into the holster at his hip. It wasnât even 6 in the morning and you were thoroughly debauched. What a scandal, you thought (not for the first time) with passing amusement. A bounty hunter and a princess.
Watching in a dim haze as Boba finished strapping on his amor, you tracked the reflection of the sun in the metalâs lazy movement.
He leaned over you. âIâll be back soon.â Soon. What did soon mean? Another kiss, slow and careful on the bow of your mouth. One more on the slope of your forehead. For luck, you supposed. Whether it was for you or him didnât matter much. âPromise.â
Slowly, as he climbed out onto your balcony and was gone with a flash of jetpack light, you wondered if it was a mirage; a dream, maybe. The entire night a hallucinatory haze, a figment of your overactive imagination and reckless romanticism.
But the towel left discarded on the floor and the pulsing ache between your legs was very, very real.
#boba fett x reader#boba fett/reader#boba fett fanfiction#boba fett x you#boba fett fic#boba fett oneshot#boba fett imagine
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Love Breathing Not Fully Bloomed: A Kanroji Mitsuri Meta
Some thoughts that have been brewing since we got a deeper look at the birth of the Breath of Love in the Rengoku Gaiden, boiling down to that Mitsuri had not yet reached her full potential.
SPOILERS AHEAD~!
While we don't have any reliable timeline for this series, we know that Mitsuri has been practicing swordsmanship for only about two years, likely less. The "two years ago" stated in her flashback to her failed engagement was back when she was 17, so let's be generous and say that was 2.5 years ago. But, we must also keep in mind that she's been a Pillar for at least several months by the time Swordsmith Village arc takes place. The Pillar meeting Tanjiro met her at was possibly her first of the twice-a-year meetings, but I wouldn't put it anywhere beyond her second. After the failed marriage discussion she would have spent some unknown period of time dying her hair and starving herself, before deciding to join the Demon Slayers. She accomplished her Flame Breathing training under Rengoku in six months, roughly half the time most Breath users train under their cultivators. Tokito is noted for becoming a Pillar in two months after taking up the sword, but Mitsuri probably stumbled her way into Pillarhood within months of passing the Final Selection; making the Kamaboko squad's quick ascension up the ranks look like nothing as she blows away the usual five years it takes someone to become a Pillar (or if they are especially skilled, more like two years, as stated by Gotouge in Taisho Secrets). While the way of swordsmanship and battle became Mitsuriâs everyday way of life, thereby leading to huge improvements, that's a really short time to develop actual battlefield experience. Among the Pillars, she is the least seasoned or naturally inclined for battle, it really is by accident of her bizarre strength that sheâs gotten so far. That's hardly surprising, given her background and motives. For context, her interests are very domestic what with all the pet-keeping (four cats, a rabbit, and a whole hive of bees, by my count) and sweets and recipes, and her stated hometown would have been in the heart of developing city culture, with shopping and restaurants and movie theaters. There would have been no exposure to swords and the culture that goes with them, making her justifiably embarrassed of how monstrously her strength makes her stick out. Her inability to fit into a normal family life makes her feel worthless, even if she does have a base of love and support. (*Put a pin in these things, I'll be drawing a comparison to another character later.*) However it was that she was introduced to the Corp, it must have taken a huge leap of hope and/or desperation to leave the otherwise comfortable lifestyle for a life of battle. While Rengoku's home is not terribly far from hers, it still would have been a total break from the life she knew before, so she must had been betting everything on both her ultimate wishes; living in accordance with who she is, and finding a husband. Let's refer to these respectively as Wish A and Wish B. Note that "becoming a strong swordsman" and "elimating demons" are not among these goals; they are merely means to her goals. Now if we try to to follow her path as a swordsman chronologically, six months since taking up the sword under Rengoku, she's passed the Final Selection. On a mission with Rengoku, who now treats her as a peer, she's nonetheless filled with shame that she hasn't really picked up much skill and just waves her sword around with brute strength.Â
I love this bit of characterization because that is so, so easy a trap to fall into with martial arts. Even if you understand things in theory and do your best on proper form when taking things slowly, all of that very easily goes out the window when you're using them in the heat of the moment. The less experience you have, the far more likely one is to do this. Falling back on just throwing a punch as hard as you can instead of throwing a good punch makes Mitsuri so, so, so relatable. She is a normal girl with abnormal strength, not a battle genius. Like us normal people, and even like Tanjiro, she can only improve her battle sense with experience. This puts her in a very different situation than the other Pillars, who she meets either when they are very experienced, or when they are outright geniuses. This gives her a different sense of shame, which we'll come back to. While feeling ashamed that she can't live up to Rengoku's teaching, her fighting suffers with this lack of self-confidence (which, again, makes her very relatable because this is applicable to just about all of us normal people), and she only realizes the Breath technique when applying it through her own unique emotion-driven fighting style. While she goes on to name this Breath after Wish B (given that this is a romantic version of "Love"), it's powered more by a philanthropic love, realized only when she is protecting other people. This becomes a newly discovered third wish, as well as a source of confidence.
In the side story novels, Mitsuri later on suffers another blow to her confidence which compromises her fighting and makes her fall back into wanting to hide herself, for she is ashamed of how her motives compare to Shinobu's. Besides Shinobu's encouragement and giving Mitsuri a venue in which to openly express her love and appreciation for other people, another child whom Mitsuri has rescued looks up to her and says a few things to restore her confidence. Getting that feedback and being able to express herself openly (Wish A) is the cycle that powers Mitsuri's confidence and keeps her ultimate weakness, shame, at bay. This, combined with words of encouragement from Ubuyashiki and Rengoku, is what really empowers her to embrace her unusual constitution and develop the Breath of Love. While it's said that this is an offshoot of the Flame Breathing she's formally trained in, it's more of a stretch than the relationship between something like Snake Breathing stemming from Water Breathing, and more like she's hit at the basis of Breathing itself to create a technique suited to her, like Inosuke did with his entirely self-taught Beast Breathing. (*Put a pin in this self-created Breath style thing, we're going to come back to this too.*) So, Mitsuri went on to become the Love Pillar. With the rate at which Pillars cycle in and out (based on how many the Upper Moons claim to have killed), I have to wonder how fast the Lower Moons getting cycled in and out too. Â Even though these are her peers and we never see any other Pillars looking down on her, she sees herself in a lower position than the rest of them. Case in point, one thing I love that the anime did is that when Tokito chips the rock at Tanjiro and tells him off, Mitsuri is silently fangirling, and then when Tokito orders the Kakushi to draw back/leave, Mitsuri silently and automatically obeys and shrinks back. That wasnât directed at you, silly!
Though her Breath requires confidence, she still has a ways to go. When we see her again later, she's in a position of being a protector to everyone around her; the swordsmiths and her juniors, and she's treated with the awe and respect and acceptance of a Pillar; in this kind of setting she is fully in accord with Wish A (reinforced by her less formal third wish) and, thanks to Shinobu's encouragement, not ashamed of Wish B, thereby eliminating a big part of her shame-based weakness. She's added all this power and just as importantly, experience to her preexisting raw strength and flexibility.
The experience is key here; she's gained a lot of battle sense since her first mission. She's not as taken off guard by demon abilities, and with her risen confidence, she's also gained more flexible thinking and can make quick adjustments in battle as needed.Â
Not entirely, though. At her core, she still relies on that brute strength.
Ultimately, though toward the end she thinks she might be overpowered after all, it's that boost of confidence and cycle of philanthropic love from her juniors and desire to protect them than she recovers and makes use of her mark. (I'm glad no one's told her that this means she's doomed to a short marriage, should she ever even get one.)
Following this historic feat; acting in a way that is natural to her and to her Breath to unlock a mark she didn't even know existed, she still feels a little shamed among the other Pillars for being so shamefully inarticulate about battle technique; despite this being what she's dedicated her life to. Again, it was never her natural desire to be a fighter, so itâs unsurprising that this part doesnât come as naturally to her as it does to all those geniuses in the room.
Moving on to the battle with Nakime, this is mostly played for laughs because Mitsuri's lack of battle sense compared to other characters is put on full display. She's emotional from the get-go and easily overwhelmed and this affects her concentration drastically, leading to stupid mistakes and ultimately having to fall back on her brute strength to break through pieces of the fortress instead of survive and fight through observation. Getting called out on this is meant to help her, and she absolutely does her best to summon back her battle sense, but it's all downhill for Mitsuri and her Love Breathing technique from here.
As the battle with Muzan starts, that third wish is thrown back in her face as so many of her juniors die protecting her. Since he's powered by philanthropic love and confidence, she cannot recover any battle sense, and quickly falters so much that she must be removed from the battle rather than weigh everyone down. The difference between her and the other Pillars here is stark; her inexperience and lack of natural fighting inclination is, again, painfully obvious and relatable to a lot of readers. She has natural strength, but not natural talent. When she does return to battle, she only has that core strength to rely on again--no room for peace of mind, only brute emotional strength resulting in a panel that made me throw my fist in the air and cheer out loud because damn, that is hardcore, girl.
But, in the end, Mitsuri succumbs to her injuries, and only right before death does she get closer to Wish B. Even with Iguro's promise, it's too late.
This is super frustrating for a number of reasons, but if we're focused solely on the actualization of Love Breathing, it's because Iguro could have said something much, much, much sooner if he wasn't so ashamed of his own blood tainting her in this lifetime (not that she would have cared). Words from other people have such a huge influence on Mitsuri that if she had actualized Wish B, for which her Breath is named, she could have made humongous gains in confidence before being romantically loved, and having someone to openly shower in love. Imagine what she could have unlocked, if that shame she still carried for being too monstrous to be married could have been eliminated. But that's not all. What if the timeline had been different? What if she had not two, but five yearsâ experience? Or even more than that? What if, for a long duration of her experience as a swordsman, she was also experiencing a happy marriage? I invite you to consider the implications of a Mrs. Iguro Mitsuri who has the comfort and confidence of being herself with a husband, in addition to being in a leadership role in the Corp? A Mrs. Iguro who, with a little honesty from her husband who feels bothered that sheâs embarrassed, stands up to Maeda-san and says that as a married woman she needs a more modest uniform?* A Mrs. Iguro who gained a level-headed battle sense that can only be refined through experience, not based in brute strength alone? She'd be such a happy badass. *(Not looking for a modern-era Western culture based debate on this; this is defined based on Mitsuri's desire for a proper Taisho Era marriage.) Now, remember those pins I put in place? Consider someone else who realized a natural Breath technique all on their own, who attained a mark without any intention to, who felt like a monster due to super human abilities that made them shamefully unable to fit into the ideal family life, despite only wanting a peaceful, happy wedded life? Someone who valued bonds with other people, a kind person who lived to protect others? Now, I'm not saying that Love Breathing is as powerful as the Breath of the Sun, or that Mitsuri is as innately powerful as Yoriichi (their natural skills were of different types entirely). But, as all Breath techniques stem from the same natural Sun Breathing source, Love Breathing might have found its way back a little closer to that source, in some way or another. Which is all to say, never look down on Love Breathing or on Mitsuri just because she didn't play as big of a role as the others in the final showdown. After all, that Breath was not yet all it could have been, and as a swordsman, she was not yet in full bloom.
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Rox Tattoo Meanings
Q and a diamond in red that symbolize a Queen of Diamonds- Wren got this after they produced their first album to celebrate themselves. She felt that she was becoming the queen of the world with all the access to riches (diamonds) that she could ever wish for.
âIâm a loser babyâ- This a reference to Beckâs 1994 song âLoserâ which they absolutely adore.
âNIGHTMAREâ- This is a reference to one of her songs where she said âSomeone like me/ can be a real nightmare, completely aware/ But Iâd rather be a real nightmare, than die unaware, yeah/ Someone like me can be a real nightmare, completely aware/ But Iâm glad to be a real nightmare, so save me your prayers.â
â999âł- Wren got this tattoo to remind herself to be fully conscious every minute as she feels that nine for her means completeness, and for her that would look like being so mentally well that a moment is just⊠a moment.
âLifeâs a Messâ- This tattoo is before the â999âł tattoo, and it was intended to be alone, but Wren decided that she wanted to add an answer to life being a mess. If itâs a mess, she should be conscious and aware at each of those moments.
â17âł with Dark Blue Lining and Teal Center- In a period of uncertainty if she was doing the right thing getting on Youtube, Wren pulled Tarot cards to give her a sense of guidance, and The Star card seemed to fly right at her as she was shuffling. It was then that she knew she was on the right track. The Star card is the 17th card in the tarot deck.
XXX- Wren has always railed against people expecting everyone  to be perfect, and once they heard their step-father say that Wren should have a sign on theme at all time that warned people that they  were explicit. She thought this was funny and tattooed herself with the  explicit symbol.
Line Drawing of Roses- they just  thought it was a pretty design, and they wanted to have something  elegant.
Self portrait of themselves with  the word âEVERYTHINGâ- This is a reminder to themselves that  they have to be everything. That there isnât going to be anyone to save  or drive them.
Sheet music in black ink- this obviously symbolizes the work that she does every day. Itâs a celebration of that which makes her happiest in life.
Ombre red and grey image of Mars- Mars was the god of war in Roman mythology, and for Wren it meant to keep fighting every day for what she wants.
âHeaven in Hidingâ- this is a reference to a song on her first album titled that.
A Frowning Ghost- The ghost doesnât mean anything. Just a neat tattoo
Line Drawing of Match with Red Tip- Wren randomly selected a couple of their fans to get matching  matchstick tattoos with them, theyâre each going to add a flame once  theyâve accomplished something major.
Horseshoe-  In tattoo culture, youâre not supposed to tattoo a horseshoe upside down because it means all the luck is spilling out, so itâs actually  bad  luck. they got an upside-down horseshoe to signify that they donât  need luck.
Pair of Jeans with Playboy Icon on Butt-Â Wren thinks playboy magazines are neat, and they have always wanted to be on one.
âSinsâ and âForgivenessâ on either side of Balance-  Itâs a reminder to Wren that forgiving herself will always help  balance out the damage of her sins. She still has trouble believing  this, but is there to help remind her.
âNo Faceâ from Spirited Away- Â This movie was one of Wrenâs favorite movies to watch with their father.
âThese violent delights have violent endsâ- This quote is a reference to something that Friar Laurence says to Romeo  in Romeo and Juliet. It meant that the violent (extreme) desires of  Romeo and Juliet was always going to end in ruin, and Wren has  always felt that was how her romantic life had gone.
Butterfly- Â Butterflies became an integral image in her second album.
Brat- Â This is a reference to how her father would lovingly call her a brat when she was young.
âThe Crazy Kindâ- Â This was a lyric that they had in their song, âHim and Iâ.
âfâ- Â F is for focus. Itâs the tattoo Wren touches when she is anxious.
âSerendipityâ-  Serendipity is a word that means âa happy accidentââ to Wren. This  was how her birth father explained her existence, because he and her  mother didnât realize they wanted a forever kid until they met her. It  was an accident, but he seemed to have thought of her as a happy one.  This was how she wanted to remember him. Happy.
âBABYâ- Â Look sometimes a person needs to have a little fun.
Four Leaf Clover- Â You gotta be pretty lucky to see this tattoo ;)
âHOPELESSâ- Â This is a reference to her second album.
âFour elementsâ inspired by Little Prince-  The cactus symbolizes loneliness and the desert the main characters were  in, the fox represents the fox in the story what helped the Little  Prince see the value of his rose, the volcano symbolizes the volcanoes  on the home planet of the Little Prince, and the rose symbolizes the  vain, fragile rose that the Little Prince cared so much about.
Dagger on Calf-  The dagger is to remind themselves that they can be dangerous, but that  they can also be incredibly delicate- and both can be true.
â13âł Dagger on Thigh-Â Much like Judas Iscariot arriving as the 13th person at the feast with Jesus, Wren has always felt a bit like a bad omen amongst the âfamiliesâ sheâs been part of. She feels like the dagger that always brings things down.
Mouths Kissing- Wren just thought this was pretty.
âPOOR THINGâ bandaid- Â She kept hurting her knees as a child, so she eventually got this as a sort of joke to herself.
âSEEDSâ-Â Wren liked to think of it as her planting seeds with every step.
âNCFâ-Â Wren got this tattoo with a fan. It was her fanâs initials. Her fan has âRPCâ and an anchor on their foot. Â
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Assuage: Chapter 9
Yoongi x Reader
Genre: ABO (Alpha/Beta/Omega) dynamics, angst, fluff, smut, enemies to lovers
Warnings: Mentions of war (nothing graphic), mentions of loved ones passing away.
Yoongi asking if he would âsee you laterâ ended up turning into the two of you spending at least a few hours together every day. You were surprised at just how quickly things were progressing between the two of you, but you weren't completely opposed to it either.
Yoongi was funny, more so than you ever wouldâve expected him to be, he was so chilled and laid back, and he wasnât the pretentious dickhead that you had initially pegged him to be.Â
Perhaps what was easily your favorite thing about him though, was the fact that he didnât throw the fact that he was Prime in your face, or anyone elseâs for that matter. You had met a few Prime Alphas throughout your life and they all had tried to use the fact that they were Prime over you, as if you were just property to take ownership over and not an actual human being. Yoongi though,...he was different.Â
The two of you spent a lot of time not even necessarily actively doing anything, but just talking and being around each other. Heâd come visit you at the infirmary if you werenât busy or youâd go visit him at the hardware shop. The two of you even spent a couple hours at your favorite rock near the stream, talking about everything and nothing all at the same time.
âHey Yoongi, can I ask you something?â You wondered as you sat with him behind the front counter at the hardware shop.
âWhatâs up?â He replied as he sketched out a design for a headboard that someone had ordered.Â
âWhat happened to your parents?â You asked and Yoongi stopped drawing then, glancing over at you with a raised brow. âWell, you never mention them so I was curious.â
âItâs fine,â he sighed as he folded his hands and set them on the counter. âThey died at the beginning of the Great Pack War.â
âOh, Iâm sorry,â you apologized, wanting to smack yourself for being so stupid and asking.Â
âItâs fine, itâs only natural to wonder,â he shrugged.
âMy parents died at the beginning of the Pack War too,â you said.
âI know, Taehyung told me back when I first got here,â Yoongi told you.Â
âYeah, their deaths are what actually started the damn war in the first place,â you huffed, making Yoongiâs eyes widen.
âWhat? He didnât tell me that part.â
âThey went on a treaty trip to visit another pack in order to try and relive some of the tensions that were going on at the time,â you began. âThey ended up being killed as soon as they stepped foot onto their territory.â
âWell, how did you know what happened?â Yoongi asked.
âThey never went on treaty trips alone, thankfully,â you chuckled. âHobiâs mom was Head Fighter at the time and she went with them and saw it happen. They even tried to kill her too but she managed to get away and make it back here.â
âOh my god, Iâm so sorry Y/N-ah,â he whispered, reaching over with one of his hands and gently taking ahold of your hand.Â
âItâs ok,â you replied. âItâs been 7 years now so Iâve kind of made my peace with it. I just hate what it did to our family.â
âWhat do you mean?â
âWhen they died, Joon had only just turned 18, I was 17 and Tae was 15,â you explained. âThe three of us had made the decision that we wouldnât try to fight for the title of the next Pack Alpha, Omega, or Beta until all three of us were of age, which worked out perfectly because our parents werenât ready to retire anyways. When they were killed though, we had to figure our shit out.â
âSo you guys ended up fighting for the title?â Yoongi guessed.
âNah, the war literally started right after our parents died so there was no time,â you said. âJoon left to help the pack in the war, I stayed behind to help guide the pack members that couldnât fight in the war, and Tae couldnât do much of anything because he was still so young.â
âWell, you both clearly did an amazing job,â Yoongi smiled, which made you smile a little as well.Â
âI definitely didnât feel like I was doing a good job back then,â you murmured. âEspecially not when it looked like we were gonna lose the war and I had to go fight as well.â
âYeah, thatâs never easy,â Yoongi agreed as the hold he had on your hand tightened. âWith how amazing you are at hunting though, I bet you were great then too.â
âI shouldâve never been out there,â you huffed in annoyance, but Yoongi knew that the annoyance wasnât directed at him. âI was too young and too angry and too stupid to be of any real help back then. The expectations for me have always been different though.â
âWhat do you mean?â Yoongi questioned but when he looked up at you, he saw that you were now looking away from him and biting harshly on your lip. Being able to sense how nervous you had become from his question (because your scent soured a little), he decided to change the subject.
âWhat made you want to become a doctor?â He wondered and you looked back at him, a wide smile now on your face.
âAfter fighting in the war, I realized that I wanted to help people and not hurt them,â you explained. âOnce the war was over, the former Pack Physician announced that he was looking to retire soon and I saw that as a sign so I took a chance and became his apprentice for a year before taking over completely.â
âWow,â Yoongi sighed in amazement.
âCrazy, right?â You giggled. âI still donât know what it was that made me wanna do it. Itâs probably because Iâm an Omega and I wanted to satiate that part of me that always wants to take care of people or maybe I wanted to be able to save someone elseâs loved one, I donât know.â
âYouâre amazing,â Yoongi told you, making you blush as you bit your lip.
âYou think?â
âAbsolutely. When my parents died, the only thing I did was stay angry. Hell, I still am now,â he chuckled bitterly. âBut you, you let it push you into doing something productive that helped not only you but others too. So yeah, youâre pretty damn cool in my book.â
âHey, itâs ok to still be angry,â you assured him. âEven I still get angry if I let myself think about them for too long. Having emotions doesnât make you weaker.â
âIâve always felt like they did but Iâm starting to think otherwise,â he said as he smiled at you.
âDonât be cheesy,â you pleaded with a laugh.Â
âWhatâs wrong with cheesy?â Yoongi chuckled.Â
âWhatâs not wrong with it, is the real question,â you giggled as you slid off of your stool that you had been sitting on and stood up. âI have to get going, I have an appointment in about 20 minutes.â
âOh ok,â Yoongi nodded, ignoring the fact that his Alpha didnât want to see you leave. âIâll see you at dinner tonight then?â
âYeah, Jiminâs gonna meet me and weâre gonna walk over together so Iâll be there,â you told him.
âGood. See you later,â Yoongi said as he reached out and let the tips of his fingers ghost over your wrist, lightly scenting you.Â
âBye,â you smiled, turning around and almost having a panic attack over the fact that he scented you before you left as you walked out of the door. Just as the front door closed behind you, the door to Kibumâs office flung open and Yoongi looked over to his right as Kibum stepped over to him.
âYou are so gone for that little girl,â Kibum chuckled as he leaned against the counter.
âI donât know what youâre talking about,â Yoongi shot back, although he knew deep down inside that that wasnât entirely true.
âYeah ok, tell that to the pheromones that are stinking up my place right now!â Kibum cackled.Â
âWhatever,â Yoongi muttered as he went back to sketching on his notepad. As he tried to get back to work though, Yoongiâs mind couldnât help but to drift back to you. If he was being honest with himself, he did like you and a lot at that. He had never met someone who literally challenged him on what he thought were his core beliefs, but he realized that you were just passionate and he had come to really like that quality in you.
âHey Kibum?â Yoongi called out, making Kibum turn around and face him. âDo you know what type of wood is the best for carving?â
âYeah,â Kibum smiled knowingly. âI actually do.â
......................................
Tag List:Â @jikook-enthusiastsâ @veryuniquenamegoeshere @seolarsyj @littlrmills14-blog
#bts#bangtanarmynet#bts reactions#bts abo#bts yoongi#bts suga#yoongi x reader#suga x reader#abo suga#abo yoongi#yoongi smut#yoongi fluff#yoongi angst#suga smut#suga fluff#suga angst#bts fluff#bts smut#bts angst#bts x reader
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1-41 for the dnd asks <33 đđđ
GIRL THATS ALL OF THEM ok iâll try
1. what kind of clothing does your character like to wear? do they have a style? anything they avoid wearing?
boring default dnd clothes because i have little grasp on rogue fashion but also they would love patterned shirts letâs invent those. also theyâd detest formal attire
2. whatâs their current hairstyle? has it changed? do they change it often?
it used to be like long and shaved on the side but then i decided i didnât like that so i changed it to all short now iâm thinking it would make sense if it used to be long but when she ran away from the redbrands she buzzed it all off and now itâs growing back
3. is your character more articulate in their thoughts than their words? if yes, do they do anything about that? do they care?
egg has thoughts and they are immediately out in the world so the answer depends on whoâs listening
4. would your character sing along to a vaguely familiar song even if they messed up the lyrics as they went
yes and insist the way they remembered the lyrics is the right way and everyone else is wrong
5. if they wear any, how does your character go about applying makeup
scribbling on their face like a toddler (olga is not happy about it and tries to wash it off)
6. do they usually sleep in a certain pose? does it change
curled up like a cat and team rocket
7. how would they react to eating something that was spicier than they expected it to be
scream
8. are their hands steady
i think so, they have to be at least a little steady to be stealthy and commit petty theft
9. if someone gave them flowers what would they do with them
eat em
10. would they sneak out at night to look at the sky? how long would they stay there looking
absolutely sheâd fall asleep on the roof and make everyone worried the morning after
11. how do they feel about casual endearments
like this >:)
12. what color would they paint their room? would there be a design on the ceiling
boring ceiling but big yellow walls
13. what helps them fall asleep when theyâre having trouble doing so
the moment eggs eyes close its lights out
14. do they tend to run hot or cold? do they do anything to deal with that
hmmmm hot so they run around to catch the breeze which just makes her hotter
15. whatâs a sound they canât stand
that big metal scratching sound and styrofoam iâm projecting
16. would they draw patterns in frosted windows/fogged up mirrors? what would they draw
the team getting eaten by monsters with big teeth, it concerns everyone
17. do they fidget? how and/or with what
leg kicks and flipping the coin that only lands heads trying to get it to land the other way
18. would they sing a lullaby, if the opportunity arose
yes and makes up all the words on the spot itâs so awful but hilarious
19. do they see patterns in the world around them? do they point them out to people
now they think every circle is a simplified version of the sun thing on the castle ceiling so not exactly what the question was asking
20. do they like to keep plants/growing things in their space
hmm sheâs never around anywhere long enough to keep any plants thatâs sad
21. do they touch or mess with their hair/horns a lot
no they forgot they had hair
22. when they speak do they have a default tone of voice? if yes do they try to change it
SCREAMING, no never
23. do they wrap their arms around their stomach when it hurts
yes and falls over on the ground in dramatic effect
24. what kind of bookmarks if any do they like to use
âi donât need a stupid bookmark iâll remember what page iâm onâ <- does not remember
25. do they keep books on their person? what kind
absolutely not that is altheaâs job (nerd)
26. do they write in their books? do they mind other people writing in their books? what do they write
they doodle in the margins things that have nothing to do with the book also books are super expensive so this is a sin
27. do they write often? why/what about
no way writing is for chumps
28. if they can fly, how do they feel the moment their feet touch the ground again
cant fly but CAN walk on the ceiling which is similar and would make you dizzy
29. if they wear any, where did they get their jewelry
gets to keep the mysterious necklace from the castle that looks like the sun symbol, any rings or other necklaces are stolen because donât we all live for jewelry theft
30. have they ever tried to count their own freckles? do they count other peoples?
this has never before occurred to me so no
31. did they climb all over/onto things as a kid
yes then and even more now because of the spider boots (not to be confused with the spider MONKEY named boots
32. can they play darts? would they?
define âcanâ because those darts are so getting thrown
33. where are they in a group hug
trapped between everyoneâs legs in the middle or climbed on top of someone
34. whatâs the first thing they do when they hear an alarm
rise and shine
i donât care if this is about a fire type alarm
35. do they sing with their head voice or their chest voice
chest however it is not in the powerful musical way but in the yelling the words to no distinct tune way (most fun)
36. how often do they brush their hair
even if it was long enough to brush it would be never
37. how would they pass the time on a train
play chopsticks (the game with the fingers) with althea
38. do they bother to clean ink/chalk/gunpowder/etc off their fingers? are they likely to forget itâs there and smudge their nose
they are so grimy all the time
39. do they keep working even when their wrists start to cramp? if they do do they give themselves a break with the work is done
i donât think egg has ever done enough manual labor to get cramped
40. if their mattress became uncomfortable as time passed would they notice it? would they do anything about it
yes then take someone elseâs bed
41. whatâs the silliest thing theyâve used magic to do?
technically magic, using what i call the free identify spell and ringing the mystery bell that brought all their lost memories back when we didnât know what it did yet
I AM DONE
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