#which makes no sense in canon but consider

[batfambrainrotbeloved]

More DSB headcanons (because I wanna)

- Cardinal is either surprisingly docile or incredibly violent with criminals/rogues/villains. No in between

- Tim will just mail random shit to people he doesn't like (rats to Ra's, roaches to Lex, a card that tells the Joker to "fuck off and die in an alley")

- He has run into Lady Shiva at some point and has surprised her with the fact that he knows some of her moves (idk if you know but he trained with Lady Shiva for a little bit in canon)

- His accent switches on occasion to something totally random

- He gets weirdly calm during rogue attacks, and it freaks the Batfam out because "how the fuck can this bratty rich kid do this so well???"

- Not specifically DSB but he plays Project Sekai because it helps with hand eye coordination

-🎭☕

(no this is definitely not because I saw the post that you had 11 asks and I wanna change that)

OHH Love these- and thank you for filling my ask box, always appreciated <333 ____________________

True! Though Cardinal doesn't actually deal with rouges as often (the bats are always quick to cover that front and they try not to cross work paths unless nessicary, aka why the riddler fight was so far "from the usual") They are the silent hand behind the scene, and the ocassional "ghost of christmas future" like with Arthur.

The most "docile" Cardinal is, is towards Catwoman where they will pop in on her mid robbery, just stare for a sec- and then dip. And the most agressive probably with Black Mask/Joker (which yall will see eventually :) ______________________

Not something I considered before, and id say Tim has definently fucked with old foes for the hell of it- BUT he does specifically avoid anything close to the leauge, The last thing he wants is to be on Ra's radar on top of all the other bs he deals with.

But mailing bananna cream pies with small explosives to a joker hideout?? Yes. ________________________

YES- I actually touched on this a little bit (the training not the meeting) but I do think they've run into eachother. But that Shiva, unlike most of the other villains/antagonistic characters- seeing behind the mask? She was interested- but left it alone

MUCH to Tims utter relief. __________________________

Yes. Elaboration not needed, though I will say he rarely slips up when hes "in the zone" but relaxed?? You best believe he's suddenly french ________________________________

Actually? Kind of normal for Gotham- I find it wild that growing up in a city with like a 40000% higher than natioal adv crime rate, that you ARENT in some way numb to it all.

Its less common in the elite because well, they have money to stay away from it all. But its not TOO out there- its just that "Huh guess Timothy is one of us more than we thought??- wild" _____________________________

Tim is like me in the sense of "cant-play-games-alone" or else painfully aware of every milisecond ticking by that you arent being "productive" (exception being minecraft)

But game night @ Obis?? You best believe that Alan is a GOD at beat saber, and show him Project Sekai??? Hes going to make it a personal challenge ____________________________

[rmbunnie]

It's most likely just Starlin trying to get to Jason dying faster because he did not like Robin, but the whole "Jason's spiraling because of his grief for his parents" thing they were trying to spin was honestly really weird, not supported by the rest of the run INCLUDING the parts Starlin wrote, and kinda reads like an unreliable narrator situation because all of the information supporting it is given through Bruce's narration, him speculating on Jason's thoughts and actions.

The plot thread of Jason's grief for his family affecting his behavior shows up like TWO issues after Jason first becomes Robin back when Collins was writing, and gets sorted out after one conversation where Jason gets to confront Bruce about hiding his father's death from him for 6 months. After that Jason is behaving normally until they encounter three predators in a row, and each time Bruce insists that they can't do anything because of The Rules and assorted red tape/diplomatic immunity plotlines. (The sister of a woman who got dismembered actually tricked the violent-misogynist killer who dismembered her sister (and then got his serial killings dismissed through a technicality) into attacking her, and ends up killing him in self-defense, and then Jason's like "seems fair" and Bruce is like "no. it's NOT. we need to follow laws and not take justice into our own hands. which like wtf Bruce! you are a vigilante who just used a custom tank to fight an evil televangelist! who then got ripped to shreds by his followers while you watched!)

Bruce kinda just decides with Alfred that it must be grief upsetting him and not the dozens of brutally killed women and their predatory killers who the law inexplicably protected, (all written by Starlin, so retconning it for DitF like five issues later would be an odd move) but the only text claiming that's why Jason was upset is from Bruce's POV and through Alfred's dialogue. Jason himself doesn't display any signs of grief in the story itself, or even act or speak in a way that alludes to Catherine and Willis beyond looking at a picture of them and smiling fondly while he sorts through their possessions. He kinda just happens upon the box with his mother's info by chance, and is like ok i guess we're doing mom searches now. He was only going for a walk through his old neighborhood, not actively searching out info on his family. When Jason is deciding whether or not to run off without telling Bruce, he considers telling him and then goes "no, all he cares about is being Batman, he wouldn't even understand why I want to see my mom." Which, I mean, "Bruce wouldn't get it" is a REALLY odd angle if the sole motivator for spiraling, then getting benched* and running away to search out his bio-mom, was because he was mourning his dead parents, a thing he notably has in common with Bruce. That statement only really makes sense if he's thinking about a different thing that was greatly upsetting to him that Bruce brushed past, like maybe a combo of hiding the murder of his dad for half a year and allowing several cases involving sexual violence to freely develop body counts in the name of the law.

Lots of people have written about how Jason's stay in the manor might have seemed dependent on being Robin with how he was kinda just scooped up, but (if we're including Detective Comics in our characterization,) Bruce had offered to let him resign from Robin and just live with him (a little late, but still. It's worth noting Batman proper shows Jason afraid and uncomfortable at the thought of Dick taking Robin back, which lends more merit to the housing-dependent-on-Robin-misunderstanding interpretation, but canon is pick and choose anyways.) The lack of trust involved in his choice to search out his mom kinda reads like it was bred by more than that alone, and Bruce's prioritization of the law over the protection of the people it ignores is notably upsetting to him in the prior issues. tbh I really do believe the outcomes of those cases could have informed Jason's stance that Bruce's method of justice is ineffective right alongside his own murder and his experiences in Lost Days.

It would make sense for Bruce to not consider his own actions while he's thinking through things that would upset Jason, because from his point of view the things there that were bothering Jason were the criminals alone, not the way that the methods with which they were approaching their crimes continually led to the perpetrators evading actual justice. During the point in DitF where he's thinking through motivations for Jason's running away because something isn't adding up for HIM, the idea doesn't so much as cross his mind. It would also add another layer to Jason's sulkiness upon Bruce's arrival if he held the belief that Bruce is ignoring the consequences his brand of justice has on victims (and the way it's affecting him to helplessly watch it play out), starts to hope that Bruce actually can understand his thought processes/relate to him when he shows up, only to be told to his face that Bruce is prioritizing his style of justice over Jason again. With the way everything that led Jason to his bio-mom was comically circumstantial and the context of the previous issues, it's kind of the ONLY way Death in the Family makes sense to me. Tldr: I feel like the grief claimed as reasoning for Jason's actions leading up to his death is mainly speculation from Bruce and Alfred and the more textually-supported reason for his erratic behavior and lack of trust in Bruce is the lack of intervention in several sensitive cases that led them to worsen unobstructed and eventually permitted them to escalate into casualties in 2 out of 3 cases.

*Also, side note, but the idea that Jason got benched for the Filipe situation, while perfectly reasonable, is not quite spot on. The Filipe situation escalated into the fight in the junkyard where his dad is crushed by a car and Bruce is all "everything you do has consequences" which is kinda big words for a guy whose lack of action indirectly lead to a girls death earlier in the storyline, but true. Jason actally gets benched because he jumps directly into gunfire while fighting the third set of predators and Bruce starts to worry he's getting a little suicidal with it. He baits a guy into shooting at him on purpose again trying to protect mom prospect number 1 later on in DitF, so Bruce might have had a point with that one.

[rist-ix]

This might be weird but bare with me: i saw some fanart of valtor and his mamma bears (I'm sorry), he was freshly made and a child still for some reason (idk if it's canon at this point that he was made in adult form or not buuuut) and so it's shown how they don't like him but at the next panel he wants their makeup so tharma and lysliss give him a makeover and at the end belladonna says i think we'll find a use for that pretty face. What i started thinking was if it's possible they used him as a pr0stitute at some point besides all the torture they put him through. My brain today is fixated on how much trauma or ptsd he could possibly have. Now that i write it i sense how weird this is but what do you think?

My friend my dude my brother in fandom, I am but a humble bacteria and u have given me the juiciest slimiest tastiest agar plate imaginable. Let’s get INTO THIS!

(For the record, this is purely fanon. I think I’ve alluded to this headcanon of mine in fics but I am well aware that I have little to no evidence from canon for these assumptions.)

ABSOLUTELY I think that Valtor was used for getting into royal's beds. Though I do think it would have been more complicated than simply “his moms are whoring him out cause they hate him and they want stuff from people” — and I think there are some FASCINATING implications that has for both Valtor's personality as a whole, and his relationship to sexuality and his own body.

First of all, the reason why I think you are correct is simple: he seems to be universally regarded as attractive in-universe, to the point of having even the Trix fawning over him, and he is consistently seen using charm and flattery to get others to do what he wants. If you wanted to expand on this in a darker and more mature setting, the logical conclusion would be that he'd use his body the same way. And I do think he would do that entirely of his own will by the way, no coercion necessary! Though there most certainly was coercion.

That ties a little bit into my view on the Ancient Coven's relationship to each other in general. While we do see Valtor and the Ancestresses at odds with each other in the finale (culminating in the Witches ‘disinheriting’ him and reverting him to his monster form), the fact that they seem to have worked successfully together for AT LEAST a good few decades implies they could be cordial when necessary. Plus, Valtor somewhat wistfully recalls working under them with Griffin, smirking and content in the flashback, makes me personally believe they were genuinely GOOD at cooperating too, instead of the Witches relying solely on tyranny. Don’t get me wrong: there is no way they were a happy family. I'm thinking more along the lines of them playacting as a very harmonious coven, doting creators and loyal creation, like a game that every one of them is in on — a performance, just for funsies, and because none of them want the outside world to see them as anything but perfectly aligned and ruthlessly efficient. All that while also having a sort of spiteful, vengeful arms race going on internally, with Valtor not-so-secretly trying to find ways to overthrow them, and them waiting for him to lean out of cover too far so they can gleefully, brutally remind him who's in charge.

There's a deep, deep, deeply rooted resentment Valtor seems to have for them, but they are also objectively the same: They both want power, they both want to control the Dimension, they both would do anything to accomplish that goal. So if there was a situation in which having someone charming on the inside would help them, I think both Valtor and the Witches would come to the conclusion that Valtor could do whatever necessary to accomplish that. Be it charm someone, poison someone, or sleep with someone in the hopes they might spill some secrets. I consider all four of them to be pretty pragmatic, I don’t think there would be any conflict or hesitation here — not at first.

Because while Valtor would certainly agree that that’s the best approach, and probably be more than willing to get out of their sight for a while and live it up in some palace or another, I do think it would chafe at him eventually. Whether he's using his body to fight people or seduce them is not all that different, both happens at their behest. He's always painfully aware that he is their tool — but I imagine it does get more pronounced with the latter. Especially over time. Your taste in people or attraction does not matter in combat, but certainly plays a role in sex. While Valtor certainly seems to enjoy putting on a show in combat, that is a power play, whereas having to play a long con, with himself so heavily involved no less, can start to feel humiliating, tiring, more like a loss of agency than a game of wits. I don’t think it’s the seduction itself that would bother him, but the clear knowledge that he's just following his creator's plans here, puppeteered even in this aspect of his life.

The result of that in the present day of the s3 era wouldn’t be sexual trauma per se, I would headcanon. Not in the ptsd sense at least. (Though I bet a good fic could convince me otherwise :D) I remain a firm believer that his trauma is purely about his lack of control over his physical form, and a revulsion towards his original body that borders on dysphoria. The sexual aspect of his utility to them would ADD to that, don’t get me wrong, but it wouldn’t be the main source.

It DOES influence him though.

I'm thinking mainly about Valtor's interactions with the Trix here. On multiple occasions he secretly witnesses how they argue or straight up brawl over who gets to have him. None of them even thinks about who he might have shown the most interest in, they treat this solely as a contest of strength, winner takes all. (I don’t think that’s them being rapey btw just to be clear. I see it speaks more to them being juvenile and deeply unserious about romantic relationships, like dogs chasing cars. They don’t care enough about people beyond the three of them to have any actual experience with romance: Darcy's fling with Riven was discarded INSTANTLY once the three had something better to entertain them — like world domination. If one of them had “won” only to get ignored or rejected, the other two would have laughed her out of the room and then they would have done it all over again the next day.) im getting distracted. What I meant to get to is that Valtor sees them acting like he's a prize to be won… and he does not react at all. The first time he finds it mildly entertaining, the next few times the bit seems to get old for him already. That’s it. He encourages their possessiveness of course! He clearly enjoys being feared, admired, or simply the center of attention, but being treated without regard for his own desires doesn’t really register as an insult to him. AND he's shown to be pretty unperturbed with Darcy getting into his space, and flirting rather aggressively with him.

And while that may seem anticlimactic after all that, I find that FASCINATING. (Not just because Winx Club consistently writes men — powerful men! — the way female characters would be treated in another show. An essay of its own!) A non-reaction is still a reaction, and Valtor's lack of irritation says a lot in my opinion. I think he has little to no real boundaries, at least outside of combat or with people that are allies/useful to him. By that I don’t mean he would reject someone's advances if he didn’t welcome them, but that he wouldn’t really remember that this is a point where people usually DECIDE whether they welcome the advances or not, u know what I mean? I think his entire sense of self is pretty nebulous to himself, and that his own body seems to him more like a commodity than, well, him. Which makes sense, doesn’t it? He is created as one thing, for one purpose, and then given another body, for another purpose. He prefers to be human, reviles the monstrous form, but has no control over which one he is at any given moment — the people who do could change their minds on a whim. It would make sense for him to feel somewhat alienated from his physical form, and therefore have little care for what happens to it. It would take him far longer to know his own reactions, and to realize whether he enjoys something or not.

I feel like I’ve only managed to put like, half of what's in my head into words here. The dysphoria thing alone feels like something that should be dissected on its own, but I’m dead tired and this post is already pretty long. I will say that I’m not 100% consistent in this headcanon, and depending on the fic I use some of this and some of that, but I do think it’s one of my most favorite reads on Valtor as a character. Thank you so much for this ask!!! I hope the answer is close to what you hoped for lol

[zepskies]

@lamentationsofalonelypotato

Aww I'm so happy to hear that, friend!! 🥰🥰

It's not a problem Dean, (the gun is obviously BUT) she is beautiful and you will love her and I will cry at your wedding.

Ehehe it's funny you mention their wedding...

Dean no. No feeling bad for saving your girl and for killing the "sack of shit in human clothes."

Ugh right? Trust, he doesn't regret killing that bastard loll.

Also I didn't notice the Colonel Sanderson thing before and now all I can think about is KFC lol.😂 Which is not to take away from how good this fic is or how well it's written. It's just me lol.

Actually THANK YOU for noticing that because Colonel Sanders was an intentional reference! lmao I saw some meme that called Asmodeus "Bullshit Colonel Sanders" and it made me cackle, so I included that a little bit here. 😂😂

Oh goodness she is already so protective of him and oh my word the wink had me melting lol.

See! It's not taking that long at all for her to start softening up towards him loll. At the very least, she doesn't want to see him killed for her after killing for her.

I also don't think that I mentioned this before, but I really like how you wove in the other characters in the show. Seeing Benny and Cas show up just made me so happy.

Aww thank you!! 🥰🥰 When it comes to AUs, I try my best to fit in canon characters where they make the most sense to me, and try to make them feel "as themselves" as possible.

Oh my word seeing that fight in my head, um... YES PLEASE. And the loyalty?! The love for their friend?! The "Goodbye brother."? It's so good.

Imagining Dean in uniform, even if he's fighting his friends, just does things to me too loll.

Ultimately, Benny and Cas are good men even in this world, and they didn't want to have to bring in him or Mila to the Colonel either. 💜

She's squishing his face! That is so cute, oh my stars. Plus I am cackling at how long it took him to be able to say her name.

Ahaha this was my favorite part to write for this chapter! Dean struggled, bless his heart. 🤣🤣🤣

I absolutely love this! I really love it when writers pick the names of their characters based on the meaning behind it. And the fact that you gave the meaning of her name a backstory of her mom having a dream and the butterfly meaning that Mila "would have a free mind" is just so perfect for her. Because she is stubborn and she does have "a free mind" by being rebellious and strong, by being a strong female character who does not conform to the whims of what other people deem to be appropriate for her. Also it was funny that Dean thought she was like a "lioness."

Aww thank you!! I'm usually pretty conscious of names and the meanings behind them, but especially in this story I got deep into the research of the Lakota people, and I found that names are very important to their culture, now and historically.

When I was looking for a name for her, Kimmímila stood out as being beautiful (with a nice nickname), but perhaps on surface level didn't reflect her true personality. So that's why I worked in that backstory with her mother's dream, vs. who she wanted her daughter to be, and who Mila considers herself to be. And bonus, what Dean observes of her! lol

So I absolutely love all of your observations here, because that's exactly what I intended for her!

This is a really wonderful line, that the war "never really ends." It really fits this story and honestly it really fits the entire early history of the United States when it was acquiring territory and embracing the "manifest destiny" ideals.

Aww thank you so much!! That's what I thought as well, not just for this story, but for the greater context of U.S. history during this time and the push to industrialize the entire country.

Okay, the whole part where she is explaining things about her life and her culture was so sweet. Them opening up with one another is just so soft and a little fluffy and I'm so glad that they got to have those gentle moments with one another. Not to mention this bit where Dean admits how much he likes listening to her, is just so good lol. And I thought it was really on brand for him to be a little upset that she doesn't completely trust him yet, even though that he killed one of his men. But he's got to learn to be patient... and then propose. LOL.

That was so fun for me too! The "getting to know you" aspect. I thought that opening up to one another was needed here, and it gave an opportunity for more historical tidbits!

Ahaha yep, she's a hard nut to crack, but Dean need only be patient. He's won a lot more brownie points with her than he realizes. 😏 "And then propose" -- I'm weeeak!! 🤣

Don't be afraid to admit it Mila, we all know how good he is to look at. And why shouldn't you look at your future husband? 💍

Ha!! Ikr?? Also, you're getting dangerously warm to what's coming in Part 3. ❤️‍🔥

Oh my sweet goodness, the TENSION!! This is so good my friend and I am so excited for what the future of this series holds and am praying that it doesn't end in death!😬💗

The romantic tension is real!! lmaoo

Thank you so, so much, friend!! Part 3 is my favorite part, I think, and I hope you'll be happy with the outcome, even though we've got a fair bit of action and angst ahead...

The Honorable Choice - Part 2

Pairing: Dean Winchester x OFC 

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: “Getting to know you, getting to know all about you…” ⬅️ If you’ve seen The King & I, then you’ll probably be singing that line in your head like I do.

Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 3.1K

Tags/Warnings: Angst, protective Dean, historical tidbits, fluff

🐎 Series Masterlist || Bingo Masterlist

🎙️ Listen to the podfic version here!

Part 2: Death & Sacrifice

Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and the hat off his head, not to mention the pain that rattles down his back.

“Son of a bitch,” he wheezes, while trying to get back up.

The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.

Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.

Dean has a problem.

Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 

He just can’t do it.

His finger eases off the trigger of his gun, and he lowers it to the ground beside him.

“I told you,” he says. “I’m not gonna hurt you.”

Her head tilts as she stares at his gun, then at him. She relaxes somewhat, and she backs off of him, sliding from his lap down to the grass beside him. Her closed fist with the knife comes to rest at her side. She gives him a look of wary bewilderment.

“You are a strange man,” she says.

Dean has to laugh a little, smiling at her afterward.

“I guess so,” he replies.

Her brows furrow. “You killed one of your own…for me?”

He nods, and his smile falls with a weary sigh. The hard part about that is he doesn’t feel much guilt about what he’s done. At the same time, he does, and the conflict churns in his stomach. He knew what kind of man Roman was. He was the kind of soldier that could’ve filled Colonel Sanderson’s shoes one day. A fellow soldier under Dean’s command...

And a sack of shit in human clothes.

Dean leans back on his hands in the grass and slides his legs out long. His stare falls to the earth between his boots. The ground is soft underneath him. Maybe it rained this morning. 

“Yeah, that’s gonna make it tough when I go back,” he says. “At best, that’s a court martial. At worst…”

The Lakota woman frowns, her dark brows nearly meeting in the middle as she considers him. He wonders what she sees when she looks at him.

“Tell you what,” Dean said. “Give yourself and your horse a rest tonight. I’ll go back and tell them I lost you in the canyon.”

Her eyes widen further in surprise. He can’t blame her for it. He’s surprising himself every time he opens his mouth.

“Will they kill you?” she asks.

Dean shrugs. “Nah, I’ll be fine.”

She levels him with a firmer look, one that demands the truth.

His nonchalance wanes, and he sighs.

“They might,” he says.

She shakes her head. She seems to deliberate over something, but eventually she comes to a decision. Just when she opens her mouth to speak, a gunshot rings out and hits the ground not far from their feet. A warning.

The sound of hooves thundering on the earth reach them before they look up. Two horses gallop towards them in the distance, their riders wearing blue uniforms.

They both tense up, but Dean is the first one to move. He grabs her arm and helps her stand along with him. They scramble back and lead the horses by their reins further into the trees. They find a denser patch and a raised hill to crouch down and hide behind.

The mustang is too tired to go very far, but Baby is already making anxious sounds, protective of her rider.

“Shhh,” Dean whispers, and runs a soothing hand over her side. He leads her to lay down with her legs tucked underneath her.

The Lakota manages to do the same with the mustang after whispering to him softly in her language. There’s a trust between them, Dean realizes. They have a connection that seems to mirror his own with his horse. He doesn’t know how he didn’t see it before.

“Captain!” Benny calls out.

Dean grimaces, but he stays quiet. He turns to the woman and holds a finger over his lips. She stares back at him in apprehension. He begins to creep slowly around the hill, but she grabs onto his wrist. For a second, she looks just as surprised as him by the reflexive action. Then, she shakes her head at him.

Don’t go out there, her eyes say.

Dean smiles, and he gives her a reassuring wink. He gently removes her hand and gestures at her to stay where she is. He army crawls up the side of the hill. It gives him a vantage point to watch his men, who approach just a few feet down below. 

“Captain Winchester!” Cas calls next.

“We don’t want to have to come and get you, Dean. Come on,” Benny says. He does sound reluctant, for his part. His voice grows more somber when he says, “Colonel’s given us orders to bring you and the girl back…dead or alive.”

Dean knows the position he’s put his own men in. He doesn’t blame them for following the Colonel’s orders. He just hopes they can forgive him for what he’s about to do.

He leaps off the edge of the hill with a yell and brings Benny with him to the ground. He sweeps Cas’s legs out from underneath him, then tosses a punch that lands on the corner of Benny’s chin. He kicks Benny’s gun away, and wrestles Cas until his pistol falls from his hand. The three men scrap and trade blows, until Dean is the only one left standing. His men are groaning on the dusty ground, slowly picking themselves up.

Dean’s heaving for breath as well as he leans back against the side of the hill. Despite that momentary victory, he knows what they all know: that this fight isn’t going to end until either they’re dead, or he’s dead.

“Where’s the girl, Dean?” Benny says. He implores him to see sense. “We take her back with us, we can smooth all this over with the Colonel. All of it, even Roman.” 

Dean lets out a deep breath, but he shakes his head.

“Can’t do that, Benny,” he says. “I’m sorry.”

There’s a question circling in his friend’s eyes, but after a beat, Benny seems to know the answer to it. He picks up his gun from the ground. Just like Dean once did, the Lieutenant now has a choice to make.

He shares a heavy look with Cas. The two of them nod, before they focus back on Dean.

Benny’s hand falls, and he stows his gun.

“You died today,” Benny says. “We found your body somewhere in the canyon. Your horse too.”

Dean nods, with something of a smile. He supposes faking his death is the only option now. He rips the badge off his uniform jacket and tosses it to Benny.

“There’s your proof,” he says.

Dean shares a grim nod of respect with Cas while Benny examines the torn patch denoting a captain’s rank.

“Take care of each other,” Dean says.

Benny’s head raises, and he meets Dean with a somber gaze.

“Goodbye, brother.”

Dean doesn’t return to her until the men are out of sight through the trees. She’s still hiding along with the resting horses, waiting for him. That alone surprises him. It would bring a small smile to his face, if the weight of that goodbye didn’t feel so heavy on his shoulders.

He reaches out a hand for her. It takes her a moment to consider it, but she accepts his offer.

He helps her to her feet, after which, she quickly pulls her hand back. She’s wary of his touch, her face guarded when she looks up at him. Dean supposes he can’t blame her, even if it does strike a nerve. After what he just did for her…

His face becomes stoic, and he turns away to grab his hat from the dusty ground. “We should probably head out.”

She nods and calls to her horse to encourage him to his feet. Despite himself, Dean can't help but be curious. How did this girl manage to tame that wild beast?

“Does he have a name?” he asks.

“Mato,” she replies.

“Mato,” Dean echoes. “Does that mean something? You know, in your language.”

She eyes him wryly, brushing her hand over Mato’s hide.

“It means angry, like a bear,” she says.

Dean snorts. “Yeah, good name.”

He remembers his bruised side (and ego) from when the mustang threw him off his back.

Dean watches her with another realization as she gracefully mounts the horse. Baby has gotten up to her feet as well, already nudging the back of his arm with her snout. He rubs her nose in affection.

Then he turns to climb up onto her back, settling his feet into the stirrups and loosely grabbing the reins. He follows his companion’s lead farther into the forest, but he guides his horse to fall into step beside hers.

“Will you tell me your name now?” he asks. “Think we’ve been through enough together at this point, don’t you think?”

She considers it with a tilt of her head. She looks over at him with a small smile.

“Kimmímila,” she says. The syllables roll off her tongue effortlessly.

Dean raises his brows. “Kim…Kimmeela.”

She shakes her head at him, her lips pursing.

“Kimmímila.”

Lord help him, but he tries his best. His brows furrow.

“Kim…mila,” he attempts. She guides Mato closer and grabs Dean by his cheeks with one hand.

“Kimmí.”

“Kimmí,” he repeats with his cheeks squished. His face is starting to warm up, and not altogether in embarrassment.

“Mila,” she says with a nod.

“Mila,” Dean says. “Kimmímila.”

He’s treated to her smile, warm and true. She releases him, her gaze flitting over his face. Then she keeps riding. Dean grins to himself.

“Think I’m gonna call you Mila,” he says. Make it easier on myself.

She even laughs, a honeyed sound. “Yes, my father does too.”

“What does it mean? Your name.”

“In your language?” she says, in a tone that teases him back. She becomes thoughtful as she searches for the word. “It means…butterfly.”

“Really?” Dean remarks. She doesn’t strike him as a butterfly.

More like a lioness, he thinks, only somewhat holding back his grin.

She gives him some side-eye, despite her amusement.

“You think it does not suit me,” she observes.

“Well, I didn't say that—”

“I don’t think so either,” she admits. “There are many things that don’t suit me.”

Dean chuckles. He can imagine that.

“But my mother had a dream before I was born,” Mila says. “She saw beautiful wings, and said I would have a free mind. When I grew, and wanted to spend my days with horses more than cooking and sewing things, she didn’t call me free. She called me stubborn.” Her face begins to fall. “Maybe too stubborn.”

Dean offers her a rueful, sympathetic look. “Yeah, I get it. My brother always said I was damn hardheaded,” he says. “…Maybe we’ve got more in common than we thought, huh?”

Mila’s smile returns, however slightly.

“You have a brother?” she asks.

“Oh, yeah. He’s a lawyer, so he’s more needed back home,” Dean replies.

Damn. He really does miss his bookish little brother.

He explains to her about his family, his brother and mother who still live in Lawrence, and how he joined the army, in part to honor his father.

“What happened to him?” she asks.

“He died…in some cornfield near Sharpsburg, Maryland, fighting the Confederacy,” he replies, heaving a breath.

"Con...federacy?" she questions.

"The South," Dean explains. "See, most of our southern states thought they should be their own country, letting slaves plow their fields and mind their kids. I may have lived on a farm, but my father always paid his workers. He fought for the Union."

"So you fought among yourselves, over land that did not belong to you," Mila points out.

Dean falls silent. After a little while, he concedes her point with an incline of his head.

"Fair enough," he says, glancing over at her. “I think my dad thought the fighting would end with the war, but, uh...it never really ends, does it?”

Her expression of curiosity fades, turning more solemn.

“No,” she agrees. “…I am sorry for your father.”

Dean's a little surprised to hear that from her, but he nods his thanks. They continue to talk as the sun begins to set in the west. When it dips behind the canyon, they stop to make camp for the night, and he helps her catch a rabbit to roast on the fire they build together.

That night over the meal, she slowly opens up to him. He learns that she’s an only child, though she has a sibling-like bond with her older cousin, Šóta. She spends most of her days planting or harvesting their crops, depending on the season, as well as sewing, painting, helping the elders of her tribe with tasks, and helping her mother and aunt cook.

When the rabbit is gone, she unbinds her long, thick hair and untangles it while she speaks. She explains that the Lakota are just one of many tribes. There are six other bands of Sioux who live in this region. Along with the Dakota and the Nakota, they are the “Seven Council Fires” who have made the Great Plains their home for generations.

She tells him about the way her tribe lives, caring for one another, giving the land back as much as they take, and letting it rest. The men hunt and protect the village from the outside, but the women protect the inside, their way of life.

Most of all, Mila tells him, she loves caring for the horses. She goes out and rides whenever she can duck out of her mother’s watchful eye.

Dean enjoys listening to her stories. He likes what he learns about her, but also, he just likes the sound of her voice, smooth and steady, almost calming. He thinks she might like the sound of his too, the way she’s smiled at him, laughed with him, glanced at him when she thinks he’s not looking.

She still picks a spot as far away from him as she can to sleep though. She keeps the fire pit in between them. He even catches sight of her knife, hidden in the hand she tucks underneath her cheek. Evidently, she doesn’t fully trust him just yet.

It annoys him at first, considering how many times he’s saved her already. How much he’s sacrificed just to get them this far…

Until he remembers how they met. He remembers the disdain and anger in her brown eyes, then the mistrust, and the fear hidden underneath. He thinks of every experience she’s likely had so far with the U.S. Military, and anyone else who looks like him.

Dean settles down on the ground and stares up at the innumerable stars in a raven sky. He’s exhausted, but his thoughts don’t let him rest for a while. 

At the very least, the way she looks at him now is softer than that first day.

In the morning, Mila watches the strange man wake.

He blinks and rubs his bleary eyes, yawning, groaning at the sun’s brightness like a child. She hides her smile by bowing her head over the apple she’s cutting with her knife. The orchards span wide across the forest, and soon he’ll find two yellow-red apples beside his head.

His brows raise at them, then he looks up at Mila sitting with her legs crossed behind the small fire pit. The wood there is just ash and blackened remains now, but it still carries the smell of burning.

“Morning,” he greets.

She nods back at him and pretends not to watch when he sits up with a groan, stretching and bending his arms high behind his head. He removed his uniform jacket to sleep. It allows her to see every dip of male muscle that his plain white shirt clings to, even in the long sleeves.

Her gaze furtively runs over the broad shoulders, the tapered waist, then back up to his half-bearded face, defined by a strong jaw and dark brows. The sun catches on his brown hair and teases the ends of it golden.

She would never admit it, but he’s not unpleasant to look at. 

Last night, she declined his offer to travel with her until she reaches her tribe safely, but he was insistent. Again, strange.

So here she is, with him. Here they are. 

Dean turns to see the horses grazing nearby. Mato no longer has the saddle and bridle his men put on him. He looks rested and at ease. He even whinnies at Baby, tossing his head a little. She answers him and flicks her tail. They continue eating together.

Dean smiles, then grabs an apple. He raises it to her in thanks before he takes a large bite. Its juices run down the corner of his mouth, and he wipes at it with the back of his hand. Mila can’t help but be drawn to the sight.

She tears her eyes away when he looks over at her.

“We have a long way to go. Three days, if the weather is good,” she says, continuing to carve pieces of her apple to eat. “We will know we are close when we reach the river.”

Dean nods in understanding. With a grunt, he gets to his feet and takes another bite out of his breakfast. She doesn’t expect the way he approaches her with a hand outstretched. She looks up at it, then at his expectant face.

“Come on. Let’s hit the road then,” he says.

Mila considers his offer for another moment. He seems to be making this a habit. Amused, she wonders if this is just kindness, or if the women of his people aren’t allowed to stand without a man’s help.

She pockets her knife, swipes her braided hair over her shoulder, and slips her hand into his, allowing him to help her to her feet. When she gets there, he’s closer than he should be.

A breath gets trapped in her throat as she once again looks between his warm hand closed over her smaller one, and his face. In the small space between them, there is a different kind of tension than before. Mila can’t tell what the man is thinking when he looks at her like that, but she doesn’t like it.

And at the same time, she does.

She takes back her hand, and she goes to the horses. She firmly ignores how her heart gallops, even as she rubs at her chest like it’s an ache that can be soothed.

She doesn’t hear Dean’s unsteady breath, nor does she see the way his green eyes follow her.

AN: *rubs hands together* Well, here they are! It's all starting to come together. What did you think of Dean's decision?

Coming up next, we have the final part: some action, some fluff, and some potentially perilous situations for Mila and Dean...

Next Time:

“Yeah, about that…I’m thinking your tribe doesn’t take very well to outsiders,” he says. “White men in particular.”

Mila presses her lips together. He can tell she’s been thinking the same thing, but she turns to him with a determined set to her features.

“I will protect you,” she says.

Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.

“What’s that supposed to mean?” he asks.

She turns her face away and doesn’t seem to want to answer at first.

“Mila…”

“The Chief is my uncle,” she says at last. “He will listen to me.”

Dean blinks. Well, that changes things…maybe.

COMING 11/17! (New chapters every Sunday.)

Or read Part 3 on Patreon now!

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[lissa612]

It’s sorta crazy how a stupid TV show has been able to trigger my anxiety so bad, but it makes sense when I consider all I had been using my hyper fixation on it to distract myself from. Alas, my anxiety has brought back my insomnia which means I wake up sometime between 1am and 2:30am every morning and just MIGHT start feeling ready to fall asleep against around 5…When my alarm goes off to get ready for work.

But it leaves me a lot of time for random pondering. And this morning got me thinking of one thing that either pisses me off or gives me hope (I guess I’ll know eventually…)

They didn’t need a character like Tommy for Buck’s bi (? Maybe - That actually hasn’t truly been confirmed in canon 🙄) awakening.

This is going to sound a lot like some of the anti-Tommy talking points, but please stay with me.

It really COULD have been any good looking, cool guy who did it. Imagine Johnny, a 40yo adrenaline junkie sport type that Buck and Eddie meet during a big emergency the way they met Ali. Now unlike Ali, Johnny keeps it together during the emergency and like Ali helps them save himself and others. Could even make him a military man. Now they could leave this emergency all having one another’s numbers and something along the lines of 7x04 still could have happened.

Buck calls Johnny to see his fun exciting job/hobby, but Johnny is pulled away when Eddie shows up for them to go do something they’d already planned. Buck isn’t complaining to Maddie about Eddie spending all this time with the new guy, but it’s not the cool pilot she already knows about but the cool free climber or whatever they met on a call. The same conclusions are still met with the conversation. Maybe the basketball game isn’t strictly first responders…Chim doesn’t have quite the same idea what’s going on since he really doesn’t know this guy, but he gets that Buck only asked him to the game because Eddie was bringing his new friend. Things still go badly for Eddie’s ankle and Johnny comes to the loft to apologize. There’s no talk about the 118 family, of course, but perhaps some other vulnerability about friendships and a kiss. There’s a date that still goes to hell. There’s coming out to Maddie and Eddie. There’s the coffee meet up. They could still have Buck go balls to the wall and invite him to the wedding despite him only really know Buck and Eddie. Johnny wouldn’t go to the bachelor party and maybe he comes to the hospital, maybe he doesn’t.

Their relationship does what Buck’s relationships do when there isn’t much connecting the person to his teammates or the plots of the show. Bobby can only say that Buck seems happy and settled…He can’t pass judgment on a person he doesn’t know. And they go through the dramas of the 118 together until something triggers a desire for a big move forward for Buck…And the same sort of break up happens.

It’s sad. It’s probably still a bit offensive. But there was never any loss to what could have been brought to the show overall by the departure of Buck’s latest partner, even if he was new in some ways.

But that’s not what happened.

They decided to bring in an established character that could be molded into what they wanted. A firefighter. Better yet, a firefighter PILOT on a show about firefighting that could use some fresh emergency plot ideas. A character with history in the house that holds Buck’s family. With Chim and with Hen and even with Bobby if it’s not nearly as much since Bobby wasn’t his open hearted self back when Tommy was there. And Tommy wasn’t either.

So you have this character who is compatible with the job. He can make for interesting storylines outside of relationship ones. There isn’t going to be a lame break up because the job is dangerous. There isn’t going to be a betrayal based on their mutual prioritizing of work since they would both understand how the work needs priority. You have things you can explore putting the character in pairings with practically every other main and have it make sense.

All that potential by choosing to go with this character that fits so well to just NOT do any of it.

That’s the real loss I am feeling as a fan of the show from the beginning.

And yeah, I shipped BuckTommy and I had hopes for things I wanted to see between them because Buck is my favorite character and I love seeing him shine. I’m heartbroken by his heart being broken. I’m heartbroken because I saw all this potential that I assumed professional storytellers would also see and not squander. That assumption left me blindsided when it seemed they did squander it.

And everyone saying it was written on the wall - It wasn’t. Yes, Buck’s relationships always fail. That’s how things work - Relationships fail until one WORKS. And this one seemed like it should work. Unless you are watching through goggles telling you without a doubt Buck’s endgame lays elsewhere, there was no warning that this is what would happen at the 6 month mark of the relationship.

And it seems like a really dumb thing to do, to let go of such an interesting tool you have available to you as a storyteller. You didn’t have to make the character such an asset to you and the story.

Maybe I’m jumping the gun and they do have plans for possible stories in the future. Awkward emergencies with the 118 and 217 on a scene together for some reason that will use some of that potential. So maybe there is some reason to hope.

Or maybe it is just wasted. And I’m pissed as a fan of the show and as someone who feels emotionally whiplashed by 8x05 and 8x06.

I guess we’ll see. I refuse get my hopes up. Perhaps I’ll watch the show live tonight…Depends if being up at 2am means I’m exhausted by 6:30pm again today (I was only able to force myself to stay awake until 8pm last night). I’ll watch eventually regardless. But I’m probably back to watching the show the way I did before and how I currently watch Ghosts and Tracker…When I remember the show, I’ll binge what I missed. Or I’ll turn it on if I remember during the timeslot. It’s no longer must see TV for me that I will make plans around.

Anyway, done rambling…

[blobmanwhotries]

SEE, I TOLD YOU I CAN MAKE ART

information below bc trust me y'all probably confused lmao

The character in this drawing is Viktor, a character from the Five Nights at Freddy's Dating Simulator "Five Nights at Flirting." The game is more of the Rebornica style (using Vincent, Chris the Janitor, etc). I highly recommend the game, it's free!

That being said, spoiler warning for that game's content, in case you haven't seen it.

Key:

OG = Original

AU = Alternate Universe

RWQ = RWQFSFASXC, Shadow Bonnie's "Name"

FNaF = Five Nights at Freddy's

FNoF = Five Nights of Flirting

"The Crew" = Day/Nightshift Guards

Viktor is one of the protagonists in the game. Not much information is out there on him, other than him being the father of another more major character, Barbie, and him being dead. He was either a day/nightshift guard or he was the owner of the building, I can't remember.

In FNoF, agony and remnant isn't part of the game. Neither is the OG Afton family. A lot of canon FNAF things is not part of the FNoF universe. If it is, it isn't explicitly said - but in my and my friend's canon, we added a LOT of FNaF lore into it. Doing this gave us the opportunity to build upon the characters and really expand the universe.

In FNoF, I believe Viktor was killed in the Fazbear's establishment. This didn't change.

What did change was the motive and the method. Dave and Jack, the murderers of the children in our canon, killed Viktor by putting him in the spring bonnie suit. Think FNaF 3 Springtrap but on a different guy.

He, alongside the dead children, haunt the building as ghosts. One major thing:

He's not malicious during the nightshift.

(here on out are ideas, headcanons, fanon lore, etc)

Viktor actually just watches. Hangs around. He feels awful for the kids and that he can't do anything to stop their rage - so he usually lingers around the night guard in the office.

I like to think that he kind of has a role on causing the hallucinations in the night guards - more specifically Mike Schmidt (NOT Michael Afton).

Only after the first establishment (FNaF 1) closes down and the crew moves to the next establishment (FNaF 2) can Mike able to see Viktor's ghost properly. He's the first one of the crew to meet him after his death, with the exception of maybe Vincent (who in our original canon, did NOT kill the kids).

Hopefully that makes sense? I might go back and edit this when I'm more coherent but this is what you're getting for now lmao

With that out of the way, let's get into the shadow bonnie thing.

Let's start off with the fact that in the beginning of this, I just wanted to spice things up. I blurted out the idea of Viktor being RWQ to my friend and have been building off of that since.

1) RWQ is never outright malicious. Not in canon games, at least. In FNaF 2, the worst he would do is crash your game. Otherwise he just existed in the office.

Viktor, like RWQ, is not outright malicious. He just watches the security guard in the office. Hoping that they'll make it through the night in peace.

I considered the original "game crash" as maybe the guard passing out from sudden shock - which leads to,

2) In our canon, Viktor slowly becomes a being of agony over time. This is going to be hard to explain.

To sum it up, agony in our canon is the lingering emotions after a major event - emotions that cannot leave and can build up over time.

I think we can agree murder would stir up some very strong emotions from the victims, right?

This explains why the children are so vengeful - because of the agony from their emotions. And, of course, the fact that they're children and aren't able to regulate such powerful emotions, taking it out on any night guard. Blinded by rage, you could say.

Viktor isn't vengeful in comparison only because he can regulate his own emotions better. He knows that the night guards aren't the ones who killed him. He knows who did, but he's trapped at the building since he died there. And because the agony of the dead children latched onto him, making him unable to leave on his own.

Over time, the agony grows more and more potent. Even if he's still passive, the first form you see of him will not be human - it will be the silhouette of what he died in. What he was killed in. A forever reminder of what happened.

I've considered the "fainting" thing because I'd imagine looking to the side and suddenly seeing "bad vibes" personified is going to give someone quite a shock.

3) When coming up with this idea, I didn't make the connection of Viktor being RWQ and the FNaF 3 mini game until way later. When I did, I must say, I pat myself on the back for finding another way to validate and explain my idea. One of the theories for that mini game was that Shadow Bonnie was an employee who got springlocked, probably forcibly. You know who else got springlocked forcibly?

Viktor.

Viktor's death is a HUGE deal in our canon. Who killed him, whether he lives or not, the method - we've considered a lot of outcomes. The most common thing of all of them is the fact that Viktor always plays a role in being a reminder of what happened at Freddy's.

Even after FNaF 3 events, he still remains - only now he's attached to Vincent (who may or may not have killed the children depending on the AU).

My friend and I are super proud of this interpretation of FNoF. We've put a lot of thought into it - and we're nowhere near done with it. A lot is subject to change. But for now we're satisfied.

Sorry for such a long ramble. I'm sure this is barely comprehendible. Feel free to comment or send in questions on anything you want to know more about; other characters, more background information - don't be shy, I don't bite :)

[phantom-does-a-thing]

Kian stone asexual

[lilithofpenandbook]

Thanks for the tag!

I don't have enough time to go looking through the books unfortunately, however I will point something out:

The quote implying that James heard about the prank secondhand comes from Remus. Remus is very much canonically a liar, he says not the truth but what would avoid the truth. Look at the other thing he says, about James and Snape's "rivalry" and why it even happened: "Jealous, I think, of [James's ] Quidditch skills". Yet in any of the flashbacks where we see the Marauders, there is zero mention of Quidditch between them and Snape. Remus lied about that detail to give a reason for Snape's hatred in particular, almost implying that Snape was the aggressor. We know it's not, it was James right at the start, but Remus is clearly lying about it- he was a witness to it all and clearly saw James and Sirius start everything.

And in this particular quote, Remus is doing the same thing- downplaying James's role to make him look better to Harry. The way he tells Harry makes it seem like James was mischievous and goodhearted and that Sirius was the irresponsible one. But from what we see in the flashbacks,James is far from that, he's just as bad as Sirius.

And then we have Snape, who told Harry that James was one of those who had the idea and merely got "cold feet". That directly contradicts what Remus said. One of the two isn't telling the truth. Considering Remus's record, it's far more likely to be Remus than Snape.

There's also another thing Snape says, that makes me think that he's more truthful about what happened than Remus. He also tells Harry he's as arrogant as James. James's arrogance is something nobody touches on. It's only when we see Snape's memories that we find that Snape was right in describing James as arrogant.

Snape's biased against Harry, don't get me wrong, and when complaining about him to Dumbledore in DH, Dumbledore says Snape is only seeing what he wants to see (James's traits) and that everyone else found Harry agreeable. However this bias is caused by James's actions, actions which Snape seems to be the most accurate viewpoint on. Unlike Remus, and even Sirius, who soften what James and Sirius did, Snape never does. Of course Snape never mentions his own part in it, but he rarely had much of a part as they came onto him.

Snape, when telling Harry, describes everything about James that was exactly true. Good at Quidditch which made him arrogant, strutting around, disobeying the rules, all things that James was. He then tells Harry that James and his friends played the joke on him. And that James got cold feet. And that James was saving "his own skin as much as (Snape's). Had their joke succeeded, he would have been expelled from Hogwarts".

And that's the truth. Snape's word is most likely truthful, because the entire time he's spoken the truth. Additionally, he doesn't specify what the joke was. He's furious, but he isn't going to spill Lupin's secret to prove his point, despite that the lack of elaboration weakens his story. He doesn't even lie about what the prank was, he avoids it entirely. That, in my opinion, is a sign that he sticks to the right thing even now, in his rage. He's not betraying Lupin even when he would have dearly wanted to. To me, that adds to his honesty right now. Keeping Lupin's secret because that's the right thing to do (because even if he did betray Lupin, nothing's gonna happen to Snape, Dumbledore needs him too much to punish him) means, in my opinion, that he also isn't being untruthful either.

So anyway, based on what Snape said, James did know about the prank. We have either Snape's word, or Lupin's, and Snape hasn't actually ever lied about James the way Lupin has, so I'm more inclined to believe James was part of the prank. Especially because it makes no sense for Sirius to do it without James considering their infamy at being a double act.

Hep

I need arguments, quotes, or something that confirms that James knew about the prank

I'm arguing with a snater convinced that James didn't know about the prank, He says James finds out about the prank at the last minute and goes quickly to save Snape.

If you answered yes, pls tell me why.

I'm convinced that he did know, James and Sirius were inseparable. It is impossible that he did not tell him. James probably thought it funny at the time, but as night drew nearer he saw the seriousness of what was gonna happen and the consequences and went to save Snape at the last moment.

I even sent him this quote

"If it hadn’t had been for James’s last-minute change of heart, he could have been responsible for Snape’s death " Written by The Wizarding World Team

And his answer was....

As I recall, there is no mention of a change of heart in the book. I don't know if he doesn't know how to read or what, but in the quote I sent him it's implied that James did know.

But he's very convinced that James is innocent and didn't know anything.....

He sent me a quote from the book, which also does not specify that he did not know. It doesn't say when James HEARD or from who he hear about the prank. "went after" it doesn't say that he went Immediately after knowing it.

Like ok he heart it and went but, it does not specify when he found out or if he went immediately after he found out about the prank to save snape

Tbh I'm very confused

Any comments will be appreciated 🥺🩷����

[abstractfrog]

THE GLORIA SCOTT - part 2, and a follow up to my comic for the first half of this scene! thanks sm to @crashingmeteorz for allowing me to source validation for my whimsical cosmic approach to this moment <3

[greensaplinggrace]

one of the things that bothers me most about late seasons btvs is the lack of continuity in relationships. like main events seem to carry over for the core crew, and the general emotion is there, but sometimes it feels like there should be stronger foundations where there is just sand, and it's incredibly disorienting. this seems to especially happen with spike, where he will have consistently positive and impactful interactions with the main characters in ways that should by all means be changing their impressions of him, and then in the next episode it's like none of that ever happened. that's enemy #1 soulless evil unthinking spike again, even though one scene ago you were playing pool with him and clearly realizing he experienced emotions and would die for you. like ??? where's the emotional follow-through.

[airocats]

[hopeswriting]

was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.

and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.

because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"

and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.

and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.

and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.

so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.

and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?

and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3

[goldenspringmornings]

oh okay so now I’m fully convinced that rhys’s mom was convinced/desperately hoping his future mate/partner would be Illyrian cause why else are all the clothes she made full of slits and backless🤨sounds to me like she was planning on the female needing a lot of freedom of movement with those big ass wings. and it was only after rhys could “summon the Illyrian wings at will” that she took him to Windhaven for thirty years👀ya know, the place high fae are notoriously unwelcome🤨👀who was it the bat boys were fucking around with if not the Illyrian females🤨

[valzhangism]

sometimes i wonder what exactly the zhang family business is... the only information about it (as far as i know) is that it's an "import/export business" but it's never specified what exactly they are importing and exporting. food? clothing? firearms? the idea of frank's family being this giant shady criminal company while he himself has no idea about it is kind of hilarious.

[mothbeasts]

actually I will say something. tired of being in fandom spaces and seeing the women get demonized while the men with the same/similar character traits either get sanded down and excused OR get called "babygirl" and such.

[edwinisms]

i like to think, as a hc or a theory (because it’s definitely possible), that charles has had a few kisses throughout his high school years, sure, but past that he’s undeniably a virgin– well, kind of undeniably, because I think he’d deny it if found out by trying to use technicalities (“I mean that one time there was friction involved–“), but to any reasonable person, and by occult standards (see: edwin being a virgin sacrifice), he’s a virgin.

and i think this because it seems like him to fib about his level of experience (like he did when agreeing he’d sleep with crystal, matching her level of casualness about it) when in the presence of people who do, actually, have experience, in the hopes he doesn’t come off as lame or childish. given what we know about his “friends” when he was alive, they seem like the type to have teased or bullied boys– especially in their own circle– who haven’t gotten laid, or at the very least would’ve thought less of someone for it. and given what we know about charles, i don’t think he’d be nearly as sleazy and inconsiderate as his group when it comes to landing girls with the primary intention of adding to his body count. and considering he’s only supposed to be 16? and has never mentioned any significant relationships pre-death? it just seems unlikely.

all that to say– I can see him maintaining that facade of experience and confidence literally right up until the moment it matters, and in the heat of the moment getting nervous and embarrassed because “uhhh. so I may have been exaggerating some things.” though he’s not totally clueless either, I think it’d take a bit of a soft heart to heart moment for him to be reassured enough that he won’t fuck up and hurt his partner to go any further.

anyway not sure what the relevance of this is, but it’s something.