#which is what he tells 13 he’s calling the title of ‘her final episode’

[i-like-media]

I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.

And honestly, Dot And Bubble exceeded all my expectations on the matter!

What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.

What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.

The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.

The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".

What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.

And then she doesn't.

She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?

It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.

The Doctor's reaction to this scene..... 👌👌👌👌

His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.

His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.

This episode is definitely up there as one of my favourites sofar

[innitmarvellous]

I finally finished Inside No. 9 after not watching an episode for ages. I had stopped in the middle of S7... Anyway, I took some notes about the episodes which are possibly interesting for a rewatch. They're pretty vague, but I'll hide them under the read more link just in case. ^^

Kid/Nap: Not my fave episode, but the double twist was kind of intriguing. Although I guess it would've been possible to expect it.

Wise Owl: Wow, I didn't expect this to get so dark towards the end. I mean, it wasn't a happy episode to begin with, but that 'come upstairs with me' bit... But I liked that he freed himself from the influence of 'Wise Owl' at the end.

Bones of St Nicholas: Didn't like this one too much tbh. It was a nice spooky story I guess, but not really what I'd expect from IN9 idk

Mother's Ruin: I'm glad I didn't watch this while I was eating something, lol. Idk, but I did quite like it. Lots of surprises (although I knew that it wasn't their mothers ghost talking lol)

Friday 13 (no, I can't remember that title and I'm not sorry xD): The first part was pretty funny, although really anxiety-inducing. That stuff about various annoying things happening when you just quickly need to do something happens in my dreams all the time and I hate it, lol. Well, the reveal of what it really was about was alright too. But I KNEW that something would happen in the end after all. I knew it.

Love is a Stranger: looking back it was so obvious what was going on, but it was a great misdirection, so I was nevertheless shocked when I realises the truth. Probably tells a story about prejudice and how it makes you perceive things and people

3 by 3: idk why, but this one made me really uncomfortable, even though I knew it was an ep of IN9 and not a quizshow. But I thought the twist was a bit too late, too small and if you knew what it was it was easy to pick up on the hints beforehand. I assume the effect would've been greater if watching it blind, but then I would've turned off long before the end of the episode because that was one lame quizshow :D

Last Weekend: HOLY FUCKING SHIT THAT ENDING, I think this is the first episode I definitely won't ever rewatch, lol.

Boo to a goose: this one made a big impression on me when I watched it and the social criticism is really important, but I think it loses a bit of its effect the more I think about it. It really is an interesting watch though and I kind of want to rewatch it to pick up on more hints like the ads on the windows etc.

Trolley Problem: I didn't expect the story to take this turn and I found it thrilling to watch (the mind game episodes are always the best ones tbh), but I can't really say much about it. Of course there's the moral thing that 'just doing nothing' doesn't mean you're free of any guilt.

Mulberry Close: I found this one oddly funny? The twist wasn't even that big, but the ending was just great black humour, I'd say.

CTRL ALT ESC: I actually really liked the metaphor, even though I didn't understand it at first. And I didn't expect that he'd actually made his 'escape', so the last minutes were pretty tense. Oh, and the title…I initially confused it with the command used to open the task manager, but that's Ctrl+Shift+Esc. The combination in the title is used to force a switch between the active and a background programmes (iirc), so in a sense…someone needed to use that key combination on him to get his programme aka consciousness to the surface again. Kinda clever, and yet you don't realise it immediately :O

Curse of the Ninth: Oh, I loved the classical music theme! The ending with that use of music (and the way he tricked her lol)! And Reece's character constantly getting Devonshire's name wrong was kinda hilarious to me…maybe because it didn't seem to fit the tone of the episode at all, haha.

Plodding On: They might as well have called this episode 'Steve and Reece say: RPF is fine' lol. It was an unusual episode, but idk, I kinda liked it. That fucking 'Time to say goodbye' clip collage tho…that song always almost makes me cry for some reason, haha.

[denimbex1986]

'Netflix gives Patricia Highsmith's The Talented Mr. Ripley a noir spin, as the popular thriller about a charming yet deadly swindler gets a contemporary makeover. Starring Andrew Scott in the title role, the limited series follows the small-time con artist Tom Ripley as he is hired by a shipping mogul to retrieve his evasive son Dickie (Johnny Flynn) from an endless vacation in Italy. As Tom weasels his way deeper and deeper into Dickie's life, friends Marge (Dakota Fanning) and Freddie (Eliot Sumner) grow suspicious, especially after Dickie goes missing.

Exquisitely shot and acted, Ripley is a riveting tale that captures the timeless twists of the psychological thriller. Even fans who may have already seen the 1999 film starring Matt Damon will be able to appreciate the incredible writing of this new take, packed with witty dialogue that creates turning points for the story and characters. Here are a few lines that stood out in the series...

1 (25 VOTES) 'She's Saying That Because She's Jealous.'

Episode: “II SEVEN MERCIES”

This line is a textbook example of Tom working his dark magic on Dickie's psyche by planting seeds of doubt about his relationship with Marge. Marge makes it clear that she does not care for Tom; she also believes he has romantic feelings for Dickie. When Dickie tells Tom what Marge thinks, this is Tom's response.

Once again, Tom paints himself a victim, denying himself of any wrongdoing and the victim of a witch hunt in which he is just an innocent player. In truth, Tom might have feelings for Dickie, but they're less of a crush, and more of what a predator feels for his prey.

2 (14 VOTES) 'Yeah. That's Right. Dickie Greenleaf. It's Nice To Meet You Too.'

Episode: “I A HARD MAN TO FIND”

In a chilling moment of foreshadowing Tom can be seen practicing calling himself Dickie in the mirror of his hotel room in the final moments of the first episode. The cheerful smile reveals that the low-level swindler is about to graduate to much more serious crimes in the near future as he tries his new identity on for size. Though he hasn't worked out how or when quite yet, it is clear that Tom has something nefarious in store for Dickie, and that Herbert Greenleaf perhaps should've thought twice before sending this man to retrieve his son.

3 (13 VOTES) 'You're A Hard Man To Find.'

Episode: “I A HARD MAN TO FIND”

These six words end up destroying the worlds of so many people, while providing a viper his meal ticket. When Tom Ripley is contacted by private detective Alvin McCarron at a seedy dive bar, these are the words that set the wheels in motion that will eventually change Ripley's world. Herbert Greenleaf's efforts to bring his son back stateside allowed him to get desperate, and any man will do, even a man as hard to find as Tom Ripley. He should have taken the hint and given up the search.

4 (20 VOTES) 'You're Free Of Me Now, And I Of You.'

Episode: “I A HARD MAN TO FIND”

In a rather indignant letter to his Aunt Dottie, Tom Ripley writes on stationery from the Orient Express that his luck has now changed and he doesn't need her assistance anymore. He adds that he didn't cash her last pity check, not because he was deceased, but because it was unneeded.

The scene shows that Tom is in great need of an ego boost and had grown weary of being has his aunt's mercy. They apparently had grown resentful of each other over the years, so this was the perfect opportunity for Tom to burn that bridge. He's a bitter man at heart, who relishes in small slights when he has the opportunity to enjoy them.

5 (10 VOTES) 'Oh, I Hope He Did.'

Episode: “VIII NARCISSUS”

At a soiree in Venice, Tom chats with a group of pretty, young things about fugitive playboy Dickie Greenleaf, particularly his paintings. A young art dealer states that he would be interesting in representing the possible murderer, as his paintings would be in high demand considering his wanted status. He follows those comments with a distasteful remark about hoping Dickie is, in fact, guilty, as that would allow his artwork to fetch a higher price than if he is proven innocent. A woman they are with chuckles at the horrific remark.

6 (10 VOTES) 'His Rolex. His Clothes. His Ferragamos. What Else Have You Got, Tom? His Money? His Picasso?'

Episode: “V LUCIO”

The jig is up: Dickie's pal Freddie Miles has dropped by to visit his friend, only to find Tom Ripley wearing Dickie's shoes, watch, and clothes. Freddie already knows that Tom is a thief and a man of less scrupulous means after doing some digging about his life in New York. What he doesn't know is that exposing that knowledge to Tom places him in a perilous position, and that he only has a precious minutes left in his life.

7 (7 VOTES) '...Because He Loved Me.'

Episode: "VIII NARCISSUS"

This conversation marks the final nail in the coffin for the investigation into the disappearance of Dickie Greenleaf. PI Alvin McCarron is interrogating Tom Ripley and he seems so close to discovering that Dickie was murdered by Tom, accusing the con artist of murder right when they sit down. But Tom twists the narrative, taking the blame for Dickie's death, but not calling it a murder. Tom shares the story of how Dickie's life was a failure and a lie, how he never lived up to his potential and how he could never love Marge... because he was secretly in love with Tom. After Tom rejected his advances, Dickie took his own life and possibly Freddie's.

What's even more impressive about this quote is that McCarron is satisfied with Tom's answer and leaves, never getting the truth.

8 (7 VOTES) 'All I Offered You Is My Friendship And Respect And Asked For Nothing In Return.'

Episode: “III SOMMERSO”

Dickie has grown weary of Tom Ripley hanging around Atrani and running into him and Marge. After two months, he just wants to enjoy his never-ending Italian holiday without a third wheel. Dickie also reveals that he's been in contact with his father, who feels Tom took advantage of his good nature.

During this confrontation scene, which takes place out on a boat, Tom demonstrates once again how he deft he is at playing the victim, He contorts the situation so he is the hurt party, rather than the one guilty of inserting himself and his devious inventions where they don't belong. This line is a perfect example of how Tom portrays himself as a martyr, even when he's plotting new ways to steal Dickie's life.

9 (6 VOTES) 'Except He's Not Going To Be Alone. You'll Be There... Apparently.'

Episode: “IV LA DOLCE VITA”

Tom goes to break the news to Marge that Dickie has decided to move on to without her - he is not going to Cortina for the holidays like they planned, and he has not-so pleasant things to say about her. She isn't buying it, not for a minute. She knows her beloved Dickie well after spending months with him, and she knows that this is not in his nature. On the other hand, she doesn't trust Tom as far as she can throw him. So, when Tom says, "[Dickie] said he's feeling like he wants to be alone for a while," this is her response, revealing she's onto Tom and his antics.

10 (0 VOTES) 'Everything About Tom Is Perfectly Vague. Intentionally So, If You Ask Me. Or Haven't You Noticed?'

Episode: “IV LA DOLCE VITA”

Dickie might not think Tom is a bad guy, but Marge isn't fooled by his charms. Throughout the series, Marge is a perfect foil for the crafty Tom Ripley. She sees through his “innocent tourist” act to the more sinister nature beneath. She has a gut feeling about him and in her soul knows that he cannot be trusted. In a letter to the missing Dickie who has "fled to Rome," she expresses curiosity about his odd behavior and wonders why he trusts Tom. She explains why she doesn't trust the man, and why Dickie shouldn't either. Sadly, she does not realize she's writing to a corpse.

11 (0 VOTES) 'I'm Not Someone Who Takes Advantage Of People.'

Episode: “II SEVEN MERCIES”

In an effort to get close to Dickie, Tom is forced to show his hand somewhat. He confesses to Dickie that he was sent to Atrani by Dickie's father to bring him home, which serves as a way of earning Dickie's trust. By giving him a key piece of information, then following it up with this line, he encourages the shipping heir to see him as a loyal friend. Which he isn't. Not by a country mile.

12 (0 VOTES) 'You Hear What She Said? We're The Nicest Americans She Ever Met.'

Episode: “II SEVEN MERCIES”

While Dickie and Tom explore Atrani, the come across a disheveled woman in the middle of the road who claims she was mugged. Dickie graciously gives her enough money to "take her to Rome" and puts her in a cab that was conveniently waiting nearby. Tom informs the shipping heir that it was probably a scam, which Dickie at first denies, then brushes off, claiming he doesn't care as they needed the money.

The scene demonstrates how trusting Dickie can be and why he falls for Tom's nice-guy act so completely. He wants to see the good in everything and everyone, because he himself is lovely. This quality is what makes him so easy for Tom to eventually destroy.

13 (0 VOTES) 'I Want To Think You Wouldn't Have Done This If Your Italian Was Better, But I'm No So Sure...'

Episode: “II SEVEN MERCIES”

The cracks in Tom's facade begin to show when the con artist introduces Dickie to a shady character named Carlo, who has a "business proposition" regarding the transfer of money. Immediately Dickie is suspicious, placing the man as a mafia member. He also begins to see Tom in a whole new light as he notices that Carlo treated Tom as a "kindred spirit." He asks of Tom, "Is this the kind of thing you do in New York?"

14 (0 VOTES) 'It's Not Fair To You, Marge, Or To Me, That Dickie Isn't Having This Conversation With You.'

Episode: “VII MACABRE ENTERTAINMENT”

Tom sits in the bath having a conversation with a seemingly-alive Dickie, practicing what he will say to Marge. The scene switches to Dickie's point of view before it switchesback again, and the figure of Dickie is replaced by Marge as she listens to Tom's monologue.

This chilling scene shows the audience how Tom rehearses for every scenario - every possible conversation that he might have with every person - so he is never caught off guard. The man likes to be prepared.

15 (3 VOTES) 'I Have Come To No Conclusions. I Make No Accusations. I Only Say There Is One Dead Man And One Missing Man. And That You Are The Last Known To See Both.'

Episode: “VI SOME HEAVY INSTRUMENT”

This quote comes as Inspector Pietro Ravini is interrogating Dickie Greenleaf - or at least, the man who he believes is Dickie Greenleaf, but is actually Tom Ripley. It appears that Dickie was the last person to see his friend Freddie alive before he was murdered, and Dickie's friend Tom Ripley also appears to be missing.

Tom cannot provide a reliable alibi to the times and dates of the possible murders, or any evidence to the contrary, so he becomes Ravini's top suspect. This is the moment that Tom's clever plan starts to go sideways, as it seems stealing Dickie's identity might not be as easy as he first thought.'

[maguro13-2]

Shattered Hero ~ Origins of the Ink Demon : Episode Maka Pt.13 ~

[Chun-Nan (Day) - Kenichi Tokoi]

Ashley : Hey, Two of dumplings please!

Mona : Here you go. It's on the house.

Young Cricket : Hey, Ashley. Thank you for saving my life back there. If I haven't been defending myself from those strange masked guys, I would have easily defended ourselves from danger.

Ashley : My pleasure, cricket. You can count on me anytime. So do you wanna help spend time fixing up the dojo? Kat and Ana are worried that the dojo has left a huge mess after their fight with a demon.

Young Cricket : Oh that's weird, I took the demon child back to it's father so that the Dojo can be safe and sound. Speaking of which, I wonder if Mona ever on her part time job on giving these tasty dumplings. I'm going to create a work of masterpiece that will ever complete me in the science fair and also Penny is working a new invention that will give Wario a new bike.

Master Mantis : So I got a word from Princess Peach. Here look at the newspaper.

[Newspaper : LEADER OF THE KOOPA TRIBE BURNED TO DEATH BY FALLING OFF INTO THE LAVA PIT]

Mario : What!? Me, a murderer who mad that bowser fell into a ridiculous death. It happened on that Crocomire creature who was cooked to death by Samus!

Luigi : Yeah I don't like the sound of it, Mario. Buring a Koopa alive is kinda murder as in that result. You literally cooked a turtle to death and watch his skin getting melt except for his spiny shell!

Mario : Well, I'm sorry that he finally got what he deserved! Told you, cooking someone alive is the result of death and carnage, roasting some turtles is a kind of murder.

Luigi : But you didn't remember that Bowser Jr has a magical pot that has the ability to revive anyone from the dead after being cooked alive! Is that how video game logic works?

Mario : You tell me. Anyways, we're sigining up for the new Samsh Bros game titled "brawl" after Melee since the Space Colony Ark and I was in an incident too after I got framed by his son that makes them coconut heads force me to clean up crap all over on the island! And I just wanted a vacation, this is why I hate 2002 because of that incident! I wished went on a real vacation in Hawaii.

[radio buzzing]

Mario : Luigi! Can you turn off the radio! It's going on with the buzzes!

Luigi : I don't think that's me doing it, Mario! I'm not doing it with the radio.

Mario : Then what are...

Seto : (via radio) Hello! This is Seto the deathless from Needless! I just discovered a shocking truth and it's quite possible to spread it for you! It is just revealed that the Mabuki known as Demon Weapons were all part of an Alchemical research by Shotaro the Dokeshi, the boy who has unleashed an ultimate taboo for creating the demon weapons and it is also stated the Death the Kid that everyone know and love is Dracula's servant Death, a black wolf in sheep's clothing! He ordered Shotaro and the heroes of Soul World into taking down the Kasugatani family tree and I cannot believe that he would do such a thing! This was all a stage to make Witchkind's greatest downfall and will be on the verge of extinction! Tell Maka Albarn that everything she entrusted is a lie from Shinra! A lie to the devil himself! Please, understand the truth and let Truth win!

Mario : What!? Dracula's servant and Castlevania boss character death has been ordering all that!?

Luigi : Damn! So the actual Death the Kid was captured by King Boo! Konami is real smooth for showing their tricks up in their sleeves! I guess the Shinigami from Soul Eater was just a kid that is the human form of a Yokai called Kyokotsu! Lucky bastard! I don't know why the crazy story of Soul Eater was really false and to think that Maka Albarn is the hero of that world! This is the real world and we need to wake ourselves the hell up!

(suddenly lights went out)

Mario : Hey! The lights went out! What's going on here!?

Luigi : This could be a real messed up move!

Daisy : Guys! It's happening! Someone has broken into Nintendo and a recolored Shadow is heading this way!

Mario : Recolored Shadow? I don't know of this recolored Shadow!

Daisy : You gotta believe me! He is an acutal recolor of Shadow and he has the purpose of manipulating a hedgehog from the future and killing the blue blur himself! They say that he'll make the planet fall into darkness along with Real World AU itself!

Mario : Oh yeah!? Well who is this bozo that is attempting to drown the planet in darkness?

Mephiles : Simple question you may ask. But it shall be the living things that shall rejoice their selves to darkness! You'll just be lucky that you will be in your nightmares and all that frustration will easily hurt a heart and soul!

Mario : Ahh, sh**! I knew it! I knew someone in the building is going to get us! Hey, what do you think you're doing!? No! Stop! DON'T TOUCH ME!!!

(Mephiles laughs evilly)

Mario : Luigi! Guys! HEEEEELP!!!

(the lights were suddenly turned back on as Mario is missing)

Luigi : (gasped in shock) MARIO!!! NOOOOO!!! NOT MY BRO! ANYTHING BUT MY SWEET BRO-O-O-O-O-OOOO!!!

Mona : What's going on here!? Mario's missing!

Luigi : Yes! A recolor came by and took Mario hostage! Who could've done this!

Mona : Yeah, as a result of in that, Wario is missing too! and I haven't getting a direct call from him!

Waluigi : And who am I going to play tennis for what!? Now I don't have someone to play Tennis or Golf! And there will no be kart racing for tomorrow!

Luigi : (looks up into the sky, yelling) MARIOOOOOOOOOOO!!!

"Meanwhile..."

Mizune : [whistling a tune] Hey, dad. Long time no see. Do you remember who I am now? It's me, Mizune, your beloved daughter. (sees a photo frame of Mouser) I know that you haven't seen your daughter in years and I haven't seen you in years.

[Sadness - Seirou Okamoto]

Mizune : I promised you that I would able to reunite with you for a long time. But I haven't realized that I was the not only person that I ever get to see you again.

*flashback*

Mouser : Listen here, Mizune. You'll grow to be a strong girl just like your old man and when you do, you'll be just like me someday when you get older! How does that sound!

Young Mizune : Sounds great! I want to be the greatest being that I ever wanted to be the icon of my own! I will become the world's greatest treasure hunter there is!

Mouser : That's my girl!

*flashback ends*

Mizune : So now I understand that you wanted to see your own daughter again, dad. But now that you're gone dead, it's like that I never get to see you again...and I never felt this alone because I wanted to become the strong girl that I dreamed of! I dreamed that I would become the world's greatest treasure that there is and no one will ever take it away!

Blair : Long time no see, Treasure hunter!

Mizune : My rival from the same school, Blair?!

Blair : What are you doing here at Mouser's grave? What's the matter, Mizune? Cat got your tongue?

Mizune : You know why I came to daddy's graveyard, I came to mourn his loss of him after he died, he vanished from existence. I didn't know why I wanted to be the villain that is a part of a story. Believe it or not, I will never be a villain like this. Eruka was right about this, Medusa is not the friendly person that I expected to work with. No wonder why the author would make me the villain of the story. But...(grabs Blair by neck) If anything happens to Free or Eruka in the country, you'll pay. (Blair backs off)

Blair : So what!? That's how that I was such in an influence since we know each other at High school. I come to the church in Maryland everyday. You're begging that you planned on reviving Shinra's grandson to wipeout the planet, would ya? That's genocide!

Mizune : I didn't say that we of Ashley's kind were supposed to destroy the planet, that would be the heartless that is their doing! Here's something that I needed to tell you something, I didn't wanted to become a stupid villain! I wanted to become a hero of another story! I am sick and tired of the heartless' crap! That stupid Medusa and her dumb sisters would eventually get their asses kicked by the force! I could never trust a cold-blooded son of a b*tch that has us ever done to our kind. Thanks to unknown circumstances, Medusa and her sisters would be gone missing to confess their crimes against humanity. If only they were here to destroy the planet that easily.

Daroach : Still thinking about Mouser's loss, would you? I'm so sorry to hear that your father has passed on!

[Dark Samus Appears - Kenji Yamamoto]

Mizune : Daroach? Is that you? What happened to yourself? What did you go a little blue? Wait a sec, (her visions show Dark Nebula who is currently possessing him) Dark Nebula! How did you--?!

Daroach : (possessed by Dark Nebula) Escaped from imprisonment? Yes that's right. It was all thanks to this mice who freed me from that horrible prison that I lay dormant for all eternity. I have needed time for such lovely reunion to your master's body.

Blair : Hold the phone. Are you saying that Daroach is Mizune's master?

Mizune : And my adoptive grandfather as well. Enough fun and games, Dark Nebula! You come right out that body of his! I mean it now! You'll never cover the planet in darkness, not even the king of all Ink Demons would able to bring humanity into despair!

Daroach : (possessed by Dark Nebula) Fat chance, Mice girl! Once I reclaim my right position as ruler of the Underworld, I shall get rid of Earth's underworld rulers Hades and pluto, so does Yama himself to bring the darkness and despair for the rest of your lives! Both Humankind and Witchkind shall forever be in their miserable fates.

Mizune : Dark Nebula!

Daroach : Here! Have a present from your late father!

Mizune : What the-!?

*DBZ SFX : LOUD EXPLOSION*

Blair and Mizune : (coughing out)

Mizune : Dark Nebula! (realizing that Daroach disappeared) Damn it! He's got Daroach and now they're both gone!

Blair : Oh no! He must've went into space! Along with...the Squeakers!

Mizune : Daroach, no! (falls down on the ground) ...No! (whimpering) It's should've been me, not him! It's not fair! Why couldn't Dark Nebula just take me instead and be it's own puppet? I will never forgive for this Nebula! I'll make sure that you'll die with a terrible fate! A fate that you'll never forget just like what you did to daddy! I'll kill you for this!

(Dark Nebula laughs sinisterly)

~ Act 13 : Personification of Darkness ~

[j2memories]

CNN entertainment article (October 20th 2020)

‘Supernatural’ stars reflect on show’s plot twists until the very end

By Sandra Gonzalez, CNN

Updated 4:00 PM EDT, Thu October 8, 2020

Like a plot line from an episode of “Supernatural,” the trouble started on a Friday the 13th.

Jensen Ackles and Jared Padalecki were filming their show in Vancouver, Canada, with two episodes worth of production standing between them and the conclusion of a story that’s taken 15 years to tell.

Then, on March 13, production on the show about a pair of monster-hunting brothers that have survived more than an apocalypse or two over the years was shut down amid the spread of coronavirus.

“When we went on pause, all focus then shifted to, ‘What is this pandemic going to be like?’ ‘Are we on the doorstep of the apocalypse?” Ackles remembers on an early afternoon Zoom call with Padalecki and CNN.

Other television series that were shuttered opted to wrap their seasons early as a result of the widespread production shutdowns, forgoing their planned season finales and instead finding as natural of a place as they could to close out their stories for the year.

“Supernatural,” with its end set in stone, didn’t have that luxury. And for months, they felt like firemen, Ackles says, waiting for the call that would have them report for duty as road-tripping duo Sam and Dean Winchester once again.

It eventually came and on Thursday, the show will begin airing its final seven episodes on The CW.

“It’s been a rollercoaster to say the least,” Padalecki tells CNN. (“Supernatural” is produced by Warner Bros. TV, which like CNN is owned by WarnerMedia.)

In more ways than one, really.

The Road So Far

“Supernatural” began in 2005 on the now-defunct WB Network. For context, Twitter launched the next year, and Netflix didn’t begin offering streaming until 2007.

Ackles and Padalecki — now both married with six kids between them — were 26 and 23, respectively, when they dove into roles that would see their characters go to hell and back, literally.

The show also went through trials — the merging of WB with UPN (which created The CW), new showrunners and writer’s strikes, to name a few.

But it chugged on, earning a loving reputation among the cast and crew as being “the little show that could” and growing its “Supernatural” family on camera (with key additions like Misha Collins) and off. Thanks to streaming and syndication, it boasts a generationally diverse fanbase and a wider spectrum of viewers than anyone ever anticipated them to have, Ackles says.

“I’ll never forget the first time that I was signing autographs and a girl, a woman and an older woman all came up to me and it was a mom, daughter and the granddaughter – three generations. And they all watched the show together,” he says. “And we started seeing that more and more that the audience was becoming younger.”

They get a first-hand evidence of this during “Supernatural” conventions, which, during non-pandemic years, fill hotel ballrooms across the country with thousands of fans several times a year.

At one event, a fan asking a question looked so young, Padalecki inquired about her age.

“Not in a creepy way!” Padalecki interrupts, as Ackles recounted the story.

“Yes, not in a creepy way! Just like, ‘Wow, you seem awfully young to be asking a question about a show that’s been on [so long],’” Ackles says. “And I knew where you were going. You were wanting to see if the show was older than she was, and it was.”

The actors talk like that a lot when they’re together – finishing each other’s story or thought midway. It’s a side effect of 15 years worth long nights on set and countless press days together.

On this morning, Padalecki, on a road trip back home to Texas from Vancouver, is chatting from a hotel in Idaho. In Austin, he will soon begin production on a reboot of “Walker, Texas Ranger,” in which he plays the title role.

Ackles will for his next gig – a role in Amazon’s “The Boys,” which is run by “Supernatural” creator Eric Kripke – once again work in Canada.

They admit it will be an adjustment.

“For me, I’m now a guest in somebody else’s house. As for Jared, he’s going to be building a new house with a whole group of new faces,” Ackles says. “So it will be different, and that’s probably when he and I will call each other and be like, ‘I miss you so much!’”

Padalecki hopes he can recreate a version of what they built on “Supernatural” with his new fellow cast members and crew.

“It takes a while. A true relationship is built over time,” he says. “On ‘Supernatural,’ we went through deaths and births and marriages and divorces… and heartbreak and the honeymoon phase of falling in love – [and] not just us. We both started dating our wives that are now the mothers of our kids during the show.”

“Oh, I thought you meant we fell in love,” Ackles quips.

“We fell in love, too,” Padalecki jokes.

When I add that plotline was only in fan fiction, Ackles retorts, “Or was it?”

Padalecki erupts in laughter.

“There it goes the internet.”

Swan song

Padalecki and Ackles say their love for the show runs deep, especially so now that it’s in the rear view mirror. They wrapped just days before we spoke.

The day before, Padalecki says, he caught the last minutes of the season 2 finale – the first that used Kansas’ “Carry On Wayward Son” during the recap of the season, something that became a tradition. The episode was airing on television while he was at a gym and he nostalgically couldn’t resist watching. (He says he’d really hoped someone would catch him watching himself on TV, but no one did.)

“It’s a great show, and I’m not talking about Jensen or myself. I’m just talking about the show is awesome,” Padalecki says. “It’s really humbling, and it’s so cool to have been a part of. And, I guess, be a part of forever.”

Both say they’d like to do conventions again, especially since by that point, the finale will have aired, and they can speak about it openly.

Until then, they can only tease that it was an emotional conclusion.

“If you’re not crying before the last scene, then you don’t have a soul,” Padalecki says, but it’s not clear if he notes the irony of the statement, considering his character lost his soul at one point.

Though television shows are typically filmed out of order, efforts were made to have the last moments of the show be the last scene they filmed.

This, combined with the lack of cell service at their location, allowed them to be fully present, they said.

“In a really strange way, the finale that we just finished last Thursday is, in hindsight, the finale I would have always wanted,” he said.

The tears viewers see on screen will be real, they both said.

“I think it’s actually a really beautiful moment, not just for he and I, but for the crew and for everybody there, because there was a finality to it,” Ackles said. “And then we popped some corks and had some speeches, and it was a really nice moment.”

A celebration, you could say, of “the little show that could” and all it did.

Link to the article

[oceanmusings]

Lucky for you, I have been going through a art block which lifts my writers block finally, so I have been working on a lot of writing (except for roleplay replies apparently)

Original Work

- "Midnight Love" | my lesbian vampire and werewolf story. Might be a retelling of Romeo and Juliette, not entirely sure, might just be a fluffy story of learning you are worthy to be loved and accept those part of yourself you don't like.

- "Project Seaside" | this has no title. All I know about it is: Princess runs away and joins a pirate ship and gets into a poly relationship with the nonbinary captian and their right-hand man/woman (not sure on gender just yet)

- "Distress Signal" | This is a comic/graphic novel about an astronaut getting lost in space and sends a distress signal to be found. Instead of NASA or any other human finding him, a little alien finds his signal and blooms a lovely friendship as they keep each other company and the alien tries to find him so they can take him home. It's kinda my experience of only having online friends and most of my social stuff is from online?

Fanfiction

- "Wake Up Call" | one-shot of how Lori has learned how to wake up Dean through the years.

- "Mother" | Lori adopts Oliver and calls her uncle to figure out how to tell her partner. There'll be two versions for Dean's reaction and Charlie's

- "Please Forgive Me" | Arwen has to accept the fact, she does love Spencer. But not like a friend. She then tries to figure out how to win him back after everything not only she put him through but what he's gone through. I promise happy ending.

- "Beauty Means Pain" | Arwen's trauma case! Completely stolen from X-Files episode, season 2 episode 13. Cause I am not creative when it comes to this stuff.

- "Inked Love" | AU fic of Daisy and Robin, Robin's a princess and Daisy is the knights guard daughter. Neither if them have ever been able to have a conversation, just these longing stares across the room as they've felt this pull together. Daisy finds a note from the princess and uses this as an opportunity to finally speak to the princess and their relationship goes from there.

Then I have some ideas of dabbling into smut but gonna keep that to myself.

Original Characters

WAY TOO MANY

But the ones I have been working on this month is

- Athena Owens MM form

- Updating Adam Dorians Teen Wolf form

- transferring my werewolves to fit in the Teen Wolf world

Art

- Joel and Ellie (TLOU) drawing

- more valentines day designs for Redbubble

- art piece of feeling lonely in bed but music keep company

- Sims theme designs for redbubble

Tagging, if you want no pressure! | @persephoneflorencemuses @darlinggirlwithdreams @galaxygirl11-forms @thesinnamonscroll @bloomstruck

so i was tagged by @taketwoinink to share my wips and this has been a jOURNEY because I ACCIDENTALLY DELETED MY FIRST DRAFT OF THIS POST :((((

anyway here are the rules (stolen from ink)

rules: post the names of all the files in your WIP folder regardless of how non-descriptive or ridiculous. let people send you an ask with the title that most intrigues them and then post a little snippet of it or tell them something about it! and then tag as many people as you have wips. (you can make your own post or reblog this one) like ink, i’m gonna say this is any wip at all like art, dnd campaigns, clothes, etc.

i’m also gonna split this up because i like organisation

Writing - original stories

arinya dowden, amateur sherlock

lost kingdom of mysteria

the sequel series to lkom following the characters’ children

music story, “There was music, once.”

hyeonji x nitya—superhero-supervillain

the thieves of jam

the magic of nitara mountain

the girl with white hair

Art

ducklings

various fairies

cookie run fanart

solara (sun goddess)

painting on playing cards

painting on pantone post cards

my friends’ voices

the song if i were a friend

a sketch in a sketchbook i share with my gf

paintings on cds

a meet the artist

Other

webtoon/comic: worry blooms

a song about platonic breakups

a poem about my home

knitting a bi themed blanket

crocheting a frog bucket hat

making earrings using crochet and origami

and i think? that’s it? i do not know that many people to tag so i’ll just tag some moots and if you have anything to share please do (and tag me if you make your own post)!!

@elysiandumbash @insightfulghost @thatgendergremlinmoot @skylerandbooks @championofapollo @eldridgegoatboo

[rowanthestrange]

I don’t want to hijack OP’s post so I’m doing the screenshot thing:

So I tagged this #lines said by the master

But actually maybe I’m not just being funny here. I don’t know if it would actually have worked irl but I think maybe that could’ve been an interesting running thing with Dhawan!Master, to further our whole ‘meta meta’ thing.

He’s got a handheld video camera, and he’s recording everything.

At its beginning/basic level this is like a vlog. He’s using this to ensure there’s a record of things, going with the other subtexts and the notebooks and the memory wipes etc. If we’re planning this from the beginning, maybe tie it in or at least mirror it with Ryan’s - perhaps you see what you will later realise is the Master’s YouTube channel recommended in the sidebar. Look at how gorgeous and camp his ‘professor’ look is, he’s the Master - make him an influencer, a streamer, a conspiracy-theory-diving YouTuber, maybe that has almost no direct relation to the plot it’s just a thing that exists in that way Chibs likes, you can see his filming rig in Spyfall etc. All this cyber computer stuff, tie it in.

But with O specifically — and what we’ll see later from Dhawan!Master come the finale — he’s also an amateur Attenborough in his hidden spot in the Outback. Making documentaries of new species, under-researched species, species on the verge of extinction…

I don’t know if anyone’s convinced about the idea of Tecteun masking the truth behind the Gallifrey Is In Ireland metaphor, but now whether you implicitly or explicitly say it’s him doing it, we know he is a Film Maker. (And still wants to explain his subtexts, do you get it Doctor? He’s being very clever if you’d actually pay attention). Because she thinks he’s being the Film Maker but she doesn’t realise they’re both being written and directed by the True Creator out there, that’s set their lives out time and again. But her old video tapes are stored, and his are just carelessly taped over so as to not waste film. Something something lost episodes of Doctor Who.

Jeff the Master — mirror or played straight — from the storage place, not just hoarding but also looks like amateur filming sets, equipment etc. with bonus of one that looks kinda camgirl-ish with a cat ear headband carelessly left on the floor.

Then by the time we’re back to the finale, he is fictionalising things more, his always wonky lines between real and unreal blurring, no no, it’s time for a new actor to take the role, if this is her show, then he’s Recasting. ‘Everyone watching?’

And am I RTD level of goof to have us quickly re-show an intro part way through the episode to introduce Master Who ie. a classic-style intro with Dhawan!Master’s face, his name as the Doctor in the titles and a remixed theme? I might be. I’m ashamed to say I might be.

(The irony that the Master as ‘influencer’ probably did have people who cared about him, and he was incapable of recognising that.)

We have the theme of the Division as a conspiracy theory - but a conspiracy theory that’s true. Which meets the conspiracy theory that your reality is fictional. But of course we know that the Master is, again, sort of right on that one too.

[j4gm]

TOGETHER AGAIN SPOILERS

A thread of lore, Easter eggs, episode connections, and background details from Adventure Time: Distant Lands: Together Again! Let me know if I missed anything! This is adapted from my original Twitter thread.

Keep reading ⬇️⬇️⬇️

1. I was expecting them to perhaps do a classic style title sequence for this episode, but I wasn't expecting them to straight up use the original title sequence. The only difference is this final screen saying "Distant Lands".

2. The background of the title cards is also the hill from the title sequence.

3. The ice cream having "50 flavours" and having an image of an enlightened soul is an obvious reference to the 50th Dead World as we see it later in the episode.

4. Continuing with the metaphor, the dirt in the ice cream could be a parallel to the fact that Jake's Nirvana actually wasn't perfect, because his inaction was allowing for injustice to perpetuate.

5. This whole scene feels immediately slightly off. Finn has his Scarlet sword and is out on a classic Ice King adventure, but he speaks in his grown voice and all the slang feels much more forced than it did in the real season one. Turns out this was deliberate.

6. The snow golem speaks with a baby voice like it did in the pilot episode, even though in canon it has a deeper voice. This further hints that something is not quite right.

7. The first major break in continuity is these snow golems resembling Uncle Gumbald and Peace Master, who Finn didn't meet until later in his life.

8. LSP sitting on Finn's head like this is reminiscent of Pen Ward's piece for the 2018 Ble crew zine.

9. Finn being given the choice of helping somebody but ending up helping everybody reminds me of "Memories of Boom Boom Mountain". It's the kind of resolution that wouldn't happen so much in the late seasons of the show, which helps make this scene feel even further out of place.

10. Jake is half frozen by Ice King in pretty much the exact same way as he was in "Prisoners of Love", and even has a very similar line.

11. The Snail is seen here. The crew have said that the Snail has been deliberately left out of previous Distant Lands specials, so its placement here is another very deliberate hint that this whole sequence is "trying too hard" to be like the early seasons.

12. The book "Mind Games" appears a couple of times, as seen in several previous episodes of Adventure Time. The first is as Finn is approaching the library in his dream. It also appears as one of the items in Finn's backpack later.

13. Jake is hurt when Finn fist bumps him with his metal arm, revealing that this scene is not real. This is also a callback to the title sequences of "Islands" and "Elements".

14. A whole bunch of familiar skeletons are seen in the bird's nest: Dirt Beer Guy, Abracadaniel, Me-Mow, Lemongrab, Mr. Pig, and the Snail again. This doesn't necessarily mean that all these characters are dead, since this scene is just a hallucination.

15. Old Man Finn! He's still got the chest tattoo of Jake, and this time we know that Jake is dead, so the theory that Jake died before "Obsidian" seems pretty likely. He looks similar to his old man design from "Puhoy", with the same facial hair.

16. There are several cameos of familiar characters who apparently died at the same time as Finn. The first is this duck, who previously appeared in "Ocarina".

17. The second is Donny, from the episode... uh, "Donny".

18. This goblin guy is an unnamed background character from “The Silent King”.

19. This old lady first appeared in "The Enchiridion", way back in season one. Old ladies are a species in the Land of Ooo, so I guess she wasn't actually very old back then, given she just about outlived Finn.

20. This is the cobbler who first appears in "His Hero". Amazing that he lived so long given all the trouble he got into in that episode.

21. Land of the Dead! This place was first seen in season two's "Death in Bloom", and now we are finally learning its actual purpose. It's a sort of gateway and hub to all of the other dead worlds.

22. There are some more minor cameos at the gates: a house person from "Donny", a soft person from "Gut Grinder", and a wood person from "When Wedding Bells Thaw". And, of course, the gate guardian himself from “Death in Bloom”.

23. Finn completely ignores the gate guardian in the same way he did in Death in Bloom. This also has the convenient effect of not having to reveal how Finn died, leaving it up to the audience's imagination.

24. Mr. Fox! We already knew he would die at some point because BMO had his skull in the finale.

25. Finn has his design from the first Distant Lands poster in this scene. Turns out it's young Finn in old Finn's clothes. But they gave him a shirt in the poster so you wouldn't be able to see the tattoo.

26. The clapping that Finn does while he's looking for Jake is a callback to "James Baxter the Horse", when Jake tells Finn to listen for that same rhythm if they are killed and need to find each other in the afterlife.

27. Mr. Fox talks about a "past life quotient", suggesting that there might be some kind of limit to how many times somebody can reincarnate. Finn's reincarnations are also seen in this scene; a callback to "The Vault", and confirmation that reincarnations share the same soul.

28. Boobafina, the goose who Mr. Fox was in love with in his debut episode “Storytelling”, apparently reincarnated into a tugboat. We've already seen that objects can have souls in the episode "Ghost Fly".

29. Finn is initially assigned to the 37th Dead World, which is the same one that Jake went to when he died in "Sons of Mars". We can only guess at what the other numbers on the ticket mean ;)

30. Tiffany! Despite several lucky escapes throughout his life, Tiffany has finally died. I like the use of this imagery to express Finn's conflicted feelings about him.

31. The 50th Dead World has long been established as the "highest" dead world, and the one synonymous with Heaven within Adventure Time's universe. It was first mentioned in "Ghost Princess" back in season three.

32. It's unclear what happens to souls which are destroyed within the dead worlds. It is a similar question to asking what happened to the ghosts that were killed in "Ghost Fly".

33. Death doesn't speak at all in Together Again because his voice actor, Miguel Ferrer, passed away in 2017 long before production began.

34. Finn phases through New Death when he tries to attack him, just like what happened way back in "Death in Bloom".

35. The 30th Dead World contains Tree Trunks as well as many of her love interests; Mr. Pig, her alien husband from "High Strangeness", Danny and Randy who first appeared in "Apple Wedding", and several more who we don't recognise, including at least one who presents as a woman.

36. Literally yelled when these two showed up. Joshua calls Finn a crybaby, which is a callback to "Dad's Dungeon".

37. The wall of weapons in Joshua and Margaret's house includes the iconic Demon Blood Sword, which was broken in "Play Date", as well as Margaret's auto-loading crossbow from "Joshua & Margaret Investigations".

38. Jermaine is sidelined a few times through the episode, in reference to his attitude in "Jermaine" where he feels that Finn and Jake were always their parents' favourites. I would have hoped things would be a bit better by now.

39. Fern gets name dropped while Finn and Jake are reuniting. A shame he doesn't actually show up in the episode.

40. In this scene, Finn says "What time is it?" This is a very subtle reference to the 2010 cartoon "Adventure Time".

41. In a couple of shots during this fight scene it looks like Jake might have a tattoo. It seems like it only becomes visible when he stretches out his arm.

42. New Death's amulet in this scene resembles parts of the Lich's cape, foreshadowing his influence on New Death.

43. There are several more cameos in the 50th Dead World: Booshy from "High Strangeness", one of the Marshmallow Kids from "Scamps", and Ghost Princess and Clarence, who were seen ascending to the 50th Dead World in "Ghost Princess".

44. Finn didn't interact with Booshy in "High Strangeness", but it seems they must have met at some point before they both died because Finn knows his name.

45. It seems like people in the 1st Dead World are slowly melted away until they become part of the landscape. Nasty.

46. Lots more cameos in this scene: a gnome from "Power Animal", a gnome from "The Enchiridion", a Bath Boy from "The Vault", Blagertha from "Love Games", Maja the Sky Witch, a troll from "Dungeon", Chocoberry, Choose Goose, Wyatt, a spiky person from "Gut Grinder", and possibly more.

47. Tiffany's insults are consistently nonsensical and amazing, as they were in the original series.

48. The Candy Kingdom looks extremely different. Peppermint Butler is wearing the crown so he might be in charge now, which is supported by the kingdom's very magical-looking augmentations. It’s not clear whether Finn and Jake were expecting to find Princess Bubblegum or Peppermint Butler, since both have the initials “PB” and both could be going by the title of “Princess”. Perhaps Peps and Bubblegum share the princess duties now that PB is living with Marceline more of the time.

49. Peppermint Butler has a "Boss" mug, although it's not the same colour as the one from "Obsidian".

50. Jake's ghost has the same design as he did when BMO killed him in "Ghost Fly". I also absolutely love Finn's ghost. This scene establishes that ghosts are just visitors to the mortal plane from the dead worlds.

51. Life has only appeared in animated shorts before now. Namely, "The Gift That Reaps Giving" which establishes her relationship with Death, and "Frog Seasons: Winter". This episode gives her a concrete place within Adventure Time's pantheon: she is in charge of reincarnation.

52. A translation of Life’s angry French dialogue by Shado: “After all I did for that boy. After all I did for him. No, it's not possible. It's not possible no, that... that makes me so mad but it's not possible.”

53. We finally have in-universe confirmation that Shoko's tiger is a previous life of Jake. This was previously confirmed by one of the writers, but wasn't canon until now.

54. I feel like Finn pulled off Shoko's look even better than Shoko did. I wonder whether Finn has gained the memories of his past lives now that he’s dead.

55. No Easter egg here, just want to appreciate this image.

56. There is an elemental symbol on the wall here, as seen in "Jelly Beans Have Power".

57. Tiffany's dramatic internal monologue is a recurring gag, as is his habit of nearly dying from falling into holes.

58. The Jake suit makes a cameo in the fight against New Death. It was last seen in the episode "Reboot”.

59. Finn's backpack contains a few familiar items: the t-shirt with the pocket from "It Came from the Nightosphere", Finn's underwear from "Little Dude" and other episodes, and a copy of Mind Games as I've already mentioned.

60. The Lich's Hand is present in the background of Death's... death scene. This is probably the unseen "friend" who New Death keeps talking about.

61. The Lich's menacing monologues often begin with a single command. Previously they have included "Fall" and "Stop". This time, the command is "Burn".

62. Jake uses the word "boingloings", which is a callback all the way to "Hitman" in the third season.

63. Jake's blue shape-shifter form from "Abstract" appears very briefly during his fight with Finn.

64. Finn's lumpy space person form also makes an appearance. This design was last seen all the way back in the second episode of the entire show, "Trouble in Lumpy Space".

65. Jake steps on the Lich's hand in a very similar way to how he stepped on Ash in "Memory of a Memory", which is itself a Monty Python reference.

66. The credits include a dedication to a few AT cast and crew who have passed away. Polly Lou Livingston was the voice of Tree Trunks. Miguel Ferrer was the voice of Death. Michel Lyman and Maureen Mlynarczyk were both sheet timers on the original series. Rest in peace.

67. The message that Finn and Jake write out on the ouija board is "BUTT", which Peppermint Butler takes as a distress signal. This message is also used as a distress signal by the Hot Dog Knights in "The Limit".

68. Peppermint Butler's reversed dialogue from the scene where he makes contact with Finn and Jake is "Kee-Oth Rama Pancake", the spell from “Dad's Dungeon” for banishing demons.

69. That appears to be President Porpoise with all of Tree Trunks’ other lovers.

70. In this scene, Life is humming part of "Lonely Bones", the song which Death tried to record for her in her debut short "The Gift That Reaps Giving". It's hard to notice because it's so brief.

71. Finn and Jake's cover is blown while in the Land of the Dead because Jake loudly farts, which also happened in "Death in Bloom".

72. The place where Mr. Fox explains the perception mechanics of the afterlife is the exact same location as the River of Forgetfulness from "Death in Bloom", which, as it turns out, was imaginary.

These are sort of out of order at the end because I was adding stuff to the Twitter thread as it got discovered. That’s all for now!

[scripturiends]

gave me no compasses, gave me no signs

Read on ao3

Summary: It was the one time her hunch had been wrong.

In which Han Joonhwi is acting suspicious, and Kang Sol A intends to find out why.

Rating: T

Word count: 3,848

Notes: Title taken from Taylor Swift’s ‘invisible string’: “Time, curious time, gave me no compasses, gave me no signs; were there clues I didn’t see?”

~

As promised, here is the Solhwi fic that I had hoped to be up before Episode 7 airs. I went straight to work after receiving positive feedback from an interest check post. As I mentioned there, the story isn’t necessarily dwelling on the current timeline, but is, for the most part, still canon-compliant. I totally made up all the legal jargon, so please bear with me. And, like the show, I decided to do ‘cutscenes’ instead of one unilinear fic.

I had a lot of fun with this little project for the past two days, so I hope you enjoy reading it as much as I did writing it :) I’d also love to hear your thoughts, please do send me a message or feel free to comment, it would mean the absolute world to me. Thank you and let’s all look forward to Episodes 7 and 8 this week!

The fic is under the cut. As a sidenote, this fic is un-beta’ed. All mistakes are mine.

~

I.

Kang Sol A swears she only drifted off for a second.

She had been burning the midnight oil for the past few days, well into the weekend, so much that the tension was radiating into her atmosphere, so much that the heat was starting to get to her head. Her Civil Code paper may not write itself, but neither could she if it took every ounce of her energy just to even sit up. So she plopped down on her bed, head heavy on her pillow, still fighting the urge to doze off.

She blinked, slowly, and as her eyes fluttered at an alarming rate, they eventually closed — just for a moment, I’ll count to ten and then wake up again — and stilled.

Birds were chirping outside her window when her eyes shot open, and that’s how she knew she messed up big-time. She woke with a start, frantically shaking off the books and papers off her person and frisking for her phone, silently praying that she wasn’t too late for her meeting with her project partner Seo Jiho, who she knows absolutely despises latecomers.

Sol A felt something vibrate from behind her, and an incomprehensible sound escaped her lips as she checked her phone. There were mountains of notifications that prevented her from checking the current time: self-set alarms, e-mails from her professors, reminders about today’s meeting with Jiho, and missed calls from a certain Han Joonhwi.

Clearing all of them at once, she finally reads: 9:07 AM. She was supposed to meet Jiho at 9:15. Sol A breathes a sigh of relief, but her momentary celebration is cut short when her phone starts to ring.

Han Joonhwi was calling again.

She didn’t even get a chance to speak yet when the voice on the other end asked, “Breakfast?”

Sol A put him on speaker phone as she packed up her things. “Can’t,” she replied mindlessly. “I have to meet with Seo Jiho and I’m already late. Eat by yourself.”

A few seconds of silence went unnoticed as Kang Sol A zipped up her knapsack and wore it over her shoulder. She finally picked up her phone and switched back to the handset. “Don’t skip breakfast, you hear me?”

Still nothing. “Joonhwi-ah.”

“Walk fast,” was all he said. And then he hung up.

That caught Sol A off guard, but she heeded the advice anyway.

She made it to the study room at exactly 9:13, only stopping by the entrance to catch her breath and tie her hair back into a ponytail. It was silent, so she half-hoped that no one would be there, but half-expected nothing less from Jiho. So she walks in, footsteps heavy, only skidding to a halt when she sees Jiho staring someone down, someone whose back looked all-too-familiar.

“You like her, don’t you?” she overhears from Jiho. “Kang So-”

Jiho suddenly fell silent at the sight of Sol A, and the man opposite him suddenly turned his head towards her. She was right about who it was — it was none other than the person she spoke with on the phone just a few minutes ago.

If Joonhwi was surprised, he didn’t show it.

But Kang Sol A did. She blinked once, and with a hint of dubiousness, she asked, “Who likes who?”

The men shared a look, and she was met with silence again, which was beginning to irk her. But she bit her tongue, took a seat across Seo Jiho, and grinned cheekily at him. “Sorry I’m late.”

“You aren’t...” Jiho replied, trailing off.

“I am by your standards. I know you,” she said matter-of-factly. “For Seo Jiho, ‘on time’ actually means ‘thirty minutes early’. Which means I’m late.”

Sighing wistfully, Sol A added, “I learned that the hard way.”

She locks eyes with Joonhwi momentarily, but he averts his gaze, expression unreadable. Sol A ignores this and tries her luck once more, eyes flitting from Jiho to Joonhwi and back. “Who were you guys talking about?”

This time, almost with no hesitation, Joonhwi finally spoke up. “No one,” he answered. “My roommate was just practicing his cross-examination skills on me.”

He stood up, giving Seo Jiho a final staredown. “They’re very poor at the moment. Help him out, will you?”

Then, without looking Kang Sol A in the eye, he gave her a soft squeeze on the shoulder, and promptly left.

Sol A’s eyes followed Joonhwi’s back, and stayed there even after he left. His touch lingered on her shoulder like a ghost, but instead of comfort, all she felt was fear. Suspicion. Restlessness. That maybe he was hiding something, and whether it involved her or not, she was keen on finding out just exactly what it was.

II.

“I’m telling you, Yeseul-ah,” Sol A insists. “Something’s up with him.”

They link arms, walking past the school entrance and into the lobby. Jeon Yeseul turns to her, hair falling perfectly into place as she lets out an angelic laugh. God, Sol A thinks. Even her laugh is perfect. But past the admiration for her Aphrodite-like features, Sol A feels like she’s being mocked.

She pouts. “You don’t believe me.”

“I do!” Yeseul defends. “You think he likes Kang Sol B.”

Sol A slides her left hand off Yeseul’s arm and holds her friend’s right one lightly. “So why are you laughing at me, then?”

“Unnie.” Yeseul wraps an arm around Sol A’s shoulder. “Has it ever crossed your mind that maybe Joonhwi-oppa likes you?”

Sol A almost choked on her spit. Of course she’s thought about it — after all, she’s a hundred percent certain that it was the name Kang Sol that slipped from Seo Jiho’s mouth a few days ago. But none of the evidence so far points to it being herself. And anyway, it’s not as if he’s shown any interest in Sol A as a woman. In fact, all he does is tease her. And she’s okay with that. And Sol B already likes Joonhwi. And they seem to be a far better fit than Sol A and Joonhwi. And it’s not like she harbors any romantic feelings for him, either.

She pushes the thought away before it could become bigger.

Sol A denies, deflects, and defends. “That can’t be right.”

“Why not?” her friend challenges.

“Why would he be avoiding me if that were true?” Sol A counters.

“People do that when they feel awkward around their crush,” Yeseul rebuts.

This is starting to feel like a game of chess rather than a conversation between best friends. “I think he’s just scared I’ll tell my roommate or something.” Before Yeseul could say anything else, by some stroke of luck, Sol A spots Joonhwi from her peripheral vision, walking past Lady Justice.

Yeseul smiles kindly at Sol A. She doesn’t doubt its genuineness, but she feels like it’s laced with mischief. “Should we test your theory, then?”

What does that mean?

“Joonhwi-oppa!” Yeseul shouts, waving at him from across the room.

She’s not going to ask him, is she?

Yeseul runs to Joonhwi, a light skip in her step. “I have something to ask you.”

Wait.

“Wait,” escaped from Sol A’s lips, barely a whisper before it started registering on her what Yeseul was about to do. And when it does, she finally sprints. “Jeon Yeseul, wait!”

“Oppa.” Yeseul bats her eyelashes at Joonhwi. Sol A was in tow behind her, feeling small but unsure why.

“Oh, Yeseul-ah,” Joonhwi greets. His eyes lit up at the sight of his friend and classmate.

While it pained Sol A to just sit back and watch, knowing that Joonhwi had been purposefully avoiding her, she let the scene unfold, trusting that Yeseul knew what she was doing.

“You haven’t been going to the study group sessions lately,” Yeseul starts.

Sol A hoped it would get a rise out of him, seeing as he was the one who started the group to begin with, but was barely showing up these days. Instead, all he said was, “The pair project in Civil Code has been holding me up.”

Yeah, right, she thinks. A second-round judicial exam passer and a former police academy student having a hard time in Civil Code? Why do I find that hard to believe?

Sol A scoffs, and Yeseul pinches her side. “Sol-unnie and I are meeting the others for lunch. You should come join us.”

“Ah,” Joonhwi drawled out slowly, as if coming up with an excuse to say no. Sol A expects it to be his next move. “I wish I could, but-”

Knew it.

“Kang Sol B will be there,” Sol A blurts out, fully aware that it’s a total lie. Still, she had to try.

Something in Joonhwi’s mood changed, and his face hardened. Still not making eye contact with Sol A, he excuses himself from Yeseul. “I’ll take a rain check today, okay?”

And without another word, he left again, leaving Sol A with the same emptiness that she had felt in the study room the other day.

Yeseul finally turns to Sol A, crossing her arms. “You’re right. He’s being weird.”

III.

A few more days without Joonhwi’s company, and Sol A was starting to feel its ill effects on her. She hadn’t realized just how much she took him for granted until he was no longer around to challenge her ideas, to annoy her over the littlest of things, to calm her down when she’s freaking out, to be her drinking buddy, to be someone she could tell any and every stupid story to, with the utmost confidence that he’ll keep it to himself or that he wouldn’t belittle her for it.

They’d been through too much together now, and even their fateful first meeting all those years ago didn’t faze him from her. In fact, her little scheme, no matter how deceitful at the time, brought him closer not just to her, but to Byeol, her mom, and to an extent, even Dan.

So what changed? What on earth did Seo Jiho say to him, and what on earth did she walk into, that made him close himself off from her? Proximity may not breed familiarity, but right now she wishes nothing more than to be in his orbit again.

Arguably the worst consequence of the lack of Joonhwi in Sol A’s life right now is having no one to eat with.

During one of her all-nighters at the dorm, she found herself with an intense craving for some ramyeon. She removed her earphones, partly to pull herself back to reality, but mostly to ask her roommate to have a meal with her. As if Sol B would say yes, but it was worth a shot.

“I’m going downstairs for a bite. You wanna come?”

No response, as expected from Kang Sol B. Sol A inwardly rolled her eyes, spinning in her chair to tease her roommate, only to find the desk empty.

She scratched her head while walking, wondering where Sol B could be at this time of night. And without a heads up, too… She was getting worried.

But it seems like her concern was all for naught, because Sol B was right where Sol A was headed.

And she was there with Han Joonhwi.

She was laughing. It was the first time that she saw Sol B laugh, maybe ever, and to see that Joonhwi could be someone who could do that for her, made Sol A feel proud. Like knowing Han Joonhwi was a privilege, not only because of the way he could make people comfortable around him, but also because Sol A had once been on the receiving end of it herself.

She should be relieved. In fact, she should be happy. Because it means that her guess was right, which means she doesn’t have to keep digging anymore. She could just tell Joonhwi that his secret’s safe with her, and they could finally go back to the way they were before... Right?

And yet something about witnessing the pair interact as a mere bystander didn’t sit right with Sol A. There’s a pang in her chest that she can’t quite comprehend — maybe she just misses him, or maybe it’s something else completely. Because if Han Joonhwi has feelings for Kang Sol B, and they’re together right now, then that leaves only one explanation: he must be avoiding her, and for a completely different reason.

It was the first time her hunch had been wrong.

Needless to say, Sol A lost her appetite and trudged back upstairs lifelessly, a bitter taste in her mouth and an ache in her stomach that she couldn’t quite place where it even came from.

IV.

Come Friday, Sol A was too exhausted to even think about Han Joonhwi. Between the endless deadlines and papers to write, her job in the copy room, and the Seo Byungju case, her energy had been too depleted and her social battery too worn out to even care that her relationships could be falling apart.

The only thing she has going for her now is the Legal Clinic, the one place where she could bury her nose deep in case digests and law readings and she would absolutely never get tired of it, because it’s the one place where she feels like she’s making a real difference, especially when people’s lives are at stake. It was the remaining part of her life where Sol A felt like she was in control, so these days, all her emotionally-charged passion was focused on this one thing.

But of course that had to fall apart too, when Professor Yang asked for her to stay after class.

He cut right to the chase. “I’ll be meeting with my defense lawyer today so I need you to consult with the client in my stead.”

Count on Yangcrates to always give Sol A a heart attack in under two seconds.

“M-me?” she stuttered.

The professor’s face twitched, ever-so-slightly, which Sol A took as a sign to backtrack and confidently proclaim that she’s up to the task. She knows there’s nothing Yang Jonghoon hates more than a quitter.

“Ah, yes, of course,” she accedes, with a little more verve.

He nods once in her direction. “And take Han Joonhwi with you,” he commanded.

She’s doomed. Not that she wasn’t doomed before, but now that Professor Yang had to drag her personal life into this, she was really in shambles.

Sol A clears her throat. “With all due respect, Sir,” she laughs nervously, “don’t you trust me?”

Professor Yang takes a moment to think about it. Sol A wonders if today’s the day she finally gets a definitive answer. But Yangcrates is as sly as ever. “This is your chance to get back at him for the Bad FaMa case. Make him your assistant this time.”

He walks away, leaving Sol A dumbfounded once again, but not before he adds, “Under my orders, of course.”

Sol A’s knees buckled at the thought. Normally, she would find this predicament to be absolutely funny, a chance to bicker with Joonhwi and learn something from him at the same time. But he’s angry at her, and she doesn’t even know why, and even merely approaching him has turned into a problem.

Everything in Sol A’s life right now is a problem. She wonders if it's getting Joonhwi back that would fix everything.

Upon leaving the classroom, she spots him getting a drink from the vending machine. She has to slap herself twice, just to mentally prepare herself, to muster up the courage to approach him again.

“Come on, Sol,” she whispers to herself. “This isn’t hard.”

Shaking off the nerves, she takes a step forward, but in a momentary state of weakness, takes another step back. “So what if he’s mad? That’s his problem. I’ve never given him a reason to be angry. He should suck it up. Not me. Come on. Just do it.”

A step forward.

“Just do it.”

A step back.

“Goddamn it.”

One final step back to boost herself forward, and she’s running towards him, pretending to be as casual as possible. “Han Joonhwi!” she calls out to him.

His eyes widen at the sight of her, knowing he has nowhere to escape.

“Did you get my text? Professor Yang needs our help at the Legal Clinic.” She smiled at him. “Let’s go.”

Joonhwi scratched the back of his head, and Sol A just knows it’s about to be another lame excuse. “I can’t. I’m meeting Sol B for our Civil Code term paper.”

He can’t even look at her, and Sol A wonders just how bad she had hurt Joonhwi for him to feel like this towards her. But that only lasted for a second, when she realized just exactly what he said. Then, her pity turned into irritation, as she accused, “Liar.”

Sol A crossed her arms, and glared at Joonhwi. “Did you forget that I’m her roommate? She went home today.”

V.

Sol A sat across Joonhwi inside the Legal Clinic, her eyes narrowed to slits. A profound silence enveloped the room, interrupted only by a sharp inhale from her.

“You like Kang Sol B, don’t you?”

The only response she got was Han Joonhwi’s signature smirk, playful and taunting, one that said, ‘You don’t know me, and you never will’.

She hated that.

She slammed a hand on the table, and pointed at him accusingly. “Don’t look at me like that. I would have kept your secret if you just asked. Is that why you were avoiding me? Because you think I’d tell her or something?”

The same smile painted on his face, Joonhwi exhaled defeatedly. “Kang Sol A, I thought I taught you to never make any claims with unfounded bases.”

An eyebrow perched up on Sol A’s end. “It’s not unfounded,” she argues.

“Where’s your evidence, then?” he dared her.

Sol A had been waiting for this. She listed everything he had ever done — or refused to do, which was spend time with her, speak to her, or even look at her, which was absolutely the bare minimum — since the incident with Seo Jiho up to this very moment.

He waves his hand dismissingly. “That’s all speculative.”

If his goal was to rile her up, then it’s definitely working. “Then what about what I heard Seo Jiho tell you that one time? And most importantly, you straight up lied to my face.”

“Circumstantial,” he quips. “That would never hold up in court, especially not when the only witness is yourself. How are you going to be both the defense lawyer and the sole witness?”

Han Joonhwi should be at the edge of the precipice here, and yet he has managed to flip the situation over and turn it into an interrogation for Kang Sol A.

Nothing can hide her frustration anymore. “I would never be the lawyer in my own case. Look, it’s still evidence. You asked, and I gave it. Seriously, Han Joonhwi, what’s with you?”

Instead of a direct answer, he points out, “You rely on your emotions too much.”

Almost immediately, she shoots back, “And you rely on the law too much. This isn’t a courtroom. This is a human conversation.”

He purses his lips, unable to say anything, and Kang Sol A continues. “You’re too stubborn.”

“And you’re too nosy.”

“You’ve benefited from it more than once.” Sol A’s patience is getting thinner by the second. “Can’t you just tell me what I did so that I can either apologize for it or call you out for being wrong?”

“You and Sol B are hardly friends. What reason would I have to be afraid?” Amusement gleamed in Joonhwi’s eyes; Sol A was astounded by how he could stay so nonchalant about this. “Think.”

She glared at him, but still ceded. Damn his tenacity. “Fine, I’ll play along.”

She rolled her eyes, and in a blasé manner, started to think out loud. “I overheard Jiho ask you if you liked Kang Sol, and then you started avoiding me. Yeseul asked you to join us for lunch, and when I said Sol B would be there, even though she really wasn’t, you declined. So I thought it was her that you liked. But it doesn’t make sense, because I saw you two hanging out at the cafeteria that one night-”

His arrogant expression changed to one of shock. “You did?”

“-and then you straight up lied to me about your plans. Unless you two are already dating-”

“We’re not,” he interrupts once more. Sol A eyes him with suspicion. “We’re not,” he repeats indignantly.

“-it could only mean that you do like Kang Sol…”

Joonhwi starts slowly nodding, face a little flushed, but somehow urging her on to continue.

“...just not B. You like-”

“Kang Sol A.” Professor Yang enters the room, calling out her name.

She’s sure her professor asked her to do something, but she was unmoved. At this point, she doesn’t think anything could pull her out of her reverie for the rest of the day.

A veil that covered her eyes was lifted, and she had never been so pitiful of the blindfold that Lady Justice wore. The scales Kang Sol A carried, as heavy as the burdens she was facing, balanced with Han Joonhwi holding them up with her. She wanted nothing more than to take his hand right at that moment, to feel the heaviness in its entirety, and thank him for staying anyway.

They don't talk for the rest of the day, but Kang Sol A is unbothered.

Her questioning attitude may have always gotten her in trouble in school, but this was the one time she was glad to be wrong.

Epilogue

Han Joonhwi fell asleep on his desk again.

He normally finishes up all his revisions early, but because of his agitation, the cold table seemed to be more inviting than the bed, where he simply ends up tossing and turning.

Despite the stiff neck it was bound to cause, he’s been doing it for days, only being woken up by his constant 8:30 alarms. This time, however, it was his gracious roommate Seo Jiho who finally interrupted him from his slumber.

Jiho slammed a sealed instant ramyeon pack on Joonhwi’s desk. He groggily looked up at his friend, whose hair was still disheveled, and asked, “What’s this?”

“It’s from Kang Sol A.” Before walking away, he deadpanned, “Do your own bidding next time. I’m not your messenger.”

Joonhwi took the cup ramyeon, spotting the bright yellow sticky note on it, not unlike the ones he’d put on Sol A’s notebook, or occasionally, her forehead. He smiled to himself as he read the message, walking out to heat up some water for breakfast, but not before carefully displaying the note on his bulletin board for the whole world to see.

Han Joonhwi,

For a second-round judicial exam passer, you can be so dense.

I like you back, you idiot.

Now stop sulking and have breakfast with me.

Idiot.

~

Send me your thoughts/fic requests here!

[deanwasalwaysbi]

Dean’s Self Acceptance & Chekhov's Grenade Launcher

If you aren’t here for a deeper look at episode 12x22, metaphors, and Dean being bi, keep scrolling because we’re going to get into that holy hand grenade - Supernatural’s Grenade Launcher, the weapon that Dean has loved since season one but always got shamed out of using; shamed out of using UNTIL 12x22; an episode literally titled, ‘Who We Are’.   

After which Dean loses Castiel and goes into the Widower arc ... ok. ... Cool. I’ll just read nothing into any of that shall I?

(cont under the cut)

Okay first- ‘what grenade launcher? I don’t remember a grenade launcher?’

Dean has a grenade launcher in the trunk that we’ve never seen him use. It's been there at least since episode 1x02. He has assigned a gender to the grenade launcher, calling it ‘she’ like his car.  It has appeared multiple times, but one noteworthy time was two episodes ago when Dean was showing his arsenal to Max Barnes, the openly gay witch hunter, in 12x20. Mmmhmm, nothing to see there. Nothing about the slow progression of Dean learning to accept himself. Nothing about Dean opening his trunk up to a canonically gay man.

Dean often wants to use  it  her, but  it’s  she’s impractical,  it’s  she’s not stealthy.  The thing is unsafe, and other characters are constantly telling him no, put it back, don’t bring it, don’t use it. (See 12x05) 

When Dean lost his memory - when he would have seen no reason NOT to use it, one of the other characters reminded him with a post-it note: this thing that you want to do, that’s a natural instinct for you, don’t do it. (See 12x11)

[gif credit to @demondetox​ & ​ @shirtlesssammy​]

Okay, now that we have a bit of primer - let’s talk about 12x22.  There’s a lot to unpack in this episode.

Mary has been brainwashed and the boys have been locked in the bunker to die.  After trying magic and pickaxes (shout out to “goggles? goggles.”), Dean realizes it is time. Time to tear down his big concrete wall with something, "Big, Beautiful, and Dumb" regardless of what the British lady in the bunker says, and he's getting no more resistance from Sam.

"I have had this thing for so long, I have been waiting for the *perfect* moment to use this."

We've been seeing the grenade launcher for 12 seasons, and in how many episodes and they just happen to have Dean finally use it to break OUT by breaking DOWN walls in an episode titled ‘WHO WE ARE’?!  

Having torn down that wall with the grenade launcher, it becomes time to deal with other, less physical ones.  There are British Men of Letters to fight, Mary is still brainwashed, and there is no magical shortcut that is going to cut through. In a display of how far the characters have come, Sam is becoming a leader in a fight he originally wanted no part in [which the show will drop over and over for no reason] and Dean, well this one’s about Dean for me.

Dean fucked up his leg coming out ... of the bunker, I mean. Finally using the grenade launcher, it hurt, but it didn’t kill him.  An earlier Dean would have joined the fight at the men of letters compound anyway, prepared to die in a blaze of glory.  However, Dean has changed.  Instead he recognizes that going into a fight right now would be idiotic and he stays behind to fight with EMOTIONS instead of brawn.  It’s okay to Dean, and even his idea, to not go into the ‘manly’ fight.  Dean has become secure in himself enough to volunteer to go into the battle that requires being open and honest about feelings.  He initiates the hug and feelings talk with Sam, (only undercutting a lil with a classic 'bitch' 'jerk' call response). No chick flick moments indeed. 

So Dean and Sam hug, Sam promises Dean he’ll come back, and we move on to the most important scene in the episode. Dean has broken through mind control with feelings before, with Cas in season 8 episode 17 when we had the infamous ‘We need you. I need you’ moment (though apparently Jensen Dean  was still guarded enough that this was not an ‘I love you’.) but this time Dean goes into Mary’s psyche; Mary who has been a stand in all season for who Dean was emotionally before his character growth.

The viewer is expecting some big declaration of love, that’s how dean broke through last time.  But no. That’s not what we get. 

Dean finally lets out his true feelings. About his childhood. About John. About Mary’s death.  About everything that has ever happened to Sam. The walls are coming down.   Dean is honest with someone about the resentment he feels (which should be directed at John) about the responsibility that was put on him as a child.   In sharp contrast to his reaction to Mary’s guilt at the beginning of the season, of Dean as the perpetual caretaker, now Dean gets to acknowledge his own feelings, that he does blame Mary and her deal for what they went through.  Watch this scene.  He hates her and he loves her. okay. 

Yes, Dean got to use the grenade launcher, but it wasn’t in a climax of some epic battle.  It was in the ramp up - the beginning of an episode.

No, the climax of the episode was Dean comin to terms with feelings the character has had since season one.   We’ve been looking at this grenade launcher for 12 years, but we’ve been witnessing Dean’s feelings here for just as long & Dean takes his emotional predecessor, Mary, along with him. 

I will skip past the fight scene between him and ketch - which is actually impressive given the horse tranquilizer he’d been given.  Instead, I want to get to 12x23, to his reunion with Castiel. 

Dean has used the grenade launcher. Dean has accepted himself and admitted something to himself that you can’t even really see until you look back at this episode’s placement retrospectively.  Dean is no longer trying to fight with Castiel, he just wants to help him.  Castiel heals Dean’s major knee injury and Dean, well we get an interesting jacting joice: 

in fact, the moment continues with a lil half smile and Dean looking down and checking his knee, I’m just having trouble getting a gif or a video to make one from.  Throughout the entire episode Cas routinely addresses Dean specifically despite being in a group at all times. Cas later makes a run at Lucifer and Sam wrestles a yelling concerned Dean away and back through the rift, just as Dean wrestled him away from Jess in the pilot.

At the end of this episode Cas is killed in front of Dean, who for the first time doesn't continue on in the fight, instead dropping to his knees. This all flows right into Dean’s intense season 13 widower arc.   Dean feels Cas’s death in a way we have never seen him grieve before. 

Ho.ly.Shit.

"Who We Are". 

It gets another use later in the series in the same episode where Dean also wears a live action version of the pink sleeping gown he wore in scoobynatural, but we’ll get to that later.

[bellamyblake]

I love your blog title, it's what bellamy wanted to negotiate from Octavia in s5 right? The 80 acres?

that's it, yes! i love it because i think it also tells a lot about what bellamy really wanted, which was that he like the rest of the 100, even though he wasn't sent down there on pupose, only wanted the same thing they did-to have a home.

thinking about it, he never had one, not since O was born, things started taking a turn for the worse and his and his mom's once peaceful existance, turned their little place into hell instead of an actual place to live. they filled it with fear, he was bound by fear from the moment Aurora placed that little baby in his arms, so all the negative emotions were connected to this one place of sadness and the fear of being discovered.

their home wasn't really one, it was a hiding hole with a glimpse of hope that they wouldn't get caught and with a literal hole in the ground, something fundamental for every home if you think about it, the grounds of it, they were shaken and fileld with a hole where a kid hid hoping to get out and not be found out, so their foundations, of their family, their home were based on fear.

they lived above hell and in this hell they had a little girl, hiding away from the world, never truly living it. and he was the protector of that little girl and her small hole of hell.

and he failed.

so of course he always looked for a home and i believe that is one of the reasons why he gave his big motivational speech in season 1 episode 13 when he tried to convince the 100 not to leave camp. they had built it with their bare hands, they protected it, it was and had turned into their home.

he just didn't want to abandon it again.

but he lost that home again-i think arkadia never really was that, it reminded him of the ark and everything wrong with it and overtime his home became a person in the face of clarke, rather than a place.

then he lost it again with mount weather and he lost himself with failing gina who was the same glimpse of hope in the hell that was Arkadia after the mountain and after everything that happened with pike, i am not sure he was even looking for a place to call "home" anymore.

after leaving clarke behind and coming back on the ring well...i dont think that he considered the space station a real home. i think he always liked it better on the ground despite everything. he just had too many bad memories up there and never a happy existance, unlike monty or harper or even clarke for that matter who had whole lives up there and they were relatively happy ones. bellamy's also not one to be contained in one place for too long, i think that's partly his anxiety from the life he had as a child and on the other that he likes action and building and working with his hands more than living in a tin can and doing nothing.

that is why i think he was so eager to have those 80 acres and why he wanted to negotiate them from octavia. he could see them finally building that place, a small camp, a settlement just for him and his friends and actually living good lives there.

i think he could see himself building cabins step by step for them all, a wall to surround it, help monty with the crops, be close to the river so he could go fishing, have clarke and madi show him this new world and then inviting him into those 80 acres which he'd fill with live and love and hope.

i think that's what bellamy always wanted. i think that's what he was looking for at by the end too, despite the bad storyline. a home. with peace. nothing else. while others strived for power or wanted to fit in or were desperate to prove themselves, he just wanted a home. yes, he was a great soldier, he was also a good leader and he cared deeply but i think he could've let those things aside, like he did on the ring, and live a good and happy life like he should have.

and hopefully he'd have also been able to forgive himself for everything and turn on a new leaf. this doesn't necesarrily mean being with clarke which yes i would've love to, but it means just to live good and quiet life. in fact i think that it'd have taken him years to actually get together with clarke and once they did it'd have been fine because they'd both be where they needed to be and where they weren't at in those other points.

[therealjordan23]

So, a recent question people have been asking me is whether Scrooge deserves to be called dad.

Fuck no.

Scrooge McDuck doesn't deserve an ounce of title "dad", especially when he's competing against characters like Drake, and more importantly, Donald. These 2 characters have proved to be more of a dad than Scrooge will ever be.

In the beginning of the series, we see Donald already taking on more responsibility as a parent than Della and Scrooge combined. Donald actively believed that their adventuring days have come to an end, as there is a brand new adventure waiting for them, which are Huey, Dewey, and Louie. When he caught wind of Della’s desire to go up into space, while 3 boys were on the way, he told her not to.

Scrooge clearly didn't understand how severe the situation was, he didn't have that parental instinct. He played the, 'fun uncle' role, and it never went beyond that, even though he was the guardian of Donald and Della from a young age, along with HDL. This is what tempted him to build the rocket in the first place.

You can be someone's "biological parent", but it doesn't necessarily mean that you're their "parent". Personally speaking, my dad wasn't around when I was a kid, and I never considered him to be my parent, until he stepped up and actively took on that role. And even in the show, that's Della’s whole arc! In Season 2, Louie doesn't consider her to be his "mom", until she stepped up to become a proper parent. More on this later, though.

Scrooge didn't actively do anything to earn the title, "dad", he truly didn't. And that's the difference between him and Della, she actually put in the effort.

This is why Beakley has earned the title of a parent.

This is why Donald has earned the title of a parent.

This is why Della herself, (even though I have made it clear multiple times that she's not my favourite, sorry Delly) has earned the title of a parent.

This is why Drake has earned the title of a parent.

Frank himself has made it clear several times that Donald is considered to be Huey, Dewey, and Louie's dad, even though he's not their biological father, but that's the point. It's through Donald's actions that we see that, "Okay, he's a dad, he's earned it."

Donald sacrificed so much to become a parent: he sacrificed a lavish life at a mansion so he could get away from the man who effectively took away their mother, he gave up what would've been his prime time to get his life going: if Donald and Della are canonically 36 in the series, and Della has been gone for 10 years by the time the pilot aired, it would mean Donald was at least 26 years old when he took the boys. Please note that it was confirmed that Donald's been living in the manor since he was at least 12-13 (I'm basing this off of seeing him in Last Christmas, I could be wrong).

So we have a fresh 26 year old, who has left his place of comfort and financial stability since he was 12 or 13. He has given up the lifestyle he was used to. And as if that doesn't sound bad on its own, he had 3 kids to raise, because he believes that their mother is dead.

26 shouldn't be when you scramble to find a home, find a job, and on top of that, raise 3 kids! 26 should be a time where you're just starting to figure things out, slowly easing into ideas like marriage, a full time job, and then maybe having kids. (These aren't my personal beliefs, I literally Googled what 26 year olds should be doing, and this came up)

**obviously I don't speak for everyone, there are certain factors that affect these 'common beliefs' at what you should be doing at a certain age**

Anyway. I have barely listed what Donald has done for these boys who haven't even been born yet. Donald has done so much more at the age of 26, than Scrooge has done in his 153 years. So, I can say with full confidence, he has earned the title Dad.

And then there's Scrooge.

It's truly insulting: when you see what truly makes a parent a parent, compared with the 30 seconds of Webby calling Scrooge dad? It completely brushes aside Donald's efforts of being a parent.

He didn't earn it. He never did anything to earn that title. @moonstoneflowers, @l-thefriendlyghost, and @dellyduck said it best: the overprotectiveness we see once it's revealed that he was Webby's 'father'? It's disgusting that he acted like that after he knew that Webby was his 'daughter'. He didn't care about Huey, Dewey, and Louie, or Della and Donald. He only did that because he felt obligated to be Webby's 'dad'.

"When you look at someone through rose-coloured glasses, all the red flags just look like flags."

—Wanda Pierce to BoJack Horseman

This quote totally applies to Scrooge. I mean, his name is literally Scrooge, he's designed to be a generally unlikable character and person. We see traits and toxic behavior that we brushed aside until now: when the show has ended, and we're forced to analyze it.

A great example of this is in Timephoon, where we can actively see where Scrooge and Della finally show their true colours. It's at the end, where the family is reunited, and Louie gives his half-ass apology.

Scrooge is completely okay with the fact that Louie almost destroyed space.

"I'm sure you've learned… something."

—Scrooge McDuck to Louie Duck in Timephoon!

You are the adult in the situation sir. I'm not even counting Launchpad as an adult here, he is a literal manchild. And even though Beakley is just as much to be blamed here, she spent the episode convincing Della to be a little stricter and discipline her kids better. She knew where to cross the line, and the only reason that Beakley agreed to forgive Louie was because she assumed Della wasn't taking it seriously.

"No… not this time."

—Della Duck to Louie Duck in Timephoon

I’ve had my problems with this, but even I can confidentally tell you that this marked the moment where Della Duck earned the title of a parent, while Scrooge was clearly about to forgive Louie for a literal crime he committed, and was really about to let Louie go off scot free.

And I personally find that alarming. If us adults didn't catch these red flags the second we watched the show itself, what about the kids? You know, the actual demographic it's aimed towards?

Another issue that I'm happy @moonstoneflowers brought up was the fact that Frank said Webby had to "earn" her place in the family?

i-

She is a child, sir. She shouldn't have that mindset at the age of 10-12. A person who should have to earn their place in the family is an adult like Della. She went out for a joyride in space, but she actively regretted that decision, and immediately sought out to fix things with her family and kids. She changed for the better.

Scrooge? He makes things so that they revolve around him, and makes it so that he doesn't have to change for anyone. He makes things work in his favour.

The sad part that @dellyduck brought up is that Donald, and let's be real, 99% of his problems exist because of Scrooge, is the one who has to deal with them! He isn't a fucking mop! He isn't here to clean up your shit! This man is the only functional parent, and Scrooge uses that to his advantage by shoving all of his problems onto Donald.

He didn't deserve his ending, goddammit. Scrooge McDuck will never be considered a father. He can be biologically related to Webby, sure, but please don't strip away what truly makes a parent a parent, and apply it to someone who has never made an effort to change to become a proper guardian.

[alirhi]

...goddess help me...

This fucking episode. *deep breath* This... This episode is where I'm expecting to get some serious hate. Let me just get this out of the way right up front:

I. Hate. Zemo.

I do not find him sympathetic, or funny, or charming. I find him creepy and annoying. I did not like him in CA:CW and I do not like him in TFATWS. If you are pro-Zemo, you are not going to like my version of this show from here on out. Just find something else to read and don't bother me about it. You've got the actual canon, so go enjoy that.

Got it? Good. Now, on to the main event!

Episode 3: The Power Broker

First of all, Sam doesn't let Bucky walk in there alone. No matter Bucky's (flimsy and nonsensical) argument, Sam's like "hell no. I go in with you, or you don't go in." The main reason for this isn't to keep Bucky from breaking Zemo out of prison (with decent writing, he would never do that) - it's so that Sam witnesses Zemo taunting Bucky with/about the trigger words. because Zemo is a piece of shit.

Since he doesn't know the full story, Sam is confused, but he files this interaction away to ask Bucky about later. He's listening to Zemo acknowledging that Bucky was "not conscious for most of [his] imprisonment" (which, yes, clearly refers to the time he spent frozen, but can also mean while he was under their control as TWS/"The Asset" - also, key word: imprisonment) and when he calls Bucky a means to an end, Sam scowls, looking ready to go off on him, but he waits. They've got more important issues.

Neither of them entertains the thought of breaking Zemo out for even a nanosecond. He does that shit himself. And literally the only reason I'm sticking with him getting out at all is because I want to address some truly egregious moments linked directly to him in the show. Zemo makes them think he's setting them on the trail when really he's just sending them to his motor pool. Bucky and Sam are confused until they see Zemo in his stolen guard uniform, then they're both angry and want to ship him right back to prison, but he strikes a deal with them: "My help for my temporary freedom. Creating super soldiers cannot be allowed to continue; let me finish my work, and then do with me as you will." He has no intention of going quietly back to prison, obviously, and they're not stupid enough to believe otherwise, but they believe they can keep him on a short leash, so they agree for now. Anything to bring down the Flag Smashers and whoever created them.

After the title, we cut to Raynor on the phone in her office. She's agitated, fiddling with things on her desk. "No, sir," she's practically growling, "it was disrupted. - Walker did! - It's not my fault your new attack dog got off-leash!" She pauses, huffs, and says more calmly, "No. Of course not. I'm sorry. - Well, I don't see how, with the new Cap strutting around barking orders! - What am I supposed to do? Tell Captain America in front of a dozen witnesses that he can't have his predecessor's favorite pet because we're not done reprogramming him? I didn't see that going over too well. I made a call. - No. No, no, no, we can still use him. The work's not finished, but he still trusts me. He'll be back." A pause as she listens. Angry again, she snaps, "What do you want me to do, shove a tracker up his ass? He'll be back, and we'll pick right back up where we left off! - Don't worry, sir, the Asset will be fully compliant and ready to use soon. I'll make sure of it. - Yes, sir. You, too." She hangs up and tosses her phone on the couch, grumbling, "Dick."

Cut back to Sam, Bucky, and Zemo getting going on their trip to Madripoor. On the plane, Sam wants to talk to Bucky about what he's learned so far, but doesn't want to bring it up in front of Zemo... until the notebook incident reminds him that Zemo already knows more about Bucky than he does.

After Zemo's line about the list, Sam angrily corrects him: "You mean people HYDRA used The Winter Soldier to hurt." When Zemo shrugs and his response is basically along the lines of "what's the difference" Sam is like "oh hell no."

"Those words you were reciting at him," he reminds Zemo, "what were they, Russian? They clearly meant something. They were supposed to do something. What are they?" "Sam, let it go," Bucky pleads, unable to look at either of them. "It's nothing." "You wanna drown in your guilt, that's fine," Sam snaps, "but make sure it's for the right reasons." He turns back to Zemo, who's smiling at this exchange because he's a monster and thinks Bucky's suffering is fucking funny. "I asked you a question, Zemo. What did those words do?" "They activate the Winter Soldier programming," Bucky grudgingly admits. He doesn't want to talk about it, but he's sure as hell not going to let Zemo speak for him. "Or, they did, before the Wakandans got all that shit out of my head." "It's a shame," Zemo says with a smirk. "Imagine the possibilities that come with perfect obedience." "I think you mean 'slavery'," Sam growls, "and I think you're in the wrong crowd to be looking so pleased about it. Remember that we can send your ass back to prison any time." "Of course," Zemo agrees, but with an arrogant smile that shows he doesn't believe for a second that these two have any real power over him. Still, he bides his time and sits back quietly, watching Bucky fidget with the notebook. Sam turns back to Bucky, seeing his discomfort; he won't let the topic go, though, not yet. He just softens his tone. "So, they 'activated the Winter Soldier'? What exactly does that mean?" Bucky shrugs, still not looking up. "Pretty much what he said - perfect obedience. What little consciousness they left me between cryo and the chair was squashed down, locked away. And I did whatever I was told, exactly the way they told me to." It finally clicks. He'd had his suspicions before, of course, but now Sam gets it. Visibly horrified, he stares at this quiet, broken man, and finally sees the truth of what he'd been through for 70 years: "They stripped away your autonomy. Shit, Bucky, they didn't even let you be a person. That's..." He swallows, looking like he'll be sick any minute. "That's awful, man. I'm so sorry." When Bucky tries to shrug it off and downplay it again, Sam gets angry. "Look at me!" He waits; it takes a few seconds, but Bucky reluctantly looks up and is surprised to see just how upset Sam is on his behalf. "It wasn't your fault. None of it. When Steve said you didn't have a choice, I had no idea... You really, truly had no choice; not even the ability to choose. That's horrifying." "I doubt it would make much difference to the people he's killed," Zemo points out snidely. "Or their families. Let's ask Tony Stark, shall we?" "You shut the hell up," Sam growls. He watches Bucky flinch and make that face - the face he's starting to really fucking hate - that says he agrees with Zemo. Bucky still can't see things the way Sam does; he still feels the guilt and shame, and even when he himself pointed out his lack of agency under HYDRA, it didn't click for him that Sam is right, not Zemo.

It's too much, too soon. Sam sees that and decides to change the subject, to give Bucky some time to process. He nods at the notebook, and they have their little Marvin Gaye debate, where Sam is over the top about it on purpose, because Bucky needs the distraction.

Of course, Zemo ruins it by opening his big mouth again and reminding Bucky of more trauma: his time fighting in WWII. That's why Sam latches onto the bit about Madripoor; to keep the focus not only on the task at hand, but off of Bucky's past that he clearly still can't cope with.

"James... You will have to become someone you claim is gone." Sam is officially ready to throw Zemo out a window. 😂 The only reason he doesn't jump to Bucky's defense again and basically tell Zemo to fuck himself (in a PG-13 way 🙄) is because Bucky's, as Sam pointed out in ep2, a grown-ass man, and because he's just learned how few decisions this poor man has been able to make in his life. Sam doesn't want to come across as another "handler," deciding everything for him, even if he does think this plan is stupid and needlessly cruel.

At the bar, when asked if he wants "the usual", Sam just casually waves the bartender off like "nah". Zemo already said they had business to attend to, so it's not like anyone would be suspicious that now's probably not a good time to be doing weird shots lol. (wtf even was that? I'm not sure I want to know, but...what part of the snake did he drop into that drink?)

Sam's not an idiot (I'm really so sick of this trend of turning intelligent characters into morons because the writers can't think of any other way to move their plot along) so his cell phone has been off this whole time. No sudden call from Sarah to put them all in danger. There was really no point to that, anyway; Sharon likely would have killed Selby for talking about Nagle with or without the excuse of "saving" Sam and Bucky. I mean, it's not like they know who fired that shot, ever.

"They cleared the Bionic Staring Machine," Sam still jokes, but he follows it with, "and they think he's a mass-murderer." "They think?" Sharon stares at him incredulously. "Didn't he kill pretty much everyone he's ever met?" "Wow." Sam glances back at Bucky. "She really is awful now." To Sharon, he adds, "You met Steve; do you really think he'd have defied 117 countries to protect someone evil?" "He did it for Bucky," she points out. "Let's face it - Bucky could blow up half the planet, and Steve's loyal-to-a-fault ass would still take a bullet for him." "You know I'm sitting right here, right? I can hear you." "Look, I don't think you're evil, Bucky," Sharon assures him. "But I know you killed a lot of people for HYDRA." "I'm not denying it." "He didn't have a choice," Sam snaps, glaring at them both. "But we're not getting into that right now. My point is, the government's afraid of Bucky, and they still pardoned him. All you did was steal something. I'm sure they can be persuaded to see reason." "The day the US government sees reason," Sharon quips, rolling her eyes, "is the day I sprout real wings and fly off into the sunset." "Careful, Icarus," Bucky mocks with a smirk, "the sun and brand new wings don't exactly go together." Then he shrugs and glances at Sam. "But she's not wrong."

At the party that night, it takes a few minutes (grumpy old man Bucky's not sure how to feel about the music lol) but a peek of pre-war Bucky comes out to play: they were told to "blend in", so he dances. At first he's just bobbing around alone looking stoic and out of place, but soon he's smiling and dancing between two attractive people - one male, one female. Sam is surprised, but before he can tease him for it, Sharon comes to get them all. Even she's a little "wait what?" at Bucky having a little fun lol. (recovery is not linear, guys. trauma doesn't mean "perpetually miserable, no fun, doesn't even know how to smile." in my TFATWS, Bucky gets his lighter moments; real ones, not humor at his expense)

When they find Nagle, Bucky's the one who notices and opens the secret door, while Sam keeps an eye on Zemo. Bucky catches Zemo trying to grab that gun; closes the drawer on his hand before opening it and taking the gun away. "Nice try." Nagle tries to get away while there's only one person watching him, but Sam catches him and forces him back into his seat. With a bruising grip on the back of Zemo's neck, Bucky drags him back over to where he and Sam can both keep an eye on him. Nagle is killed in the shootout as they're trying to escape; Zemo still runs off, blows shit up, and comes back with the stolen car so he's not totally useless.

I had no problem with Zemo being the one to kill Nagle; Nagle was the worst and def had to die, and Zemo has never had an issue killing anyone. Where I took issue with this scene was Bucky and Sam being dumb enough to let Zemo wander and get his hands on a gun. Nope. Not happening.

Anyway, shootout! Explosions! Funny banter! The seat thing, which is my favorite nod to CW ever lol... And then the conversation on the plane...

"You okay?" "Yeah." Sam sighs. "Just thinking." "About how to get Sharon that pardon you dangled in front of her?" He shakes his head. "About how Nagle referred to 'The Winter Soldier Program" like it was some kind of after school club; like you weren't standing right there. And 'the American test subject' like... Like Isaiah wasn't even a real person." He turns to face Bucky, looking angry and weary. "Makes me wonder how many times... How many times are we gonna run around in the same circles before people learn? And how many people need to get crushed underfoot in the meantime?" "Did you really just equate me with Isaiah?" Bucky frowns, not sure how to react to that. "That man is a hero." Sam opens his mouth to say something, but his phone goes off and Zemo approaches at the same time, effectively cutting off their conversation.

When they get to Riga and Zemo tries to guilt trip them over Sokovia, Bucky deadpan reminds him, "Neither of us were involved in that fight." "I doubt you'd have been much help if you were." He shrugs. "Probably not. But I like to save my guilt for events I was actually present for. It's a thing." Zemo laughs. "Fair enough."

Bucky goes on his walk, and meets up with Ayo.

[catsplushellhounds]

favorite headcanons (and theorys?) of glee that i created

i was thinking if i really was going to write this, but im bored so lets go, this got so long and i am so sorry (not really it was fun and i liked it, if you like big metas you probably gonna like this)

*this can have some triggers for some people because i will be talking about bullying, abandonment, depression and violence*

(also i would like to say that most of this are things that i like to believe happened, and idk if the rest of the fandom agrees or if someone said it before and this is all blaine related, i left it glee on the title because it sounded better idk)

- blaine's dad is filipino and he left after blaine came out

i know that blaine said he was there in shooting stars, but hear me out

first of all, to me his name is tod anderson, dont ask me why it just makes sense and i like how it sounds.... so

in sexy, blaine tells burt that his dad tried many times bonding with him, but apparently that didnt work, because he also says "you think my dad built a car with me because he loves cars? i think he did it because he thought getting my hands dirty might make me straight." and after 4x18, he is never mentioned again? and he wasnt on his son's wedding too

so my theory here is that he never accepted that blaine is gay, and all of his "efforts of bonding" were actually because he thought he could "fix" blaine, and when that didnt worked he left, (that also explains blaine's abandonment issues) but he did came back im the shooting episode because he felt guilty for what he did, but after he saw it was a false alarme he went back on pretending he didnt have a gay son

to be really honest sometimes i pretend that his dad wasnt on the shooting day because i feel that it doesnt fit that well into this and i really like this one because its kinda obvious to me that blaine have daddy issues??? so usually i just put on my character-backstory that blaines dad left after he came out and never came back

for the first year that he was gone, blaine spended every night trying to contact him. sometimes he just texted, but most of the times he called and left a message crying begging him to come back and tell him what he'd done that made his father hate him so much, his dad never called or texted back

- blaine's parents

(im not sure if this is canon but blaine's mom is named pam)

i know that technically i've already talked about blaine's family when i was talking about his dad but that is so complex i felt i had to do a topic exclusive for that

i believe blaine has and always had a good relationship with his mother, yes she was usually gone because she works selling a really famous cosmetic line she created (to me the andersons are a really known name) that would explain how blaine could study in a school like dalton (he said so himself that dalton isnt a school that anyone could afford), and why she is never there

but despite her being busy with her job, she always tried to keep im touch with blaine, texting him, and calling and skyping

blaine always missed her, but he tried to not make her feel guilty about working too much, because she loves her job

sometimes he got really depressed, because he wished she could be there to see him sing with his friends, or just be there so that he could hang out with his mom like all of his friends did with their parents

his das was a businessman, i dont know why it just fits to me, also idk what kind of business because i dont understand any of it so thats up to imagination

before he came out, he and his dad were super close, sure his dad a lot of the time was busy but he was at home more than his mom, his dad was the one that introduced him to liking sports, and they always watched games together (cooper would join in too) and his dad always let him have a sip of his beer, blaine always loved those moments and his dad was like a hero to him, he was sure that coming out to him would be easy, because he would love him no matter what

all of the andersons have always been brodway babys, all 4 of them liked to sing, tod was a little bit more serious and didnt dance around the house like cooper, blaine and pam but he enjoyed seeing them having fun

the andersons were like the perfect family of the neirbourhood, all 4 of them are very good looking, talented and educated so yes everybody thought they were perfect

they all lived in the philippines until blaine was 5, and then moved to ohio because tod got a really good job offer there

after blaine came out, his parents argued A LOT. tod would ask himself and pam of what he had done wrong and pam would say its nobodys fault and thats just how blaine is

(to me that was the time tod was revealed to be an asshole and not long after he divorced pam and stoped talking to all of them, except for cooper, he and cooper still talked)

- blaine's bullying

the bullying blaine went through was a lot like kurt's, people laughing at him, shoving him around, beating him up, etc

he tried putting a brave face through it but he started losing all of his light, even more when all of his complains didnt matter at all

it only got sort of better when he met skylar (thats the kid he went to sadie hawkings with, i read in a fic that was his name and stuck with me so im calling him skylar)

skylar was going through the same thing he was, and one time blaine saw him getting shoved at lockers, and helped him pick up his books and thats were they started talking

maybe they liked each other, they never got to find out because after the bash, skylar never spoke to blaine again

blaine was in a 2 week coma after getting beat up, and the first thing he said when he woke up was "where's my dad" and his mom had to gently tell him his das was not there. that was when blaine realized he actually meant nothing to his dad and that broken him even more

he was bashed about 3 months after his father left him, and for the rest of that school year he was homeschooled by a teacher his mother hired

- blaine joining dalton and the warblers

so, since blaine is a year younger than kurt, in my head goes sorta of like this

he came out when he was 13, that was the time he was bullied, beaten up abandoned and homeschooled, and he joined dalton when he was 14, but to be a warbler he had to be a little older than that, so he had to audition to join (im guessing you dont have to audition to be a warbler, just to have a lead, i mean kurt didnt auditioned, right?) and and trent auditioned together, they became friends and were roomates (dalton is a boarding school DONT @ ME EVERYBODY KNOWS ITS TRUE)

it took blaine a while to take the step to audition, because he was still scared, but wes and david helped him and gave him a little seed of the confidence he pretends to have later on, but when he sang for the warblers for the first time they were all blowed away by how good was his singing voice even if he was only 14

after he felt comfortable in the warblers, he became friends with nick and jeff, and they were a trio of dumbassess, wes and david (usually the most mature of all the warblers) sighed everytime they saw nick, jeff and blaine doing something stupid

trent joined in sometimes but he always had been a really chill dude, and he saw blaine as a older brother (even tho blaine is younger than him)

jeff, nick and blaine pulled pranks on wes and david like hiding stuff from them and act all inocent when they asked if they saw said thing

the warblers had a bet going on how long would it take for kurt and blaine to start dating (and yes all of them shipped klaine, and even after kurt and blaine went to mckinley the warblers still kept hearing about them and seeing them on jacob ben israel's blog)

jeff, nick, trent, wes and david were the only real friends blaine had there

wes and david has already gratuated when the slushie happened, and nick, jeff and trent all apologized to blaine after that (even though they had no idea that was gonna happen) but their friendship was never the same

- blaine and cooper's relationship

as we know, blaine and cooper didnt got very along when blaine was growing up, cooper is 9 years older than blaine, and has always been really hard on him and thaat made blaine really dislike cooper, even tho he really wanted for them to be friends, he always has bitter feelings towards him duo to all of the pressure and expectation he was under because cooper was the oldest, and blaine felt like he had to be just as good or better than him, so he also had a lot A LOT of jealousy

but that started to change after "big brother", when they talk things out, cooper finally realizes how blaine feels, and starts doing his best to be best brother to blaine

they dont become besties immediatly, blaine helps him with his audition (which makes kurt really proud and happy seeing cooper being all excited talking to blaine, while blaine is trying to pretend like hes cool but actually hes just as excited), and they start to talk more and more after that

after finn dies is when they start getting actually close, after the funeral, he calls cooper but dosent say the reason why, he just says that he loves him and that he misses his big brother, they call and talk to each other a lot more after cooper finds out about finn

when cooper has a son, he and blaine teach the little guy how to dance and they play a lot of happy and fun piano songs to him

- the anderhummel family

blaine and burt are actually really close, they both like sports and beer so they watch games together and bet about whos gonna win, burt sorta of became the dad blaine lost, but in a non weird way, because they both agreed that blaine calling burt "dad" after he married kurt was just... weird

finn and blaine played a lot of videogames together, sam and puck played with them too, but when kurt was helping on dinner or more interested in a magazine or trying to convince carole to let him do a makeover on her, finn and blaine played videogames and maybe sometimes gossip about kurt and rachel (after he became besties with sam he did that same thing but hey playing videogames and talking about your s/o is fun!)

carole took care of blaine when he was in the hospital for the eye surgery, and when he was hangover at kurt's after biota she helped him with all the vomiting and headaches and all of that

pam met carole and burt when blaine got slushied, blaine was already like family to the hudson-hummels at that point, so when burt found out what happened he ran to the hospital, (carole was already working there anyway) and thats where they met, it wasnt ideal and all of them wete stressed and worried but they got along pretty well

pam, burt and carole werent really close since pam was usually out working, but the few times they sat down to talk to each other they really liked. pam thinks burt and carole are a sweet couple, that raised two wondeful boys and burt and carole think that pam is a sweet and funny lady, they all exchanged embarassing stories about kurt and blaine (that made them go "MOM DONT TELL THEM THAT" or "DAS STOP I WAS 7")

pam absolutely adores kurt, he was fascinated when he found out she had a line of cosmetics and spended hours talking to her about skincare routines

blaine can always make carole laugh, she thinks hes a sweetheart and usually keeps burt from bursting into the room when the door of kurts bedroom is closed ("i told them already, leave at least 2 inches open, is that really so hard??" "honey, relax they're just watching a movie" "im going in there" "no you're not leave the boys alone")

burt has walked in a few times on klaine making out on the couch and he always makes a joke about it to not make it awkward

burt was thrillled to know he was gonna be a grandpa, and he spoils tracy anderson to OBLIVION (blaine doesnt argues because he sorta of does the same thing)

even after both breakups, burt and blaine had always kept in touch, maybe it wasnt what it used to be when he and kurt were still mad at each other, but once they go back being friends, blaine is a little more comfortable in hangin out with the hudson-family

- blaine's depression in s6

i think is canon thay blaine had depression and anxiety during the whole show, right? it just got worse in s6 because kurt breaking up with him was sort of what pulled the trigger

it begun when his father neglected him, and it only got worse and worse, he was abandoned by his father and sometimes felt like by his mother and brother too, he had anxiety and it got worse after sadie hawkings, then kurt and him broke up for the first time, and he kept bottling it all up until it all reached the boiling point and it all exploded when kurt broke up with him

(side note, i think that when kurt started pulling away from him in s6, it reminded him of his dad pulling away too, his dad tried to bond with him but i feel that as harder blaine tried to make his dad stay, didnt matter and his dad kept pulling away until he was gone, that makes a parallel to s6 breakup, and why blaine was trying so SO hard to make kurt stay, because he had been there before, and he wasnt good enough for his dad, and he really wanted to be good enough for kurt)

so, after they breakup, blaine stays in a cheap hotel, not getting out of bed and feeling empty inside, his phone buzzed a little with missing calls from his friends but at some point the batery died and he just ignored, he only charged after 2 days because he probably had to let people know he's still alive

he went back to the loft in the afternoon, because he knew kurt wouldn't be there, he was going away and leaving nothing behind when kurt showed up, blaine was kinda of embarassed because he was probably stinking and his hair and clothes were a mess

im not sure if they talked at all after the breakup night, but i kinda feel that blaine might have said to kurt something like "you think i'm broken? when are gonna realize the problem here isnt just me? i should have known, everytime things get serious and scary between us you run, you're so afraid of something and honestly i have no idea of what, please just stay away from me" (i dont knooow he was angry and being all cold to kurt and shit i think that happened and maybe thats what made kurt go to therapy)

he got kicked out of nyada because he didnt left his hotel room for anything other than food, and he felt even more lost after receiving the email saying he was no longer a student there, thats when he decided to go back to lima

in lima, he barely left his room, he didnt ate for days and when he wasnt crying he was sleeping, his friends would call, text and sometimes try to visit him but he never texted back, answered the calls or opened the doors for them, sam was the only one that had some success because he was living in lima too and could go to blaine's house more often, sometimes he got lucky and blaine would open the door for him

at first he tried to do pep talks to help his bestie get better, but nothing helped so at one point he just sat there with blaine and did nothing with him, because at least like that he wouldnt be alone

one day blaine felt a little better and started trying to be okay again, it was never easy but he got a job at breadsticks, and even tho he would much rather be in his bed he kept working because at least like that his mind was busy with something

after he started therapy, he still felt empty inside, the world was still sorta of grey to him and he didnt felt like doing anything, so he had to take meds for that, and kept taking them even after kurt cane back (but as blaine was getting better they slowly became less and less needed)

when blaine started working at dalton, he was already in a much better place that he was when he came back, and throughout s6 he was still battling depression, and wasnt always okay, sometimes he would still want to just be alone and dont talk to anybody or do anything, and if that happened when he was surronded with people he would just be more quiet, that sometimes got rachel and kurt's attention, because they're not used to this "new" blaine and when they asked him if he was doing okay he would just say "yeah, im just tired" sam later on explained to them what that usually meant, it meant that blaine needed some alone time because he was draining himself a lot

- blaine at nyada vs blaine at nyu

soooo i have a good theory about this one, at nyada blaine was constantly surronded by people who would probably kill someone to get at the top, to be the best

and was such a competitive place, that ended up being toxic for blaine. i used to think that he didnt fit there because he always was one of the best in show choir and dalton and he was always *that* guy, but now i think he didnt fit there because actually he dosent like competition that much

okay, sure, playful competiton with your friends its fun, show choir competiton is fun, fighting with tina, mercedes, rachel, santana and unique about solos was fun because it was serious but he was with his friends so okay, whatever

but the competition they had at nyada was just SO MUCH, and lets agree nyada is kinda of a toxic place in general, people made fun of kurts face and clothing there, rachel's "friends" ditched her when she lost the diva off to kurt and started kissing up to him, and (im not sure about this one but like 99%) people laughed when blaine lost to kurt at combat's class

my point is, in nyada, people only like you if you do well in classes, there's a lot of lying and backstabbing going on and c'mon blaine pratically grew up like this with cooper

always not good enough, always behind, always made fun of, never being great at anything, so maybe thats why blaine felt so stressed at nyada, and why he gets so insecure in 5x16, seeing kurt being praised and getting all of that attention might have reminded him of the years he and cooper didnt get along so well

he didnt found himself at nyada, mostly he was there because it was said to be the best school and rachel and kurt were there, so great, right?

but i get the feeling that at nyu things were a little lighter, not easier, but lighter, it didnt had so much toxic people, it wasnt a place where it was kill or be killed, people helped each other when needed and yes there was still competition, obviously but (almost) nobody made fun of people for failing

(i said almost there because im sure there was some douchbags there too, they're everywhere, but i hope you got my point)

- blaine's friendships

i am almost done i am so sorry this is so long i've been here for like 2 hours

i have some small headcanons about blaine's friends, because we did NOT get enough of his friendships (im leaving kurt out of this one because maybe one day ill do a meta/hc/theory about klaine....... maybe)

mike and blaine were besties on s3

they both like to dance and sometimes they+brittany would do a dance number together, sometimes for the glee club to see, sometimes only to themselves because thats fun

mike talked with blaine after the its not right but its okay number to see what happened and if he was okay (actually it was mostly blaine just venting about it "AND THEN HE SAID HE WANTED TO MAKE KURTS VOICE HIS RINGTONE I MEAN WHAT THE FUCK????????")

blaine talked to mike about mike's dad because he knew what mike was going through and they both agreed thay family sucks sometimes

after mike graduated he and blaine kept têxtil each other and sometimes sending gifs or videos of dance moves to each other

santana and blaine were actually really good friends

after the glee club found out about what santana's grandmother had done when she came out, when they were alone blaine told santana about his dad, even tho he was afraid she was gonna tell everyone because he doesnt like talking about it, just so that she would know that shes not alone and its not her fault, santana never once teased or told anyone about this, she always sorta of liked him and thought he was nice but that moment she started seeing him as a friend

while preparing for the new directions vs warblers in 3x11, santana tried helping blaine bring out his inner bad boy, she helped him pick his outfit and they planned together the whole performance

(im stealing this one from a post i rebloged i guess a day ago? i didnt found the blog to tag but this is the post) > santana and blaine are friends on facebook, and follow each other on twitter and instagram, and they always spam on each others profiles because they're comfortable to do that with each other

santana kinda sees blaine as a male version of brittany, so she has this need of protecting him (which is kinda why she was super invested in getting him justice for his eye)

speaking of his eye, when he was at home before surgery, santana went there and told that she was gonna make sebastian confess what he'd put on thr slushie, blaine asked her how she knew where she lived but she cut him off, she also came back there after and told him everything, and she and kurt asked him what he wanted to do about it

brittany and blaine really were sunshine twins

they always liked each other, blaine didnt get her at first, but he got used to it

she always talked to him about cats, and what lord tubbington was up to, she tried inviting him to fondue for 2 but he knew that she would ask some really private questions so he always came up with an excuse

after he almost went back to dalton, she (alongside with tina, sam and marley) tried to make him feel as welcome as possible

when she was dating sam, sometimes the three of them would go to her house after school and cuddle in her bed with lord tubbington while watching a movie

when britt was planning their weddings, she asked blaine to try up some suits (with the excuse that she wasnt sure the one she picked was right), but she asked him that like a day after he kissed kurt at rachels party so she could tell he was kinda sad and asked him why, he told her and she said it was gonna be okay because their love was magical (it was weird but it did made blaine feel good, so...) she was also the only person he told that

blaine and britt always have ideas like "we should totally put glitter in the entire room to celebrate our wedding aniversary!" kurt and santana shut down the idea at the same time

blamtina were like 3 chaotic brothers

sam and blaine would have a dumb idea that would result in absolute chaos (but funny tho) and tina always plays along with them even if she thinks its a bad idea

the three of them are completely harry potter nerds, sam and blaine are hufflepuffs while tina is a ravenclaw, in a halloween party in s4 they went as the golden trio

after graduation, sam and blaine still skyped tina and told her all about ny, and she would tell them all about her collage

sam kept his promise of sending his imitations to tina and blaine sometimes would call her to vent about a fight he and kurt had

blaine read all of the harry potter books to sam

after sam talked blaine into staying at mckinley, sam and tina would always be with blaine, always talking to him, and spending time with him, thats how the 3 of them got so close

marley and blaine were good friends

when marley joined the new directions, blaine was one of the first to make her feel welcome

when blaine almost left for dalton, she tried make him see that she liked him in the nd too, and would randomly start talking to him so that he wouldnt feel alone

she would rant about jake to him sometimes, like how he wanted to have sex but she wasnt ready, and blaine told her she should do it only when she felt comfortable

after she got suspended, he apologized for yelling at her because of the performance, and remembered mr schue that she was recovering from an eating desorder and that he shouldnt be so hard at her

unique and blaine were "frenemies"

they started off not liking each other, since they both wanted it to be the new rachel, even after blaine won, he and unique still were kinda competitive with each other

but eventually they became sort-of-friends, they sang together sometimes when no one else was there, and they liked to pretend to not like each other but yes they did and it was just their thing

sometimes marley would do a sleepover and she would call blaine, unique and tina, while marley was talking about jake or tina was talking about missing mike, blaine would braid unique's wig and she would try to convince him to let her see his hair without gel

when the whole plot of unique and the bathroom happened, when mr schue told everyone he couldnt give up twerking, blaine stood up for unique saying that wasnt fair and mr schue should try harder to help her, he also held her hand (alongside with marley) when she was scared of having to go to the bathroom again

blaine and mercedes talked to each other more than twice :O

lol ok im not sorry for that title

mercedes and blaine LIVED together people, she used to be kurts best friend, and sams girlfriend are you telling me they barely talked to each other? no

in fact, they really like each other's company, blaine is kinda of a goofball and mercedes thinks its funny

he would ask her to talk to sam when blaine wanted something from him, and mercedes did the same with kurt

sam and blaine would do stupid things together (like dance around their house in their underwear) just to make mercedes laugh, they swore to never tell anyone, and they never did

sometimes at 3 am when no one could sleep they would all have a little dance party until they got tired

blaine and mercedes are junky food addicts, they eat healthy and stuff but they love some cake at 5 in the morning

one time when kurt and mercedes were arguing about the tots, blaine sided with mercedes and told her he agreed that tots are delicious

[s1i9d]

AMPHIBIA: SEASON 2B TRAILER BREAKDOWN

NEW AMPHIBIA EPISODES!! (Trailer spoilers and speculation! DUH!)

Y’all have NO CLUE how excited I am!! After that huge mid season finale drop, Amphibia fans all around have been waiting for the second half of the season! I did a Speculation post based on the episode titles, and another one based off of the episode loglines for the March drop!

Check them out, cause I will be referencing them as we go!! I’m first gonna do a scene by scene breakdown, then I’m gonna see if my predictions were right, or wrong. So many theories!!! I will also be mentioning the episode titles Matt released in the AmphibiaDirect, so if you don’t want to know, leave now!

If you haven’t seen the trailer yet, click here to see it all!!! Let’s begin shall we!

00:00–00:21: Completely old information and clips from Season 2A that we’ve all seen before with the music box and Sasha-Angst. One thing I did not expect was that this trailer would be so Sasha heavy. I expected her to kinda fade into the background and we’d focus a lot more on the temples, so this makes me have theories I may not have had before.

00:22–00:26: Marcy’s new bird (as teased in the Amphibia-Big City Greens promo). We have two shots with them, one where they are flying down with only a bunch of books that would last a lifetime, or a few minutes with Marcy. The second shot is them flying in the air with Anne and Marcy riding through the sky. I am trying my absolute hardest to not hope for gay then to be disappointed, but c’mon!!! Has no one seen How to Train Your Dragon?!!?!? But Hop Pop is being held in the second shot by the Bird’s talons so I think this is a little more Marcy and Wartwood kind of situation. Maybe somewhere around “Ivy on the Run” with Marcy and her bird being the B Plot.

00:27–00:31: The First Temple. We know from the colours and the shape from the book that it is the First Temple. It seems to have water flowing out of Frog statues’ mouths, and on the temple’s walls there are imagery of brains and a vague Newt Shape reading a book! Definitely talking about wit here! Even all the mushrooms are green, and we know how much Amphibia loves to use colour.

00:31–00:33: The Second Temple! We don’t actually see the Temple, just the archway leading to the Temple. Marcy seems to have the charged green gem on the music box, which is pointing them in the direction of the Temple, very Onyx Equinox-esque.

00:34–00:36: The entrance to the Third Temple. Lava pouring everywhere and pink statues of buff Amphibians? Definitely Sasha, no questions asked. I have no other thoughts about this shot other than the jagged rocks atop of the cave, seems like it could collapse in on itself and cause people to get hurt.

00:36–00:37: Ivy and Sprig jumping on treetops, I think this is from “Ivy on the Run” where Ivy is running from her mother’s strict rules, and Sprig is trying to talk her out of it. They’re so cute! It makes me wanna hold onto them and never let go.

00:38–00:39: Bessie jumping over a ravine with Sprig and Polly at the reins, which is from “Night Riders”, the first episode we’re seeing this Saturday!

00:39–00:40: A First Temple Puzzle where you have to solve a cube to enter the next stage. Seems like Marcy is in “her own little bubble” (heh. sorry i had to) and as she’s solving the cube, the room also moves on its own, with the Plantars being shifted to another side. Kinda like Wulfric’s gym in Pokemon X and Y. This sets interesting character work for Marcy, since she’s known to have issues with connections, but she’s so into knowledge and smartness that she may not realise the issues she’s causing to the people around her.

00:40–00:41: MADDIEEEEEE!!!! Definitely from “Maddie and Marcy”. I feel like they would get together and Marcy would be so into learning about Maddie and creepy magic that they will form a bond. This is how nerds make friends everyone, they find something the other is SUPER invested in and they learn about it. Either that or an extrovert claims them both, and they know each other via association.

00:42–00:43: Giant chicken bat for “Return to Wartwood”. Don’t ask me how I know, I just do. Seems like the Plantars set up a banquet for them, and they’re running away. So shenanigans!

00:44–00:45: Okay, so I initially thought Sasha’s next episode was gonna be in episode 16 (”Toad to Redemption/Barrel’s Warhammer”) and I initially thought that it would be Toad to Redemption, because y’know... Toads. But with Sasha’s pink powers shown in her using that giant warhammer, I think it’s going to be either one of the two, but Sasha is definitely showing up in 216. They don’t seem to be on a train, but the Earth is moving very fast for some reason. 

00:45–00:46: The Newt Lady from the Bizarre Bazaar seems to be activating the tippity-top of the Second Temple, with Anne near her. The position of this is high above the clouds, and there is a blue glow coming from the writings/symbols on the ground. Perhaps this is the charging method for the gems on the box.

00:47–00:48: More First Temple stuff! Writing’s on the wall (man these visual puns just write themselves y’know!) and they are in the inside of the temple. Interestingly enough, the main floor is green like the rest of the temple, but the other side (puzzles) seems to have red and blue squares, perhaps representing the heart and strength (blue and pink) which is what the wit lacks.

00:49: The Newt Lady from the Bizarre Bazaar opens a Scroll with the Music box, the three gems (which seemingly came before the box) and three people in coats almost praying to it. This is definitely “After the Rain” with the story of the Music Box being revealed. Cause we still have no idea what “After the Rain” is gonna be about.

00:50: GENERAL YUNNAN!! Scourge of the Sand Wars! Defeater of Ragnar the Wretched! The youngest Newt to ever be named General in the GREAT NEWTOPIAN ARMY!! (Can you tell I stan her? because I stan her.)

Anyways, she seems to be in the first temple or King Andrias’ throne room. I’m mainly assuming this because the temple because the building is blue or because the spires from King Andrias’ throne room are in the way back there, but there are several Toads there defeated on the ground. Either these were people to protect Marcy at the Temple, or this is an episode where all of Grimes’ command are trying to take over Newtopia under Sasha and Grimes’ command. Quite the plausible amount for theories and plot just from a one-second Yunnan shot.

00:51: A chess board with Frog knights shooting lasers at Marcy. Another one of the First Temple’s tricks, or it could be King Andrias’ plot, since we saw him with Chess pieces of Anne and Marcy at the end of “Marcy at the Gates”, so this clip could either be “The First Temple” or “True Colors” and either or are exciting!!

00:52-00:53: A mole comes out of the ground as Mayor Toadstool walks around seemingly trying to please Newtopian guards and soldiers. “Toad to Redemption” now makes complete sense! I called that it would either be Anne and Marcy helping a battle-hardened Toad, or it would be a Sasha episode. I think its the first part, where Newtopian inspectors are coming to suprise visit Mayor Toadstool and inspect if he’s doing a good job taking care of Wartwood, to no one’s surprise find out he’s embezzling money from the town. The episode would be Marcy and Anne helping Toadstool to become better so he doesn’t lose his job as Mayor.

00:53–00:58: We have three shots here, one of each of the girls. Anne looks back in the rain, almost distraught. This is definitely “After the Rain” and I’m not ready for the angst. Marcy is visibly frustrated over chess pieces, this is either a challenge from the Temple or she’s found out about Andrias’ plan. As much as Option 2 is interesting, I think the first one is more realistic. Sasha in the Third Temple, activating her Colour Power and breaking the ground underneath her to a circle. I am constantly terrified by and for Sasha.

00:58–1:00: Polly and Sprig’s silhouettes running in the rain. Also “After the Rain” but still nothing much to say here.

1:00–1:01: Giant tentacles grab Sprig and the Plantars. I have no idea what this is, but it also appeared in the “Night Riders/Return to Wartwood” trailer/promo, so I’m assuming it’s from that episode.

01:02: Sasha is facing off against a giant golem! Probably the Third Temple’s trial.

01:03: Newt Lady from the Bizarre Bazaar reveals the secrets of the Music Box. Definitely an “After the Rain” episode. I did not expect Marcy to be there though, that’s interesting now. 

01:04–01:06: Two shots from the Third Temple. First one being Anne having a moment of realisation, and the other with the Golem roaring in front of Anne and Sasha. This freaked me out because wtf??? Sasha and Anne together?? Are they solving it together too??? Interaction equals resolution/conflict/character drama.

01:07–01:12 & 01:17–01:22: So how are we integrating baby Marshanne into this??? As for which episode, I have no idea! But some interesting details in this is that Sasha seems to have been the last out of the three to have joined. Since Anne and Marcy are together crying, while baby Sasha is one on the slide standing up (hehe) for them. Between the first clip and the second, Sasha has a bruise on her forehead, so she may have gotten hurt trying to protect them. They introduce each other and that’s the end of the clip. I’m assuming this is finale material, because otherwise I have no idea where this is coming from or going to.

01:13–01:16: Anne pulls the Plantars in for a hug. Still not sure where this is for, but it is a thing.

01:23–01:28: Two shots of Sasha and Anne, which seemed to have been slowed down to around half speed. Shot one has Anne standing, almost distraught wearing what seems to be Newtopian armour, with Sasha’s foot in the foreground. The second shot is Anne holding her sword at the top of the Newtopian Walls to Sasha who is weaponless and has her hands up in surrender. Smoke is rising from the land below, and Anne looks visibly angry. I have no idea what is happening, but this definitely has to be finale material.

A title card shows Amphibia returning 6th March!! Hype.

01:34–01:45: Of course we need happy stuff to counter ANGST! So we have a bizarre sequence of Frobo making a garden and growing flowers in a matter of seconds. Hop Pop is enthralled by this and welcomes him to the family, and Polly looks at him knowingly. This is a very big development played very casually, since we know nothing about the robot besides his goofy self being able to do this. Frobo is the most cryptic thing this season besides the King’s basement, we also have no information on Frobo so this is a striking change. This will take place in “Friend or Frobo?” and I am stupid hyped!!! I don’t know anything about Frobo and I want to know more!! Also Wartwood is on fire. It’s just a normal Tuesday everybody. 

That ends the trailer breakdown!! But I did have some more general theories and thoughts I’ll include here.

Something I did want to mention before we started was the music in the beginning of the non-speaking part of the trailer. To me, it sounded like an epic reprise of John Legend’s “All of Me”, and I’m thinking there’s one of two things happening: one is that the finale song that we’re all crying to is “All of Me” by John Legend, like how Reunion’s was “Lean on Me” by Bill Withers; or, I’m just theorising like a mad person. Who knows!

Also another general observation is the puzzles and how we’ve been prepped for them by “Family Shrub” where each one has puzzles and riddles each person who fits a specific role must solve. Each girl with each of the Temples, and they need each one to deal with their own Temple. Meaning Sasha being at the Third Temple means some form of resolution/character interaction.

As for Sasha, I don’t know if she’s gonna be redeemed necessarily, but I think she might go to the good side and Marcy goes to the bad side. I don’t wanna believe that cause I love Marcy to death, but Season 2 finales are always horrifying before Season 3 finales wrap up nicely. So I’m expecting even more drama than the Season 1 finale. I want all the girls to be happy, and it’s not happening this season for sure. So much excitement!!!

That concludes all my thoughts on the trailer for Season 2B! Let me know what you’re excited for, your thoughts and theories, and if you agree or disagree with what I’ve said here!! So excited!!!!

[bi-bard]

A Plan For the Future- Spencer Reid Imagine (Criminal Minds)

Title: A Plan For the Future

Pairing: Spencer Reid X Reader

Requested: Nope...

Word Count: 1,265 words

Warning(s): prison, mentions of murder and violence in the context of the show

Summary: (Season 12, episode 13) When the team gets an emergency call about a situation in Mexico, (Y/n) and Spencer find themselves in one of the worst and strangest situations of their relationships. 

Author’s Note: Connected to my original character! Find information here! I think I’m writing the Season 12 stuff in separate parts because... it’s a lot. (I think I have three planned...?)

Buy me a coffee? https://ko-fi.com/khoward0 

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“Jet, now,” Emily said as she walked by me. I furrowed my eyebrows. She looked at me from the elevator. “Reid’s in jail.”

“What,” I yelled, following her. Luke and Rossi were right behind me. Luke handed me my go-bag.

As soon as the doors shut, I felt my stomach drop and hands start shaking. Emily wrapped an arm around me. I let out a sigh. 

“He went to Houston to help his mom,” I said. “How the fuck did he end up getting arrested?”

“In Mexico of all places,” Rossi added.

“He was arrested in Mexico,” I snapped. I placed my face in his hands. “I knew I should’ve gone with him. He wanted me to stay back. I thought he wanted me to stay back so I could check on his mom. Oh my god, I have to call his nurse.”

“Hey, it’ll be alright, we’ll figure this out,” Luke promised. The doors of the elevator opened and I quickly walked out, heading straight towards the jet. “J.J offered to call the nurse because she didn’t want you to worry about anything else.”

“That woman is really just a mom to everyone,” I mumbled. He chuckled at me. 

I subconsciously picked at the leather of the watch that Spencer had given me. He thought it was more useful than a simple bracelet. He was right... of course. God, what had he gotten himself into? 

--Time Skip--

I crossed my arms, trying to comfort myself as we were led back towards the holding cells. Spencer stood up when he saw us. I felt tears in my eyes. 

He looked like a mess. Heavy bags under his eyes, clothes weren’t put together. And he was clearly disorientated. He didn’t look like he even recognized any of us. 

I wish I could’ve focused on what was being said. I was just studying Spencer as the other three were questioning him. I couldn’t do this. I couldn’t sit here and interrogate him. I didn’t even know what the right question was. I finally looked down, wanting to just disappear.

Luke walked away to call the others back in D.C. I stepped back a little bit, wiping any tears that may have fallen just as he walked back over, holding up a picture on his phone. Spencer nodded at the picture and Luke explained that Garcia had tracked her down to a motel just outside of town.

“We need to take Castenada and his officers with us,” Emily said. 

“Do you want company here,” he asked. Spencer looked over at me. I nodded. 

The other three headed out to the motel with the other officers. I pull my jacket off of my shoulders and set it down before sitting on it. Spencer mimicked me, sitting on the ground. I grabbed one of the bars and he imitated me. I out a small sigh when he touched my hand with the tip of his finger. 

“Why didn’t you tell me where you were going,” I asked. He shrugged. 

“I really don’t know,” he said quietly. “I thought I could handle this by myself.”

“Spence,” I replied. “I’m going to support you through everything. Do you think I sleep on your couch three nights a week because I like the back stretches I have to do in the morning?”

Spencer let out a small laugh before going silent for a minute, “I’m sorry.”

“I know,” I jokingly shrugged. “We’re going to figure this out, Spencer. I promise.”

“I know you will.”

“I love you.”

“I love you too,” he mumbled. 

--Time Skip--

The rest of the case was a blur. Nadie Ramos was found dead. Emily tried a cognitive interview, which Reid failed. We were on a time crunch before Spencer was going to be transferred to a prison. We were now all standing in Reid’s cell, including Matt Simmons and Clara Seger with Garcia on the phone.

“Where is Nadie Ramos from,” Clara asked. 

“She lives with her family just north of Matamoros,” Garcia replied. “She crosses the border like a lot.”

“Why is that,” I asked. 

“Well, she works at the clinic in Houston,” she explained. “She also helps at a low-income healthcare center. I can’t find a visa on her, which is double weird. And finishing the weird trifecta is, there’s a social security number on her W-2 form.”

“She’s an American citizen,” Matt asked. 

“Yeah, she has dual citizenship.”

“Wait, if she’s an American citizen, that places Spencer in U.S custody, right,” I asked.

“It’s time for the transfer,” Castenada walked in.

“We’ve had a break in the case,” Emily turned around. “The victim was also American. That calls for extradition.”

“I’ve got orders, sorry,” he replied. I closed my eyes, terrified as guards came over to get Spencer ready to go.

Emily pulled her phone out, calling the consulate and speaking as fast as possible. Rossi touched my back. I took a deep breath.

“My dad would’ve dragged Spencer out of here before giving up,” I mumbled. “Why do I feel so fucking powerless?”

Rossi pulled me into a hug. Not promising that it was going to be okay or that it was all going to work out. None of us actually knew that. I was almost happier that he didn’t say any of that. 

“Come on,” I said, standing up straight. “We have a job to do.”

I walked out of the cell just as Luke walked off. I looked over to Emily. 

“We got him,” she promised. “This isn’t going to be good but he’ll be back in D.C.”

I nodded before hugging her tightly, “Thank you so much.”

I stayed back as Spencer was led to the jet. Everyone was gathered at the center of the jet and talking. 

“Okay, here’s the agreement that Cruz made,” Emily said. “You can stop by the B.A.U when we land but then we have to drive you into the district and take you to the federal prison. Since you are under investigation for murder, these cuffs are going to have to stay on until you are arraigned, but you’re not a flight risk up here.”

“Can I...,” I trailed off, pointing at Spencer. 

“Just don’t say anything,” she nodded with a smile. 

I pulled Spencer into a tight hug and closed my eyes, “We’re going to get through this. No matter what. I promise. I’m by your side every step of the way.”

“Thank you,” Spencer replied. “I love you.”

“I love you too,” I mumbled before stepping back.

We all took our seats on the plane. Spencer and I were sitting on one side of the table. Emily and Luke were on the other side. I hadn’t let go of Spencer’s hand since we had sat down.

“Can I ask you something,” Spencer asked quietly. I nodded. “You were talking about how you spend three nights a week on my couch. After this is over, I could invest in one of those pull-out couches... and you could stay there all the time?”

“You want me to move in with you,” I asked. He nodded. “That sounds great.”

“Really,” he grinned at me. 

“Yes, of course, it does,” I chuckled.

“I’ll make sure Garcia knows,” Luke jumped in. “She needs the appropriate amount of time to plan the housewarming party.”

“I’ll talk to her,” I promised, making Spencer chuckle. 

Everything had gone completely wrong today. Everything. But having a plan for the future, for something beyond this situation, gave me some weird sense of hope. We were going to be okay... and that’s what mattered.

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