#which is rly weird

[homuku]

study ft kanaya

[the-potato-beeper]

my arm is sore for no reason :(

[ruushes]

companions re-classed part 3 - shadowheart 🌌🌚🌝

*shadowdancer isn't a 5e rogue subclass, it's a 3.5e rogue-based prestige class, but it suits her so well and when i played 3.5e as a kid i thought it was the coolest thing ever lol so i wanted to use it

karlach 🔥 wyll ⚔️

[mustbolt]

KNOW THY ENEMY, katherine + elena.

[daeyumi]

this year’s self indulgent holiday pic (we went on a date to see xmas lights) 🎄❄️

[solargeist]

for over a week now i keep thinking abt grian and kid xelqua. something abt him taking care of this alternate universe child version of himself. i just stare at the ceiling and my eyes blur

[szilverer]

unfortunately, it was inevitable for my ghostie to marry their brainwashed stalker, but they're still making it a punishment for him.

(ya might be wondering damn what makes someone inflict poor edward on themself? well, to put it simply. you take what you get)

for starters, this ⬇ was the first dream i came across after my 8 year hiatus.

so i was like, oh, ok. love? what love?

guess chasing love is a main theme for them now. good luck rei. you woke up alone, and you have no family whatsoever. you certainly don't care about that right now, but you will, your ambition will make sure of that.

cue a string of unsuccessful crushes/love interests that were either using them, only interested on something they owned, or just. straight up made their heart skip several beats and then left. (i was also focusing on LF so hard i skipped on acquaintances, and didnt start/continue MYN and other storylines that could've given them possible npc friends/platonic interests. i also thought the bewildering procession needed 125 base persuasive, which i didnt have at the time)

i feel like if they had one (1) meaningful connection that wasn't scheduled to move on without them by the end of the ambition, if there was one (1!!) person they felt would consider sticking around by their side. edward would be deadward. 100%.

but they didn't

they didn't have anyone.

this blond weirdo was the only person that would stay by their side no matter what, at least for a while, and that was only because he had no actual choice in the matter.

this marriage represents reisz giving up on chasing love. pure and simple. after months of having people to come back to they'd be left with nothing. truth or not, this was the mindspace they were in. they were just. so tired

so yeah how could they possibly not take this opportunity to assure there would be at least someone out there waiting for them. that might as well have been the only chance they'd ever get to walk down an aisle anyway.

[eggnogtoast]

scene redraws of some movies i've rewatched recently.

[slingbats]

loveeee your Oswald so so so much. Can we see the boy?

perceive the

[dandeyrain]

i've been rotating the "this doesn't make any sense!" response to boy and the heron in my head and i wonder how much of it comes down to like...the kind of audience that engages with ghibli movies vs the kind of audience that mostly only engages with weird art movies vs the kind of audience that only really engages with blockbusters and marvel movies, and the overlap of those groups in the theater.

because, like, the boy and the heron is far and away more straightforward, from a plot perspective, than a lot of other Weird Extremely Personal Art Movies i've seen and love, but it IS a Weird Extremely Personal Art Movie even so. usually the only people seeing Weird Extremely Personal Art Movies, especially in theaters, are people who like that and expect that and have seen those types of films before and are therefore capable of engaging with them even when things aren't as clear as they'd be in an average blockbuster flick. like, nobody who only cares about Cinema to the extent of marvel movies and MAYBE john wick is going to see beau is afraid, and if they did they wouldn't have the tools to engage with such a dream-logicy movie. it would just be a weird thing that doesnt make sense to them, at least until they worked their media engagement muscles with other weird films. there's a lot of self-selection to the kind of person who usually sees these kind of movies.

while boy and the heron is weirder and more complex than a lot of other ghibli movies, as far as weird art films go it is incredibly, INCREDIBLY straightfoward. every weird plot point is explained very clearly to the audience, very little is up for interpretation from a strictly "what was the plot" point of view. boy loses mother. father remarries and moves the family. boy struggles to contend with grief. boy is pulled into a magical world by an old man who wants to use him. time is weird and fucked up in the magical world, but the movie is going to go out of it's way to highlight who's who and make it clear how the time travel works and the characters' relations to one another. the boy refuses to take over the magical world because he wants to live in the real world with the real people he loves. boy leaves the magical world having learned an important lesson about moving on. but the boy and the heron trusts its audience, doesn't handhold, and expects the audience to engage seriously and with focus to its plot and characters and stories.

a lot of people never watch movies like that! a lot of people are used to uncomplicated superhero movies and romcoms and that's it. the difference is that those people were never going to see beau is afraid, so the discussion about that movie instead comes from people who have the tools to engage with it. but because of the aesthetic-ification of ghibli, a lot of people who don't Do art films but are really into the aesthetics of cute little guys and girls in pretty dresses went to this art film and were confused that it was weird and dream-like and dark and strange and requires more of its audience than just passively watching.

anyway there's nothing wrong with not having the muscles to engage with weird art films, though i do think everyone should challenge themselves with the kind of stuff they watch. there's nothing wrong with preferring simple straightforward uncomplicated plotlines. but it is really interesting seeing people talk about the movie like it's insanely weird and doesnt make any sense meanwhile me and the friends i've chatted with about who DO have experience with this kind of film all feel insane because the movie is SO clear and SO straightforward by the standards we're used to. its just a neat crossover re: the kinds of movie fans that exist

[fadeintoyou1993]

CHERYL BLOSSOM Riverdale | S07E03 "Sex Education"

[michaeljoncarter]

ALSO, like with just about everything about wyll in the full release version i m o, the way his interactions with mizora throughout the game were just sorta ported over without much tweaking to make them fit in with the new version of his character is so weird and clunky and just.... uncomfortable

the fact that mizora was mortal in the original version of the story was kind of an extremely important detail that not only wyll's entire character quest but also their entire relationship and history hinged on. the ea version of mizora was half-human, not a full devil, and according to dnd rules as i understand them, that means she would've had a regular human lifespan. (eta: yes, she's still called a cambion in the full version, but my issue is at some point between ea and full release, all the differences between cambions and devils apparently just up & vanished) so if ea mizora and ea wyll, who were around the same age, met when wyll was 17, that means they met when mizora was also somewhere in the range of her mid/late teens

there's obviously still an unhealthy power imbalance there with her being his patron and all, but there's a pretty big difference between a teenage boy being manipulated by an equally as young teenage girl into signing a pact vs a teenage boy being manipulated by a fully immortal & presumably-already-grown-at-the-time woman into signing himself into her service

and the flirty/sexual dialogue being left in makes this 100x worse. originally, mizora and wyll were explicitly in a romantic relationship that had just ended right before the game started (like literally right before. as in he told you that the nautiloid snatched them up WHILE he was in the middle of giving her his breakup speech (lmao)), but there is literally ZERO reason for the full release version of their relationship to have such a weirdly charged undertone to it??

you can't just take the dynamic of "toxic high school sweethearts who just had an insanely messy breakup 3 days ago after dating for 5+ years" and slap it onto "grownass woman who manipulated a teenage boy into signing his life away to her 5 years ago" with zero acknowledgement of the fact that that changes literally everything??

like sorry, this isn't just petty exes bickering anymore. this is now reading as nonstop sexual harassment, and to someone without the context of this happening due to a messyass rewrite (or even with it tbh), it's weird as fuck that some characters get entire arcs dedicated to unpacking the trauma that comes from being trapped in this exact dynamic, but with wyll, neither he nor the player ever get a chance to try to stop it or even really acknowledge the fact that it's happening in any significant way

the sloppiness of this whole rewrite is actually insane to me

[apricote]

so yeah

[murdleandmarot]

@margo-mania RAZZLE!!!!!! ✨✨✨✨

[bloodandfleshautism]

just watched the borderlands movie and the only good part was that krieg’s little harness thingo lowkey looked like a very skimpy little bra thing sometimes

he needs some back support with those jugs ofc

[thornsent]

yeah I looked at OP's blog and scrolled for like three seconds and it's just complaining about trans men/trans mascs in a very r/thathappened way. even if a trans man in a discord server DID ask you to stop using she/her for anyone regardless of their pronouns, it's legitimately deranged and delusional to infer Every Single Trans Man is like that, and it is additionally problematic to insinuate this either came from "fragile masculinity" or some sort of conspiracy theory to eradicate femininity when in reality if this even happened it seems like it's someone who is not doing well mentally, likely in an unsupportive environment, who is trying to control their surroundings in a situation where they lack autonomy. idk do you guys ever get tired of assuming everything is a huge evil conspiracy? if not I'd suggest actually living in the midst of one and then maybe you can compare