#which is how he gets really good monster sounds

[ohno-the-sun]

Vibrating with happiness I got them signed aaaaa

[girlivealwaysbean]

sometimes my bestfriend is like an angel in disguise istg

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[lostalioth]

𝐛𝐥𝐨𝐨𝐝𝐢𝐞𝐝 𝐤𝐢𝐬𝐬𝐞𝐬

→ premise: there existed no such cricumstances in which dean doesnt want your lips against his. bloodied, bruised, even with broken bones, a kiss from his girl makes it all better.

→ pairing: dean winchester x fem!reader

→ warnings: tw: blood, fluff, but some sort of instense making out, established relationship, descriptions of blood and injuries, blood in mouth, nicknames [baby, sweetheart, my girl], reader is described a bit to have anxiety

→ a/n: as always i hope dean isn’t too out of character as i have never written for him! enjoy my loves :) and sorry its short.

A hunt had gone south they got the monster and it was done but Dean was injured, they were headed back to the bunker. That was all Sam spit out over the phone, normally you appreciated his ability to get straight to the point. Currently you were cursing it as he hung up shortly after cause he was the one driving back. You had a million and one questions running through your head and more than half of them weren’t good.

This was the part of the boys going off hunting and you staying back that you hated the most. When one of them got hurt or something went wrong and all you could do was sit there, a chill running down your spine as your blood boiled in your veins, anxiously pacing the living room, trying to not let yourself jump to the worst conclusions which you regularly failed to do.

You used to go on hunts with them and instead of you currently being the one riddled with anxiety, it was Dean. Once the two of you pulled your heads out of your asses (as Sam would say) and realized you’ve had feelings for each other for years, you got together. Being officially together seemed to make Dean's protective nature increase tenfold. He was even more terrified to lose you now than before. He began fussing over you whenever you'd get even the slightest scarpe or bump on a hunt. He would glue himself to your side the whole duration. Forcing you to normally stay back in the motel room when the hunt turned into a more dangerous situation than dean cared to put you in.

You loved Dean but it began to get a bit too tedious to deal with and even Sam made a comment on how overprotective he was being. In an attempt to make hunts go easier and ease your boyfriend's anxiety, once you all situated yourselfs in the bunker you suggested to him that you go out on hunts less, especially when they could now take Cas. Dean jumped at the suggestion but you couldn't blame him.

“I think that's a great idea baby” he said with a kiss to your forehead.

You still helped out, researching things when Sam needed the help, going through old books and files in the library, patching them up when they’d come back with cuts and bruises. You hadn't realized just how jittery you'd be however stuck in the bunker when he was out and especially when they went on far away hunts.

They'd go to the hospital when things were really bad, so you knew if the boys were on their way back then it couldn’t be too bad. The reminder did nothing to sooth your racing thoughts, your heart thumping so hard you could practically hear it pounding in your ears. You didn't know just how long you've been pacing back and forth, too afraid to look up at the clock and realize it's only been a few minutes since Sam called.

You don't hear the sound of baby pulling into the garage, your head is too clouded as you were damn near about to wear a grove down into the old floors. The sound of a door shutting loudly and two sets of heavy footsteps are heard down the hallway. Spinning so quickly on your feet you nearly lose your balance you turn to face the noise. Watching as the brothers emerge from the dark hall, Dean's arm rests on Sam's shoulder almost using him like a human crutch. You let out a small gasp making them stop and both of their eyes snap up to yours, weather you gasped in surprise at the state of your boyfriend or in relief you can’t tell.

“Hi sweetheart, We’re home” Dean tilts his head, his voice laced with his usual sarcasm and deep tone. He pushes off of Sam, clearly able to at least stand on his own, slowly making his way over to you a small limp in his step.

In the blink of an eye you’re rushing into his arms, your soft hands grabbing ahold of his beaten up face and crashing your lips against his. He grunts out a “fuck” in surprise or pain the word dying in his throat turning into a noise as his eyes fall shut and he grabs ahold of your hips. With a sharp tug he pulls your body as close as he can to his, his hands sliding up your sides. His bloodied lips against your plush ones, kissing you like a man starved, a kiss you’ve come accustomed to when he comes home from longer hunts. “Missed you” he hums in a hushed tone into the kiss for only you to hear, making your racing heart only speed up. His blood flows into your opened mouth as the kiss goes on, the metallic taste on your tongue foreign but you were far too relieved he was back in one piece to care about the blood coating your tongue.

Any pain Dean felt after the whole ordeal and from the bumpy ride back to the bunker seemed to fade from his body. He could care less about his brother's presence still in the room or the blood still dripping from his face and that covered his clothes or his split lip. It felt as if all the bruises that were forming on his body were already being kissed away as your soft lips slid against his. The taste of your mouth overcoming the taste of the blood in his, your scent calming his body, reminding him he's finally home again. Your body grounding him.

A rough deep cough stops the moment making the two of you reluctantly pull away, lips swollen and parted as you catch your breath.

“Before this gets any more R-rated maybe we should patch him up and you know clean him up” Sam suggested with a small light hearted chuckle as he walks off to the bathroom to get the first aid kit. You were grateful you remembered just yesterday that it had needed to be restocked. “Sorry Sammy” Dean calls after him, you turn your head away and follow up with a “Sorry not sorry” down the hall after him making a small smirk grow on your boyfriend's face.

Once he's out of eye sight, Dean grabs ahold of your face by lightly squeezing your cheeks and turns your head back to face him. Leaning down to begin softly kissing you again, groaning against your lips when the pain in his body begins to return.

“Who needs a first aid kit, all i need is my girl's kisses” He mumbled softly against your mouth, making you break out into a smile. A small tear slips down your cheek, your breath returning to your lungs and the chill in your spine fading as relief finally settled over your body knowing he's okay.

→ a/n: if you enjoyed please reblog or send me some dean requests id love to write more for him!

[buckyalpine]

In some universe I like to think Bucky likes to fuck. Hard. He holds back when he has his hands all over your body and he's trying desperately to shut out the monster in his brain screaming to ravage you because he. Wants. To. Fuck.

There are days where he wants that tender loving and he wants to be soft and sweet but on others?

The release feels to good and in that moment he's in full control, chasing that pleasure, hyper focused on the way his cockhead is dripping and swollen, more sensitive than ever. Its throbbing and his veins are pumping all the blood to his rock hard cock.

At first he does a good job of hiding it.

But then the mask begins to fall.

Primal urges want to take over but how can he ruin his sweet little bunny whose laying under him, moaning and looking at him with doe eyes.

How can he-

"Buck?"

Bucky's hips stutter at the sound of your soft voice laced with concern, your hand coming to cup his cheek.

"You okay?" You can tell he's not all there, his movements hesitant, body too stiff. You're plaint under him but his muscles are tight, jaw clenched. "What's wrong Jamie"

Jamie. The name you had for him alone made him want to fuck you till all you could do was scream his-

"We can stop if-

"No-" Bucky cuts you off before you could continue, petting your head reassuringly, "Everything's fine doll, promise" He pecks a kiss to your nose making you blink and it some how makes him harder. You're so trusting, spreading out naked on his bed, completely unsuspecting of all the dirty things he really wanted to do to you. You were checking in on him to see if he's okay, not having a clue he wanted to rail you so hard, you'd forget how to speak. Pound you till you were begging for him to stop because there was too much cum for your tiny cunt to handle and his heavy balls would still be aching for release.

"You can tell me" You whisper, wiggling from under him to wrap your soft thighs around his waist, stroking his scruffy cheek. "Please?"

Bucky doesn't think he can hide his needs for much longer. Not when your scent is all over him now; on his pillow, the sheets, its soaked onto his skin with how closely your naked bodies are pressing against each other. How can he be expected to have any self-control when you're looking up at him like that like a sweet little bunny caught in the wolfs den, cuddling into her predators chest.

"You really want to know?" His voice was husky, letting his nose trail along the column of your neck, breathing in your sweet smell, letting his tongue dart out to taste your sweat slicked skin. The action makes you gasp, clenching around him with a whimper, your eyes growing wide when a growl emits from deep in his chest, "Are you sur you really want to know?"

"Y-yes" You nod, your breath hitching in your throat at the dark smirk that appears on his face as his hand snakes up to softly clasp around your throat.

"I want to ruin you bunny" Bucky's nose nudges against your affectionately before leaning down to nip your pouty bottom lip.

"R-ruin?" You whisper, a wave of slick soaking his cock further which doesn't go unnoticed by him. He experimentally draws his hips back and snaps them forward, hitting your cervix, the salacious moan you let out driving him feral.

"I want to fuck. Promise I'll make love to you after but I want to fuck you pretty girl" He squeezes your throat a little tighter, moving to graze his teeth along your jaw. "Will you let me? Fuck this pretty little pussy?"

The breathy yes you let out is all he needs.

And fuck you he does.

-

"J-JAMIEE"

"That's it-scream-scream for me!" He roars, his fingers digging into the flesh of your hips and he pulls you back to meet his thrusts, his balls slapping your clit each time. He has you on your hands and knees though your arms gave way, your face pressed against the mattress. He brings his leg up to get a deeper angle and the feeling causes white spots to blur you vision.

"M-more-Wan' more" You weakly beg, tears streaming down your face in pleasure, your entire body being held up by his grip as he takes you from behind.

"Greedy slut, begging for more as if she isn't already full of cock and cum" Bucky gritted out, having already emptied himself in your once, your combined slick making it easier for him to pound you. "Just a hole for me to fuck, you're just here to get me off aren't you baby, just a tight little pussy for me to stuff my dick into"

"Ye-ah" You hiccup, overstimulated from the orgasms he's pulled from your body left, right and center. "So-so-good"

"S'good huh, gotta keep you well fucked for my fat cock bunny" You have no idea where he got such a filthy mouth from, another orgasm building in your belly from his words alone, "Can feel you getting tight again, lookit you cumming all over me baby, messy girl, soaking me"

You can't respond aside from wailing with pleasure, trickles of squirt wetting his thighs, the sight making his balls pull towards his body.

"That's it, good girl, fuck gonna cum bunny, gonna give you my cum and keep fucking it back into you, keep you nice and full of me" He rails you faster, the serum in his veins pumping, sweat dripping down his body. He feels impossibly hot, head thrown back as immense pleasure shoots down his spine, his pace growing sloppy. There's not a single thought in his brain other than busting load after load in your sopping cunt till his cock his soft. He doesn't care that it almost hurts, overstimulated himself, panting and rutting into you, he's so far gone, his deep moans slipping into a whimper as his cock starks to leak, he's so close-

"OH-FUCKK" Hot ropes of his spend shoot from his tip as he lets his body fall on top of you, humping and rutting himself till he's all empty, "y'feel to good, can't even stop, holy shit" He moans into your neck, suckling at your pulse point while you writhe under him feeling his cum seep out of you. His movements slow till there's nothing left, his sensitive length still tucked between your folds, pink and soft and wet with your cream. He carefully moves you so you're resting on the pillows, his cool metal hand brushing your forehead.

"Come back to me bunny" Bucky coos, chuckling at your dazed state, your eyes still unfocused, panting and blindly reaching for him, "M'right here babygirl, c'mhere, I got you" He cradles your soft body close to his, kissing your hairline. "Did so good for me princess, so so proud of you"

You let out a sleepy yawn, curling up on his chest like a content kitten, closing your eyes while nuzzling into him. You've never looked so peaceful and happy and Bucky can tell just by your happy little sigh you want more of what he gave you.

[felassan]

June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript

Under a cut due to length.

Update: This post has now been updated into a word-for-word transcript.

[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]

Update: This post has now been updated into a word-for-word transcript.

If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )

Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.

----

Katey: Hello!

John: Hello.

Katey: Beautiful, your mic sounds beautiful. How's everybody doing?

John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.

Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.

Corinne: Can you hear me okay?

John: Yep.

Katey: Yep, we can hear you beautifully.

Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.

John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.

Corinne: John!

John: Hello.

Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.

Corinne: Our, our resident artist-poet, Matt Rhodes.

Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.

John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.

Corinne: Well there you go, right?

Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?

Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.

John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.

Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.

John: The Fade has taken Matt.

Corinne: That’s right, that’s right.

Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?

Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.

John: Yeah, yeah.

Corinne: I think that’s a, a great question.

John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.

Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.

John: Oh -

Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.

John: Well, I think –

Corinne: Those are some of my favorite parts.

John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.

Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.

John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.

Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.

Matt: Testing.

Katey: Oh hey Matt!

Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.

Katey: Yes.

Corinne: Welcome Matt, the lovely Matt Rhodes.

Matt: Testing, testing.

Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.

Katey: So mysterious.

Corinne: Oooh!

Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.

Matt: Thank you.

Katey: What faction, what faction you would choose if you could choose one for yourself?

Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.

Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?

Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.

Katey: I love that answer.

Corinne: This is my favorite answer so far.

Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?

Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.

Katey: I love that.

Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.

Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?

John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.

Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –

John: Mhm.

Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.

John: Mhm.

Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.

John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.

Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?

Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.

John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.

Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.

Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?

Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.

Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?

Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.

Katey: Will there be a Photo Mode in-game?

Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.

Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.

Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.

Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?

Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.

Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?

Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.

Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?

Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.

Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.

John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.

Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?

Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –

John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.

Katey: He’s just taking care of it elsewhere.

John: He’s just taking care, it’s, it’s his most important possession.

Corinne: The Pride there, huh?

Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?

Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.

Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.

Matt: Yeah, me too. I, I will say, what’s, what’s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.

Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?

John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.

Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?

John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.

Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?

Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?

Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?

Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.

Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?

John: Ooh, that’s a good question.

Corinne: Isn’t it?

John: Corinne, you wanna go first?

Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.

Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.

John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.

Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.

John: Absolutely.

Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.

John: Hear, hear.

Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.

John: Just for [inaudible].

Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.

Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?

Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.

John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.

Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.

Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.

Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?

Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.

Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?

Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –

John: Oh no.

Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.

Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.

John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.

Corinne: All these griffon emojis are, y’all are killing me.

Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?

Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.

Katey: This one is –

Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.

Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.

John: I love this one.

Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.

Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.

Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?

John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.

Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?

Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.

John: There’s lots of opportunities to interact with the griffon.

Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?

Katey: Assan in chat everybody.

Corinne: Assan in chat, alright!

Katey: I love it.

Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.

Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?

Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.

Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?

Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.

John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.

Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?

John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.

Corinne: Getting into the deep-cut questions now.

John: Deep-cut questions, yeah.

Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?

John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.

Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?

John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.

Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?

John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.

Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.

Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.

Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?

John: Much like the other two, we will have more information on required PC specs soon.

Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?

John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.

Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?

John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.

Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.

John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.

Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.

John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.

Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!

Katey: Will our heroes and companions leave us if we go against their wishes?

Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…

John: No spoilers Corinne!

Corinne: Aughhh, I’ll leave it there, I’ll leave it there.

John: No spoilers.

Corinne: Okay, alright, alright. But they want it!

John: Yep.

Matt: Don’t try to stop me, Smee!

Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?

John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.

Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?

John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.

Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.

John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?

Matt: Yeah.

John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.

Matt: And, and when I say was, I just mean, in Inquisition.

John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.

Matt: Yeah.

Katey: And what approach are you taking to quest and world design in The Veilguard?

John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.

Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.

Katey: Are there any locations in the game that can only be accessed by making specific story choices?

John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.

Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?

Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.

Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?

John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.

Katey: Will our decision of who in particular was left behind in the Fade be important?

John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.

Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -

John: That’s a, that’s a deep cut!

Corinne: Very, that’s a deep cut.

John: Holy smokes.

Corinne: My goodness.

John: The sound of my childhood.

Katey: Will we have mounts again? If so, any hints to what types we’ll have?

Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.

Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?

John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.

Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.

John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.

Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?

Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.

Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?

Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.

Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?

John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.

Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.

Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?

Matt: Thanks everyone.

John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.

Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.

Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!

John: Bye y’all!

Matt: Bye.

[source: The dev BioWare Discord Q&A on June 14th]

Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.

[anotherlongstoryshort]

Things about the Wisdom Saga that have plagued me all damn day

Legendary

Whether intentional or not, Miguel's Telemachus really sounds like a younger version of Jorge's Odysseus. And that hurts.

"If I fight those monsters, is it you I'll find?" The layers. Could he go out and hunt for his father? Could he find his 'legendary' strength within himself? Or will Odysseus be the 'monster' he finds?

"Somebody help me, come and give me the strength" And his call is answered T_T

20 years.

Antinous fully interrupts this bop. Rude.

Ayron sounds legitimately scary and Telemachus taking a stand is so O.O

Little Wolf

I wanna fight this guy. Love that Athena agrees. (The beat of the song and sharp bursts of vocals really emulate blows.)

The quaver on "I don't know how".

Athena is immediately charmed by Telemachus' enthusiasm. She sounds so fond.

The fact she sees heart in him as an advantage when it was Odysseus choosing heart over mind that drove them apart. Guh.

Did she tell him to bite Antinous? XD

"Oh, maybe I pushed you a bit too hard." The change in her perspective is already so apparent - she wouldn't have admitted a mistake or miscalculation to Odysseus.

We'll Be Fine

"I had a friend before..." A FRIEND? FRIEND?!?!

An admission that she didn't fully appreciate what Odysseus was going through, that she feels guilty for having "missed it all".

It's unclear to begin with if she's come to Telemachus for Odysseus, or to try and replace him. Both are equally heart-breaking.

"I don't know who your friend is, I don't know what he's like" UNKNOWINGLY ECHOING HIS OWN THOUGHTS IN 'LEGENDARY'. NO IT'S FINE I'M FINE.

"The best day of my life because I got in a fight and I didn't die! :D" Telemachus, child, please.

"We'll be fine" using the same run as "this is my goodbye" T_T

Him immediately offering up friendship to Athena, like Odysseus once did, must hit her so hard. "You're a good kid." Yes he is - because he's more like his dad than he knows.

Love in Paradise

"Old friend..." FRRRRRIIIIEEEENNNNNDDDDD!!!!!

10 years.

The memory fragments sounding so fraught and chaotic together, hitting harder because they're hitting Athena all at once. She missed a lot.

"She's my wife." "Anyways..." Calypso, girl, please.

Love that they're singing completely different melodies through the first half of this song for two reasons: because Odysseus is revisiting previous motifs, once more trying to hold onto the man he was, and also because it shows Calypso is not willing to compromise on what she wants.

"Last I checked goddesses can't die." We'll come back to this later.

Then Odysseus realises he is truly trapped and he sings along to Calypso's melody in muted horror.

POLITIES OUT HERE STILL HAUNTING THE NARRATIVE.

Just the words "open arms" are enough to confront Odysseus (again) with all he's lost. All he hears are screams.

And the one he screams out for is Athena.

"He needs my help." NO KIDDING GO GET YOUR BOY.

God Games

"Father, God, King..." There's a lot to unpack in that fun family dynamic.

"To untie apprehensions that were placed on that Greek?" Zeus is like, nobody likes that guy, why do you care?

The gods being called out like X Factor finalists is everything.

So there's a great contrast against the previous song - unlike Calypso, Athena is matching each of her singing partners with their tone and beat as she convinces them. She isn't winning by 'imposing her will', she's meeting them where they are.

Rational arguments work until Aphrodite, where Athena says "please" for the first time. She softens to appeal to Aphrodite, which is why Ares has to step in.

The way she says his name XD

Ares' lines sound like as much of a fighting chant as 'Little Wolf' did, which makes it all the better that the mention of Telemachus is what gets her to 'fight back'.

"His son's my friend!" YES HE IS. And Athena of all people declaring "a broken heart can mend" is fascinating. Can't help but wonder if she's talking about herself coming around to forgiving Odysseus.

"Never once has he cheated on his wife." Handwaving the source material is worth it for this line ALONE.

Zeus is so pressed by everyone openly knowing he cheats on Hera. Stop doing it then my dude.

Ares sounding genuinely concerned for Athena is doing things to me. Goddesses can't die, huh?

Her time motif flitting in and out like a weak heartbeat.

The soft piano of 'Warrior of the Mind', touching on a whisper of 'Legendary', then rising to a triumphant crescendo as Athena regains herself. I will be forever haunted by visions of Odysseus and Telemachus helping her to her feet.

And then, finally, she faces her own father and begs. Because Odysseus and Telemachus deserve a chance to be father and child.

The parallel, by the way, of Athena entering this saga to help an outnumbered Telemachus, and now closing it with him/Odysseus unknowingly helping her win her own battle too. JORGE HOW DARE YOU T_T

[yanderenightmare]

TW: yandere, domestic violence, abuse, suicidal ideations, suicide attempts, accidental murder, death

gn reader

You should have never fallen in love with someone so brash, but you like seeing the good in people much to the abuse of your own. Still, rough around the edges as he was, you’d never thought he’d become such a monster.

The first time he slapped you, you were so shocked you’d ended up the one who apologized—all the way convinced you must have deserved it. And ever since then, you’ve only accumulated more bruises in areas you can’t explain.

You’re in the bathroom now. The door’s locked, but you don’t think it’ll keep him out for long.

“Open the door, babe—I didn’t mean it.”

You don’t even know if he has himself convinced of that or if he’s just saying it to soothe you. Either way, it doesn’t change the fact that your wrist and rib are broken. You’re so terrified you think you might end up dying from the fear alone, sitting in the bathtub just waiting for the inevitable.

You don’t have a phone—it was taken when an old boyfriend had texted. You’d share his from then on, he said—better that way so he can keep track of you. It’s strange, but somehow, you believed it was rather romantic. 

You were going to leave this time. It would be so simple. He was at work, and you’d just leave everything and walk right out the door. But there was an incident at the office which made him come home early only to catch you red-handed heading out the door you know you’re not supposed to open without him.

You’d been so panicked you’d tried running—but there was really no chance. His arms caught you hard, and the floor he threw you back on met you even harder—hence the snapped bones.

Still, you’d managed to scramble to the bathroom with just enough time to lock it behind you.

And now you were left all out of options.

“Open the door, we’ll talk. Maybe I misunderstood.” His voice had calmed down now. He’d been at it for a while—he sounded more airy, teetering on frantic, and it only served to scare you even more. “I know it can get pretty cramped in ‘ere all alone. Maybe you were just getting some fresh air, is all?” He left the question a couple of seconds worth of breath before sending his fist into the door. “Come on, answer me!”

You were sobbing. He might actually kill you this time. God knows you’ve thought he would other times with both his hands wrapped tight around your throat, stringing you up, making you lose voice for days.

You thought about it—the razor blades in the drawer. It seemed like the only option left. Better you than him, right? He’d make it painful. Or worse, he might not go through with it at all, and you’d be stuck living with him forever.

That really did seem worse than death, you thought, sitting on the floor while holding the shiny metal piece to your wrist. Which way was best to cut again? Right. It’ll be quick, and then it’ll be over.

You don’t even hear the door breaking down before he’s on you. You don’t even realize you’ve cut before you see the red. You don’t even know whose blood it is before he gags on it—before it splutters from his mouth upon your face and the slice on his neck splits upon and gushes out like a waterfall all over your clothes.

He drops to the floor with a heavy thud a moment later.

The blood is so warm you don’t even understand how he’s dead.

You even think about stopping the bleeding for a moment, but then it suddenly settles. And then along, shortly after, the understanding that you’d killed him.

The razor hits the bloody tiles with no sound—it’s all so thick it splats before sinking, disappearing slowly. You swallow once, but you’re throat is all but dry. Even the tears had stopped in the shock.

You spot the phone on the floor, having slid from his pocket—moments away from drowning in the blood that seems to just continue seeping and spreading forever. Something within you grabs it before it can.

“Nine-one-one. What is your emergency?”

“Hi! Uhm… I’ve just killed my boyfriend.”

♡ BNHA – Bakugou, Kirishima, Dabi, Hawks, Enji, Aizawa ♡ JJK – Sukuna, Naoya, Toji ♡ DS – Akaza, Inosuke, Sanemi

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[miguel-ohara-eater]

Spider DNA 🕷️

————————————————

(red: Miguel)

(summary: you caught Miguel in his office rutting, and he asks for help. only for you to find out another defect of his spider DNA)

CW: monster fucking, aggressive sex, biting, clawing, licking, uses of degrading names, 2 dicks, slight choking if you squint, edging, anal.

————————————————

12:46 PM.

You just had gotten done on a mission with Peter B, walking down the lobby halls and squeezing past a couple of the other members with an empanada in your hand.

You'd popped into the cafeteria, grabbing two empanadas (one of which you'd already eaten by then) and the second one for Miguel.

Miguel and you have never really spoken since you first were recruited, but sometimes he'd make small talk that surprised you considering he'd never really talk to anyone. So you thought it would be nice to bring him some lunch as he's locked up in his lab as usual.

You make your way down Sector 4, getting in the elevator as it goes up and you keep your hands around the empanada container, making sure it stays warm.

The large doors finally open as you get to the top, walking down the hall and past several big machines from Miguels projects, the lights dark as usual.

The closer you got to the main part, the heavier the buzzing sound in your head became, your spider senses tingling but you ignored it, assuming nothing could possibly happen.

But then you get to the end of the hall, leading to the main part of the lab and you see Miguel hunched over his desk, helplessly and aimlessly humping the side of a table.

His face was a flushed mess, biting his bottom lip with his eyebrows scrunched together as he tried to have some sort of relief underneath his suit.

His grunts and whimpers fill the lab, as he claws and bites at the desk, humping repeatedly.

Your eyes widened, an unexplainable knot twisting in your stomach but in a... good way?

You go to take a step back but by the time your heel had lifted off of the ground he was already standing up and glaring at you.

"what are you doing here.?" he snapped

You didn't know what to say, so you just held up the empanada in the small cardboard container.

"... empanada." you mumbled, your eyes still wide.

His platform was already on the ground, so he was in front of you within seconds. His eyebrows scrunched together and with every breath he took he let it out in a small growl.

"um... here." you say shakily, putting it to his chest as if you expect him to take it.

but instead he grabs your wrist, the empanada falling out of your hand and he yanks you closer, absolutely staring into your soul.

"don't want it." he says in a low voice and tilts his head, leaning closer and he... sniffs?

your eyes widen and you feel his breath behind your ear as he smelled you.

"help me." he whispers, his tone making you wanna get on your knees right then and there.

"with what?" you say trying to keep your voice less shaky than before.

"what season is it cariño?" he mumbles, his other hand moving around you to the small of your back as his other hand keeps hold of both of your wrists.

"summer?" your tone is confused and he sniffs the crook of your neck.

"breeding. breeding season." he grumbled. oh. he was rutting. it all made sense now, the behavior change, humping his desk, smelling you, you must've forgotten he was 50% spider. but now it made sense and you were horny just from watching him for those 15 seconds of the humping so how could you say no?

"what if we get caught?" he took that as a yes, immediately biting slightly into your neck and ripping the crotch out of your spider suit.

"h-hey!" you said and he got on his knees, ignoring you and pulling your legs apart as he stuck his tongue in between your folds.

you almost fell backwards, and he held you by the waist and aggressively moved you over to the wall, pressing you back against it and he pulled your legs over his shoulders and stayed on his knees. his tongue desperately lapping at your clit, sucking and slobbering all over your already wet pussy.

"you're gonna be so good to my cock." he mumbled into you, the vibrations making you whimper and put your hands in his hair.

his hands clawed into your thighs, digging into the skin slightly and the longer he desperately ate you out, the tighter the familiar knot got in your stomach.

"f-fuck Miguel I'm gonna-" damn it.

the knot painfully faded away, Miguel had already stood you back up and was cleaning his face off with his tongue after denying you to cum.

"you're here for ME hermosa." he hissed, grabbing your chin and hunching over you.

you just nodded, and he turned you around and pushed you against the wall

he buried his face into your neck, inhaling your scent.

then he pulled down the neck of your spider suit, revealing your skin and he licked from the crook of your neck to the back of your ear.

your eyes widened and you looked at him, his eyes were closed and his face was flushed but still buried into your skin.

it was... cute. but that cute thought immediately was yeeted to another side of your head when he opened his eyes and grabbed you, hoisting you over his shoulder and he walked back to his platform and slammed you onto the desk.

before you could even say anything his suit dissipated, revealing his toned body and muscles which were even hotter underneath the suit but further down, two rock-hard (at least 10 inch) dicks were staring right at you.

"I'm gonna fuckin ruin you." he growled, grabbing your chin and making you look up at him.

"tw- how- huh?" you couldn't even get the words out, looking down at his monster cocks.

he rolled his eyes and squoze your chin harder

"it's a defect. 50% spider dna. remember? spiders have two reproductive organs, so I get two dicks." he snapped

you looked up at him, wide eyed and you didn't even know how he was gonna fuck you.

"and you're gonna take it like the whore you are."

you didn't know what to say, but the thought of two dicks absolutely ruining you like that sounded like the best thing ever.

you nodded, and he flipped you onto your stomach and positioned himself behind you, arching your back with one arm under your hips and the other arm around your neck with his face in your shoulder.

you whimpered, the two heads of his cocks poking against your entrance and your anus.

he stuck his fingers in your mouth, still not putting his dick in.

"suck." he commanded, and you wrapped your tongue around his thick fingers and started sucking.

the position was uncomfortable, bent like a pretzel but that's how he liked it. that's how you liked it.

without warning, he bottomed out. a loud squelch followed by a shriek from you and a groan from him entering the air.

you squeeze your eyes shut, your hand reaching up and grabbing onto his arm that was around your neck.

"god you're so tight..." he groaned, thrusting in and out without giving you time to even adjust to the monster cocks filling both of your holes.

"you were made for me. you're my whore." he whispered in your ear, licking your jaw as he thrusted mercilessly into your holes.

you moaned loudly, your hand clawing at his arm and your mouth sucking harder on his fingers.

the sounds of skin slapping, squelching, groaning, whimpering, and moaning were the only things you could hear. the occasional degrading things or sweet nothings Miguel would whisper into your ear made your brain go foggy.

you could feel him everywhere. he was all over you, and inside you. you swore you could feel every single vein on both of his cocks.

next thing you knew you'd came 4 times and he had 3. he was a whimpering mess, biting your shoulder and fucking you at the same relentless pace as he was before even if the overstimulation was killing him.

"I'm gonna get you so fucking pregnant baby.." he whimpered, squeezing his eyes shut and biting into your neck.

"you wanna have my kids? Yeah baby?" he cooed, even if he knew you couldn't answer.

your jaw was slack, eyes rolled into the back of your head and your pussy and anus still milked his cock for more cum.

"mm you're so good to me cariño." he muttered, both of your guys cum dripping out of your holes.

"so so so good. God I love this pussy... I'm gonna make you a mama and use you like a whore everyday." he ranted, his face red and his eyebrows scrunched in concentration of cumming just one more time.

his hips stuttered, his pace faltering and it was a familiar thing by now.

"fuck fuck fuck fuck fuck-" then his 4th load of warm seed was shot into your holes, making you moan and he pulled out with a squelch.

he collapsed onto you, his arm slipping out from underneath your hips and out from around your neck and the only sound you could hear now was his soft breathing.

you'd thought you'd died, the white stars fading away from your vision and you laid your head on the table.

"fuck..." you sighed, and he slowly sat up and covered himself with his suit.

"I'll make note to call you next time." he muttered, helping you off of the table and he just tossed you a tissue.

you stood up, cleaning yourself off with the tissue but with the amount of cum coming out of you it wasn't enough and you could barely even stand.

he looked at you, then walked past you to his holographic screens.

"take a plan b." he said without even looking at you.

"um... okay."

"and I'll have Lyla make you a new suit."

you nodded, then left and got in the elevator. hoping that you would be able to run fast enough so nobody saw your ass and pussy hanging out, but the idea wasn't that bad, leaving the empanada long gone and forgotten about, cold in it's box.

————————————————

THIS IS MY FIRST WRITING PIECE 🥳🥳

I hope you all appreciate it, I hope it's good 😭

but thank you to @pissjuicencumballz for the idea.

SEE YOU ALL OCT. 2!!!

[sleepy-steve]

pt 2 of steve "dies but doesn't stay dead" harrington and eddie "ferryman of the river styx" munson // 1.9k // pt 1 ♡

—

november 1984

Eddie checks. Of course he checks. Asks around, eventually to his superiors to make sure he wasn’t going to get in trouble for not collecting Steve. It’s uncommon, they tell him, rare, even. But not unheard of. People die briefly and come back to life. Usually only the one time. The answer should be good enough. Should be. Isn’t though. It frustrates Eddie to no end. Months of wondering and ruminating with the firm belief that he won’t get to see Harrington again anytime soon to ask.

He doesn’t have to wait long.

This time Eddie is on the boat. Leaning over the edge, a hand dangling low to the black water, staring at the same patch of grass he first saw Steve sitting. In fairness, all souls appeared in that general area. But Eddie is fixated on the exact spot Steve had shown off his deep chest wounds. It’s for this reason that Eddie jumps three feet into the air when Steve materialises in the same spot again less than a year later.

Sitting up with a rattling gasp and a look of fury on his bashed-in face—again?! Eddie briefly thinks—Steve yells, “Fucking Hargrove!”

“Christ, Harrington!” Eddie shouts, hand over his chest despite the distinct lack of heartbeat. “Could give a guy a bit of warning.”

Steve looks around, eyes surrounded by more dark bruising taking a second to focus on Eddie, chest heaving as he calms down. “Shit, sorry, man.”

They just look at each other for a few long moments, Eddie standing like a frightened cat on his still wobbling boat. He clears his throat to break the silence. “Who, uh. Who’s Hargrove?”

Scoffing, Steve drags a hand down the side of his face, then winces as it passes over bruising. “Douchebag new guy.” He sighs, settling his forearms on his knees. “His sister is friends with some kids I know. Was coming after them, so I…” Trailing off, Steve gestures to his face.

“What? Offered yourself up as a human punching bag and got yourself killed? Again?” Eddie says, trying not to sound too judgemental.

“Yeah, well,” Steve sighs. “I wasn’t just gonna let him beat up a kid. They’ve been through enough without some dickhead coming in and kicking the shit out of them.”

Eddie feels his brows pull together slightly as he sits back down on the bench of the boat, arms crossed over the edge. It’s not like Harrington was the big bully of Hawkins High, but defender of local kids is… new. “Sounds like a grade-A asshole.”

Steve snorts. “He is.”

“Kids were lucky to have you around as their… babysitter?” Eddie offers, cracking a grin.

Steve rolls his eyes, a small smile playing at the corners of his mouth. “Something like that. Probably didn’t need me at all. Stuck around long enough to see her drug him, so they should be fine.”

Humming appreciatively, a thought moves across Eddie’s mind, and he can’t help himself. “…No monsters this time?”

“Ha, ha,” Steve rolls his eyes. “Yeah, I know you don’t believe me, but the monsters did actually come back, which is why I was with those little shits in the first place.” He sounds annoyed, but there’s a fond look behind those bruised eyes. One that gives Eddie a little spark in his chest. “But no, this death was just a regular guy.”

It’s Eddie’s turn to snort. “This death. So casual.”

A full grin breaks out on Steve’s face, contrasting heavily with the bruises and the blood under his nose. “Well, when it’s happened this many times, kinda hard not to view it as like. Just this thing that happens, y’know?”

Eddie doesn’t really know. Of everything he’s learnt about death—through his own and through everyone he’s met since—this thing Steve goes through is beyond him. Incomprehensible. He nods anyway.

“How many times have you died, Harrington?”

“Hmm…” Steve looks up as he thinks for a moment. “This would be… five? Or six?” He shrugs. “I’m not sure if it happened when I was a baby.”

He says it so casually, so matter-of-fact, Eddie almost wants to double-take. It sounds so truthful, he struggles to not believe him. Even though Eddie knows he’s not losing much by believing him, a small part of him still has doubts. And worries for his job. “You gonna get in the boat this time?”

Steve snorts. “Not this time, buddy.” Something jolts in Eddie’s chest at the familiarity. “Maybe next time though.”

“Next time,” Eddie mutters under his breath, shaking his head. “You anticipate dying again?”

“Well, no,” Steve chuckles. “But based on how things have been… and apparently I’m not too careful.” He gestures at his bruised up face, eyes bright with humour between the blues and purples and reds.

“The monsters?” Eddie supplies, just teetering on the edge of sarcasm.

“Monsters, douchebag guys, car wrecks… you just never know.”

The casual tone in which Steve talks about his deaths still has Eddie reeling. It’s been well over a year and Eddie is surrounded by death constantly, and he still struggles to think about his own. Tells himself he’d rather not dwell, which is true, but it also hurts. He shakes it off, shifting his focus to the bruised and beaten boy in front of him.

“Or… you could save yourself the trouble, and get in the boat now?” Eddie gestures down at his boat with a little hand flair. He’s joking. Mostly. If Steve did have the chance to go back to the land of the living, Eddie didn’t want to take that away from him. Not that he thought Steve was getting that chance. Not completely, anyway.

“Wish I could, but I don’t make the rules.” Steve grins at him, like they’re sharing a secret. And they kind of were. Eddie wasn’t sure how many people knew about Steve’s semi-regular dances with death.

“And since when have you ever been one to stick to the rules?” Eddie asks, propping his arm up and resting his chin on his palm. Looking at the boy on the grass. His hair is longer this time.

Steve laughs, head tilted back. “Fair point. But if you want me on that boat, you’re gonna have to come over here and drag me onto it.” He raises a brow at Eddie in challenge.

Eddie rolls his eyes. “Wish I could, but I don’t make the rules.” He repeats Steve’s words back at him, mocking him.

“Well, well, well,” Steve says, tone playful. “Look who’s being a stickler for rules now.”

“I know,” Eddie drags it out, struggling to hold back his smile. “Crazy, huh? Divine punishment for being born the son of a criminal, I guess.” Eddie’s gaze drops down to the black water beneath him.

Steve scoffs at him. “Like you never smoked pot or broke speeding laws in that van of yours.” 

Eyes widening before he can stop them, Eddie’s shocked Steve even knows about the van. Shocked that Steve knows anything about him at all. What world is he in where the king of Hawkins High knows about Eddie and his beat up old van? Even being in the grade below him, Steve had a popularity pull that was noticed by those in Eddie’s grade. Confusion and surprise subsiding, Eddie finds himself leaning forward even further.

“Coming from you?” Eddie challenges back. “We all know about the famous Harrington ragers, Mister Keg King.”

The title makes Steve roll his eyes. “Never saw you at one.”

It was true. Eddie hadn’t attended any of the parties, for fear of his reputation making him a target. He drops his gaze again. “Didn’t think I’d be welcome there.”

Steve doesn’t respond, and the silence grows between them. They haven’t moved, but Eddie feels further away from him. Like the weird little familiarity they’d developed was being forcefully shoved apart. Eddie doesn’t look up to see Steve’s reaction. Doesn’t want the pity.

“So, you really can’t get out of the boat?” Steve breaks the silence with a complete topic change.

“Nope,” Eddie responds, popping the P. “She’s my new baby, now that I don’t have my van.” He pats the side of the boat with his free hand.

Steve shifts forward until he’s sitting as close as he can to the water’s edge without getting wet. Close enough for Eddie to see the broken capillaries under his skin and the little green flecks in his eyes. He takes in the cuts on Steve’s jaw and forehead, the two black eyes, the blood under his nose. The way his knuckles are bruised and bloodied to match. Something in Eddie feels oddly… protective. Like he wants to jump in front of anything that might hurt this guy he doesn’t even really know that well.

“Change your mind about getting in the boat?” Eddie asks, voice low, now that Steve is so close.

“No,” Steve huffs a laugh. “But you can’t move, so I figured I should.”

“Just that desperate to be close to me, are you?” It slips out of Eddie’s mouth before he can think about it. And Eddie wants to punch himself in the face over it.

But to his surprise, Steve doesn’t recoil away or yell at him. Instead, he laughs softly, cheeks faintly pink beneath the bruising. “What can I say? The allure of your… baby…” He says it with a smirk. “Very tempting.”

Taken aback by Steve’s… flirting is the only word to describe it, but that can’t be right, Eddie immediately switches to joke mode. He won’t entertain the idea that Steve Harrington was honest-to-god flirting with him. He won’t.

“I’ll get you into this boat one day, Harrington. Mark my words.” 

He knocks on the edge of the boat twice before smoothing his hand over the wood. Watches as Steve’s eyes follow his hand, seemingly fixated on it. Eddie briefly wonders what would happen if he touched Steve. Would that commit Steve to being stuck here? Commit him to moving on? Would Eddie even be able to feel him?

Gaze shifting back to Eddie’s face, a smile grows on Steve’s face. “Maybe. One day.” He shrugs, like his eventual death is a fun, whimsical topic.

Eddie is about to comment on Steve’s tone, but before he can, Steve’s head whips to the side, hearing something Eddie can’t. Just like last time.

Unlike last time, Steve doesn’t get up right away. “Looks like my time’s up.”

“How do you know?” Eddie is so curious, he can’t help but ask.

“I can hear—” Steve waves vaguely around his ear. “—stuff. From where I am. The kids are yelling. Hope they’re not too freaked out.”

“Guess you better get back then,” Eddie says, trying to hide his disappointment.

“Yep.” Steve pulls himself up into a standing position, now suddenly looking down at Eddie, who leans back on instinct, shifting back on the boat bench. “But I’ll see you next time.”

“I’ll be here.” Eddie gestures at the boat, palm up. Like he has anywhere else to go. “See ya, Harrington. Stay away from monsters.”

“I’ll try,” Steve laughs, walking backwards on the grass. Keeping his eyes on Eddie as he retreats.

“Try not to get that pretty face bashed in again,” Eddie calls after Steve’s already fading form, grinning wide.

Steve just laughs, the sound of it echoing even after his body disappears from Eddie’s sight.

[lady-boketto]

Being a Bard within the group! (Dungeon Meshi)

A/n: I recently watched Dungeon Meshi (I also started playing Baldur's Gate 3) and I have been enjoying everything so far and I had the idea to write a relationship dynamic between a bard reader and the rest of the Dungeon Meshi group (I also might write a Barbarian/Fighter type of reader)

Laios:

He is amazed at how you can compose such lively tunes and respects how much time and effort you put into your craft

Will be amused if you choose to try to write a song about him (He smiles to himself when he overhears you trying to find a word that rhymes with his name)

He will not like it if you were to ever sing about him in front of others (his facial expression will not be a happy one, more of a nervous one since he doesn't like it when he's in the center of attention)

Laios really likes it when everyone is resting at camp after a meal and you play your instrument to pass the time (he likes to tap his foot along to the melody)

Laios is happy to provide you with monster names and rhyming words to help you complete your song (or parts your stuck on)

Marcille:

She is very glad that you are with their group since when you play your instrument for the group it calms her nerves a little with each note you play (her ears slightly twitch when you play a more cheerful songs since her hearing is more sensitive)

Marcille gets as sad as you when you break your instrument, but is just as eager to use her magic to repair the instrument (maybe it fell from a high place or that it took on a bit of water damage, but most likely you smashed it over a monster's/person's head and it broke)

She also likes it when you write songs about their adventures (especially if you sing/write about how powerful she can be with her magic, but like Laios is very flustered if you sing about her in front of a crowd, she will turn red and try to hide behind her staff)

Your soft songs without words, or humming at most, settle her nicely into her sleep (she sometimes gets the tune stuck in her head for hours until she begs you to play that one song for her again)

Chilchuck:

Chilchuck values you as a companion since you sometimes use your skills to get the group out of tough situations (sometimes you use your charms talk your way out tough situations, which is a RELIEF because he has no trust in the others abilities. Laios...)

this one time you talked your way into a free night's stay at the local pub the group frequents in exchange to entertain guest all night long, in which you were happy to since you also sometimes get extra coins from generous people passing by

He probably won't say it directly to you but he really enjoys listening you compose new songs (his ears are also quite sensitive just like Marcille's, so when he hears you trying to figure out which notes sound good together, he has a small smile on his face while he continues to polish and make sure his lockpicks are in good condition)

Chilchuck also can't hold back his laughter when you mock people when they are being disrespectful to someone in your party and you jump in to defend them (He manages to slap his hand over his mouth just before he lets out an ugly laugh since he doesn't expect you to roast your opponent so hard. Sometimes even managing to cry so hard he winds himself)

Senshi:

Doesn't really get why you are traveling in the dungeon in the first place, since this is the last place he would think someone with your skills would ever be

Senshi is not used to hearing the soft melodies coming from your instrument. Instead of the usual noises of whatever creature on the current floor he was on would make or the occasional screaming parties that travel by (or he is so used to the silence that he doesn't notice how much he misses the warmth and sound of another soul)

He admires any carving or engraving you have on your instrument and asks you if there's a story behind it or if it was for aesthetic purpose (wants to ask if he can hold your instrument so that he learn more about you as a person based on how you handle it while asking you how you came to play such an instrument)

Senshi takes note of how well you seem to take care of your work and takes the time compliment you on your hard work (He learns from you how to properly maintain your instrument and keeps an eye out for anything that might help when he gets the chance)

He comes to love when you play songs while he cooks a meal for the group to enjoy, He sometimes gets concentrated in what he's doing that he doesn't realize that he's softly humming along to the melody your currently playing (He likes to slightly sway along with the tune while he dices things or when he's waiting for the dish to finish cooking)

[yan-randomfandom]

Hi! Is it possible to get a platonic Yandere Stanford with a teenager reader? The reader likes mysteries and monsters and all that just like him, so Stanford sees them and he’s like ‘yup. That’s my kid now’ lol

P!Yandere!Stanford Pines & Teenager!GN!Reader

warnings: violence(toward monsters), implied abuse

[THIS IS PLATONIC] I think I made this a tad too long... it's not even in bullet form anymore. thank you for the request! I love your idea sm 😭 [Word Count: 1047]

Stanford Pines has completed another mission. He lifted his head, his eyes squinting at the sight of the looming trees. The sun peeked between them, visibly on its way down.

To keep it short, he had to chase a dangerous, vile monster into the woods and take its life.

He probably saved thousands of lives. It's just that... it came down to the price of being lost. Ford has never gone this far from Gravity Falls before.

That's totally okay. Curious, even! This is perfect material for his research! He'll have to use a makeshift one for now—this cheap notebook he got from the gift shop.

As he was about to start writing, a panicked roar reverberated throughout the forest. Such strong growls—enough to blow away his clothes and body! Ford had to see it with his own eyes!

He ran and ran until he finally saw the giant. A single, widened eye stared at him, and suddenly he couldn't move anymore. Heavy breaths rose and plunged from his chest.

But he didn't have to worry any longer. A figure hopped down, continuously slicing the middle part of the eye as they descended.

Ford grunted, falling on his back as its blood squirted and leaked, even having some splatter on his nose. He watched the monster turn and run away, knowing that it'd die soon enough.

"Woah! Grandpa, you okay?" A small hand filled Ford's vision. "You froze up pretty quickly. I bet you'd be dead if I wasn't here!"

Once his vision finally cleared, he paused at the sight of a teenager. He's never seen this kid before. Ford cleared his throat, accepting your hand and standing up. "I'm fine. And don't call me that."

You hummed, tilting his open wallet with a nod. "I dunno. Being in your sixties sounds pretty old to me."

"What? How— When— Give me that!" Ford swiped his wallet out of you, to which you respond with a silly grin. He scoffed, crossing his arms. This is such a Stanley thing to do. "Who are you even, kid? Why are you out here?"

"I'm out adventuring!" you declared, placing your fists on your hips. You do certainly have equipment fit for an adventurer. "I mean, did you see me back there? Killed that monster with one swipe!"

Ford rubbed his chin in deep thought. He smiled. "That was pretty impressive. It reminds me of my nephew. You've gone straight towards the monster's weak point."

Unbeknownst to him, your face starts heating up from the praise. You've never received positive reactions from your oh-so-dangerous hobbies. "Well, yeah! It's no big deal. Eyes are usually common for being weak."

Ford chuckled. "Anyway, do you know the direction to Gravity Falls? I may be a little lost."

"Course, duh! It's like... that way! Opposite of the sun," you grinned, pointing behind him. He turned around to check, his shoulders slumping. You touched his nose with a grin when he looked back at you. What a Mabel type of personality. You were really just removing the monster's blood, though. "Boop!"

...Okay.

One glance at the sky, and Ford knew that there's no way he's going to go home at this time. While he loved adventuring, especially at night, he's still in undiscovered territory and would very much like to go home in one piece.

"Alrightnicetomeetyoudude! Byeeee! Good luck!" you exclaimed, already waving at him and walking away.

Wait! You're his only ticket out!

"Pray tell, kid, are you alone? Don't you have guardians or friends tagging along?" he asked hastily.

"Naw. I have parents waiting for me back home, though," you smiled.

Ford somehow convinced you to bring him home to yours.

Now, you stood in front of your house with him by your side. The older man couldn't help but notice that you looked a bit anxious, weirdly enough. You're scratching your arm.

The door finally opened. The first thing Ford saw was a frustrated face of an older woman, which was swiftly wiped when she took note of his presence. How odd.

"Oh, sweetie, who's this with you?"

"Found him in the woods! Isn't he neat?"

"Let's talk for a bit. Please give us a moment," the woman smiled at Ford, grabbing you before closing the door on him.

Ford awkwardly stood outside the house, checking his watch. Faint voices reached his ears. That's your mother, yes? She sounded upset. You sounded upset. He hasn't been in this dimension in a while, but would it really be so bad to take home a man you haven't met? He's just literally lost!

You opened the door. He froze when he met your tear-filled eyes.

"Sorry, whatever-your-name-is. I can't let you in," you muttered meekly. "But you can wait for me tomorrow. I'll help you go home. Bye."

The door closed. Why were you crying? That's not right.

Next day.

Ford waited for you on your front porch, mindlessly writing in his notebook. He had to sleep on a makeshift cushion of laundry. It wasn't the worst place to sleep, and he's just glad he didn't get caught.

"Good morning! You're early today!" you beamed, already walking.

"Is there anything I should know about your parents?" he deadpanned, trailing next to you.

You got uncomfortable quickly. "Uh, next question? Hey, look, a parasite! So weird!"

"Don't touch that! I can't believe it ranges up to here!"

The journey towards Gravity Falls felt long and tiring. But it simply made you and Ford closer.

"What's your name again?"

"Ford. Just call me Ford."

"For— Holy shit! I didn't even notice earlier! You have five fingers and a thumb!"

"Please—" he hid his hand in reflex.

"Six cylinders on your hand! That's so cool, Ford!"

Ford simply sighed, a smile growing on his lips.

Eventually, you both reach the mystery shack.

"Woah... That's yours? No wonder why you're so used to being in the woods. You live in one!"

Ford chuckled, opening the front door. "I can safely say you're going to get along with my family, kid."

...

You paused, hesitating. "I can't. I have to go home."

...

He smiled sweetly. "Not even for dinner? It'll be quick."

Your stomach growled quite loudly, causing your cheeks to heat up. "Okay, fine. Maybe a little."

Stepping right into the shack, Ford shuts the door behind you. He can't let you go back in that godforsaken house. You looked too miserable.

You can be happy with the Pines family here.

[stervrucht]

[AO3]

David Bowie plays on the radio and Steve drums his fingers along the steering wheel of his car as he contemplates. He is truly too good for this world. Now he is running errands for Dustin like some common soccer mom. The kid only had to give him one pout – one! – and Steve felt all his resistance crumbling. So, there he is on a Friday evening, seated in his still-running car in a Hawkin’s trailer park.

He stops his car in front of Eddie’s trailer and listens to the music as he gathers the willpower to leave the car.

Laughed at his long black hair, his animal grace, Bowie sings on the radio. 

How fitting

Outside, dusk is setting in and the world colors purple. Closing up Family Video had taken longer than he anticipated due to a difficult customer who couldn’t decide between The Thing and The Nightmare on Elm Street and had asked Steve extensive questions to make up his mind. 

Steve used to be fine with horror movies, but given recent developments (give or take his life the past few years), he isn’t into horror anymore. Out of the two, The Thing is probably the worst offender. Those crazy fleshy monsters hit a bit too close to home. Although, Freddie Krueger does have some vague Vecna vibes to him.

Steve is so lost in thought he doesn't notice the door of the trailer open until Eddie knocks on his window with his knuckle. With a jolt, Steve turns to roll his car window down. Once it is fully open, Eddie leans forward, his arms resting on the car.

“Sup Harrington.” Eddie’s hair falls forward and the low-cut tank top reveals his chest, framed by the silver chain of a guitar-pick necklace. 

Shaved, Steve notes.  Then, realizing he is staring, he tears his eyes away, coming face to face with Eddie Munson who gives him an amused look.

“Oh uh, right” – Steve coughs nervously – “Dustin asked me to give you this…” he unbuckles his seatbelt and leans over to the passenger seat where he grabs the cardboard box of some nerdy game.

“Here–” He hands the box to Eddie’s outstretched hands.

“Hell yeah, Talisman. Took Henderson long enough.” Eddie pushes himself away from the car and inspects the box for a moment. When he turns back to Steve, his eyes move towards the car radio.

“I didn’t take you for a Bowie fan.”

“Oh, I’m not really … Robin must have left it in. It’s … alright, I suppose.” 

“And what type of music does Steve find more than alright?” 

Eddie flashes him a cheeky smile and Steve finds himself somewhat intimidated. Whatever his answer, someone like Eddie will probably find it lame. Steve isn’t all that passionate about music anyway and mostly listens to whatever is on the radio.

“Maybe Queen, The Bee Gees…” he lists in no particular order.

Eddie tuts. “Such a proper boy.”

Although he expects it, Steve still winces.

“I should introduce you to some real music,” Eddie says thoughtfully, then – “Wanna come in?”

Steve takes a moment to think. His parents are out, so it isn’t like he’s expected at home. He has nothing to do tonight except watch some movies (perks of the job). Although the prospect of hanging out with Eddie doesn’t thrill him, it might be the more interesting option.

“Sure,” Steve turns his car off, rolls the window back up and opens the car door. Eddie takes a step back, giving Steve some room to get out. 

Eddie’s eyes move to his chest and Steve realizes he is still wearing the stupid Family Video vest. He quickly takes it off, crumples it and unceremoniously throws it in his car before shutting the door again. With a quick turn of his key, the car is locked.

Steve follows Eddie towards the trailer. It is a warm summer’s night and the shadows of the trees grow long under the purple sky. The trailer park is surrounded by ample woods and fields from which the sound of crickets flares up.

“You coming?” Eddie waits for him at the door. Steve doesn’t realize he stopped moving and quickly makes his way to where Eddie is standing.

“After you, King Steve,” Eddie says, holding open the door with a dramatic bow.

Damn, Eddie is kind of annoying, isn’t he? No wonder Dustin gets on so well with him. Two peas in a pod. Steve lets out an unamused scoff.

Once inside, Steve stands in the middle of the…living room? Kitchen? He isn’t sure what to call such multifunctional rooms. He crosses his arms and shifts his weight from one leg to the other as he waits for Eddie to put the game away.

The main room is crowded and messy. It is the complete opposite of his parents’ living room, which is kept meticulously clean and organized – with the help of their cleaning lady of course. The coffee table is stained with water circles from mugs and the like. Something unthinkable to Steve. If he ever puts a glass down without a coaster, he will face his mother’s wrath.

“Beer?” Eddie calls from the kitchen. He already turned his back to him to make his way to the under-table fridge.

“Sure.” 

Steve is getting sick of standing around and decides to move to the small beige sofa. It is littered with clothes and after a moment of hesitation, he shoves them aside and sits down.

“You’re fucking tense,” Eddie says as he hands Steve a can of beer. He looks down at the pile of clothes and without hesitation grabs them and throws them in a different corner of the room. Then he lets himself fall onto the sofa next to Steve, which objects with a loud creak.

The sofa really is quite small and granted, a bigger one probably wouldn’t fit. The middle of it sagged considerably too, dragging its occupants to the center.

Steve feels the warmth of Eddie’s jeans-clad legs against his own. They are probably sitting a bit too close and Steve shifts uncomfortably in his seat. 

The can lets out an audible hiss as Eddie opens it and takes a quick sip from his beer. Then, he puts it down on the table and jumps up again.

“Fuck, I was gonna play you some music.” He hurries past the kitchen into a separate room. 

Steve opens his own can – cheap store-brand beer – and takes a nervous gulp as he waits for Eddie to return.

He is starting to reconsider his choices this evening. Perhaps he should just have watched Back to the Future again. Instead, he is in the trailer of some guy he kinda-sorta knows because they have shared custody of some annoying kid (one of Steve’s best friends).

“Oh yes, this will be good.” Eddie re-emerges cradling a few cassettes in his arms like he is holding a baby. He squats in front of the coffee table and releases the collection of plastic cases on top of it. Steve eyes the contents, but he recognises none of it. Then he looks over at Eddie – the flesh of his knee peeks through the hole of his jeans and Steve wonders if Eddie made it himself or if it had naturally torn by use. 

Eddie shifts through the cassettes with ring-clad fingers, picking a few up and turning them around to look at the back of the plastic cases.

“Let’s start with Rainbow,” he mumbles to himself, grabbing the cassette (a hand holding a rainbow over mountains on its front). He walks over to a small side table next to the front door where an old-school cassette player stands.

With a loud click, the front of the cassette player opens and Eddie puts the cassette in and closes it again. Immediately, music starts playing.

“Fuck, hold on.”

Eddie rushes over to the kitchen, rummaging through some drawers until he finds what he is looking for.

Victoriously, he holds up a pencil to Steve and clicks his tongue. Steve takes another gulp of his beer as he watches Eddie move through the trailer with a skip in his step. He is actually excited to let Steve hear his music. Steve feels strangely flattered and he lets himself fall back on the sofa. 

The music stops and Eddie takes the cassette out. Using the back of the pencil, he rewinds the tape. Steve looks at Eddie’s hands as he works. The rings are kinda cool. Maybe he should let Robin pick out a ring for him too. Although perhaps not with skulls and crosses like Eddie wears. Maybe something more simple, like a signet ring or something.

Steve is pulled from his thoughts when he hears the cassette player click shut again. 

“Your player doesn’t rewind?” Steve asks.

“Steve” – Eddie puts the pencil behind his ear and turns to look at him – “I live in a trailer…”

Steve feels heat rise to his cheeks. 

Shit, sometimes he forgets his parents are very well off and some things are considered luxuries instead of the default. He made the same mistake with Robin too – multiple times – but it was hard to prevent. He thinks back on his car – not particularly expensive, but also not as beat-up as Jonathan’s. Does Eddie think he is some spoiled rich boy?

“Right, sorry.” Steve takes another mouthful of beer. Eddie turns around again to put the cassette in the cassette player. 

A song begins to play, the sound reminds Steve of something alien – not really like music at all. Once the drums kicks in Eddie begins to bob his head on the beat, his hands hitting an invisible drum. He dances across the room, drumming his invisible drumsticks along the wall before falling back onto the sofa, stringing his fingers as if playing a guitar.

“Shit, I should really learn this on the guitar.” He leans forward to grab his can of beer. Condensation forms on the outside and when he picks it up, a wet circle is left on the table.

Eddie kicks his feet up, white sneakers hitting the wood of the coffee table and the cassettes rattle. He takes a deep swig of his beer and audibly sighs. 

Steve leans forward, arms resting on his thighs and can between his knees. Once the music actually began, it wasn’t too bad. He didn’t understand the long intros though, and preferred it if music would just start.

“So, what do you think?” Eddie asks.

“Not bad.”

“Not bad” – Eddie scoffs – “You, my friend, have not been exposed to nearly enough good music.”

Steve chuckles. “I thought Bowie was pretty acceptable by –” he looks Eddie up and down demonstratively, “ – your kind.”

“My kind, huh?” a smile plays at the corners of Eddie’s lips. “And what would that be, exactly?” 

Well, shit. Steve drove himself straight into possible-insult town. Eddie eyes him curiously, one elbow resting on the sofa’s backrest and his hands holding his can in a way Steve could only describe as cool. 

“Well, you know…” he trails off.

“I know…?”

“Eh, metalheads, I guess?”

“Ziggy Stardust isn’t metal, you know that right?”

Steve sighs exasperatedly. “I know, ugh. I mean he’s–”

“Weird?” Eddie finishes.

Steve takes another gulp of beer, desperate to compose himself. “Yeah,” he answers lamely.

“I suppose he’s pretty weird, huh?” Eddie eyes the ceiling of the trailer while taking a lazy sip from his beer. “Did you know he used to be gay?”

Steve looks to Eddie, who is still eying the ceiling, head lying back against the sofa’s backrest. 

“Used to be?” If Steve is to believe Robin, there is no ‘used to be ’ when it comes to being gay. You either are or you aren’t. Now he thinks about it, Bowie seems somewhat queer with his tight suits and styled hair, but that is what girls dig, isn't it? He has heard countless girls swoon over men just like that.

“You never had a gay phase, Harrington?” 

Steve nearly drops his can.

“Gay….phase?”

“You know, live a little, try some shit, see what sticks –”

“I can’t say I have,” Steve mumbles, his eyes now firmly fixed on the can in his hands. He plays nervously with the lip, pulling it in tandem with the music before taking another sip.

“With a pretty face like yours, you might actually get some good ones.”

Steve chokes on his beer. Actually chokes, and he hits his chest with a fist to get himself to breathe again.

“W-what?”

“How can you know what you like when you never tried it?” Eddie sits up straight, pulling one leg to his chest as he turns to Steve. His dark eyes seem like a bottomless lake and Steve feels small under his gaze.

“H-have you?” Steve stutters and it is utterly embarrassing. Why is he so rattled by some stupid revelation? 

Wait, did Eddie just call him pretty?

Eddie smirks at him like they are sharing in a secret, and perhaps they are.

“Fuck yes, if someone tells me not to do something you can bet your ass I will do it. Besides, humans are humans, big fucking deal.” 

“So – was it a phase? In your case?” Steve asks carefully. He isn’t really sure why he asks. Maybe it is part curiosity. He never seriously considered relationships with men. Some are nice enough to look at, sure, but marriage, a house, children – that is only meant for a man and a woman right? A world in which someone just casually tries homosexuality seems…foreign. 

“Hm, I guess so … Wow, don’t look at me like that Harrington. Are you disappointed?”

“W-what, no!” Steve really doesn’t know why he is getting so flustered. He suddenly feels self-conscious under Eddie’s piercing eyes and runs a hand through his hair – a nervous habit.

“Fuck, you are – well, alright, maybe for you I can arrange an encore.”

Before Steve has time to respond, Eddie pushes himself upright and leans one knee on the sofa between Steve’s legs. He feels the cold metal of Eddie’s rings under his chin as he lays a sprawled hand on his throat and tilts his head. 

Steve freezes, air caught in his chest as Eddie leans over his face, his breath hot on his lips. Steve’s right hand uselessly holds on to the near-empty can – afraid to spill it – while his left hand digs into the sofa next to his thighs. Then, Eddie leans down, capturing his lips with practiced ease. Steve feels his long hair tickle his cheeks and the scruff of a five-o-clock shadow grace his chin. 

Eddie’s lips move over his, slightly chapped and rough in a way that couldn’t possibly be a girl. Without meaning to, Steve feels his own lips move against Eddie’s. 

Well, now he couldn't pretend it was just something happening to him. He had graduated to an active participant. 

Kissing Eddie Munson. Eddie freaking Munson.  

Robin was going to have a field day.

Perhaps the most surprising part is how he doesn’t hate it. He likes the feeling of stubble on his chin, the hard corners of Eddie’s jaw, the way Eddie pushes him back onto the sofa and he wills Steve’s mouth open with a sweep of a thumb and the cold metal of rings on his face. A hot tongue explores his mouth, stroking it against Steve’s in a way that makes him gasp.

Steve has never experienced anything like it. Usually with the girls he dated, he took the lead. Kisses were usually shy and timid. Eddie is completely different. He knows what he wants and he isn’t afraid to get it. Steve feels something stir in him as he presses back.

Eddie bites his bottom lip, taking it between his lips, and breaks away from him. Steve feels breathless and blinks up at Eddie. His hand reaches over to Steve’s right side, gently taking the can from his hand and setting it away on the coffee table. He turns back, eyes dark and Steve wills his mouth close as he regards him. 

Was he gay? Shit, he doesn’t really want to think about it now. Humans are humans was what Eddie had said right?

Steve reaches out, sliding his hands behind Eddie’s neck, and pulls him back. Eddie moves himself into a more comfortable position, placing a knee on either side of Steve’s thighs and straddling him. Eddie’s hands reach for Steve’s temples, threading themselves through Steve’s hair – rings catch on the strands but Steve doesn’t mind the painful sting as it pulls. He just wants to get Eddie’s lips back on his – and so he does.

Their lips meet, fiery and hot. Open-mouthed Steve explores every corner of Eddie. He lowers his hands to Eddie’s back, playing on the edge of his tanktop and the hot skin underneath. If it works for girls, surely it works for guys too right?

He runs his hands up the side of Eddie’s chest, a thumb over a nipple, and Eddie gasps into his mouth. Steve feels heat settle in his crotch and he is glad he chose to wear jeans made of thick fabric rather than thin trousers. Steve’s hands move over Eddie’s chest, feeling the smooth muscle of it and the roughness of regrowing chest hair.

Eddie’s fingers reach the hair on the back of Steve’s head and yank it back, exposing Steve’s throat. He lets out a surprised yelp when he feels Eddie’s mouth latch to the delicate bow of his neck and suck. 

Steve is learning a lot about himself in the span of less than an hour. The way Eddie tugs his hair, and has his way with him is sending a pleasant jolt straight to his cock.  And Steve can’t help but moan under the ministrations of Eddie’s mouth as he sucks and bites. 

“Y-you’re gonna leave a mark,” Steve breathes.

“That’s the plan,” Eddie mouths against his neck. Then, he licks his way up into Steve’s mouth again.

Shit, he is kinda into this. Steve isn’t sure how he could ever go back to girls now he knows what it feels like to be touched by calloused fingers and kissed with such force. 

Eddie’s hand leaves his hair and travels down to the rim of his jeans, pulling out his shirt in the process. Steve feels the ghost of fingers running along its edge and the muscles in his stomach tense pleasantly in response.

Eddie breaks away from him, his breath ghosting over his lips as he searches Steve’s eyes. 

“You wanna take this further?” Eddie asks, his eyes flitting over Steve’s face.

Steve feels drunk, even though half a can of beer isn’t nearly enough to even get him close to being buzzed. He is also turned on. Ridiculously so. But fuck, what does taking it further even mean in this context. Steve feels like a virgin all over again and shifts uncomfortably in his seat, trying to hide his arousal from Eddie.

Not that they are not actively engaged anymore, anxiety hits Steve like a bag of bricks.

“Uhh…” is all Steve manages to utter.

Eddie throws himself off Steve’s lap onto the empty spot next to him on the sofa. He puts his feet on the table again, hands behind his head.

“You’re right, maybe that’s enough for tonight.” 

It doesn’t escape Steve that Eddie’s jeans look a little tighter than usual.

They sit in silence for a moment, only the voice of Rainbow’s singer cutting through the tension. 

“I thought you said it was a phase,” Steve asks after he finally gets his breathing under control.

“Oh right, I should have clarified” – Eddie grins up at the ceiling – “The gay thing was a phase. I figured I was into both.”

Both? Wasn’t that something only hippies preached with their free love? Somewhere, Steve feels a wave of relief washes over him. He never seriously considered someone could like both. He has some serious soul-searching to do once he gets home.

“Huh,” is all Steve replies. Eddie’s eyebrow quirks in interest as he side-eyes Steve.

“I, uh…probably should get going.” Steve puts his hands on his thighs and pushes himself up. Eddie doesn’t move from his position, but his eyes follow him with interest.

“If you’re ever in the mood for a sequel, you know where to find me.” 

Steve nods, because what else can you do in reply to such a comment? He is baffled at the ease with which the words escape Eddie. There is no shame or self-doubt.

As he lays his hand on the door handle, Steve looks back one final time. Eddie’s feet are bouncing in tandem with the beat of the drums and his eyes are closed. He looks so absolutely unshaken by their encounter that Steve feels almost jealous.

Steve is anything but unshaken.

“See you around,” he offers.

“See you, Harrington,” Eddie’s voice is playful, even though he doesn’t move.

When Steve is safe and sound in the driver’s seat of his car, he leans his head against the steering wheel and stays there for a moment. 

What the hell just happened?

He turns his mirror to his neck and traces the hickey that Eddie left on his throat with a finger. He would have to ask Robin for some make-up to cover that up. 

She is going to love this story.

Steve sighs and pushes the mirror back into its original position. When he starts the car, Bowie continues to sing like nothing happened.

Yes, he was alright, his song went on forever, Bowie sings and Steve groans as he hits the gas.

***

It is Saturday morning when Steve walks up to the Buckley residence. He passes the garden fence and walks around the house to the backdoor.

Hawkins was struck by the beginning of a heatwave and at this point, the temperature was bearable as long as one didn't move too much. The perfect day for a visit to the pool, but too hot for videos. 

Which is why Steve is sure today won’t be too busy at Family Video. Fine by him. 

The quiet days he works with Robin are always his favorite. Sometimes Henderson comes over – either with his friends or alone – and they mess around with the cardboard cut-outs or watch a movie on the little TV screen hanging from the ceiling. Steve has zero regrets about missing out on college. Everything he loves is right here in Hawkins.

He pulls at the red handkerchief around his neck. It is against company policy to wear scarves (and probably too hot too) but Steve needs something to cover up the damage of his little adventure with Eddie. At least, until he gets his hands on some skin paint stuff – or whatever girls call that type of make-up.

He enters through the backdoor straight into the kitchen, where he finds Robin’s mother clearing the table of breakfast plates. The room smells faintly like toast.

“Morning, Ms. Buckley!” he calls, already moving towards the hallway. Steve hears her respond, but he's halfway up the stairs by then.

“Rob!”

“Just a second!” Her voice is muffled. She opens her door, fixing an earring. Her eyes flick to his scarf before meeting his gaze.

“Geez, you’re early.”

“Yeah, yeah,” Steve walks straight past her and throws himself on her unmade bed.  Robin pays him no mind and she walks over to her dresser again. From his spot on the bed, Steve can see Robin's face reflected in the mirror as she fusses with her hair. When she reaches for a pouch, Steve is suddenly reminded of why he is early to begin with. 

“Do you have that face-stuff?” he asks as he sees Robin pull a pencil from the pouch.

“I’m afraid you’ll have to be more specific than ‘face stuff’.”

“You know, the skin-colored goo.” Steve makes motions over his face as if he’s painting.

“Concealer?” Robin’s mouth is open in concentration as she lines her waterline with black.

“That’s it!” Steve throws himself off the bed and walks over to Robin.

“Sure, I’ve got some,” Robin puts down her pencil and rummages through the pouch again. She pulls out a small beige bottle and holds it up for Steve. He reaches for it, but Robin pulls away.

“Does this have anything to do with your avant-garde fashion statement today?” She looks at his scarf again.

Steve laughs sheepishly and pulls his scarf aside. Robin’s eyes widen at the dark hickey on his neck.

“Jesus, Steve! It’s massive” – she leans in closer – “Was it Rebecca? Never thought she’d be the type...” Robin reaches for his neck but Steve pulls away.

“What? No!” – Steve lets go of the scarf – “I stopped seeing her like five weeks ago. Get with the times, Rob.”

“Well, sorry I can’t keep up with your busy love life.” Robin turns back to the mirror. She definitely isn’t sorry and Steve wouldn’t exactly call the origin of the hickey ‘love’. A lapse of judgment, maybe, or something uniquely in the corner of Eddie ‘the freak’ Munson. 

“Can I get the stuff now?”

“Fine,” she says and she pushes the bottle in his hands.

***

Outside the car, the world passes in a flash of yellow fields. The windows are down and the scent of drying grass fills the air. Steve turns the music up to drown out the thundering sound of the wind as it enters the car and drums his fingers on the steering wheel while he uselessly mouths along with the music. He doesn’t know the lyrics, but that can’t stop him. The fact it annoys Robin when he does so makes it even more fun in his opinion.

“You’re in a good mood,” Robin remarks while she digs through her bag.

“It’s a beautiful day and I’m working with my best friend,” Steve chirps.

“Uhuh, right,” she replies skeptically. She puts her bag back between her legs on the car floor and fiddles with something in her hands.

Steve’s eyes are focused on the road before him when the music suddenly stops.

“Hey! I was listening to that!”

“I thought you said Bowie was ‘overrated trash’” Robin says while opening the case to another cassette. 

“I didn’t,”

“You so did, and you called his pants too tight,”

“Whatever, driver decides,” 

Robin sighs and pushes the cassette back in. “When I get my license, it will be Blondie all day every day. You better prepare yourself, dingus!”

Steve hums in satisfaction as the music comes back on. Maybe he found it somewhat grating in the beginning, but it was growing on him now. That, of course, had nothing to do with Eddie Munson.

“Did you know he used to be gay?” Steve suddenly says.

“Bisexual, Steve, and of course I know that. The question is, why do you?” From his periphery, he can see Robin staring at him.

“I just heard it somewhere,”

“Somewhere…” Robin repeated. She leans over to put the other cassette back in her bag. 

Steve is relieved when he sees Family Video come into view. It’s not like Robin will forget their conversation, she is far too smart for that. And he really does plan on telling her about what happened yesterday, he just has to find the right moment. Hell, maybe it wouldn’t even be today. 

Steve pulls into the parking space and hops out of the car. He locks his door and throws the keys over the car to Robin. She fumbles in her attempt to catch it and Steve is once again reminded that Robin is a band dweeb and not an athlete.

“Let’s open this baby up,” he says as he tosses the store keys into the air and catches them overhand.

“You’re such a show-off” – she walks past Steve into the store and continues without looking back – “For your information, there are no girls around…”

“Yet,” Steve finishes and Robin groans in response.

There wouldn’t be any girls around for most of the day as it turned out. 

As Steve expected, it was a slow day. The only people who visited were those who probably wouldn’t be found dead sunbathing, nerds who never stepped outside (except to rent a video, apparently), and old people looking for something nice to watch with their grandkids. 

Somewhere between the shelves, Robin is putting returned VHS tapes into their rightful place. Meanwhile, Steve sorts through new arrivals and adds them to the computer system. In the back of the shop,  a guy has been staring at some science fiction movies for probably half an hour by now. Category basement nerd, Steve decides.

They had been working in relative solitude. Steve looks up as he hears the bell signal someone’s entrance. He is greeted with a curly head of hair.

“Henderson!” Steve stands up and throws himself over the counter. The secret handshake is a must and cannot be skipped. 

Shake, box, Star Wars sword thing, guts.

Dustin smiles wildly at him. 

Just as Steve is spilling his guts, the bell chimes again. He looks up, readying himself to apologize to the poor customer he has no doubt scared off with his wild gestures when he comes face to face with dark bottomless eyes.

“Munson,” Steve is probably gawking, at least a little and Eddie looks amused at the scene in front of him.

Dustin, oblivious to it all, immediately starts talking. 

“I was just about to grab my bike when I ran into Eddie. He offered me a ride in his van. Mom’s at the pool today, says it’s too hot to stay indoors; she practically kicked me out of the house,”

“Right,” Steve wasn’t even looking at Dustin as he yapped on. He somehow couldn’t tear his eyes away from Eddie’s. It was strange seeing him in daylight now. The darkness of dusk had made their whole interaction the night prior seem like a dream. Now, face to face with Eddie, Steve was hit by the reality of what had transpired. He felt profoundly awkward.

“ – You should totally get a van, Steve!” Dustin’s voice pulls Steve from his thoughts and he tears his eyes away.

“Y-yeah, probably not. I like my car,” he composed himself, deciding to focus his attention on Dustin rather than Eddie.

“Hey Dustin”  – Robin walks from behind the shelves, carrying a now-empty crate. Her eyes land on Eddie with a hint of surprise – “Hey Eddie,”

“Got anything good yet?” Dustin asks Robin eagerly.

“You’re in luck–” Robin says as she puts the crate away, “We just added The Dark Crystal to our collection,”

“Sweet!” He hears Dustin call when Robin leads him away to one of the shelves in the back.

Steve is left alone with Eddie and doesn’t know how to compose himself. A part of him feels nervous under Eddie’s dark gaze. 

Eddie walks over to the counter and leans against it.

“Cool gig,” Eddie says as he looks around the store. “Do you ever get to keep the cardboard cut-outs?” Eddie points his finger at a life-size cut-out of Indiana Jones that stands proudly at the front of the store. Steve’s eyes involuntary drift back to his fingers again and he really ought to stop that. Sooner or later, Eddie will catch him staring.

“I don’t, but Keith does sometimes,” 

“Sweet,”

A silence falls between them and Eddie kicks his feet. The guy in the back still hasn’t made up his mind and a little distance away Dustin is eagerly explaining something about the ‘Gelflings’ to Robin.

“Hey, uh, are you doing anything next Friday?” Eddie asks suddenly. 

“Nothing yet,” Steve is desperately trying to stop his heart from beating at such an insistent pace and he hopes his voice comes out as nonchalant as he intends it to.

“You wanna…I don’t know…hang out or something?”

‘ Or something’. What does ‘or something’ mean ?

“Yeah, I– …yeah, sure” Steve fumbles a bit, but Eddie doesn’t seem to notice, or maybe he doesn’t care. A smile grows on his face.

“Cool,” Eddie says.

He pushes himself away from the counter and walks up to a shelf to inspect some of the movies. He leans forward, shifting his weight to the balls of his feet, and hums a song that sounds vaguely familiar. Steve stares at the interlaced fingers behind his back – adorned with silver rings – and shivers at the memory of their coolness against his neck.

“Cool,” Steve echoes.

***

The whole week, Steve had thought of countless excuses to cancel hanging out with Eddie on Friday, but in the end, none of them carried any weight. He couldn’t get Eddie of his freaking mind and the sappy romance movies that played on the television screen at work didn’t help either.

Eddie had visited Family Video again – once – with Dustin to return a movie. Apparently, they regularly hung out when Steve was busy at work and he felt something akin to jealousy. He had always been Dustin’s role model. Heck, the kid even started wearing his hair like him (thank you, Farrah Fawcett). That was until Eddie somehow inserted himself into the equation. Now, Dustin had grown out his hair and was wearing that ridiculous Hellfire shirt religiously; so often, Steve sometimes wondered if it was ever washed at all. 

Eddie had corrupted him, and maybe he had corrupted Steve a little bit as well.

“You seem nervous,” Robin remarks as she flips through a folder, biting in the back of a ballpen. 

“Well, I’m no–” Before Steve can finish his sentence, Robin continues.

“I haven’t heard you talk about your dates the whole week. Whoever gave you that ridiculous hickey has some serious hold over you –”

Steve feels his shoulders tense. The idea of Eddie having any kind of hold over him was crazy. Steve is cool, Steve is casual. Steve is definitely not nervous about his casual hangout with Eddie tonight.

“ –It’s Friday, aren’t you supposed to be on like three different dates tonight?” she continues.

“Uhm, well–”

“And you’ve been acting weird all week. Things are adding up to a very weird sum. The ‘buying thirty watermelons’ kind of weird sum.”

“You have such a way with words,” Steve rolls his eyes as he finally regains his composure.

“Steve!” Robin throws her pen at his head. He ducks, but the pen hits him anyway.

“Robin!” he mimics her tone.

“It’s someone’s mom, isn’t it? God, Steve–” Robin pulls a face in disgust.

“It’s not someone’s mom! Geez, Rob, what kind of person do you take me for?”

“The kind that acts all mysterious and weird, and suddenly listens to music he hates!”

Maybe going out of his way to buy a Rainbow cassette had been somewhat uncharacteristic. Of course, Robin would pick up on that.

“A guy can expand his tastes…” he trails, hit by the ambiguity of his statement.

Robin sighs, picks up her pen from the floor and gives him an irritated glance. 

Steve hears the bell chime just as he closes the door to the vault in which they store cash overnight. It is only a couple of minutes before closing time and Steve grunts audibly as he raises himself into a standing position. Entering a shop this close to closing time is a certified dick move and Steve is not above sending whoever entered away, customer service be damned. 

“We’re closed!” he yells as he walks back into the shop from the backroom. 

“Eddie’s here for you,” Robin calls without looking back at Steve. 

Sure enough, Eddie is standing at the counter. He is wearing a tank top and his hair is pulled up into a messy bun; his skin gleams with sweat from the heat outside and around his neck hangs a wiry set of headphones. Wind from the air conditioner pulls at his hair. When their eyes meet, a smile creeps on his face.

“Sup, Harrington…I’ve brought the van.” He holds the keys up demonstratively, dangling them from his index finger.

"He brought the van!" Robin exclaims looking back at Steve, her eyebrows raised and a sly smile playing on her lips. Steve can almost see the moment of realization dawn upon her as if a lightbulb had been switched on in her mind.

Steve scratches the back of his head. “I promised Robin a ride back–” 

“No problem, We’ll drop her off. I’ll bring you back to pick up your car later.” 

Steve casts Robin a quick glance and she shrugs in response.

“If Robin’s fine with it…” he trails.

“A van,” Robin whispers as Steve joins her at the counter and elbows him in his arm.

Steve rolls his eyes at her, but still can’t fight the smile that tugs at the corners of his mouth.

***

Twigs crack under Steve’s shoes as he follows Eddie through the forest. The canopy of the trees offers ample shadow and Steve finds the heat more bearable here than when they had been walking alongside the road. Still, his shirt clings to his back and sweat is slicking his hair as Steve runs a hand through it. 

When Eddie asked him to hang out, he didn’t expect they would be hiking through the forest behind the trailer park during a freaking heatwave. 

He looks over to Eddie. His bangs cling to his forehead and the veins on his arms are thick as his body fights to keep cool. Despite the oppressive heat, there's a glint of excitement in Eddie's eyes.

“There it is.” Eddie stops and looks somewhere in the distance. Steve squints and follows Eddie’s gaze. Between the trees, he can see the shimmer of water, and he realizes Eddie has taken them to Lover’s lake. 

When they near the water, Eddie ups his pace, stepping around some of the bigger rocks and boulders near the lake’s edge like he has done it a thousand times before. Steve tries to keep up, but his unfamiliarity with the landscape slows him down.

At last, he is standing on the pebbled lakeside. The sun is already lowering itself into the embrace of dusk and Steve thinks they have maybe two hours of light left before sundown. He looks to his right where he sees Eddie standing above a pile of wood. When he gets closer, Steve realizes it is actually an old stranded fisher’s boat.

“Pretty cool, huh?” Eddie remarks.

Steve looks the boat over. It’s medium sized and some of its wood has rotted away. A good portion of it is covered in graffiti, and half of it sits in the water. It has probably been there for years.

“You bring all your conquests here?” Steve asks as he watches Eddie climb onto the boat. The question is mostly meant to be lighthearted, yet he feels a sense of anticipation as he waits for Eddie to reach the deck. 

Eddie squats and looks down on him. “Nah, just you.” 

Somehow, those words make Steve’s heart flutter and his cheeks heat up. He quickly looks away, pretending to search for footing to scale the boat.

When Steve reaches the deck, Eddie is sitting cross-legged facing the lake. 

“This is a nice place,” Steve says, sitting next to Eddie. He lets his feet dangle from the side and follows Eddie’s gaze. Across the lake, some people linger, cooling down before heading back to their hot homes. Some children are playing in the shallows and their joyful screams carry over the water.

“Your work?” Steve asks as he gestures to some of the writing on the boat. The wood is covered in crude phrases, names, and dates – some of them are carved, but most look to be written with a sharpie.

“Some of it is.” Eddie pulls out a pocket knife from his jeans and hands it to Steve. “You can add to it if you want.”

Steve turns the knife in his hand. It is a classic red Swiss knife and it lays heavy in his hand. 

“Here–” Eddie twists around and Steve follows suit. Eddie’s fingers are tracing the wood behind them, running them over the carvings in the wood. “– I think I did this about a year ago.”

Eddie removes his hands and Steve can finally get a good look. It’s nothing crazy, just a simple ‘Eddie was here’ carved in crude scratches – eternalised in some rotting wood in a town no one cares about.

Eddie holds up his hand to Steve and he realizes he is asking for his knife back. Steve hands it over.

Eddie flips out the knife and bends himself over the carving. Steve turns back around, looking over the lake again as the sound of scratching fills his ears.

“All done!” Eddie says after a while.

When Steve turns back, he sees his name freshly carved into the wood, right above Eddie’s original carving.

Steve + Eddie was here

“You wanted to immortalize this?” Steve asks amused.

Eddie flips the knife closed again and shoves it into his pocket. “A year ago, I’d never thought I’d be sitting here with Steve ‘the hair’ Harrington. Guess that’s pretty fucking special.” Eddie casts him a toothy grin. 

Steve had to agree though. If someone had told him a year ago he would be hanging out with Eddie ‘the freak’ Munson on a Friday evening – rather than spend his night on a date or at a party – he would have declared them crazy.

“I suppose so,” Steve replies.

All is quiet for a moment, save the sound of leaves rustling by a welcome breeze. Steve closes his eyes as the wind kisses his sweaty skin.

“I got you something,” Eddie says, breaking the silence and he stands up. Steve’s gaze follows him and his eyes widen when he sees Eddie move his hands over his head to pull his tank top off. 

“But let's take a dip first…it’s hot as balls.” He throws the sweaty tank top at Steve, who slaps it out of the air before it can hit him. The fabric lands heavily on the wooden deck.

“I didn’t bring my trunks,” 

“You don’t need those here.” Eddie gives him a knowing smile as he kicks on his shoes.

Eddie is lean and he has a nice back, Steve thinks. Not particularly broad like some of his former teammates on the swimming team, but not bad for a guy who spends his time playing board games. His torso is littered with fading scars from the Upside Down and Steve has a fair amount of those himself.

“Get on with it, Harrington!” Eddie is already stripped to his underwear when Steve tears his eyes away and finally tugs his own shirt over his head.

A dip in the lake was a fantastic idea and Steve felt himself relax now that he was slowly but surely cooling down to more humane temperatures.

Steve tries to keep his eyes away from Eddie as they make their way back to the boat. The fabric of his boxers is clinging to his skin.

Eddie lays himself down on the deck, using his jeans as a pillow while he fiddles with his headphones. 

“C’mere Steve.” Eddie pats the space next to him and Steve reluctantly seats himself. Eddie is working the buttons of a walkman.

“Remember when I said I got you something?”

“That was like twenty minutes ago,” Steve feels borderline offended at the implication.

Eddie gestures for Steve to lay down as well and Steve complies begrudgingly, resting his head next to Eddie’s on his crumpled jeans while he stares up at the blue sky. He feels exposed in just his boxers and now Eddie wants them to lay side by side.

“Here.” Eddie hands him one half of the headphones while holding the other side to his own ears. Suddenly it dawns on Steve why they’re lying as they are. Eddie wants to let him listen to music. Steve moves half of the headphones to his ear and sure enough music starts playing.

“I put some things together I thought you might like.” Steve can see Eddie turn his head towards him from his periphery and study his face.

“You made me a mixtape?” Steve asks. The idea of Eddie putting together a mixtape for him was…well, really thoughtful.

“Now you say it out loud it sounds kinda lame,” Eddie laughs.

“No, it– it’s really nice.” Steve offers. 

He closes his eyes and listens to the unfamiliar tunes. Eddie did quite a good job at picking music that he might like. It is definitely less intense than Rainbow – the voices are less shrill, the guitar less cutting, and the drums beat at a lower frequency. It’s nice, ridiculously nice, and Steve can’t think of an instance when someone has ever taken the time to put something together for him like this – not even his ex-girlfriends.

They lay there for a while, each holding one end of the headphone. The people on the other side of the lake must have left by now because the only things Steve can hear are birdsong, the sound of rustling leaves, and the music that comes from the walkman. The breeze feels cool against his damp body, and he wonders why he had never done this before – stay at the lake until the sun went down.

Steve can almost feel himself drift asleep when Eddie nudges him.

“Steve.” Eddie shakes him gently by his shoulder.

“Hm, lemme be…” he whines without opening his eyes.

“You’re gonna be mosquito food.” Beside him, he hears Eddie getting up and when Steve finally opens his eyes, Eddie is already wearing his tank top. 

Steve hadn’t realized how long they had laid there. Only a small line of sun was visible in the distance and Eddie’s figure was dark against the pastel sky.

“I’m afraid I’m gonna need my pants,” Eddie says as he points at Steve’s head.

“Oh right.” Steve finally sits up, handing Eddie the makeshift pillow of his jeans.

Once they’re both dressed, Eddie leads them back through the forest. The sky is pink and the trees form black outlines against it. Steve walks after Eddie, who points out when to be mindful of a hidden boulder or a sudden dip in the forest floor. 

They take Eddie’s van back to Family Video so Steve can get his car. The whole car ride, Steve can’t help the feeling of nervousness that sits in his stomach. 

Today kinda felt like a date. 

Normally he would be on the other end of it – driving a girl home after a movie or something. And then, once he stops the car in front of her house, the girl would fidget and Steve would place his arm on the back of her car seat, confident and reassuring. He would tell her he had a good time and if she did as well, he would seal the deal with a kiss.

But this was Eddie, and they had been just two guys hanging out. 

Two guys that had made out a week ago. 

But that didn’t mean anything. It had just been Steve’s one-day gay phase and he got it out of his system now, hadn’t he? Eddie had only offered out of a misunderstanding, or maybe some weird kindness.

Shit, this train of thought was not helping Steve whatsoever. If anything, it had just made the nervous flutter in his stomach worse.

Eddie stops the van and the red neon light of Family Video plays with the curves of his face.

“There we are.” Eddie pushes himself back into his seat with his arms stretched on the steering wheel. Steve makes no movement to get out. They sit in silence for a while.

“About last week–” Steve starts. If he doesn’t acknowledge it now, he feels like he might go crazy. Besides, he doesn’t know when or if they’ll have another moment alone.

“Don’t worry, I didn’t tell anyone. We can forget about it if you want…” Eddie says without looking at him. His shoulders are tense and his grip on the steering wheels seems to harden.

“No…it’s not–” Steve tries, but Eddie cuts him off.

“Don’t worry Steve, I get it. I know what people say about me –”

“But–”

“ –and it doesn’t have to mean anything. People make out all the time–”

Steve unbuckles his seatbelt. He’s kind of sick of Eddie not letting him finish his sentences and is ready to return the favor.

He leans over, turning Eddie’s head towards him and kisses him. Hard.

Eddie’s mouth is parted, mid-sentence, and Steve feels teeth beneath his lips. By all accounts, it’s a shoddy kiss – not his best work – but it seems to do the trick.

Eddie loses his grip on the steering wheel, hands moving to Steve’s shoulders instead as he eagerly returns the sentiment.

“Fuck, Harrington, aren’t you full of surprises,” Eddie breaths against his lips.

Steve leans back into his chair and runs a hand through his hair.

“You talk too much,” he says as he opens the door of the van.

By the time he hears Eddie get out of his van, Steve is already opening the door to his  BMW.

“Wait, Steve,” Eddie calls as he jogs over. When he’s standing in front of Steve, he pulls at Steve’s arm, running his hand down and urging Steve’s palm up. He shoves something square in his hand and closes Steve’s fingers around it.

“Next Friday, same time?” Eddie asks him, searching his eyes.

Steve nods silently. He stares after Eddie as he walks back to his van. He opens the door and turns one last time, giving Steve a two-fingered salute before getting in. 

Steve hears the sound of the motor swinging on and looks at his hand. In the dim neon light, he stares down at a small cassette. Steve can hardly read the black letters in the red light, but he realizes Eddie has written something on its white label.

From Freak, to Hair. 

[AO3]

[mossygirl333]

AN: Okay, first of all, I love your mind @machveil. We all know Service!Top!Simon is the best Simon and I love fluff so much. So here <3

TW/CW: mentions of children and some angst, cursing

You walked around the furniture store, practically mourning the loss of that good table. Yes, it was beautiful and you loved it, but half a goddamn million for it? Hell no.

Your husband trudged alongside you, his hand resting on the small of your back. "We can look tomorrow? See if any other stores have whatcha like?" He tilts his head and you shake yours no.

"But I liked that one..." You grumble, before snapping your eyes back to him. "Do not buy that table Simon Riley. It is way too expensive. We can get a new one but...not in the mood to go anywhere else."

He chuckles, shaking his eyes, a few strands of dirty blonde hair falling into his face. Gentle eyes settling onto you. "You know me too well."

------------------------------------------------------------------------------

Your eyes flutter open to the sound of Simon pulling into the garage, stretching out your poor muscles you slip off the bed. Bare feet touching the cold hard floor as you padded silently to the stairs.

Rubbing your still sore hickey covered neck and pulling down Simon's giant t-shirt, which you used as an impromptu nightgown, you headed down the stairs.

he hasn't come in yet, which was odd, unless their were groceries which wouldn't make any sense..? Your hand reaches for the door and suddenly it swings open, startling you. Blocking the inside with his body, he stares down at you.

"Simon, honey, are you okay?" You try to peak into the garage. But he moves to block your gaze.

"Its a surprise. Will take a long time so you can't use the garage for a bit. I promise it's worth it hun."

You stare at him, slowly nodding as you raise a brow. "What is it?"

He huffs in amusement. "What does 'secret' mean ta ya sweetie?"

------------------------------------------------------------------------------

Your husbands warm rough hand covered your eyes, your own feeling around so you didn't bump into anything. A giggle starts to bubble up in your chest. Down the steps carefully, his gentle voice murmuring in his ear.

"Okay...here we are. Ready?" You nod, his hand falling from your face. Eyes flutter open as you gaze upon a new table settled in the dining room.

"Oh...my God. You bought one?" You turn to meet him, raising a brow. "It's gorgeous but how expensive-"

"I made it." He cuts you off, his chest slightly puffed up in pride. A smile starting to bloom on his scarred lips. Your eyes soften and you turn back to the table.

"Really? Oh my...how long did this take you?" Your hands glide over the smooth wood, it was really beautiful.

"Couple months. Learned how to work with wood and made a few knickknacks for ya too."

You cover your mouth and look at him, trying not to cry. "Oh my God....this is so sweet baby." His lips brush underneath your eye, pecking against your cheek and nose before landing on your soft lips.

"Anything for you." He sticks his hand into his pocket, pulling out a tiny duck sculpture. "Thought-" He paused, a vulnerability settling between you. "Thought I could make our babe a few toys. If you ever wanted to have one."

It's not often Simon talks about children. A deep rooted fear of his father tangled in his perception of family, a sickening bile rising up when he thinks about being like that monster.

Letting you down. Letting your baby down. The thorns of his children digging into his soul, tangled up like ivy leafs, unrelenting and tightening. He tried to hide it, but that empty feeling inside throbbed at the prospect of you, giving up any wants of a family to make him happy.

But the truth was, when his mind wandered, during long missions and saferoom escapades, he imagined you with a bundle in your arms. A scrunched up chubby face sleeping nestled inside. Handing it to him. A little girl.

The hands who held weapons, now cradling new life. The stench of death and blood replaced with newborn smell and baby powder. The ringing of bombs, screams of the innocent, and gunfire, transformed into cries and giggles of someone so small exploring.

You stare up at him, gently cradling the figure in your hand, biting your lip. "Looks real good Si." You murmur, kissing his forehead. "I love you."

"I love you more."

[jinxthequeergirl]

The Ol switcharoo (pt3)

Stan pines x reader/ ford pines x reader

Summary: 30 years pass and you meet stanfords family.

Warning: NONE

Sorry for another short chapter. Consider this a filler episode. Chapter four should be better.

~~~~~~~~☆~~~~~~

30 years is a long time.

You can do a lot in that time.

You can live a lot of different lives in 30 years.

You started cutting your hair in that time, Stanford taught you to box, You'd gone on many different adventures. Most of which you often questioned the legality of, but they still made you laugh.

Now you mainly tended to the Mystery shack no more adventures, you wondered as you sat on the couch next to Stanford when you'd gotten so old. And when your life had changed so much.

You had almost forgotten all about anything before your family vacation. you and Stanford had grown into a pretty comfortable life together. You wouldn't lie you'd come to love the life you've grown into with him.

But you've also missed the adventures you used to go on, finding monsters , exploring the unknown.

But you were only met with gluing eyeballs to pieces of plastic halloween decorations and making up stories to make out of towns folk get a good laugh in.

You had tried to find Stanfords journals just to "relive the glory days" but with no luck.

You were never sure what happened to them, if he had accidentally tossed them out, if he had lost them himself or if that was part of what happened while you where away. Either way you stopped looking. You never asked about them either.

Stanford seemed to really enjoy his life with you too, you never got the idea he wanted to turn back or like he was waiting for some big adventure.

"This may sound corny but you and the mystery shack are my big adventure...I wouldn't trade you or the old shack for anything y/n. Not. For. ANYTHING."

So you stopped worrying yourself with the journals or the old research, let alone the real monsters that lurked in the woods.

You hunkered down, sold stories and bumper stickers in your matching suits and watched night time television before falling asleep on top of eachother every night.

This was the routine you'd fallen into. You found it odd if you had to sleep without Stanfords shoulder as your pillow or his jolt of laughter before he realized you fell asleep. It was odd for both of you to not debate who got giftshop duity over tour duties. (You always got gift shop.)

It was odd when a pair of twins arrived on your front lawn.

"You never talk about your family." You said following Stanford down the stairs to meet them. "Sure I do." He said clearly a little nervous.

"Mmm no...I didn't know you had a sister! Let alone great neices and nephews!..excuse us, Soos." You say almost chasing him through the gift shop almost knocking soos over.

He paused as both of you looked out the little door window at them. "Listen...I'm sorry I didn't tell you about my family... to be fair... we aren't really close..but somethings came up and-" You could see his stress building up as he tried to piece together something that made you understand how important it was to make a good impression on those kids.

You placed a hand on his shoulder. "I'm here with you... you can explain it all later, but right now, I'm right by your side, like always." He smiled and placed a hand on top of yours.

Before heading outside to me, you are in tow.

"I DIDN'T KNOW I HAD A GREAT AUNT! A GRANT!? A GRRR...GRAUNT!?" The girl in the pair shouted excitedly after stan had introduced you to them.

"That's cause you don't. We aren't married y/ns a friend."

You laughed at the girl who energetically and enthusiastically introduced herself as Mable. The introduction was followed by several need to know now questions, all of which would later be scribbled onto a paper for you to fill out and return to her.

☆what's your favorite color

☆ do you like my grunkle stan?

☆if you were a magical creature, what would you be? Why? WHAT WOULD I BE? why?

☆do you LOOOOVEEE grunkle stan?

☆opinion on stickers?

"Alright, you two leys get you up to your room for the summer." Stan said, pulling Mable away from you and grabbing her bags.

You grabbed the second set of bags and followed stan and the two kids.

"Dipper, right?" You asked the boy who fell in line with you "oh yea! Yep that's me!" He laughed nervously.

"Very cool name,I like your hat by the way." You prayed you didn't seem like you were trying too hard to get them to like you.

"So you and grunkle stan run this place?" Dipper asked, looking at all your hot glue collages as Stanford decided to give them the grand tour before their room.

"Yup." You nodded.

"What's the point? Isn't this all fake? I mean... I can see the string on the invisible man's glasses." He said pointing out the attraction as you passed.

"Oh c'mon Dipper, how could you not love the jackalope!? Is he a deer? Is he a rabbit? I can't tell!" Mable said, carrying the creature in her arms like a teddy bear.

"I just don't get it? Why lie to people when I'm sure there has to be something real out there!"

You smiled at him. He sounded like you when you were a kid...he sounded more like Stanford before the shack. "You like the supernatural?" You asked.

"Oh yea, dippers a huge nerd he loves all that junk!" Mable said punching her brother in the shoulder.

"Oh, here we go! Don't get this one started on mystery and supernatural boogie men!" Stanford said, stopping to join your conversation.

"Y/n used to be big on hunting and looking for stuff like this." He said, wrapping his arm around you. "Used too...I haven't in over 30 years...it got too complicated." You opted to give them a simple answer as to why you stopped.

"Really!? That's so cool!" Dipper exclaimed. "If you ever need someone to go on adventures with, you can trust me."

Over the upcoming weeks, it was slightly rocky with the kids getting settled in, but eventually, they started warming up to the shack as well as yourself and Stanford.

You were quite pleased to have their company, actually. You felt something change in your everyday lives when they entered the shack.

"Depending on who you ask." You said continuing your story as you placed plates in front of the kids. "Your grunkle and I are married." The kids gasped. "Only through some silly machine in Vegas it wasn't real there was this one time -"

Stan chuckled to himself as you told the story of your fake marriage in Vegas as he watched the three of you laugh in the kitchen.

He smiled. Watching you frantically move your arms to further dramatice the story, a certain shine he'd noticed had been missing from your eyes for a few years now. You had it when he'd met you.

The same day, he knew things would be different for him. They HAD been different. You accepted him for everything he was. You went along with his crazy shenanigans. You gave up a whole life for him.

He remembered the birthday parties you had thrown for him. Even if you were the only person to be there for him.

He knew after a few years of you doing so that you would always be the only one there. He had the strangest feeling the night of his 35 birthday when he realized this.

He lied awake in bed, staring at the ceiling when it occurred to him what the feeling was.

"Oh no."

He quietly snuck away from you and the kids, still hearing your laughter erupt through the house behind him. He made his way into the darkened gift shop and punched a code into the vending machine, and went down to the basement he swore to you he'd destroyed.

30 years, and all he had offered you was lies. After all you'd done for him after all the care you'd shown him after all you had sacrificed. He just wanted you to have a normal life. A good life.

Not something he had fabricated.

He spent most of his time thinking about the large machine that still sat in his basement, the other half worrying about you. If he was giving a good life if he was soing as good a job being in your life as you had done for him.

He worried about what might happen when, IF he was able to pull of bringing his brother back.

How would you react to being lied to for 30 years. Maybe you did really feel the same way he had felt about you for years and you would forgive him.

In order for that to work, he'd have to actually admit his feelings to you.

He wanted to, he also wanted do a lot more for you in the 30 years you'd been together but always failed before he could make a move or do anything really. He pushed aside a notepad filled with ideas of kind gestures he could do for you (most of which were crossed out) and replaced the space with the journal Ford had left him.

He would get it right.

All of it.

Eventually.

Then again.

He could always ask Mable.

While you laughed with two kids at a dinner table and Stanley beat himself up about lying and tried to rebuild his life.

The real Stanford pines sat out there amongst the stars with nothing but a creased photo of the two of you and wondered why it was taking you so long to find him.

~~~~~~~☆~~~~~

Taglist:

@muffin1304

@katharine3000

@leo4242564

@space1crow

@steveharringtongf

@mckennaishere07

@nothingbutcloud

@anicega

@i-am-tiredd

@babydoll-143

@fanficcrow

@slay-thou-pookie

@bandaids-n-porceline

[dylsluvrs]

STRANGERS // MATTHEO RIDDLE

“i tried to be good, am i no good?”

playlist: strangers - ethel cain

summary: in which hufflepuff reader sees only the good in mattheo, while everyone else sees only the bad.

warnings: injuries, angst, fluff

a soft knock sounded on the door, the lightest of taps, tentative and sweet. a sigh left mattheo’s lips as he stood, pulling the door open with a bored look. it was late, the moon had long since cast a shadow over his dorm. but there you stood, in all your glory, a soft smile on your lips. “what’s wrong, sweetheart?” it had never been uncommon for you to visit mattheo, but you were usually asleep by this time, tucked up dreaming happily of what mattheo could imagine was rainbows and sunshine.

“couldn’t sleep. need you.” you leant forward, head connecting with his chest, arms coming to wrap tightly around his waist. the boy was always stunned by physical affection, no matter how much you give to him. “okay, dove. let’s get you to bed, hm?” you hummed into his chest, allowing him to pull you over to the bed. you curled up beneath the covers, pulling him down with you. and suddenly, the monster in his head was silent as he rested his head on your lap. your fingers came up to brush away his curls, twisting them around with such care. his breath hitched as your hand came to his cheek, soft knuckles tracing the bruise blooming under his eye.

“this is new.” he turned to look at you more clearly, searching your face for some form of anger or resentment. but there was nothing. nothing but adoration and pure love. you were so pure. so sweet. he’d never quite been able to fathom how you’d fallen in love with him. “does it hurt?” you were so careful with him. you loved him in a way that made him feel like porcelain. like you were scared he would break if you pressed too hard. and in a way, he would. “not anymore.” his voice was barely above a whisper, doe eyes trained on your soft features.

“please stop fighting, matty. i know it’s hard, but i hate seeing you hurt.” he let out a frustrated sigh, eyes finally tearing away from you. “you don’t understand! you don’t get what’s it’s like to be me. everyone likes you! people fear me!” he felt the way your body tensed, and your hand fell gently from his hair.

“i’m sorry. m’sorry, angel. i didn’t mean to shout.” he curled into your body, praying your hand would continue it’s path along his scalp. and it did. he knew you could never be angry with him, and in a way he took advantage of that.

“it’s okay. i know how difficult it is. but sod everybody else. let them fear you. they don’t know you like i do.” a drawn out sigh escaped him once more. he hated it. he hated the way you refused to think badly of him.

“what do you see in me, dove?” your hand stilled for a moment, your body twisting so you could look into his eyes. “everything they don’t.” mattheo’s eyes softened, and so did his heart. you had thawed the ice around it and taken it hostage. realistically he was a victim, but he’d happily play that role for you.

“you’re not as bad as everyone thinks you are, matt. you’re a good man. you’re not your father.” he huffed, digging his head further into your chest. his hand grasped your free one, playing with your fingers gently as a distraction. “i try to be good, dove. i really do.” you nodded knowingly, a soft pout on your lips as you traced the scars littering his skin gently. mattheo was in utter awe of you. how someone so soft, so kind, could’ve ever fallen in love with him. he was tainted black, kissed by the devil at birth. he’d never be able to love you the way you deserved. but he’d be damned if he didn’t try.

“am i no good?” you gasped suddenly, sitting up and pulling the brunette boy with you. your hands came up to cup his cheeks, thumbs delicately brushing over his skin. “you are all the good in the world, mattheo. i hate that you can’t see it.” he could see the few tears welling up in your eyes, pushing them away gently with his thumbs. every word you said to him was sincere, it wasn’t in your nature to lie. you adored him, more than anything.

“i love you. and you love me. that’s all that matters, okay?” he nodded, eyes boring into your own.

“i do love you.”

“i know. now, please, can we go to sleep? i have potions in the morning and i absolutely cannot be late.” he chuckled slowly, pulling you into his chest and breathing in your scent. he must’ve been blessed by an angel at some point in his life to have found you. and that’s all he needed to think about. the devil worked hard, but you worked harder.