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huskersbooze · 7 months

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Who's in Control?

Alastor x Reader

| Part 1(here!) | Part 2 | Part 3 |

Summary : You sold your soul to Alastor and had no idea how big of a deal this was. Until recently, you finally learn what it means, and realize all that Alastor had been doing was just a lie.. or was it?

Pairing : Alastor x F!Reader, Huskerdust? (M!Reader here, Gn!Reader here)

Warnings : swear words

Additional Tags : Angst, miscommunication, misunderstandings, Alastor actually being nice?!, no use of (Y/n)

Ib : Who's in Control By Set It Off

Word count : 1.8k

"Good morning, dear."

"Morning, Al." You reach the lobby and take a seat on the floor next to Alastor's chair.

"How was your sleep, darling?"

"It was good! And yours?"

"Aha, hilarious, really. You know I don't sleep, my dear." He places a hand on your head and gives your hair a ruffle. "You really do know how to brighten my day."

The rest of the team reaches the lobby, and you all gather around for your daily dose of trust exercises.

-----

You and Alastor had been growing closer and closer ever since your arrival at the hotel. There was no doubt that he was your favourite person there.

And, well, for Alastor, he never wanted to admit it, but everyone in the hotel could tell, and even he was aware.

He was growing a soft-spot for you.

It was never supposed to be this way. He was never meant to grow attached. It just somehow happened, and that was that.

Everything between you two was going great. Except for that one little issue that bothered Alastor.. but you didn’t have to know. He never tried to abuse any of that power when he asked for your soul. He never thought of doing anything to you.

But there comes a time in every relationship where a lie can ruin it all.

“Hey, sugar. How ya’ doin’?” Angel Dust leans by the bar counter, greeting you as usual.

“I'm doing decent. Husk and I were just talking about you.”

“We were fuckin’ not!” You watch as the cat's ears twitch, the drink he was originally pouring tipping over.

“Oh, really? No need ta’ lie Husky~” You laugh at Angel's teasing, which makes Husk let out a low growl. “At least I don't gawk over a certain demon so obviously.”

“Hey! Are you talking about me and Al?”

“Who else would he be talkin’ about?” Angel tilts his head to the side, giving you a knowing glare. “Ya’ can't even deny it.”

“Al and I are just friends.”

“Kid, Angel's right.” The cat can only do so much but sigh. “You don't know him as well as I do. He treats you differently.”

“Still, we're just friends-”

“The Radio Demon doesn't do ‘friends’, kid.”

“Yeah, well, he owns my soul. Of course he'd treat me differently.”

The way it so simply came out of your mouth like it wasn't some big deal. Both Husker and Angel Dust froze in place, staring at you wide-eyed.

“What? Did I say something wrong?”

“What.. what did you just say?” The spider can hardly comprehend the news you'd just dropped.

“He owns my soul..?”

“Kid. What the actual fuck?!”

“What the fuck did he do to you?! Ya’ alright?! Are you hurt?”

You watch as the two demons skim your body up and down, firing questions at you, checking up to make sure you weren't hurt.

But you were confused.

“What's going on? Why are you guys suddenly acting so strange?”

“Wh- Why did you sell ya’ soul to him?!”

“Fuck I knew he was up to no good!”

“He told me by selling my soul to him he'd protect me from everything and anything at all cost. I didn't see a reason to decline?” You reply to Angel's question, ignoring Husk as he mutters about himself being correct. “I got nothing to lose.”

“Ya’ got everything to lose, shitass.” You hear his voice start to crack slightly as you realise tears welling up in his eyes.

“Angel?! Hey, what's wrong?”

“Damn, kid. You really don't know shit, huh?”

“About..?”

“What it means to sell your soul.”

“I know what it means, Al said-”

“Forget that fucker.” Husk practically spits out his name. “D'you know why I work here at the bar?”

“Because you like your job..?”

“No. It’s because I was forced by the person I sold my soul to.”

“Who..?”

“Hell, kid.. you really can't take a hint?”

And just like that, he says one more name, and your whole world comes tumbling down on you.

He didn't actually care for you, he was just shaping you in case you came to use.

He didn't actually enjoy your company, he was just watching you to make sure you were obedient.

He didn't actually mean any of the things he said. He was just trying to manipulate you.

And you were so damn lost. So damn lost as to whether the control and power you thought you had, really belonged to you.

“Valentino is an overlord.. and he's your boss?”

“Yup.” Angel nods.

“And he owns your soul like Al owns Husk’s?”

“Exactly.” Husk replies.

“And there's no escaping this contract..?”

“No.” The two reply together.

“Fuck.”

-----

“Greetings, my dear! How are you on this fine morning?” The static sounds from Alastor's usual seat at the lobby where you all gather every morning.

There's that usual smile etched on his face, which, you used to believe looked genuine when he was talking to you, but it seemed that wasn't the case.

“Hey, Husk. Hey, Angel.” You greet the two on the couch, completely passing by Alastor and ignoring his whole existence. “Mind if I sit?”

“Yeah, go ahead.” Angel scoots over and makes space for you to squeeze between Husk and himself. “Ya’ look like hell.”

“You alright, kid?”

“Couldn't sleep much last night, but I'm fine.” You reassure them.

The rest of the crew were a bit startled at your display, knowing well that you refused to not sit by Alastor's chair, normally.

And here you were, ignoring him completely like he was no longer relevant, and hanging with the other two demons.

“Okay.. what an interesting way to start the morning!” Charlie tries to break the ice.

Everyone turns their attention towards her.

Everyone but Alastor.

He was practically fuming with rage, anger, irritation, but yet, a tiny bit of worry.

How dare you ignore the Radio Demon like he was some piece of useless trash?

But then again.. why were you suddenly acting so cold and distant? What did he do wrong?

He couldn't help but focus his attention on you throughout the entire day, but you didn't even spare him a single glance.

Needless to say, you felt a knock on your door that night.

“Darling, how wonderful to see you! Wonderful, really. Mind if I come in?”

“A little. What do you need, Alastor?” You stand at the door frame, hand still on the door handle, prepared to slam the door in case anything happens.

Meanwhile, Alastor was pissed. You had never rejected inviting him in for late night chatting, in fact, you never rejected anything from him.

“It's nothing, really. I just hoped to have a friendly little chat with you, if that's alright?” Alastor leans down to your level, tilting his head and giving you his usual smile he reserved for you, and you only.

“A bit busy. Maybe next time.” You attempt to close the door, but a hand swoops in and, damn, was he strong.

“Dear, what seems to be the issue?”

“I’m really busy, Alastor.” You sigh. His ears twitch at the name. Where were all his sweet little nicknames? Why were you only referring to him by his full name?

“Clearly, something is wrong, and I ought to find out what I had done to deserve such treatment.” He states, making himself welcome in your room. “Talk to me, darling.”

“Oh enough with the pet names, I’m not your fucking pet.” You roll your eyes, closing the door behind you to make sure no one stumbles upon your little predicament.

Alastor stiffens, then laughs.

“Whatever are you talking about, dear? Of course you’re not my pet.”

“The damn contract says otherwise..” You watch as Alastor shifts uncomfortably, his back still facing you. “I should’ve known you just wanted another soul. Fuck you, Alastor.”

You continue on about how you never should’ve trusted him, and how you finally knew about everything so there was no point in him pretending to tolerate you.

Alastor, however, could barely process anything you were saying. He could hear his own static in his own head, and it was growing louder and louder.

What the fuck was happening? How did you know? What did he ever do? Where did he go wrong..?

“Darling, please.. You don’t understand-” The radio filter in his voice was off, his actual voice coming out as a soft plea.

Taken aback, you stopped talking. Alastor turned to face you, smile still etched high and proud, but his eyes looked like he was about to break.

“Alastor..” You murmur. “I just don’t think I can trust you anymore. I’m sorry.”

“When have I ever used any of that power on you?!” Alastor snaps, eyes darting all over the place, trying to find out what to do to fix all this. “I’ve been nothing but nice! I.. I helped you when you were in trouble! I did nothing to hurt you..”

You watch as Alastor starts losing his usual composure, having it slowly drifting away.. It was heartbreaking seeing him like this, but you couldn’t bring yourself to forgive him and pretend nothing happened.

“It doesn’t matter when you’re in control..”

“No.. darling, no! You’re in control!” He scrambles, grabbing you by the shoulders.

“Really? I’m not sure I trust any of that bullshit anymore.”

“Dear, please, listen to me..!”

“I'm sorry, Al.. I think it's best if you leave.”

He pauses.

“Have a good sleep, dear.” He says, voice filter completely off. It was a rare occasion getting to hear his sweet voice. Too bad it had to be under such circumstances.

-----

“Oh my, Alastor, what's got your ears pinned back?” Rosie leads her friend through the halls and has him take a seat opposite of her. “Is everything alright?”

“No.. no it's not.” He replies. “She found out.”

“About the deal?”

“No, Rosie. No.” He sighs. “She found out what selling her soul to me actually permits me.”

“But you never wanted to abuse that power, did you?”

“Of course not.”

“Then, I'm assuming you didn't tell her?”

“No.”

“Well, why not?”

“Would it make a difference?" She could practically hear him scoff. "She's irritated at me as is. It's not like she'd even heed my words."

“Come, now, Alastor. You know as well as I that the sweetheart would listen.” Rosie tuts, waving a hand at him.

“She doesn't need to know how powerful she actually is.. she doesn't need to know her soul is being gambled this very second.”

Alastor sighs, getting up from his chair.

“Thank you for your kind words, Rosie. I shall take my leave now.”

“Take care, Alastor.” She smiles. “I'm sure she'll understand.”

“I surely hope you're correct."

———/ TBC. /———

READ PART 2 HERE

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genericpuff · 10 months

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All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (A Prologue)

So I referenced a certain article in a recent reblog/ask response and I just need to talk about it because what the actual fuck-

This has to have been written by either a bot or a hater who's reached peak god tier level at playing the long con sarcasm game because NOTHING about this feels sincere or even factual. Much of it almost has to be read in a mocking tone for it to make any real sense.

It says "Lore Olympus" (literally in quotations) in just about every single paragraph over and over again and every single talking point revolves EXCLUSIVELY around Persephone, which I suppose comes as no surprise considering that seems to be all the comic - and its fanbase - cares about at this point.

I really love (/s) how Persephone's "evolution" is being naive and then 'blossoming' into an independent woman who relies entirely on the rich man who groomed her to solve all her problems.

Also all she's done since becoming Queen of the Underworld is abuse lower class people. That's the stuff feminist dreams are made of <3

While we're talking about the main leads, "poster child" is definitely a word for Hades, I think a more appropriate term would be "literal child". And boy howdy, 'god of consent' sure is a title to give the guy who ripped out a lower class satyr's eyeball and beat him half to death.

This man owns slaves, btw. And both he and his "powerful wife" are equally horrible to lower class people, especially women.

This is hands-down the funniest section of the article and we're only three bullet points in.

Thetis and Persephone have never even so much as spoken one word to each other outside of the courtroom that Thetis technically put her in after plotting against her for an entire season.

Eros is a man. Nothing wrong with that but it comes with the unintentional icky hilarity of implying that because Eros is the gay best friend, that means he's a woman.

They literally don't read this fucking comic-

Everyone always relies on this weird talking point of Demeter not being able to "let Persephone go"... y'all, she just didn't want Persephone to outright move to Olympus, she wanted her to commute. That was it! That was literally the only problem! She wasn't preventing Persephone from pursuing a higher education or telling her she wasn't allowed to work, she literally fucking encouraged it! And with the added later context of Persephone killing a bunch of mortals - and, ironically, the fact that Persephone was assaulted/put in harm's way by TWO SEPARATE MEN in the first two days of her time in Olympus - yeah, I don't blame Demeter for not wanting her daughter to move cold turkey actually LOL

Also hilarious that they claim Rachel has turned "tradition" into "innovation" when the only thing she's managed to do is set back modern feminism in her young adult readers by 80 years and re-establish misogynist brainwashing in her adult ones. Rachel, your fanbase was literally shipping a victim of abuse with her abuser just a few days ago.

oh boy this is uh

this is some cult shit ngl

and the "rewriting the script of Greek mythology" part is VERY concerning knowing what we know about Lore Olympus and who it was written by. This is literally cultural appropriation, full stop, and it exists because Lore Olympus - and works like it, made by people like Rachel - exists.

I can't even commit to the original theory that this was written by a bot because it all feels very pointed and intenetional. This is being written by someone who, at the very least, REALLY sucks at media analysis and writing, because the entire article is just "Lore Olympus, buzzword, Lore Olympus, buzzword, buzzword, Lore Olympus", it's like a white knight incantation for guilty virtue signallers who have zero clue what they're talking about. And at worst, yes, it's appropriation from someone who doesn't mind taking a culture's stories and myths and promoting their erasure by people outside of the culture like Rachel.

And that's it, that's literally the article lmao

*EDIT: There was a section here before addressing the writer of the article from a very opinionated POV that, while isn't unusual for what I do here, did feel necessary to remove after I was contacted by the article writer who addressed the flaws in their original article and is now seeking to correct them with revisions/an article rewrite. So I felt it only fair as a compromise to at least remove that section as it really doesn't have a whole lot to do with this post as a whole and can be removed without entirely ruining the flow of this analysis. If/when that article is rewritten, I'll be revisiting this post and my overall analysis !

And honestly, it's all really telling, because this does accurately reflect the state of the LO fanbase.

Not only do many of the people who defend this comic like it's their job not pick up on the blatant misogynist tones that are going on in its narrative (I can't even call them "undertones" anymore, they're no longer that subtle) but whether or not they even read the comic at all is up for debate with how much stuff they tend to get wrong in their own arguments and justifications. And this is something that's VERY regularly seen in the fanbase discussions, readers will constantly be unaware of things that happened because they skimmed through it at lightning speed just to see if Hades and Persephone kiss and so they can get the top comment on Webtoons so they can be "ahead of the fanbase". It's no wonder that Rachel has gotten used to getting away with retconning things because her fanbase didn't even read what she established the first time.

Rachel's fanbase was literally defending the romance ship of an abuser and his victim on the newest FP episode preview. When that FP episode came out two nights ago and Hera said, point blank, that he didn't love her but abused her, I could only think of that portion of the fanbase who was very audibly simping over Kronos in the IG comment section. Are they actually having their moment of shameful clarity now? Or are they just gonna move the goalposts and pretend that didn't happen?

I don't want to say anything bad about Shelby here because she really seems like she's fighting for her life on this site that she's trying to get off the ground, but a lot of her other articles also come across as very one-note while being peppered with buzzwords that make it seem like what she's talking about is "progressive" when it really isn't. Case in point, Lessons in Chemistry has been commonly criticized for not actually appealing to the demographic that its Mary Sue-ish main character is supposed to represent - women in STEM career fields.

I've said it before, and I'll say it again: Lore Olympus is not 'feminism', it's white feminism that is designed to appeal to predominantly heterocis white women who think the solution to misogyny is to willingly submit to it and accept the status quo - that it's "empowering" if the woman is smiling and having all her needs paid for by a man. Sure, I can accept that different women will be looking for different relationship dynamics, some women genuinely are happy being in a relationship where they support their husbands first and foremost. But can that truly be called feminism? Or is the real feminism the choices we make along the way that we should be given the freedom to make?

It says a lot about the folks who tend to regularly prop up LO on a pedestal like this as some "revolution in feminism" despite the contrary after spending more than just 30 seconds skimming the attention-grabbing art, and Shelby is just one of many. She's not the worst of the bunch, though.

That goes to someone else who I want to give proper light to in their own essay. Someone who definitely earned a good stern talking-to this past week and has, thankfully, had consequences dished out to her for her horrible actions towards queer POC writers.

If you know, you know. If you don't, buckle up.

#lore olympus critical #lo critical #anti lore olympus

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adobe-outdesign · 1 year

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Nigel: The Muppets' Most Interesting Uninteresting Character

(This was supposed to be a fun little post about an obscure Muppet character but now I fell down a hole doing too much research and sunk cost fallacy won't let me live it down unless I include all of the useless information I've learned so enjoy knowing more about this character than you ever have or ever will want to know)

Nigel was created to be the host of the Muppet Show's Sex and Violence pilot instead of Kermit (who only appears in the pilot for like 30 seconds)

He was originally puppeteered by Jim Henson himself, giving him a vaguely Kermit-esq voice initially

Nigel Voice Count: 1

Nigel is a yellow... something. You’d assume he’s just a stylized human Muppet but in S4E18 Sam refers to him as a “thing”

He actually looks near-identical to a Fraggle minus the tail. I don’t know what to do with this information

Nigel was diagnosed with terminal Boring Personality disease due to the following attributes:

He’s very meek. Unlike Kermit, who will freak out and tell people they suck to their faces, Nigel raises his voice one (1) time and mostly relies on Sam the Eagle and Crazy Harry to deal with the assorted chaos

His face is flexible like Kermit’s, but he has permanently partially-lidded eyes that leave him looking exhausted in every scene he’s in

He’s generally unenthusiastic and seems like he wants to go home constantly

Jim Henson: The Works describes him as "lacking in spunk and charisma," which is hilariously cruel yet 100% accurate

What’s surprising at this point is that instead of scrapping him, he instead took on the role of orchestra conductor on the show proper, where he proceeds to do almost nothing for five seasons

The Muppets Character Encyclopedia actually provides a canon reason for this: Nigel lost the job of host due to his “shy manner”, and Kermit, feeling bad for replacing him, gave him his new job

He can technically be seen in basically every episode during the theme song, but aside from that, he often pops up in the chorus during songs

Which is funny when you consider he should be in the pit Doing His Job during those sequences

A quick list of his more important (if you can even call them that) appearances:

S1E2: He has Zoot play a song called “Sax and Violence” b/c pilot references

It’s actually implied the Mayhem falls under his jurisdiction as he threatens to fire Zoot, but this never comes up again

S1E24: Playing the part of a library patron noisily chewing gum (despite not having teeth. idk you figure it out). This one’s only notable because he’s wearing the same outfit from the pilot

S3E16: Nigel’s eyelids are not connected to the rest of his body and he’s facing backwards through the entire backstage segment so you’re uncomfortably aware of this

S1E23 has Floyd complaining that the theme song is cringe(TM), at which point it’s casually revealed that Nigel wrote it?? how is this character so important and unimportant at the exact same time

If you’ve seen this episode and aren’t deaf you might have noticed he has a completely different voice here. This is because John Lovelady has taken over as his puppeteer, presumably because Jim was busy Running The Entire Show

Nigel Voice Count: 2

Nigel has a talent for whistling, which is shown off in S2E18 during a performance with Floyd (this is the only time he comes on stage to perform that isn’t with a crowd)

He shows this off again in S4E18 to participate in the age-old sport of Annoying Sam the Eagle backstage

As of the 2011 movie Walter takes over as the show’s resident whistler because Nigel isn’t allowed to have character traits

He briefly shows up during the credits of The Muppet Movie (now puppeteered by Dave Goelz). Because of this, in the UK version of the end credits, he has another completely different voice

Nigel Voice Count: 3

After a brief background appearance in The Jim Henson Hour (S1E12), Nigel proceeded to completely disappear for 20 years

I’m guessing the reason was that his puppet was becoming unusable. The foam used for the muppets disintegrates over time, and his puppet was ~15 years old at this point

Things were particularly bleak for him in the 90s because Muppets Tonight came out with a new unrelated TV director character named... Nigel. Because Jim had passed away at this point and I think everyone working on the show literally Forgot they already had a character named that

Not that it would be that big of a problem, seeing as the chances of yellow Nigel returning were bleak. who was gonna spend time and money rebuilding an incredibly minor background character like him

TRICK QUESTION because he was rebuilt for The Muppets (2011), which is pretty amazing when you consider that he does Nothing during this movie

The new puppet looks pretty similar to the old one. I think the face is a bit rounder/more structured but I could also be losing my mind

(Side note: shoutout to whoever decided to give him a scarf in this scene. that’s such an unnecessary detail)

What’s great is that now that the puppet’s been rebuilt he’s shown up in a lot of stuff because they have no reason not to include him. Some of the more notable examples include:

The music video for OK Go’s cover of the theme song (which I certainly hope he would show up in I mean. it’s his song)

In the live shows (The Muppets Take the Bowl and The Muppets Take the O2) there’s a parade of overlooked characters, which includes Nigel. I just find it funny that:

A) The writers fully acknowledge that he’s King of the Background Characters

B) The in-universe implication that Kermit was like “no one knows who you are, wanna be in a parade celebrating that fact” and Nigel was like “okay”

His most recent appearance was in Muppets Haunted Mansion, where he’s dead (don’t worry about it). More importantly, he gets an entire shot to himself conducting some skulls, which I think is the first time the camera’s been focused solely on him in literally 40 years. Good job, buddy!

Here’s some other misc appearances that I couldn’t fit elsewhere:

He appears alongside Jim and a few other Muppets in a 1977 commercial for American Express (once again wearing his pilot outfit), which is particularly strange considering he’s the only character there that used to be puppeteered by Jim

In 2010 he got a somewhat important role in the first issue of Muppet Sherlock Holmes, playing the part of a butler suspected of poisoning the head of the house

He gets one whole page in The Muppets Character Encyclopedia from 2014 (right next to other Nigel). In addition to the aforementioned info bridging the gap between the pilot and the show proper, it also states that he’s susceptible to hypnosis and he trained at the Tommy Newsom Academy for Music and Charisma

In terms of future projects: there is both a Jim Henson biopic and documentary coming in the future (side note: why???), so it’s possible he might be discussed briefly in one of those

I have no thesis statement or reason for writing this, but I guess I’ll close out by saying that I find it fascinating that a failed main character from a pilot episode is still appearing in recent Muppet productions but solely as a background character. I hope that in 2073 I can put on some Muppet media and Nigel will still be there still doing absolutely nothing

thanks for coming to my TED talk

#muppets #the muppets #the muppet show #the muppets 2011 #nigel #outdesign posts things #long post #nigel is like The character to throw in a scene if you want to show you know your stuff #because all the hardcore fans will be like 'omg nigel' without fail every time while regular fans literally won't even notice him #tumblr stop removing my sub bullets you're making my rambly incoherent posts look even more incoherent #greatest hits

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feroluce · 4 months

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I have been informed by a mutual aid that you are a henghill enjoyer. You've single-handedly gotten me to care about Gepard and I would love to hear your thoughts on Cowborg Menace x Dragon That Can't Catch a Break

Aaaaaaaa I'm really flattered!! I have also been informed by a mutual aid that you have good taste (read: rvb enjoyer) and I need you to know that part of the reason I treat Gepard the way I do, like messing with him constantly, is because he makes me think of Wash. Poor dude was doomed the moment I got my grubby little mitts on him sksjkskdjd

But anyway yes, henghill! They really got me by the throat out of nowhere in 2.2. They're just. Surprisingly sweet?

The two of them get along very well, they see eye to eye on a lot of matters and have some similar mannerisms, they can hold long conversations together, and they have a shockingly swift understanding of the other in a very small amount of time! Platonically or romantically, there's a lot to dig into there. ♡

And I do mean a lot this basically ended up becoming a big long ship manifesto I'm so sorry zmjzznkdjd

Like first of all they're both fucking nerds over each other. Boothill's adoration for the Xianzhou alliance is already well-documented in his About Dan Heng voice line, and is appropriately pointed out in the fandom as sounding gay as all hell.

We know what you are, Boothill.

But then! He further cements it by trying to use Xianzhou sayings in front of Dan Heng haha

Not only that, but Boothill was able to recognize the Jade Abacus of Allying Oath for what it was like immediately, and instantly took it as proof of Dan Heng's identity as a Nameless. The validation of the Xianzhou is clearly a huge deal to him.

And Dan Heng plays it cool but like. I don't think he's actually much better JFKLASJDKL

The in-game Data Bank, which is supposed to be written and maintained by Dan Heng himself, has a pretty positive glowing review of the Galaxy Rangers.

And I feel the need to point out that like. The Galaxy Rangers are essentially a vigilante justice group..."group" being a pretty loose term, there isn't a whole lot of organization in there. Not everyone has a very good view of them because they're outlaws and there's a pretty wide and wild variety of individuals in the mix there, Boothill even confirms it as such.

And that archive entry is a hilariously stark contrast to the one for the Masked Fools, who Dan Heng does NOT seem to respect. So you can tell he puts a lot of his own opinion into the data and you can really see where his preferences lie KFDLAJFKLD

He does let his fanboy slip when Boothill first announces himself as a Galaxy Ranger though, just a little bit haha:

They're like the equivalent of when your favorite big name fandom person follows you back, you feel me fjkdjasflkdjskal

Which. I feel like it does make sense that he would really idolize the Galaxy Rangers and see them as heroes. Dan Heng is someone who was a victim of centuries of wrongful imprisonment and political power plays, and it would have been way worse had Jing Yuan not gone above the preceptors to protect him. He is someone that the system failed, and horrifically so. Of course he would like the idea of righteous heroes who stand for justice and travel the cosmos freely to help people.

And as @hydrachea, CEO of Dan Heng Enterprises and Super Genius with Giant Wrinkly Brain pointed out, this background DOES lay the foundation for Dan Heng to relate to Boothill a lot. You see this displayed beautifully in his Keeping Up With Star Rail video, where Dan Heng gets really protective of him, I adored it so so much. ♡

In it, Dan Heng not only comments that he originally came because he thought he was giving a presentation on how to be friendly with Boothill, but every time the IPC tries to paint him as some violent dangerous ruthless criminal, Dan Heng speaks up to explain his way of thinking and to defend him. It was really sweet!

And Dan Heng is protective of people anyway. He serves as the Guard of the Astral Express for a reason. He had nothing and no one before Himeko took him in, and now that he's found companions to love he is viciously defensive of them. You see it in the way he guards March 7th during fights on Jarilo-IV, in how he goes out of his way to bring important info to the trailblazer, in how he left the safety of the Express and infiltrated the Luofu because he was terrified he was going to lose them. But there's maybe a little extra layer of Understanding in the way he so persistently speaks up in Boothill's defense.

And I'm sure that this is a part of him that Boothill really admires, too, because Dan Heng also displays these instincts in Penacony. He makes the decision not just once, but twice, to use the Jade Abacus to save the Express Crew. And we know from Boothill's earlier reaction to it that like. The Jade Abacus is a Big Fuckin' Deal. It is something of immense value. Even with everything that's at stake, Boothill urges him to really make sure he wants to use it.

And this was something that really got me in the heart later, because! In Ena's Dream, Dan Heng once again decides to use the Jade Abacus, and. I'm not quite sure I can effectively put it in words, but there is something just so so sweet in the way that Boothill tells him no, Dan Heng should keep it. This is a get out of jail free card that could save his life down the line, he wants him to have it in case he finds himself in danger again later.

It really gives the feeling that Boothill actually wanted Dan Heng to not have to rely on this before, but there was no other way at the time. But now there IS something Boothill can do about it, and he wants to do something about it. A sorta-kinda "let me protect you this time"-ish feeling. If that makes any sense. He doesn't want Dan Heng to have to make that sacrifice.

Because I think Boothill would consider that a really admirable and respectable action, especially given his background. The IPC eradicated his homeplanet. He lost his parents, his siblings, his daughter, his home all in one fell swoop, and he has been on a fully dedicated revenge quest ever since. How could he not be a little awed by someone willing to give so much to protect his home and his family?

I think it's something the two of them understand in each other, because as it shows in the dialogue the first time Dan Heng decided to use the Jade Abacus, Boothill caught on immediately. He already knew what Dan Heng was planning before he even said so. And it's not even the first time he does that! Even as early as their initial entrance into the Reverie, Boothill is able to tell when Dan Heng is stressed, why he's stressed, and he backs off and gives him space without any fuss.

And it works! After the Express Crew are safe, they go from Dan Heng correcting him to more just kind of going with Boothill's flow, and I feel like this is a much better basis for their interactions.

Also I'm crying about Dan Heng blabbing that the trailblazer is a vessel of a Stellaron, gossipy little dragon fjdkasjfdklsaj

Like the two of them just GET each other! And so quickly and easily! It's ridiculous! Dan Heng is able to explain the methods behind Boothill's madness. Boothill is able to read Dan Heng like a book. They both had the same reaction to learning Acheron was a Self-Annihilator. They both really believe it's just fine and normal to have a weapon out if you don't trust someone yet- Boothill pulled his gun on Acheron the second he saw her, Dan Heng got his spear out and poked Sampo the first time he met him (valid). And they both act Like That because they're similar flavors of wary and cautious. They had to prove their identities to each other when they first met before either of them could relax.

They're both frank, and blunt, and will openly call shit out or question it when they see fit. They both believe in answering the call to action, and share a lot of their ideologies of The Hunt, like upholding justice and saving the innocent and protecting the weak. Boothill lives to fuck over the IPC and keep them from colonizing more planets like his, Dan Heng didn't even consider his own wants and asked to go to Edo Star to help the population there. They take their creeds seriously, and dedicate themselves to them, enough to be offended by imposters. Dan Heng dislikes Boothill claiming to be a Nameless, Boothill was literally hunting down Acheron for parading around as a Galaxy Ranger.

And all throughout 2.2, Boothill displays an immense knowledge of Paths and Aeons and even Emanators, and Dan Heng is a huge nerd an archiver and a collector of knowledge. The conversations these two could have!! They've both been to a lot of places and seen a lot of things, and I think Dan Heng especially would love listening to Boothill's stories and then adding them to the data bank. They can probably relate on rough travel, too- Boothill refers to the Astral Express as "bunkin' in luxury" and Pom-Pom once said Dan Heng was "used to sleeping on the rope." When March 7th takes the trailblazer to look for Dan Heng, she even phrases this as though he and Boothill have been talking together for quite a while!

Hell, even when they awaken in Ena's Dream, they arrive together:

They were together for almost the entirety of 2.2; literally the very first scene of it was their introduction. They only truly separated when Dan Heng went to help in the fight with The Great Septimus and Boothill to gather the Rangers (and then go shoot Aventurine full of holes fjkdlsajd) but! I'm really hoping we'll get to see more of them together in 2.3! They were a really cool duo, and it was so fun to watch them all through this update, I really want to see more of them now and explore their relationship dynamic more! ♡

#honkai star rail #henghill #bootheng #dan heng #boothill #hsr #I know they're probably going to be like how Dan Heng and Luocha never interacted after the Luofu main quests but LET ME BELIEVE #I'm just a sucker for ships where they quickly get each other. all the more if they're largely regarded as difficult people by others uweh #(Dan Heng is called cold and reticent and Boothill is a wanted felon fjdlksajflkdas)#this got way longer than I meant it to. thank god I take so many screenshots. I basically have all of 2.2 in stills jfdksjdkl #and I edited and sorted through a lot of them plus all the writing so this had better convince at least one person dammit!!#henghill is one of those ships I can really enjoy platonic or romantic they're just very sweet either way

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mithrifer · 4 days

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My thoughts on Flipside

Class of 09 Flipside was hilarious, but I don't think it approaches the original or reup in quality.

I don't think it's because the main character is Jecka, or anything. Honestly, Jecka is the best part of the game, she's consistently good whether it be in jokes or likeability. The side characters just don't... live up to her though. Aside from her it's just Nicole, Jeffery, her dad and Kelly. I don't think Nicole is very good in this game, Jeffery and her dad are rather one note as expected and Kelly... unfortunately stars in the weakest route by far and does not much even there. Barely any Emily and Ari, no Kylar, no Karen. No Kyle. Jecka's great and carries herself quite well throughout the game, but she feels really alone narratively. This could be a conscious choice, as she goes through most of her troubles as a lonely girl without anyone to rely on, but I think they could've made that point without sacrificing the interest that comes with everyone surrounding her. Most of her interactions either use the other characters as jokes or to elevate her story, which wasn't how 09 or reup felt. Nicole got to try out new things thanks to all the weirdos she was surrounded with giving her new ways to have fun, whereas Jecka only really has Jeffery and her dad in that way, and she feels trapped no matter what she does. She didn't seem that way in the first twk games, but I suppose you could say those were not about her. I think the fact that you can't see her mom even on the school routes speaks volumes though.

Every ending is there just to shock you, and I'm not saying this because there's no happy endings or anything, the first two barely had those. It's more like... the endings feel like they barely have anything to do with the routes they come from? Why does the foot route end with... that? It's just out of nowhere. Not to mention the deal with the whole FYE route. I don't think there's anything redeeming about that one, it doesn't even feel like it belongs to the same world. And the way the game cheapens one of the best endings in the original by just, inserting Jecka. Which is something people have wanted for a while now, but I don't think the idea was done justice. It feels like a cheap "here you go" moment to me. It's really upsetting because I feel like the game could have gone in a ton of great places, but there's barely any choices or routes and the abrupt, weird endings just feel like a slap on the face even to the ones that were given. I think the best route was the one about drinking because it felt honest to Jecka's character and the ending was something I could've actually foreseen in one of the earlier games. After that it's the one with Jeffery, but I'm kind of iffy on that because I don't think Nicole would do that. Not for any moral reasons but more due overall disgust. Feels inconsistent with her presently given character.

The writing feels overall different imo. It's hard to put a finger on it, because it definitely relies on the same formula it had in the previous entries, but nothing in Flipside packs the same emotional punch. The humor is fairly good, but it's not spectacular like the first two games were for me. I still laughed out a few times though, since this is right up my alley.

I'm still happy I saw it, because it was quite fun... But it wasn't really more than that. It just felt like a humor piece. I don't know what spoke out to me in the first two VN's, but I don't think Flipside has it. And honestly, considering it true to these two (canon, ig?) lessens their value for me due to the shift in the thematics and I guess writing, so I think I'll ignore it when I think about the series in general. Which is such a shame, because I want to love it, it's just... not there.

It's definitely worth the time to check it out either way though. Again, pretty funny. This is what I felt about it, and I wanted to get my thoughts out. Since it's so early in its release, I've tried to avoid putting any spoilers in the post. Maybe someone will read it and appreciate, idk. Drunk driving rules.

#class of 09 #class of 09 flipside #nicole class of 09 #co09 nicole #jecka class of 09 #co09 jecka #i kinda want to go through the first two again now #tldr they were better #mithpost

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faithinchances · 8 months

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Hit me with more of Roy conned Jamie into being nice and City is mad about it. I remember the concept and am face pressed against glass!

The basics of the original concept from @jamiesfootball are that Roy accidentally puts Jamie on a niceness points system so they can be friends, wherein Jamie gets to be a dick once for every four times he does something nice, with plenty of shenanigans along the way and everything is fun and hilarious until Jamie gets sent back to City which is when I get to make it sad and dramatic (ie, Jamie spends his nice points on his teammates/Pep/everyone else at City, and his dick points on Sr with the predicted results)

Jamie is an asshole at Richmond, in a way which is pretty well on par with the people around him, except that the narrative frames them well and Jamie poorly. Isaac and Colin do the brunt of the on-screen bullying but we're supposed to blame Jamie because he laughs at it. Roy humiliates Jamie by framing his embarassment as the funniest thing Roy has ever seen except that it's okay because Jamie is an asshole. Ted yells at Jamie for being hurt and unable to train, which is cool because Jamie is "obviously" faking an injury to get back at Ted for benching him.

Basically everything and everyone kind of sucked.

Take him out of that and put him in a functional dressing room with a good coach and lower pressure overall, and I don't think Jamie would behave that way. I don't think he ever behaved that way at City.

So Jamie goes back to City, a place where he never was much of a prick to begin with (except to the opposition team, because that is part of the sport), and has a casual identity crisis in the back of every shot.

He is touch-starved, being very very good, and blatantly and obviously anxiety-ridden, and all of this in ways which he hadn't been the year before.

Someone: *gets tackled kind of rough by someone on the other team* Jamie: Pep put me on put me on I will break his ankles and restore our honour Pep: ... no... ... Jamie are you doing okay? Jamie: Yes Pep all is well and good, I am just using a nice point. Pep: I'm going to think about what that means some other time. Jamie on the inside: oh fuck oh fuck oh fuck oh fuck oh fuck

Meanwhile, Jamie is gradually racking up bruises, injuries, and sore spots because he is constantly pushing Sr's buttons so he can pretend that he's still 20% an asshole, and City desperately want to know what Richmond did to their previously nice, normal teammate for him to come back as this clicker-trained attack chihuahua.

(sidenote, I headcanon Jamie as struggling with statistics and numbers games. That he doesn't play FIFA because he worries about how wanting to maximize his ingame stats could negatively affect how he plays in real life. That the only person he's willing to take statistics from are the tactical scouts (a position at a club where you study the upcoming opponent to learn their strategies and tendencies to better prepare the players to face them) because he doesn't want to wind up maximizing his pass completion percentage by no longer taking good risks on through balls or crosses. He's a numbers guy in a way which is sometimes a problem, and is definitely a problem here.)

(a different sidenote, Roy's poor opinion of Jamie was probably a torpedo to his self-confidence. He probably always struggled with both, in some part due to Sr's abuse, but he worshipped Roy. And Roy hated him.)

Hence: an intervention.

Someone, either the captain group (football teams will have ~4 captains with an internal hierarchy, since there has to be a captain on the pitch but no one can actually play every minute of a season) or Pep, sits Jamie down for a chat about how concerned they all are about him and Jamie what is a nice point, what is a prick point, Jamie you were already nice. We already liked you. But right now you're scaring us. You're hurt. Jamie who are you using your prick points on. Jamie? Jamie?

#child abuse tw #ted lasso #jamie tartt #fanfic

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possibly-drunk-on-fanfiction · 5 months

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Flowers of Futamono (updated version)

Update note: I misidentified a couple of flowers and am posting an updated version. I will leave my original up as well.

My mind recently has been on one specific Hannibal tableau.

This one:

I haven't been able to stop thinking about it in regards to flower meanings. I'm not all that versed in flower language, but I am aware that flower meanings differ from place to place. Japan in particular has a unique flower language. Yellow roses are known for being symbolism for friendship, however in Japanese flower language they mean jealousy. I bring it up because the entirety of season 2 uses Japanese dishes to name the episodes.

I have thus latched onto this and have drawn the comparison between Japanese flower language and this particular tableau.

I have of course run into a problem but I have a solution and thought process onto why this is the case.

Jack names three of the plants we see; belladonna, white oleander, and ragwort.

Now, do you see the problem? That's right they aren't the flowers used in the tableau. Only one of them was actually correct.

They look similar enough that most likely the showrunners just didn't think anyone would go through the effort to look up the flowers. I would like you to stay with me though because it's easy to headcanon and explain this glaring issue away.

Jack isn't the kind of guy to know flowers and neither are the people around. Hannibal though is absolutely the kind of guy to send a message with flowers that no one would understand.

Maybe it's on purpose though because there is the surface layer meaning with the flowers that Jack names, and then there's the actual flowers used and the true underlying meaning. And I'm going to assert that Hannibal is also experiencing such a dilemma. His Person Suit doesn't agree with the Ripper beneath the surface.

Originally I called this one purple hyacinth but it's actually bittersweet nightshade.

The one place I could find a Japanese meaning had its meaning as "dark thoughts". Which makes sense given nightshade is one of the most poisonous plants out there. Nightshade is often called the devil's plant and is associated with death and betrayal. Google told me that the specific nightshade in the tableau were used in wreath making to mean fidelity ('til death do us part, I suppose) which I can't help but find hilarious considering Hannibal emotionally cheating on Alana the whole time he's with her (even if he's apparently unaware of his feelings until season 3).

This and the subsequent meanings are more than likely for Will as he is the real reason for the tableau in the first place. Previously Will tried to kill Hannibal via Matthew and in response he says he must get his appetite back, thus this tableau.

For the next one we have the chain of white oleander which is actually two different flowers with some moss. The two flowers we actually have here are narcissus and pink hyacinth. Narcissus' meaning is; "self-love, egotism and unrequited love". Pink hyacinth is simple in comparison because it's sole meaning is: "play". Interestingly oleander's meaning is; "caution, beware". A sign that things are not entirely as they seem.

More than likely this flower is a chrysanthemum indicum hybrid rather than the apparent ragwort that Jack calls it. While I couldn't find a meaning for the specific kind of chrysanthemum that is pictured, the meaning I did find for yellow chrysanthemums is: "slighted love". I couldn't find any significant symbolism for ragwort. I did however find lots of warnings about it being poisonous.

The other one I got wrong is the one I called a blue globe thistle but its actually sea holly. I'm not surprised about being wrong about this one with how similar the two plants look. Looking up the symbolism gave me a bunch of different things. From prosperity, to luck, and independence, refinement, also attraction. One site even has its meaning overlapping with one of thistle's: austerity.

The red flowers are unfortunately not easily identifiable. The could quite literally be almost any red petaled flower.

While that covers the meaning of the flowers within the chest we still have the flowers of the tree.

Another possible incorrect flower is the tree itself. While watching the episode again it's obvious they used various different shots of blossom trees. Some look like apple blossoms, others like cherry blossoms, and of course some look like plum blossoms. While they all have unique meanings specific to them, the overarching symbolism of blossoming trees is; hope, renewal, new beginnings, perseverance, and keeping promises. Generally just about surviving the winter because blossom trees tend to bloom before trees get their leaves in spring.On top of the incorrect flowers is the fact that I forgot that Will does end up seeing the tree in picture form in the next episode. His recreation of it is interesting because unlike others where he recreates where it happens, the scene shows him in Hannibal's office. That shows that he gets that the message is to him because that is where Hannibal had sown the seeds of Becoming into Will, but I get the impression he's blind to the whole meaning of the flowers. And what is the message Will is missing?

It's still a response to Will's attempted murder. Since the tree and flowers are in bloom there is a message of pride (narcissus) that those seeds he had sown started to sprout, that Will has stepped up to play (pink hyacinth) the game with Hannibal. He is disappointed and feels slighted (yellow chrysanthemum) by him using a proxy and that Will could use some refinement (sea holly) still. Overall though he's applauding the new beginnings (blossom tree) and the dark thoughts (nightshade) that has been sown into Will's heart.

I left a portion in the early part of this post asserting that Hannibal's Person Suit doesn't agree with the Ripper that lays beneath the surface in a similar fashion to the way Francis and the Dragon aren't entirely one. I have spent a lot of time deliberating whether or not the message he sends here is in agreement with the actions of his Person Suit. As I have left the aforementioned assertion I agree with my previous thoughts.

And I have Jack Crawford and his line where he names the flowers to thank for that. Why call one of the most notorious poisonous plants belladonna? If the team wanted to actually sell the whole poisonous man-tree thing I don't see a reason to not call it nightshade; a way more recognizable name. He calls it belladonna. By that point in the series we already know about Jack's wife Phyllis who he calls Bella. The audience is already aware of him calling his wife beautiful all the time. The association of Italian words and their meaning is present. Bella donna meaning beautiful woman is just a surface level meaning that is easily coupled with the blooming on screen relationship between Hannibal and Alana. A relationship that Hannibal seems to actually care about as he doesn't want to kill her and invites her to partake in his hobbies; the dinner parties and playing his instruments.

Yet the Rippers bouquet message to Will as well the subsequent actions show that beneath the surface his thoughts are only on Will. Even the canvas upon which he uses for this tableau is a white man with messy brown hair.

These details show that there's a dilemma going on with the Person Suit and the Ripper. And this is glaringly obvious because Will is unpredictable; especially after release. By being with Alana he was putting her in danger. Hannibal had to have a lot of faith that Will would never hurt her. Even after being baited by Will's flirting he still tried to send her away during the season finale. And even then it was Abigail who almost killed her, not Hannibal. Yet not once are any of the Ripper's actions defined by her. Those are all for Will. Underneath is an obsession and love that Hannibal has no clue what to do with.

All the Ripper could do was leave a lonely tableau in an empty parking lot, with the roots and guts on display, and no one around to understand. The only hint of the actions to come.

#hannibal #nbc hannibal #hannibal tv show #hannigram #hannibal analysis #flower analysis #tableau analysis #updated post #long post #finally satisfied

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olderthannetfic · 9 months

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https://olderthannetfic.tumblr.com/post/739683077572395008/kids-in-my-anime-adjacent-fandom-discoursing-over

Reminds me of the time I found out that most East Asian BL writers actually have a set bottom/top dynamic and that switching is very very rare. I think the author for MDZS/The Untamed said that the main couple shouldn't be switched, and that the Chinese Danmei fandoms do follow that for the most part. As in, most Danmei fandoms do not switch the dynamics of the top/bottom in general, nor do they do much switching at all? Which makes it absolutely hilarious how the Western fandoms keep insisting certain Danmei boys to be switches or switching their dynamics and claiming it's canon. TGCF/Heaven official's blessing seems to be such a case, from the same author as MDZS. Author says Red dude is the top, and White dude is the bottom. Western fandom starts arguing dynamics because there's no porn in the books. (Apparently Chinese censorship bc one of them is a God.)

And just to be clear, I'm just sharing what I got told, so if you don't like it, that's not my problem. If I'm wrong though, I'd welcome the clearing up.

Sighhhhh.

Anon... Yes, this is roughly correct, but it's also just tonally kind of wacky. It's like if someone sent me an ask going "Apparently, some women ship m/m, but don't quote me on that".

If I don't like it, that's not your problem?

Really?

What a whiny bitch-ass thing to say in someone's inbox, dude.

Anyway, on the actual topic, yes, 100% strict top/bottom roles have been the norm in many Asian fandoms and, to some extent, foreign fandoms for Asian media.

That doesn't mean nobody ever likes switches there though. There are terms for that. It's just not as common and doesn't sell or get clicks as well.

Yes, you can generally tell from BL/danmei canons exactly who the top and bottom are even if there's no sex. It's like reading a Regency romance novel and figuring out which love interest is "the rake" or whatever. It's more than just who sticks it in: It's a whole constellation of character cliches that go together.

The only reason Western fans can't tell is 1. bad translations that lose the flavor of the original, 2. n00bs not knowing the tropes, 3. willful blindness.

It's like that post from a while back about shizun-fuckers. Yeah, there are tons of ships where the older partner is the top, but this trope is about reversing that, and it's so unbelievably unsubtle.

I've heard that Yami no Matsuei's set of leads is so wacky because the author changed direction on who was the main lead and who was supposed to read as more of a bottom and thus this one dude doesn't read as quite the trope he was probably originally supposed to be.

(Cue reheated zombie wank about who's the bottomiest bottom out of all of the abused woobies in YnM.)

Re Chinese censorship, it has varied over time. I'm no expert either, so people are welcome to chime in, but basically, a lot of horny stuff is straight up illegal on the mainland and they've been cracking down in recent years in a way they didn't a while back.

A lot of danmei novels will have the less censored version printed in Taiwan.

It's not just about some character being a god: it's about the entire concept of pornography being illegal.

Some decades, you can push the boundaries a lot; some, you can't.

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thegirlfromgonewiththewind · 9 months

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Personal review regarding what if…? season 2 episode 8 (spoilers)

No ok, I must admit, the episode was good in some aspects.

Wanda was majestic. Loki and Scott were hilarious and I loved every single moment with them.

Thor was amazing, dark and serious out of loss but still enjoyable, and the crumbs of his relationship with Hela were very nice.

I’ve actually liked Tony for the very first time in my life, probably because I tend to like him a lot more in AUs and fanfictions than I do in the normal timeline.

And then… there were those two.

I will never comprehend why marvel wants Steve to be so dependent on Peggy. And I will never comprehend why, to make him interact with her, they have to destroy or sideline every other relationship he has built, or make his character flat.

Bucky being friends with Scott was amazing, but the fact that him and Steve interacted like two times was extremely disappointing. You’d expect “best friends in every universe”, if you dislike the romantic pairing so much, to acknowledge themselves for more than a few scenes, in only one of which they’re in frame together (Bucky was literally 😐 while his best friend disappeared, come on now).

And the storyline about Peggy coming from another world to save the universe was just… Mbah. It could’ve been executed in another way without including her and it still would have made sense. It really feels like a Y/N insert.

Seeing literally any other character was so good, so fun, and they had to ruin it this way, making Peggy once again the self insert and girlboss she didn’t need to be.

Plus, forgive my constant complaining, but it’s extremely infuriating how all of Steve’s friends were eliminated to put the focus solely on Peggy. Where’s Sam? Where’s Nat? Where’s Clint? It’s not an underrated friendship we’re talking about, a big chunk of the fandom loves the cap quartet or team cap, and after civil war it would have been nice to see them interact, especially after its popularity and popular demand. Outlaw team cap would have been glorious, a good chance to bring back many characters who aren’t here anymore in the right way, and involve characters that are rarely involved in What if in the storyline, for a change.

The treatment of Sam in this series particularly angers me, and even more so in this episode. I understand not involving him in other storylines, but Sam was a big part of CATWS and he wasn’t even in the episode centered on that film. What, because Steve met him while running he can’t be introduced in any other way? And oh, there’s no excuse for this episode. If there was one episode they could have placed Sam in, it was this one. Sam was there in infinity war, where the mess happened, and he should have been with the other avengers in this one.

If marvel wanted to involve someone from another universe so bad, it should have been a Captain America Sam from another universe. Can you imagine the poetry of seeing Steve and Nat again after endgame? Can you imagine having closure with them both, and having fun in the process? It would have been so great.

Another great storyline without involving characters from other universes would have been one where Steve, who touched the time stone, accidentally brought everyone in the past, and he was the only one to remember it. And to go back and prevent everyone’s distraction, he had to recruit the avengers, who don’t know him and don’t trust him but that in the end become his friends and companions. It would have been so interesting to see the original avengers involved in something different from being some side characters or extras in the one woman show that seems to be What if, constantly centered around the same bland, one dimensional reimagined side character. Peggy’s blandness is so obvious in these episodes (aside for some random remarks that made me smile) that literally everyone who’s involved directly with her must be bland like her, otherwise risking to overshadow her.

I don’t think I was supposed to cringe and look away as much as I did during Steggy’s forced scenes, but I did. If they had to force Steggy and Peggy down our throats, at least they could have done something different from the same bland and boring storyline as always. I wouldn’t be as mad as I am now if Peggy and Steve’s relationship wasn’t as bland. I would have preferred an enemies to lovers type of twist or change, where Steve doesn’t trust Peggy and struggles with her because he sees in her a different version of the Peggy that died in that universe. But noooo, god forbid, let’s go with the same old song.

An episode five or ten minutes longer with a better, avengers-centric or Steve-centric storyline would have been much better than what we got.

And given that this was my most anticipated episode, I was very disappointed by it. I hope for the next seasons, if there’s other ones, Marvel will listen to the general complaint regarding Peggy and will give her a break. I don’t think any of the original avengers or relevant MCU characters made as much appearances as Peggy, and being a main focus in four episodes out of nine is ridiculous.

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darkpoisonouslove · 3 months

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HotD S02E01

Many thoughts, head full, zero ability to articulate so I'm just gonna scream about it... on main. That'll end well.

First thing I have to say is that the atmosphere and tone definitely work very well here. You can feel the tragedy in the air, the way that it's already happened and it just waits to unfold, to be witnessed in its full glory. Everything is so eerie and bleak and everyone keeps going but they cannot escape the framework of the war. They're trapped in it and you feel it.

Daemon is... he kind of surprised me ngl. There are definitely layers of emotion there that isn't just rage or bloodthirstiness. I didn't want to strangle him the entire time so that's a positive.

Emma D'arcy was amazing in this episode and (I could be missing something; too lazy to check but) she only had that one line??? And still, you feel her grief. That was certainly an interesting approach and it worked for them!

Aegon is such a contrast to all the other characters! I know he's supposed to look completely out of place and incompetent but damn, I am On. His Side! He's ready to be so generous to the small folk. He's trying to compensate on what he missed with his own father by spending time with his son. He has no idea how to interact with Helaena but he's trying his best and goddamn, if that's not a summary of his character! 😭😭😭😭😭😭 (this is an Alicent AND Aegon stan account now, I guess)

(that scene of him and his buddies drinking in the throne room has such fuck boi vibes and yet, SOMEHOW he was utterly hilarious and still sympathetic in it (I'll talk about the place of that scene in the plot later))

@ Otto and Larys: STEP AWAY FROM THE CHILDREN!!!!!!

The scene with Otto and Alicent was surprisingly touching. They finally reach some kind of understanding... and then he turns right around and continues to scheme behind her back. Sure, what he was trying to accomplish with Aemond is in line with his talk with Alicent but he's going to have his own agenda 100%. This wasn't just a strategical decision because Aemond is mad at Alicent rn and wouldn't want to hear any of her opinions even if they're also Otto's opinions.

Which leads me to THE SITUATION BETWEEN ALICENT AND AEMOND AAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!! I. Am. Screaming (as you can see)! They are both so hurt and angry at each other 😭😭😭😭😭😭😭😭😭😭 And I can't even take a side because both of them are correct in different ways. What Aemond did is actively hurting the whole family because it certainly exacerbated the war proceedings. But he's also right to be upset that Alicent would (seemingly) place her old friendship with Rhaenyra above her love for her children. She should feel vindicated that the one that mutilated her son is now dead. But instead, she's angry and has turned away from Aemond. When she was the only one who stood by him (and vice versa) on that awful night when his eye was gouged out????? The disappointment that they each feel in the other is KILLING ME!!!!!!!!! (I have to say that I hadn't thought about the possibility of Aemond being angry but it makes perfect sense and it hurts me so badly. Look at the contrast of this and this)

And now for the absolute fuckery of this episode (pun unintended). I have zero problems with Alicent and Criston fucking. Good for them! Love the moral dilemmas that are 10000% going on in their heads. HOWEVER, the decision to make them have sex while Blood & Cheese is going down? More anti green propaganda from the writers and I am SICK of it. Alicent was originally part of the scene, she was there to experience the horror of it first hand and they choose to switch that for her having sex????? You know the same thing that Rhaenyra and Daemon were doing when the whole fight between the kids in 1x07 was going down and they got no shit for it whatsoever but, of course, Alicent and Criston are going to be torn apart about this, I am 100% positive about that! Once again, the writers are trying to manipulate the viewers by going "See! Not only is Alicent being a hypocrite because she said she wasn't going to do this with Criston again, but that's what she was doing when her grandson was getting murdered" when originally she was bound and gagged and had to watch the whole thing happen in front of her. You could say that they spared her that trauma but they literally could have had her doing anything else if that was the intent. I am ANGRY about this. Not to mention the fact that Helaena literally interrupting Alicole while they're having sex adds an obstacle to Alicent offering her comfort. At the very least she has to get dressed first before she can hug her and try to provide some kind of feeling of safety, which inserts awkwardness if not downright shame into Alicent's actions and choices during that night. (Oh, and this will probably make her stop having sex with Criston, which is going to be another big L; let her be marginally happy and have orgasms, goddammit!)

Let's go back to Aegon now! So while Alicent and Criston are too busy fucking to be any the wiser about what's happening with her grandchildren (even though they literally couldn't have known anything like that would happen), what is Aegon doing? (Probably) drinking and stroking his ego by trying to come up with titles for himself... as the assassins are walking past him, right under his nose. Don't think he's not gonna get shit about that by fans if not by the writers themselves! They have set everything up so perfectly to blame all the Greens for allowing this to happen (since Otto and Aemond are so ready for war and yet were nowhere to be found during this either) but what about the Blacks, who organized all of this? Well...

They are whitewashing Daemon now by making Jaehaerys's murder be the idea of the assassins themselves. You see, Daemon would have never gone after a 4-year-old! He was only going after Aemond! And this is yet another misunderstanding like with Lucerys' death, except that this was way more deliberate but you cannot blame the Blacks when the people that they hired acted on their own. I hate it here! The writers are cowards and cannot commit to the actual characters that they're supposed to be writing so they're just doing whatever they want. And doing it badly at that! (That whole sequence was so fucking disjointed and lackluster also so congrats to whoever wrote this on the terrible job that they are doing!)

Poor Helaena! She's literally not going to get anything in this season. They already did Blood & Cheese so now they're just going to make her lose her mind and give her nothing else to do. I hope I'm wrong about this but I don't think I am given their track record.

Anyway, go team Green!

*I already bitched about this in the tags of another post but the fact that in the extra ("inside the episode" or whatever it's called) they had the gall to say that Alicent was in a "marriage that was loving but not exactly romantic or physical for quite some time" is a fucking insult. HE CALLED HER BY AEMMA'S NAME! HE USED HER AS AN INCUBATOR AND COULDN'T EVEN BE BOTHERED TO CARE ABOUT HER OR THEIR KIDS. SHUT UP SHUT UP SHUT THE FUCK UP!!!!!!!

#house of the dragon #hotd season 2 #hotd #this is going directly in the fucking tags #team green #anti team black #anti hotd writers #alicent hightower #alicole #once more for the people in the back - good for them!#aegon ii targaryen #aemond targaryen #helaena targaryen #thoughts #review #sort of

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artemistalkstoomuch · 8 months

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All of My Opinions on the Mean Girls Musical Movie

Firstly, loved all the original film references. Of course the obvious ones like having the same lines, the thing about fetch being slang from an old movie, but also!!

. Janis' suit being purple for spring fling!! and omg let's not even talk about how pretty Aul'il Cravalho was throughout the entire film. Her eye make-up was so impressive

. that part in Sexy where they're cycling through potential outfits and one of them is the white shirt with the purple bra holes cut out !!

Slightly upset about the fact they cut out Meet the Plastics and it ended up being more like, Meet Regina, but I get that. On the topic of songs, I understand a lot of them were cut out because they were "too theatrical" but I can still miss em!! Truthfully when I heard the new Stupid With Love I was devastated because it's one of my favourite songs and they fucking tiktokified it, but I actually think it works really well in the film- it gets the "cringy first proper love" aspect across, which is its purpose, so I'm happy.

THEY GOT RID OF "WHO HERE HAS EVER FELT PERSONALLY VICTIMISED BY REGINA GEORGE" which was absolutely criminal

AND THE PRINCIPAL AND MS NORBURY ARE TOGETHER which was actually adorable, and I didn't think about the fact that could be something that happened, but I'm very happy it did.

The bus at the end of Rather Be Me was such a jumpscare but also so funny. THEY MISSED OUT THE DIALOGUE TO DO IT THOUGH SADD. Plus she was so goofy that entire song?? Why was she running in and out of all of those random rooms.

The rumours spreading via phones looked half cool, but it's dated the film imo, which is what Tina Fey originally set out to avoid! Like "fetch" was made up slang so in years to come the film wouldn't seem cringy for having slang teens actually used to use at the time.

Big drum-roll: We did not see enough of Regina's meanness to actually justify her being a mean girl. A lot of it got filtered out through songs, and the majority of stuff was just her, like, responding badly to sexism?? Also tell me how I'm gonna villanise Renee Rapp she fucking SLAYED what a queen.

Also WHERE IS COACH CARR'S SEXUAL ASSAULT. THAT'S THE WHOLE REASON MS NORBURY GETS ARRESTED!!?? That, to me, is one of the biggest indicators in the original film of just how powerful the "Mean Girls" are, they know about this, and the other teachers don't. Not only that, but it highlights just how immature they are, because they don't do anything about it. They're girls who run the school, without having any sympathy or context to do something about bad stuff they know happens. It's just "a funny thing to write". Not having that made me sad tbh.

Changing the line to "you wrote this" in World Burn was clever but I wish we got to see more of the girls turning on each other, rather than direct fighting.

KEVIN G BEST SONG IN THE MUSICAL

Where was the 4 way phone call, DEVASTATING. We literally did not see the plastics actually interact with each other. There was no meanness, no impact, all we got were the "events" when OTHER THINGS HAPPEN. You could say it lost a lot of filler, but the filler was actually context! And part of what makes the film so good!

Devastated she doesn't say "damn you're mine" in Someone Gets Hurt. I do think it's hilarious they just didn't make the actor guy for Aaron sing at all lol

"That filter you use looks just like me" WHY. I appreciate the change from the line about weight but like, this DOES NOT MAKE SENSE. at least say "that filter you use has nothing on me" THE WHOLE POINT IS SHE'S ABOVE IT

I didn't like the extended version of Revenge Party, sorry, too used to the old version

And I did not like the girlbossification of Sexy. I get it's supposed to be powerful like "watch me as I run the world in shoes I cannot walk in" but I feel like the whole point of "I expect to run the world in shoes I cannot walk in" is supposed to point out the irony, like, being slightly critical of "modern feminism". I will say though that the wobble from avantika as she says that is superb.

Overall I thought the film was enjoyable and a nice blend of the original film and the musical, but I think both ended up losing individual meaning because of how much they intersect. You don't have time to appreciate the lyrics and power of the musical because you don't hear them all, and some of them get cut, and you can't follow the plot in a meaningful way because the songs are happening, and they skip a lot of context to fit them in.

Would totally watch it again though, if only to see Renee Rapp say "get in loser" cos she actually nailed that

#mean girls #mean girls musical #regina george #renee rapp #angourie rice #auli'i cravalho #tina fey #bebe wood #avantika #mean girls 2024 #musicals #long post

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knickynoo · 4 months

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Back to the Future Part II, The Novel by Craig Shaw Gardner: Thoughts, commentary, and general ramblings

Part 5: Doc gets his beauty rest

Previous posts here

• We open with the scene of Marty going to confront Biff about the almanac. The book tells us, “It had been surprisingly easy for Marty to get into Biff’s penthouse—especially with Biff distracted the way he was.” And that’s all we get of that. I want to know HOW Marty got into the penthouse, especially since we know Biff himself is baffled as to how he managed to get past security. I suppose we’ll never know what sneaky shenanigans Marty engaged in. Maybe Doc dropped him off on the roof?

• Unlike in the movie, Book Biff hands the almanac right over to Marty to hold.

• Also! I have to point out the line mentioning his and Doc’s plan, because the movie doesn’t make it clear at all that there even was a plan.

I’ve seen people speculate and make up theories about the roof scene and Doc’s sudden appearance with the DeLorean. One semi-popular theory claims that the scene we see is actually Doc’s second or third attempt to pick up Marty from the roof, as he initially had no idea Marty would end up there. Basically, Biff ended up originally shooting Marty, or Marty had no choice but to jump, and the scene we get in the movie is Doc fixing things by getting there to save Marty just in time.

I mean, I can kind of see where the thought process is behind that headcanon. There’s no indication Marty’s roof escape was planned. In fact, I’ve always thought he didn’t mean to end up there but just had no choice once he was being chased. But on the other hand, the first thing he does when he gets up there is run to the edge and look over, then act visibly frustrated after. So, it’s clear he was looking for Doc and had expected him to be waiting there.

But on the other other hand: if this was planned, why wasn’t Doc there already?? Why would he cut it that close? A few more seconds, and Marty would have been dead.

Although, the headcanon’s reasoning doesn’t make total sense either. If Marty originally DIED, there’s no way Doc would have waited until the last second to swoop in and catch him as he stepped off the roof. He would have been there from the moment Marty arrived and looked down for him.

Hmm. No solution to this one! Back to 1955 we go!

• Biff’s grandmother comes across as noticeably less gruff and demanding in the book. As she’s calling to Biff as he leaves the house, her voice is described as “whining” rather than the shouting of the movie. Her exact words are, “But when are you coming back, precious?” which is interesting. Was Biff’s grandma supposed to be softer than the version we got? (She’s AWFUL in the comics btw)

• While waiting for Marty to report back on how his spying is going, Doc falls asleep in the DeLorean and has a hilarious dream.

Yeah, it’s Marty on the walkie-talkie, lol. And after getting an update, Doc immediately goes back to sleep. Good job, Doc. Your little buddy is running all around town, singlehandedly responsible for somehow getting the almanac back, and you’re taking naps. Marty only gets to sleep when he’s knocked unconscious! This doesn’t seem fair…

• The scene where Biff confronts Lorraine in town about going to the dance contains some really interesting moments from inside Marty’s head. Marty is enraged that Biff has his hands on Lorraine, and he wants so badly to jump out of the car and go help. We get these lines, which I really love:

“Both of Marty’s hands balled into fists without him even thinking about it. He couldn’t just sit here and watch this. Marty bit his knuckle. His mother was always telling him not to fight—not to let the others goad him into something by calling him “chicken.” She always wanted him to count to ten. Well, he would, this time, for his mother. But if Biff was still manhandling Lorraine by the time he was done, Marty would have to go out and stop it—no matter what else happened!”

I love Marty so much. Sweet, sweet boy. He’s willing to potentially throw their whole delicate plan out the window to rush to his mama’s assistance. Also, I love that Lorraine (and this would be Twin Pines Lorraine!) is frequently trying to coach Marty on how to deal with his anger. She makes him stop and count to ten! I so enjoy getting glimpses of characterization for Twin Pines Lorraine and her and Marty’s relationship.

Also, that’s just like…genuinely good advice for someone with anger/impulse control issues. Good on Twin Pines Lorraine for looking out for her boy and trying to help him work through his very big emotions! That’s a loving mom. (I will always defend TP Lorraine)

#back to the future #bttf #marty mcfly #doc brown #bttf ii: the novel

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thewickedmerman · 3 months

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My Top 10 Favorite Disney Heroines

Okay, so I've recently been having some issues with making videos and until I can sort it out, I can't really get any new clips for videos. So that makes it harder for me to be able to talk about certain topics I want to discuss on YouTube. However, I really want to talk about this so I decided to make a post here on Tumblr and when I have my technical issues sorted out, I'll post a YouTube version. However, since I'm not playing a character on Tumblr, that means that this won't include my signature merfolk language like "mermazing", "What the Tartarus", or "Dear sweet Poseidon." But you can expect that in my video when I sort out my technical issues.

Anyway, I’ve been criticizing Disney quite a bit lately and while that’s been both fun and therapeutic, I’m still a MASSIVE fan of Disney and would like to talk about something great from them. Since one of my more recent videos where I fixed Disney’s adorkable problem has gotten popular, I figured I would talk about my top 10 favorite Disney heroines. Now lets establish the guidelines. I will only be talking about Disney’s animated heroines, I will only be including characters from their animated movies so that means no TV show heroines like Kim Possible will be included, and I won’t be including characters from properties that Disney has bought. So that means that characters like Anastasia/Anya from Anastasia won’t be included, otherwise she would be in my top 3. Why? Because apart from putting them on DisneyPlus, Disney hasn’t done anything to promote or profit off of these movies so it’s hard to consider them to be actual Disney movies. It’s why I still don’t consider movies like Anastasia to be Disney movies.

But other than that, I will have free range in what heroines make my list. So that means Pixar and Disney sequel heroines will be included. Keep in mind that this will be heavily bias, since this is obviously my opinion. So your favorites aren’t necessarily my favorites and vise versa. Feel free to share your favorites and your thoughts on my list. Just don’t be an asshole about it! Now without any further delay, lets dive right on it.

10. Lilo (Lilo and Stitch Franchise)

This is definitely one of the BEST child characters EVER and I don’t just mean from Disney. She’s weird, eccentric, emotional, she gets into fights, she’s sweet, charming, hilarious, clever, adventurous, sassy, and is just the most entertaining part of her movie. And considering the cast of characters in this franchise, that’s saying A LOT. I love how she is into unconventional things that a girl her age typically isn’t into. It’s great rep for those of us who were the weird kid growing up. I mean, while I wasn’t into the things she was into, being a boy who was, and still is, into traditionally feminine things made me a bit of an outcast growing up. Speaking of great rep, many have said that Lilo is autistic-coded, and while this hasn’t been confirmed by either the original creators or Disney, I definitely can get behind it. Speaking as someone who is autistic, I definitely remember having similar behaviors to Lilo at that age. Not entirely because everyone with autism is different. Me and my wife (@keeloves) are both autistic but we have different sensory issues from each other and behaved differently from each other as kids but still saw ourselves in Lilo. My wife particularly sees herself in Lilo, due to being a brown autistic woman, which you don’t get a lot of rep with in media.

But anyway, even if I didn’t connect to Lilo because of my autism, I would still adore her, especially since I didn’t learn I was autistic until I was a senior in high school and I still grew up loving Lilo. She has a creative way of doing things and it helps her stand out from a lot of heroines. Even heroines that are allegedly supposed to be more unique and break the mold like Mirabel from Encanto, can’t hold a candle to Lilo’s uniqueness. She has a style that’s all her own and that’s what makes her the perfect friend for Stitch, along with her immense generosity. Many have said Lilo means lost in Hawaiian but it can also mean generous one, which perfectly describes Lilo, due to her not only being lonely, but also her generous heart that managed to break through to Stitch. However, she has her limits and when pushed too far will come at you hard. I also relate to her loneliness as someone who has a hard time both making friends and maintaining friendships. She also has some of the best lines in the movie. Her personality continues to shine in the other forms of media she appears in and you can’t have a Lilo and Stitch product without her because she’s the heart of the franchise. Yes, I’m aware of those stupid shows that don’t have Lilo and I don’t plan on watching them. They don’t exist!

9. Jane (Return to Neverland) and Raya (Raya and the Last Dragon)

Hey, I never said that I wouldn’t have ties on my list. Don’t worry, this will be the only tie on this list. But to keep it organized, I will be talking about each of these characters individually before I talk about why I can’t decide who I love more.

Starting with Jane, she’s a character who isn’t like most Disney heroines that are adventurous and dream of something more. Instead, she’s a young girl who is living during wartime and is just trying to survive and do what she can to take care of her family. She’s the daughter of Wendy from the original Peter Pan but the two couldn’t be more different. Whereas Wendy is a soft-spoken optimist who is full of childlike wonder, Jane is a practical pessimist with a sharp tongue that has become jaded due to her situation. This gives her more of an arc with her story compared to her mother, who is by no means a bad character. This helps her stand out among all the Disney sequel children who tend to share their parents personality traits. I love how they don’t have Jane just be a stick in the mud for no reason. She has an understandable reason for why she is the way that she is and I think people tend to overlook that because she’s so different from the heroines that we’re used to seeing from Disney. She had to grow up fast due to her experiences and she longs for her childhood days when she could believe in things like Peter Pan, Neverland, and pixie dust. However, she knows she has to be strong but she also needs to learn to regain some of her childhood wonder to help get her through the hard times. I honestly love her relationship with Peter Pan. Not only do they have amazing chemistry, but I love how unlike the female characters in the previous movies, who tend to fawn all over him and boost his ego, Jane deflates his ego, helps him mature a bit, and calls out his behavior. I love that even if she’s not as snarky as characters like Megara that Jane is still snarky. But she also has a loving side and can be taken in by the beauty of Neverland when she’s being shown Neverland. I honestly see a lot of myself in Jane and I loved seeing her growth as a character. She’s such a complex character and she’s just a child. She’s the best thing to come out of the Peter Pan franchise. Yes, even better than Tinkerbell and I love how she calls out Tinkerbell as well.

Now we move on to Raya. For those of you who have seen my video about fixing Disney’s adorkable problem, I mentioned that Raya is one of the few heroines of the revival era that doesn’t have an adorkable personality, making her one of the more unique characters of the era. Unlike the bubbly, optimistic, quirky, and over-the-top heroines of the era, Raya is mature, snarky, pessimistic, cheeky, serious, and jaded. This is a character type that is not only unique for this era of Disney but is also a rare type of character from Disney in general. I love that she’s not so optimistic and bubbly but can still be sweet and caring towards the ones she loves. Also, speaking as someone who has trust issues, I do relate to Raya and her journey with her distrust of people. She’s been hurt and when she trusted someone, the world ended up broken because of it. So her trying to save the world isn’t about trying to help the world but to help her kingdom and bring her father back. On the one hand it’s selfless for her to do this for her people but on the other hand, she’s selfish for not caring about the rest of the world but it makes sense because of her experiences and trust issues. I also love how she’s a bit xenophobic but she slowly starts to let down her walls and trust others from different clans. I love characters that are relatable but also have a lesson they have to learn that helps them grow as people and Raya definitely fits the bill. I also love how unlike other heroines, who are great with kids and babies, she was very awkward when interacting with Noi at first. It shows that not everyone is great with kids and it’s something that can be learned. It also shows her growth with how she’s able to let herself have connections with others. But she’s also a badass of a fighter! The woman has moves! But I love that there’s more to her than just her physical strength. I love her snarky and jaded personality and her journey. Plus, it's unique how she's a Disney Princess who wasn't wanting more out of life but rather wanted to the life she used to have back. Not to mention how she was the closed-minded one while her father was the open-minded one. I also love how became one of the few Disney protagonists that are willing to kill. Granted, she didn’t do it but she was willing to kill Namaari during the climax of the movie. But she’s ultimately a good person who comes to the realization that it wasn’t right. She’s a phenomenal and underrated character from a phenomenal and underrated movie. Give us more characters like her and unique personalities, Disney.

As for why I can’t decide between the two, it’s honestly because both of them are pretty similar. Both are snarky, jaded, practical, responsible, and act as the straight man in their respective movies amongst the more chaotic characters they come across. Not to mention, both long for the simpler days when their lives were actually happy but can’t because of how their worlds have shaped them. They have great character growth and their way of thinking is technically wrong but you also understand why they are the way they are. So with how similar they are, I can’t really decide who I love more so I decided not to. The two of them are truly amazing characters and actually break the mold of the heroines we tend to see from Disney and I adore them for that.

8. Tiana (The Princess and the Frog)

Just like Raya, she’s one of the few heroines from the revival era that actually has a unique personality and in my opinion is the best heroine from this era. I love how she’s practical and serious like Jane and Raya but it’s not because she’s jaded. It’s just because she’s determined, ambitious, and a workaholic. But even without her being jaded, there’s also an explanation for why she is the way she is. She has a dream that people say will be impossible for her to achieve due to her being a black woman of low status and a dream her father spent his whole life to achieve but never managed to see happen. She’s worked two jobs her entire life and has to work so much harder than everyone else just to prove herself. But I love that she’s also a bit playful, caring, friendly, does want to have fun but just can’t let herself, and is still creative. Almost There shows off the massive extent of her incredible imagination. I love how passionate she is about her dream and cooking. I adore how she never loses her passion and fire no matter what. I wish I had her drive in life to help make my dreams come true. She inspires me and it kills me that both she and her movie are so underrated when really they deserve to be getting the attention that Frozen got. I honestly can’t wait to see what they do in the new Tiana series and I just pray that they don’t disappoint me. Tiana is truly a great character and it’s a shame more people don’t realize it. Even in her frog form, her personality shines through with her hard-working and witty personality. Not to mention, she has great growth as a character. There’s nothing wrong with pursuing a dream but you shouldn’t let that keep you from also living your life. She’s confident in certain areas but she’s also insecure as well. It helps make her a layered character and one of the most three-dimensional heroines from the revival era. Truly one of Disney’s best leading ladies.

7. Pocahontas (Pocahontas)

First of all, yes, I know that the movie is problematic with its misrepresentation of the real Pocahontas’ life, showing both sides being in the wrong when in real life it was the white settlers who were the only ones in the wrong, and portraying Pocahontas in a romantic relationship with John Smith when she was a child when they met and the fact that he intended to colonize her people. However, I still ADORE the movie! Yes, it has its issues but it also has gorgeous animation, incredible songs, an amazing musical score, an engaging romance, likable and iconic characters, a great message that’s definitely relevant today, and most importantly one of the best protagonists to ever come out of Disney.

Despite the issues Native Americans rightfully have with her movie, one thing, at least from my understanding, that they universally agree on is that in terms of personality, Pocahontas is spot on. So it’s really no wonder that Pocahontas herself is the best thing about the movie. I adore how she’s curious, adventurous, mischievous, fun-loving, playful, and daring. However, she’s also smart and mature. She’s undeniably a remarkable character that deserves nothing but praise. I love how she has a journey of finding her path but isn’t sure what her path is. And I don’t mean like she has to decide between two things but rather she has no idea what her second option is. It’s something a lot of people can relate to who can’t decide what they want to do with their life. So it’s interesting and unique to have a character who doesn’t have a clear idea of what they want but still know they want more than the life that has been planned for them. When you think about it, Pocahontas is a pretty complex character in that sense and it’s one of the reasons I adore her along with her just being a fun and exciting character. One of my favorite scenes is just her going down the water rapids and instead of her just going down the safe path that she goes with the more exciting and fun path because it’s just who she is. I mean, when she’s supposed to just come down to the river and get into the canoe with Nakoma, she could just run down there but instead, she chooses the more daring option of diving off. I wish I had the amount of guts she has. She’s such an exciting character and there’s nothing dull about her. But she also stands up for what is right and will lay her own life down in order to do what needs to be done. She’s such an underrated character that it’s painful to think about. I adore Pocahontas and consider her to be one of the best characters Disney has ever created.

6. Anastasia Tremaine (Cinderella Sequels)

Originally starting off as a minor villain in the original Cinderella, Anastasia has since become one of the most complex and interesting characters to ever come out of Disney. Even people who hate the Disney sequels tend to agree that she’s one of the best things to come out of these cash grabs. She’s so great that even the show Once Upon a Time in Wonderland continued the trend of making her a sympathetic character, with her being played flawlessly by Emma Rigby. But anyway, I adore how she still has some traits from her original appearance with her lacking elegance and grace, being a clutz, being a bit ditzy (But not dumb), and having a bit of a temper to her. It shows that just because someone becomes good, they don’t lose all of their negative traits or become 100% different because that’s not realistic. However, she’s incredibly sympathetic with how she’s a victim of her mother and sister’s abuse but they don’t erase the fact that she was abusive to Cinderella. As they say, hurt people hurt people. People are complex and it’s amazing to see someone who was abusive can also be the abuse victim without erasing past mistakes. But they don’t have Cinderella judge her on the person she used to be but rather the person she is now. In A Twist in Time, we do see her show guilt towards Cinderella. She’s just someone who wanted to be loved and for someone to love her for who she is and not what her mother wanted her to be. Honestly, I wish Disney would explore more characters like Anastasia who aren’t conventionally attractive and can also be complex and interesting. She kind of reminds me of Helga from Hey Arnold. And honestly, while Cinderella herself is still a great an admirable character, I prefer her step-sister. In fact, I might have a video analyzing what a great and complex character Anastasia is in the future (Or even post it here on Tumblr), so keep an eye out for that.

5. Megara (Hercules)

But her friends call her Meg, at least they would if she had any friends. Yeah, you know I had to quote that. Much like Anastasia, Meg didn’t start off as a heroine but rather as a minion to the villain. I honestly went back and forth on whether or not I preferred Anastasia or Megara but I ultimately went with Megara because of her amazing snark. Being someone who is incredibly sarcastic, sassy, and snarky, I relate to characters who are like that as well. She’s honestly the sassiest Disney character ever. Literally no one can match her. Yes, there have been sassy and snarky characters from Disney, a good number of them are even on this list, but none meet the same level of sarcasm as her. She’s one of the most unique Disney heroines with her starting off as a bit of an antagonist, being way more snarky and jaded than Disney’s heroines, and actually having a romantic history instead of just only being in a relationship with one person in your life and that’s the one you end up marrying. A lot of people can relate to Meg and the fact that she gave and gave all her love to someone she was in a relationship with but that person just didn’t love her as much and left her for someone else. She gave so much that she sold her soul to save her boyfriend’s life only for him to dump her for some random girl. No wonder she swore off love and became so jaded. But I love how she learns to love again and sees that it’s not bad to give yourself to someone so long as it’s the right person because just like how Megara gave up her life to save Hercules, he was willing to give his life to gets hers back. While Hercules is a great and engaging character, I find Meg’s journey more engaging. She’s a great character and it’s no wonder that she’s so beloved. Plus, she’s a snarky queen!

4. Angel (Lady and the Tramp II: Scamp's Adventure)

Yeah, can you tell that I have a thing for characters that are snarky and jaded? She reminds me a lot of Megara, albeit, not as extreme due to being a kid and her movie having a different tone to Hercules. It’s no wonder that I love her, especially when her movie is also one of my top 10 favorite Disney movies of all-time. I love how she is very sly and confident but isn’t cocky or arrogant. However, despite her confidence, she also has her insecurities about her wanting a permanent family, since she’s had five families that have taken her in but when she starts to think that this one is for keeps, they move, have a new baby, or have an allergy. So despite her desire for a family, she’s jaded about the world and feels that she can only depend on herself and only sticks around the junkyard dogs because she has no other alternative. I love how even though she’s a major factor in Scamp’s development and is basically the glue that holds this movie together, Scamp helps with her development. He allows her to be brave enough to be vulnerable and to see that you don’t have to only look out for yourself because he looks out for her. The two of them help each other to grow just like a true couple should. Despite their age, their love is to the same level as any adult relationship because they were friends first and then fell in love. Overall, Angel is a phenomenal character that is smart, sassy, jaded, confident, insecure, layered, brave, brutal, sly, caring, kind, tomboyish but still feminine, and just so freaking adorable.

3. Mulan (Mulan)

Yeah, you know that you can’t have a top 10 best Disney heroines list without including her. I mean, what can I even say about her that hasn’t already been said. She’s a perfect character journey. She starts off trying to be the perfect bride and daughter but she just keeps messing it up, has no idea who she is or what she’s meant to be, breaks the rules and risks possible death for herself in order to save her father from certain death by taking his place in the army and disguising herself as a man, starts off terrible at training, gets better by embracing both sides of herself (The masculine and the feminine), and ultimately brings honor and saves the day by being herself. I love how, unlike the modern heroines we get nowadays, they take her journey seriously. Yes, there’s still some comedy with her but they don’t go over-the-top or make her clumsiness her most defining character trait. But her amazing actions aren’t the only great thing about her. I love her realistic clumsiness, awkwardness, wit, cleverness, kindness, caring nature, bravery, courage, creativity, and that she’s funny without having to be over-the-top. She’s far from perfect but that’s why she’s so great. She isn’t strong for just being masculine but also because she’s feminine. She’s flawed but she tries, she’s insecure but that doesn’t stop her, she wanted to save her father and bring honor but she also wanted to prove that she could do things right. And yet, they still made sure she was a likable character with a three-dimensional personality so that we actually care about her journey. I feel like modern Disney could learn a thing or two from Mulan. And the less said about that awful live-action remake or that horrendous direct-to-video sequel MulanII the better. Lets just focus on the original Disney Mulan and how she truly brought honor to us all.

2. Ariel (The Little Mermaid Franchise)

Yeah, you know that I had to include my favorite Disney Princess. Ever since I was a little boy, I’ve always absolutely ADORED Ariel. I relate to her rebellious nature, since I’ve always had a naturally rebellious side to me. She’s playful, mischievous, adventurous, curious, bubbly, determined, sweet, fiery, and a painfully accurate portrayal of adolescence. She’s reckless, naive, impulsive, stubborn, and headstrong. I love how flawed she is because it makes her feel more real and three-dimensional. I honestly love how relatable she is and even as someone in my late twenties, I still relate to Ariel even to this day. I know the feeling of wanting more out of life and wanting to explore beyond the confines of one's current existence. Ariel wants to learn more about the human world and wants to be a part of it because of her love of learning and her fascination with the human world. I adore just how curious and daring she is. When she sees something that interests her, she pursues it and is just so passionate about it. She’s just so engaging. I also love how on land when she’s can’t talk how adorable she is with her facial expressions and actions. She’s just such a delightful character. She sees what she wants and she goes for it and I love her for that. I honestly get so mad when people say she’s just boy-crazy and threw her life away for a man. Did people not watch the movie? She sang a whole mother-flipping song about how she wanted to be part of the human world long before she ever saw Eric. He was just what finally got things going. Besides, there’s nothing wrong with wanting romance because that’s not all she wants. She wants to explore the world and learn. The live-action remake actually made the character even better and considering how much I love the character, that’s saying something. And yeah, the live-action remake is amazing and the best of the live-action remakes (Which I have a video all about on YouTube). This little mermaid is the best Disney Princess and one of my favorite fictional characters of all-time.

Honorable mentions:

Now before I name my number 1 favorite, lets name some honorable mentions. Keep in mind that these aren’t in any particular order. Madellaine from The Hunchback of Notre Dame II, Esmeralda from The Hunchback of Notre Dame, Alice from Alice in Wonderland, Judy Hopps from Zootopia, Elsa from the Frozen franchise, Jasmine from the Aladdin franchise, Belle from Beauty and the Beast, Jane from Tarzan, Violet from The Incredibles franchise, Jessie from the Toy Story franchise, Kiara from The Lion King 2: Simba’s Pride, Dory from the Finding Nemo franchise, Vanellope from Wreck-It Ralph, Miss Bianca The Rescuers franchise, and Rapunzel from Tangled.

Melody (The Little Mermaid II: Return to the Sea)

I mean, is anyone surprised? I’ve already mentioned that she’s tied with Jack Frost from Rise of the Guardians as my favorite fictional character of all-time. I absolutely ADORE her! Much like how her mother is an accurate depiction of teenage struggles, Melody is an accurate representation of preteen struggles. She’s awkward around her peers, she’s doesn’t know how to act around people, she’s shy around boys, she feels like a fish out of water (No pun intended), she’s unsure of herself, has a hard time communicating with her parents, and doesn’t make the best decisions. These are all part of growing up and they captured that flawlessly with her. She has the same traits as her mother but she also has her differences that make her feel like her own unique character. Unlike her mother, who is extroverted and confident, Melody is introverted and self-conscious, which makes her feel more relatable to me. I love how they can make her very awkward without having to make it her most defining character trait like with the Disney heroines of the Revival era. She only feels comfortable in her skin when she’s out swimming and she’s told that she can’t go out into the ocean. That’s something many of us can relate to with how we’re comfortable living a certain lifestyle, doing something we love, or being true to ourselves only to be told we can’t for whatever reason. Being a naturally rebellious person with interests that aren’t traditionally masculine, I definitely relate to that. Plus, being someone who always wanted to be a merman, I also have a massive love for the ocean and Melody’s explosive passion and undying love for the sea is just so engaging. But I also love how she also has a lesson to learn, which gives her more of an arc than her mother, though to be fair, Ariel didn’t really need to learn a lesson, King Triton did. But I still love how Melody had to learn her own self-worth and apologized for causing this mess. And instead of choosing between land or sea, she chooses both by breaking down the wall that divided them. She is the bridge that connects the two worlds together. She’s just such an engaging character. Every time I see her on screen, she's just so charming and entertaining. I love her passion, awkwardness, curiosity, mischievousness, playfulness, sweetness, cunning, and just everything about her. Maybe one of these days I’ll make a video all about how mermazing she is. She certainly is a remarkable character that is more than deserving of it.

And those are my top 10 favorite Disney heroines. Are any of my favorites your favorites? Who are your favorites? Let me know. Please like, comment, reblog, and follow me if you haven't already.

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