#which is an exclusively male thing

[tabellae-rex-in-sui]

I'm new to Sade so sorry if this is a stupid question, but was Sade gay? I'm currently reading Justine and noticed the passionate, semi-romantic descriptions of m/m sex, which contrast with the crude descriptions of f/m sex. I've not read all of Sade's books, but the ones I have read also feature characters who're mostly disinterested in women, who give off self-insert vibes (e.g. Dolmancé). Am I reading too much into it? IDK but I was wondering if you could shed some light.

Happy deathday to Sade!! lol

Really all that can be said with certainty is that he definitely wasn't straight lol. Like anyone who died before modern queer theory, Sade's sexuality can be difficult to label with today's terminology. He was certainly attracted to both men and women, so for simplicity's sake I just say he was bisexual. But really, who knows...

Characters that he uses as self-inserts like Dolmancé in PitB or Bressac in Justine are pretty exclusively attracted to men. Like you said, there's multiple times in his writing where characters will praise m/m sex and show blatant disgust towards sex with women. But if you look at Sade's life, there's only one known* male sex partner and many women. There's also several women Sade was in love with throughout his life, but there exists no letters of him professing love to any man. Could this be because male victims were less likely to go to the police, therefore less known to us? because women were easier to pursue in public? because even he felt the pressure of societal norms? because he kept relations with men better hidden? because any such letters or records were selectively destroyed by a relative? Who knows! It could be some, all, or none of these things. It's really up to the interpretation of the reader. The misogyny, philosophical extremism, and very culturally different ideas about sex add so many different variables to Sade's sexuality.

To add further confusion: gender and sexuality were much more correlated in Sade's writing (and seemingly in the time period in general, I mean look at the bisexual Lord Hervey being referred to as "the third sex"), male characters who get sodimized call it them "becoming women", women who put on strap-ons "become men", even women who get sodimized are masculinized: Saint-Ange says she wants to be a "Ganymede" to Dolmancé. So sodomy seemed inherently gay to Sade, regardless of the sexes involved or what roles they played. Whereas today, that's definitely not the case. Beauvoir follows along with the sexuality-gender correlation and suggests that Sade felt more feminine than masculine and his written contempt for female genitalia was a product of his own gender frustrations. From what I've read, most modern historians tend to avoid labeling Sade with anything other than "sodomite" and "libertine" only using "bisexual" and "homosexual" to label certain actions he performed like "homosexual sex" "bisexual orgy" etc. This is when the word queer is godsent.

Tldr; He's too 18th century libertine for modern labels. Colloquially, I default to calling him bi, but we'll never really know. Maybe he would have preferred gay due to his preferences/philosophies. Who knows. Safest bet is to just call him queer.

*Should go without saying but, there were obviously more. Latour is just the only named one with recorded proof.

[glitchfang]

god i hope titania is more tolerable in this update because she makes me hang up the “loves shitty women” jacket

[hertwood]

it does deeply bother me that my sexual preferences are seen as deviant or kinky bc if i was a man they wouldn't be!!! if i was a man who wanted to be in charge in the bedroom it wouldn't necessarily be treated as a bdsm thing, that's just what men want!! man wanting to penetrate women?? normal!!!! man wanting to penetrate other men???? gay, but still an expected normal gay sex activity!!!! but when i'm a woman its now a kinky freaky thing and its nearly impossible to navigate a dating pool because my desires are seen as something freaky to try. i don't like having to navigate kink dating sites/spaces to have what is in my mind, completely average vanilla sex that straight people have all the time!!!

[sapphire-weapon]

some of you guys are really having a hard time coping with the fact that RE wasn't made for you, huh

[vamptastic]

like honestly the poor souls that think intersex means you have 'both sets' but think that that's cool and chill and that readily accept the concept of a 'third sex' or being part man/part woman or whatever are more tolerable than idiots who refuse to accept that anybody could be both male and female by plugging their ears and going lalala xyz condition is rare and made rarer by involuntary sex reassignment so i can pretend it doesn't exist and nobody voluntarily would want to be both male and female they all want to fix themselves. like at least the first person will just casually ask me if i have a penis and take my explanation peacefully instead of telling me i need a regular menstrual cycle and conventionally female appearance to be a human being.

[vanquishedmelon]

I'm really out here developing a full backstory for the Warren line from the time they claimed the manor for good to the time of Penny's birth...... as if I would ever fully flesh out and write it..... like I've got all these ideas and I just want to ramble on about them but WHY when in a week's time I'll move onto something else and forget about this

[moe-broey]

I think every transmasc should have a girl blorbo

Delve deep into her writing/character and expand on it and extrapolate ESP if the source material Does Not do her justice or doesn't give her the things she deserves. Find your pain in her pain and find her pain in yours and give her the things you will never have. Whether it was taken, starcrossed, or never meant for you. It could be for her. It could be.

Bestow upon her a gift, what remains of a life never lived. Leftover love of things that never fit right, never suited you, never were meant for you. Things you learned to love anyway, a love both real and manufactured out of necessity and survival.

And bestow upon her another gift, of love that has nowhere to go, of doors you've had to lock shut, doors you know go nowhere for you. Give her the key. Take up your pencil. Draw her in an adorable outfit. Draw her surrounded by loved ones, who love her so dearly back. Every drawing, a wish. That she can have a kinder life than mine. That I could give that to her. A parting gift, from me to someone who I can no longer host, that can now live on peacefully within her and lead an even better life than it ever could have within me. It was in the wrong house I had to rehome it.

Something adjacent to Gandalf Big Naturals ect ect

[physalian]

How To Make Your Writing Less Stiff 5

Movement

Dredging this back up from way back.

Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…

Gesture

Wave

Frown

Laugh

Cross their legs/their arms

Shift around to get comfortable

Pound the table

Roll their eyes

Point

Shrug

Touch their face/their hair

Wring their hands

Pick at their nails

Yawn

Stretch

Sniff/sniffle

Tap their fingers/drum

Bounce their feet

Doodle

Fiddle with buttons or jewelry

Scratch an itch

Touch their weapons/gadgets/phones

Check the time

Get up and sit back down

Move from chair to tabletop

The list goes on.

Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.

As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”

This site is full of discourse on telling vs showing so I’ll leave it at that.

Epithets

In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.

Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.

Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.

Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.

BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.

Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.

Is this an extreme example? Absolutely, but I pulled it off according to my betas.

The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.

Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.

As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.

The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.

All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.

I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.

I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.

—

Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.

[ohnoitstbskyen]

asking sincerely. do you see a romance between jayce and viktor? do you think they ended up being something romantic at the end?

With apologies I am going to only half talk about the thing you are asking me, since I have something else on my mind and you happened to hit the button that makes me vomit it into words.

Coming at this from an aromantic perspective, I obviously don't experience the state of absurd obsessive delusion that you bizarre romantic freaks fetishize so feverishly*, but I am often annoyed by the idea that friendship and romance are either opposites or mutually exclusive. From my perspective, the boundary between the two is at best thin, and more realistically not actually a boundary at all except by cultural construction.

*i am taking an excessively hostile, crass tone for my own amusement i do not mean this seriously please be normal at me, weird allo freaks

I won't get into my full feelings about the end of Arcane, but it seems perfectly plain to me that the script, the imagery and the animation presents Jayce and Viktor as two halves of a whole, not opposing forces but alike to yin and yang: opposites which each contain the other. And at the climax of the show, the greatest peril to life and peace in the narrative is resolved by these two men literally joining their bodies and souls together, and going into eternity holding one another for comfort and strength. They are quite literally soulmates, quite literally the most important people in one another's lives.

I don't think that that kind of intimate emotional connection between men must necessarily be either romantic or sexual - I am aromantic, and plenty of ace people exist, and there is nothing in our natures excluding us from intense connections of love with other people of any gender.

I also think it is willfully ignorant (and genuinely homophobic) to act as though these deep connections are mutually exclusive with sex and romance. As though if Viktor and Jayce fucked nasty and made out sloppy style, suddenly their intimacy is less pure or valid, or tainted somehow.

"If these two men who are emotionally close to one another also fuck or get romantically involved, then friendship is dead, murdered on the floor by a dick-shaped knife; vile sexuality corrupts and debases the true, pure and virtuous love of ✨friendship✨" <- This shit is homophobic at a baseline, queerphobic in general, and frankly as an aromantic man I find it pretty fucking insulting as well.

What, are my friendships with other men just inherently more pure and divine, more meaningful and true than a gay man's can ever be, because I will never suffer the vile temptation of adding romance to my affection? Is that how I should think of myself? And is an aroace man more pure than me still, the only source of TRUE male friendship that a man can ever experience, free from the pustulant corruption of sexuality and romantic desire?

You get this pathetic defensiveness (especially from men, but other genders aren't immune) wherein sex and sexuality and romance between men is perceived as a threat to men's right and ability to experience deep connection to each other. But the emotional castration of men comes not from people imagining sex and romance as a component of our relationships - it comes from people who insist that our emotional lives must be ruled by strict binaries. Sex and romance, OR ELSE friendship. Deep romantic connection OR ELSE deep platonic connection. Pick one and do not dare to imagine both, nor act as though the boundary between them is something that we built by cultural fiat, and which can be dismantled just the same.

And yes, yes, yes, I know there are cultural forces literally illuminati-style conspiring to systemically erase the entire existence of explicitly romantic, sexual male love from media, and I know that homophobic puritanism is on the rise and there are material concerns and a real necessity for explicit representation in fiction, yes I know. Everything is more complicated than a tumblr post can cover, I am not trying to Solve Rainbow Capitalism™ over here, I am trying to express frustration as an aromantic man that this stupid fucking binary keeps getting culturally reinforced by both my enemies and my well-meaning allies, when I think the binary is what's fucking killing us in the first place.

So anyway. My position is that Viktor and Jayce can be entirely aromantic no-homo friends, and they can fuck nasty in the throes of mutual need and obsession, and I refuse to entertain the idea that there is an irresolvable contradiction between those things. Each of those can contain the other, or become the other given time and circumstance.

What the imagery, storytelling and script of Arcane makes clear is that Viktor and Jayce love each other more than life itself. To say that that love must be shoved into the box of either "platonic" or "romantic" is to miss out on almost everything that is beautiful about love. It can be both and neither! It can be a secret third, ninth or fifteenth thing that they haven't invented a tag for on Ao3 yet.

They are giving each other whatever the spiritual mind-ghost equivalent of sloppy backshots are on the ethereal plain forever, they are the most romantic lovers in the cosmos, and they are also the most chaste and platonic life-partner friends you have ever seen, effortlessly intimate and unashamedly tender. They are men who love one another, in every way that love matters.

You can pick whichever interpretation brings you joy, and resonates with what your heart needs, the text of the show is eminently and explicity open to it, and anyone who says otherwise either failed to pay attention, or refused to pay attention on purpose.

[strawberry-miiiiiiiiiiiilk]

sitting in my room for a half hour thinking about how if we lived in a better world Ada Wong would be the Ilsa Faust of Resident Evil (primarily in how she's introduced in Rogue Nation), with a dynamic to leon not unlike Fujiko Mine's and Lupin's in which they are both extremely competent and in situations in which they may have to work against and occasionally with each other on a mission, but ultimately are forced to stay apart and while they may be apart and even have different love interests from each other, ultimately still care deeply for one another. They are compelled to go after each other in part because it's so difficult and they are so often in circumstances in which they can't be with each other. The thrill of the chase and all that.

Ada being only tangentially related to the other character's stories because the world is simply larger than them and she has her own concerns and problems to deal with, and to have that be given any care or weight in a story, let alone focus. That she can be cunning and even manipulative but because she needs to and will still choose not to when the chips are down because she is genuinely caring--which I know none of that is new ground for her but I wish it was done in a more interesting way and *without leon at all*. She chooses to show mercy in a key point not because she's in love with that other character.

And also that she has more personality. I dig the subdued nature of her in 4r and her subtle sarcasm but it's just crumbs. I want her to be silly on occasion and say dumb jokes because she's alone like in 2r. I want her to shed a bit of that seriousness when she's on the clock because she's confident in herself as a professional and again has no one to put up a façade to.

It's honestly kinda embarrassing reading this back as I realize most of what I'm writing is not only already present in the games but incredibly tropey in and of itself, and wouldn't improve the character much. Dear god I think too much of my view of the character has been marred by shallow fanworks depicting her. I think if anything it's a sign that:

I'm a shit writer and need to do way more than watch movies and gesture vaguely at them to come up w a decent story or character (that being said as much as I prefer Fallout as a film, I stand by my earlier statement of Ilsa Faust being the ideal spy woman as she's depicted in Rogue Nation as she has a distinct set of goals and needs that are complex and developed largely tangentially to the protagonist's, at least initially).

It's going to take a completely new approach to her character to get something remotely interesting and that takes advantage of her potential.

For as mired in tropes as she and every other character and story in Resident Evil is, Ada could be far more memorable and enjoyable if only there was more care and effort to giver at least some interests and goals (perhaps even...characterization) on her own other than being a sexy love interest and potentially traitorous (as so many femme fatales already are).

[githvyrik]

I wish I could get behind terrifier as just being schlocky horror and even though it’s not necessarily My Thing I wanna be able to appreciate what it’s going for but I cannot shake the feeling that the director/writers have. um. problems with women

[homunculus-argument]

I think there's a real tragedy in the way straight men don't see themselves the same way that people who are attracted to men see them. If you ask a straight man to describe what an attractive man looks like, there's very little variety - the masculine male ideal is tall, broad-shouldered, square-jawed with a cleft chin and built of sculpted muscle. The stereotypical image of an Alpha Male, someone whom he could respect, and envy.

And sure, there are plenty of women, gay men and people of all sorts who are attracted to to this specific type, even exclusively attracted to it, there is so much more variety in this, both in the tastes and their subjects.

The stereotype of "hot wife, ugly husband"-couples was drawn from the observations of straight men, from their own perspective. Women going after men that men find unattractive makes no sense to them, and they figure that women are willing to overlook being ugly if a man's funny, smart or rich enough. If a woman insists that she's attracted to a specific man who isn't attractive by their standards, they'll assume that she's lying.

The tragic part is when a man who believes himself to be ugly grows bitter over this, developing a foul personality which people do find repulsive, and then uses their repeated experiences of being romantically rejected as proof that they're physically unattractive, insisting that surely women would overlook his heinousness if only he was tall and muscular enough, and had the right bone structure. The self-feeding vicious cycle of being a bitter incel is born.

The thing about "ugly men with a good personality can still be attractive" is that they're usually not even ugly. Some people do genuinely find fat and hairy men, thin and delicate men, short men and feminine men attractive. There's as much variety as in cheese, you can't compare aura to brie. And just like in cheese, as long as you're not toxic, somebody's into that. You just need to find the right wine to compliment it.

[prael]

Touch

Kinktember Day 9: Spa

Newjeans Danielle x male reader smut

words: 7,422 Kinktember Masterlist

"My client, did you see her come in?" you ask.

"No, why? Is she famous or something?"

"Well, that would explain the secrecy, and it would also explain a woman barely twenty having cash to burn at a place like this," you whisper to the colleague who is far too jealous of how you just got requested by name because that usually means big tips for a good service.

"Did you get her name?"

"Supposed to be a secret." Your answer dissatisfies her, and she throws you a side-eye. "Okay. Okay. Danielle something... Marsh?"

"Shut up!" She hits you on the shoulder. "No fucking way. Let me take this one and you can have my next ten VIP bookings."

"Sorry, but she asked for me by name," you tell her. She mutters an obscenity under her breath. "Want to tell me what I'm getting into here?"

And then the girl spews out a jumble of ramblings about K-pop this and K-pop that—the kind of reaction that only the truly obsessed can have. Millions of views on this, charting on that, really fucking popular is the gist of it. So basically the whole planet Earth knows who this Danielle is. Well, shit. No pressure or anything. "Get in there already, do your best work and maybe get me an autograph."

A few forceful pushes out of the staff room and you find Danielle where you left her, her cleansing mask still on her face, sitting in that long white robe. You step barefoot over the soft wood, heat rising from underneath it.

As you draw near, you ask, "Miss Marsh, are we ready to begin?"

"Dani, please," her voice says from beneath the mask. It's hard not to be intimated after being hit with the fact that the woman before you is world-renowned. Though from here, she looks like any other delicate young woman. Her feet are small. Bare, tiny and arched, they hang just a few inches from the floor, and they are as perfectly still as the rest of her. "No need to be formal, I'm here to relax."

"Then let me start by offering you a drink." The bottle pops as you twist it. The label is adorned in cursive. "Bottled at source, premium mineral water." Your arm raises the bottle so she can see the brand clearly.

"Is it magical water?" There is a playful lilt in her voice, "Maybe it has some healing powers?"

"Guaranteed to nourish the soul and unclog those emotional pores," you deadpan.

The facemask stretches with Dani's wide smile, and she lightly chuckles. "That's good, laughter is good for the soul."

"Right." You pour from a height and a theatrical stream flows. When the flute is halfway, you stop the flow and pass it to her hands, which take it gently.

"What? You don't even hold the glass for me? Put it to my lips and tilt?" It's another tease, the joke stretching on her grin, but now it is her hands holding the flute, her fingers long and smooth around the stem.

"I serve, not control."

"Those don't have to always be exclusive." She laughs, and the sound makes you feel something. "But I appreciate the intention. I hear you're the best in the business."

"I'll let you be the judge, Miss Marsh. Now, allow me to remove that mask. I have raised the temperature in here to help open the pores, and I would like to begin with a facial."

"I do love a facial." Danielle smiles to herself. "And again, please, just Dani is fine."

You step over behind her, where her head tilts back against the chair, her long hair cascading below, shimmering in the moist air. Lightly, you place the tips of your fingers along her jawline, finding the edge of the mask and gently lifting it upwards. She doesn't flinch at all, and you watch the wet mask give way to her face. Even upside down, Danielle is indeed beautiful.

With her sun-kissed hair, radiant skin, and effortless, elegant beauty. She is, in summation of all her parts: perfect. The image the word calls up has always been fuzzy around the edges, an abstract idea more than a specific concrete thing, because real people aren't like this. That's what you believed until you laid eyes on her.

"You take good care of your skin, Miss—Sorry—Dani."

"Thank you," she says simply, no joke this time. Your fingers ghost over her chin and then trace to her cheekbones, moving lightly to test her texture, all so smooth.

"First, I shall cleanse away any impurities," you say and lean down to examine her face. Even when you are so close, there is nothing for your scrutiny—no visible crevice, no blemishes, despite there being not a trace of make-up. It's all-natural.

There's a light whisper on her lips, one that you barely make out, "Good luck with that."

You tilt your head as you reach over for a fresh sponge, run it under hot water until it is filled, squeeze out the excess, and slowly drag a path of heat across her forehead. As your other hand holds the sheet over her neck to catch stray water, your first-hand works in large strokes from above, rinsing her skin with each successive pass.

As you focus, she leans back into the chair, and a soft hum escapes her lips. "Feels nice already," she murmurs.

You say nothing, working her in silence. Her eyelids are closed, her lips slightly parted, and she remains so still that, if not for the sound of her breaths, she could be easily mistaken as unconscious. This silence has a tranquillity and familiarity to it, one that feels like home, and without thinking, you are smiling.

She stays just the same as you begin to exfoliate her, brushing across her face in ever-widening circles. It's with such tenderness that her cheeks take a pink tint as she grows hotter and she smiles as you rub in gentle swirls, one spot, then the next.

Time passes in silence as you finish the exfoliation and apply all manner of natural, topical lotions, toners, and peels to Dani. When her skin is primed, you press your fingers against her skin and, starting at her forehead, you massage her face to a rhythm of long, soothing strokes. You enjoy touching her, you admit, which isn't exactly right for a professional, but since you have no outward reaction from her, you assume it isn't the end of the world.

Throughout it all, she keeps her eyes shut. Over time you move around her face, applying more pressure in some spots than others. She shifts and sighs, soft exhalations of her warm breath tickling your arm, yet otherwise doesn't move an inch. Her shoulders relax against the leather of the seat. "You really know what you're doing," she says, with a smirk. You pull her skin with your fingertips, moving them in large circles as it comes to an end. Finally, you tap your fingers gently over her skin to soothe.

"Now, your body, Dani."

Her eyes crack open, but slowly. "Are we moving?"

"I'll wash your skin over there, but the massage will be in the next room. Now, I'll need you to—"

Dani doesn't let you finish your sentence before she rocks forward in her seat and pushes herself to a stand. She's facing away from you and puts her hands in front of her, then she throws the robe back off her shoulders and lets it slide off her arms to the floor in one quick motion.

"Good," she says. "I was for too hot in that thing anyway."

Of course, as a professional, you would never gasp in surprise, yet, at the sight of her ass, the muscles tight, small, and round, the curves of her waist so thin, hair over her shoulders threatening to hide her slender back and those long slim legs, you manage to just barely gulp.

Too hot, she certainly is, you want to tell her and not just in the sense that perspiration coats her skin. Tiny beads of sweat that, as your eyes crawl over her, are in the process of running downwards. This glistening on her flesh is hypnotic. The curve of her ass, the slight tilt of her hips forward, the way the base of her spine leads downward, right down to a crack between her—

Focus. You remind yourself you have a job to do.

"In the far corner. The stone pool. Please, stand by the edge." It takes a second before Dani's head bobs, and then she slinks forward, slow and catlike. Her stride, and every motion of her muscles beneath her flesh that accompanies it, are mesmerising. And with every sway of her hips, you love her tight body more.

She pauses, a foot by the edge, and looks down into the water. Steam rises and envelops her form in a pale white that hugs her curves.

"Please, step in," you say as you walk over to her side and take her hand. Now, you catch a glimpse of her profile, and her chest, small, round and perky, and as you avert your eyes to guide her down the step, you tell her, "Watch your step now, go from stone to stone until you stand in the middle just there."

"Got it," Dani says. She steps with confidence and the hot water reaches quickly above her ankles and then halfway up her calves. With each careful move down the next step she gasps, soft and light. The water splashes with her movement and then swallows her up to the upper thigh.

"Please, take a seat there, on the wide stone." You reach to help steady her as she sinks down, her knees bending as she perches down so the water is at her hips as she sits.

"I just sit?"

"Yes, Dani, and I will bathe you." You step into the pool until the hot flowing water covers your knees, and then you stand behind her. You reach for a sponge, submerge it, and watch it fill, then draw it out and over her lower back and drag a large circle across her soft skin. "How's the water? Feel okay?"

"Great. Wow." She goes quiet as you work up and down her back, long, relaxing, soothing strokes until all the tension has left her shoulders. "That's wonderful," she says.

You clean her shoulders and then down her arms, the sponge dipping under the surface, and caressing her in a movement that feels like worship. With a slow rhythm, you run the sponge over her shoulders and around her neck, and finally, reaching over her, down to her chest. She shifts back as you do, resting herself against your legs. You run it over her chest a few times before coming up again to her shoulders.

"So soft..." her voice says, almost a breathy moan, and you catch a hint of it. Maybe she realises how it sounds because she soon goes quiet. Next, you work downwards, to her tight, toned stomach. Slowly you make sure you cleanse every part of her body. All while her back rests on you and her breathing is warm and pleasant.

"Miss, I mean Dani, can you stand now? We need to get you clean." You prompt, a hand on her shoulder.

"Sure." Dani snaps out of it. She stretches and cracks her neck before rising, leaning forward for a moment. When she rises, ripples run out in all directions and your eyes drift over her ass. It looks plump, perky, perfect. Then you sponge it, giving purpose to your stare. You push it down, over her cheeks and Dani shivers.

You repeat your slow, languid movements. Wipe away any trace of imperfection from her hips and thighs and then when you make her slowly step out of the pool, you work down her bit by bit. Finally, she stands on the edge of the pool, looking down at you, towering over you in her naked glory. She presents to you her foot and you hold her ankle to steady it and clean each digit, scrubbing between the toes.

"You can take the towel, on the peg, Dani."

"You do it." Dani doesn't move at all, keeping her eyes on you, staring into your eyes and through you.

You cautiously nod and then climb from the pool. You keep eye contact and wrap the towel around her small, wet frame. In your arms, she feels so fragile. You rub her down, first her legs. Long strokes, left and right. Each, in turn, both legs. Then you bring the towel up. When you wrap it over her hip and move upwards along her torso, Dani presses herself to you.

"You really know how to put someone at ease," she mutters.

You nod silently in return, and finish drying her shoulders, down her arms, back up, and down her back. You remain stoic as the heat between you builds, and she turns around without prompting. You wrap her again and bring the towel all the way down. Then over her rear. Soft, short circular motions with your palm.

"The table in the next room, Dani. Start by lying on your front, you can use the towel on the table to cover yourself. Once I see you settled in, I'll join you."

She laughs quietly and starts her slow walk to the door. You take your own towel, drying your legs, the water has soaked into the front of your shorts from where she leant against you.

She's on the bed. The towel, provided for her decency, is in a pile on the floor.

"Dani, the towel..."

"I'm fine, I want it off. I want everything off. Is that a problem for you?" There's this undeniably confident quality to her like the universe just has to be as it is because she likes it that way.

"Not a problem," you tell her. "It does tend to get in the way."

You're close to the bed now, looking down at her, still so perfectly nude. So vulnerable and relaxed, and not a drop of shame in her eyes. She gives you a look that says she's in charge, and that she's been waiting for this, and now it's finally going to happen. And that smile is impossible to refuse. "You could join me if it helps. Make it feel more like an equal partnership."

"Miss— I—"

"I'm joking," she winks. Danielle bunches her hair by her head and turns her head to the side as she rests.

The first of your oils, imported, rich and infused, drip with a consistency thick as honey over her. You watch it roll from the top of her back and run down her spine. Its warmth makes her twitch gently.

Slowly you reach out, press your hands into her skin and drag them from top to bottom, following the oil, making sure you cover her.

She hums in delight.

With great care, you begin your work. Fingers sink in, and your thumbs feel her muscles. Stroking and rubbing, from the top of her back, your fingers coax and prod at the flesh beneath. Pressing it back and forth, at times as gentle as a summer breeze and then as hard as a hammer.

There are knots in her back, beneath the tender surface. You find them easily and work at them to relax, coax them into submission, untying the muscles until they go soft. She gasps at your touch as you release them. Her body responds to you in the sweetest ways. With the smallest of whispers, the little fluttering breaths, and with her skin taking on a pink glow.

When the last knot goes soft, she writhes in response, and a content, relaxed murmur comes out of her.

"Oh god, that's it, don't stop," she says, the first words to come from her for a while.

"You were very tight." You reach across, add a small amount of more oil and start working back upwards. One stroke at a time. Up her neck. Over her shoulders. She trembles when you go deep into her flesh and reaches out to grasp at something, anything, and finds the edge of the table, holding herself steady. Her arms now, you lift them one by one, prying them from her grip and then holding and rubbing and pulling to coax the stiffness out.

Oil over her legs, next. Slowly you run your hands over the outside and inside and rub them into her skin, kneading it into her. Danielle keeps her mouth firmly shut the whole time. No jokes. Nothing funny. You lean down to her, focusing on her thigh that refuses to let go. Bending down, you push into her. As you feel her tension drain, you are rewarded with another quiet hiss.

You place the oil upon her feet and work it into her soles with a finger, an instant trigger, she cackles as her foot recoils at your touch. "Sorry, that's a bit ticklish," she tells you, apologetically.

Her feet go still and she inhales deeply as you set back to your task, much to the quiet amusement of Danielle. It's the slowest you have ever worked on a client, with long, dragging strokes to make sure she really enjoys it. Each is careful, so careful, to pull and tease. "Keep working it all the way up, all the way up my legs," she orders, quietly. "Nice and slow. Can you do that?"

You agree.

You hear Danielle sigh as you move your hands slowly up her calf. So soft and firm at the same time as she breathes so gently. A trace of laughter, an easy smile. You work her in the same manner, up her thigh, as slow and relaxing as before, massaging deep and heavy. Danielle begins to roll her hips as you grip the flesh at the top of her thighs and dig in.

"Higher, please, just for me." Danielle makes a little hum to accompany the instruction. You obey, knowing where this is leading. You take the oil, and let it pour lightly onto the peak of her cheek, it threatens to roll away so you capture it in your palm, a firm squeeze of her rear, a spread of oily warmth. She shivers and pushes up her hips in silent encouragement.

Your hands trail along, smooth and oily, each touch brings more shivers. Her legs part slightly, a slow squirm of her hips. Your fingers glide on her tight, round cheeks; running across, back and forth as she breathes deep. You press deeper with each sweep and listen as her gasps become a little louder, and her body moves a little more. She bends her arm, reaching back, as you watch it shake. Her nails claw onto the side of the bed.

The more you tease her with your touch, the harder she grips and the more she parts her legs. You've known the perfection of her body, just by seeing it, but this feeling confirms it.

Your hand wanders with long, oily strokes as you glide up her back, tracing the curves of her slim back up, all the way to her neck. There, you hold her as you lean in. "You can turn over now. Let's work out your front," you say, and Dani nods in agreement.

She smiles, though she remains silent, slowly, with such care, turning onto her side, then twisting to face you, her face flush, eyes drowsy, her mouth agape. She rests upon her back, arms by her sides, legs flat against the bed, open, as you gaze into her eyes.

You apply the oil with long slow strokes down her stomach, feeling her as she flinches, watching the dimples at her waist appear then vanish with her body's twists, with every flexing of her muscles. When you trace up, her flat, beautiful chest, and slowly slide a finger beneath her small pert breast, Dani takes a deep, quick, raspy breath, then says, "They didn't lie when the reviews said you have the best hands in the world."

Your oil-covered thumbs graze upon her nipple, soft at first, gentle in pressure, but this becomes firmer, building and rising, faster. Round and round it swirls, and this delight sends Danielle's breath to hitches and sharp, shallow pants. As she squirms in delight, her legs twist, rubbing and clenching. Her teeth bite down on her lips. The flesh of her body glistens.

One hand reaches, down a thigh then back up, across her stomach and down the other. Repeated in pattern as the other thumb never ceases on her pert nipple. Dani's eyes go blank as your touch continues, circling, teasing, stroking and grabbing. Her body responds and you are delighted to witness every tremor and gasp as it arches. And finally, for the first time, a full-blooded moan rings free.

Your hand goes lower. Deeper into the pit of her thigh as she spreads her legs wide. You seek out the inevitable and when you reach her crotch, you watch her tense up. And when the touch slides between her pussy's folds, and against her clit, there's an immediate reaction, her body jumping as you make the slightest flick of motion with your middle finger. You lift and let a trail of oil roll down her slit and back down to her rear.

"I wasn't really joking before," she gasps. "You should be naked. It would make this whole experience better." Dani tilts her head, fixes her drowsy gaze onto you, and holds the stare for what feels like a hundred heartbeats. "Don't you think that's fair? The way things are going?"

You hold the eye contact and consider this, a sudden lump in your throat making any immediate reply a struggle. Her eyes don't move from yours. Even her chest barely heaves with her short, fast panting.

"Go on, I want you naked. I'm going to feel so, so empty otherwise..."

That's all it takes.

How could you deny her?

Your hands, still covered in the hot oil, reach for the buttons at your collar. You slip them in order from the top and release one after another. Danielle's lips twitch, and her teeth rake them to a shine. Your clothing drops to the floor. Bared. It feels so wrong, and unprofessional, yet Dani looks on and gapes with a hungry, dark delight.

"Nervous now?" Her eyebrow twitches up.

"Never," you bluff.

Danielle's mouth stays open wide, and her breaths get caught and flicker as your touch returns to the same spot as before. Gentle, light touches flutter with your fingertips, drawing the tips of your fingers back and forth, back and forth, over her clit. You watch as her eyes widen, how her legs straighten out and she starts to kick her feet with the faintest hint of frustration as you tease.

"I paid for a deep massage." She emphasises the adjective, dragging the syllable out like a whine. "This teasing is bad for my heart," she whispers.

Her arm rises, then reaches for your chest and trails its way downward. The pressure of her finger, nails lightly scratching at your skin, trailing down to the waistline and then she wraps her slender fingers around you. It's hard. Incredibly so.

"And I'll show you how generous I can be with a tip."

She licks her lips slowly and sensually as her eyes meet yours with a mischievous gleam.

You grunt, pressing down with your fingertip, and then without a second thought, push it inside of her. Danielle throws her head back in silent bliss.

"Holy shit," she mumbles in a muffled, muted moan. "Don't hold back." You circle inside her slowly with one finger, letting the oil's moisture guide you. Then, adding a second digit, you delve back into her, pushing in deep and making sure she can feel it all the way inside as the palm of your hand pushes against her crotch.

Dani rolls her head to one side as you work, staring you right in the eyes and biting down on her lip as she throbs and you press down inside of her, moving in all sorts of subtle directions that are impossible for her to guess. With that, she moans again and there's a little grunt from deep within her. Her fist twists around you and she gets bolder with her touch.

You build it into some sort of rhythm and she moves, each time, reacting so well with your own thrusts. When she's relaxed enough for it, you introduce another finger.

"I— You can— Go a little bit faster," she pleas. Stretched wider, Dani starts to grow even more restless. This time, instead of small, languid strokes, your whole hand works, fingers rubbing and swirling, thumb finding her clit to massage it with purpose, building, always building, until she is shuddering under you, every single time, tensing and twitching with every change in direction.

"Come on—more," she pleads, bucking up against your hand, so slick with arousal.

She's barely jerking your cock, not even intentionally, just the jolts through her body causing the occasional twist of her grip or slide of her palm. You let it just rest in the loose curl of her grip and focus on doing what she commands, twisting your hand, gripping and stroking, tugging in circles and holding inside. The quivering gets worse and worse. And her breath grows heavier.

You keep working her relentlessly, as she squeals a drawn-out curse. Dani nearly loses control. She grips you hard, tightens her fist around you in spasm, a pained wince on her face, as she curls her toes so hard.

"Don't stop. Don't stop. Don't stop." It's the only thing she says, no jokes, no banter, as her eyes roll back, mouth agape as if the wind's been knocked from her, and a final, body-length spasm overtakes her. Her whole body. Back arched off the table, eyes pinched shut. It lasts for the longest time, almost impossible to sustain, you watch with an odd mix of terror and wonder. Her hair is a mess. Her naked, stretched-out limbs, glisten in the warm light.

It takes her a good half minute to fall back down, her lungs now sucking in the air as if there were none at all. One leg quivers. Her breaths slow, her eyes open again and you're holding her stare, her cheeks a faint scarlet, strands of hair plastered across her forehead.

More oil. More rubbing. From tension to relaxation again. Slowly she softens and you turn her whole body limp beneath your hands. All while you barely manage to hold yourself back from ravishing her. She keeps her eyes fixed upon you, so you force a smile, ignoring the ache clenched in her fist. You could kiss those lips, right now. Taste them. How soft and smooth would she feel pressed against you? What noises would come out of her?

You'd be forgiven for letting your imagination run wild with desire, but not forgiven for taking this service in any direction that Danielle didn't command.

She watches your thoughts as they float by, and seems to be considering the same. Then she smirks, and just with a look, reassures you that it's going to happen, and it's going to happen just exactly the way she wants it.

You're working your slick hands over her midriff, and have been for a minute or two, waiting for instruction. You work slightly up her body, perilously close to taking some initiative, but then she speaks, "That was... unexpected."

"Was it? Seemed to be your plan all along."

"Planned to tease. Planned to be touched. But did not expect it to be that good." She shakes her head softly, her cheek touching her shoulder as she stares with a fuzzy, dreamy look that is impossible to decipher. She has a cute, beautiful way of pouting her lips that's fascinating, you're struck still, hypnotised by the sight and the motion. "A few more would be perfect."

"You have me booked for another hour, and the client gets what the client wants."

Dani laughs. A light, melodious chime. "I know what I want," she tells you, gently rocking her palm over your cock. "I'm incredibly hard to fully satisfy, you better get to work."

Dani releases you from her grasp, and turns back over to her front, stretching out once more and looking back at you over her shoulder, holding a stare as she parts her legs. This stare could kill a man if his heart were too weak, and though your heartbeat quickens, your mind focuses on your purpose.

Your hands glide over her oil-coated thighs, wet and glistening. Dani rests her head back down and you are unable to stop your gaze from wandering along her spine, the gentle dimple above her ass, the two tight round cheeks below and the line bisecting between them. Up over her ass, you caress, then you slip and stroke in the valley, this, she clearly enjoys, judging from how her butt rises to greet your touch, her hips rolling once more.

Lower now. Lower and lower, until once again, your finger meets her lower lips and she hisses an inwards breath and tenses. Her body is so reactive to every touch. It makes this so easy, so rewarding, so deeply arousing. You are confident you can build her up, high, and crash her down in waves, for hours, until the sun breaks.

Two fingers again, to begin, that same twist and swirl to coax her towards delirium. Her quiet huffs and suppressed moans fill the air. With a heavy push, you dive in deeper, to watch as her whole body, muscle by muscle, starts to become lost in the sensation. And when you curl your fingers down and grind the heel of your hand over her clit, Dani absolutely loses it. She bites the sheets, body tight, hands trying to grab the far edge of the bed to give something to hold onto.

Her feet kick uselessly and a series of incomprehensible phrases fill her breath and break apart on the way out of her. Though you don't quite understand them, you grasp the meaning. This is what she wants you to do right now, to see how high you can bring her.

Her whole body starts trembling again. Tingling, quivering, shivering. It's one constant shake and her moans are louder, and longer. She struggles to breathe out a scream. Sweat begins to mix in the oil, and she lets out another unintelligible mess of words as you pull away. Dani collapses back into a quivering heap, gasping for air and stretching her hands out as if reaching out to the void, reaching out, grasping for something in the dark.

She lies there, spent, breathing deep. Her entire body is hot and burning as her muscles relax. Each breath is a moan, and her thighs clamp tightly together as if the feeling of nothing after being so worked up is torturous to endure.

Your fingers are soaked in her creamy fluids, it drips down onto the bed below. Yet somehow, this isn't over. No. There's a single goal, right in the back of your mind, that's never stopped clawing. If only you could taste her. Sink your face between her firm ass cheeks and tease her with your tongue and suck and devour her, the entirety of her.

Maybe you could ask. Or maybe you could just start kissing her lower back, your nose rubbing against her tailbone, working to the left, towards her hip and tease, trailing your lips ever lower to a spot just over the peak of her butt, until she wants your tongue to dive right in.

The thought is interrupted by her blessing, "Again. Another. However you want," her words stumble upon each other, a raspy, spent quality to her. "Whatever you want."

You kneel at the very end of the bed, lean over and take her hips and you lift them up with an abrupt strength that earns her immediate interest, judging by her sudden gasp. You put her on her knees, ass in the air. Beneath it, her lips shine and spread. You're going to drown in her. You lean over, planting kisses along her body until they land right where your fingers had been, right along her soaked pussy.

The taste is so sweet. Dani whimpers as her body twitches. Your lips part her, and your tongue stretches and laps her up with an unshakeable excitement. Dani tastes amazing, like every inch of her, hot and rich and so unbelievably delicate. She is desire—concentrated and distilled into the female form. Your mouth descends, kissing every tiny spot you can reach, your lips closing, sucking the sticky warmth into your mouth. You might spend the rest of eternity here, savouring her juices.

Each rough lick gives Dani a small burst of pleasure. This is perhaps not the most elegant approach, but you wouldn't dream of stopping and so you continue, over and over, eager to return Dani to her previous, tranced bliss. So wet and sweet and smooth as velvet, your tongue flattens over her clit.

Dani cums twice like this. Ass in the air, your face in her cunt, two more delicious releases and you lap up both. They come accompanied by Dani's musical screams and moans and swearing and mumbles and complete incoherence. Every part of her body tenses. Every movement becomes forced, with less control, until every part of her, quivering and shaking, is taken by a rapture. Her throat chokes off her moans and breathy whimpers, and then she becomes lost for a time, struggling to remember to breathe, caught up in the overwhelming, and unstoppable waves.

"Enough, enough," Dani chokes out, and so you stand back, watching as she twists back into a flat position on her back again, her hips shaking with the effort. She trembles for a while longer before lying perfectly still on the table. As you gaze at her, she still appears ethereal, unattainable. She gazes up at you with lidded eyes and the drowsy content smile that rests upon her lips—she is a goddess. Even after all those body-racking orgasms, she settles into that same elegant grace that makes you question what makes her mortal.

Dani raises a hand and curls a beckoning finger, "Come here."

And you come to her, to her smile that draws you in, a moth to a flame and the moth will burn, not the flame, it will never tire, it will consume anything. She takes you in her hand, hard and throbbing under her delicate touch, and yet so helpless against it. With a pull, Dani draws you in—to consume.

She parts those pretty, pink, curled lips and then looks up into your eyes and sighs as her warm breath runs across your length. Danielle curls her tongue to the underside of your head and engulfs it. She doesn't raise her head from where it rests, instead making you clamber up to her, so you put a knee on the wooden frame and a hand next to her shoulder. The heat grows, and Dani is swirling her tongue over your tip, making you twitch and throb in her grasp, a slave to her touch.

You're pushing forward, leaning over her, as her mouth opens wide and lets you in, then, all at once, tightens. Her tongue and lips stretch around your thickness and then enclose you, sealing tight. She makes a point of looking you in the eye, holding your stare, a curl at the corner of her mouth that only further sets a tremble to your loins. She pulls, slow, agonising and without hurry, her mouth holds tight and sucks back.

You pull out of her, an inch, and she stays clamped tight and as she draws away, she uses the time to slowly slide her tongue along and around your crown and against the sensitive underside. Once Danielle has pulled right off with a wet smack, the warmth of her breath covers your cock once more. She flicks her tongue against your tip, first as a long, sweeping, lingering brush, then a rapid flick that teases.

"Dani, fuck," you groan.

"That's the idea," she whispers, right against you, her warm, panting breath driving you crazy, her own burning desire barely contained. "Get down there and do me. Right now."

Then, in one fluid movement, her hands find her legs. She grips behind her knees and pulls her thighs up and back. She spreads her legs wide, with her feet in the air.

"Fuck me. I mean it," she states firmly, fixing you with that stern gaze. Her words send a flaming arrow directly to light the most basic of your instincts.

She has presented everything to you and wants to give even more. You can think of nothing else but ploughing her into the table until your vision fades to white. It takes only seconds and you find yourself over her, between those slim legs. You put a hand on each thigh and spread her.

Cock bearing down on her leaking cunt, you lower your body until she has all of your weight on top of her. Her hips squirm under your pressure, and she drags your arm tighter around herself until she finds exactly what she's been looking for. A rub between her folds as your length slips against her, up and down.

"Mmm, yes," she giggles, "put it in, all of it."

In an almost unconscious action, you place the head of your cock against her opening. Her wetness provides no friction, and Dani uses her nails to scratch your back impatiently. Slowly you flex forward. Every inch. So warm, so fucking hot. Tighter than anything.

"Oh, yes," is all Dani has to say as her breath cuts short. You feel the intense squeeze, you have no doubt this is a step beyond the pleasure your fingers gave her, and her entire body tightens, and she pulls you in, deep and full. Her eyes grow wide and her fingers dig into you as you draw back and drive in once more.

Another moan, her pitch gets deeper, this one drawn out from her very core. You hear it right in her chest, from the depth of her lungs, before it squeals free, right into your ear. "Worth every penny." Her words are thick and drawled, hard to make out, she can't seem to decide whether she wants to open her mouth or close it and keep it shut.

She wraps her arms tight around your neck and pulls you in deeper, you push her legs higher, folding her body up and it only makes things tighter, a thrill she clearly relishes.

You roll forward, holding her close to you, giving you a better purchase with her feet held up so high. Dani groans as you bite and suck at the soft skin along her neck. Your thrusts are still slow, so damnably slow. You push, and fill, and wait. Over and over, it's a cruel torment to both of you.

"Ah, come on. Give it to me, hard," Dani says, raking nails on your neck. She turns her head. Finds your mouth. Seals her lips against yours. Teeth nibble and then her tongue penetrates your mouth. Her hips start to rise and drop. Her sex grabs at you, pleading to pound her.

So you let go of your iron self-restraint and fuck her. Fuck her good.

Your tempo grows more powerful. Her walls squeeze and pull and writhe with a desperate need. It's tight, so, so tight, the way she envelops you, the slick warmth around you. Each stroke sends a shudder through her. Another ripple follows and with it, her high, pitchy wails. Dani's never been so loud, so demanding that her pleasure be delivered.

Number five is close, you can feel her body going rigid, the quivering, twitching, curling of her toes, the growing tension, you go faster, a force building within, trying to rush her to the inevitable. Dani screams, moaning incoherently, her eyes screw tight as you throw yourself into her with such ferocity, like an animal, with no regard for pace, or rhythm. Pure, unrelenting pleasure.

She grips so hard on your shoulder, and then her other hand goes back, over her head, gripping the edge of the table in white-knuckled desperation. "I'm... cumming," Dani spits through a clenched jaw, unable to even form her tongue around the word.

Her orgasm feels more powerful this time, so much more; it flows through her and you can't help but stare. Watching the way the pink blossom blooms on her face and how the rest of her pales. One orgasm into another, you think, it's difficult to discern. You're in no rush. No race. Instead, you delight in the absolute loss of control you see in Danielle's face and you feed off it.

Her mouth forms a soundless scream and she reaches up and sinks her nails into your chest and drags them across, not breaking the skin, but hard enough to leave marks. It feels amazing. All the more so watching Danielle break herself, willingly.

"Holy shit..." Danielle pants then sucks air into her empty lungs.

Her little, flexible body, pinned beneath yours, seems incapable of even the tiniest motion, save the trembles.

Through gritted teeth, she says, "I want— I want a facial. My face. Cum."

This is the single sexiest thing she could have possibly said at that moment. For all the time you've spent watching that pretty doll-like face contort in a hundred different ways, you want nothing more than to see it coated with your lust. To paint every last bit of that sweetness on her lips, on her cheeks—everywhere. To witness that brief moment, after climax where she is confused and awash with bliss and trying to remember how to breathe, and it's interrupted by a load of your cum. You want it.

You round the table, standing over her head, lowering down and watching her eyes spark with anticipation. Danielle knows how bad you want it, how close it is, and you watch, enraptured by the way she tilts her head up and licks her lips. Her little, eager tongue.

Dani wraps her fingers around you and strokes and pumps fast, pulling, urging you to completion, teasing you to spill over her, onto those pretty, dainty features. Your skin feels alive, like static and pinpricks and pure lightning, like your nerves have come to the surface. Pent-up energy coils low, threatening to snap. You cannot resist her anymore.

It all unfurls in a glorious, explosive instant. Blinding. A shiver climbs up your spine, spreading to every limb in one long spasm. A long, raw growl in your throat as you shoot thick and hard, some on her face, and some overshooting onto her chest. Dani gasps a cute little "Oh" and then starts to giggle as the second rope lands right over her perfect little features. And then another, this time across the bridge of her nose and her cheek and down her lips. Her tongue collects whatever it can.

Dani's small hand keeps a hard grip and keeps coaxing, even as you feel like you have nothing to give, with it all painting her face, still, she jerks up and down, until you are empty, trembling and drained. Still, she goes, forcing you through painful shivers, laughing the whole time until the pain becomes too much, and your hands take hers and pull.

You prop yourself against the table, looking down at the mess you made. Dani's happily laughing to herself, licking up what she can. "You'll need to clean me again now, won't you? Sponge away all your dirty filth," she giggles.

Her giggle is intoxicating. Loving. It warms you right through. You wish you could bottle up her laughter.

"Need a minute," you grunt, and there's so much pride on her cum-strewn face.

"Aw, need time for recovery?" Dani quips. "I'll just lay here, all messy and defiled. Waiting to be tended to. Enjoy the sight of me, of your filthy cum all over my sweet, innocent face, until you get the strength to lift me. Really, don't rush, I love this feeling."

[sodomit]

TRANSUNITY

Transunity is a political theory that was actively talked about on Tumblr a couple of years ago, but has since fallen out of the public spotlight. And this is unfortunate, because it could have really improved a lot of the discourse around gender.

There exists a blog under that name ( @transunity ), but it has been inactive for a year. I am not affiliated with that blog anyhow, I never had any personal contacts with its mods, but I want to get their general ideas to circulate again, so I'm trying to bring this back up in a semi organized fashion. My take on transunity is just my take, if you're one of the original coiners, and you disagree, I encourage you to talk about it, because we still have much more in common with each other than different.

GENERAL VIEWS

I believe that one of the fundamental ideas more trans people need to understand is that we're all more or less in the same place in the eyes of the society (when other factors, such as ethnicity or disability, are considered). To be trans is to fail the gender role system, from the point of view of cis people we can no longer be proper men or women. All kinds of trans people regardless of identity are affected by misogyny and misandry (not a type of marginalization by itself, but turns into a vector of oppression when overlapping with a different marginalization), which forms the foundation of transmisogyny, transandrophobia, and exorsexism*. These types of bigotry are not exclusive and unique to specific gender identities either and may be applied to any trans person for as long as it's convenient to the oppressor.

Trans people do not have gendered power over each other, and intra community bigotry is better conceptualized as a form of lateral aggression.

Gender assignment and sex are never strictly binary (especially with inclusion of intersex people, who belong in gender conversations even if they don't identify as trans) and need to be understood as much more fluid and not strictly correlating with one's actual position in life.

WHAT WE NEED TO REDUCE

The following things should be discussed more critically:

- "Powerjacketing" - implying someone has gendered privilege as a means of delegitimizing their words, while in reality they do not have this privilege;

- Malgendering - forcing trans people to choose between being gendered correctly and speaking up about their mistreatment (e.g. questioning trans women's womanhood on the basis of them aggressively defending themselves or trans men's manhood on the basis of them asking for help) or implying there's something wrong with them in a way that reinforces gender stereotypes;

- Assuming that some trans people are exempt from some forms of oppression on the basis of gender assignment/sex (e.g. by calling all trans people who were assigned female "tme"** or claiming trans people who were assigned male are inherently incapable of understanding fear of sexual assault);

- Assuming that oppression of trans people is rooted in gender assignment/sex (such as, calling reproductive oppression "sex based oppression"***);

- Gatekeeping certain identities, such as "transmasc", "transbian", "femboy" as exclusive to any gender assignment/sex;

- Creating a duality out of "transsexual" and "cissexual", where not medically transitioning trans people are assumed to have some kind of a gendered privilege, or to not be trans in any meaningful material way. Various transmed ideas about dysphoria and transition go there too;

- Accusing trans people who take inspiration from each other of appropriation (trans headcanons, kinks, drag culture, etc).

SYMBOL

The following image is the official transunity symbol developed by the original transunity bloggers. Sorry about the glitch effect, I wasn't able to find one without it.

* Transmisogyny, transandrophobia, and exorsexism are not exclusive to specific identities, although they do primarily target traits associated with these identities. They can be conceptualized as bigotry and oppression towards people who are recognized as incorrectly entering respectively womanhood, manhood, and a status beyond gender binary (for the latter no normative form exists****). However, it's not wrong to use them to mean "oppression of trans women" and so forth, for as long as you're not claiming it's exclusive.

** Labels like "tma" and "tme" still may be used, but solely in a self assigned manner. I believe that an individual trans person is capable of evaluating whether they're affected by transmisogyny and in what way, and they should be trusted on this. However, no gender assignment and no current gender identity makes anyone inherently tme.

*** "Sex based oppression" instead of "reproductive oppression" reinforces the idea that people who share a specific body part (e.g. an uterus in context of conversations about abortion) are inherently of the same sex. This type of essentialism is desperately needed by terfs in this discussion, as they're trying to sell the ideas of "sex based oppression" and "sex based privilege" to people they want to recruit in their ideology. Invoking the idea of "sex" as something trans men and some nonbinary people are oppressed through is not the correct way to respond to people who say we don't experience any gendered violence besides "just transphobia", it has shitty implications and helps shitty people.

**** Lack of existence of normative nonbinary gender does not mean that these genders are not recognized by the society as a deviant, marginalized identity, and that binary people cannot be pushed into this zone.

[apas-95]

honestly kinda annoyed by the new Shaun video where he goes to extreme lengths to say how he's actually completely fine with sexualised, objectifying depictions of women in games, but finds their characters to be boring - to the point of doing so about a character named 'loli big-boobs' who he assures us he's fine with people liking.

like, he manages to understand that the point of all the blatant fanservice and objectifying portrayals of women is done so as to assert male control and female exclusion of the medium, to communicate who is and is not considered a valid audience and subject of the work - but, like most breadtubers, fails to put this specific insight into a more general theoretical basis, in this case, the fact that the objectification of women is not simply a coincidence, not just being used because it happens to call back to some era of video games people liked as children, but specifically because the objectification of women is, in and of itself, regardless of any nostalgic cultural zeitgeist it supposedly calls back to, a way by which men exclude and marginalise women.

cus like, that's the thing, right? it's not just 'playing up early 2000s game tropes to pander to a specific crowd of gamers', it's objectifiying women to pander to men who are afraid their dominance over women is fading. acting like the sex-doll female characters are basically as neutral and happenstance as big meters on the interface is a completely superficial argument that completely sidelines misogyny. but yeah like congrats, you're a dude who doesn't have a problem when female characters are put in bikinis

[extinctionstories]

It was never a common species, the blue-grey warbler that locals called the jack pine bird. A belated discovery among American birds, it was undescribed by science until the mid 19th century—and then, known only on the basis of a single specimen. The bird's wintering grounds in the Caribbean would eventually fulfill the demands of collectors and museums, but the intricacies of its lifecycle remained a mystery for decades, the first nest only found in 1903. As the already-rare bird became rarer, people could only guess at why. There were just so few birds to look for, their breeding habitat inscrutable amidst the dense, impassable woodland of their Midwestern home. The one clue was the most apparent thing about the bird: its affinity with the jack pine (Pinus banksiana).

Over time, more nests were found—not in the eponymous trees, as might be expected for a songbird, but on the ground at their feet. Data points converged, leading to the realization that not only did the bird nest almost exclusively in proximity to the scrubby pines, but only utilized trees that fell within a specific range: new growth, between five and fifteen feet tall, with branches that swept shelteringly close to the ground. Subsequently, it would be noticed that the greatest volume of specimen collection for the bird had corresponded with years in which historically significant wildfires had impacted the Midwest—fires that, for decades afterwards, had been staunchly suppressed. The pieces fell into place, like jack pine seeds, whose cones open only under the heat of a blaze.

With the bird's total population having dwindled to the low hundreds, a program of prescribed burns, clearcutting, and replanting was instituted, with many acres of land purchased and devoted to the preservation and maintenance of suitable breeding habitat. Concurrently, efforts were made to protect the vulnerable bird against brood parasitism by the brown-headed cowbird.

When the first federal list of protected species was put forward in 1966, the name of the small grey warbler was inscribed beside birds such as the Kauai ʻōʻō and the Dusky Seaside Sparrow.

The ʻōʻō, last of the genus Moho, would be removed from the list in 2023 due to extinction, after thirty-six years without a sighting.

The endling Dusky Seaside Sparrow, a male named Orange Band, would die of old age in captivity in 1987, with his species being delisted three years later.

in 2019, fifty-two years after the creation of the Endangered Species Protection Act, the name of Kirtland's warbler, too, was removed from the list: it had been determined that, with a population now numbering nearly 5000, the jack pine bird could be considered safely stable.

Conservationists continue to work to preserve the breeding habitat of Kirtland's Warbler in the midwestern US, as well as its winter roosts in the Bahamas and neighboring islands (though selective logging has replaced actual burning in recent years, due to the dangers posed by unpredictable fires). It's the kind of effort that it takes to undo the damage we've caused to the planet and its creatures—the kind of hope that we need, to not give up on them, or on ourselves.

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The title of this piece is Prescribed Burn (Kirtland's Warbler). It is traditional gouache on 18x24" watercolor paper, and is part of my series Conservation Pieces, which focuses on efforts made to save critically endangered birds from extinction.