#which is also still silly because he can be any shape

[duck-hell-woo-oo]

Realized I never shared these drawings from a few months ago. Liquidator is probably the one I’ve had the hardest time figuring out so I did some study’s of him awhile back.

[icewindandboringhorror]

Recent images I suppose ~

[krysmcscience]

Did somebody say Bill shouldn't be allowed to swear? I think somebody said Bill shouldn't be allowed to swear. Thanks to that, have these retooled The Good Place jokes:

The "powers that be" can refer to either the Theraprism staff, the Axolotl, or just. Ya know. Disney in general. Or all three! Whichever you think is funniest. ¯\_(ツ)_/¯

The "party" Bill's referring to is Weirdmageddon, of course. He was quite the ashhole to everyone back then.

Ford has probably gotten pretty good at the 'tune out your psychopathic ex with dank memes' challenge.

It must be very cathartic to be able to make Bill shut up whenever you want with just the press of a button. I'm sure Ford doesn't abuse this ability at all.

Oh, sure, 'Not now,' he says, before he immediately backs out of the newly-made hole in the Theraprism wall. 🙄

Don't worry, Bill doesn't get far.

also yeah i know this one doesn't have an attempted swear - i just wanted to use the joke because of the massive stink-eye involved in it because it makes me laugh

⬇️ More goofs beneath the brief ramble if you wanna skip it lmao⬇️

Why is Ford even there, you might ask? Well, he either decided he preferred to watch Bill suffer in person over being distantly and repeatedly harassed with the same evil desperation book for the rest of his life, or he got roped into some kind of contrived community service for 1.) all his many counts of interdimensional thievery, and 2.) his ignoring all the very clear warnings to NOT summon Bill in the first place (which I like to imagine is also illegal). Theraprism staff were just like, 'Wait, this guy matters to Bill? Ooh, we can USE that! It might be the only thing that can help him want to get better!' It is not considered that throwing Ford at Bill so soon after Weirdmageddon could instead make them both WORSE - in new and altogether special ways! :D

Anyway, I'm calling it the Community Service AU, and I am most likely not going to do anything else with it beyond appropriating these silly Good Place jokes. So, feel free to adopt the concept if y'all wanna??? Just make sure that Bill is still not allowed to swear, no matter what, full stop. It's gotta be a real linguistic corkblork of a situation for him, is all I'm sayin'.

Finally, have these bonus Good Place jokes, but with Handyman!Bill this time:

'Opposite tortures' doesn't sound so bad...at least until it's an all-powerful chaos entity known for torture saying it.

you may think i forgot mabel's cute pink cheeks but the truth is that i did in fact forget but then immediately stopped caring which makes it okay, SHHHHHHH

And, finally:

lmao this is shit

True facts, if you cram Season 1 Eleanor Shellstrop and Michael into a singular triangle shape, they turn into Bill Cipher. This is science, look it up. Or don't, and just trust the source that is me, bro.

Anyway, I should be in bed, y'all have fun with these, I guess. Tune in after like a week or so and maybe I'll have an addendum to my comic about how Bill was drawn naked for karaoke night. Because him actually being naked was not the only thing I considered as a plausible explanation. XD

Also if you see any inconsistencies or errors in any of these comics, No You Do Not :D

Also also, reblogs are rad as hell and I appreciate every single one, just don't repost, please and thanks. Every time a repost is made, an artist somewhere cries. :,)

[hotvintagepoll]

LAST POLL OF ROUND 5

Harpo Marx (Night at the Opera, Night in Casablanca, Duck Soup)—While Groucho is better-known, Harpo's physical comedy is SECOND-TO-NONE. The man is a strange mime trapped in the paradigm of early 20th century movies. Every move is a symphony and simultaneously a colony of rats in a human skin suit. LISTEN. You MUST see this man in motion. Every still photo of him looks like a combination of a sad clown and a different, sadder clown, but it's only because he put so much joy in every motion.

Peter Falk (The Great Race, It's a Mad Mad Mad Mad World)—JUST A SILLY MAN!! Sabotages four different cars (including his own, oopsie daisy) in the film The Great Race. Not film but TV, however, he is also known as the lovably silly little man Detective Columbo. Nobody knows what he's doing or where he's going at any time (even him).

This is round 5 of the contest. All other polls in this bracket can be found here. If you’re confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Harpo Marx:

64.media.tumblr.com

He's like if a clown was a hobo was also somehow a classically trained harpist, his face is always in some kind of contorted silly shape, feral curly haired ninnymuggins always doing weird things to people

64.media.tumblr.com

Harpo is mute in all of the Marx Bros movies and so his body language and facial expressions are SO over the top but he's also got fewer braincells than a goldfish while often being the emotional heart of the Marx Bros and he's just A Guy!!

Every scene with Harpo Marx is a treat! Just like watching a seagull steal a stranger's hotdog at the beach, it is a joy to watch him frustrate the hell out of all the other films' characters! Harpo Marx is the zenith of unhinged in all of his appearances, making any other funny man a straight man by comparison. (A fantastic feat considering he starred in films with his brothers Grouch and Harpo, who sported a shoe polish mustache and questionable Italian accent, respectively). The scrungliness of the little guys he plays come from his guileless, wide-eyed expression, curly blond wig, and the extreme ability to annoy others, despite never saying a word. Is he malicious? Most definitely, but hard to tell because he has a dopey grin on his face most of the time. Communicating through other sounds like honking horns and whistling, he is a force of chaos in every Marx brothers film! Also an accomplished harp player, the beautiful calm moments where Harpo plays juxtapose the zany, making him all the more scrungly. His visual style of comedy is timeless; Duck Soup had me rolling with laughter as a six year old and is still just as funny today.

In my opinion Harpo is the funniest of the Marx brothers because he is so good at slapstick comedy. Since he never speaks in his film appearances his performances are very physical, which contributes a lot to his scrungliness. He was fully committed to being wacky at all times. All of his hilarity is based on him being weird.

He's just a weird little guy who causes chaos everywhere he goes, and then sits down and plays a beautiful harp solo! He steals the show from his very chatty brothers without saying a word, and was surprisingly ripped under that old raincoat

All of the Marx Brothers are Scrungly to a degree, but Harpo is the scrungliest! His outfits are so big he gets lost in them, his pockets are full of everything, and because he never speaks, he always uses physical comedy. Also he's an incredible musician.

Peter Falk:

He's a man who looks unshaven even when he's shaven. His soul is unshaven. The perpetual squint, the way his eyes don't always go in the same direction due to one being glass, the disheveled hair... I can only hope to look as scrungly as him someday.

Just look at him. Seriously. Just look at him. He's the scrungliest little guy. He out-scrungles them all.

[marcyvamp1re-blog]

✦ ◟Pnyo! ⊹𓆝 𓈒 ۫

WHAT IF!! | Damian finds a fish with a veeery strange face?

Synopsis; He finds a strange fish that not only steals his attention but also seems to be changing shape. Between obsessively caring for it and keeping his cat from eating it, something weird is happening: the fish is becoming... more human. A miracle or just an aquatic disaster? Damian doesn’t know what to think, but surely nothing will be the same after this.

Pairing ── Damian Wayne x Ponyo! Reader. (Platonic)

Content. MDNI ── Fluff, transformation, fight, mild violence?, supernatural elements, emotional conflict, character growth, ambiguity, mild suspense, fantastical creatures.

A/N ── English is not my first language—Spanish— Ugh, we’re finally starting to upload all the delayed requests. This one is special because, well, some friends specifically asked for it, and it kicks off the "What If!" section, where you can send me any silly situation or whatever you want.

Damian had never been a fan of comedic situations or casual affection. He had grown up surrounded by discipline, struggle, and duty, where everything that wasn’t a mission or a cause seemed unnecessary. Spontaneity and tenderness made him uncomfortable, as if they were territories he didn’t know and avoided with caution. But here he was, on a remote beach, trying to escape the feeling that something in his life was changing. Perhaps the peace of the sand beneath his feet or the sun barely touching his face made him feel vulnerable, something he had never allowed.

It was then that he saw her: a strange, glowing fish that emerged from the water with almost magical grace, as if it were a creature from a dream. Something about its appearance, with its peculiar shape and vibrant colors.

Damian, in an impulse as unexpected as it was baffling, grabbed the bucket that Cassandra and Stephenie had left forgotten by the shore. He lifted it quickly, without thinking, and caught the fish with the same precision with which he usually caught his enemies. There was no logical reason, no plan. He simply did it, as if, for once, the same curiosity that had made him take Goliath years ago was now driving him to do the same with this creature.

When he got home, the fish was still in the bucket, hopping slightly, as if it had no idea of the bewilderment it was causing in the boy who had, in some way, learned to treat the strangest animals as if they were normal. And though he couldn’t admit it, part of him felt a strange satisfaction.

Damian didn’t usually allow anything or anyone to interrupt his concentration, but something about this fish kept him in a constant state of alertness. He spent hours watching it in the fish tank he had placed in his room, studying every movement, every bubble it made while swimming. It wasn’t just curiosity. There was something else, something he couldn’t fully identify, but it felt like a small spark of something he had never allowed to ignite inside him.

At first, he watched it from a safe distance, not interacting too much, as if observing it silently was enough. But soon, the need to take care of it, to protect it from any possible threat, began to infiltrate his daily routine.

Every morning, he made sure its water was fresh, renewed, and free of impurities. His mother had taught him how to take care of little creatures, but he had never paid so much attention to the details as he did with this fish. The water had to be at the perfect temperature, neither too hot nor too cold, and the plants in the tank had to be kept clean, with no algae that could disturb its tiny ecosystem. If any leaf fell or something disrupted its balance, Damian would fix it immediately, as if the life of the fish depended on his intervention.

The others didn’t understand, of course. Drake and Duke, for example, would come over with mischievous smiles, bringing pieces of ham as if it were a harmless joke. He often found them crouched down, trying to give the creature a snack, and his patience would overflow. “What are you doing?” he’d ask with a calmness that barely hid his irritation. “Don’t give it ham. It’s not food for her.” And although his words were sharp, no one could deny the protective tone in his voice. The worst part was that his fish happily accepted the ham!

Sometimes, when they tried something new, like moving the tank to see how the fish would react, Damian couldn’t help but frown. No matter how ridiculous it seemed to others, in his mind, that creature deserved respect. And most of all, it deserved to be safe.

Alfred, the cat, was another constant concern. Although the cat usually behaved with innate elegance, he never missed an opportunity to observe the tank, his eyes filled with a furtive gleam. Damian had to come up with a series of tricks to keep the cat at bay. He’d place a special lid, one that kept the cat from opening it, and every time Alfred came close, he made sure he wasn’t too near the tank, always with that deadly glare that only a child trained in the art of discipline could possess.

As the days passed, something inside Damian began to change. He didn’t just take care of the tank and the fish with almost obsessive dedication; he did it because, somewhere deep inside him, he had grown fond of it. He wouldn’t admit it, not even to himself, but he knew that this little being, this strange creature he had caught on a whim, had become something more. It was his responsibility, his little refuge, a vestige of something more human that he had learned to avoid for years. And although he didn’t fully understand it, he couldn’t help but feel a strange peace every time he looked at the fish, swimming peacefully in its tank, unaware of the internal war its owner was fighting to protect it.

As the days went by, Damian began to notice something peculiar. At first, he thought it was just his imagination, the result of staring at it for so many hours, but soon it became obvious: his fish was growing. Not in a sudden way, but gradually, as if, somehow, it were changing before his eyes, transforming into something bigger, more... alive. At first, he was skeptical, attributing it to the fact that maybe the creature had been hungrier than he thought. But then, over time, the transformation wasn’t just physical. Its behavior also changed. It became more active, swimming in circles as if it were exploring, as if it weren’t the same creature he had known before.

Damian watched as its shape and color subtly began to alter. The fish’s scales became shinier, and its eyes, which once only reflected the calm of the water, now had a spark of something more: curiosity, perhaps. And the strangest thing of all was that it was getting closer to the surface of the tank, as if it wanted to get out. It was as perplexing as it was fascinating, but he couldn’t help wondering if his fish, somehow, was taking on a life of its own.

Something, though mysterious, was happening in their little world, and, though he didn’t fully understand it, a feeling of inevitability began to settle in his chest. The transformation was clear. Something magical, something he couldn’t control, was happening.

It was one afternoon, returning from a mission as Robin, when Damian discovered it completely. The door to his room was wide open, and a strange silence enveloped him as he entered. His gaze immediately went to the tank, only to discover that it had exploded, water spilling onto the floor and shards of glass scattered around. Panic swept over him, but then he saw it: a small figure in a red dress, completely soaked, jumping on his bed with overflowing energy.

“Damian! Damian!” the girl shouted, her face lit up with overflowing joy as she approached him, showing no trace of fear. Her eyes, now so familiar, looked at him with the same spark he had seen in the tank.

Damian stood still, his heart pounding in his chest, unable to fully understand what he was seeing. Where was his fish? Where and how did that strange girl get in? The girl, with her wet hair and soaked red dress, looked at him with a smile full of energy, as if she had finally found what she had been looking for.

And in that moment, seeing that familiar look, something inside Damian clicked. His fish, his strange and precious creature, had turned into a human, a girl.

A/N ── First off, yes, this request can continue. Feel free to send me questions or whatever if you like it. It's not a series, so no chapters or anything like that.

Honestly, I think I saw a Damian x Ponyo! Reader somewhere, but I can't remember the username, so all credit goes to them. If you see it, send me their username so I can give them the proper credit.

On another note, this story isn’t romantic, so don’t even ask. I’m watching you.

[anonymous-dee]

My Top 5 Scum Villain Ships

5.CumPlane

There’s just something so silly about them. I love the way they bicker and banter, and you can’t deny the obvious shitpost potential of them both coming from the real world.

I fucking love the memes where they’re speaking in brainrot to each other and all the other peak lords are like 🤨❓

4. MoShang

They make me so mad fr. I stand with SQH as a child of divorce so yk, I can’t be too upset with him. BUT FOR THE LOVE OF GOD THEIR ABANDONMENT TRAUMAS LOVE TO CLASH CONSTANTLY AND IT’S SO DJFJDJF 🍽️ I hate it so much *desperately filling my plate with fics and fan art and headcanons and—*

3. JiuYuan / ScumCum

Another ship w the sillies. One of my favorite dynamics with JiuYuan is Shen Yuan being like “ugh” but then realizing how broken Shen Jiu is and then going “sigh, I can fix him…” and then he DOES fix him and it’s sweet and cute and perfect.

And yk, I think it’s so important for Shen Jiu to experience kindness and gentle touch and actual love, and it’s like YEAH I love the drama of QiJiu and LiuJiu, but with QiJiu it doesn’t hit the same because in order for it to work in a /gen way, Yue Qingyuan has to have his redemption arc and regain Shen Jiu’s broken trust.

I still do ship LiuJiu ans QiJiu, but ScumCum is just more wholesome in my eyes.

With Shen Yuan, there was no original betrayal, he just comes out of the transmigration oven with warm hands and healing vibes. For the most part.

I like that they are both also similar in a hater way too. If you think about it, they’re both 100% capable of going on the BEST RANTS and being a hater and I just KNOW they have the BEST debriefs after seeing the others do questionable things in public. Yk, they give each other the 👀 “are u seeing this shit” look knowing fully well they are both gonna have a 2 hour mutual ted talk about the absolute audacity.

You also gotta love the dynamic of Tsundere (soft) and Tsundere (will kill a bitch). Because on one hand Shen Yuan has to have his gay awakening so he’s in denial for a hot minute. And then you have Shen Jiu who’s ALSO in denial—probably also in the closet bc he has to overcome his mental block of fearing/despising all men before he can become open to the idea of allowing one man.

#not all men #actually yes, all men #just not that one in particular #yeah him, the fucking twink in the back

And then you can easily end up with a dynamic where both of them realize their feelings and it turns into

SJ: god shen yuan is so fucking annoying (wasn’t allowed to kill someone)

NPC: yeah I hate that guy

SJ: what the FUCK did you just fucking say

I love them thanks.

2. BingLiuShen

**CREDIT BOTH OF THESE BEAUTIFUL ART PIECES TO SAIRUSB AND CHECK OUT THEIR PAGE THEIR ART IS AMAZING**

Slot number 2 goes to BingLiuShen. Everyone repeat after me: SHEN QINGQIU HAS TWO HANDS!

I think the most interesting part about any Poly ship is the multitude of dynamics; it’s more than just SQQ x LQG x LBH. It’s also BingQiu. It’s also LiuShen. It’s also…uh, BingLiu(?) for the life of me I cannot remember if that’s their ship name, BUT ANYWAY.

Each of these individual dynamics has its own individual charm that gets explored once you start overlapping them together. You have the base with some delicious seasoning if you will.

Not gonna lie, it was a 100% tag team effort between SairusB and Celardor that initially sold me on BingLiuShen.

I love Luo Binghe being a menace, Shen Qingqiu being ‘:3’, and Liu Qingge being shy and not used to romance at all. Not that any of them really are, but I love how many ways you can play around with this specific concept, which I will elaborate on more in the next part of the post.

(Anyone who knows me, you know who I’m putting in the number 1 slot)

Everyone please read Sharing is Caring / Love in Another Shape by Celardor on ao3 that fic literaly altered by brain chemistry and it’s so fucking good please believe me PLEASE

1. LiuShen

**CREDIT THIS BEAUTIFUL ARTWORK TO VELINXI, THE ARTIST FOR THE ENGLISH VERSION OF SVSSS**

My beloveds. My silly little guys. My pretty scrimblos. My mipys. Ft. the art that got me to See The Vision™️ for the first time.

Love that we get LiuShen art in the official artstyle btw, I will never shut up about it bc Velinxi’s art is so gorgeous and I cherish everything she draws so so so dearly.

LiuShen is so special to me. I’ve talked about it several times before on my blog but I just love their dynamic so much. Somehow despite both being tsunderes (well, idk if I count SQQ as a FULL tsundere, but still) they end up being so soft with one another it’s so fucking wholesome.

As much as I do enjoy BingQiu, I say as it did not make the top 5 list LMFAO I absolutely love how many ways there are to write LiuShen. Given that SQQ is ship silly putty already, it really does provide the opportunity for endless fun.

There are fics where both of them are self aware of how they feel, there are fics where neither of them are. There are fics where one of them realzies they like the other and have no shame about it. And BOTH are equally as entertaining. I love ‘:3 Liu shidi is pretty I wanna touch him’ fics just as much as I love ‘>:( I’m gonna bring Shen Yuan courting gifts and challenge him to a fight to express my devotion’ ones.

And then you have the fics where one of them is oblivious and accidentally ends up married to the other—I’ve seen it go both ways and it’s perfect every time I swear to god.

Props to Celardor AGAIN because I think they perfectly balance the tsundere and soft vibes between the two. The fic “Sharing is Caring” goes beyond just the silly wife plot it starts out as. It deadass goes from “teehee silly wife plot” to “let’s actually explore the dynamic and the world and the plot beyond just this silly adventure”

Celardor said “I think I see potential here” and both parts of the fic series amount to 254,349 words AND COUNTING BC PART 2 ISN’T DONE YET.

Okay this isn’t a fic review this is a SHIP review so setting Celardor’s fic hesitantly aside, it’s sort of hard for me to explain how much they make me happy but I just love the blushy x blushy dynamic so much LET THEM BE SHY AND SOFT TO EACH OTHER AAAAH

Thank you for coming to my Ted Talk.

What is your favorite SVSSS ship?

[brionysea]

when it comes to the umbrella academy, a lot of people seem to think that the first half is great and the second half is terrible. personally, I think only the first *season* is great, or even good. here's why:

the mission statement at the end of season 1 is fixing viktor, but viktor isn't the only broken one, so you can infer that they're all going to have to fix *each other* - as a family, the one thing their abuser never let them be. and the world's burning down around them because of the most dramatic sibling confrontation to ever grace the earth, but they're holding hands and escaping together and surviving the impossible with the intent to move forward, even if that means momentarily moving backwards. it's a masterful allegory for finally growing up, accepting responsibility for your personal trauma and tragedy and how they shaped you, and the moment you take that power back by choosing to heal your inner child, only after being slapped in the face with the fact that if you don't, it *will* destroy everything you've ever built, ever cared about, and ever could.

and then the rest of the show forgets all of it. as it were, it goes in the *exact opposite direction.*

on the surface, the second season isn't *as* bad as the subsequent ones are. but season 3 and 4's faults can be traced back to season 2 by how it pivoted away from the serious subject matter that the story (not the plot - the *story*) was heavily baked in, leaning hard into the goofier elements instead, without ever understanding the contrast that those conflicting elements served to highlight. it made them both more powerful; the jokes were funnier because you were just devastated, and the trauma was more devastating because you were just in tears laughing. the emotional roller coaster is key to understanding these people, and you *have* to take the serious stuff seriously for it to work. at least half of the show doesn't, and as a result, the emotional moments feel hollow.

controversial opinion: as a character, luther is better in season 1 than he is anywhere else. he's more unlikable, but that's because he's implicitly there to show what *not* to do - even if he'd succeeded narratively by locking viktor up and saving the world, he still failed thematically by emulating their father and continuing the cycle of abuse - so luther's a character that's being very effectively used to add to the core theme of the story. he feels like a real, frustrating person, whose brain chemistry got messed up by years of abuse and isolation, all for the crime of thinking his father loved him and wanted the best for him. not like a made up guy on your screen doing silly stuff solely for your entertainment.

season 2 was also the start of the characters getting love interests instead of storylines, which season 1 never would have *dreamed* of; klaus and dave's tragic romance only served to further klaus's character arc, viktor's creepy boyfriend was actually manipulating him the whole time, five's fractured-psyche-mannequin was a narrative tool to let us see into the head of such an emotionally reticent character, and so on. the romance served the character, but fairly quickly into the show's progression, it felt like the character started serving the romance. five was immune to this curse for a long time due to aidan gallagher's age, which is why he's (for the most part) the best, most consistent character across the show, because they had to use their *imagination* for him and actually *write an arc* instead of falling back on tired romance tropes that any selection of characters could slot into to fill the dead space.

after season 1, the umbrella academy is entertaining, but it doesn't have anything to *say.* which is extremely disappointing when the show initially made such a strong case for what it wanted to be.

[ultimateloserboy]

Bill Cipher Analysis Post ‼️

(I could be wrong about some things since the book is fresh, feel free to expand this post or correct me! May be a little edited as well!)

To start things off: William Mischief Cipher, (yes thats his actual name) is a dream demon from another dimension. To be specific, the second dimension.

Despite Bill being a literal shape— and also a demigod— it’s implied that Bill had a human-like childhood. He had a normal mother and father, he went to school, and overall seemed to have a normal life. The problem, however, was that he was born with powers completely unknown to his dimension.

Bills world was 2D, meaning there was no up or down. It’s hard for us to grasp the concept of his world, and its implied Bills dimension felt the same way about us. They couldn’t grasp the idea of other, less flat dimensions— but Bill could. Not only did he understand the concept, he could physically SEE the other dimensions— which drove him crazy with confusion and frustration.

It’s also implied that Bill was born with physical powers others in his dimension didn’t have— for example, there’s a line in the book where he remembers being bullied in school for having the ability to conjure fire.

It’s implied that Bill tried to tell everyone about the other dimensions, but they didn’t understand. The other people of his homeworld considered him troubled and insane. There’s a poem written in code on the silly straw page of his book detailing how he was fed medicine to keep his “visions” away, but would only drink it out of a silly straw. This poem implies he was a baby at the time of taking his medicine, implying further that his powers were terrifyingly strong even from an early age. This— paired with the fact he could shoot fire from his fuckin hands— made him dangerous as a child, because (at least from what it seems) any childish outburst or tantrum could accidentally turn dangerous from his lack of understanding or being able to control the powers he was born with. He was a walking time bomb.

“Eye doctor of a different kind who wants to make his patient blind / The doctor says three sips a day will make the visions go away / Fussy eater, baby billy, wouldn’t drink unless its silly.”

(((The doctor was taking away Bills ability to see the other dimensions, rendering him somewhat blind. Bill fussed about his medicine as a child and would only drink it out of a silly straw.)))

Eventually, Bill tried to bring his world into the third dimension— or at the very least, show them it exists to prove that he wasn’t insane. It’s unclear what exactly he did to try and accomplish this— but it went wrong and started a terrible fire that left only him alive.

It’s unclear whether or not he started the fire itself on purpose or on accident, but either way its implied that he absolutely didn’t understand the permanent consequences. It’s something that deeply traumatized him. It’s blurred out of his memory, and in denial, he pretends everyone is still alive. It’s up to the reader to determine whether or not he can be forgiven for this, but out of everything Bill has done on purpose and out of malice, this doesn’t seem to be one of those things. It seems he genuinely wanted to free his family from the confinements of his dimension and to this day he still pretends that’s what he did, even if that’s not the case. The regret of his actions is something that goes on to shape his character today.

“Twisted out of shape after the kill— the ghost of his family haunting him still” (((Silly straw page)))

Bill has lied about this day on multiple occasions, and has also lied about how he feels towards it. He’s terrified to face the guilt— so he either pretends he did it on purpose and doesn’t care, pretends something or someone else did it, or pretends it didn’t happen all together.

While talking to Stanford, he calls himself a monster. This is what he truly thinks of himself. However, he pretends to be a different person than himself. His entire life past the day of his dimensions burning has been a lie of pure denial.

On top of denial, he refused and still refuses to grow up. After running off into a crumbling dimension with his “henchmaniac” friends, he started acting like a rebellious teenager. Unlike most villains with a specific intent to hurt, he went throughout the universe with the sole intention of having as much fun as possible. However, with his terrifying power and uncaring nature many casualties happened on the side. He’s guilty for them, and even finds some of them funny, but hurting people wasn’t and isn’t his MAIN intent. (At least not most of the time. He IS known to hold grudges, or dismantle someone’s face for fun, but those things aren’t part of his overall goal. Not saying they aren’t shitty, but his main intent is important to understanding his character and complexity.)

His main goal is to distract himself from his past with as much chaos as possible while also seeking attention from anyone he can get it from. He talks about Stanford and says he needs Bill to boost his ego, but really it’s the other way around. Bill considers himself a product to sell, he caters to people by using false charisma, pretending they’re the ones that need him when in reality he’s starving for their praise. He is desperate for someone to speak highly of him because his mind has nothing good to say, all the words he says out loud are compensation. He believes deep down that nobody will love him if they know who he truly is and what he’s done— and he’s not really wrong. And look! He couldn’t even admit that’s how he feels about himself so he pretends he’s giving advice! (He does this SO MANY fuckin times in the book..)

It appears in the book that the more he regrets or suffers from his past actions and traumas— the more he hurts and destroys the things and people around him as a distraction— all under the ruse of “partying”. So, in an immature attempt to absolve himself of guilt, he stacks more guilt onto his endless cycle by continuing to hurt those he loves again and again— pretending not to care but truthfully caring so much that he’d do ANYTHING to drown out the feeling. Ironically, his way of drowning out his feelings is by causing more harm. He is an endless, pitiful paradox.

It’s often misunderstood that he is a uncaring, but that’s what he WANTS you to think. That’s what he WISHES he was. His guilt and remorse doesn’t absolve him from the things he’s done, but the fact that it’s there is a GIANT and IMPORTANT part of his character. He CAN feel empathy, sympathy, sentimentality, and ESPECIALLY regret. He may be a considered a sociopath, but this doesn’t mean he’s not a person with feelings as well.

He’s so distraught over losing Stanford that he drinks himself into a state of temporary amnesia that made him fall into a ptsd episode— his memory is so bad he ends up thinking he’s talking to his mother who’s been dead for probably millions of years.

This doesn’t excuse what he did to Ford AT ALL (I felt a little sick looking at the knuckles page..) but you can’t truly understand his character without understanding that he is LYING when he is cruel to Ford. And no, just because it’s a lie/front doesn’t mean he’s absolved from saying or doing something horrible, but it DOES mean he is unique and complex.

It’s perfectly reasonable to not forgive Bill for what he did to Ford, because it’s not really forgivable— but I also think it’s fair to explore the complexities of “evil” characters. SAYING A CHARACTER REGRETS THEIR ACTIONS DOESN’T MEAN I THINK THEY DESERVE FORGIVENESS!!! Especially in Bill’s case, considering that he PRETENDS to not be sorry, which makes him terrible even if he doesn’t mean what he’s saying. He might as well not be sorry at all HOWEVER!! It’s still important to distinguish him from a sociopathic stereotype— so I have to acknowledge that he’s a little sorry anyway, even if that regret is hidden away and doesn’t help literally anyone.

He values his own comfortability over the people he loves. Meaning he’ll always be cruel instead of apologizing because even if he’s truly sorry, he can’t handle the fact that he did something wrong in the first place— He’ll just play dumb.

At the end of the day, though— Bill is much more complicated than “Guy that just wants to explode people with his mind and take over the world”— I mean yes, he’s also that— but he also has hella bad ptsd and possible other mental issues that I’m not qualified to diagnose. He has a mother who he misses and a pain he carries with him.

None of the pain he harbors will ever justify the pain he’s caused— So no, I don’t think he’s ACTUALLY forgivable (though I may joke). However, in my opinion, I do think he’s redeemable! He’s going to live (or at least be in purgatory?) for millions of more years. He already got a punishment of literal death and has the empathy (somewhere) to continue forward and start fresh. He has thousands of years to heal from his trauma and wallow in what he’s done.

The Pines family may never forgive him, but out of the child-cartoony love in their hearts they offer him not forgiveness— but live and let live. (Well, at least Mabel does.. love you sweet girl.) If he goes around them they’ll beat his ass like in weirdmaggedon, but if he stays away, they will too. At the end of the day, he’s been stopped and they’re happy. If he is alive, (((or is going to be??))) he might as well heal.

And, well.. even if you think he doesn’t deserve that somewhat happy(?) ending, a redemption arc for him has been hinted at for years. Sorry, man. Respect to you and all but like… friendship is magic and the evil demigod is gonna start working at your local wendys once he’s outa space arkham. It’s just the way kids shows go, man.

(((Edited note: I apologize for my original wording when it came to “sociopath”— I wasn’t aware of its actual medical use and I should’ve done my research on that! I’ve changed this post to be more accurate in that regard, so if old reblogs look different it’s because they’re the original version.)))

[knight-a3]

Heavenbound AU

Masterpost

Angel Dust "Angie"

So I can avoid confusion between Angel and angels, his stage name is Angel Dust but he goes by Angie casually.

Side note: I'm too ace for this guy, yikes. Don't mind me clutching my pearls.

Spider family:

More notes under the cut to reduce clutter. There's info about the whole Spider family and some info about the Mafia as well.

Angie's redesign took me a while to nail down. I looked at other people's designs for inspiration, but nothing felt right. I wanted to give his head shape more structure, but it's too iconic to significantly change. Many people added spider fangs but I think they always look too cluttered and ugly. I also wanted the right balance of masculine and feminine for his outfit.

I am not a fan of heterochromia in character design, unless there is a reason or it's used sparingly. Angie's design is complicated enough with the gold tooth, extra eyes and arms, and body patterns that the heterochromia would just be too much.

Instead of giving him fangs that jut out like a real spider, I chose to just give him a main pair of fang-like teeth, while the rest are smaller.

It didn't make sense to me why he's able to retract his tertiary set of arms, beyond simplifying for animation, but I also do not want to manage all of them all the time, so I'm keeping that little ability. I'm justifying it with the idea that he was only ever somewhat interested in the family business, so he had less of a hand in it than his Pop or Arackniss(both of which cannot retract their extra limbs at all). I also wanted the sets of arms to have a hierarchy in how he uses them. Also didn't like the shoulders canon gives his secondary arms. They look weird to me.

The main set has 5 fingers on each hand and are relatively normal, because they're the equivalent of his human arms. The secondary set is a little smaller and a little more bug-like, with 4 fingers. The tertiary/retractable set are smaller and have 3 fingers.

I tried giving him a spider butt, but I couldn't wrap my head around how he would wear any type of pants. Not that he would be opposed to going around nude, but I just wasn't interested in that.

Casual:

I remember reading somewhere that Angel likes to dress more comfy rather than provocatively outside of work. So I decided his work outfits are the skimpy, sexy stuff. His main outfit is his typicall out-in-the-town fashionable stuff, which tends to cover him up more(gotta pay for those goods). And lounging clothes are just purely for comfort.

Main outfit-

I really wanted something that alluded to his mobster background. He may not really be involved of all that now, but it's still a part of him and that would linger. For as much as he modernizes, he's still a product of his time. Anyway, that's why I gave him pinstripe pants and a blazer.

I didn't want to lean too far into either masculine or feminine styles. He is undoubtedly feminine, but he was raised in an environment where suits and violence was the fashion. I actually searched for 40s gangster costumes for women, counting on the fact I'd find the silly sexy costumes so I could get ideas for a more feminine spin of the classic mobster.

I tried a boob window shirt for awhile, but it didn't let me show enough chest fluff. So I traded it for a V neck, which can work for both masculine and feminine styles.

Eventually I settled on a crop top blazer, since it gives a sort of suit jacket vibe while being feminine. I preferred the short gloves from the pilot, at least on his main arms, and used the longer style from the show for his secondary arms.

In canon, his "skin" color and the white of his clothes just don't have enough contrast. So I used more pink, and had the color of his fluff be a different hue than his shirt. I liked the stripes on his jacket before, but I didn't want to add any more complexity, especially when I already committed to the pinstriped pants.

Overall, I like this outfit for him. Maybe that has something to do with my personal tastes, but I think it suits him.

Body markings:

He wasn't a star until Val came around in the 70s, so he wouldn't have been quite so glam before that. He still had more mobster habits. I used his older, pre-pilot, Zoophobia design as inspiration, which used a low saturated purplish color. I thought it struck a nice balance between his mobster roots, and his later glam style.

I wanted to make the pattern something easy for me to remember. The heart design got pushed lower down because I needed more room for his chest fluff. His hands don't have anything because I didn't like how it looked with his lounge clothes. The stripes on his arms reference the stripes on his canon, pilot, and pre-pilot jackets. The stripes on his legs represent garters(suspenders that hold up socks or stockings).

Human- Anthony "Tony"

Many human versions of him that I've seen make him look too modern. I think they would absolutely work for a modern human au, but not for the 1940s. So this is my take on what he would have looked like while he was alive. The Mafia is almost exclusively Italian, and overwhelmingly Southern Italian/Sicilian. Sicily was settled by the Greeks during the antiquity period, so many people there have Greek ancestry. The vast majority had dark hair and a tanner complexion(less than 7% are blonde in modern day). Northern Italy has more variety, with up to 25% blondes in modern day. I find it unlikely that an Italian-American mobster would have such light blonde hair(darker blonde, maaaaybe). I found only a couple of a blonde mobsters, and the pictures still look pretty dark. I just believe he would have had a more typical Mediterranean appearance: naturally dark hair and olive-toned skin, rather than the fanon platinum blonde more typical of Scandinavian areas.

Hair coloring in the 40s was always done professionally, and primarily used by women, and they usually didn't want it to be obvious. Bleached hair on a man(especially with naturally dark hair) would be far too much to maintain discreetly. He hadn't publicly embraced his feminine side while he was alive. His family was Catholic, and being gay was a no-no. But murder was okay for some reason. Don't question the mobster logic.

His brother and sister knew he was gay, parents did not. Arackniss was too tired to care, and Molly was supportive. She would take him to be her "bodyguard" when she would go out and do fun things, but it was partly an excuse she provided for him to do gay things.

Angie had mixed feelings about his participation in the mob. Sometimes it was fun, other times he'd really rather be partying. But he was a made man and swore an oath of loyalty. He can't just back out.

He spent his free time with drugs, guns, and hot guys. Then died of drug overdose in his early-mid 30s in 1947.

He wasn't publicly out as gay until Hell. His parents hated it and basically disowned him when they found out. But why should Angie care at this point? He's already in Hell. So he just parted ways with them(technically the oath of loyalty ends at death. It's not like the Mafia can really kill him for leaving now, since they all just regenerate anyway) and has kept in sporadic contact with his siblings. They aren't close anymore.

Spider Family:

Ma and Pops were mostly because I wanted to play with character design. And since they have no official designs, I had more room to play with it.

The whole family became spiders because they were involved with the "web of crime" that is The Mafia. Family relation does not automatically mean sinners will look similar. They usually don't.

Pops (real name Enrico, the Italian version of Henry. Nickname "Big Cig". Almost every mobster listed on wikipedia had a nickname) inherited the position of mob boss from a relative. I'm not thinking hard about historically accurate crime families, so this is a fictional family that we will pretend had a significant presence. He died not long after Anthony, in the early 1950s in his mid 60s via gang violence. He never managed to get to the same level of power after his death. He's a minor Overlord at best, but does hold some influence.

In Zoophobia, Angel and Arackniss had a dad named Henroin. A play on "heroin". So when considering a real name for him, I searched for a variant of Henry that sounded more Italian. I designed him before I knew he had a design, but I wasn't exactly impressed by Henroin's design, so I totally ignored it anyway.

Design-wise, I wanted to go for a stereotypical mob boss vibe, and it lends itself well to the more bulky, crustacean look. The resemblance to Mr. Waternoose was unintentional. He cannot retract any extra limbs.

Spider traits- I wanted to give everyone varying degrees of spider traits, partially determined by their level of Mob involvement and how dangerous they are. Pa is venomous(through his clawed hands), has super strength(because spiders are proportionally strong compared to their size), can super jump(cuz jumping spiders is the theme), and can summon a couple of guns. He's too large to crawl on walls and can't spin webs.

Ma was always at Pop's side, helping with the less violent aspects like finances. She did her share of poison murders as well. Ma died alongside Pop and is still at his side. She's arguably the more dangerous of the two at this point. She looks easy to take advantage of, but it turns out she has potent venom.

I didn't have anything canon to go off of, so she's technically an OC. I haven't put a ton of thought into her name, but I think I'll just go with Maria. Molly is named after her, I guess.

Design- Had to go with a femme fetale mob wife. The hourglass motif is because of her venomous nature, and not for any husband-killing. She can retract her extra limbs, because she is more dangerous than she initially seems.

Spider traits- she's more venomous than Pa(through her extra limbs), can wall crawl and super jump with her extra limbs, and spin webs(to ensnare prey. I think it might come from her hair bun and/or mouth, but I don't want to think too hard about it.). She's actually the more dangerous of the two, partially because she appears less threatening, and partially because the way her extra limbs are set up gives her more reach and agility. She cannot summon guns, and she doesn't have super strength.

Arackniss (real name is Giovanni, Italian version of John. Goes by Jon. Nicknamed "Little Cig", "Don Jon") worked as the underboss until Pa died, then took over as mob boss, making sure Molly was taken care of. He died in a shootout with police in the 1960s. He was around 50ish. He is on speaking terms with their parents, and sometimes works with them. He's tired and very addicted to coffee and cigarettes.

Apparently an old QnA revealed his real name to be Jonathan. Not sure if it's still true, but I didn't find anything more reliable. I found no examples of any historical mobster named Jonathan, despite there being many many Johns/Giovannis.)

Design- I wanted him to be unable to retract limbs, unlike Angie, but also wanted to avoid drawing all of them. So I used his overcoat to cover them, and he habitually keeps his hands in his pockets. Again, he can't retract any limbs because he was heavily involved with the mob. I changed his eyes from red to yellow, because I felt the yellow suited him better and reduces the overuse of red in general.

Spider traits- He can wall crawl, has super strength(which most don't expect because he's pretty scrawny), has super jump, and can summon guns. He cannot spin webs, and his venom is non-lethal and inflicted via bite(which isn't super useful to him).

Anthony/Tony "Wild Tony" was a soldier in the Mafia. He could have been a Capo(caporegime) if he was more committed. But he had a tendency to party and goof off. Technically, membership of the mob ends through death. Being the first to die, he was separated from the mob and didn't care to recommit. Angie partied hard and enjoyed gun violence, until Valentino came along. Valentino swept him off his feet with promises of fame, fortune, and love, convincing Angie to sell his soul.

Design- already covered most notes, but for organization: he can retract one set of extra limbs because he was involved with the mafia, but he was lower level.

Spider traits- He has less than the previous three. So he can super jump, spin webs(via mouth...he can make it kinky), and summon guns. He technically can wall crawl, but not for very long, and he usually uses it for things like pole dancing. He is not venomous at all, and does not have super strength.

In canon, Molly is in heaven, but I don't find it likely because of how the Mafia works, so she's in Hell now. (Real name is Marietta, which is an Italian version of Mary, and Molly is a nickname)She was the spoiled daughter and knew about the family's criminal activity. She knew, profited, and didn't care. She's guilty by association. Anyway, I'm gonna say she died about 10 years after Anthony, approx 1957, around the age of 40. Haven't thought too hard about how she died. Then she probably went and found some powerful, hot guy to sell her soul to. Not sure.

Design- I was going to give her an extra set of legs, but I couldn't wrap my head around the anatomy of it and just decided to stick with extra arms. She can retract all her limbs because she was "hands off" with the mafia.

Spider traits- she has the fewest because she was the least involved with the mafia. Aside from the obvious physical traits, she can only spin webs(because it is symbolically more domestic. Also via ponytail and/or mouth, but I don't want to think hard about it). She cannot wall crawl, or super jump, has no venom or super strength.

The Mob:

The Mafia is very patriarchal, so all members are men, as women were never formally initiated. But women were still significantly involved in a variety of ways. Most often by instilling mafia culture to the kids, drug trafficking, finances, or economics. Some helped as launderers, couriers, shills(con artist), drug traffickers, informants, and other typically non-violent roles. Some acted as proxies for their husbands in prison(which is becoming increasingly common in modern times).

Quick chart for Mafia organization, via the FBI.

Simple rundown of terminology because I didn't know the difference between Mob and Mafia, and I've now done too much research to not write it down in a relevant place:

mob- a group of people, usually disorderly

gang- crime group, ranging from loosely organized street gangs to structured syndicates.

syndicate- group of individuals or organizations that unite for a common goal. Can be legal or illegal.

cartel- (type of syndicate) a group of individuals or organizations that collude to control a business market via supply and demand. Can be legal or illegal.

The Mafia- originated in Sicily. Ethnically Italian gangs, referred to as "families" that may or may not have actual familial relationships. Characterized by a distinct hierarchal structure.

The Mob- the American extension of The Mafia. (ie. it's the same thing)

The Commission- the alliance of the various Mafia/Mob families. Older generation members, called "Mustache Petes", only worked with fellow Italians, sometimes even only Sicilians.

The National Crime Syndicate- multi-ethnic alliance of various criminal organizations. Most prominent being The Mafia/The Commission and Jewish syndicates.

All somewhat organized crime groups are gangs. Crime syndicates have a higher level of organization, and cartels deal in specific businesses. Eventually the terms mafia and mob were applied to other ethnic gangs that operated similarly. Such as the "Jewish Mob" and "Russian Mafia". But THE Mafia and THE Mob refers to Italian gangs.

(Jan 28, 2025- fixed the tags) (Jan 31, 2025- added a couple more notes about his human design, particularly the hair color)

[circus-clangen]

Can u tell us about ur process woth designing Candy and Peanut?

Absolutely! This goes hand in hand with this ask

So here’s kind of an all-encompassing “how Lynx designs these freaks” guide.

FIRST OF ALL

The name of the character almost always reflects and influences the design of the character. RNG assigned Tigertoe’s kits the names “sandykit” and “nutkit”, so honestly I didn’t have to do ANY thinking to decide what to name them.

I didn’t have to change much from Candy’s sprite as far as colors go, because she ALREADY was just built like a box of conversation hearts

For Peanut, I at first considered desaturating and warming his colors up to make him more peanut colored, but ultimately decided against that. Instead, I interpreted his spots to be like the shape of the indents on a peanut shell

SECONDLY

I know this isn’t always possible but I also pulled a lot from the designs of Candy and Peanuts family members for their designs.

Candy, for example, I wanted to strongly resemble Marquee but with a lot of Trapeze mixed in. Her face shape and eye shape are directly taken from Trapeze, whereas the shape language of her fur and her coloring is directly taken from Marquee.

For Peanut, I wanted him to strongly resemble Tiger and Ringstar…. (🦅), so he has Tiger’s face shape and goatee, as well as shape language, but he has that kind of weaselly hunched lankiness that Ring has.

These are both VERY OUTDATED because I designed them as adults to de-age to kit designs OVER A YEAR AGO but the general shapes and body types hold true… plus you can see me trying to make Peanut beige which I ultimately decided against

THIRDLY

I tend to have a very strong sense of what I want a character to look like, even if I don’t quite know what it is and have to do a ton of drafts to get there.

For candy and peanut, I knew I wanted her to look like she’d experienced nothing but horror and agony since before the womb

And I knew I wanted Peanut to look like this

Very dorky and unserious, so I gave him big ol front teeth and big round mouse ears

And LASTLY,

Design your characters and with what you like and what works for your story! You can see my designs change as my preferences and story needs change!

the designs start off very goofy and bright, because the story started off as a joke and something I did for fun, never intending to share

Once I put Circusclan on tumblr and it started to not only gain attention because become a scarier, more puzzle oriented story, I changed their designs to still be fun and silly and cartoony but also flexible enough to fit in with more serious scenes

And more recently, after deciding I wanted to go FULL scary beginning with moon 20, their designs changed to not only reflect the increasingly serious nature of the story, but also to reflect with some degree of realism the lore of cats who were really sentient enough to make similar stylistic choices to humans. Colors changed to show dying, hair changed to show cutting and styling, and accessories changed to reflect a more practical handmade nature, not to the mention the period the comic is set in.

And… most importantly…

Accept feedback, practice a lot, but ultimately trust yourself! Only you truly know what kind of design you want and what kind of a design fits your story. Don’t sacrifice your favorite design elements just to please others or just because it ‘doesn’t really make sense’. You want people to love your designs because they’re YOUR designs, so take whatever it is that you specifically enjoy about the design process and run with it! Make it your own! Don’t be afraid to really take your time and really pour your heart into a design.

ABOVE ANYTHING, you want your characters, your designs, and your story to be meaningful to YOU. Mess around, try things out, have fun, and all the while you’ll be building a design style that is markedly and distinctly unique and your own.

[stellaspectral]

Can I request a rottmnt Raph x Female-Reader? I was thinking about a first encounter were Raph falls in love with the Reader at first sight (I’m picturing a very adorable/shy and girly reader who likes pink and cute stuff because I am like this, but you can make it more vague so that more people can insert themselves in her if you want) but he’s very insecure about it because 1) it’s the first time that he has a crush 2) he is a mutant turtle while she’s human 3) he told her that he was wearing a costume so she doesn’t know that he is not human. I don’t know if it’s enough for a request, I hope it’s okay! Thank you, have a good day! <3

A/N: Hey, anon! No worries, this is definitely enough for a request. I really enjoyed the idea of Raph falling head-over-heels at first sight, and writing the insecurities that come with that. Especially given the whole ‘mutant turtle’ situation. I also tried not to make it too angsty and attempted to stick to a mix of shyness/sweetness and a bit of awkwardness in their initial encounter.

I hope you enjoy! ☺️

This Fluttery, Warm Thing (fluff/mild angst)

❤️ ROTTMNT Raphael/Female Reader ❤️

CWs: Fluff, meet cute, awkward banter, mild angst, hopeful ending. All characters are aged-up.

The late afternoon sun casts an orange and gold glow on the sidewalks of New York. You’re walking home, humming a little tune, clutching your favorite tote bag that has embroidered flowers and a stitched patch featuring a cute cartoon mascot. It’s been a good day, filled with the satisfaction that comes from a successful treasure hunt.

Inside the tote, nestled amongst your usual essentials, is the prize: a small, perfectly square box. It’s the reason for the extra spring in your step, the silly grin on your face. You’d been searching for this specific blind box series—the limited-edition Cozy Cumulus Pals—for weeks. They’d vanished from online stores almost instantly.

According to rumors, only a few brick-and-mortar shops had received any stock. You’d almost given up hope after striking out at two different hobby stores last weekend. But today, on a whim, you’d ducked into that tiny import shop tucked away on a side street. And there it was: only one box left. You’d snatched it immediately, the cheerful, pastel packaging feeling like a tiny victory in your hands.

Your heart had given a little leap as the cashier scanned your purchase. She hadn’t batted an eye at you as you practically vibrated with excitement. But to you, your acquisition felt momentous. And now, walking home, you resist the constant urge to check if the box is still safely inside your tote.

You can almost feel its light weight, imagine the crinkle of the plastic wrap. Which character would it be? Pillow Puff? Naptime Nimbus? Or the rarest, the rainbow variant of Sleepy Stratus? The anticipation is a delicious little hum beneath your skin.

A cab honks impatiently, pulling you back to the bustling street for a moment. You sidestep a hurried commuter, tightening your grip on the tote’s strap. Just a few more blocks. Then, home, a cup of tea, and the delightful little ritual of unboxing your long-awaited, incredibly cute find.

Yes, it’s definitely been a good day.

Suddenly, your foot catches on an uneven crack in the pavement you didn’t notice. Gravity takes over and you stumble, a gasp escaping you as the contents of your bag—carelessly left unzipped in your happy distraction—spill onto the sidewalk. Papers flutter, your wallet skids a few feet away, a tube of lip balm rolls out of sight.

And the thing that makes your heart plummet the most is your treasured keychain, the one with the charm shaped like a fluffy alpaca with rosy cheeks, bouncing precariously close to the gaping maw of a storm drain grate.

“No, no, no!” The words burst out, laced with genuine distress. You scramble to gather your belongings, dropping to your knees, ignoring the scrape of the ground.

You reach for the keychain, your heart sinking as you see it teetering on the edge of the grate—and you know you won’t be able to grab it in time.

Before panic can truly set in, a huge shadow falls over you. You freeze, mid-reach, and slowly look up. Standing there, blocking the sun, is the largest person you have ever seen. He’s incredibly broad-shouldered and … green? He wears some kind of red bandana mask over his eyes, along with wraps. Or whatever they are.

But before you can process the sheer strangeness of his appearance, his massive, three-fingered hand darts down with surprising speed. He deftly scoops up the tiny keychain, rescuing it nanoseconds before it’s about to tumble into the depths of the drain.

He straightens up, holding the delicate charm carefully between his thick thumb and forefinger, and looks down at you. Behind the mask, you see his eyes—surprisingly expressive dark pools—widen slightly. There’s a flicker of something you can’t quite place. Surprise? Alarm? You tilt your head.

He seems almost … flustered.

He holds out his hand, offering the keychain back. His movements are careful, hesitant, as if he’s worried a sudden move might make you bolt. “Uh,” he starts, his voice a deep rumble, but much softer than you’d expect from someone his size. “This … this yours?”

You’re still a bit stunned by the near loss of your keychain and the presence of the guy who saved it. Finally, you find your voice, albeit shaky. “Y-yes! Oh my gosh!” you say, your cheeks flushing with embarrassment. As you take back the keychain, your fingers brush against his, feeling the cool, slightly rough texture.

He helps you collect the rest of your things, and you stuff them back into your bag—making sure to zip it up properly this time.

“Thank you so much!” you say. “I thought it was gone for sure.”

“Yeah. No problem,” he rumbles again, his voice still low and gravelly, but definitely tinged with … discomfort? He takes a half-step back, clearly signaling his intention to leave.

“Wait!” you blurt out, feeling a sudden need to acknowledge the sheer oddity and kindness of the moment. “That was… really amazing. How you caught it. I mean—” You gesture vaguely with the hand holding the alpaca keychain. “—you’re incredibly fast.”

Now that the immediate crisis is over, you take in his appearance again. The green isn’t paint; it looks … real. And you felt the almost scaly texture of it. And the shell—wait, is that a shell strapped to his back?! It looks ridiculously heavy, yet he moved with an agility that defies his bulk just moments ago.

He shifts his weight, his gaze flicking down the street, then back to you, the awkwardness radiating off him in waves. He seems less like a menacing figure and more like someone caught doing something they weren’t supposed to, despite having just performed a random act of kindness.

The question escapes before you can stop it, fueled by unfiltered curiosity. “Um … sorry, this is maybe a weird question, but … what are you?”

You see him physically recoil, just slightly, his posture stiffening as he blushes. He looks away sharply, down the street—anywhere but at you for a few beats. Then his gaze snaps back, masked eyes wide.

“Oh! Uh, yeah—costume!” He coughs, forcing the word out. It sounds unnatural, like he’s tasted something bad. “Big … comic fan convention nearby! Ya know, sci-fi stuff.” He gestures vaguely down the street, though you don’t recall seeing any signs for a con.

But hey, it’s New York. Stranger things happen before breakfast. “Wow,” you say, in a sort of bewildered admiration. “It’s incredible. Seriously, the detail is amazing! The skin texture looks—and feels—so real.”

Again, he blushes. “Uh, yeah,” he says, rubbing the nape of his neck. “Thank you.”

You realize you’re still holding the keychain. “But thank you again. Really. You saved my favorite little alpaca.” You hold up the fluffy charm again.

He looks at it, then back at your face. He seems to be studying you, taking in your eyes, the way you tuck a loose strand of hair behind your ear. The nervousness is back, rolling off him in waves. He looks profoundly uncomfortable, yet unable to look away. It’s surprisingly sweet.

In a giant-green-man-in-a-costume kind of way.

Because who did he think he was fooling?

“N-no problem,” he finally stammers. “Just … uh … watch where you’re goin’, okay? Sidewalks are … rough.”

“I definitely will now,” you promise, offering a small, shy smile. “Thanks again, um …” You trail off, realizing you don’t know his name.

“Raph,” he blurts out, before looking startled, as if the word escaped without permission. “Name’s Raph.”

You tell him your name. “It was nice meeting you, Raph.”

“Yeah,” he murmurs. He then repeats your name softly under his breath, as if testing the sound of it. “Nice … nice meeting you, too.” From behind the mask, his intense and strangely vulnerable eyes still lock on yours.

Then, an awkward silence stretches between you. You clutch your bag, suddenly very aware of the surrounding city sounds returning to focus. He opens his mouth slightly as if to speak, then closes it again. Almost as if he wants to say something more, but has no idea what.

“Well,” you say finally, breaking the spell, “I should probably get home. Dinner and all that.” You tilt your head toward where you were originally going. “But thank you, Raph. You’re a lifesaver.”

“Sure. Yeah. No problem,” he says, taking a half-step back, as if forcing himself to give you space. “Get home safe.”

You nod, offer one last quick smile, then turn and start walking away. Curiosity compels you to glance back over your shoulder after a few paces. Raph is still standing exactly where you left him, a giant green statue silhouetted against the setting sun, watching you go. He looks strangely … lonely.

You feel a pang of sympathy.

But what you don’t feel—or see—is the internal chaos erupting within Raph as your figure recedes down the street. You don’t feel the thunderous, frantic thump-thump-thump of his heart against his plastron, a feeling entirely new and almost terrifyingly strong. He just met you, just saw your shy smile, the way your eyes lit up when he rescued your keychain.

You don’t see how his entire world has tilted on its axis.

And detonated.

Wow, he thinks. She’s … she’s … wow.

Then the crushing weight of reality slams back down on him.

Costume? COSTUME?! The word screeches in his head, mocking his panicked lie. Smooth move, Raph. Real smooth.

But what else could he have possibly said? ‘Hey, thanks. But I’m actually a giant talking turtle mutated by alien ooze. Nice to meet you?’ Yeah, right. You’d have run screaming.

She’s human, the thought follows, cold and heavy. Beautiful, gentle. Human. And he’s … this. Green, hard-shelled, different. A monster in the eyes of the world.

He clenches his fists. This feeling—this fluttery, warm feeling in his chest—is completely foreign. Because a crush? On a human, who thinks he’s just some guy in a costume?

He lets out a long, shaky breath, his shoulders slumping. Confusion and a strange, aching sweetness war within him, making him feel dizzy. He stares down at his own large, green, three-fingered hands, then back up at the now-empty stretch of sidewalk where you stood just moments ago.

“What is Raph supposed to do now?” he murmurs.

He replays the encounter in his mind. You hadn’t recoiled in horror. You looked surprised, maybe a bit flustered. But not terrified.

And most importantly, you didn’t run.

He looks down at his hands again, the hands that saved your keychain, the hands you’d briefly touched without flinching. A new thought, small but persistent, flickers to life within him. Maybe being different didn’t have to mean being alone. And he doesn’t know how.

But he knows you’ll find each other again.

[stardustdiiving]

So my personal stance on Wanderer’s relationship with the Aranara is that when he’s first settling into Sumeru he has a habit of going off into the rainforest to brood, and this results in Nahida asking the Aranara to keep an eye on him and/or help her find him (which is how, for instance, she’s able to find him so easily in his 2023 birthday letter). For a while Wanderer genuinely has no idea how Nahida keeps tracking him down until he one day catches one of the Aranara peeking at him from the bushes and remembers Nahida has an entire army of little guys watching over the forest he’s trying to dramatically storm off in, which of course ruins the effect + his chances of being able to be cynical about the world in a canopy somewhere in undisturbed peace.

Whats additionally terrible about this is recently he told Nahida to stop making the Aranara supervise him, and she happily informed him she actually hasn’t asked them to do that in a while, so if it looks like the Aranara are still following him around, it’s probably because they’re “curious about” and have “taken a liking to” him. Nahida unfortunately also does not take Wanderer seriously when he insists that “such surveillance is cruel and unusual punishment for a prisoner” and that the “personal freedoms he is entitled to under Sumeru law are being violated”. She instead laughs in the face of his suffering (giggles at him) and suggests he should try to introduce himself to the Aranara because she thinks that he would quote “get along” with them.

Wanderer, frankly, finds this absurd and wholly unnecessary. He doesn’t even know why they’ve “taken a liking to him” or have burdened them with their silly, gourd shaped whimsical presences when apparently it’s predominately Only children and any adults who’ve “maintained their sense of childlike wonder” or whatever that can see them. Wanderer is possibly the furtherest thing from either category and concludes they probably “trust” him because he’s “friends” with their Archon or something. Its utterly baffling, but he can’t really do much about it, because what’s he supposed to do? Go out of his way to chase off a bunch of silly harmless little guys every time he goes wandering?? Definitely not. He has far more important things to worry about

I think one day, though, Wanderer ends up stumbling across an Aranara getting chased around by monsters and really has no choice but to intervene because a) the thing was so helpless it was kind of tragic and b) Nahida would probably be upset with him if he let one of her Aranara get terrorized by monsters. This is when everything truly starts going downhill, because the Aranara he saved was apparently VERY big on running its mouth, so now ALL of them are even More obsessed with him and encroach on him even More whenever he’s in the forest.

To make matters worse he also makes the mistake of offering one (1) Aranara a single small pastry (ONE time. As an experiment) and now they keep offering him bizarrely cooked food to return the favor and he really has no choice but to pack snacks for them everytime he enters their domain. Its completely out of control and he doesn’t know why Nahida finds such dire circumstances so amusing. They keep sitting on his hat and roping them into playing hide and seek with him. Unbelievable . (He finds them very cute and amusing to talk to due to the sheer intensity of their good natured whimsy. Its kind of cathartic) (he would never admit this)

[salchat]

Today I decided I was going to do whatever the hell I liked, because it's chemo day tomorrow (again). But then I ended up doing lots of useful stuff. Huh. So I needed a reward, and drawing this cute little Dean seemed like a great reward!

I decided to use my neocolor crayons. They look like Crayola, but they're a bit bigger and much softer.

They blend and layer really well and they're also water-soluble, but I didn't use that feature here. They don't erase, obviously, although once you've got a few layers on the paper, you can scratch them off with a knife. Anyway, erasing isn't an issue, usually - you just go over the top. So you don't have to get all over-careful and 'Oh, no! What if I go wrong!'

Here's my rough first stage:

I chose the blue at random, out of my little tub of lots of colours. Not that I haven't looked at colour theory - I have. But I prefer to go with a childlike, 'ooh, pretty colour!' approach.

Here's stage two:

I put some shadows in and attempted to get his mouth in the right place. Dean’s mouth is always the hardest bit!

Next:

I find if I go over the whole lot in a flesh colour I can get more of a sense of what's working and what's not. I used a salmon pink, but any of the pale pinks would have done.

It's getting there, isn’t it? Looking a bit more Dean-like. His mouth still needs a lot of work. Typical...

So, yes, there's way too much highlighting around his mouth, but I've got the shape and position better. And his eyes are looking reasonable.

Oh. Whoops. Sorry! I got a bit carried away and forgot to do more progress shots!

Anyway, here he is, corrected as far as I can so you can see the actual colours. The paper's a lovely rich orange and the dark blue is juicy and bright and luminous.

I'm pretty pleased with him. In fact I love him. (Even though I can tell his eyes are just the tiniest bit squinty for some reason - probably because I didn't actually do the boring measuring-of-proportions stage that I really should definitely do, but don't because it's boring. Silly me.) I used the tiniest bit of white Sennelier oil pastel for the highlights. And if you're drawing in crayon or oil pastel, but can't afford Sennelier (which are stupidly expensive), just buy the white. It's well worth it.

Here's a close-up:

I might put him on my Redbubble, ArtBySalchat, if I remember.

Happy arting, fan artists!

[nightmaremonarch]

jojo’s bizarre fantasy au BECAUSE I LOVE PART 5 AUGHHHHHHHHH

i rewatched the entirety of part five in the span it took to make this. Details about the lore and characters below the cut ^_^

Ok. I will be separating this based on character… in an attempt to be more organized. Included will also be my friend’s description that she gave for each character upon seeing the drawing.

Giorno Giovanna — Race, half vampire. Stand name, Gaia. Unfortunately lost his silly victory rolls, which have been replaced with donut shaped curls. Has a dream of usurping the Crimson King and ending his oppressive reign.

Friend’s Description: “‘pink is still manly for this era guys trust’”

Trish Una — Race, human(?). Stand name, Spice. I like to think she tries to maintain an air of elegance and superiority, but she’s just a kid who doesn’t particularly want to be in the situation she’s in. The princess of an underground kingdom? No way. She just wants to be Trish.

Friend’s Description: “Noblelady”

Guido Mista — Race, human. Stand name, Coitus Cluster (good god the creative juices are NOT flowing). Best archer, like, ever. Probably enjoys animal furs but is too broke to get any. Stinky loser.

Friend’s Description: “Robin hood.”

Pannacotta Fugo — Race, elf. Stand name, Purple Death. Former nobleman and still dresses like it. Had to limit the holes in his clothes because he is, unfortunately, not immune to being sunburn.

Friend’s Description: “totally not a vampire”

Bruno Bucciarati — Race, human. Stand name, Strings of Fate. I love him. He’s the love of my life. I may or may not have put the most effort into his outfit. He’s so beautiful. No notes. Also, since zippers weren’t invented till like… mid 1800’s, rather than zippers, he uses strings!!! Tugs on ‘em the way you would a loose hem…

Friend’s Description: “Italian nobleman”

Leone Abbacchio — Race, drow. Stand name, Rewind. It takes the form of a snake!! Because Moody Blues had them.. neck thangs. I don’t know. Anyways. Abbacchio coulda been drippier, but at the time of drawing I was running low on brain power.

Friend’s Description: “TOTALLY NOT A VAMPIRE”

Narancia Ghirga — Race, human. Stand name, Pheonix. Due to the fact that airplanes did NOT exist prior to some point in the 1900’s, Narancia’s stand is a bird. Probably breathes fire and can detect carbon dioxide… cannot come back from the dead though. Sorry buddy. Also, his left eye is blind from his eye infection. Sorry again buddy.

Friend’s Description: “peasant working on a merchant ship”

AND FINALLY:

Diavolo — Race, Demon. The Crimson King. He took FOREVER to draw. Especially those tattoos. I tried to make his color scheme salvageable, but seeing as I was working with Diavolo’s actual color scheme… it is not the best. Diavolo used to have wings as well, but after an incident that prompted him to go underground, they’re gone. He hides in the body of a halfling named Vinegar Doppio… though they are two completely separate entities.

Friend’s Description: “Dante’s homosexual Inferno”

idk if ill elaborate more on this au. depends on the reception of this…!! this is all just for fun… goofs and gaffs… love u sorry for only posting wips for months before this

also in this au i think stands would be called spirits/be spirits ok that’s all fr now bye love u

[hotvintagepoll]

Cantinflas (Around the World in 80 Days, Ahí está el detalle, Ni Sangre, ni Arena)—OH BOY I GET TO TALK ABOUT CANTINFLAS!! Honestly, I’m not the most qualified to even be talking about him: he was famously a king of wordplay, but Spanish is my second language so I always feel like I’m missing some of the jokes…..but even so he is so SO funny it’s like unbelievable. Ok so also. One movie I can talk confidently about is him in around the world in 80 days, which i have watched so many times and he just rocks. Like. ROCKS. Here he is on his dumb little bike [included below the cut]. This is how we meet him in th movie and I think they should have just put the words “SCRUNGLY” across the scene.He also does little tricks, wears his dumb little shoes, has some kind of weird romantic thing going on with David niven…..it makes me so sad we dont have even more movies from him because honestly his whole thing (esp in 80 days with his silly trousers) is just Gender.  

Harpo Marx (Night at the Opera, Night in Casablanca, Duck Soup)—While Groucho is better-known, Harpo's physical comedy is SECOND-TO-NONE. The man is a strange mime trapped in the paradigm of early 20th century movies. Every move is a symphony and simultaneously a colony of rats in a human skin suit. LISTEN. You MUST see this man in motion. Every still photo of him looks like a combination of a sad clown and a different, sadder clown, but it's only because he put so much joy in every motion.

These are the the quarterfinals for the scrungly little guy contest. All other polls in this bracket can be found here. If you’re confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Cantinflas:

"charlie chaplin once called him the greatest comedian alive"

Harpo Marx:

He's like if a clown was a hobo was also somehow a classically trained harpist, his face is always in some kind of contorted silly shape, feral curly haired ninnymuggins always doing weird things to people

Harpo is mute in all of the Marx Bros movies and so his body language and facial expressions are SO over the top but he's also got fewer braincells than a goldfish while often being the emotional heart of the Marx Bros and he's just A Guy!!

Every scene with Harpo Marx is a treat! Just like watching a seagull steal a stranger's hotdog at the beach, it is a joy to watch him frustrate the hell out of all the other films' characters! Harpo Marx is the zenith of unhinged in all of his appearances, making any other funny man a straight man by comparison. (A fantastic feat considering he starred in films with his brothers Grouch and Harpo, who sported a shoe polish mustache and questionable Italian accent, respectively). The scrungliness of the little guys he plays come from his guileless, wide-eyed expression, curly blond wig, and the extreme ability to annoy others, despite never saying a word. Is he malicious? Most definitely, but hard to tell because he has a dopey grin on his face most of the time. Communicating through other sounds like honking horns and whistling, he is a force of chaos in every Marx brothers film! Also an accomplished harp player, the beautiful calm moments where Harpo plays juxtapose the zany, making him all the more scrungly. His visual style of comedy is timeless; Duck Soup had me rolling with laughter as a six year old and is still just as funny today.

In my opinion Harpo is the funniest of the Marx brothers because he is so good at slapstick comedy. Since he never speaks in his film appearances his performances are very physical, which contributes a lot to his scrungliness. He was fully committed to being wacky at all times. All of his hilarity is based on him being weird.

He's just a weird little guy who causes chaos everywhere he goes, and then sits down and plays a beautiful harp solo! He steals the show from his very chatty brothers without saying a word, and was surprisingly ripped under that old raincoat

All of the Marx Brothers are Scrungly to a degree, but Harpo is the scrungliest! His outfits are so big he gets lost in them, his pockets are full of everything, and because he never speaks, he always uses physical comedy. Also he's an incredible musician.

[the-meme-monarch]

telling this to you because you’re the only one who likes the human characters in dandy’s world. but

Sam (sprout’s handler) is the only non-binary character in all of dandy’s world. which had to be weird for them! considering the time it takes place I doubt they were out. with your headcanons of Delilah being loveless aro & Arthur being aro it makes me think that maybe there were a lot of lgbt workers there. maybe they attracted each other to work in this nice place where there’s less judgment. idk I’m thinking

i’d like to start off with this post of mine before i start my damn Dissertation HDHSJSN

and yeah i think working at gardenview was very generally very nice ! i just like to think arthur is very kind, he wanted to make a good kids show that teaches good lessons. and like, assuming the universe of dandys world is otherwise realistic to real life; he’s a black man born maybe the 60s, growing up in the 70s and 80s. he would have witnessed discrimination or had it enacted on him, and Certainly not saying racism just Doesn’t Exist Any More, but he would’ve grown up while segregation was still very prevalent and racism was. louder. in the general -especially white- population. and then w my headcanon of him using mobility aids he would’ve likely dealt with a lot of ableism. and being aroace(though likely just identifying as asexual, as it seems aromantic wasn’t coined until 2005? according to google at least) likely dealing with amatonormativity/allonormativity/heteronormativity/aphobia/or even homophobia bc Well If You’re Not Straight You Must Be Gay. also while he maybe wouldn’t have had direct experience to the aids crisis, he was still Around For It. and then also my hc of him being mixed race. and then All the ways these things intersect with each other. i think he’s shaped by his experiences and just wants Better and to create positive change !

i also have a little headcanon that he used to be a teacher’s aide ! i think he’s always been into drawing and making characters, and so this job is where he decided he wanted to do children’s edutainment :’] my sibling and i have talked about what we think the cartoon may have been like, and i think we figured “somewhere between animaniacs and bluey”

delilah ofc would’ve dealt with sexism, and amatonormativity/etc and shitty comments about how she acts or doesn’t really care to make friends, “being a loner”, or not being “lady-like enough” or god forbid being friends with a black kid. i think she would be queer friendly maybe more because more plainly “what difference does it make/why should that bother me, they’re not hurting anybody” but also bc “they’re still people too” ! I think it’s very likely both her and arthur were raised christian, arthur probably still identifies with it, but i don’t think delilah does. i think she thinks her religious upbringing was a prison NDNSJSNSJ

sam may not have come out to either of them, but i think they felt safe there that maybe they could to at least the other main toon’s handlers <:] and also with them being presumably irish, with their last name being mclaughlin, they would’ve been dealing with bigot shit for that alone i wouldn’t fault them in the slightest for not coming out to anyone ever. regardless i think arthur and delilah try to make sure that gardenview is a welcoming and kind environment that doesn’t tolerate That Shit. i can only imagine the smear campaigns the show wouldve gotten for having a rainbow flower boy protagonist.

also iirc sam is Stated to be nonbinary and using they/them, while looey and teagan we don’t know the specifics of their gender labels but we do know they use he/they and she/they respectively, and i do picture them deciding on those pronouns was a later development, and not a since-creation thing. idk if they would’ve come out to anybody either, or if they did I don’t think they would’ve even thought it was a big deal at all. i think toons in general are sorta just inherently silly little guys that don’t really adhere to human strictures, they think bigotry is stupid they don’t Get how someone could actually think that way