#which i don't think was anyone's intention

[that-thoughtful-waffle]

I absolutely agree with this, but my interpretation of live action is that it's inherently a derivative work.

While I agree that we shouldn't say that every animated movie should be live action, we also shouldn't say that the movies that are live action adaptations shouldn't exist simply because they were originally animated on cells.

Live action adaptations are just that: adaptations.

Cell animated films are incredibly valuable in their own right, but so are their live action adaptations.

Live action adaptations aren't about correcting or legitimizing the work itself. It's taking something that exists in its own right and creating a derivative work in a new format.

Was it overdone? Yeah, probably. But is their existence a negative thing? No, I don't think so.

The 2022 movie of Pinky and the Brain is a live-action/animated film. Balto (1995) is also a live-action/animated film. (Look on wikipedia. I get the feeling that live-action may be a looser term than is being construed)

However, The Jungle Book (2016) and Christopher Robin are both closer to what we think of as live action movies.

So here are Shere Khan and Tigger again:

Which one feels safer to be around?

They're both animated, too. CGI is in so many modern live action movies that I don't think it's fair to say that these ones are parading as live action and pretending to not be animated.

I also think calling them remakes is not great wording because it has the same feeling as remastering, and by making them live action, it does imply that the medium needed to be changed. I think the word reimagined is fine, though. If you don't like that, then I wonder if you realize that fan created derivative works are also reimaginings of the originals.

I also, I haven't seen anyone say that animation is a placeholder. It feels like its somewhat understood that It's a stylistic choice. Granted, the live action movies probably weren't possible to the extent they are now when the movies came out, but I still don't think that makes them placeholders.

The final thing I have to say is that the movies may have been made live action to renew old ip. From a corporate standpoint, it is probably a good way to retain control over the intellectual property of those movies and characters without just releasing a remastered version.

Anyway, thank you for discussing this with me.

Tldr: I agree that the original animated films are perfectly fine works in their own right, but I don't think that means that live action adaptations are an evil virus of satan. (maybe an evil virus of capitalism, though)

I also wanted to add that I realize you aren't the first person to call them a remake, I'm just saying that I feel the term has connotations that may misconstrue intentions.

Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.

Can you tell what the personalities of these two mice are?

Can you tell now?

Which of these two tigers feels safer to be around?

Which of these three dogs is the funniest one?

If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.

[bunnys-kisses]

https://www.tumblr.com/bunnys-kisses/768349619894861824/im-holding-your-hand-when-im-saying-this-as-a?source=share

people started asking crane (Max’s friend) on stream if Lestappen (Charles and max) is real. I think he was like “I shouldn’t be furthering/entertaining this” (I forgot what he said word for word). People took it as something to be excited about, that the drivers are aware of the ships and all, but idk. I think fandoms are getting too bold for my liking. I have no problem with shipping, but this parasocial behaviour is out of hand. I saw this when 1D was still a group (with Harry x Louis shippers harassing Louis to the point where he got so upset when the ship was referenced in the popular show Euphoria), I’ve seen it with Kpop in which idols have stopped hanging out publicly because fandoms get out of hand (a girl in the group Aespa had a boyfriend earlier this year and fans got very upset because they shipped her and another member and they broke up. A few years ago, 2 members of two different kpop groups (SNSD and EXO) dated and the girl got harassed at the airport even). And now this.

Fandoms get so parasocial so quickly, it’s insane. It’s not new behaviour, but it’s strange.

exactly, this isn't new behavior. but i feel like it's become more emboldened with how much more "online" both fans and companies/groups are.

more under the cut, because this is a long one....

i also think it ties into this notion that i've been seeing online about how fans have this feeling to be "right" both with rpf and fiction as well. that their theories, opinions and whatever else is "correct". i've seen this with like pieces of media like steven universe and even star wars. like fandom isn't fun anymore, it has become this weird one up over each other. i honestly don't know when this changed, my guess is around the pandemic when it seemed like people were more logged into the internet. but, i could be wildly off with that. (if you have an idea, i'd love to know). it just feels stupid in so many ways how fandoms are structured. even if you're not the "best" artist or writer, people can't have FUN in fandom - of course that doesn't mean it has to be absolved criticism. you can have fun and still call out hate within spaces. the issue with formula one (along with k-pop like you mentioned, anon), is that these aren't characters. this isn't arguing in the tags over is finnpoe or reylo is more valid or legitimate within the narrative. these are REAL people, with REAL friends, families and partners.

it's this weird push to have someone's theory - and while i have a soft spot for lestappen, it is at the end of the day nothing more than fan theory - be confirmed. also personally, if hattie (oscar's sister) or crane (max's friend) "outed" them, i would be horribly fucking offended on oscar/max's behalf. to have someone you TRUST just out you like that. it's sick. maybe it's because i worked in queer spaces from high school all the way through uni, and the number one rule no matter WHAT, is you never out someone. even if the question is harmless and the person asking has no ill intention. you never out another person, because it's not YOUR coming out. so the fact that fans are near begging these people to OUT their loved ones, is not only a level of delusion that i can't ever comprehend. but, also it could honestly, ruin that interpersonal relationship.

so like even if a driver is queer, whoever it may be. could be a driver from the 90s, could be a driver today, it could be a driver in five years, i don't want someone else in their life outing them. because that's THEIR story. and fans need to realize that. bothering crane or hattie or alexandra (i've seen that too) - isn't helping anyone and it makes you look unhinged and weirdly alienates not only the driver but their loved ones. YES, they knew it exists, it is EVERYWHERE. but shoving it in their faces doesn't help. and you're never going to get the confirmation because there is a high chance that their not even queer to begin with. and if they are, NOT OUR CONCERN

i don't have a problem writing or consuming rpf, it is not a crime nor do i think it should be stopped. like HAVE FUN. but you have to realize that it's not like debating star wars or marvel or whatever other piece of fictional media. formula one is REAL, they are not actors. they are athletes, and unless you want all rpf to be shut down some how. i suggest the likes of some of ya'll need to understand that there are different boundaries. and respect them.

i know they're all millionaires, but they still breathe and bleed as a friend of mine once said. it's fun to put them in little scenarios in fanworks, but just keep it out of their direct attention. there are unspoken boundaries, that some of ya'll need have said to you apparently.

asking oscar issac if he THINKS that finnpoe is real is VERY different than asking someone's sister if she thinks her REAL LIFE BROTHER is fucking his REAL LIFE TEAMMATE. - people's relationships have turned to ash over insistent rpf in their faces all the time.

my advice at the end of the day is: have fun, don't write or draw it because you want confirmation that it's a real relationship. write or draw it because you're having fun. fandom is about making friends and shipping in whatever context is about finding a slice of community on the vast internet, not cracking the code of if it is a real relationship. - bunny.

[archivists-decay]

I've been playing Great God Grove from @limbolanegames over and over again recently (If you're seeing this, go give @yugsly and @daylane some serious love! It's a wonderful experience) and I have a very tiny headcanon that the ascended gods actually have very little influence over the world in the traditional "god power" sense.

Some story and ending spoilers under the cut.

My headcanon is that they have some influence, like Miss Mitternacht's crying leading to flooding, Cobigail's vines (which, I'm not entirely sure were even intentional to begin with,) but rather, the benefit of Godhood comes from being given immortality (read: an infinite amount of time to further develop a skill) and notoriety (read: everyone believing you are THE subject matter expert of the namesake you embody).

When Bauhauzzo talks about being only being able to assist you in BuzzHuzz with his voice, I don't think that's just because he's "only" the God of Memory – I think it's because that's about the extent of their greater influence as gods.

Their eternity spent honing their crafts makes their opinions on the subjects infallible to the people - even if we know they aren't.

Click Clack's last few scripts have been terrible? Well, we think they suck, but we have to get them to post anyways – he sees something we don't.

Bauhauzzo wants innovation banned from BuzzHuzz? Seems out of character, but he's remembering something we don't.

Their voices, or what the people believe are their voices, are listened to with reverence when it comes to their field of mastery — and I think that's one of the reasons King might have said some things to Inspekta that he interpreted as "disrespectful."

In the 30+ years of his godhood, Inspektas ideas of Leadership have clearly severely regressed from his time as a human – mostly due to his insecurities, granted – but he didn't spend any of that time polishing up what leadership meant, or helping others grow in their own leadership, instead, resting on his laurels of being adored and keeping his men down so that they continually lift him up. King probably caught on to this and tried to have a heart to heart with him, one that just...was poorly received.

My headcanon makes me think that, tragically, Inspekta had the potential to become one of the most influential and beloved gods in the grove overtime anyways if he had spent as much time working on his genuine leadership as he had plotting and being envious of the others. Not being tied down to a specific location in the grove, having a loyal group of activists willing to spread his ideas about leadership, on top of his skillset being just, a really good general aptitude that anyone can benefit from. Just some thoughts.

Addendum: Also, I think it's interesting that it almost seems like mortals have more power over the pantheon in this Universe. Sure, the gods close the rift, but the rest of the time? Mortals can exile (Huzzle Mug), abandon (Cobigail was left alone for 20 YEARS), and twist the words and intentions (Pretty much everyone) of the gods like it's nothing with very little consequences from the gods themselves — it's a refreshing approach to a fictional mythology and something I'd like to see explored more in fiction.

Anyways, thanks for letting me ramble! I've been thinking about these silly queers all week.

[s3niz3ro]

-R.Sukuna- "Slappin"

humorus request which i loved the idea of; @alixezae

Content: Just funny shit, slapping the cheeks of glorious sukuna 🙏🏼 (Not proof read so I dont know if there are spelling mistakes)

The conclusion that comes to anyone's mind is Sukuna was not one for very physical contact; ass slapping to be specific. But damn it was kind of hard to not want to, at least not to be tempted. The man was built indeed, which gave him hell of an ass. Which is why today you gave in. Sukuna was in the shower waiting on his towels completely unexpecting his soon upcoming event.

You grab your phone and hold in your laugh. You grab a towel and walk into the restroom. "Sukuna, I brought you the towel you needed." You spoke over the sound of the water while the phone faced you. You pass it in thru the curtain before almost laughing. "Damn nice ass," The slap resonates the bathroom before you go into a fit of laughter. His curse could be heard as your hand made contact.

He turns to face you, looking at you with a half smile showing you his intent of getting you back. You were however just laughing as he turned off the water. Covering himself with the towel before stepping out. "Ya' don't think I heard your laughing?" He rolls his eyes before grabbing the smaller towel to dry his hair. "Yer' forbbiden from the shower for now while im in it." He laughs slightly knowing he could get you back later anyways.

"Ya still love me, and I love that ass!" You walk out smiling

BONUS:

What I think a relationship w/Sukuna would be like...

(apologies for putting this off for a whole day I was tryna figure out how to make this humorus)

[theinherentnormality]

What I also like about the show's sentiment of 'bringing people back from the dead is inherently selfish' is that the brothers, when it really comes down to it, choose to willingly ignore it.

They definitely were selfish and willingly ignorant when they tried to bring Trisha back, which they learn from and come to accept their mistake.

Ever since that they keep learning so much more. Their world view is constantly and harshly questioned and they do evolve and mature but when Edward dies, Alphonse doesn't hesitate to bring him back.

And when Edward does come back he ignores or outright doesn't respect the weight of Alphonse's sacrifice and sacrifices himself instead. (And in the movie Alphonse puts his whole world at risk for the chance of bringing Edward over the Gate).

I'm aware that the circumstances of their respective self sacrifices were very particular and even their intents could be considered "less selfish" because after all, they're willing to sacrifice only themselves, and no one else, but is it really so different?

I don't think the narrative portraits it as such. Edward is selfish for choosing Alphonse over himself, and leaving all of his loved ones behind. Alphonse is selfish for essentially the same reasons. And yet they still go through with it, and they end up alive and together, yet cut off from everyone else.

This doesn't mean that they would do anything similar for anyone else, but at the end of the day, they will be each other's one and only exception - for better or for worse.

I just consider this beautifully flawed. Sometimes, all the work you've put into yourself will revert just because of one little thing you couldn't change or outgrow, and you will lose everything, except this one thing, and sometimes, that one thing will be enough.

You know I do think it's interesting how strongly Fullmetal Alchemist (2003) makes the point that bringing someone back from the dead is inherently selfish.

I've seen it elsewhere but not nearly as unequivocally and plainly put. First, we have Majhal in episode 4 - an alchemist so obsessed with bringing back his dead love, he completely fails to notice that she survived and returned to him. And even once the truth is revealed... he rejects her, since she's not the ~perfect girl~ from his memories, but an old woman - an actual person, with an actual life.

And if you missed it there, we then meet Tucker, so obsessed with keeping his lifestyle and success as a State Alchemist he does, you know, that. And then he goes on to become obsessed with bringing her back - but not her, not really, as he straight-up tells Ed in the 5th laboratory - he wants the girl from his memories, the perfect, unchanging doll.

Both times, we see that those obsessed with bringing someone back from the dead aren't interested in bringing back a person, with thoughts and feelings and their own independent life to live - no, they want their idea of that person, the glowing angel who could never change, never grow, and never go wrong. And that also goes for Ed and Izumi too - Ed was so obsessed with bringing his mother back that he ignored Pinako, ignored the family that took him in, and selfishly put his brother's life at risk... for which he paid the price. Izumi lost her ability to have future children, any of them, stuck on a dream on the child she could have had. Both didn't want that mother/child - they wanted their loved ones, the ones they dreamed of, not the ones that were actually there.

Most times resurrection is brought up in media, it's with the lesson that "oh, the cost is too high", "oh, you're disturbing their rest", "oh, they don't come back right." It's rare to see it put so clearly, so obviously, so horrifically that actually, no, even the fact that you attempt it - even the fact that you want to - is an inherently selfish act, that turns your back on life and the living to chase a dream that may not have ever existed.

It's an interesting take on the whole idea, of death and life and memory and obsession. For all that 2003 dropped the ball on the ending, I do love the development they gave to the characters!

[foibles-fables]

This is a little rambly, but: Do you have any tips for people who are trying to re-learn media literacy skills? It’s kind of disheartening to see the number of people I’ve seen in the arcane fandom on high horses doing the point and laugh at someone else for missing the deeper meaning/metaphors/symbolism. It’s alienating to be humiliated like that you know? (Maybe I’m just still fresh jn my post-election grief but it just reminds me of how, when someone becomes open to new viewpoints and new perspectives, we should meet them halfway and encourage these new questions and developing skills, instead of antagonizing them back in the other direction. Does that make sense?)

Hi nonny!!!!

First of all, I wanna say that these are some great questions and I'm truly flattered to have been asked! I can't say I'm a total expert here, so if anyone reading has other tips, please leave them in the reblogs or comments.

Second, you're also so right that nobody should be pointing or laughing at someone who doesn't "get it," if the person who didn't "get it" is giving their genuine analysis and is open for discussion and other viewpoints. It's when folks on either side of whatever the divide is slinging start insults that conversations become unproductive--which in and of itself is not conducive to media literacy. I am so sorry you've felt alienated by any of the back and forth happening; that doesn't feel good for anyone.

There are four pieces of advice I'll give. (and this is NOT assuming you're not doing these already, nonny!)

First, consume a lot of media. Read/watch/play with abandon. Consume things that are easy, consume things that challenge you. Reflect on them. Nothing fancy needed there. Ask questions--what is this trying to show me, and did it work? How could it have been seen differently, and why do I disagree with that view? Having a bigger reservoir of experience helps you evaulate everything you consume thereafter!

Second is pretty simple--pay attention. If you're planning on actively engaging with a piece of media, of course you've gotta actually immerse yourself in it! I'm guilty of being a phone-scroller while watching some things, but it's a detriment to getting the full picture of what you're watching or playing or reading. To be able to ask the questions, you have to do the work.

The third tip I'll give is to familiarize yourself with craft, whether that's writing, cinematography, etc. It helps you recognize the hows and whys of technicality, and allows you to evaluate what was attempted and what succeeded, or did not succeed. This also helps you take genre expectations into account as you assess the story's/creator's intention versus execution.

Finally--and this ties in with your concerns--allow yourself to think about other viewpoints, even if your own evalutations don't change.

One thing I'll say about Arcane in particular is that the long (and necessary!!!) development cycle led to folks having a close-held ideal of what the next season would look like--and when reality falls short of what they built up, that hurts. Such an impactful show means a LOT to people and it's unsurprising that it's bringing out a lot of strong convictions.

[chiropteracupola]

granby + iskierka + keynes

[notmoreflippingelves]

[gallusrostromegalus]

Ulquiorra Cifer didn't think about Tousen much at all until he was out on the roof of Las Noches, practicing his second release, and meets the man, sitting alone with his face pointed up at the sky, and he asks Ulquiorra the most peculiar question:

"Are there any stars tonight?"

This was a peculiar question on several fronts:

This sounded like an invitation to engage in a social conversation, a bewildering activity under the best of circumstances, but particularly-

-with the shinigami Lords, and especially Lord Tousen who kept the same social schedule as a reclusive mountain hermit and was always extremely businesslike with a disregard for levity that Ulquiorra thought was refreshingly professional, so

-to hear him ask about the presence of stars was distressing in both that Ulquiorra hoped the man wasn't about to reveal a heretofore unseen saccharine side, and-

-worse, Ulquiorra wasn't actually sure about the existential quality of stars in general.

The arrancar became aware that he was running out of the socially acceptable time frame in which to respond to an Inquiry, and in his haste to avoid causing offense to his commanding officer, slipped up and answered honestly.

"...I don't know."

Tousen frowned, confused. "... you don't know?"

"No Lo- Mr. Tousen." Ulquiorra corrected himself, remembering the myriad corrections other Arrancar received. Perhaps this would divert the flow of this interaction.

"... what's stopping you from knowing?" Tousen asked, head slowly tipping sideways, intently listening at Ulquiorra.

The Arrancar was silent for a long time, glaring up at the sky.

"Mr. Cif-?" Tousen started to ask.

"I can see several thousand points of light in the night sky whose static position indicates but does not exclusively confirm that they are very large lights and extreme distance away." He started. "Many of these lights are recognizable from one night to the next, by consistent color, position and movement."

"Well, that certainly sounds like stars." Tousen nodded. "...so what makes you unsure?"

Ulquiorra was silent again for a long time, but the shinigami waited patiently.

"...My eyes are unusual."

He then failed to elaborate.

Tousen made a small waving gesture to encourage him.

"When I first became aware as the being I am now, I could only see." Ulqiorra finally spoke. "My mask wasn't so much a mask as a cocoon that encased my entire body. I could see, and sometimes feel if something made a particularly strong impact with my body, but. If anyone ever spoke to or called for me, I would not have heard. I did not smell, I did not taste, I did not eat. I was... entirely alone, inside and out."

Tousen frowned sympathetically at him.

"It was wonderful." Ulquiorra sighed. "Everything was beautiful. Everything was clear. If I could see it, it was real. If I could not, it was not. Back then, the stars were real.

"Eventually, I came to the corpse of a giant tree, something more real than anything else had ever been and I... I tried to embrace it, this thing of such wonderfully indisputable existential nature- and it broke the mask encasing my body, and I became 'Ulquiorra' as I am now."

"So... since you became an arrancar, and your senses expanded, the stars don't seem real anymore?" Tousen tilted his head, puzzling.

"I- no. It's not the stars that have changed. It's the nature of what is and is not real." Ulquiorra muttered. "- and it wasn't breaking my mask that changed it. The nature of reality changed when I met Lord Aizen and the others and suddenly there are things that everyone acts like are real but there's no tangible or objective proof of them- like "Loyalty", or The So-Called Soul King Lord Aizen is so opposed to! They all talk about them like they're real observable things but there's nothing- Why are you laughing?"

"I'm sorry- You're so correct it's funny." Tousen apologized, trying to stifle the shaking of his shoulders.

"Why is my being right funny?" Ulquiorra grumbled, eyes narrowing.

"It's not that important. Tell me about the stars." He smiled, patting the roof beside him, indicating Ulquiorra should sit beside him.

With a resigned sigh, Ulquiorra sat down beside the Shinigami.

"Its frustrating to no end- I feel like I'm going mad sometimes when Lord Aizen goes on his monologues about the throne of heaven- I mean, he has a perfectly good chair right here, what does he want with one in another dimension?" Ulquiorra huffed.

"I'm not sure either!" Tousen bared his teeth in a way that only sort of resembled a grin. "As far as things that only sort of exist- You do know that just because something is intangible, or only exists as a social construct, that it's still real, right? For a given value of Real, at any rate."

Ulquiorra stared blankly at him. "What."

Tousen sighed deeply. "Just because a thing is only perceptible to some senses, doesn't mean it's not real. Our senses are quite limited really- only a narrow range of sounds are audible, we only have chemoreceptors for a handful of chemicals- even your eyes can only see a very narrow slice of the full spectrum of light."

Ulquiorra huffed. "I'm aware. But they're still demonstrably real- A hollow with the power of invisibility will eventually bite me. And if it doesn't, then what does it matter to me if it's real or not?"

"Perhaps you would like to know if the invisible hollow is real *before" it bites you?" Tousen asked, resting his cheek on his knuckles and listening at Ulquiorra with interest.

The Arrancar made a low rumbling noise and looked away but didn't disagree.

"The trick is that things that are not immediately perceptible can be inferred by the effect they have on the world around them." Tousen explained. "If nobody had ever told me about the moon, I might have lived in ignorance- it's not like I can hear or smell it, and it's too far to touch. But I might have deduced it's existence by the way it causes tides, and how it changes the behavior of animals with its phases."

"...Hm. Much to think about." Ulquiorra muttered, desperate to get out of this conversation, but didn't get up. They passed sometime in nearly companionable silence, Ulquiorra staring up at the stars.

"...You can't see the moon." Ulquiorra realized. "You're not effected by Aize-MPF!" Ulquiorra was suddenly tackled by Tousen, hands over the Arrancar 's mouth in an exceptionally dangerous maneuver- but something about the fear in his expression made Ulquiorra hesitant to bite his fingers off. The shinigami listened to the night around them, reiatsu unfurling like the wings of some great beast, before he slowly let go and sat back.

"-my apologies, but even discussing suigetsu is a dangerous business." Tousen sighed. "Trust me, I'd know." He laughed darkly.

"-but you'd know if someone else was under the effects of Suigetsu?" Ulquiorra demanded, sitting up and grabbing the shinigami's shoulders. "I- I know only some of us are- certainly Barragan, and I think Hallibel too- but Starrk isn't! I don't know why, but I heard Aizen telling him that he wanted Starrk to 'see me exactly as I am', whatever that means-"

"asshole." Tousen grunted, untangling himself from the Arrancar. "-not you, Aizen. You're worried he's gotten his hook- AUGH!" The shinigami yelped , falling back and clutching his shoulder.

Ulquiorra stared as Tousen struggled to sit up again, an uneasy feeling growing in him, like the hole in his chest was growing.

"I thought perhaps Aizen had left me alone so I could deliver reports to him with my eyes unaffected, but..." He watched Tousen, panting with pain. "...there's something else going on, isn't there?"

"I can't talk about it but- yes, I think I can help." Tousen nodded, starting to undo the buttons of his coat. "Have you ever seen my back before?"

"...No." Ulquiorra frowned.

"Good, good- try to imagine what you think it looks like. You don't have to say, just think about it until you have a firm concept." Tousen nodded. "Got it?"

"Yes." Ulquiorra said, bewildered, them even moreso when the shinigami turned his back to him and dropped his coat.

"Does my back look about how you expected, or different?" Tousen asked, voice strained with an emotion Ulquiorra couldn't quite identify.

"Different." Ulquiorra stared, the sickening sensation growing to almost intolerable levels at the sight of the mutilated flesh- nails pounded into Tousen's spine, characters hapazardly craved into his shoulders. "Very different."

"Then you are not under the influence of Suigetsu." Tousen sighed with relief, pulling his coat back on. "I can't talk about it but- there are hidden depths to Aizen's depravity."

"I see." Ulquiorra muttered, still not getting up. Despite having his question answered and Tousen unable to discuss it further, it somehow felt wrong to leave just yet.

Another wordless void between them, filled only with Tousen's pained panting and the incessant desert wind.

"There are many thousands of what I am now reasonably sure are stars out tonight." Said Ulquiorra and the barking noise Tousen made was somewhere between joy and agony.

"...Thank you, Ulquiorra." Tousen smiled weakly. "Thank you. You have no idea what that means to me."

"... would you like to hear the rest of the report, Sir?" Ulquiorra asked, unsure why, save for a peculiar notion that it was the correct thing to offer.

"Please?" Tousen asked, still pained.

"...there is a very large but non-discrete band of light and shadow spanning the sky from the northwest horizon to the southeast one. It is not quite directly overhead, but if it follows it's normal trajectory, it will pass over us in half an hour..."

AEIWAM Question: What do the various Espada Think of Tousen? Follow-up question, will they, the bunch of dumbasses that they are (because Aizen made them for loyalty, not thinking), declare him their unquestioned leader once Aizen, Gin and Urloquia fork off to see the cosmic taffy pull (also presuming that Barrigan winds up face down in a ditch per canon)?

Bless you for asking this, I needed something to chew on. I'm going to answer these one at a time because the post would be insanely long, and how the thought of him Before the Battle of Karakura Probably:

---

Aaroniero and Arruruerie are SURE they've met before, and that they owes the man a debt of gratitude.

It's possible, they suppose. They have consumed and absorbed the memories of so many hollows that maybe they remember the face from a hollow he killed.

At least, that's what they hope is going on.

But they have Nightmares. Not of being pursued by Shinigami but of being the Shinigami in hot pursuit. Dreams of walking through a city, surrounded by humans that adore them. Names and Faces- Rukia and her dipshit older brother, Jushiro with the nice couch they sometimes pass out on after long nights- if Jushiro's husband wasn't already there. ...Memories, of meeting each other, and falling in love. How it felt as natural to look up to her as it was to gaze at the moon. How waking up to him felt as natural as the dawn. Memories of being married by Captain Ukitake, after Tousen had done them the inexplicable favor of organizing the whole party and acquiring wedding rings. He loves organizing things for people. Ukitake had smiled. Especially weddings. I just hope it's not guilt from the one he didn't get to. His husband had frowned.

That's impossible, of course. They know who they are, how they arose from the vile muck in the shadowy pits of Hueco Mundo. They never stood in the sun one late afternoon, to marry, not with how it burns.

...and yet.

There's no harm in being polite, right? They don't mind locking Glottineria in it's scabbard with an audible click when he comes into the room, to affirm lack of hostilities. Or giving him the cup of tea Aizen gives everyone at his insufferable meetings afterwards- it's not like they can drink it! ...And if sometimes, when they've been working late in the lab studying the effects and causes of Hollowfication, when Tousen gets tired and starts to call them "Kaien" and "Miyako"-

-Well, what's the harm in answering in the voices he expects to hear?

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[musette22]

Hi friends, just a quick message about the Seb in The Apprentice situation. I've (understandably) been getting quite a few messages about it, most of them wondering why on earth Seb had to take this role, and also expressing concerns and hurt about the whole thing. I absolutely hear all of you, and really feel for those of you who are worried and upset. I am too, to some extent, but I know it's far worse for some of you who have been directly affected by this despicable man's actions and influence. I'm so sorry this is bringing back awful memories and emotions, and that it's tainting what should be your safe space and/or escape. That genuinely sucks, to put it mildly 😔

While I always try to make sure that this blog remains a positive and safe space as much as possible, this is something that I couldn't help but express my own concerns about as well. However, I have done that now, and I feel like for the moment, that's all the attention I want to devote to it. The more we talk about it, the more negativity it seems to garner, and that's doesn't feel beneficial to anything. So for the moment, I won't be replying to any more asks about this situation, at least not until we have more substantial information about the direction this movie is taking and what its goal is. I hope that's okay. Thank you for understanding, and I'm sending lots of love and hugs to everyone who needs it ❤️

[littlefankingdom]

~ Batman: The Cult

Just a reminder that Jason hangs up corpses in the street of Gotham, with a sign about the crime they did to get that sentence... While dressing up as Batman too...

Understandable why Jason thinks his younger self would hate him and wish he stayed dead... He did do things he despised...

[californiaquail]

talking to my old trainer at the barn i used to work at because i need references and she sent me this picture of my horse friend

and i feel this image in my chest in a bad way lol. girl his spine. 🥴

[mastersoftheair]

Sorry but am I the only one that thought that episode…sucked? Like it was straight up bad. Horrible pacing, no wrap up of all the random characters and plot lines they’ve thrown around all season (the tuskegee airmen, Westgates spying, literally all the guys beside like the main 4). (Seriously it makes me so mad that the three redtails got all of 5 seconds of screen time, almost no lines. Literally what was the point of introducing them other than to pretend the show was iNcLuSiVe) Even at the end of BoB and the Pacific you get a much better idea of what happened to all the remaining guys. In this they’re like what happened to DeMarco or Hambone or Brady or (insert character here) we don’t know! ¯\_(ツ)_/¯ The concentration camp scene felt shoehorned in compared to how it was done in BoB. Unless that actually happened to Rosie (which i haven’t heard anything about) but it was just like.. ok? It all felt so rushed and emotionless to me. Maybe I’ve just fallen out of love with MoTA but it’s been downhill for me since episode 6 or so.

i already made a little (read: long) post-finale write-up here, where i talk about the use of the tuskegee airmen, l'sandra, and overall editing/pacing issues i felt the show had. but i don't agree with the notion that adding the redtails was in any way insincere or trying to halfass being "iNcLuSiVe", i just think they suffer from this show's obvious time constraints. and to summarize what i wrote in my linked post, there's a limit to what white writers/directors/producers can do when creating a story about black people. there are some stories i'd feel uncomfortable with them telling on their own, truth be told. dee rees wasn't the sole nonwhite director, but she Was the only black one. i think she did her job well given the limitations and i appreciate that they let her direct those episodes, rather than leaving it up to a team of white people trying their best to tell a black story.

the worst i can say about the finale is that it didn't feel like That strong of finale, tho i wouldn't go as far to say it "sucked" or call it "straight up bad". i liked it plenty, it's just the weakest of the hbo war finales imo.

as for the concentration camp scene, artistic license was taken with both shows. unlike what's seen in the BoB, easy company wasn't the first to arrive at kaufering, and there's 0 mention of the all-japanese american 552nd who helped them liberate it). similarly, rosie rosenthal did assist in liberating those camps, though it would've been after the events shown this episode. idk if he saw one in that up-close way seen in this episode, but he could've (i should research this when i have time). plus, it would've felt weird Not having him acknowledge them at all. "shoe-horned" is an odd term to use here imo, as both scenes more-or-less center a jewish character (BoB's liebgott and MotA's rosie). the former show has survivors the characters can help, the latter shows no one left to help. the former has all of easy company there, the latter has rosie there all alone. rosie's scene felt deeply personal in that way. at the end of the day, both scenes are communicating different things. that doesn't make one better than the other when they aren't trying to be identical. (disclaimer, i'm not jewish, so i'd be interesting hearing from the perspective of someone who wrt whether or not they felt it was "shoe-horned")

i can understand if you've disliked the show post-episode 6 (and episode 6 was a very strong episode i'm ngl). eps 7 and 8 were weaker in many ways, even to me, so i get it. everyone's entitled to their own opinion (i'd be a hypocrite saying otherwise). just understand that this blog is run by someone who overall enjoys this show despite its flaws! basically, i encourage you to take this energy and make your own posts.

[vt-scribbles]

Something seriously lacking in my art is the ability to tell a story in a single illustration.

I've gotten so used to drawing my characters standing around doing random things that I've never practiced telling a full tale/putting implications into my pieces that require more thinking/looking.

It also comes from a lower amount of details in my works by default [since I like to get pieces done fast], but I'm tired of using that as an excuse.

[running-in-the-dark]

feeling real lonely lately, ngl