#which had the same writer and director

[museofvoid]

just finished watching 1899 and i did really enjoy it in the beginning, but not sure i like where it ended.... not saying it was bad necessarily, i just don’t care for that kind of story

[tiktaalic]

let's all talk about supernatural. i'll start. in 2009 kim manners told misha collins it was gay to sit on a bed. due to the lack of distance. he was right. and misha collins did it anyway. what followed was 12 years of television subject to different directors writers and actors all with different opinions on the subject of whether or not dean and castiel were gay. because of this rotating list of minds and directions the messages you receive are varied. but crucially. there is groundwork laid in closeups. standing five feet apart in bobby's kitchen filmed as if they're face to face. across the room from each other in tmwwbk but cuts between close up to close up. now you could easily argue that camerawork that rejects this method is trying to convey a different message of less empathy. but. we are not working only with camera work that conveys distance. we're working with a foundation of intimate conversations filmed as intimate closeups . followed by intimate conversations filmed with yards and yards between them. for an amv i was trying to use the s8 talk where cas is sitting on the bed and dean walks over sits down and says talk to me and i eventually had to scrap it because they're never in the same frame. i was going frame by frame in that scene trying to get maybe three seconds where you can see both of them but you never can. in the scene where dean sits a foot away and asks. what's wrong. you can tell me. you can talk to me. and cas proceeds to bare his soul. which is one of two things: bad directing, or purposeful directing. bad directing requires us to operate under the assumption that people who work on supernatural are bad at their jobs (likely). purposeful directing requires us to operate under the assumption that people who work on supernatural are good at their jobs, and given an intimate conversation, looked for ways to dilute the emotion in it, and did so. this is also likely. when supernatural shows me castiel telling dean i love you, and does it with shoddy camerawork, they are practicing tell not show. they are turning to the camera and telling me. this means nothing. disregard this. dont you see how they're a good court length apart from each other. doesn't this distance make you feel like you should interpret this with a platonic lens. but what they are showing me. is castiel telling dean winchester. i love you. which comes across even through the janky disjointed shots. the diluted effect still has an outsized emotional impact. so my takeaway is not. well i guess this means nothing. it is. i see the tricks you are trying to use on me. and they dont work on me because i know how to interpret storytelling and i'm not young and shiny and stupid. my takeaway is . wow. dean and cas., are in love for real, and they put it on my screen, and i am going to plant dynamite in director richard speight's home

[aemondwhoresworld]

WITH WIRED

pairing: ewan mitchell x fem!reader

summary: in which ewan and y/n doing their first interview as newlywed with wired

words-count: 1,3k

warning: fluff, maybe abit cliché?, use of y/n, ewan and y/n being a newlywed couple, reader is quite sensitive, does not have any specific descriptions about y/n and ewan's appearance.

mae: english is not my first language, i do used google translate a few part in this one-shot. also this is my 2nd fic, im a long time reader but im a new writer, haven’t wrote any long imagines before. please forgive me if there was any mistakes. thank u!! maybe a part 2? idk

ASK | SUBMIT A POST | ARCHIVE

you and ewan had the opportunity to meet each other at a new movie premiere few years ago, at the event ewan participated as the main actor and you were a guest invited by the director of that movie.

at first you were quite hesitant about being the one to make a first move to go over to talk to ewan, people would wonder what was the reason? well of course, because you’re attracted by ewan’s charming appearance, but also by how the way he treated his colleagues, or anyone he met.

and then today, at this moment, you both received an invitation from wired to come here for an interview as newlyweds… yes, ewan and you have been married for 3 months now and both are extremely excited for the upcoming interview

it can be said that since you got married, or to be more precise, since the announced, the news has caused the fan community to react extremely positively, of course, negatively as well. yes but mostly positive

—

and 3… 2… 1… the interview begin, camera start rolling

"hi! this is y/n, y/n mitchell" you introduced yourself with a small smile while looking at the camera, then raised your left hand to show off your wedding ring you were wearing on your ring finger at the same time you look over at ewan, ewan now looked at you with this “husband proud smiley” smile

“and, i’m ewan mitchell, husband of this beautiful woman sitting next to me” ewan introduced himself, and then he repeated the same gesture as you, at this moment you heard a few people behind the camera, giggling and enjoying themselves

“we're here with WIRED, answering the most asked questions on google” ewan continued

“but newlywed edition” you and ewan both said at the same time

then a staff member brought out a large copy, with the questions partially hidden. you were now extremely nervous, then turned to look at him and asked softly.

“are you ready to answer these questions” you asked

“always” said and then ewan smiled slightly

"okay, first question for you my dear" you said and then gently pulled the sticky note off with your hand to make the question appear, then you continued to read

“how did ewan and y/n meet?” you read the question, then looked up at ewan and continued, "hmm, do you remember how we met, husband?" you asked ewan

“how could i forget it, the first time we ever met” ewan said while looking at you smiling, he sat thinking for a moment then he continued

"y/n and i met at this movie premiere, well… i was the main character, actor and she was invited by this great movie director, john, as a friend" ewan said, then used his hand to stroke his chin and continued. “while i was you know doing those interview, i saw her was looking at me so after the premier, we have like a little after party, i was just enjoying myself you know…” he laugh “erm.. and i-i saw this pretty lady slowly walking towards my direction and started conversation with me, and after a few minutes of talking, i thought wow she’s kinda nice to talk to, yeah.. that's… that’s how we met” and now you just sit there and giggled, flashing back all of those memories the first time you met him

“great job husband, it's so surprise to know that you still remember the first time we met, cause you never mention it ever since” you laughed and then continued “you know, to be able to date this guy, ewan mitchell, it's really a journey for me. to be mrs. mitchell is a long way" as you said, you used your thumb to point at ewan. at this time, ewan just looked helpless and shrugged his shoulders

from where you sit, you can clearly see the surprised faces of the staff member behind the camera about the fact that how hard it is to get close to him

“it's your turn” you said as ewan tore lightly to see the next question

“are ewan and y/n expecting?” Both you and ewan seemed quite surprised after hearing this question

“really, is this really the most asked question?” you laughed and giggled, “asked google?! this is crazy” you were extremely surprised by this question

“well y/n and ewan ARE NOT expecting… yet, and if we are, we will definitely announce it and share the joy with you guys so there is no need to ask mr google” you laughed, then you tuck your hair behind your ear

“we are not planning on having baby anytime soon and yes we do talk about it more often now since we’re married, you know we both love to build a family of our own but we both think this is not the right time” ewan said, you nodded with agreement with that ewan said

“next question” you looked at ewan, saying “oh i see this question seems long, it might be quite interesting!”

“the question is, have ewan and y/n ever been in a movie together?” you read the question, then you both looked at each other, you asked ewan “we talked about this a few times, aren’t we?”

“oh we literally talked about it yesterday before bed too…“ ewan chuckled then he continue “even though we have never worked together on any movie before, but we both talk about hoping that in the future we will have the opportunity to work together” ewan explained.

“yea…, there's a funny thing that if we both have the opportunity to be act in the same movie, we’ll both hope to be each other's villains” you laughed then ewan continued.

“you know, it's funny when viewers hear y/n and me's names and they might immediately think we're going to play happy married couple but no, there is not lovey dovey birds”

“but i think it's quite interesting, don't you guys think so too?” you turned to look at the camera in front of you, asking the people whom watching (after this interview video was posted).

“I'll let you answer this last question, baby” you said then let ewan remove the last sticky note to read the last question for today's interview.

“how have ewan and y/n enjoyed their marriage life so far?” ewan continued reading the last question and then he continued to answer

“who would ask this question on Google? how would Google know?” ewan replied

and you both sit there and laugh like an idiot because of how stupid this question is. really, how can Google know what your and ewan's married life is like? You laugh until you cry because of the absurdity of it

“how was it, my husband?” you asked ewan with a curious expression, wonder if he liked married life with you or not, making ewan partly amused and partly pampered, looking towards you, while you sat there patiently waiting his answer

“honestly, i am extremely happy and enjoy this married life with my wife. in short, i’m extremely satisfied, i mean who wouldn't, when you marry the person you love, so do i and especially y/n always makes me feel like i’m the luckiest man is marry to y/n, the woman i love the most" ewan replied a bit shyly because you know he rarely shows affection in front of the camera or in public

“ewan, you're going to make me cry” you smiled and used your hand to gently wipe away the happy tears at the corner of your eyes.

ewan then turned to see you so moved and pulled out a small handkerchief from his pocket and wiped your tears.

“i love you” ewan whispered to you while wipe the tear off your eye but he didn't know that the microphone attached to his shirt caught his all his words.

“i love you too but we have to say goodbye to the audience watching this interview first” you said to ewan and then burst out a small laughed

“and these are all the most asked questions on google” you said with excitement again, turning to look at ewan

“thank you WIRED for inviting us, and see you next time” ewan said “goodbye” both you and ewan raised your hands and waved to the audience

WIRED just made post

liked by y/nmitchell and others

wired #EwanMitchell and #Y/nMitchell Answer Most Asked Question On Google (Newlywed Edition)

Now available on WIRED! check out the link on bio

tagged: y/nmitchell

View comments

user1 cannot believe they haven’t had any movies together. that’s a need

user2 my fav couple

user3 i can feels ewan head over heels for her, like even more than before

user4 his eyes always had this bling bling whenever he look at her

[summerlinenss]

here’s the thing.

if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.

and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.

ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.

it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.

it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.

besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.

on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.

this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.

[theabigailthorn]

Hey I made a post a few days ago and someone referred me to you so I’m here to ask for advice and guidance because I’ve been in acting for years and it’s my life passion (stage acting specifically) but I’ve realized this year that I am a trans woman and I don’t know what to do about it because I feel like there are next to no opportunities for me in the community if I transition, especially when it comes to musicals and really anything during early transition. I’ve just started college and feel like now is the time to start pushing for hormones and whatnot if I’m going to transition but I don’t know if I should because I feel like there won’t be a place for me in the career I want anymore. I’m at a point where I could change career paths but I don’t really have anything else I want to do I’ve always just loved acting. So anyways I don’t know what to do and I’m kind of asking anyone for help who might listen or have valuable insights if you read this thank you for your time<3

Mm, this is a tricky one. Are you in Britain? If so then I agree that opportunities are thin on the ground, even more so than for cis people in the industry. I also don't think that's likely to improve quickly. Apart from a dearth of jobs, it helps to be realistic about the risks. I've had people in Britain tell me they straight up won't work with trans people, which is illegal but there's nothing you can do about it. I've had chats with other trans actors who feel there's a hard ceiling in Britain on what you're allowed to achieve, and it's a lot lower for us than it is for cis actors.

The British acting industry also has a chaser problem. One of the consequences of the widespread dehumanisation of trans people in this country is sexual abusers find we make good targets - we're already systemically vulnerable and many people don't care what happens to us. I've seen talented trans actors drop out or contemplate dropping out because they were sexually assaulted by a writer or director. A lot of cishet people still find it unspeakable that straight men prey on trans girls. As a purely hypothetical example, let's say there was a man with a history of being very creepy to women, especially young actresses, who went around sleeping with trans women in exchange for empty promises of work, and who also assaulted trans women at auditions for his big project, who everyone in the British entertainment trans community knows is a creep, who then went on to win a major award - wouldn't THAT just make you want to scromit?! 🙃 Purely hypothetical of course. This elite consensus that trans people are 'violable' also extends to less horrific but still awful things like cis people stealing our work, which isn't hypothetical and did in fact happen directly to me.

If you're in the USA then I think there's cause for optimism, depending a bit on what happens in November.

On the other hand, something they told me at drama school is "In order to have a career you must be two things: 1) Unique, and 2) Good to work with." So perhaps your transness will be your unique selling point! There's really no way to know until you try. And it wouldn't restrict you from making your own work either: look at people like Piss Carnation, who are doing well in fringe theatre! I remember having the same feelings about my own transition: I thought it would be the end of my career. So far the opposite has proven true, which is lovely! There's a lot of luck and privilege involved in that outcome though.

For me, acting is a calling - it's the closest thing I have to spirituality - I couldn't not do it.

[felassan]

July 15th Game Informer article on BioWare's companion design philosophy in DA:TV - cliff notes:

DA:TV wasn't made with the intention of making a sequel or 'the same again as DA:I'. They wanted to do something different

The companions are key to everything in DA:TV; the special centerpiece, load-bearing pillars. The studio uses the phrase "DA is about characters, not causes"

These are the most fully realized, complex, fleshed out & complicated companions from BioWare yet (and DA's best). They have stories of their own, and roles both in and out of combat. They are authentic and relatable

For the first time in the series, BioWare feels that they have purposefully and intentionally created great companions. In previous entries, they sort of 'stumbled' onto great companions

Rook goes on a journey with the companions, rather than how it felt in previous games where the companions are more like going on an adventure with the PC

The companions have complicated problems. We will explore how they think and feel, and help them through their problems. They participate in the game's dark parts and optimistic parts

Corinne: "They feel like my dear friends, and I absolutely adore them"

Corinne quote: "We've really moved into a place where you can have the highest of highs, and it can be colorful, it can be optimistic, but also, you can have the lowest of lows where it gets gritty, it gets painful, it gets quite dark. But throughout it all, there is a sense of optimism. And it creates this delightful throughline throughout the game." 

When creating DA:TV one of BW's principles was that the world exists even when you/Rook isn't around, with ancient conflicts, grudges and more going on. Rook kind of comes in in the middle of some of these plots

John quote: "For example – the Grey Wardens are an interesting faction but by themselves, they don't tell a story, but there are characters within that faction that do. And the same thing with other characters in the story. They represent these factions, they show the face of the other parts of Thedas and of the storytelling we really want to do, which, again, shows Thedas as this large, diverse living world that has things going on when you're not there. [...] Where can Rook come into [the companions'] stories, and what interesting ways can those stories develop not just based on themselves but also based on Rook's presence within them?"

Companions are the faces of their factions. Some, like Bellara, are the faces for an entire area of the world

BW hopes that the companions' visual design challenges and excites cosplayers. Matt Rhodes: "The previous art director had the mindset we should make things easier for [cosplayers], which I think is a misunderstanding of cosplayers. We've seen the kind of challenges they're willing to take on, and so we've gone for, in some cases, a level of complexity and detail"

Tevinter is an oppressive, totalitarian regime that has slavery. "If you’re not a mage in Tevinter, you are lower than dirt for a lot of people". A damaging regime has taken over Minrathous

The Shadow Dragons are a rebel faction that fight back against this Tevinter mage-ocracy (so does Neve)

Neve believes that good exists in Tevinter. She's there for the common people, and believes in fighting oppression and tyranny. She represents the voice of the streets and the common people. BW "wanted to have a character that showed not just what is Tevinter at the top, but what is the average person who lives in Tevinter"

Detective Neve is also about finding clues and ways through problems that aren't as action-focused as some of the other companions

The writer Wesley of Game Informer thinks that DA:TV is sure to be "multiple dozens of hours long"

In combat, companions have their own autonomy and behaviors. They pick their own targets

As their plots progress, they learn how to use their abilities more competently in battle. "It feels like we're all in it together"

In battle, strategy, progression and a sense of teamwork comes into play as the party's leader, Rook. "It is a game about creating this organic sense of teamwork."

Vulnerabilities can be used synergistically

Bellara can slow time

Harding has devastating attacks with 'knock down' effects

Corinne quote: "Now, there are more explicit synergies as well. We very much have intentional combos where your companions can play off each other, you can queue up abilities between them, and each of those abilities will go off and have their effect. But it results in this massive detonation where you get enhanced effects, debuff the entire battlefield, all because of planning and teamwork. What makes it really cool is you can introduce Rook into that equation as well. One of my favorite things to do is upgrade some of Harding's abilities so she will automatically use some of these abilities that normally I'd have to instruct her to do. And she'll actually set my character up to execute that combo that, again, has that detonation effect." 

Outside combat, companions have their own concerns, fears and distractions

Companions have their own personal spaces. They each have their own room in the Lighthouse. These sanctuaries become reflections of who they are. "The more time you spend with them, as the game develops as you work through their arc, their room and their personalities will evolve and flourish and become more complete as they trust you more and you understand them better."

The companions also develop romantically, sometimes with each other. Corinne: "There are moments in the game where two of our companions fell in love with each other and I had to make some pretty challenging choices as it related to the quest we're on. And it broke my heart, it absolutely did"

Get to know and learn about the companions in the Lighthouse. "It endears them to you in a way that I honestly haven't experienced before."

There are joy-filled moments and heart-breaking moments in the game wrt the companions

[source]

[sideprince]

YOU GET IT. This book is really about Harry's relationship to Snape and foreshadowing that Snape's betrayal isn't all it seems to be. The Slughorn party scene makes me angry actually because Snape’s only purpose in it is to be the straight man in a comedy bit. He serves no narrative purpose (even the message he conveys has no purpose - it’s not like Dumbledore was cancelling an appointment, he’s just saying “we had no plans to meet and continue to not have any. k bye” but doing it through Snape for... some fucking reason ¯\_(ツ)_/¯). In the film ABOUT HIM where he’s only in four scenes one of them renders Snape’s presence narratively functionless. He's in that scene so the audience can get a laugh when McClaggen pukes on his shoes (and the timing of that whole bit is painfully clumsy and slow, because the films don't respect the audience's intelligence and assume them to be clumsy and slow too).

And you know what, I know I didn’t include the Sectumsempra scene and I’ll tell you why: because what’s the point? Snape shows up and says nothing. He heals Draco. He doesn’t hold Harry accountable???????? He doesn’t guess how Harry knew this uncharacteristically dark spell that isn't taught in class or punish Harry or even ask him “hey so about this student who’s bleeding to death in this bathroom where the only other person was you?” Snape's purpose in that scene is to fix Harry's mistake. Which is the complete antithesis of how he relates to Harry.

I’m frothing at the mouth at how Steve Kloves went out of his way to strip this scene of any substance for no discernible reason other than to handicap his own plot and character development??? Severus FUCKING Snape, who spends every book antagonizing and punishing Harry, just lets him go and fixes his near-fatal fuck-up without a word????? And Harry ��slashed up a fellow student” Potter just walks away and is like, “that was messier than the time I fully murdered a teacher in my first year but anyway, guess I better do as Ginny says and go with her to hide this book, maybe we can hook up after,” and that’s just… fine. Which tracks with the rest of Kloves' sloppy writing, since he doesn't show Harry getting attached to the book, let alone the Prince, he just carries it around and reads it sometimes. And even when he does that we don't see him get immersed in it, he's still fully aware of what's going on around him and actively participating in conversations while perusing it. If you watch this film (or any of them) and think about every scene in the context of "what if I hadn't read the book and didn't have the understanding it gave me for what's happening or the emotional attachment to the characters" then you'll see how Kloves took a vibrant, colorful landscape and turned it into a hand-drawn cardboard cutout.

The purpose the Sectumsempra scene serves in the book is manifold and complex:

Harry's trust in the Prince is shaken and he sees an ugly side to this unknown person he's anthropomorphized into a kind of friend.

This is paralleled with Snape appearing at that exact moment, because foreshadowing.

Harry, who at the end of the previous book wanted and failed to use an Unforgiveable on Bellatrix Lestrange, experiences what it is to enact violence on someone for the first time and is deeply shaken by it.

Snape DISCOVERS THAT HARRY HAS HIS OLD POTIONS BOOK.

Snape, who suggested expulsion in Harry's second year for being seen flying a car across the country and into the Whomping Willow, punishes him for attempted manslaughter with nightly detentions. I need a whole other post to unpack this one (and while this may not work for the film, the solution isn't to scrap Harry being punished altogether - that goes against Snape's character and eliminates possibilities for tension, exposition, and plot development, not to mention character development).

Harry chooses to hide the book in the Room of Requirement and hand Snape Ron's book instead. This is a crucial moment for Harry's character development: he hides the book with the goal of retrieving it later, because despite the Prince's violent betrayal, he doesn't reject him and is still attached to him [insert meta about the potential parallels to Lily's friendship with Snape, what she saw in him, and why they remained friends for some time even when Snape became more immersed in the Dark Arts]. In fact, Harry wants to go back and get it, and his main reason for not doing so is fear of discovery by Snape, not a rejection of the Prince. This is a hugely important moment once you realize that Snape is the Prince, because it makes Harry's relationship to him - and his view of Snape's betrayal when he kills Dumbledore - much more complex and interesting and cathartic. It also shows that Snape has redeemable qualities, if Harry was able to become so attached to his younger self (the one who was an aspiring DE, before he defected and risked his life to save a friend, at that).

Snape's realization that Harry has his old Potions book is what leads to the moment after Dumbledore's death where Snape reveals his identity as the Prince. If he didn't know Harry had his old book and had learnt from it, why would he do this?

The purpose of the Sectumsempra scene in the film, though? Imprisonable offence after imprisonable offence. Writer's jail for Kloves:

Harry and Malfoy have it out, even though that tension hasn't really been built up (there was the Hogwarts Express scene and then not much after. Fun fact: when Draco gets caught gatecrashing Slughorn's party, it's done without having set up in any way that he's overlooked by Slughorn and insecure about losing his social standing due to his dad's imprisonment. There's zero attention given to his lack of inclusion in the Slug Club, so the fact he's using gatecrashing as an excuse to cover for sneaking off to the RoR is impossible for the viewer to understand, because the fact that he'd need to gatecrash at all is also unexplained, unless they had context from the books).

Snape saves Malfoy, but since neither character has had much screen time or relevance to the plot, it's just a striking visual to see Malfoy splayed on the water logged floor with Snape's robes swirling around them but not much more. Again, without the context from the books, this moment lacks substance.

There are no repercussions for Harry. He and his friends acknowledge that the book is dangerous, but Harry isn't punished, doesn't try to make amends, and basically acts like the self-involved special little boy Snape makes him out to be and who the books show him to be the opposite of. He doesn't seem all that conflicted or horrified and doesn't even hide the book on his own, his friends push him to get rid of it, and he goes to do it because it's a way to hang out with Ginny - who hides it on his behalf, which signals very different things about Harry's character than Book!Harry's choices do. The purpose of hiding the book in the film isn't so Harry can try and get it back later because he's still attached to the Prince, it's so he can be alone with Ginny and they can kiss, which Ginny instigates because Steve Kloves does nothing better than write passive protagonists who don't have to lift an emotional finger (see: Harry going along with being told to hide book instead of choosing to do so himself), and female characters who do all the heavy (and weirdly subservient? I'm looking at you Ginny feeding Harry and tying his shoes at the Burrow) lifting.

Nothing about this scene gives us even a remote hint that Snape is the Prince. When, at the end of the film, Snape reveals that he's the Half-Blood Prince, there is no context for it in the film or reasonable cause for him to know that Harry knows who the Half-Blood Prince even is. It's like if Ron walked up to someone on the street when he was 40 and said "yes, I am Roonil Wazlib." This revelation hasn't been set up, all its foreshadowing has been deliberately avoided, so it doesn't land with the impact it has in the books and definitely doesn't have the same effect if you haven't read the book first.

In short, in the film about Snape, and Harry's unwitting relationship with him, the scene where the biggest clue is given about the Prince's identity and one of the most crucial interactions between Harry and Snape happens, Snape is a sidebar, not a feature. So I don't count it as a Snape scene. He doesn't even have any dialogue aside from vulnera sanentur. Poor Alan Rickman was doing his best to do right by Snape's character with his acting even though the script gave him literally nothing. I hope every bowl of soup Steve Kloves eats for the rest of his life is cold and unsalted. Unless it's gazpacho. Then I hope it's scalding hot and burns his tongue.

Canon: Harry overhears Malfoy intimidating Borgin and figures out that he's been branded with the Dark Mark

Steve Kloves: Harry sees Malfoy meet a bunch of Death Eaters in Borgin and Burkes and figures out it was a ceremony to give Malfoy a Dark Mark

No but what I love about the movie version of events is that it implies that any Death Eater can brand anyone with the Dark Mark or, even better, that Voldemort was there in Borgin and Burkes and no one saw or heard him and he just popped into a shop in Knockturn Alley, tatooted a kid, and peaced out. I know I talk a lot about how Rowling (boo, hiss) was thoughtless with her world building, but she has nothing on Steve Kloves. I'm pretty sure he wrote those scripts with a crayon stuck between his toes.

[ryanguzmansource]

September 27, 2024

Ryan Guzman is currently filming his next thriller: Midnight and, in his talk with Xmag, he takes a tour of his professional career. Despite his current international projection as an actor, Ryan Guzman did not plan to dedicate himself to acting at first. The American actor and model began to get interested in mixed martial arts when he was only seven years old and, after winning his first black belt when he was ten, he was a mixed martial arts fighter in Sacramento until 2010. A shoulder injury prevented him from continuing with his dream and he redirected his career working as a model in various magazines and brands such as Abercrombie & Fitch, Affliction and Reebok. Everything completely changed when he got his first starring role in Step Up: Revolution. “It changed the direction of my life. It was as if I was launching myself into a world that I had only seen in the distance.” The dance franchise was an international success and Ryan tells us about the process he followed for the films, which, according to him, has always been the same over the years. “I try hard at something new without fear of failure. I do it this way because I know that I can fail at the beginning of anything I try. The goal is to learn from my failures and be open to new ideas when it comes to acquiring and perfecting a skill.”

His career as an actor continued in 2015 with the psychological thriller The Boy Next Door, which as Ryan explains, gave him "an invaluable perspective on the business side of the entertainment industry.” In the film, he shared the limelight with Jennifer Lopez and Ryan tells us about his experience working on the film and what it was like working with her. "Jennifer's life is something that most people won't be able to comprehend because it involves A LOT. She's a superstar. He has a million things going on at the same time. I had a great time collaborating with her and the director, Rob. They both made me feel very comfortable. It was so much fun playing the bad boy!” From a psychological drama about a woman who falls in love with her younger neighbor, Ryan jumped to play Eddie Diaz in the police drama series 9-1-1, which tells the story of a Los Angeles rescue group willing to attend to any emergency. The series underwent a big change after its transition from the FOX network to ABC and Ryan explains how that has affected his character. "Eddie's character has evolved a lot since his introduction into the 9-1-1 universe. As in any great evolution, destruction must occur in order to rebuild something new. The transition from FOX to ABC came at a perfect time for my character and I was able to represent that evolution through destruction just before another defining event in Eddie's life. Season eight is about Eddie making peace with his demons and finding self-love.” Being a series that deals with extreme and challenging situations, Ryan describes how he prepared physically and psychologically for those moments. "Empathy is the key. I draw from what I've experienced and my understanding of it; then I use the truth of those encounters to connect with the character. As for my physical fitness, I keep practicing martial arts." Recently, one of his latest projects has been the fictional comedy The Present, starring Isla Fisher and Greg Kinnear. Ryan explains that the possibility of working with these two actors was one of the reasons I chose this film. “The moment I saw that Isla Fisher and Greg Kinnear were involved in the film, I joined the project. These are two actors I've always wanted to collaborate with. Working with Isla was a dream, she gave me a lot of love and knowledge and Greg is someone who I have always enjoyed watching perform. Also, the theme resonated deeply with me, as I was going through a divorce at the time, which made the story especially relatable.”

Right now, the American actor is involved in the filming of the thriller Midnight. "I received the script from writer Lamont Magee and when he asked me if I would be interested in one of the roles opposite Rosario Dawson, he didn't have to say much more to capture my interest. 'Midnight' was an opportunity to show action in a way that I haven't been able to do as much as I would like as an actor.” According to Ryan, the thriller promises to be an intriguing story and one that will surprise the spectators. "I think seeing Rosario Dawson come face to face with Mila Jovovich is intriguing enough, but then you add the layers of her sister's character, played by Alexandra Shipp and the truth is that the audience is about to discover a lot of twists and surprises.” As immersed as he is in his work, Ryan ends the interview by expressing how grateful he feels to have a community of fans and followers who have always been supporting him. “I cannot fully express the depth of my gratitude to those who have found my work entertaining and have continued to support my career over the years. THANK YOU!”

[flowerandblood]

Play with my heart (2/3)

[ modern actors • Aemond x Strong • female ]

[ warnings: masturbation, kissing, sexual tension, eavesdropping, discomfort associated with the loss of an eye, remorse, doubts, anxiety, unprofessional behavior ]

[ description: He gets the main role in a series about a great family and dragons, which could change his career. He is set to play the uncle and love interest of his childhood friend. When he meets the actress who plays her role, he begins to lose track of what is an acting and what is his real feelings. Sexual tension, grumpy, withdrawn, thirsty Aemond. ]

Author’s note: Yeah. I talked about it and I did it. You don't even know how much fun I had doing this. Of course, my characters play in a series whose script is an exact copy of my story The Fall from the Heavens. In this universe, Aemond (playing the One-Eyed Prince) and Rhaenys (playing the Princess) are of course not related – the other characters are also just actors. This three-part series is my gift to all fans of the original series, thank you so much for your support. "Rhaenys" in this story is her artistic pseudonym which she use instead of her real name.

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

After filming the scene, they rose from the bed as if nothing had happened. The director complimented her acting, saying that she was able to wonderfully portray both the innocence and temptation her character evoked. She smiled at him as he unscrewed the water bottle and took a sip from it, walking towards him.

"They say the beginnings are the hardest." She said softly, looking around, waiting for the director to review again what they had managed to record and decide if anything needed to be repeated.

"Mmm." He hummed, taking another sip of water, feeling uncomfortable now that he was standing in front of her without a script, not knowing what to say.

They stood side by side in awkward silence for a while, looking at their director – he finally said that he liked everything and they would now shoot the scene where the Prince wakes her up in the middle of the night, dragging her out of her chamber after returning from Storm's End.

When he returned to his hotel room he collapsed on his bed, tired but also content. He felt ashamed that he had forgotten the line and at the same time he was grateful that his partner on set had helped him and been supportive, warm and understanding.

He didn't know how he felt about getting aroused during the scene of them kissing – he wondered where the limit of method acting was and whether he had gotten that much into his character or whether it was something else.

He decided he wouldn't think about it, and as long as they played their parts well, nothing else mattered.

The next day there was a big breakfast together in the hotel restaurant. At the table sat the director and his deputies, the writers, producers, actors, stylists and the many other people who contributed to this gigantic production.

She smiled at him from afar and waved at him, sitting at the table in her hair tied up in a braid, on her body only a T-shirt with the Pokemon logo and yellow tracksuit shorts.

He swallowed quietly, putting his hands in his trouser pockets, and sat down next to her, greeting her and everyone else along the way, unsure of how to act. Aegon sitting on the other side of the table extended his hand to him and he shook it.

"– how are you two doing? – you already have some passionate scenes behind you, right? – he's hot, isn't he? –" He asked her partner with amusement, who laughed out loud, trying to turn his question into a joke.

"– everyone here is beautiful and talented – I'm in heaven –" She said softly, deftly avoiding answering. Aegon laughed at her words and stretched in his chair, yawning loudly, losing interest in the subject.

He reached for the cheese toast, watching out of the corner of his eye as her hands placed the pancakes on her plate, which she covered next with pouring chocolate. She lifted her gaze to him and smiled at him warmly as their gazes met – he turned his face away, feeling like a mute, his heart stuck in his throat.

Why was he acting like an idiot in front of her?

It seemed to him that she took his silence as a signal that he simply wanted to eat his breakfast in peace, so she spoke animatedly to the woman to her right, Alys Rivers, who was to play the Witch of Harrenhal.

Aegon was talking to him across the table, mentioning something about their shared scene with him and Helaena. He nodded, sipping his toast with a gulp of coffee, absorbed in his thoughts, for some reason returning to their kiss.

He'd kissed many women in his career before, but this time it was something different.

He thought she was an excellent young actress.

In the following scenes they played he saw her in a gown for the first time. He thought she looked like some immortal elf in it, beautiful and light, a warm, gentle smile directed towards him on her face.

Her gown consisted of two colours – her long, floor-length sleeves were red, and the material hugging her breasts, hips and waist was light blue. Her shoulders were bare; other than that, she wore no other jewellery, her long hair falling softly down her back, accentuating her long neck.

He swallowed hard, feeling a twinge in his gut for some reason, and turned his face away, sitting down with her at the table where, together with Aegon and Helaena, they played out the scene in which the King informed them that they would be marrying for a second time, this time before the Septon.

They spent the rest of the day in the courtyard, filming shots of them meeting years later, and their conversation after they married, when the Princess came out to speak to him.

He felt a pleasant tingling in his lower abdomen at the thought of kissing her again: to his surprise, cupping her chin and placing a tender, soft kiss on her mouth came to him with ease. Her moist, fleshy lips didn't close against his caress, on the contrary, they parted invitingly, her hand tightening on his wrist.

Encouraged, though it wasn't in the script, he took a step forward and deepened the kiss, lazily brushing her soft mouth with his, her eyes closed, a quiet, sweet sigh left her mouth.

When he pulled away, he met her gaze, warm and misty, her cheeks flushed. He stroked her jaw with his thumb and she surprised him by rising on her toes, kissing the tip of his nose.

He felt his heart pound hard at the thought that this was not in the script.

However, he checked it quickly afterwards as he prepared for the next scene and saw that the director had added it as a suggestion.

He was furious with himself for feeling disappointed.

What was he thinking?

He didn't think it would be a problem for him, but he actually felt discomfort when it was time for them to play the scene where the Prince pulls off his eye patch in front of his beloved.

A new prosthetic eye was created especially for him which looked like a sapphire to represent his character well.

He was to wear it that day instead of his usual artificial left eye.

The sapphire eye was cleaned and prepared for him by the doctor who supervised, staying with him in private in the dressing room, that all was well. The very moment he closed his eyelid and opened it he felt that it was not.

Although its surface was smooth, something was wrong about its shape, rubbing his eye socket, once in a while pressing on a nerve under his skin from which shivers ran through him.

"It will take at least a few days to polish and change it."

He thought with a pursed lips that they didn't have that much time.

The shooting schedule was set to the hour.

He figured he would just get into his character's suffering more than he should.

As he walked onto the set he was met by her warm, comforting smile. He closed his eyes, clamping his fingers on the base of his nose, trying to listen in peace to what their director had to say to them.

"It's a scene of their tenderness, their closeness, at last devoid of subconscious brutality. In that one moment they reclaim each other." He said, and they nodded their heads.

In the original, this was accompanied by a sex scene, but the screenwriters decided that affectionate, passionate kissing would suffice here.

The thought that he would be able to do this to her made his heart pound like crazy, but he couldn't enjoy it: he clenched his eyes again and again, feeling discomfort.

Feeling pain.

For some reason, he thought he deserved it for his inability to be professional, for what they were doing was out of his control.

Rhaenys sat down on the desk and he stepped in front of her, between her thighs, her dark blue dress with exposed shoulders and sleeves reaching the ground perfectly accentuated her graceful figure.

She smiled, placing her hands on his shoulders, his fingers involuntarily running over her waist.

"Action!"

He took a step towards her, cupping her face in his hands, trying to focus only on her gentle gaze, only on her warm breath, only on how soft her skin was, instead of the fact that pain was filling his skull.

"Rhaenys." He whispered tenderly, pleadingly – the discomfort he felt made his words resound as if he was in pain – in pain because of the fact that they were separate.

She blinked, surprised and somehow touched, clearly appreciating his acting, which was only a matter of coincidence. She lifted her hand to his eye patch and he grabbed her wrist violently, her breath stuck in her throat.

"No." He said coldly and closed his eyes, feeling the pain as if a bolt of electricity surged through the left side of his face.

"You're my husband. That's enough." She whispered, wanting to soften her words by taking his face in her hands, making him involuntarily moan in pain. She let go of him, terrified.

"Are you okay?" She asked leaning over him and he nodded his head.

"What's going on?" The director asked them. "We're going to have to repeat the whole scene."

Fuck.

"Are you in pain? Please tell me." She whispered pleadingly and he shook his head.

"No. No, I….FUCK!" He hissed, leaning over, clasping his hand over the left side of his face, feeling such excruciating ache that he felt like ripping off his skin and tearing out all the nerves that were there.

"Call a doctor, he is in pain!" She called out, startling him by pulling the eye patch off his face. He heard her sigh in horror and cover her mouth with her hand, his stomach clenched in discomfort at the thought.

That she saw it.

That she felt disgusted.

"My God, his eye is all swollen up, what have you done to him? Can you take it out? Come." She said, taking his hand, and he walked out of the room with her like a small child, bumping into the doctor on the way.

"I warned him" He said.

"I can stay and help. If you don't mind." She said sitting down next to him on the couch in his dressing room.

He wanted to reply for her to leave, but he only groaned, unable to stand it, and as soon as the doctor had disinfected his hand he removed the sapphire prosthesis from his eye socket.

He did not know why he burst out crying.

He hid his face in his hands, feeling humiliated, thinking that the reason he had been taken for the role was because they hoped they wouldn't have to spend money on expensive CGI, but in fact he had wasted their entire day of filming.

He swallowed hard when he felt her arms embrace his head and let her lean over as she hugged him to her breasts, her pleasant scent, her warm hands stroking his jaw and back.

"Leave us alone for a moment." He heard her voice. The man nodded and said he would fetch an ointment that should soothe the abrasions.

"It would be best if you didn't wear your artificial eye today and let your eye socket rest." The man said.

"Get the FUCK out!" He growled, closing his eyes, thinking it was wonderful news, going around the set with an empty eye.

He thought it was the worst day of his life.

He swallowed hard as her forehead pressed against the top of his head, her gentle hands stroking his face, shoulders and back giving him a feeling of comfort and security.

It was so hard for him, and she was by his side.

"I admire you for holding out for so long. They should have checked that the prosthesis fit earlier, not on the day of filming. It's the production's fault and the director knows that. I'm sure he appreciates your commitment and will reorganise the work." She whispered calmly, as if she wanted to comfort him, and indeed, her words made him feel relieved.

"I'm sorry." He mumbled.

"Don't apologise."

"Can I lay my head on your lap?" He asked in a trembling voice, wondering if his request was disrespectful.

He just wanted to close his eyes for a moment and relax.

"Yes. Yes, of course, come here." She said, turning so that he could lie down.

He turned his head so that she couldn't see his left eye socket and rested his cheek on her thighs, placing his hand on her knee. He closed his eyes and sighed quietly when he felt one of her hands on his shoulder and the other on his cheek, her thumb gently stroking his skin.

There was complete silence between them.

"I got really attached to you, you know? I hope we still keep in touch after the shooting." She whispered making him swallow hard, cold sweat trickling down his neck as he felt his manhood react to her words with an aggressive throbbing.

"Yes." He muttered. "Yes, me too."

He spent the evening in the hotel bar, meant for guests only, feeling reasonably safe there, wanting to ease his mind a little, wearing a thin bandage over his left eye that allowed air to pass through.

He resented himself for being unprofessional, for having his real feelings mixed up with what he was supposed to be playing as a Prince character.

For the first time, he doubted whether he should really be an actor.

His grandfather surprised him by walking up to him from behind, patting him on the back.

"Don't worry about the issue with the artificial eye: it was their fault and the director came to me to apologise for the prosthesis not being tested earlier. You both do a wonderful job on set. The chemistry between you two is palpable and it shows on camera." He said, sitting down next to him at the bar table.

He pressed his lips together at his words, wondering if he should confide in him.

"I don't know myself. I'm confused." He confessed, embarrassed. His grandfather looked at him in surprise as soon as he ordered a double whisky for himself.

"Confused? Because of that girl? It's normal. She's kind and pretty. If you're feeling desire, that's good. Turn it into your acting." He said lightly, however, making him feel not relief but discomfort in his stomach. He stared dully into his glass for a moment, feeling the aggressive pounding of his heart.

"… I'm not sure if what's going on inside my head is good." He said in a trembling voice. His grandfather hummed under his breath, taking a sip from the glass the man had placed in front of him.

"As usual, you think too much. Even if… well, something happens between you two, one or two nights, it's nothing terrible. On set it happens all the time. The tension is high and you have to find an outlet for it somewhere." He said.

He got up from his seat and just left, feeling that he had made him sick.

He didn't agree with him, and he didn't think that using her to get off sexually was a normal thing to do.

She was young, younger than him, still filled with enthusiasm and naivety.

He didn't want to be one of those men who would take advantage of that, seduce her and then leave her humiliated as soon as the shooting was over, saying it was just a fun.

He had casual sex with actresses, but never with those he worked with directly. Nothing came of it because their paths quickly diverged and he didn't have the desire or strength for a long-distance relationship.

He didn't care.

He took a shower, brushed his teeth, changed into a T-shirt and sweatpants and went to bed, trying not to think about the fact that tomorrow they were to play a scene in which he exposes her breasts.

Not all love scenes were left in the script, however, this one was one of them, because it was significant moment – their first real intimacy and reunion after years.

They knew there was enormous pressure on them. He could see it in her face the next day – also dressed in a night gown she was looking down at her fingers, stressed, not a trace of her smile and confidence from the auditions.

He approached her, for some reason feeling that he should comfort her, lift her spirits, let her know that they didn't have to rush.

"– do you want to talk about how we're going to do this? –" He asked quietly and she nodded, unable to even look him in the eye.

"– yes –" She mumbled.

"– so –" He began, feeling for some reason that his heart started pounding like crazy, his hands clenched into fists. "– I'd start with kisses first – on the lips, on the neck, on the shoulders – they're rubbing against each other in this scene because they're feeling arousal, so it would be a good idea to try and mimic similar…movements – then I'll slide your nightgown off your shoulders – we can agree that you will guide my hand yourself when you think you're ready for me to touch you there –" He said quickly, forcing himself to be calm and composed, feeling a cold sweat run down his back.

Why was he so terrified?

He saw that she swallowed hard and nodded, looking up at him and lowering her gaze quickly, red with embarrassment.

"– yes – yes, that's a good idea –" She said and looked at him, her gaze warm, comforting.

Kind.

"– how's your eye? –"

He lowered his gaze, looking down at his boots, embarrassed.

"It's better now. Thank you. For everything. I don't want you to be scared today. Tell me if you feel something is wrong. Okay?" He hummed, and she nodded quickly, giving him a grateful smile.

"– thank you – I will –"

He swallowed heavily when the director told them to take their places. He sat down in a chair and she walked over to him, looking at him questioningly. He nodded, extending his hand to her to help her up, and she sat awkwardly on his thighs. He gently placed his hand on her hip, forcing her to slide closer to his chest, just as scripted.

They both swallowed hard as his manhood pulsed between her thighs under the material of his breeches, touching the material of her flesh-coloured panties, but neither of them said anything.

"– we will take it slow – okay? –" He encouraged her, gently cupping her cheek in his hand, bringing her face close to his. She nodded and smiled warmly at him, as if he had said exactly what she needed to hear.

"– okay –" She said.

Their director nodded at them.

"Let's try to get a feel for it first. This scene is about building tension slowly. If you feel discomfort, speak up, we'll try to do something about it. Ready?" He asked, and they nodded their heads like little children.

"Action!"

Apart from the sizzle of the fire in the fireplace to their right, surrounding their faces with warm light, there was complete silence around them.

He waited a moment before he pulled her face closer to him and his lips tentatively brushed hers in a slow, shy, moist kiss. He felt her body involuntarily move closer to him, her arms closing his neck in an tender embrace.

He felt her soft breasts through the material of his tunic, his hands traveled down her waist to her hip which he began to stroke in a soft, lazy, affectionate motion. She sighed softly into his mouth making his half-hard erection hit the space between her thighs again.

They froze in mid-motion and he was already about to apologise to her, telling her to stop, when this time it was she who leaned in. His voice went dead in his throat as her lips pressed against his, her body rubbing uncertainly against what was beneath her.

Fuck.

He thought as his hips tentatively came out to meet her, pressing what was in his breeches between her thighs, making it swell and pulsate, that this was not a good idea.

He knew she could feel it and that turned him on even more.

Her breath had become heavy and accelerated, their kisses messier, stickier, warmer, his fingers involuntarily dug into the skin of her hips hidden beneath the thin material.

"– uncle –" She mewled into his mouth in a way from which his erection became completely hard, his hand clamped down on her neck, forcing her to stay still as he slid his tongue deep into her throat.

She moaned, startled, gripping his shoulders, rolling her hips back and forth as if in a trance, teasing him deliberately, squeezing his length between his lower abdomen and her body again and again, the tip of her slick tongue licking his.

"– it tickles – here –" She mumbled helplessly, pressing her forehead against his, looking down, between her thighs, watching his bulge twitching in his breeches, which, however, only they could see.

He should have said his line, but instead, completely stunned by her behaviour and smell, he grabbed the material of her nightgown and slid it off her shoulders, snuggling his face between her sweet breasts.

She opened her mouth wide, shocked and moaned, hugging his head to her heart, making his cock throb hard. She took his hand in hers and guided it up, to her breast – he gasped, shocked how good it felt, squeezing tentatively her plump softness with his fingers, placing sticky, wet kisses on her sternum, her hands buried in his hair pressed him tighter against her bare, hot skin.

It seemed to him that she was as shocked by this sensation as he was, for she began to moan quietly – her nipple became hard under his thumb as he began to rub and tease it, his free hand clamped down on her buttock, again and again rubbing his painfully swollen erection against her.

He was turned on.

"Cut! What chemistry, I'm at a loss for words!" The director called out, and he let her go immediately.

She jumped back and got off his lap, inhaling heavily as if she was out of breath, putting the material of her nightgown quickly over her shoulders and breasts, the stylist said something to her and she just nodded, looking at him with big eyes.

He crossed his legs quickly and grunted, covering his mouth with his hand, looking towards the fire, pretending to listen to one of the assistants saying that now that they were all in emotion they would try to film their conversation years later.

Although they tried, neither of them could concentrate and they forgot their lines over and over again.

"What's going on with you two? Do you need a break?" The director asked them, and they replied at the same time that they did.

It frightened him to see her leave immediately, the thought that she might nevertheless have felt uncomfortable, that he had done something that crossed the line for her, but she was afraid to tell him.

He got up and followed her, heading for the rooms where they were changing and getting their make-up done, standing in front of the door with her name on it.

He froze when he heard a strange sound that seemed to him to be a moan of pain. He opened his mouth, wanting to ask if she was all right, if he could come inside, but then she made a different sound, a more familiar one that made his erection throb hard in his breeches.

He heard her quiet panting mixed with sweet, innocent mewls of pleasure, from which he himself began to breathe through his mouth, shocked.

He leaned his forehead against the door, wanting to hear it better, with the corner of his eye looking to see if anyone was around, but they were all on the set. He thought he was just a pervert when his hand travelled deep under the material of his trousers, clamping down on his long, swollen cock, twitching painfully with desire in his hand.

He imagined what she looked like now, digging her delicate fingers into her fleshy walls, leaking with moisture, pulsing because of him, because of what he had done to her, because of his kisses and touch.

He drew in a loud breath and pressed his lips together, giving himself a firmer squeeze at the base, imagining that he had grasped her thighs in his hands and spread them in front of his face, sinking his mouth into her wonderful, delicate folds, licking and caressing her little cunt.

He sped up, hearing the quiet sounds in her room become more vulnerable and helpless, and after a moment she moaned a little louder with some kind of relief.

He opened his mouth wide when he felt his warm semen spurt out onto his fingers at the thought that she had just come because of him.

He cursed under his breath as he looked at his hand and headed quickly to the bathroom, afraid that anyone would see him.

As he washed his hands in the sink he looked at his reflection, at his white wig and eye patch, and decided that he was beginning to lose control, that he no longer knew which feelings were his and which were his character's.

He was terrified and had no one to tell about it.

He only saw her at dinner that evening, and although she sat next to him, she didn't look at him. He pressed his lips together at the thought that she was as ashamed as he was, only she had no idea that he knew what she had done and that he had done exactly the same thing himself.

He was crushed by a sense of guilt that he didn't know what to do with.

He decided to finally speak to her, feeling his heart in his throat, playing with his fingers.

"Did I overdo it? Today during our scene." He asked in a trembling voice, trying to sound indifferent and cool. She looked at him surprised, putting her glass of juice down on the table.

"– I – no, I'm sorry I left so suddenly – it's just that all of this – all of this has overwhelmed me –" She muttered, looking down at her hands lying on her lap.

He looked at her in silence, feeling a squeeze in his throat at the thought that he understood her, that perhaps they felt the same way.

"– if you don't mind – I'd like to rehearse scenes with you before we play them – I'd like to talk to you about them – I have too much chaos in my head and no one to share it with –" She said, looking up at him finally, her brow furrowed in fear that he would not take her suggestion well.

He, however, felt some wonderful kind of relief.

"– yes – yes, that's a great idea –"

They spent the next few days acting out scenes, talking to each other for hours in the evenings in the hotel restaurant or her room about how they wanted to portray particular dialogues.

"– then when they're arguing I think to approach it more along the lines that: he just wants forgiveness and she's tired of him always expecting her to forgive him, even though he himself has held a grudge against her for so many years – something like: what should I do now? – divorce you? –" She asked sternly, getting into character for a moment, wanting to show him what she meant.

He hummed at her words and nodded, intrigued.

"– yes – yes, I think it's a good track – he's broken, exposed, afraid of the visions of that witch – he tries to push it away, but because of the way he represses it, everything he's afraid of comes back to him in nightmares –" He said, half lying half sitting on her bed with a copy of the script in his hand, the other gesturing as if he were a lecturer.

She nodded quickly at his words, sitting down next to him on the sheets, excited.

"– yes, exactly – he locks too much inside himself, and everything he fears then manifests itself in his dreams – his thoughts overwhelming him more and more and filled his mind like water that finally bursts his skull –"

"– a drop drills a rock –" He murmured and she snapped her fingers.

"– exactly –" She said, swinging her legs.

Unintentionally, his gaze traveled over her figure – her light-coloured sweatshirt with Jigglypuff from Pokemons seemed very fluffy to him, white tracksuit shorts and pretty white floral socks on her legs.

"– are you still watching this? –" He grinned with amusement. She cocked her head, smiling broadly.

"– what? –"

"– Pokemons –"

She giggled, embarrassed; the sound, innocent and sweet, made him feel a tightening in his throat and a pleasant tingling in his lower abdomen.

"– yes, but only the first few seasons – you know – the classics –" She said, closing her eyes proudly, as if she were speaking some work of Shakespeare.

"– mmm – I watched this when I was a kid –" He confessed, and she shifted towards him, delighted, surprising him completely.

"– I have a laptop – do you want to watch the first episodes together and order a pizza? –"

Though the suggestion seemed absurd to him, he agreed, and it wasn't long before he was watching, lying next to her on her bed, with a big carton of pizza lying on their bellies, as Ash tried to tame Pikachu.

"– God, how long it's been since I've watched this –" He muttered, feeling some kind of melancholy. He heard her melodious, joyful laughter.

"– I know this episode by heart –" She said between one greedy bite of pizza and another, clearly pleased and happy.

For some reason, despite his rather solitary nature, he felt comfortable around her. Her behavior made him feel like he wasn't being judged or watched – he knew he could say at any time that he was going back to his room to rest, and she wouldn't hold it against him.

He caught himself thinking that he really liked her.

What made him involuntarily distance himself from closer acquaintanceships with actresses was that it often seemed to him that they played offstage as well – they stepped into the role of innocent, sweet, dreamy romantics or passionate unapproachable women, but in fact he had no idea if he knew them at all.

With her, however, it was different – her sudden, unexpected reactions, the glint in her eye, her smile and unthinking remarks were real.

For some reason, her character, her presence had a soothing effect on him.

He was ashamed to admit that he liked her a little too much.

He kept repeating to himself that just one more episode and he would go, but another and another flew by. Her warm, soft body was wonderfully close, their arms were pressed against each other, their heads lying side by side on the pillow, as they looked at the laptop lying between their legs.

For some reason he felt like a little child again who was about to spend the night with his mate.

He looked at her out of the corner of his eye and noticed that her eyes were closed, her lips parted slightly, her head tilted to one side in deep sleep.

Something captured him in this sight – the thought that she felt comfortable and good enough with him that she had fallen asleep.

He rose slowly, taking the large pizza box from their thighs, setting it down on the floor and rose, trying to be quiet. She twisted around and hummed something as he covered her with the duvet and turned off the lamp, feeling somehow proud of himself for treating her the way she deserved it.

It was as if he had a friend.

[determinate-negation]

3 March, 2011

An ongoing trial in Tel Aviv is set to determine who will have stewardship of several boxes of Kafka’s original writings, including primary drafts of his published works, currently stored in Zurich and Tel Aviv. As is well known, Kafka left his published and unpublished work to Max Brod, along with the explicit instruction that the work should be destroyed on Kafka’s death. Indeed, Kafka had apparently already burned much of the work himself. Brod refused to honour the request, although he did not publish everything that was bequeathed to him. [...] But to begin with, let us consider who the parties are to the trial and the various claims they make. First, there is the National Library of Israel, which claims that Esther Hoffe’s will should be set aside, since Kafka does not belong to these women, but either to the ‘public good’ or else to the Jewish people, where these sometimes seem to be the same. David Blumberg, chairman of the board of directors of the National Library, puts the case this way: ‘The library does not intend to give up on cultural assets belonging to the Jewish people ... Because it is not a commercial institution and the items kept there are accessible to all without cost, the library will continue its efforts to gain transfer of the manuscripts that have been found.’ It is interesting to consider how Kafka’s writings can at once constitute an ‘asset’ of the Jewish people and at the same time have nothing to do with commercial activities. [...] So it seems we are to understand Kafka’s work as an ‘asset’ of the Jewish people, though not a restrictively financial one. If Kafka is claimed as a primarily Jewish writer, he comes to belong primarily to the Jewish people, and his writing to the cultural assets of the Jewish people. This claim, already controversial (since it effaces other modes of belonging or, rather, non-belonging), becomes all the more so when we realise that the legal case rests on the presumption that it is the state of Israel that represents the Jewish people. This may seem a merely descriptive claim, but it carries with it extraordinary, and contradictory, consequences. First, the claim overcomes the distinction between Jews who are Zionist and Jews who are not, for example Jews in the diaspora for whom the homeland is not a place of inevitable return or a final destination. Second, the claim that it is Israel that represents the Jewish people has domestic consequences as well. Indeed, Israel’s problem of how best to achieve and maintain a demographic majority over its non-Jewish population, now estimated to constitute more than 20 per cent of the population within its existing borders, is predicated on the fact that Israel is not a restrictively Jewish state and that, if it is to represent its population fairly or equally, it must represent both Jewish and non-Jewish citizens. The assertion that Israel represents the Jewish people thus denies the vast number of Jews outside Israel who are not represented by it, either legally or politically, but also the Palestinian and other non-Jewish citizens of that state. The position of the National Library relies on a conception of the nation of Israel that casts the Jewish population outside its territory as living in the Galut, in a state of exile and despondency that should be reversed, and can be reversed only through a return to Israel. The implicit understanding is that all Jews and Jewish cultural assets – whatever that might mean – outside Israel eventually and properly belong to Israel, since Israel represents not only all Jews but all significant Jewish cultural production. I will simply note that there exists a great deal of interesting commentary on this problem of the Galut by scholars such as Amnon Raz-Krakotzkin, who, in his extraordinary work on exile and sovereignty, argues that the exilic is proper to Judaism and even to Jewishness, and that Zionism errs in thinking that exile must be overcome through the invocation of the Law of Return, or indeed, the popular notion of ‘birthright’.

[books]

Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course. 

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 

(Photograph: Jamie Beck)

[absolutebl]

This Week in BL - I'm Muddled, there is SO MUCH on, but also I have FEELS

Organized, in each category, with ones I'm enjoying most at the top.

July 2024 Week 2

Ongoing Series - Thai

Wandee Goodday (Sat YT) ep 11 of 12 - Yak is such a demanding babygirl princess type. It’s kinda hilarious in a fierce boxer dude. I do adore the core brother friendship in this show. It’s so sweet. Also I guess Yak is out OUT now, on TV and everything. 

YES PLEASE GMMTV!!! This ship! Sail it!!!!

The Rebound (Weds Gaga) eps 4-6 of 12? - So it started out as a relatively simple sports romance: first love, separation, reunion. But then just went entirely off the rails: gay mafia orgies, kidnapping, druggie ex teammates with knives, I am Spartacus. All erratic Thai pulp mumbo-jumbo aside? MeenPing are doing great in these roles. Zen's hurt confusion, Ryu’s struggle with internalized homophobia that keeps hurting Zen as much as him. 

Am I wrong to ship FrankPing Just a little bit? I only wanna see them kiss. It’s not asking too much, is it? 

Not sure what’s going on with Gaga and their "ep 6 of 6" thing. Or why they bundle-aired them. Did they just get the rights for the first half? Where is the rest?  

Sunset X Vibes (Sat iQIYI) ep 5 of 12 - I always end my Saturday with these 2 simply because I love this pair. I also enjoy the show. It’s sweet and I giggle a lot. I like that they’re dressing (and letting) Lin be a bit femmey - with his pussycat bows, coco bag, and little heels. I’m not sure about the pet names but I’ll accept them if I must.

My Stand-In (iQIYI) ep 12 fin - I would like to watch an entire show about the older brother boss and his hot secretary. Bit of a bully romance? Please & thank you?

This was a good solid ending, less predictable than I expected, which I appreciat. I liked that they had a full conversation about forgiveness. But overall, I am left in a muddle.

The show itself? A summation? Oof, here we go...

Adaptation of Chinese novel "Professional Body Double" by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KinnPorsche. Stuntman Joe dies on the job and wakes up in the body of another Joe with an entirely different life. But Joe just starts repeating the mistakes of his previous self - love, work, play. I enjoyed the experience of watching this show, I looked forward to it every week. I thought everybody did a great job with it and in it, and I liked that is was something substantially *different* for Thai BL. But I’m not sure I'll rewatch it or if it's bingeable. It left me feeling more sanguine than happy. Is there, objectively, anything wrong with it? No. But am I in love with it? No. I think that rests on the central characters, Ming in particular. I never liked him or warmed to them as a couple. I spent most of this show just very very sorry for poor Joe. Thus I was never rooting for their romance. I would recommend it, if you enjoy your BL more cerebral, with complicated unlikable love interests, and a downtrodden sympathetic lead. Is it, perhaps, more JBL that ThBL? Am I biased because it's a Thai production and I had expectations? What magical carnage could Japan have done with this IP? I'm left with questions, but I'm ultimately glad I watched this.

All this means that this show should, by all my own standards, get at 9/ 10. But I'm giving it an 8/10. So there.

We Are Cute (Weds iQIYI) ep 15 of 16 - It really is the antidote to Friend Zone. Like GMMTV just set out to make a nice little show about nice boys being very nice and kissing each other nicely. And it makes me very happy.

Century of Love (Weds Gaga) eps 1-2 of 10 - DaouOffroad are back, this time as fated mates in a quasi historical paranormal moment. Very much Director Who Buys Me Dinner meets First Love Again, hopefully better than both. I love this pair and think they can handle the premise, it's whether the storytelling is up to the challenge.

So far? I like it a lot. I love it when Thailand gets all up in its own historical business and reincarnation and bullshit like that. I’ve always liked this pair too (it’s not their fault I didn’t enjoy most of their first series.) Daou’s wushu is pretty snazzy. We got a fun meet cute. (Erm... Remeet cute? Meet cute 2.0?) And this is a very PRETTY show. With more comedy than I was expecting.

This Love Doesn't Have Long Beans (Fri iQIYI) ep 2 of 8 - I like the friendships, but so far I’m not sold on the personalities of the main couple. Of course I love the pair, and I know they can handle it, but I hope the story justifies their chemistry.

My Love Mix-Up Th (Fri YT) ep 6 of 12 - They are so damn teen dramatic and over-the-top. To have really played into the impact of the counselor character's original casting, they should’ve had Krist play the role! (GET IT?) That’d be ridiculously ironic. Not that I object to GMMTVs #1 Daddy Papang. Never that. 

The Trainee (Sun YouTube) ep 2 of 12 - Ah ha, I figured it out. This reminds me of The Devil Wears Prada. I’m finding most of the rest of the interns too caricature and thus annoying. But I’m still liking this more than I expected. 

Love Sea (Sun iQIYI) ep 5 of 10 - The bullying GL subplot is just bad. And I’m getting an overall squick from the fact that the two rich privileged characters are essentially taking advantage of the two lower class poor characters. Trash watch here.

Knock Knock Boys (Thurs Gaga) ep 8 of 12 - I’m coming around to Almond + Latte, but I’m not super sold on any of the other plot lines.

Ongoing Series - Not Thai

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 3 of 10 - It’s still good and it’s still sticking relatively closely to the mango. So I’m still enjoying it.

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 2 of 10 - I just don’t really like the dynamic of the younger, poor, country kid desperately chasing the older hot boy. It’s a bit too desperate or something. It’d be different if Takara were a nicer person, but he doesn’t have much going for him but a pretty face.

It's airing but...

Meet You at the Blossom

In case you missed it

OMG Vampire (Thai Sun ???) 10 eps - It's ended. Should I watch it? right now 1 vote for and 1 vote against.

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer released to Korean theaters 5/25. HoTae & DongHee, side couple from Unintentional Love Story are back! Same actors, same character names. I love them. Devastated this hasn't had international distribution. I demand you tell me the moment you find it!

The Last Time (Thai Fri YT) - Got bumped to Aug 2. Convoluted story of loss and possible reincarnation or something.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

July Releases to Come

7/24 I Saw You in My Dream (Thai Weds WeTV) - Dee Hup is behind this one so I have high hopes. Younger boy chronically teased his whole life by the older boy next door suddenly starts having horrific prophetic dreams about his bully and must save hime.

7/26 4 Minutes (Thai Netflix or iQIYI?) - Great is a university student from Faculty of Business and the son of a wealthy business owner. Out of the blue, he gains the supernatural power to see four minutes into the future.

7/29 Battle of the Writers (Thai ????) - trailer here, TutorYim return and while I adore them, I really hope this is better than Middleman's Love. Won't be hard. However: that premise! Ugh. Something something authors fighting - save me. Why don't writers understand that nothing is more boring than writers?

THIS WEEK’S BEST MOMENTS

Such a Best Boy, not leaving his drink behind!

YES please.

Follow me here... these 2 in the Thai BL version of Tein Bromance X, which is to say: Mean assassin meets and falls HARD for snarky school teacher, they adopt a kid together. YOU KNOW YOU WANT TO WATCH IT.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in it's infinite wisdom doesn't like too many tags.

There's these tricks, remember.

[perseruna]

heyyyy do you have any details/sources for the ca*ill being a jackass thing? ngl i watch twn for yen and jaskier so i was already planning on continuing to season 4 but i'd love some reasons to be actively excited for the actor switch. but i haven't kept up on the behind-the-scenes stuff so i'm kinda lost on that front if you're up for sharing any of what you know!

okay guys buckle up this is THE anti henry cavill megathread xoxo

First of all him dating a teenager as a 33 year old fully grown man literally gross and disgusting.

Also as this quote implies they started dating a year prior and only went public when she was 19 so they supposedly started dating when she was 18.

His entire dating history is a MESS. Sure the women he dated are not him, but he chose to date them, I wouldn't even associate myself with people like these let alone be in a relationship with them. He dated the infamous transphobic TERF Gina Carano, albeit before her loud controversy, but I doubt her harmful views were any different back then. His current gf has a history of doing black face.

His "Me Too" comments.

His comments on the Me Too movement are literally so vile. If you don’t want to be called a rapist, just don’t rape women, it’s literally as simple as that. They’re even more foul because they’re promoting the idea that women lie about their abusive for fame, promoting that harmful rhetoric especially in our times is incredibly dangerous.

Now onto his on set behavior.

We can't talk about his set behavior without mentioning the deuxmoi set leak. Here's the transcript of it:

[Transcript:

There’s something I really really wanted to read to you guys--it has to do with why Henry Cavill left The Witcher. I know that was something that you guys were super interested in when it happened, and I just recently got this message. Somebody was like “Hey, do you want to know what really went down?” And I was like “Sure!” So let me just read it. It says:

“At the beginning of the show, Henry was good to work with. A lot of difficult demands that made people feel like he wasn’t a team player, but that’s not unusual for a really big star. Though in TV it truly usually doesn’t happen until the second season. But in season two and three something shifted and he became really impossible for women to work with, which is always a big problem, but even worse here because the showrunner is a woman. He would try to overrule her and try to get changes made last minute across the board without her knowledge, which, if you know anything about showrunning, is completely fucked. The showrunner has to sign off on every miniscule detail down to the buttons on a costume. Female writers and directors were suddenly being completely ignored on set, unable to do their jobs. Every department head was complaining. He started making comments—it wasn’t a sexual thing, he wasn’t grabbing anyone or being lewd, but it was disrespectful and toxic all the same.

“He is deeply addicted to video games, to the point where it was like working with any other addict. He was distracted, he was late, he was obsessive, and a lot of people think the misogyny came from gamer world. Video game bro language is not how you talk to coworkers, and he wouldn’t stop. Someone on the show compared it to watching someone get brainwashed by QAnon, like his whole personality shifted. Eventually his disrespect escalated. He would rewrite scenes without even alerting the other actors in the scenes until it was time to shoot. He decided that he didn’t want any romantic scenes at all—no kissing scenes, no shirtless scenes, et cetera. He wanted complete control of storylines but really had no idea of the limitations of TV, structure, budget, et cetera. He formed a weird alliance with one writer who was also a gamer, who eventually got fired after multiple HR complaints were made and after that writer left, Henry did anything he could to hold up production and cause problems.

“Eventually top brass at Netflix was tired of him costing them money with delays and HR investigations and the showrunner was asked to construct a potential exit for him. Netflix reached out to him personally and he was given one final warning, and violated that warning with an email he sent to the entire writing staff right after that meeting. That was it. It’s very disappointing.”

End transcript.]

Now believe me or not, but I know from a really good source that the leak was indeed real.

There's a lot of patterned behavior that tracks with what we know of him and his past controversies.

After that leak came out, there was a lot of people from different places coming to comment that ‘yes’ they’ve heard a very similar story adding a little bit more details of their own.

this quickly deleted tweet from one of the writers/producers:

there were rumors about him being an asshole to Anya specifically.

He went on record that he doesn't "understand" sex scenes. Which I know the sex discourse is rampant nowadays and each to their own, but he specifically signed up for a role that requires those scenes and then refused to do them and was allegedly nasty to Anya about it and with the way he talks about women...

Also it’s important to touch upon the “writer he had a weird alliance with” that man in question is Beau DeMayo of the recent fame of getting fired by Marvel from X-Men ‘97. He was previously allegedly fired from The Witcher for being emotionally and physically abusive. And he allegedly got fired from X-Men for being abusive as well. One of The Witcher writers tweeted this after Beau smeared them for “disliking the books” Beau was literally the first person to start that narrative.

The fact that it was HIS idea not to say lines of his dialogue in S1 and instead grunt. To the point that Joey had to take Henry’s lines and make it his own, so the plot would make sense, he talks about it in this interview: https://www.youtube.com/watch?app=desktop&v=Oyh0t117t0U&, and then once S2 press arrived Henry was talking about how he was trying to fight the big bad writers to give him more lines. Ridiculous.

Everyone is already pointing out that the cast looks so much happier without him, and it’s very true. Henry was never present on close to any BTS pics from filming the previous seasons, or on any cast dinners or birthdays. He wouldn't even do any shared interviews with the other three mains but only had solo interviews which to me was giving disrespectful like you're an ensemble you’re not the only lead here. It felt like he was above them to sit down and answer questions with them. When they were doing press junkets in Brazil and Poland Anya, Joey and Freya would always arrive together and leave together with that man leaving all the events early and by himself. And like people who post quotes from the cast about him being perfect from press junkets as “proof” are insane to me like Obviously they’re going to say nice things about him, not only they're newcomers, and he's an established industry name, but they’re doing PRESS for a show that he’s a STAR of (well, was lmao)

The fact that he never defended Anya from the racist trolls, even though most of them were HIS fans. Like she had to go through so much and that man couldn’t make a single comment about it as a leading man BUT he could make a whole IG post because people were being mean to his gf and calling her out for doing blackface.

And sure people might say that a lot of these are unverified sources, and I’d get it if it was a singular case, but there are a ton of these accounts that all match each other. Where there’s smoke, there’s fire.

[geotjwrs]

Could you maybe do one where Jenna and Reader are working on Wednesday season 1 (They’re just friends but both like each other and haven’t told the other yet) and Percy (or literally anyone else) flirts with Jenna a bit, which makes Reader jealous. Jenna doesn’t notice at all how jealous Reader gets but their friends notice and eventually when Jenna is talking about Reader saying she wishes Reader felt the same way she feels about her the friends just straight up tell her about how jealous Reader gets, calling Jenna just blind cause it was very very obvious.

Jenna realises and confronts reader about it, not sure what could happen from there but yeah

Anyways I love your work you’re like one of my fave writers on here!! ❤️❤️

can't you see me

Pairings ; Jenna Ortega x Male!Reader

Warning/s ; none

The set of "Wednesday" was buzzing with the usual hustle and bustle of filming. Jenna and Y/N had become close friends since the start of production. They shared jokes, late-night talks, and a deep connection that neither dared to label as more than friendship.

During a break, Percy Hynes White strolled over to Jenna, exuding his usual charm. Y/N watched from a distance, his stomach twisting as Percy leaned in closer, his body language oozing flirtation.

"Hey, Jenna," Percy said with a grin, his eyes locked on hers. "After this, how about dinner? I know a great place."

Jenna giggled, twirling a strand of her hair. "That sounds nice, Percy. Maybe we can invite the whole cast."

Percy's smile faltered slightly, but he nodded. "Sure, the more, the merrier."

Jenna and Percy continued to chat, their conversation filled with laughter and playful touches. Y/N clenched his fists, trying to appear unaffected. Emma, who was nearby, gave him a knowing look.

"Dude, you're like an open book," Emma whispered.

"What are you talking about?" Y/N muttered, eyes still fixed on Jenna and Percy.

Emma rolled her eyes. "You're jealous. It's obvious. Why don't you just tell Jenna how you feel?"

Y/N sighed, frustration evident in his voice. "It's not that simple, Emma. We're just friends. She doesn't feel that way about me."

Emma smirked. "If you say so. But I think you're the one who's blind here."

Over the next few days, Y/N started to distance himself from Jenna. He avoided long conversations, kept his interactions professional, and immersed himself in his work. Jenna noticed the change and felt a pang of hurt and confusion.

"Y/N, do you want to run lines?" Jenna asked one afternoon, approaching him with her usual bright smile.

Y/N glanced up, forcing a smile. "Actually, I need to go over my scene with the director. Maybe later?"

Jenna's smile faded slightly, but she nodded. "Sure, later then."

As the days passed, Y/N's distance became more pronounced. He spent more time alone, listening to music in his trailer, and avoiding any situation where he might see Jenna with Percy.

One evening, after filming wrapped, Jenna decided she couldn't take it anymore. She headed to Y/N's trailer, determined to find out what was going on. She found him inside, earphones in, listening to Clairo's "Bags."

"Y/N," Jenna said, knocking softly before entering.

Y/N looked up, quickly pulling out his earphones. "Hey, Jenna. What's up?"

Jenna took a deep breath, her heart pounding. "We need to talk."

Y/N's smile faded, concern flickering in his eyes. "Is everything okay?"

Jenna nodded, stepping closer. "No, it's not. You've been so distant lately. Did I do something wrong?"

Y/N sighed, running a hand through his hair. "It's not you, Jenna. It's just... complicated."

Jenna frowned, frustration bubbling up inside her. "Complicated? You've been avoiding me, Y/N. We used to be so close, and now you barely talk to me."

Y/N looked away, the weight of his emotions threatening to overwhelm him. "I just needed some space."

"Space?" Jenna echoed, her voice rising. "From what? From me?"

Y/N clenched his fists, feeling the anger and frustration boiling over. "From seeing you with Percy, okay? I can't stand watching you two together."

Jenna blinked, taken aback. "Percy? We're just friends, Y/N. Why does it bother you so much?"

"Because I like you, Jenna!" Y/N shouted, his voice cracking. "I've liked you for a long time, and seeing you with him... it hurts. Can't you see me, Jenna? I'm right here."

The room fell silent, the weight of Y/N's confession hanging in the air. Jenna stared at him, her mind racing as she processed his words.

"Y/N," she said softly, stepping closer. "I had no idea. I've been so blind. I thought... I thought you only saw me as a friend."

Y/N looked up, his eyes filled with a mixture of hope and despair. "I didn't want to ruin what we had. I thought it was better to stay silent."

Jenna reached out, taking his hand in hers. "You didn't ruin anything, Y/N. I feel the same way. I've been too scared to say anything, but... I really like you too."

Y/N's eyes lit up with a mixture of disbelief and happiness. "Really?"

Jenna nodded, her smile bright and genuine. "Really."

From that day forward, the dynamic between Y/N and Jenna shifted. They were still the same playful friends, but now, there was an added layer of affection and understanding. During scenes, their chemistry was undeniable, drawing admiration from the cast and crew.

One day, while filming a particularly intense scene, Jenna and Y/N found themselves holding hands longer than necessary. The director noticed but didn't say anything, smiling to himself. During breaks, they would steal moments together, sharing quiet conversations and secret smiles.

As the final scenes of "Wednesday" wrapped up, the cast and crew gathered for a small celebration. Jenna and Y/N found a quiet corner, away from the noise.

"I can't believe it's over," Jenna said, her voice tinged with sadness.

Y/N smiled softly. "It's just the beginning for us, Jenna."

She looked up at him, her eyes shining. "Yeah, it is."

[to-the-stars8]

Can someone genuinely answer this ever lingering question as to why DC has such beef with Jason Todd?

They butcher his character and relationships, and for what? There’s so much fucking POTENTIAL not only with his character but with his story! There’s a way to actually write discourse in a relationship without making it so damn abusive. Maybe I’m missing something in the story or just in general, but it’s just so fucking irritating when it could be good.

You have a nice, good boy who only wants to help despite given the short hand in life who is then given a loving father who just so happens to be Batman. That boy is then murdered by Batman’s biggest enemy (don’t even get me started on the fucking Joker who essentially has become idolized in the worst ways by DC writers and directors) still trying to do the right thing despite being fucked over by the very person he so desperately wanted love from. Then, you have that same boy who’s just a little bit older, hurting and angry— acting out in every way he can against the man who loves him but couldn’t see past his own weaknesses. And what do DC writers do instead of making this complicated, intriguing and character growing relationship into something that’s not as fucking dumb and slightly out of character for Batman? They fuck him up.

It’s an extreme to say this, I know. And this isn’t against all DC writers, but you can’t deny a lie when it’s a pattern. It’s a cut and dry story that practically writes itself. You have a little boy who is so full of hope is growing along with the main character of the story (which, in my own personal opinion, Batman has Robin not as a soldiers—and omfg does that damn phrase make me violent—but as a potential, mutual factor of character growth) , who then gets a bit too cocky and distracted by his own hubris and need for love, to a hurt antagonist that goes against the man who he once called father. Like it’s too easy to not fuck this up, and yet DC seems to manages to do this every single time.

It’s almost like they want to portray Batman and Bruce Wayne as a man who is made “tougher” by his trauma (which has some patriarchal undertones if you catch my drift) instead of growing. Batman can grow. He can love. There’s one post that I’ve seen on Tumblr how Batman/Bruce does this whole vigilante thing out of love.

Which is why I don’t get why DC uses Bruce as a tool to hurt Jason when it isn’t really consistent. He loved Jason, and this is backed up by a lot of older and a few current issues. Don’t get me wrong, I get that their relationship post-UTRH is gonna be FUCKED. Yet, even the writing in that I can’t really agree with. KILLING (attempting to kill really) your son who had been dead for years, that you loved so much, and is acting out because YOU? Doesn’t make much sense, but, again, maybe I’m looking at this through a foggy lens.

This wasn’t meant to be a long post, but it’s just been on my mind and perhaps I could use another perspective. So, again, what’s DC’s deal with Jason and Bruce’s relationship, and Jason’s character as a whole?

[its-kapi-wara]

I was "today-years old" when discovered that Les Misérables was adapted into a Brazilian soap opera in 1967. Not only that, but it was also the FIRST soap opera to premiere on that television channel - the channel having been inaugurated on May 13, 1967, the same day that the 1st chapter premiered.

To my surprise, the cast of the soap opera had actors who are quite prestigious in Brazil today, I'm serious about this, the actress who played Fantine must have more than fifty credits to her name - and that's just in other soap operas - she has also participated in films, plays and even voice acting (she voiced Betty Rumble in The Simpsons, from 1963 to 1966)

The sad part is that it's very unlikely that I'll be able to find much information about this adaptation. I mean, it was the 60s, televisions were new, and basically luxury items...

So...is someone going to do a remake at some point, or am I going to have to become writer, director, and producer and do the whole thing myself?

Not-so-funny historical fact: At the time this soap opera was on air (May 13, 1967 – August 25, 1967), Brazil was going through a period of military dictatorship, which would only end in 1985. It was a very difficult period in the country's history, in addition to the persecution of those who opposed it, there was also a lot of censorship in films, music and other types of media.

It was during this period that some Student Movements emerged. As the name suggests, they're composed mainly of college students. They protested, held marches, distributed pamphlets and fought against the situation in which the country found itself. Many were persecuted, tortured and killed (as were the families of some of them)