#whether this is true or not

[cor-lapis]

Genuinely how did he go to jail for water crimes in the WRONG COUNTRY

[melandrops]

the key to enjoying the magnus archives is understanding that every single person is a bitch. name a character and i can tell you right now they have the most petty bitchy tendencies. you have to understand that all of these characters are absolutely insufferable bitches and there's nothing any of us can do except say slay king live your truth. they served cunt and if innocents died along the way that's none of my business thank you

[symphonyofsilence]

What drives me even more insane about this scene is how you'd expect Gojo to imagine High school era! Geto in the crowd. Or at least not the cult leader, worst of all the curse users Geto Suguru. But no, it's the cult leader Geto. It's Geto as Gojo last remembered him. As Geto last was. Whatever choices Geto made, wherever his choices led him and them, however he was, whoever he was, traumas and messed up ideas and bad choices and ill reputations and scorns and all. Gojo wanted Geto Suguru there. Not any ideal version. Not any "what if" version. Not any "at some point in time before things went downhill" version. Not any "when your hands weren't stained with innocent blood" version. He knew very well what he wanted. And he wanted it all the same. He wanted Geto Suguru. However he was. He just wanted him to be there. He just wanted him to be.

And he didn't want him to help him, he didn't want him to fight with him even if they were strongest together and always fought together for a while. He just wanted him to be there in the crowd and cheer him on. He just wanted him to stand there and give him one of his sweet, heartwarming smiles that shaped his eyes into crescent moons. He just wanted him to be. Then even if Gojo had died in the end anyway, he would have been satisfied. It would have been worth it. Only if Geto was there.

[claraoswalds]

#this is directed at us btw

DOCTOR WHO S01E03 Boom

[macdenlover]

i really can not stand the “fandom is so fun we’re all just projecting and making shit up” thing. because no i actually deeply admire the canon of my favorite media and all the intention and care and craft put into it. we are not the same.

[hey-hey-j]

as promised—Rock zombie!Viva, JD, and Floyd for chapter 13 of the World Tour swap! Not to toot my own horn or anything but I'm amazed at how well these turned out

(★ my Ko-fi)

[houseswife]

wilson saying “I need to do this. for you.” is fucking insane actually. in the same episode where house is deciding whether or not he should commit suicide as a result of wilson’s dying. They are each other’s lines between life and death. humans have a biological instinct to preserve their survival at all costs; house has an addiction that governs his life. but they were willing to forgo all of it for one another, because they couldn’t fathom it being any other way. IM SICK

[mekanikaltrifle]

I feel like one of these days I should make a 'Scots For Non-Scots Speakers' guide so that when someone's doing wee bits of writing with a Scottish character (like Jamie McCrimmon, but honestly any character), they can get the language right.

I know there aren't many Scots at all online, and especially not a huge number on a given platform, but it pains me how often you see like 'I'm nae happy' or similar.... that's. ouch. It's obvious when someone just substitutes the expected word from English to Scots and doesn't know how the language usually sounds when spoken by a fluent speaker.

[good-to-drive]

[i-love-soc-a-very-normal-amount]

Reminder that Kaz made a literal 'your mom' joke while breaking Matthias out of jail

[sunnysssol]

mr. america working tha grill for your grilling needs

[ comms open ]

[starcurtain]

Sometimes I think about Aventurine in the moment he first discovered his Pathstrider abilities. The moment he first realized he could shield not only himself but also others. The very first moment he realized he could be a source of safety, rather than a burden--than a curse.

Sometimes I think about the hatred he must have felt for himself in that instant.

Where was this power when their camps were burned to the ground with every last one of their meager possessions? Where was this power when his mother died begging as he cowered, playing dead in a bath of the blood of everyone he knew?

Where was this power when his sister stood tall, a silhouette against the lightning, and used her body as the shield? Where was this power in the maze, when it could have spared the screaming child who was the first to die?

You could have saved them. You could have saved them. You could have saved them.

[bunabi]

Glad I picked up the lore books because Dreamers can see the future and its nowhere on the wiki lol (p.37 of vol. II)

That puts Solas's meltdown and the actions of past powerful somniari into perspective a lot more

The whole excerpt feels like DA:V foreshadowing. Here's parts of it:

Immense magical power seems to go hand in hand with ego and the idea of exploiting one's fate, or somehow avoiding it, reliably comes up sooner or later.

Even when the future can be known, it's those who are born with the gift, like Darinius himself, who are most likely to bleed for it.

This, I think, is the best possible argument to not meddle with the future: whenever someone tries, the Maker sees to it that the outcome is as ironic as possible.

[nmvord]

A wish from birthday boy? Seven's birthday was at 4/10 so it's a late gift I think. With Saha, my @infamous-if F!MC.

[utilitycaster]

The thing about Ashton is while I have grown incredibly frustrated, there is something, again, terribly real about how they're behaving and how (I assume) they're feeling. There's something horrifying about learning you have endless possibilities for who you could have been in your head, and yet having to live in the one where your parents nearly killed you and your friends abandoned you for dead and you were right about your prediction that your new friend would sacrifice themself. It's just...the solution is not trying to undo the past (impossible) nor find whoever will tell you you're most special regardless of their other positions.

[valtsv]

was thinking about this earlier but the dynamic of cannibalism being associated with high society and the culinary elite (hannibal comes to mind specifically) while also simultaneously being associated with the socially isolated and economically impoverished (as in texas chainsaw massacre) is so interesting to me i want to read 10 million books on why it happens so much in media....

i can only speak from a place of personal opinion and general knowledge, because i haven't read that many papers or in-depth studies on cannibalism, but i think it often comes down to an interesection between the themes of the story you're telling and class structures and divisions. cannibalism is a compelling form of narrative symbolism because it's undeniably impactful and hard to ignore. when portrayed as a practice associated with the culinary and social upper class, it might be used as a critique of the rich and powerful and their lack of ethics and willingness to consume and destroy others for their own self-interest by showing them literally preying on and consuming their victims, or a horror story/cautionary tale about how having everything can lead you to never be satisfied and turn to increasingly extreme measures to feel like life is worth living, or a dark fantasy of indulgence and excess. when associated with the poor, marginalized and isolated, it's often based in bigotry and harmful stereotypes of the "primitive" "inhuman" "savage" "other", however it might also function as a revenge fantasy where the most oppressed and exploited members of society turn on their oppressors and take "eating the rich" to its most literal extreme, exposing the fragility of class divisions and pointing out that those in positions of social and economic power are hardly the mythic titans their propaganda tries to make them out to be, but ultimately just as mortal and made of flesh and blood as any other human being, and not immune to being dragged down from their position at the top of the food chain and torn to pieces by the crowd (as well as reminding the audience of their own fragile mortality and precarious position in the social order, and the humanity we all share in common - however cannibalism often divides the perpetrators from both their victims and the audience, so this is rarer than the other interpretations mentioned).

cannibalism and power often go hand in hand. cannibalism has historically been used as both a means of displaying your power over defeated opponents and delivering a final, humiliating blow to their image by consuming their flesh, and a means of othering and dehumanizing your opponent by portraying them as the cannibalistic monster.

both the very rich and very poor also tend to be perceived as more distant from the people who make and consume these stories, making them easier to project fiction onto and transform into symbols and narrative devices (or, in the worst cases, dehumanize) than those who occupy the same social spheres as the creator. they can be held at an arm's length without discomfort and, depending on the target audience, may be a source of fascination due to the differences in their lived experiences. it adds to the fantasy, and makes any inaccuracies, exaggerations and fabrications feel more plausible because the majority of the audience probably don't have any personal experiences of being in those positions to draw on.