#where i could read a lot

[tenrose]

Since I finally read at a higher rate with regularity, I'm really pissed that the thing getting between me and my books is my job but also I need that job to buy books, and you know food and pay bills but whatever

[ffcrazy15]

There's this way of doing female-ness in Christianity that I call "pastel flower journal Christianity." I've got nothing against pastel flower journals per se, but for some reason people believe it's the end all and be all of female spirituality, and I think it's a real disservice towards young Christian women.

One of these days I'd like to start a prayer-and-reading group or something for young women, but there would be no floral themes or over-focus on how "God thinks you're beautiful even if the world doesn't" (a true statement, but it's wayyyyy too often the focus in women's spiritual reading). Instead we would be reading:

Seneca's Letters from a Stoic

Frankl's Man's Search for Meaning

Sheed's A Map of Life

Portions of Pieper's book on leisure

Kreeft's Three Philosophies of Life

Guardini's The Lord (or something similar)

Therese's Story of a Soul

and some select portions of the Nicomachean Ethics.

(Also they're all getting the porn talk. I don't know why we give the porn talk to young men but not young women. There's this idea that women don't use porn and they only need the talk about "guarding their heart." Bullshit. There's porn on the YA shelves of Barnes and Nobles and before that there were bodice rippers. Young women need the porn talk too.)

Every young woman needs to be getting a basic grounding in virtue ethics, logic, natural law, scholastic philosophy and Biblical hermeneutics if they're going to get by in today's spiritual landscape. Enough faffery and emotionalism in young women's spiritual education! Give them real food to chew on, not pasty sentimentalism!

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[fiskael]

[Image description: Three photos of a knitted red dragon plush. End description.]

Made my very own tiny dungeon meshi dragon plush, that’s based on the version that only appears in the very last chapter for five pages and then is never seen again. I think it turned out pretty well.

I used this pattern to make it with some minor tweaks to the body, tails and legs and then just made some tiny cones for the horns at the end. If anyone would be intersted I might post the alterations and where to apply them but go check out the original pattern! I stuffed it both with acylic stuffing but also some plastic pellets for a bit of extra weight. The eyes are done with french knots.

Going to be adding manga spoilers below the read more with pictures of what I tried to get it to look like.

[Image description: Three panels from the manga showing Falin interacting with a baby dragon. End description.]

[sotiredmostnights]

i know everyone likes to put tharja in the "yandere goth girl" category but tbh i feel like pigeonholing her into one specific archetype does a huge disservice to her character. is she obsessed with curses and robin? yes. is she constantly shoved into a fanservice role by intsys? absolutely.

but i think a lot of people forget just how impactful a lot of her supports are...there's something about tharja that makes nearly everyone who interacts with her divulge their deepest secrets and points of anxiety with her. we see this with libra, who tells her of the abandonment he endured at the hands of his parents. we see it with nowi, whose cheerful demeanor slips off as she tells tharja of her missing parents. and although tharja is not the only one lon'qu confides in regarding ke'ri, their support is notably the only one in which lon'qu divulges that there was romantic involvement between he and his childhood friend.

and despite her antisocial exterior, she always listens mindfully and offers to help! she even goes out of her way to discreetly help the shepherds (getting virion to do odd jobs that benefit civilians, interrogating henry to make sure he bears no ill will towards ylisse, etc).

a big thing about tharja is that she IS kind. she IS considerate. she just also has a reputation to uphold as a dark mage and that (paired with her overall awkwardness ofc) makes her true nature hard to see at first glance

[bean-spring]

"Ekko is in love with Powder, not Jinx, so it wouldn't have worked out either way" is such a dumb argument against Timebomb.

Because yes, Ekko had a crush on Powder when they were kids. Yes, he tried to save Powder from her fate and ended up as rivals instead. Yes, he fell in love with Powder in another universe.

But that doesn't mean he was not willing to fall for Jinx too or that he didn't care about her. He continuously shows, despite not agreeing with her, full respect and acceptance for her decision. He agrees on Powder being dead but still cares enough to refuse to kill Jinx. He cares enough to go back and make amends with her and fight next to her. He cares enough to see her instead of Powder when he comes back from the alternate universe.

"But he still sees her as Powder and that's why he does this. He's driven by melancholy" aren't we all? Isn't Vi, too? And her love couldn't be questioned in any way, either.

Upon seeing the life they could've had together, Ekko goes back to team up with Jinx. Not the way he tried to do in season 1, seeking to save her and then becoming "savior boy". No. This time he goes to see Jinx and Jinx only.

People keep bringing the whole "he loves her past self" argument to fight this but it doesn't really mean anything when he was clearly willing to fall for the girl she is now. We keep forgetting that despite Powder and Jinx being different, they're two sides of the same coin and entity. Jinx is not Powder and viceversa, but Ekko knows that. People act as if he didn't but he's probably the one character respecting that the most while struggling with the change.

He ends up dressing with Jinx's colors. Mourning both Powder and Jinx.

To say he only loves Powder is to ignore his efforts to learn about Jinx because, if he only cared for her past self, he wouldn't have tried to help Jinx instead.

[youling-the-ghost]

Gosh I love small fandoms where everyone is equally insane and everyone's just making references to the source material.

Like, I can go "y'all I just saw a badger, I sure hope he doesn't become King of England" and everyone will get what I'm talking about while people who aren't in the fandom are confused as shit.

[clarkgriffon]

BUFFY THE VAMPIRE SLAYER 2.14 — “Innocence”

[francesderwent]

thinking about snarky cultural/theological commentary and. the thing about snark is this: it’s easy, and it’s instant gratification. it’s easy because you’re playing to a likeminded audience. you get the way they think, you know the sort of things they find ridiculous, and so you know what’s going to play well with them. it’s not that hard to come up with a zinger that’s going to earn you applause from your own side. it’s also pretty easy to make another human being who’s not on your side look stupid, because we’re stupid creatures and we all have plenty of exploitable weak spots. it’s preaching to the choir, and it’s preaching meanly to the choir. and then, your snark bears all its fruit right away. you get the glowing feeling of having scored points against the enemy while being patted on the back by your friends for being so brave. if you succeeded in being snarky, you get the rewards of snark that very instant.

on the other hand, seeking to share the truth you possess in a mode in which it could actually be received—that is, says St Thomas, according to the mode of the recipient—that’s hard, and it’s so far from being instantly gratifying that you may never see the fruits of it in this life. not only are you not thinking about your likeminded audience, you’re not even going to trot out the truth simply in the way you understand it and call it your best effort. rather, you have to try to get inside your interlocutor’s frame of mind and understand how the truth you know is going to fulfill their own priorities and longings. you have to understand them so well that you see the truth of their position, even if that truth is buried very very deep, and then see how that truth connects them to the truth you see. you have to be insightful, and compassionate, and so, so patient. you don’t get to score any points, with anybody. your interlocutor might still get annoyed with you and turn around and make you look stupid. but you can’t just say “I’m going to speak the truth and I don’t care who hears and how they take it”—you have to care how they take it, because the truth is relational, it’s given and received, not just spouted into a void. and frankly you have to care how they take it because you have to care about their salvation.

don’t get me wrong, there are times in every person’s life when they will be called to stand up and be counted, to put fumbling words to what they hold most dear even if they can’t make everyone understand. but I don’t know that it’s a virtue to be always focused on being seen saying the truth, with no consideration given to who hears you and what they’ll hear in it—and it’s certainly not a virtue to be always focused on being seen saying the truth in a mean and funny way. “instruct the ignorant” is a spiritual work of mercy. but instruct the ignorant does not mean “instruct the ignorant while making the knowledgeable laugh and/or high five.”

[marzipanandminutiae]

Average historian denies all gay relationships statistic false!

No-Lesbians Ruth Franklin, who lives in an archive and denies any possible sapphic interpretation of Shirley Jackson’s work 50 times a day, is an outlier adn should not be counted

[happyk44]

I want Jason to be such a skilled liar when the situation calls for it but being so bad at it otherwise because 90% of the time he does not see the point in lying.

[bunnieswithknives]

Btw fun fact but in the book it's canonically impossible to die in Oz. Hence the surprising amount of body horror.

you know, that doesnt sound right but I havent read enough Oz books to dispute it /ref

[proselles]

people saying that Glinda isn't gay are so insane to me it's like in the original books she lived out her years with 100 of Oz's most beautiful women for nothing

[oozeandgoo-art]

made a weird dog

[ratpee73]

The dykes in the hall