#where a character is so trans they could be any type of trans

[desire-mona]

if ur a genderqueer neil perry believer (correct) then which flavour do u subscribe to

[birdmenanime]

taking my transgenderification beam and aiming it directly at the bird club

[ot3]

hunter x hunter suffers from perhaps the single worst flavor of women disliking: all of the female characters are genuinely great but it is just never ever ever about them for any meaningful amount of time. at least with stuff where the author clearly hates women and doesn't consider them people you're like thank god we're not being made to suffer through the parade of misogyny that could otherwise be inflicted upon us at this moment. but here we know exactly what we're missing out on

not only is togashi capable of writing women with complex inferiority, their own motivations, and meaningful relationships with each other, he is capable of giving them interesting and varied character designs!! and so the fact that theyre almost never playing key roles in shit is just that much more pronounced and frustrating. especially because its like. i mean i would argue that hxh is one of the most popular pieces of media on the planet to have a trans girl character that is not a blatant caricature, which is one of the most elusive and most important types of fictional girl a thing can have.

all of the pieces are there dude its all there!! i know you can do it mr togashi just give it to me!

[girlgerard]

i’ve been thinking a lot about gerard’s character they developed in the last leg of this tour and the way i believe it really solidified what we might have coming for us in the future.

it’s really sweet, if you look in the comments of some of the videos from brisbane and osaka, you can see people who’ve obviously been my chem fans for at least 15 years saying things like ‘i’ve watched every video from this tour and this is the first show where i really saw the spark come back’ and ‘that’s the gerard way i remember’ and other cheesy shit like that. and the thing is they’re totally right!

this whole tour developed more fluidly in intensity and meaning than in any of their previous gigs. mcr has always been a band to change with their time and creative drive, but this was a different type of transition to me. you could see as characters started to be built, from gerard DIY’ing his own costumes in europe to increasingly meaningful outfits with whole backstories in the USA all the way to one consistent character with a uniquely terrifying stage presence in the last leg.

that last character, at least to me, is totally gripping. she’s unexplained, she’s scary as hell, she’s near-undead, she has this commanding presence gerard hasn’t really done since early-mid black parade. in every single performance they’re so in-character and it’s such a BLAST

importantly, this character also showed up in the shortest, least-publicized part of the tour. imo she wasn’t meant for cameras, really.

to me it’s so clear that she’s a result of gerard earnestly solidifying where they might want their next artistic endeavors to go - that kind of serious direction, maybe even that character specifically.

he’s talked about how he always has stage characters that reflect his music and, broadly, things they’re working through in their life. the revenge stage character was a mix of both demo lovers which can have a ton of different interpretations, the patient was a joan-esque personification of grief and existentialism, party poison was a pop-art way of dealing with your own artistic/literal death. it makes me wonder why this character, the only truly consistent character this whole tour, came about, and if it’s related to gerard’s nightly diatribes on war and later-tour statements on (presumably) queer/trans rights.

it also makes me think that we have a lot coming in the future. a character that solid and a direction so suddenly bottlenecked into such a specific concept, such a mychemicalromance concept, especially out of a tour that was originally supposed to be a casual celebration of music, i think points towards something new.

[noellefan101]

Your First Date-Genshin pt 3

Characters: Lyney, Freminet, Wriothesley, Neuvillette, Alhaitham x gn reader

Summary: Your first date with them,

Warnings: lyney flirting, tea

Note: omg im finally done, i really liked writing these tho, ye thats all i have to say school literally destroyed my brain, love you

Lyney

he would definitely preform a TON of magic tricks during your first date, both romantic, some are just pretty to look at and then there´s the brother-you're-just-embarrassing-yourself magic tricks

: said ever so kindly by Lynette

wouldn't make your date as public as his shows, since he wants to share the moments and magic tricks with you only

(+ Lynette, Fremi and "father" if she asked him so, but yk, they're only made for you)

after he had given you more rainbow roses than you could ever count to, he set out some homemade goods, like cookies, a cake, cupcakes(whatever you lik)

(in which he definitely didn´t spend a few days learning to make)

overall 10/10 (if you dont ask lynette, she had to leave bc of the amount of secondhand embarrassment(she was there at the start)) and it was enjoyable for u.

Freminet

yes, you would be underwater for your first date, but if you really don´t like it(yet)he can just take you some other time

^^but he would prefer to show take you on your first

[and yes, Lyney and Lynette (+his other siblings at home)did bet on when he would finally confesses and take you on a date]

he would let you wear his diving helmet if you really wanted to, but he would also just wear it if he felt embarrassed, or wanted to tell you a story (most likely abt pers)

he aslo ended up showing you a few of his mechanics(robots?)

and showed you some works in progresses other people haven´t seen, other than him and pers ofc

Wriothesley

he would drink tea with you in his office

^^maybe Sigewinne baked you something too,

but you mainly drank tea and just talked the whole time

(bro likes tea so much, someone pls make him shut up abt it)

well other than showing you and talking about his (absolutely massive) tea collection (and cake/bakery(sry))

if he´ll ever let you talk, ofc he will(its a very unfunny joke), he´ll listen to you for as long as you´d want to talk

you also laughed a little when he told about how melusines and stickers dont work well

and he liked seeing and hearing your laugh, so he might go for a date number two

Neuvillette

he would take you out to a fancy restaurant or he would just sit and talk with you somewhere more private

but maybe include a Melusine passing by here and there, checking on you both or for some work-related reasons (that they then put off, just a little, when seeing you both together)

i imagine that you would try some different types of water with him, by his request, and tried your dam best to find a difference.

but he would also get you any kind of drink, dessert or food you´d like

all in all its pretty easy bonding with him, and he just likes being beside you and spending time with you

Alhaitham

he would take you to a quiet cafe where you could sit in peace, since he doesn´t like loud places and want you two to be alone for the most part

he would pay 100% he doesn't even give you a chance to try and pay for anything (he´s nice when he wants to be)

he definitely brought a book with him to read(+ one for you) and would either let you talk while he reads a "little", or he would just read out loud so you know what kind of books he likes

he´s not good at doing any kind of romantic things, but he did try and do something

that including:

taking you out on the date later in the evening so he later could show you the stars, and point out some constellations

asking your friends (and maybe family) what you like food-wise, so he knows what kind of place he should have in mind when picking the place of your date

thank you for reading i don´t think i´ll make any more of these, but if you want it i´ll do it, luv ya-Masterlist

You are welcome to reblog and like any of my posts, but you CAN NOT translate, copy or hate on anybody for liking my posts

[exkowrites]

That Distant Shore

This game is in the start of development. It is not currently planned out and is a test for me to learn twine. I can not promise when or if there will be a finished product. This game will be free and remain free if finished. Everything is subject to change.

Features!

Choose your first, middle, and last name.

Select from the three pronoun presets, or customize your own.

Customize your hair, eyes, skin, and facial details.

Trans, nonbinry, and intersex options.

Three gender selectable RO's and one nonbinary.

The Demo: (updated 8/6/24)

The story:

You and your siblings are displaced after your parent's death and the loss of your home. You suffer from a strange family ‘curse’ where each member will die one by one. Your flaws will be your undoing... Your dead parents, Adelina and Theodore loved you and your siblings.  So, what happened to all of you?

The characters:

Theodore -last name-

Your deceased father.

Adelina -last name-

Your deceased mother.

Victoria -last name-

Your prima donna sister. She doesn't like you. Can you change her perceptions or will you prove her right?

Alexander -last name-

Your kindhearted brother who took custody over you and your sister after your parents death.

Matteo/Madelyn Abbott (RO, gender selectable) "the bully"

Brash and abrasive. Despite being the principals child they refuse any special treatment and in fact take great joy over annoying their mother. They don't like you, maybe you used to be friends maybe you were strangers. Whatever your history, can you persuade them that you are not who they think you are?

Oliver/Olivia Campbell (RO, gender selectable) "the neighbor"

Typical golden retriever type. They are sweet but loud. You used to be neighbors, you two basically grew up together. O has noticed you drift since the accident. They wish they still lived by you so they could help more, but at least you'll see each other at school! Will you let them in?

Dylan Levine (RO, gender selectable) "the new kid"

A bit mysterious being new to the town. Dylan is your new classmate and is determined to learn about you and all the rumors surrounding you. You don't yet know what to think about them. Will they push you away when they find out about your so called curse, or will they stick around?

Jordan McKinley (RO, nonbinary) "the weird kid"

Jordan is known for being a bit... eccentric. They are kind and love making new friends, but your school has deemed them an outcast, not unlike yourself. Perhaps you two can bond over your loneliness?

My current plans:

Finish writing the prologue

Add/make any changes to the character customization

Publish complete prologue

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[nekropsii]

asking you this since you’re the only person who understands mituna in the entire fandom in my perception of the hs fandom

is it okay to headcanon mituna as autistic? sorry if you get this type of ask a lot/have already answered this type of ask

Instead of answering this question, I will give some food for thought: Mituna has a TBI. He has Brain Damage. This is a core element of his character. Probably the biggest one. In fact, it's so important to him that it's an injury that has remained with him in death. His TBI is a huge, huge part of what makes him... Well, him. It's why he's interesting.

So... Why is a need felt to also declare him as Autistic? Assuming this is a projection thing, since it tends to be most of the time - if you relate to him for his already canonical Neurodivergency, which is Brain Damage, why does one need to give him Autism as well?

Oftentimes when people headcanon him as Autistic, they tend to minimize or even outright erase his TBI. Oftentimes, people say he's Autistic as the reason he's canon Neurodivergent representation... Even though he's shown no real signs of it, but instead is fully written as a character with a Frontal Lobe Injury, and is constantly stated to have Brain Damage.

TBIs and other Neurodivergencies are often seen as less palatable than Autism. On Tumblr especially, it's far more "acceptable" to be Autistic or ADHD or headcanon a character as such than it is to have Brain Damage or literally any other Neurodivergency or acknowledge that a character is written with those. Autism and ADHD are seen as cute and relatable - even though they're very complex and at times devastating disabilities that do have the potential to seriously fuck up your livelihood, much like Depression and Anxiety, and I'm saying this as someone who has and struggles with all 4 - and are often used to erase the presence of other Neurodivergencies. Hell, it's to the point where people use "Neurodivergency" as a synonym for ADHD and Autism.

Again, I'm not going to answer this question for you. I think there's a way someone could potentially make the narrative of Mituna having Autism prior to the TBI compelling - the TBI has essentially stripped him of his ability to mask, after all, so one could make it be a situation where some of these symptoms are ones he already had, but is only just now really getting shit for because he's no longer able to hide it, and part of that tragedy is knowing that had he never been good at masking, his "friends" would have never accepted him. You could get some interesting questions about that. Was the repression worth it? Would it have been better if he'd just been himself the whole time? I think it's extremely valuable to ask yourself why you see any character as any specific minority - necessary, even - and how that affects not only the character's writing in its original text, but also your relationship with said character. Consider optics. Consider the way in which this character is meant to function in the source material. What purpose do they serve, and what is the driving force behind this character? Is Occam's Razor applicable? Are there other explanations as to why they are the way they are? Perhaps ones that are more succinct, and cover more ground?

Yesterday, I watched a film that has provoked a response in Tumblr that I think is applicable. I Saw The TV Glow. It's a film about a Trans Girl who never finds the strength to accept herself or come out. It's an incredibly gut-wrenching watch. It made me cry several times, and there are parts that made me feel a deep pain in my chest. I sat through 95% of the film with a pit in my stomach. I had to lay on the floor in the dark for a while after I finished. There's a scene where the main character is asked whether she likes girls or boys. She says she thinks she likes TV shows, and elaborates by saying that every time she tries to think about that kind of thing, it feels like someone's cutting her open and shoveling out her insides until there's nothing left. Not that there was anything in there to start with, of course - she says she knows there isn't, but she's too scared to look for herself and see.

That scene was about how Gender Dysphoria can completely disrupt your sexuality and repulse you from the thought of that level of connection with others, because it is, in essence, a deep disturbance with the nature of who you are as a person. Many people who are Asexual, or Aromantic, or both, related to that scene because it, on the surface, depicts discomfort with romance and sexuality. What they failed to understand by chalking it up to its own sexuality, is the fact that that scene wasn't depicting a Sex-Repulsed Asexual, or a Romance-Repulsed Aromantic, it was depicting a Trans Girl who is at such deep odds with herself and her identity that she cannot grapple with the concept of loving or being loved.

What, functionally, is the purpose of slapping an extraneous label onto a character that is meant to depict a certain thing? What is the purpose of assigning the label of "Autistic" to a character meant to depict the tragedy of a loss of support after gaining a disability, or "Aromantic" or "Asexual" to a character meant to depict a deep internal struggle with unresolved Gender Dysphoria?

Ask yourself these questions, and carry on from there. See where your mind takes you.

[spop-romanticizes-abuse]

i don't get why Perfuma is considered good trans representation or just.. trans representation at all.

even if we put aside the fact that she's not a very interesting or well-written character, it doesn't even seem like she was written to be trans. the only reason she is considered a trans woman is because her character designer said that they intended her to be trans. and i think Nate said somewhere that he supports the headcanon. that's it.

it's basically the same as Catra being Latina (or any kind of POC, for that matter). it's not ever mentioned in canon, it just looks like it was added as an afterthought. you would only know that Perfuma was designed to be a trans woman if you were deep enough into the fandom to discover what her designer said about her.

and i get it. i want casual queer rep too, where not everything has to be verbally confirmed. a lot of trans people pass as their gender anyway, and it's not always easy to tell. it's not great to label certain features or body types as strictly feminine or masculine either.

but if that's the motive, they could have at least made Perfuma a more interesting character, so that her being trans wouldn't be one of the only notable aspects of her character.

OR they could have made any of the other characters trans - Entrapta, Scorpia, Glimmer, or Adora herself would have been good candidates. you know why? because they were actually interesting characters and not 2D vegan horoscope girl stereotypes.

a good example of a canonical trans character is Terry from TDP. he's not a main character, he is introduced as Claudia's boyfriend. he doesn't play a huge role in the narrative but despite this, he is still an interesting and fleshed out character.

for one, him being transmasc is actually canon. he talks about it to Viren, how the other elves treated him like a woman at first and how he chose his own name. and this was done in a natural way without coming off as too sudden or expository.

this serves a purpose other than informing us that he's trans. it also helps to build a connection between him and Viren, who was initially disapproving of Terry but responds to this situation with actual empathy and understanding.

Terry also has some notable moments dedicated to him despite being a side character, like when he had to kill an elf in order to protect Claudia and was plagued with guilt because of it. his relationship with Claudia is also pretty well-written and actually healthy, despite the fact that Claudia is a villain. Terry is also a decently powerful character who is actually useful to the plot.

he is also voiced by a transmasc VA, which definitely helps the case. i'm pretty sure Perfuma's VA is cis.

in short, Terry being trans doesn't seem like an afterthought or fanservice, because it was seamlessly integrated into the story and he was already an interesting character in his own right. he was only introduced in the fourth season and he's already a much better character than Perfuma, who was introduced in the first season (if i recall correctly).

[molsno]

I have such complex feelings about danganronpa but the treatment of chihiro fujisaki still remains a major sticking point to me.

I've had several different interpretations of the character over the years as my relationship with my gender has evolved but after all these years I feel like I can finally mourn the way she was treated as a trans girl.

it's just... heinous. kazutaka kodaka is so transmisogynistic in his writing that it's sickening to even think about. how am I supposed to feel about the fact that his work has touched my life in such a major way? I'm still talking about danganronpa over 10 years after I first got into it. but an unskippable, major, and early part of the story of the first game makes it clear how he thinks about people like me.

the text of the game is vile. along with the other students, she's threatened with her deepest secret being revealed if nobody murders one of their classmates. she has to face the fact that she's going to be forcibly outed to her classmates in the worst way possible. after she's killed out of jealousy for her bravery by mondo owada, who at the very least has the decency to move her body from the boys' locker room to the girls' to protect her secret, her body is groped to "confirm" that she's a "boy", she's immediately misgendered by all her classmates, and monokuma tells everyone her backstory in a way that totally disregards her actual feelings.

chihiro is not a boy. she doesn't ever claim to be one, except in school mode, which crucially, is explicitly not canon and wasn't even present in the original release. the only reason why anyone, in-game and in the fandom, believes that she's a boy is because of transmisogyny and because of monokuma's explanation. is he the type of character that you should trust, though? not only is he willing to forcibly out a trans girl, this is a pattern of behavior; the mastermind controlling monokuma later threatens to out juzo sakakura as gay as blackmail in the dr3 anime.

when I view the actions of chihiro fujisaki, I can't see anything but a trans girl. she has a severe inferiority complex, cries easily, lacks confidence in herself, hesitates to spend time with cis girls due to a fear of being ostracized for who she is, and heavily latches onto anyone who treats her respectfully (as seen if you do her free time events). and then she's thrust into a horrible situation where she could be killed at any moment, and then given 24 hours to try and come out on her own terms before monokuma does it for her in a way that explicitly misgenders her. she wants to become someone strong, someone who can stand up for herself and fight back against bullies like monokuma who don't respect her gender, but she doesn't get to do that on her own time. she still tries, though, and for it, she's killed.

it's just... tragic. what else can I say? she's yet another example of transmisogynistic tropes in media, but she feels personal to me in a way that few other such characters do. I've always loved chihiro a lot, even when I was younger and couldn't quite put my finger on why.

I don't think I would terribly mind her death if kodaka was a better writer. if danganronpa actually made use of all of its seemingly largely unintentional anticapitalist potential, if it touched on systemic issues such as transmisogyny with tact and respect (for example, if the other students respected her identity and opposed monokuma for repeatedly misgendering her), her death would still be upsetting, but I could accept that.

she just... deserves so much better.

[aroace-ventplace]

Hot take but I LOVE when non-human fantasy and scifi creatures are aspec coded! I LOVE these creatures when they're autistic coded too!! I love having and examining a species where these things are the default, where this is their norm and other experiences are the odd ones out. I love their funky designs, I hate the human body and my mortality anyways. I get that it is Unfortunate if it's the only representation, but that shouldn't mean throwing the whole concept away and dunking on it as bad when it shows up. Throw a human ace in there too instead. Actually, honestly, I don't care, the human characters are the characters I care least about when there's cool fantasy beings around with a culture and biology humans can't have. I love the little aroace alien that gets to treat the main couple I really wish weren't a couple as the weird ones and force both the characters and readers to question what they think makes us human. It's not the 1800s, people understand the concept of monsters and aliens as being human, and if being cool and having a different default is dehumanizing then what do I care for being human.

I'm not a monsterfucker or anything I'm just so sick of every time there's a piece of media with an ancient fae who doesn't understand the concept of love it's dismissed as "bad rep", what's so bad about having an entire species of beings that have that experience as the norm and get to interact with the world not as the odd one out? And they've always been better at making people understand my experiences better than any one off special lesson of the day human character ever could. I get the problems with it but frankly I either don't care or I think they're based on the most ignorant outdated type of person that could be consuming the media, and when it comes to rep you should always add, not replace, or worse, subtract!

REAL AS FUCK!!! no disrespect to the aspecs who feel uncomfortable with nonhuman rep (especially when it's the only aspec rep in that series ofc) but i personally LOVE alien/celestial/monstrous characters who are unabashedly aspec.. and honestly it's WEIRDER to have nonhuman characters whose concepts of sex and romance line up 100% with human standards, lmao ¯_(ツ)_/¯

that's why i love the voidpunk label too. to exist as autistic aroace trans etc is to exist in a world that barely considers you human... but what's so great about humanity, anyway? embracing your lack of “humanity” is liberating. go ahead, call me a heartless inhuman alien freak - i’ll take it as a compliment <2

[whoishotteranimepolls]

Defend Your Blorbo Reponse: Sir Crocodile

I honestly think a lot of his perceived appeal comes from the crocomom/crocodad theory.

For context, they're responding to this post about crocodile

Okay, for those who don't know the Crocomom theory, it basically is a giant fan theory that hinges on the fact that a significant group of people think that Crocodile is actually trans and Luffy's mom, as in the biological mother who gave birth to him. Let me break it down for you because it could be possible. There's actually a lot of evidence for this, but I don't have time to explain everything. But someone in the comments or reblogs can do that

In One Piece, complete gender reassignment is canon because of Emporio Ivankov and their devil fruit, The Horu Horu no Mi, a Paramecia-type Devil Fruit that grants the user the ability to create a variety of special hormones that can alter the recipient's body in any way the user desires, making the user a Hormone Controlling Human.

So, if you couldn't already tell, their gender is fluid because they switch between the male and female forms at will, and they're inspired by the iconic Tim Curry character from The Rocky Horror Picture Show. They're also a founding member of the Revolutionary Army because who better to take down the oppressive authoritarian regime.? Then, the person who is the literal ruler of an island of genderqueer people

I tried to find the gif of their powers in action where they changed someone's gender, but I couldn't find a high-quality one. I searched all of Tumblr and the internet, so someone wants to share that in a reblog

But because there is a person that can permanently change a person's gender at will in a matter of seconds, you will find a lot of headcanons or theories that a character is trans, like with the case of Crocodile. Who knows Emporio Ivankov from sometime in their past, and we don't know how or why, so speculation went wild. Because why does someone seek out Emporio Ivankov other than for them to perform their "miracle"? Which is what a lot of people refer to as their ability to change someone's gender in the universe

And I am not kidding. Just about any character you can think of, someone will argue they are trans somehow. So, in the past, they were assigned one gender at birth. Somehow found, Emporio Ivankov now has the One Piece equivalent to a complete gender reassignment and is now living their best life as their new gender. I have seen trans headcanons for Crocodile, Ace, Zoro, Mihawk, Buggy, Shanks, Silvers Rayleigh, Smoker, Perona, Rob Lucci, and Kuzan. That list doesn't even include the Canon trans, non-binary, or gender-fluid characters, and there are several.

So welcome to the One Piece Fandom, where gender reassignment is canon and available, so every character could theoretically be trans if you want to speculate hard enough.

So, next time you look at Crocodile, You might want to consider that he might be Luffy's mom. And a possible former empress of Amazon Lily and possibly Whitebeard's biological kid or maybe a celestial dragon. God, there's a lot of fan theories that all rely on him secretly being trans

[kinghijinx22]

Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

[chuunyu]

I've been following you for a while and wanted to share my perspective on Mizuki. I understand she is powerful and frankly groundbreaking representation, but I can't relate to her character even remotely, and I don't feel like she represents me. I'm closeted and I don't pass. That being said, I'm happy you can relate to her so much. Please keep putting appreciative posts about her on my dash!

I can kinda understand how you feel as someone who's never been passing. Mizuki represents the absolute ideal for a trans person - where you pass from the beginning without effort. You can't even begin to relate as a closeted person or someone who's never found gender euphoria. In that regard, I really wish we had trans characters that represented the common reality of being trans.

I could maybe see how their intense femininity might be off-putting as well. Not every transfem wants to be (or can accept themself as being) that feminine. I also think that Mizuki's intense femininity is a type of thing assumed of or expected of trans women in a bad way. Personally, I am that feminine but I understand why a transfem might not want to associate with it, even if it does fit their gender. Anyway I'm just posturing random things.

Mizuki doesn't have to be perfect. Sometimes you get a pillar of representation but it's only because they did part of the whole equation well. Ultimately, good representation has to come from a diverse set of stories. Until we get there though, it's understandably frustrating if you can't find a story you see yourself in. Up til now, I'd never seen myself in really any trans character until I'd read 'Welcome Back, Alice.' Bridget and all those other big trans characters just never really hit for me. Hopefully though, we're moving towards a world where we have good, diverse stories!

I'm surprised you still like Mizuki despite all the ways that'd make them not relatable for you though. It definitely makes me curious.

Anyway thank you and I will continue 🫡

[scopophobia-polaris]

Honestly I have a theory that sheik was ORIGINALLY early in development supposed to be their own character but became Zelda’s alter ego later. Regardless their body types and features are so different it’s so fucking funny seeing Nintendo try to gaslight us and say « NUH HUH SHEIK IS LITERALLY JUST ZELDA IN DIFFERENT CLOTHES » like come on she definitely gave herself a dick be real. Zelda is SO the non binary person who says « yeah I dream about changing genders and I wish I wasn’t always a girl but I’m not trans I’m just cis haha »

🫵👍 BWAHHAHAHA YEAH oh my god, there is a chance that could be the case because of this

Because this is Sheik

Like OBVIOUSLY so, he could of been made to ve a separate chracter originally yes! And i don't know if there are any alternate development notes or interviews that says otherwise, but...the more I look at this picture, I'm scared this was gonna be Tetra before Tetra if you catch my drift.

OoT and MM to a lesser extant probably have so many weird production stuff we just don't know about, if we had like the stuff we have today about botw's devlopment but for OoT I would be so excited, the little stuff we has interests me to no fucking end and I wanna see what the hell was going through their brains for half of it cuz one thing....Im just gonna word vomit out this theory.

Link's mom. There is a chance that her design in the manga was actually by Nintendo originally and not the akira himekawa. So, here me out, the German Club Nintendo comic, it's called Hyrule under fire, its supposed to be about the end of the civil war that happens before OoT, so, since Link's dad is so close to just looking like Link with cheek bones (designs that drive me up the way in a funny way for reasons that if you ever ask me I'm gonna throw up on a post) I think he was just made up for the comic.

Like....look at him, HOWEVER.

Link's mom has a consistent design between here and the offical manga

(Love his dad dying in the shadow like HDNSBDHSN)

bUT STILL WITH THE WIDOW'S PEAK AND EVERYTHING! SAME CLOTHES AND EARRINGS TOO.

The ONLY thing that's different, is that in the legendary edition of the manga her dress colors are different

BUT, THEYRE FLIPPED, ITS STILL BLUE AND PINK, and her earrings are still pink.

Both of these came out within 2 years of eachother, the German comic in 1998 when the game came out and the manga in 2000, so either Akira Himekawa saw the German comic from 1998 and decided to reference that design for their own work OR....Link's mom had an offical design that was SCRAPPED FROM THE GAME.

I wish I could ask them about it because they would be the most straightforward I bet, look if any of you ever want to @ them on twitter and ask where they got that design I would LOVE to know

[whumble-beeee]

Yur Gonna Get Murdalated, Rookie

The (Un)Official Guide to Hero-Keeping | Cont'd from Part 15.5

Content: adult character perceived as a minor, kidnapping/captivity, noncon drugging, guns, recreational drug use, disabled whumpee, trans whumpee, past captivity references

* * * * * * * *

Excerpt from: The Law Enforcement Policy Handbook, Chapter X: Superhumans

[Officers of the law have the right to ask any civilian to show their upper right arm to verify whether or not the civilian bears the ‘General Super Brand’. If the civilian does possess such a marking, they are superhuman; the officer has the right to use whatever superhuman training they may possess. 

If the brand indicates that the superhuman is also a ‘Latent Supervillain,’ ‘Supervillain,’ or Test Subject,’ the officer is also compelled to check the superhuman’s upper right shoulder blade for the ‘Hazardous Super Brand,’ colloquially known as ‘The Villain Brand.’ Depending on the contents of the brand, the officer may be required to arrest or otherwise subdue the superhuman. They are advised to use their best judgment to subdue the superhuman or hide and call for backup.]

* * * * * * * *

The night was peaceful. Boring, even. The type of night where you’d wanna just sit back and smoke a cigar in the amber-dusking twilight that spilled through the half-closed blinds of your office. It’s filled to bursting with old bookshelves sworn by the tests of time, a single chair for you to sit in as you work, and a sprawling, book-laden red oak wood desk, surrounded on all sides by stacks and stacks of notes, files, crucial evidence about your latest case. The scent of cigars burns your nose. You’re so close to a breakthrough, you could just about taste it on the tip of your tongue, You would find it, you always did, and you could feel it now, edging ever closer after a tirelessly rewarding and sleepless night.

And yet here Officer Kalis Brooks sat instead, bored out of her skull watching some dinky ass highway that was lucky if a car graced its beaten roads once every twenty minutes. 

If only she were a film noir detective. Truly an unfair life she led.

It was a suspicious sort of fellow she finally spotted slowly making his way down the highway. A scoundrel who wore a bandana over the lower half of his face.

A person with something to hide.

Of course, she pulled him over. Simply her duty as an officer of the law.

She approached the truck and rapped lightly on the driver’s side window, and it rolled down with a gentle whirr. She shined her flashlight into the vehicle, and the view to greet her was almost something of a–

Holy shit.

The driver sat there, lazily gripping the steering wheel, looking like some sort of modernized pseudo-cowboy with a buncha scary lookin’ gadgets. A burn scar ran all the way up the side of his face, down his neck, and reappeared on his arm where his leather jacket rolled up to his elbows. His eyes were dilated, every movement markedly relaxed. Disjointed. Uncanny even. 

He was definitely high. But at least he’d had the forethought to take off that bandana concealing his identity. That was a good thing, right?

Then her jaw nearly dropped when she registered the passenger. He didn’t even look at her, his gaze stiff and unseeing. Very obviously also high on some sort of drug, though Kalis reckoned this high was less than consensual. Not to mention the super-power suppression collar wrapped around his neck. 

He was a super. 

She wasn’t trained to handle cases like this. Was this a super kidnapping in progress?! Something more?

Shit, no time for film noir roleplay bullshit, this is serious.

This is a villain.

Her gaze snapped back to the driver, just as her hand unclipped the gun holstered at her hip.

“Sir, please step out of the car slowly with your hands up. You’re being detained under suspicion of committing an in-progress felony.”

The driver’s gaze immediately shot to his passenger. “Officer, there uh… seems to be a misunderstanding–”

“Step out of the car or I’ll have you arrested for disobeying an officer of the law.”

That got his attention. The driver blew his bangs out of his face with a slow, deep sigh, and equally slowly reached down to open the door. The metallic creak of the door swinging open was almost deafening in the moonlit night. 

“I should mention I have a gun holstered on my belt,” he drawled inattentively, boots crunching the sparse gravel scattered across the shoulder of the highway. His arms stayed firmly raised, thankfully. “A revolver. Left side.” 

“Thank you for informing me,” Officer Brooks said quickly. This man seemed to be an easy-going fella, thankfully, but air around him stank of danger, like the haze of the walking dead. She slipped the ornately decorated gun out of its holster and slapped all the bullets to the roadway with 6 distinctly clean clinks. Then triple-checked that the safety was on. Then a fourth time. The matching knife too, for good measure. 

“I’d like to ask you some questions,” she stated, barely halting her transatlantic accent from slipping through. Stop it with the film noir. “Show me your upper right arm, please.”

He sighed, then nodded, then struggled to push up the leather sleeves of his jacket enough to show her the clear absence of a super brand. 

Good, one less thing to worry about. Not a supervillain.

“Alright then, what’s going on with that boy in the truck, friend?”

“Nothin’ much. That’s Stan. He’s my ward.”

“Your ward?”

“Yuh. I have custody over him. He’s a test subject.”

“Really?” She said, voice full of faux intrigue.

“Really.”

“And who are you, exactly?”

“Handler, of sorts. A bounty hunter. I work with the police sometimes, actually, we have an arrangement.”

“Oh? An arrangement?” she asked, as if daring him to tell her all the illegal dealings he held in his hidden hand of cards.

He just shrugged.

Ugh, she hated these types.

 “Fine. You have any proof?”

“Think I left my bounty huntin’ papers in my other pants,” he quipped. “Check the kid's villain brand, call in my ID, talk to your boss. Should be proof enough.”

That was absolutely not how that worked. Though she did feel a slight vindication in her chest that she would actually probably arrest this man.

“You have your ID on you?”

“Mhm.” 

He flicked out his ID between forefinger and middle to the officer, seemingly plucking it from thin air before she snatched it out of his hand, noting every piece of identifying information, checking for signs of a fake. Nothing seemed to be out of order… Had he really just handed her his real ID?

“And you said something about the boy having a villain brand?”

The man– Declan Cansano, so said the ID– nodded. Then rolled his damn eyes.

“Oh, I'm sorry, am I boring you?” She smiled sarcastically. “Need I make it obvious that you are suspected of kidnapping?” 

“I just have somewhere to be. It’s late. If you’d call in to ask about–”

“Are you telling me how to do my job?”

“No ma'am, I'm sayin’ you'd save yourself a lot–”

“Well stop ‘sayin'’ or I'll be ‘sayin’’ that you resisted arrest when I’m writing up your arrest report. This way.” 

She had to keep from grabbing his arm and yanking him as she led him over to her cruiser and deposited him near the passenger side door. Only after ordering him to turn around so she could cuff him behind his back of course.

“Stay here until I come back,” she ordered. “And remember that running from a uniformed officer is a criminal offense.”

“Wouldn’t dream of it,” he lulled back, almost sing-songy while leaning nonchalantly against the car. “Keep an eye on the kid, he's the type you’d have to worry about.”

Because you kidnapped him? God, she couldn't wait to throw the book at that man. 

Kalis pressed the talk button on the radio clipped to her shoulder. “Officer Brooks reporting, I have a man pulled over here named Declan Cansano, roughly 6 and a half feet tall, blond, possibly… Latino? I have him detained for suspected kidnapping of the boy he has with him, a white brown-haired male, very battered and bruised and likely drugged who looks to be about… sixteen-ish? The man claims the boy is a super with villain status, and that he has jurisdiction over him as a ‘handler’ or ‘bounty hunter’ or something. Can you look him up for me?”

There was a moment of silence, then the radio crackled to life. “Report received, I'll look into a ‘Declan Cansano’ for you real quick. Do you have a name for the white male I can look into as well?”

“Not yet, I’m going to check that out now and get back to you shortly.”

“Wait,” A third voice interupted, familiar in just the right way to make Kalis’ heart flutter in her chest. Officer Frida Galleta. Her mentor, her favorite person on the force, one of the people she trusted most in this world. And… well, it didn’t hurt that she was easy on the eyes as well. “Brooks, did I hear you right? You said last name Cansano?”

Just as fast as it had soared, her heart dropped like a stone in a vacuum. She’d never heard that tone from Frida before. “I– I– Uh... yes. Why?”

“Oh god, I… Brooks, don’t engage with him– Look, I’m gonna call you on your personal cell–”

“Wait, Frida, what do you mean ‘don’t engage with him?’ I have him detained, I can’t not engage with him.”

“Officers, please keep small talk to a minimum over the radio,” Dispatch interrupted. “Officer Brooks, I couldn’t find anything on a ‘Declan Cansano’ anywhere, not the super or villain database, the criminal database, the employee database. But uh… to Officer Galleta’s point, if he said he’s a bounty hunter... Well, let’s just say you might wanna follow up with the chief about that before you make any decisions. They might have some sort of arrangement, so to speak.”

Arrangement…? Like a… Like…

Officer Brooks smelled the stinking injustice of a rat.

“Co–... Come again, dispatch?” she breathed into the radio.

“No!” Officer Galleta’s voice interrupted. “Dispatch, I’l’-I’lll handle this, no need to get the higher-ups involved. Please.” 

Then her phone rang. Officer Galleta’s beautiful profile photo graced her periphery as she pulled out the phone and promptly sent the call straight to voicemail, eyes straight ahead and staring into the pitch-black night. At the car that a captive was waiting for her in.

“Kalis, please answer your phone,” Galleta pleaded.

Officer Brooks silenced her radio, that wretched squeal, and started toward crime scene in the making.

It was a pig-filled world out there. She wouldn’t stand idly by as they made the entire world their mud pit.

Her phone rang again.

A single deep breath to steel her razor-sharp wit, then slammed open the passenger side door, preparing for the occupant to do anything from attacking like a spit-fire to running for the hills to grasping onto her and holding her close as the first friendly face this boy had seen in years.

Somehow, she didn’t expect the boy inside to startle and struggle, legs scrambling and weakly kicking at her to put distance between them. He leaned precariously back on the console of the car, shaking as if he were in hell when it finally froze over, and only then did she realize his hands were restrained behind his back.

Now that she wasn’t looking at him over the angry presence of a kidnapper, she could see clearly now that her first impression of him was so very wrong; He was so much worse off than she could have imagined. Deep-set dark circles under his eyes, so many bruises lining his skin, specks of dried blood flakes dotting his body, cuts caked with disgusting oozing brown, eyes dilated and bloodshot, angry red welts peaking out from under the power-suppressing collar that only could have been from being yanked around or choked, and dried blood-stains that drip-drip-dripped down the front of his oversized white t-shirt.

Her face went ashen at the ghastly scene. What had that man done?

Her phone rang once more. She muted it. It still buzzed in her pocket.

“Hi,” she started slowly. Her voice cracked slightly. “My name is Officer Brooks, or Kalis. I'm here to help you. What's your name?”

He simply returned her a wide-eyed stare. Then glanced over to her cruiser. At the man leaning on it. Then at her badge. Then down to his lap, not a single word uttered.

The phone buzzed with another call.

“It's alright,” she soothed, like a mother beckoning a lost child home. “He can't hurt you right now. I'm here to help you, but I need you to talk to me or else I can't help you. I need to know your name. It’s Stan, right? Stan? That’s what I heard from him.”

He looked up, staring into her as if she wasn't even there again, eyes so wide, so dilated. No words. He frowned, considering for a moment. Then a vindictive determination spread across his features and he moved his gaze right back to his lap.

“Alright, that's uh… that's alright.” She felt like a kindergarten teacher with the way she was talking. Her phone buzzed with yet another call. “Can I… can I at least see the super brand on your back? Can you do that for me, Stan?”

He jolted back. “No.”

More phone buzzing. Adrenaline surged in her chest. “Stan, please. I can't get you back to your family if I can't find out who you are.”

“... fam–... family?...” His eyes widened, pupils somehow blown even wider, unfocused into the middle distance.

“Yes, Stan.” She very carefully reached for the collar of his shirt, ready to pull back at any time. The boy didn’t react. “I just want to get you back to your family.”

Kalis pulled the shirt down just enough to reveal that awful blue of the villain brand. The blue that signified a test subject.

Shit, the bounty hunter had been telling the truth.

The phone buzzed once more. Kalis snatched it out of her pocket. Turning around swiftly so Stan wouldn’t think what was about to happen next was directed at him.

“What do you want?” She hissed. “I’m trying to talk to a kidnapping victim.”

“Oh thank god, you’re alright,” Frida's tinny voice came through the speaker.

“Why wouldn’t I be?”

“I– Look, Kalis, I know this sounds bad, but I need you to let the bounty hunter go. Now.”

Officer Brooks grit her teeth. This was exactly what she was afraid of. “Why.”

“He’s… look, alright, I’m surprised no one told you before, but the police have a sort of… deal… with certain criminals and organizations. Mr. Cansano is one of them–”

“So you’re a dirty cop, then?” Kalis interrupted, voice strained, chest tight. “And– and you’re trying to bring me down with you, now? Frida, I–...  You should see what he’s done to this captive. I can't let him go.”

"I’m not a dirty cop! Not the way you’re thinking at least, I– just trust me, I can't even say over the phone but I'm on my way and I’ll tell you when I get there, I swear. Please don't do anything, for both our sakes.I know him, he's–”

“You know him?!”

“Yes, he’s–”

“How do you know him?!”

“Kalis. Listen to me.” Her voice turned deathly serious. “He's got ties everywhere. Hell, he does jobs for the police sometimes, they won't protect you if you get in trouble. He might try to kill you, and even if he doesn't and you get him arrested, now you have a target on your back from both the mob AND the corrupt police. If you try to arrest him, you're going to die. Please just leave him alone. Please."

She grit her teeth. “So that means he doesn't have any… official paperwork to prove he has authority over the super?”

“I– uh… probably not? They don't work within the law, that's why you need to let him go.”

Well then…

That’s all she needed to hear.

“I’m arresting him.”

“No! No, Khalis, I'm on my way, I'll-I’ll be two minutes, just wait–”

She slammed her phone down and turned back around to Stan, only then realizing that the poor boy probably heard everything she just said–

Nope, he was off in his own little world again.

“Stan?...”

No response.

She waved her hand in front of his face. “Stan!”

He startled back to himself, terrified, scrambling to get away from her just like the first time she'd walked up to him.

She didn't have time for this.

“Stan, honey, I'm going to arrest the man who hurt you alright? He won't hurt you anymore. I have to leave now, but one of my friends will be here very soon. She'll help you out, alright? Everything will be alright. Just please stay here. Hopefully I'll see you soon.”

Officer Brooks closed the door of the truck before she could catch a reaction, hoping that ditching Stan to be found by Officer Galleta was the best choice here.

It had to be, it was the only choice.

She steeled herself, resting her hand on her gun once more, and walked back over through the oppressive black night and into the spotlighting brights of her police car. 

To face down the bounty hunter.

“Mr. Cansano, you're–...” 

Then all of her built-up courage suddenly burst. What the hell was–...

She gaped.

Then scoffed.

Really?

“Are–… are you… smoking a blunt right now?”

The bounty hunter’s hand withdrew from his mouth, followed by a puff of dark white smoke. His gaze never once broke from the bright dot of red-yellow ash that oh-so-subtly lit his face. “Yup.”

She just stared at him for a moment. Then shook her head out. Whatever.

“Mr. Cansano, you're under arrest for suspected kidnapping of a super and illegal bounty hunting.” He didn’t so much as blink. “You have the right to remain silent, as anything you say can and will be used against you in a court of law. You have the right to an attorney, and if you cannot afford an attorney, one will be provided to you.” Crickets chirped somewhere in the forest sidelining them. “Do you understand these rights as I’ve spoken them to you?”

He didn’t move in the slightest through her whole spiel. He almost seemed to have paused time around him, actually, a frozen snapshot.

A pause as Kalis stood ready to arrest a few feet away, yet unable to move closer as the air turned sticky with his low chuckle.

A pause because, only then, did Kalis realize that when she last left the man, she'd left him in handcuffs.

The bounty hunter shoved the burning tip of the blunt into the metal siding of her cruiser, instantly extinguishing the bright ember. “You talked to your boss?”

She clutched her gun. “I've been made aware of the situation.”

“Brave one, you are.”

He pushed up out of his lean. She whipped out her gun and aimed it squarely at his chest. “Freeze.”

He stopped, staring at her gun hand, eyes narrowed, hands shooting up to show he wasn’t a threat.

Yeah right.

Police sirens in the distance. Couldn’t be anyone but Frida.

“Put your hands on the car. Slowly.”

He looked her up and down. It was funny, his eyes almost looked red, with the way the headlights shined off his eyes.

“Hands on the car.”

The hunter almost seemed to think about it for a moment. Then he laughed, pulled his bandana up over his face, and took a step forward. 

Her vision tunneled, heart pounding in her ears. All she had to do was pull the trigger.

“Shame,” he drawled. Now he had… a string? A metal string, the type used to cut clay. Held taut between his hands. “I’ll try not to make this hurt, youu seem lie one of the good ones.”

Kalis’s gun hand shook. She should shoot him. She’d never shot anyone before. Shoot him. Shoot him. In the chest, in the leg, somewhere, shoot him, shoot him, you’re going to die shoot him shoot him do it fucking SHOOT HIM–

Her finger squeezed the trigger as he lunged forward, a flash of light, everything bright white and hot and blinding as a loud CRACK split through her eardrums, her very skull. Her gun arm knocked to the side, the gun flew from her hands. Her only chance at defending herself disappeared somewhere into the inky black night.

Suddenly she was staring right into his dark brown eyes that seemed to gleam red. His hands slammed just short on either side of her neck, the wire held gingerly between them pressing into the hard muscle of her larynx.

Just the two of them. 

The crickets, the trees.

The stars, shining above so sweetly.

Her last witnesses.

She was going to die here.

“Sorry about this,” he whispered, a low grumble that reverberated her entire soul. She couldn’t look away from those blood-red eyes. Would her blood be added to that as well?

A deafening screech of tires.

His brow furrowed, gaze stuttering elsewhere. A new set of headlights spotlighted them like startled deer, two omens of death and justice heading straight for them, night turned into a shining white day. 

 Brighter, brighter.

“Holy shit,” the bounty hunter yelled. Low engine revs turned into deafening roars that wholly swallowed any screams that ripped from Kalis’ or Declan’s throats, right before a hand yanked off her feet, just barely heaved over the hood of the car and tumbling jarringonto the ground next to the man who had apparently saved them both as a giant mass of immoveable flashing red and blue and black and white metal screeched past them as it attempted to grind to a stuttering halt before flying into the ditch that sidelined the highway.

Kalis slammed into the ground.

The world spun around her.

Frida.

Frida.

Ow, FUCK–

What’s–

It was Frida!

She was saved!

Or wait, was Frida trying to kill her now?

Why had the bounty hunter saved her, were they on the same side now?

What was happening?!

The door of the cop car flew open before the car even fully screeched to a halt, and there she stood in all of her gorgeous, life-saving, terrified and anger-filled glory, pointing her gun over the top of her cop car right at the man in the cowboy hat sprawled dazed on the ground next to her.

“DECLAN CANSANO, WHAT THE FUCK DO YOU THINK YOU’RE DOING?!”

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Next

Also linking this rq for anyone who didn't see bc I think I'm hilarious

Taglist: @flowersarefreetherapy | @pirefyrelight | @cakeinthevoid | @painsandconfusion | @books-are-everything

@paperprinxe | @tippytappytyping | @chaotic-orphan | @notactuallyluska | @lumpofsand

@watermelons-dont-grow-on-trees | @whumpwhittler | @thelazywitchphotographer

(If you'd like to be added or subtracted from the taglist, don't be afraid to ask!)