#when the unhealthy coping mechanism is unhealthy
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joemama-2 · 3 days ago
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velvet lies
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pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. wc: 8.2k tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, (mentions of) cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms , depression, manipulation series masterlist < previous chapter < next chapter
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“You look so handsome like this
” a sultry chuckle is followed by a warm kiss to the lips. The man with a receding hairline laughs in a slimy way, welcoming the woman into his lap. Arms settled around her midsection, indulging in her lips. 
The moment is quickly shut down when an intruding voice cuts in. “Haruka! Some guy is waiting for you at the door.”
With a huff, she pulls back. Lip curled up into a scowl, turning her head over her shoulder to face the man at the top of the stairs. “Tell ‘em I’m busy, damn it!” She snarls out. 
The man sighs and rubs his bald head. “I already did. He said he wants to speak to you, now hurry up here.”
When the door slams shut, she turns back to her customer. “I’ll be back.” She smiles and kisses his wrinkly cheek before getting up and off his lap. She fixes her clothing, a simple tank top and shorts. Looking at the small mirror, she frowns and straightens down her hair. She’s reminded to dye her hair black again to cover up the incoming gray hairs that always greet her nowadays. She applies her usual red lick back to her skin, perking them up with a small pop noise. Her eyes, beady and dark, fixate back up at the door while her feet drag her. 
Once she’s up in the main portion of the building, she rounds a corner and sees a neatly suited man standing at the front desk. The man who called her attention before gives her a certain look before walking off and letting her deal with it. She smiles, leaning against the hardwood. “Why, hello there, handsome. How may I help you today?”
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The man, undeterred and stoic, regards her with barely any emotion. The dark sunglasses on his face obscuring his eyes and Haruka’s brow twitches for a moment in annoyance. She still keeps up her game, however. Resting her cheek against her palm. “Well? How can I—”
“Ms. Haruka, right?” 
The stranger’s voice is deep and defined, causing Haruka’s eyebrows to raise in interest. Her smile widens and she hums playfully. “Ah, well depends on who’s asking. If it’s you, then you can call me Candy.” She whispers the last part, leaning in like she told him a big secret; giggling to herself. 
The man spares a brief glance down at his wristwatch. Haruka notices its pristine gold, oh how valuable. An idea is already forming in her head when she looks back at the man’s black, circular shades. But what he says next causes her body to go into a temporary state of comatose. 
“Are you the mother of Y/N L/N? If so, please come with me. There are some things my bosses would like to discuss with you.”
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It’s the day after Christmas. You luckily got the day off and you’ve just been lounging around your place with Koji. Eating some leftovers and cleaning up a bit, watching him rave about the new toys he got; it’s a pleasant sight. Satoru hasn’t texted you anything today, and while you’re not holding him to that expectation, there’s a part of you that worries he’s still angry. Or maybe even upset at the gift you got him. It probably brought up negative emotions for him. But it was a last minute thing and you assumed he would greatly appreciate it. 
Maybe your assumption was wrong. 
You shake off the thought, refusing to dwell on it. Satoru has always been hard to read, and overanalyzing his silence won’t do you any good. Instead, you focus on Koji, who’s currently making his action figures reenact some elaborate battle scene on the coffee table. His laughter echoes through the room, bright and infectious, pulling a small smile from you.
“Koji, don’t forget to put the smaller pieces back in the box when you’re done,” you remind him gently.
“Okay, Mama!” he chirps, not looking up from his imaginary world.
You take another bite of your leftovers, savoring the quiet domesticity of the moment. It’s not often you get a day to just relax like this. Still, that nagging thought about Satoru lingers in the back of your mind, no matter how much you try to ignore it. Your fingers reach up, feeling for the star pendant Suguru got you. Smiling to yourself as your fingertips graze over the metal. You’re suddenly reminded of the fact that you haven’t thanked him. 
You grab your phone, thumb hovering over his contact. It’s a small debate to call or text him, unsure of which is more
appropriate. Maybe he’s busy or maybe he wouldn’t mind a phone call at this time. You bite your lip, inhaling deeply then letting it go, deciding that your gratitude would feel more authentic if he actually heard you say it. 
You click the call button and within the second ring, his voice lightens up the other end. “Hello?”
You clear your throat before speaking. “Hey, Suguru,” you say softly, twirling the pendant between your fingers. “I hope I’m not interrupting anything.”
“Not at all,” he replies warmly, a hint of curiosity in his tone. “What’s up?”
As you pause for a moment, your thoughts are being gathered. “I just wanted to thank you
 for the gift. The pendant, it’s beautiful.” Your voice dips slightly, the sincerity in your words undeniable. “You didn’t have to, but
 it means a lot to me.”
There’s a brief silence on his end before he chuckles softly. “I’m glad you like it. I figured it’d suit you.”
You can’t help but smile, your fingers still tracing the small, intricate patterns on the pendant. “It does. Koji said it makes me look pretty.”
Suguru laughs at that, the sound soft and familiar. “He’s not wrong. The kid’s got good taste.”
A small heat pools in your stomach, cheeks blushing a bit. When you glance over at Koji, you notice just how engrossed he still is in his action figures. “He’s been talking about that Spider-Man you got him nonstop. He even took it to bed with him last night.”
“Really? That’s adorable,” Suguru comments, his tone light but carrying an underlying fondness. “I’m glad he liked it. He’s a great kid.”
“He is,” you agree, your voice softening. “I’m lucky to have him.”
There’s a pause, the silence between you both comfortable yet loaded with things left unsaid. Finally, Suguru breaks it. “How are you doing? After last night, I mean. Satoru told me he was going over.”
The question catches you off guard, and for a moment, you’re unsure how to answer. “I’m
 okay,” you eventually get out, though it feels like a half-truth. “It was just
 a lot. But we did it. For Koji.” 
He hums from the other side. “Yeah, that’s good. I figured.” A moment of pause before he continues. “Satoru can be
 intense, especially when it comes to you and Koji.”
You let out a small, humorless laugh. “That’s one way to put it.”
“But other than that, it was good?”
“Yeah, I think so.”
He smiles. “I’m glad, you two deserve a good Christmas.”
With one hand, you bring your dirty dishes to the sink, the other keeping your phone to your ear. “What about you? Was yours good too?”
Suguru’s voice sighs wistfully. “It was, yeah. My team and I spent it handing out some gifts and hot chocolate to the kids. Seeing their faces light up with joy like that, it makes you feel really good, you know?”
Your heart warms at his words, picturing Suguru in his element—kind, compassionate, always thinking of others. You’re reminded back to the time you saw him that day with Koji. “That sounds wonderful,” you speak softly, leaning against the counter. “You’re really amazing for doing that, Suguru. Those kids are lucky to have someone like you.”
He chuckles modestly, the sound low and comforting. “I don’t know about amazing, but thanks. It’s just something small I can do. Makes the holidays feel more meaningful.”
You smile, twirling the pendant again as you consider his words. “It’s more than small. It’s thoughtful. It’s... you.” The words slip out before you can stop them, and you feel your cheeks flush immediately. Embarrassment floods your insides. 
There’s a brief silence on his end, followed by a soft laugh. “You’re too kind. But coming from you, I’ll take it as a high compliment.”
You shake your head, grinning despite yourself. “It’s not kindness. It’s the truth.”  
Koji’s excited shout from the living room snaps you back to the moment. He’s discovered a new pose for his Spider-Man, proudly showing it off as he runs over. “Mama, look!”  
Suguru must hear the commotion, his tone lightening further. “Sounds like someone’s having a good time.”  
“He is,” you say, watching Koji’s eyes sparkle with joy. You nod in astonishment. When your son is satisfied with your praise, he rushes back to the coffee table. “He’s been nonstop since yesterday. I think this Spider-Man might be his new best friend.”  
“Then my mission was a success,” Suguru replies with a chuckle. “I’ll have to find something to top it next year.”  
You bite the inside of your cheek while his words bring a pang of guilt. It’s strange; how easy it is to talk to Suguru, how natural it feels to share these moments. And yet, there’s a part of you that wonders if you’re leaning on him too much, especially with everything unresolved with Satoru. You wonder if what you’re doing is wrong, and considering Satoru’s reaction to his friend’s gift to you, you feel like you’re almost
betraying Satoru. 
“Thank you again, Suguru,” you repeat, your voice calmer now. “For everything. You didn’t have to go out of your way for us, but you did, and it means a lot.”  
“You don’t have to thank me,” he says gently. “You and Koji... you guys are important to me too, you know?”  
The weight of his words settles over you, warm and steady. “That means a lot to me too.”  
There’s another comfortable pause before Suguru clears his throat. “Well, I should let you get back to your day. I’m glad you called, though. Don’t be a stranger, okay?”  
“Okay,” you promise, a small smile tugging at your lips. “Take care, Suguru.”  
“You too,” he says, his voice lingering for a moment before the call ends.  
As you set your phone down, you glance at Koji, who’s now back to his world of action figures. You can’t help but feel grateful for the people in your life now who care so deeply about you and your son.  
But even with that gratitude, your thoughts drift back to Satoru, the press, his parents. And you ponder over the idea of what he’s doing right now, whether he’s holding onto the photograph, if he set it up somewhere; and what it might mean for the three of you moving forward.
There’s no time to start drowning in your thoughts any longer. You’ve already done that yesterday and practically every other day before that. A bigger question has been gnawing at you, and now that you have some free time, you figure you should look into it now. Grabbing your laptop, turning it on and clicking on Google once the screen awakens. The small business card is placed to your right as you type away the company name in the search bar. 
You click on the first link. 
It takes you to an entire directory of the services of Carlisle & Harlow. 
The website loads quickly, its sleek design showcasing high-end properties and exclusive services. The polished images of luxurious estates, private jets, and lavish vacation homes scroll past as you navigate through the various tabs. The site is clearly designed to appeal to an elite audience—every detail is immaculate. You skim through the different services offered, including property management, concierge arrangements, personal assistants, and lifestyle coaching. It all feels a bit too polished, almost like an invitation into a world you’ve only ever seen from the outside.
You feel a slight unease in your stomach. Your mind races back to the business card Evelyn gave you—one that seemed so out of place given everything else you’ve seen in your life. You click through to the “About Us” section, hoping to find more answers about what the company actually does or who else is behind it. 
The page provides a brief history, detailing the company’s founding by the woman, Evelyn Carlisle and her now deceased husband, Noah Harlow—both of whom have since made a name for themselves in the luxury service industry. 
You click on the “Our Team” link. Several executives are listed, each with brief bios that read like glowing resumes. Next, you click on the “Contact Us” tab, staring at the address listed—an upscale location in the city’s financial district. It’s the kind of place where secrets are hidden behind high walls and the name on the door probably has a lot of power behind it.
Taking a deep breath, you mull over this instance. Maybe it’s time to investigate further, but you’re not sure how much deeper you want to dig—especially not without some sort of plan. But that Evelyn woman seemed a little strange to you. It’s just the fact that everything felt quite planned out to you, like someone told her to come to your workplace and offer a job interview. Your intuition has always been right and ever since you became a mother, that increased tenfold. But, this seems like it might have more of a good outcome than a bad one. 
You wouldn’t have to maintain the hard balance of working two jobs and a child. As you continue scrolling and clicking on multiple tabs within the website, one catches your interest. 
‘About Our Founders’
You’re met with pictures of Evelyn and her husband, posing with what you can only assume are other businesspeople, with paragraphs of their background to go along with it. Nothing looks out of the ordinary so far, until a particular picture. 
It’s Evelyn and her husband. Posing with Satoru and his father. 
Your heart stops for a moment, your breath catching in your throat as you stare at the screen. The four of them are dressed impeccably, their expressions polished with smiles that feel carefully rehearsed. The caption beneath the photo reads:  
“Celebrating five years of partnership between Carlisle & Harlow and the Gojo Group, fostering innovation and excellence in high-end luxury services.”
Your stomach churns. The idea of Satoru or his family being involved in this job offer. And it almost makes sense now—Evelyn showing up at your workplace, the too-perfect job offer, the strange sense of everything being orchestrated. It wasn’t a coincidence. It couldn’t be. Unless it is?
Your fingers hover over the trackpad, trembling slightly as you click on the bio beneath Evelyn’s photo. Her background is as pristine as expected: Ivy League education, years of experience in luxury branding, and a reputation for impeccable taste. But it’s the section about her connections that catches your eye:  
"Evelyn Carlisle maintains close ties with prominent families, including the Gojo family, and has been instrumental in crafting tailored solutions for their elite clientele."
Your head spins. This isn’t just a job opportunity—it’s a calculated move. But why? Why now? And why through Evelyn instead of directly from Satoru or his family? You glance back at the business card on your table, its gold lettering gleaming in the soft light. It feels heavier now, like it’s carrying the weight of unseen motives.  
Koji’s laughter breaks through your swirling thoughts, grounding you momentarily. You look over at him, playing so innocently, so unaware of the tangled web you’re beginning to unravel. Taking a deep breath, you close the laptop and sit back. Whatever this is, it’s not just about you anymore. If Evelyn’s offer is part of some larger scheme, you’ll need to figure out the truth before you make any decisions.  
Maybe you’re overthinking this. The Gojo Group is huge and very obviously powerful, of course, they would have ties with Carlisle & Harlow. It’s not that far-fetched, right? It’s just a job opportunity, don’t think too much into it. 
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It’s around the next day at work now. Walking to the cafĂ©, phone in hand. Rereading Satoru’s first text to you since you last saw him, it’s not entirely underwhelming, you just hoped that he would have expressed his gratitude for your gift. 
Satoru:
Koji left his jacket here from last time, I’ll bring it over today
Your lips purse, thumbs going haywire over the bright screen. Should you ask if he enjoyed the gift? If he even opened it in the first place? Or maybe you’re dragging this out far too much. With a deep breath, entering the cafe, you type back:
You:
I thought you had work today 
Satoru’s response comes almost immediately, as if he was waiting for you to text back.
Satoru:
I do, but I can swing by during lunch. The place is a little far from me, can I come to your job and drop it off?
You hesitate, wanting to type back a ‘no’ as soon as he asked. It would feel a little weird if he came. Satoru and your workplace just don’t seem to mix—and you don’t want them to. If he came, it would only further solidify the fact that he’s integrating himself into your life. Again, you’re probably overthinking things, he’s just dropping off your son’s jacket. But the thought of seeing him right now feels oddly nerve-inducing. 
You:
Sure, I’m on lunch at 12
When you drop the pin of the café’s address, you pocket your phone and set your stuff down, tying the apron around your waist. Hana, on her phone texting, barely looks up when you enter. It’s becoming a bit more repetitive nowadays. Patting down the apron, you speak up. “Still talking to that Naoya guy?”
She hums and nods, giggling at something that was messaged before swiftly typing back a response. Your lips purse, brows knitting at her lack of acknowledgment for you. This guy must really be entrancing her. “He said he was coming today.”
“Oh, really?” You ask, offering a small smile. “I’ll finally meet the lucky guy.”
Hana’s eyes flick up at you briefly before returning to her phone, her cheeks slightly flushed. “Hm? Oh, yeah. but don’t embarrass me, okay?”  
You let out a soft laugh, shaking your head as you grab a few boxes to refill the supplies up front behind the counter, cutting them open. “I’ll try not to. Just don’t expect me to be on my best behavior if he’s rude.”  
She scoffs, though her grin betrays her amusement. “He’s not rude. You’ll like him, I think. He’s
 different.”  
You arch a brow, intrigued by her tone. “Different, huh? Guess we’ll see.”  
Hana waves you off, clearly too engrossed in her conversation to elaborate further.  
And so, the morning drags on, and you can’t help but notice Hana glancing at the door every few minutes, a mix of anticipation and nerves written all over her face. Meanwhile, you busy yourself with the usual flow of customers, though your own nerves begin to creep in as the clock inches closer to noon.  
When the bell above the cafĂ© door finally chimes, you glance up instinctively. A tall man with sharp features and an air of confidence steps in, scanning the room briefly before his gaze lands on Hana. His hair is slicked back neatly, and he’s dressed in a tailored coat that screams wealth and status. The tips of his hair dipped black, his eyes are so cat-like that it almost freaks you out at first.  
Hana’s face lights up as she quickly puts the cleaning supplies that were in her hands down and waves him over. “Naoya!”  
He strides over, a smirk tugging at his lips as he leans in to greet her with a kiss on the cheek. “Hana,” he says smoothly, his voice low and self-assured. 
Your eyebrows raise at the blatant show of affection in front of not just you—but the rest of the customers. It’s slightly unlike Hana because you remember her telling you how much she despised PDA. Maybe Naoya is making her come out of her shell. That’s good, right? You watch the interaction from behind the counter, your initial impression of him forming almost immediately. There’s something about his demeanor—charming, yes, but also a little too smug for your liking. Your senses are telling you to be subtly on guard around this man. 
Hana glances over at you, her smile widening. “Naoya, this is my coworker—”  
“Friend,” you correct with a playful smile, giving her a tiny look. It’s strange how she was just going to introduce you as a coworker when she always calls you her friend. Not thinking too much of it, you step out from behind the counter to extend a hand. “Nice to meet you, Naoya. I’m Y/N.”
He takes your hand, his grip firm but calculated. His eyes flicker over you briefly, as if sizing you up. If possible, his grin widens, eyes growing more crescent-like. “Pleasure’s mine,” he says, though the smirk on his face doesn’t quite reach his eyes.  
“So, you’re the one who’s been keeping Hana so distracted lately,” you remark lightly, folding your arms.  
Naoya chuckles, his gaze shifting back to Hana. “She’s easy to talk to. Hard not to get distracted by her.”  
Hana blushes, clearly pleased by the compliment, but you can’t shake the nagging feeling that there’s something a little
 off about him.  “Well,” you say, forcing a polite smile, “welcome to our humble abode. Let me know if you need anything.”  
Naoya nods, his smirk unwavering. “Will do.”  
As you step back behind the counter, you catch Hana giving you a warning glance, silently begging you not to say anything more. You just shrug, grabbing the rag Hana previously discarded to wipe down the counter, though you can’t help but keep an ear on their conversation. They convert over to a booth in the corner, seemingly for some privacy. 
Something about Naoya sets your instincts on edge. Maybe it’s the way he carries himself, or the way his smile feels more like a performance than genuine warmth. He’s reminding you of Satoru, just more insidious. It’s probably a little rude of you to have such a critical judgment of the man who’s making your friend swoon, but isn’t that what friends, do? Making sure the men or women that come into their lives are worthy of it? Whatever it is, you make a mental note to keep an eye on him—if only for Hana’s sake.  
You stop eavesdropping. Hana’s a grown woman, if anything, she knows what’s more right for her than you do. Besides, you’re one of the only ones working right now, so it’s better to focus on delivering customer service than ensuring the man in the corner (who has been keenly drifting his eyes towards your figure) is good enough for Hana. Hana, oblivious to your discomfort, continues chatting with Naoya, her smile wide as she laughs at something he says. Her back is turned to you, and all you can do is concentrate on the rising sense of unease in your gut. It’s the way Naoya’s posture remains open and confident, but there’s a hardness behind his eyes that doesn’t sit right with you. He seems like someone who expects to get what he wants, and the thought of him using his charm to manipulate Hana makes you clench your fists beneath the counter. You’re just trying to understand the strange energy he brings into the environment. Maybe it’s your overactive imagination, but you still can’t shake the perception that there’s more to this man than Hana is seeing.
As you refocus on your tasks, you can physically feel the weight of Naoya’s gaze lingering on you. It’s subtle, but unsettling—like he’s paying more attention to you than he is Hana. You shake it off, putting your mind into the register as a customer walks up to place an order. However, the uneasy feeling stays with you. You move through the motions of your shift. Every time you briefly glance over to the booth, his gaze is drawn to you. Not in the way you’d expect a person to look at someone they’ve just met, but with something more calculating. It’s almost as if he’s analyzing you, but why?
You don’t even know how long it has been, at least 15 orders later, when the two walk back up to the front. Hana grabs your attention. “Y/N, Naoya brought up a really good idea. His friend owns that new bar I was telling you about a few weeks ago! Do you want to go out tomorrow after your other job?”
You glance up, a bit surprised by the invitation. It’s not like you haven’t been out with Hana before, but something about tonight feels odd. Maybe it’s Naoya’s presence, or maybe it’s the weird sense of being observed earlier. Still, it’s a chance to unwind, and Hana seems genuinely excited.
You give a soft smile, though it feels a little strained. “I don’t know, Hana. I’ve got a lot on my plate. Plus, I’m not sure about the bar idea... not really in the mood for crowds.”
Her eyes widen, and she steps closer, lowering her voice. “Come on, you deserve a break. You’ve been working so hard lately. It’ll be fun, I promise.”
You meet her eyes, trying to gauge her sincerity. She’s always been good at getting you to loosen up when you're feeling overwhelmed. Maybe it wouldn’t hurt to go for just a little while, but you still have reservations about Naoya. “Alright, I’ll think about it. I’ll see if I can get out earlier,” you say, trying to keep your tone light. “But no promises.”
Hana’s face lights up. “Yay! I knew you’d come around.” She looks over her shoulder at Naoya, who’s standing a few feet away, reading the two of you with an unreadable expression. 
You suddenly feel like this moment might be the start of something unpredictable. As much as you want to just go with the flow for Hana, a part of you ponders if there’s more to Naoya’s invitation than just a night out. But, for now, you push the thought aside.
“Well, you don’t want to miss out,” Naoya speaks up, chuckling to himself. “Just try. It’s called No Man’s Land. I’ll be there around 10:30 tomorrow night, hopefully I'll see you both there.”
You nod slowly, still hesitant about the whole thing. Something about the way Naoya phrased it—so casual, so sure of himself—rubs you the wrong way. There’s an underlying expectation in his words like he’s already decided that you’ll both show up. You’re not sure if it’s just his personality or something more, but the thought of him controlling the situation leaves you with a strange feeling. Hana, though, looks delighted. “It’ll be so much fun, Y/N. Just relax. A drink or two won’t hurt.” She flashes you a grin before turning back to Naoya, all smiles as she talks about what they’ll do at the bar.
You’re like an outsider, watching as Hana becomes more entangled in Naoya’s charm. You wonder if she sees it too—the little things about him that don’t add up. The way he already seems like the type of man to be just one step ahead with a plan. But she’s excited, so you don’t want to rain on her parade. Besides, you can always back out later if it doesn’t feel right.
Luckily, she sees him out right after. 
And unluckily, you’re waiting outside on your break for Satoru sooner rather than later. 
You glance at your phone once more, watching the minutes tick by. Your break feels longer than it should, and the anticipation of seeing Satoru again only adds to the anxiety that’s been building ever since your last interaction. You tell yourself it’s just a quick exchange—Koji’s jacket, nothing more. But every moment feels charged as if something is on the verge of shifting.
The cool air outside offers a bit of relief, though the tension in your chest doesn’t quite let up. You stand near the corner of the cafĂ©, eyes scanning the street for any sign of him. The sound of footsteps approaches, and you turn, only to find Satoru strolling toward you with his usual carefree aura.
“Hey,” he greets, his tone light, but there’s something different about the way his eyes stay on you—something that feels almost too familiar. He holds out the jacket. “Koji’s jacket. Didn’t want to leave him without it.”
You take the jacket from him, the weight of it making you more aware of the subtle intimacy of the moment. “Thanks,” you say, trying to keep your voice steady. “I appreciate it.”
He doesn’t say anything immediately, just watches you for a beat too long. You shift on your feet, suddenly feeling acutely aware of the silence hanging between you.
“Is that all?” you ask, hoping the question doesn’t come off too abrupt.
Satoru tilts his head as if considering something. “What do you mean?”
God, you hate it when he plays stupid like this. It forces you to be outright with what you want to say. Standing up straighter, chin tilting high. “I mean
like—well I guess what I’m trying to say is that
did you open
the gift I gave you?”
Satoru’s gaze shifts slightly, his usual simmering confidence faltering just enough to make you second-guess yourself. He pauses like he’s weighing your question more carefully than he typically would. For a moment, you wonder if you’ve overstepped—if you’ve asked something too personal or too vulnerable. The silence stretches between you like a taut wire.
“Your gift?” he finally says, the corner of his mouth lifting just a bit. He sounds almost amused, but there’s a hint of something else in his voice, something you can’t quite pin down.
You feel a wave of heat rise in your cheeks, but you stand your ground. “Yeah. The one I gave you on Christmas.” The words feel clumsy as they leave your mouth, but you can’t take them back now.
Satoru’s expression shifts, the air tensing slightly. “I did,” he says simply, as though it’s nothing. “It was
 nice.”
You want to push him further, to demand more of a response, but something about the way he says it makes you hesitate. Is that all? You want to ask again. Was it just “nice”? That’s all? After everything—the thought you put into the gift, the small but meaningful gesture—you wonder if maybe it didn’t even register with him the way it did with you. Maybe you were right, he didn’t even open it and is now coming up with a bullshit response because you put him on blast. 
But you don’t want to push too hard. You already feel like you’re treading on delicate ground. So you force yourself to smile, even though it feels a little stiff. “Well, I’m glad you liked it,” you reply, not entirely sure if you believe your own words.
There’s another beat of silence, and then Satoru shifts his weight slightly, signalling that he’s about to leave. “I should get going. Got some things to take care of,” he says, but he doesn’t immediately turn away.
Instead, his eyes flicker down to your hands, where you’re still holding Koji’s jacket. “Take care of yourself,” he adds, his tone softening just a bit.
You nod, trying to hide the strange pang in your chest. “You too,” you reply, though your voice is quieter now.
His lips thin into an awkward smile. It’s one you give a stranger or someone you barely know—but that’s how things feel between you now, isn’t it? It’s really not worth dwelling over the tiny things that further more prove the horrid line of connection between you two. But for some reason, it still hurts and picks at your heart. 
That moment is quickly splashed away when a familiar—but teeth-gritting voice squeals from behind Satoru. Your grip tightens on Koji’s jacket. Satoru’s shoulders tense up. 
“Satoru! Why’d you leave me in that boutique? It took forever to find you!”
She appears next to Satoru, her presence immediate and unmistakable. Her eyes flicker between you and Satoru with a mix of scrutiny and something else that you can’t quite place. She’s dressed in something designer, as usual, with that polished, effortless look that screams of wealth and status. Her gaze lingers on you for a moment longer than necessary, a quiet challenge in her eyes.
You feel a knot twist in your stomach, an all-too-familiar sense of discomfort settling into your chest. Satoru’s gaze meets yours for just a moment before he shifts his attention to Himari. “Sorry, didn’t mean to leave you hanging,” he says, his tone light but lacking its usual warmth.
Himari, not seeming to notice or care about the tension in the air, flashes you a tight-lipped smile that screams fake. “Oh, well look who it is. The leech.”
“Himari.” Satoru gruffs under his breath, giving his girlfriend a dirty side-eye. 
“What? One minute we're spending the day together and the next you’re here with
her.”
Your jaw clenches, noticing the tug Satoru gives the other woman to the back of her dress, lowly whispering something into her ear. But her facial expression doesn’t deter, and neither does her snaky persona. 
“I thought you had work.” You utter, eyes flickering back to Satoru. 
His brows tighten, huffing out an exasperated breath. Before he can respond, she does it for him. “If you consider being by my side and treating all my needs work, then yeah, he is working.” She giggles at her own joke, making a show of turning his head towards her and plopping a kiss on his pink lips. It lasts only a few seconds before he pulls away. 
But even those few seconds feel like a lifetime.
You feel the bite of Himari’s words, even if they’re clearly meant to dig into you. The word “leech” still stings, even though you know it’s not intended for anything other than a cruel jab. Satoru’s response, or lack thereof, makes the situation all the more uncomfortable. His eyes flick to you for a brief second before turning back to Himari, his expression more quiet and guarded
 One question sounds throughout your brain. Why are you even with her?
You stand there, the tension heavy in the air between the three of you, white-knuckling onto Koji’s jacket, as if it could anchor you through this awkward, uncomfortable moment. Himari’s gaze holds yours for a moment longer like she’s trying to read you, trying to see if you'll react. You want to say something, anything, but you can feel the weight of the situation hanging on your tongue, making it hard to even speak.
Satoru looks between the two of you, his jaw tightening slightly. "Let's go," he mutters, more to Himari than to you, though you can tell he’s trying to smooth things over. Himari, however, isn’t having it. She steps forward, a small smirk on her face as she eyes you again. 
“So,” she starts, her voice dripping with sarcasm, “you two still playing catch-up or is it ‘out of sight, out of mind’ now?” 
Her clipped tone is pointed, deliberately meant to prod, and the weight of them sinks in—her intent clear. Satoru doesn’t reply, simply glancing at you with a silent apology in his eyes—if you can even call it that. You want to scoff at his lousiness. It’s clear she’s trying to assert her dominance in the situation, but you’re not sure whether it’s her trying to put you in your place or if it’s something else entirely.
You force a tight smile, the words you're looking for escaping you. “No need to worry,” you manage to say, the words barely leaving your lips as you turn to look at Satoru one last time. “I’m sure you both have things to do. I’ll get back to work.”
Satoru doesn’t protest, and Himari just gives you another dismissive glance. "Whatever," she mutters under her breath, but you catch the taunt in her voice. She might be playing it off, but you sense otherwise. 
As they walk away, the weight of the encounter lingers in the air around you. You stand frozen for a moment, the jacket still in your hands, and then—almost instinctively—you turn on your heel and head back inside the cafĂ©. Your heart still pounds in your chest, the sting of Himari’s words lingering long after they’ve both left.
You don’t even know what hurts more—the fact that Satoru’s dismissive attitude didn’t change, Himari’s words somehow managed to rattle you more than you care to admit, or the fact that he barely
stood up for you. It is selfish to at least hold him to a certain degree—a degree where he has the decency to protect you from the cruel shit his now girlfriend so nonchalantly delivers towards you? Maybe how he acted during that first unexpected encounter was all for show.
And of course, the pain in your chest feels more like a slow burn now, another brutal—unwanted reminder that things between you and Satoru, whatever they were
are long gone.
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An Izakaya of this caliber is something Haruka would have only dreamed of sitting in. Warm lighting is stationed above them, inside their own private room while she drinks away and away—solely because the people before her are buying. There are dishes of food scattered around, some picked from and others haven’t been touched yet. “You know, I really appreciate you spoiling me for the past two days, it’s nicer than any man has ever treated me.” 
She laughs to herself, casually leaning back on her palms, holding her pitcher of beer back up to her lips and sipping like a madman. Emi and Kenji Nakamura regard the woman with equally disgusted faces. Beside them is their personal lawyer. 
“So,” Haruka starts, burping and leaning forward once more. “What’s this all about my precious daughter, huh?” Her lip quirks up in a sneer at the reminder of the child she had and practically threw to the wolves. “Is she acting up again? She’s always been a little troublemaker.”
“I’m sure you’ve seen the articles, yes?” Kenji’s firm voice replies. “Involving your daughter, Satoru Gojo, and their son.”
She chokes on her spit. “What?! Son?! No, I haven’t seen anything! I’m a free spirit and I don’t believe in social media, it’s the devil’s play!”
The couple show no further emotion to her outburst. 
Haruka’s face contorts with an expression of disbelief as she wipes her mouth hastily with the back of her hand, trying to regain some composure. The news about Satoru Gojo and her daughter having a child seems to rattle her more than anything else. She leans back again, almost toppling over from the force of her sudden shift in posture, eyes wild. “I—what do you mean, son?” Her voice cracks, and she shoots a glance at Emi and Kenji, her eyes narrowing. “Are you telling me that boy
 and my daughter? They have a child?!”
Kenji’s lips curl into a slight frown, his eyes cold. “Yes, it seems your daughter has kept things a secret for years. The media and everyone else have only just found out.”
Haruka’s eyes flash with something venomous, but she quickly masks it with a laugh, the sound forced and hollow. “Ah, what a little dirty sneak. And, please. You know I’m not interested in all that family nonsense. And that son? How could they even think of bringing a kid into their
 situation?” Her head shakes as she scoffs at the thought of you bearing a child of your own. And especially with
him. 
“You may not understand now,” Kenji mutters darkly, before leaning in slightly. “But I think it’s time you start paying attention. Because this situation concerns you more than you realize.”
Haruka’s face twitches, the words hitting her harder than she wants to admit. The weight of the sudden revelation was heavy. She glances down at her beer, swirling it absentmindedly, her mind clearly racing with thoughts she doesn’t want to process. “You’re telling me my daughter has a son with him?” she scoffs, shaking her head. “That’s rich. Really rich.” Her tone is bitter, but the realization of the reality around her seems to slowly sink in, and she takes another long sip from her pitcher to steady herself. “She’s such a goddamn fool, I almost feel bad for her. I provided a lot for her, you know? Then she threw it all away.”
Kenji and Emi watch on in disinterest. The lawyer beside them brings out a formal sheet of paper. “We’d like to offer you a deal, Ms. L/N,” Kenji states. 
Haruka looks back up, eyebrows furrowing in confusion. Haruka’s eyes narrow, expression shifting from one of indifference to one of calculated curiosity. She shifts in place, wiping her mouth once more with the back of her palm. “A deal? What kind of deal?” she asks, her voice carrying a note of skepticism, but there's a flicker of interest behind her gaze. She leans in slightly, one hand still gripping the pitcher of beer as she lowers it to the table now.
“You see,” Emi starts. “Our only child—our precious daughter is dating Satoru. She probably felt the most disgruntled in this situation out of everyone else. With the suddenness, we fear that everything we have worked for will be put to waste.”
“And with the news of your daughter’s involvement with Satoru Gojo, it has thrown things into disarray for us. What we need is to ensure that this situation doesn’t jeopardize our family’s legacy—both our reputation and, more importantly, our fortune.” Kenji finishes. 
Haruka snorts softly. “I see. So, you’re telling me this little bastard of hers is a problem for you too? What does that have to do with me?” Her words come out sharper than she intends, but she quickly masks it with another bitter laugh.
Emi’s cold gaze sharpens, a glint of something unspoken flickering behind her eyes. “Everything, Haruka. Your daughter’s ties to Satoru Gojo are a direct threat to the family’s interests. And with a child in the picture now
 it complicates things further. But we’ve come to a solution, one that involves you—if you’re willing to cooperate.”
Haruka tilts her head, eyes narrowing as she watches the lawyer slide the formal paper across the table toward her. The ink on it is neat, but her eyes flick over it quickly, scanning the contents before she lets out a quiet scoff. “What is this? Some kind of bribe?”
The lawyer, keeping a neutral expression, nods. “It’s an agreement that ensures your cooperation in smoothing over this
 situation. If you agree, your involvement will not only secure your own future, but it will also protect the financial interests of both families. In exchange, you’ll receive a position of influence, a stake in the inheritance.”
Haruka’s laughter rings out again, more amused. “Influence? A stake? Do you think I’m some desperate fool who’ll fall for your little schemes? I don’t need your money. I have enough desperate fools willing to give me that already.” She sneers at the paper but then pauses, looking at Kenji and Emi, the weight of their gaze pressing down on her.
She takes another sip from her pitcher, her mind whirling as she weighs her options. A part of her wants to lash out, to dismiss them and their offer completely. But there’s something about the way they’re looking at her, something cold and calculating that makes her pause. The truth is, she’s always been a gambler, and she knows when to fold and when to play her hand. “You really think this is gonna work out?” she says, her voice quieter now, but still filled with an edge of disbelief. “This
 deal?” She hesitates, eyes flicking over the paper again, the signature line staring her down. “What exactly are you asking of me?”
Emi leans forward slightly, her posture unyielding. “We need you to leverage your relationship with your daughter. Influence her decisions, guide her actions—anything you can to help steer her away from Satoru. We want to ensure that the child and his existence don’t affect our plans. In return, we offer you protection, money, and a place at the table. It’s a mutually beneficial arrangement.”
Kenji watches her closely, his expression hard, but there’s a glimmer of expectation in his eyes.
Haruka’s mind races, her fingers idly tracing the rim of her beer glass as she processes the offer laid out before her. The temptation of power, of influence, is hard to ignore, even for someone who prides herself on being a free spirit. But she’s also no fool. She knows this is a high-stakes game—one where the risks outweigh the rewards if she misplays her cards. And the amount of 0’s she’s staring down at is inexplicably thrilling. She’s already imagining what she can buy with it. 
For a long moment, the room is silent, the tension thick. Emi and Kenji both stare at her intently, their eyes cold and calculating, watching her every move. The lawyer remains as neutral as ever, the formality of his expression only adding to the weight of the situation.
Haruka's lips curl into a smirk, the edges of her mouth twitching slightly as she leans back in her chair. “Leverage my relationship with my daughter, huh? You really think I can do that?” Her voice is laced with a mix of amusement and disdain. “You must think I’m a puppet master or something. But I’m not interested in some petty manipulation games.”
Kenji’s eyes flash for a brief second, a flicker of something darker crossing his features. "You know the consequences of doing nothing. You’ve been avoiding your daughter long enough, Haruka. But she’s not the same girl anymore. She's tied to Satoru Gojo now, and that complicates things. We need you to make sure she doesn’t forget her place. The family’s future is on the line."
Haruka’s hand freezes in mid-air, her gaze locking with Kenji's. She can feel the weight of her daughter’s past mistakes bearing down on her, the consequences that could affect everything she’s tried to distance herself from. Her jaw ticks, her eye twitching. What a stupid little girl, I tried warning you, didn’t I? “I don’t care about your legacy or your fortune,” Haruka mutters, her tone turning colder, sharper. “But I’m not stupid. I can see what you’re offering me.” Her fingers curl around the edges of the paper, her nails digging into the surface. “I have one question for you, though. What happens if I refuse?”
Emi doesn’t blink, her gaze unflinching as she answers. “If you refuse, Haruka, you’ll be left in the same position you’ve always been—irrelevant. Your daughter’s problems will escalate, and your connections, your influence, will be stay meaningless. You will never succeed and you’ll lose the tiniest amount of leverage you have. You’ll watch as everything you’ve ever taken for granted crumbles.” She pauses, the words hanging in the air. “But if you cooperate, we can guarantee your future. Your daughter’s involvement with Gojo doesn’t need to ruin you.”
Haruka’s eyes flick over the paper again, the signature line now feeling like an anchor, pulling her down into a world of obligations and consequences. She takes a deep breath, feeling the familiar rush of excitement that always comes when she’s faced with a gamble. It’s the thrill of uncertainty, the pull of what could be hers if she plays her cards right. Her bottom lip is worried between her teeth. 
“So, what you’re saying is... I’m supposed to ruin my own daughter’s happiness for the sake of your precious family’s legacy,” Haruka says, her voice low, almost contemplative. She stares at the paper one more time before meeting Emi’s gaze. "Fine. You’ve made your offer. But just so you know, I’m no one's pawn. I’ll make this work for me too. You’re not the only ones with something to gain."
Emi gives a small, satisfied nod, and Kenji’s lips tighten, but there’s a small shift in his demeanor—one that signals the deal has been struck. "Good," Kenji replies, his voice firm. "We’re glad we could come to an agreement. We will contact you if necessary and when your action is needed.”
Haruka, for the first time, sets the pitcher of beer down, her fingers now gently grasping the edge of the paper. She grins maniacally and signs it with a flourish. The ink is dark and permanent, sealing the agreement.
With the ink dry, she sits back, a smirk curling on her lips. “This will be fun.”
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taglist is now closed
taglist: @celestialforce @theclassbookworm @tbzzluvr @uhenivid @ofkilljoysandslytherins
@sadmonke @bunheadusa @shartnart1 @lady-of-blossoms @itsinherited
@duooy @ari-sa @dakotali @mew4-ever18 @iv-vee
@devils-blackrose @a-girl-with-thoughts @bitchycloudstrawberry @tiffyisme3760 @iheartshopping
@chiara-hotel @uriahs-barn @celloccino @roronoazorosbxtchh @pseudophyllus
@ratedrrrr @m1gota @tojideckmuncher @yigaclvn @sukunaslve
@eiizabeth-torres @cherrythiccums0 @satorustorm @zoeyflower @username23345
@i0313z @gourdlorddgubes @partypoison00 @quinnyundertow @sorilyae
@redzscare @aldebrana @nycmagi @s4ikooo1 @dreaming-lis @gigiiiiislife
@boothillglazer @miss-dior @miakxn @rjreins
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xia0mi-c0m · 3 days ago
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The proshipping problem in the twst fandom | A rant.
Very obvious trigger warning for things normal for proshippers like p3dophilia, incest, etc.
Though I do know proshippers will be in every single fandom, it's getting especially worse in the twst fandom, specifically the Japanese side of the fandom (with some discussions about some in the English side too).
Before any proshippers come into the comment section: Proshipping is NOT a healthy coping mechanism. If your therapist recommended it, they should be fired.
This post is not to dehumanize and degrade underage proshippers as they have been obviously groomed into believing that it was okay to ship this sort of stuff.
The actual elephant in the room we WILL be shunning is the adult proshippers who actively encourage children (either actually or under law) to proship.
Before getting fully deep in this subject, I would like to admit something that I've talked about before.
I was a proshipper when I was younger than what I am now. This was because, not getting into too much detail, I was groomed by a man online to the point that i thought it was okay.
Not only was I a proshipper but I was also a darkshipper, problematic comshipper, and also supported the things present in Dead Dove fanfics.
In fact, I had an account on some sort of forum page with other proshippers and I shared my nasty ships there. I believed it was a good way of desensitizing myself to my trauma that fucked me up heavily, but it wasn't and it was making me relive the same trauma which in return, made it worse.
This is why I say that I do not want anyone to shun underage proshippers, they were groomed into it half of the time.
Now that I'm 18 (About to turn 19 on February 14th), I finally understand that proshipping is an unhealthy way of approaching your trauma and pain.
It may feel like it does something, but it really doesn't. And I want to reassure you that you're not alone in your pain, please, find other ways to cope and process what has happened to you that doesn't include glorifying very nasty things.
Now with that out the way, I would like to say what the title says.
Proshippers in the twst fandom has sadly grown overtime, but my niece made a very good point; stating that since twst does have a slightly dark story, that people with dark and nasty thoughts and ideas will be attracted to it, much like a moth to a flame that damages it's already fragile body.
There have been adults in the twst proshipper area, and I think they're the main cause of fueling minors in the fandom to do the same thing. Maybe with or without knowing the eventual psychological consequences.
The adults who are aware sadly lure and prey on the gullible underage individuals of the fandom, and though that might seem like an overexaggeration; it sadly is true.
I am Japanese, well, half-Japanese. But even then, due to that fact, I'm more prevalent in the Japanese fandom than the English fandom though I am trying to balance out both.
Since I am more present in the Japanese side of the fandom than I am with the English side (because I'm basically like an absent dad that went off to get the milk and never came back until years), I have seen a lot of shit in here and it's very scary even to this day.
Though the English side of the fandom is as equally bad, the Japanese side is worse with the whole l0li and sh0ta thing. Sadly I have seen English twst accounts do those things too.
The most popular proshipper you may know is Ugigi or however the fuck you spell her name, whether one likes to admit it or not, her selfships were very much proshipping. This is mainly due to how her OC could've been her actual age which was in her 20s if I'm remembering correctly.
But let's say the OC wasn't, it would still be problematic (but not in the proship way) since the characters she drew NSFW of were mainly the minors (again, if I remember correctly). If her OC was her actual age then she would be a proshipper.
However, watever the age of the OC she always drew, it's obvious that it was still leaning more on proshipping because that indicates that she's attracted to the characters despite knowing they're minors (and not even aging them up by the way).
So, very nasty, I was thinking of putting her In the TWs 😭
All jokes aside, proshipping is disgusting.
In fact, must I bring up any other thing?
LEECHCEST.
WHAT.
Well, you heard that right, people ship Floyd and Jade. Seriously, what is wrong with you guys. And I think I know why this ship is so popular in the Japanese fandom; The fact incest is not necessarily illegal in Japan in a way.
Yeah. You heard me correctly. I'm horrified and scarred for life <3
"Surely there isn't anymore I shall talk about, right? Right?? RIGHT?!?" I exclaim, not expecting anything else to come from the sky and hit me.
Then boom..
SHROUDCEST.
OH FUCK NOT AGAIN.
So, apparently people ship a dead robotic little boy with his big brother.. yeah... FNAF fandom called, they're telling you not to steal their bit much like how Deejus is trying to tell Johnny RaZeR not to steal his "YOUTUBEEE" outro bit that.. he also stole.
It can't get any worse than this, right? This is definitely the last tier of the iceberg, surely? Perhaps??-
KINGSCHOLARCEST.
Okay, now we're pushing it, this bit is getting old but whatever.
Kingscholarcest can refer to three (disgusting) "ships": A nasty ship of Cheka x Leona, a nasty ship of Falena x Leona, or a nasty ship of Falena x Leona x Cheka.
Sweet home Alabama all around but more extreme..
I think we all know why these ships are not okay and are disgusting (ESPECIALLY CHEKA X LEONA SINCE CHEKA IS A GOO GOO GA GA BABY.)
Finally.. It's over.. I can go back to ranting!-
FELLOW X GIDEL.
JESUS CHRIST STOP.
This madness needs to stop because if not I'm going to pull my fucking hair out!-
LILMAL, SILVER X LILIA, S-
OKAY STOP IT RIGHT HERE,, THE BIT IS OLD NOW.
So, I think you get my point.
Borderline incestuous ships, the drake specialty, and straight up sweet home right to Alabama.
Now, let's put aside the jokes and get serious again.
With all the things I have stated, you can definitely see the absolute horror of some parts of the fandom.
There's accounts that are VERY hypocritical, saying "P3dos DNI" when they are a sh0ta/l0licon. This is the literal definition of hypocrisy at it's finest.
There are mfs who have unironically said that Cheka was hot and romantically cute.. HE'S 7 YEARS OLD. OR MAYBE YOUNGER. I DON'T EVEN REMEMBER BUT I DO KNOW HE IS A CHILD.
I have said this MANY times before and I'll say it again; if that characters looks like a child, THEY ARE A CHILD.
Even if you age up characters like Ortho, Cheka, etc. You are still self-reporting that you're attracted to a literal child.
Fiction DOES affect reality no matter if you try to plug your mickey mouse ears with your fingers (or paws, I don't know) to gaslight yourself into believing it doesn't truly affect it.
In fact, there have been cases where people have been arrested for having l0li/sh0ta on their devices, though, sadly, its not a long sentence despite how it should be lifelong.
But even without the lifelong sentence, the law still considers l0li/sh0ta CSAM. (I hate calling it CP now since that implies that kids can do that in their own will.)
A grown adult proshipper even told me when I criticized Kanna from dragon maid for being a little girl the author sexualizes to no end all because I said that she doesn't have a listed age that I was being "contradicting" and I think this proves that.. proshippers DON'T know what contradictions ACTUALLY are because they've gaslit so much into believing this disgusting behavior is normal and okay to do.
And don't get me started on Dead Dove cai, chai, etc. bots and fanfics.
Dead Dove, proshipping, problematic comshipping, darkshipping, doveshipping, etc. doesn't give out awareness to the horrors of such depraved acts.
Another very nasty thing I've seen in the TWST fandom is people shipping the staff with the students, mainly Crewel with Deuce.
Teacher x Student is disgusting no matter what. Teachers are always more grown than the students, so yeah, teachers aren't the anime boy or girl of your dreams or something, he or she's going to be old and otherwise not "attractive" and young.
The training to become a teacher and any profession in fact will take years, which means you'll grow and turn old.
I understand many say "Well, it's just fiction!" but these people seem to forget that young individuals, especially young girls, can see these teacher x student fiction and will probably, in the worst case scenario, get the wrong impression from it, ESPECIALLY if the media glamorizes and romanticize it, and sadly become a victim.
Crewel, If I'm not wrong, is 31 meanwhile Deuce and the other first years that [Crewel] mainly gets shipped with are 16 years old.
This is not only a disgusting, vomit-inducing age gap but huge maturity gap whether one likes to admit so or not.
Yanderes especially in the twst fandom get romanticized, and people seem to forget the reality of the abuse that yanderes put their "love interest(s)" through.
And I think this is why fandoms (not just twst) should stop romanticizing yanderes and student x teacher, and vice versa.
Besides, these two tropes are grooming even if the victim is not a minor, adults and the elderly alike can also be groomed especially if they're gullible and need to depend on someone (for either a disability or something).
People will probably invalidate my point but I don't budge from what I said.
Sorry if this posts looks rushed and/or maybe even incoherent to some, I just wanted to get this off my chest and stuff.
I should start ranting more, I like yapping so yeah, expect more whenever I'm bored :3
Anyways, BAIIII!!
YOUTUBEEEEEE flies away into the void to the right
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scribbleboxfox · 2 days ago
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The Long Road Home has updated
[LINK TO CHAPTER]
Fic info below the cut.
Chapters: 74/?
Fandom:Red vs. Blue
Rating: Mature
Warnings: Graphic Depictions Of Violence, Major Character Death
Relationships: Agent Carolina/Vanessa Kimball, Dexter Grif/Dick Simmons, Franklin Delano Donut/Frank “Doc” DuFresne, Katie Jensen/Charles Palomo, Siris / Megan, Lavernius Tucker/Agent Washington
Characters: Agent Washington (Red vs. Blue), Agent Carolina (Red vs. Blue), Dick Simmons, Sarge (Red vs. Blue), Franklin Delano Donut, Lopez (Red vs. Blue), Dexter Grif, Frank “Doc” DuFresne, Lavernius Tucker, Michael J. Caboose, All the other AI’s, Vanessa Kimball, Epsilon, Donald Doyle, John Elizabeth Andersmith, Katie Jensen, Antoine Bitters, Charles Palomo, Matthews, Emily Grey, Original Characters, Felix | Isaac Gates, Locus | Samuel Ortez, Siris | Mason Wu, Megan Wu, Four Seven Niner, Malcolm Hargove, Kaikaina Grif | Sister
Additional Tags: Emotional/Psychological Abuse, Psychological Trauma, Fluff and Angst, Angst with a Happy Ending, Dissociation, PTSD, Depression, Implied/Referenced Self-Harm, Implied/Referenced Suicide, Implied/Referenced Character Death, Panic Attacks, Frisbee Murder (don’t ask), Attempted Murder, Space Battles, Aftermath of Torture, Aftermath of Violence, Platonic Slow-Burn, Mental Instability, Flashbacks, Unhealthy Coping Mechanisms, Healthy Coping Mechanisms, Platonic Relationships, Russian Roulette, Creepy-Ass Villains, Canon-Typical Violence, Major Character Injury, Redemption, So Many Space Dads, Hurt/Comfort, Emotional Hurt/Comfort, Emotional Manipulation, Torture, Found Family, i take the canon and i put it in a box, and then i put that box into another box, then i mail it to myself, and when it arrives, i SMASH IT WITH A HAMMER, Canon Divergence, post s13
Summary: With The Staff of Charon a smoking-yet-functional speck on the horizon, and the threat of an active weapons system on one of Chorus’ moons, the fight is far from over.  While Locus is no longer a threat, another one of Hargrove’s former lackeys waits for the Reds and Blues as they race to stop the weapons system from coming online. Does she really want to help them? Or is she hiding a more sinister motive? And why is she so interested in Locus?!
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mako-neexu · 9 months ago
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smth smth rambles that are entirely my opinion and i could be wrong (so dont attack me) you know this chapter made guda, fuijmaru ritsuka with already Many Issues worse is because of "mash" or rather kyrie's death but ultimately comes back to mash...that dantes did for them.
we even see a while back how guda was already shaken by not knowing whether mash is safe during lb6 after that fog like their priority is mash. mash.
they were already frantic as soon as they remembered mash almost questioning everyone about her whereabouts and immediately got reckless just trying to reach her at norwich. and when only when they were together did the "narrator" emphasize on the sheer relief guda felt like-- wow the obvious signs in OC chapter 2 makes you realize furthermore that guda's sanity hangs on a thin thread named 'mash' asdfgh
yes guda loves mash!! yes they care about her!!! but look and read at how guda tells absolutely nothing to mash- and that applied the same to kyrie!
(more below)
kyrie wanted to know and ask her senpai about the situation like we see her really wanting it but ultimately backtracking in the end because she trusts guda and she's even supportive. and guda was grateful/relieved that she stays innocent about the weird things going on in their tokyo.
they do compromise at one point that if kyrie really demands on explanations, guda would tell her but...
guda doesnt tell her anything, (kyrie believes in her senpai so even when faced with death, kyrie didnt break under pressure) keeps her in the dark so no one comes after her. for her to be ultimately safe. so she remains...innocent, normal who stands alongside "mama" and "little sister" as they arent involved in the first place about whats been happening. and guda wants to keep it that way for their family. not a real family, but a family nonetheless that cared about guda. an epitome of normal- which mash kyrielight has attained.
and now you see guda, who, upon waking up asks mash kyrielight if she was okay. if she was alright. guda doesnt stop their questions until mash answered. and so mash answered.
"I'm okay, Senpai. My vital signs are normal... so I'm completely okay."
all the while guda had just dismissed being in pain literally one minute ago and just hugged her tight. they "save mash the trouble" to tell her about the pains they went through in the singularity so as not to burden mash. so they stuff their pain inside the corner of their heart again, completely satisfied with mash's safety and disregarding their own health. (you also see in section 23 that theyre cherishing the normal and small moments with mash.)
mash is normal. mash looks pure to guda, her heart filled with "color" in comparison to guda whose heart has become "transparent". an inverse character development which will ultimately destroy them both.
for mash, who sees her Senpai as strong and unwavering, the image of kindness and strength when they held her hand during part 1 crushed by a coffin which she continues to believe them to be that way until now.
for guda, who sees mash as someone who's become normal. one last remnant that reminds them of a past life lost, mash with that purity and normalcy becoming an ideal to protect (as if she was glass) because they no longer have their own. (and mash is also literally the only one left close to guda, who remembers all the events of part 1. which... adds more to how losing mash would break guda even further.)
(also we see guda say 'tadaima' coming home to an empty house, the loss of kyrie and their family still in mind, and a little later, the Avenger mindset comes back and settles in as they're plagued by bloodlust. then when guda comes back to mash, their home, mash is their home. do you realize that? do you realize what im saying? mash says: "welcome home, senpai." and that was enough for guda. that eased everything in guda's tumultuous heart.)
i remembered guda avoiding on telling "mom" that they and kyrie were near the "gas leak site" / britoalter's battleground so like.....of course their lying to medical staff about getting back to the battlefield would carry over here.
deliberately making sure the "normal" components of their fake high school life remain untainted is what we see guda do. they shouldered everything, terrifying as it is, just to protect them but ended up inevitably losing them in the process.
there's also that contrast in seeing a dead body between kyrie and guda. kyrie still stood strong against dantes and remained rational and calm while telling "ojisama" that this wasnt good for guda. meanwhile guda, while still able to think about calling the ambulance after seeing the da vincis absolutely lost their mind when it came to kyrie which their mind thought of mash- and i think guda thought of both as 'one' person so they went absolutely insane right then and there
during the conversation with amatsuka, thats the part where guda became finally stable. because its implied guda's mental state really broke at kyrie's death which their mind automatically thought it to be "=mash is dead". but ukelele-senpai saved the day by reminding guda where they are, if mash and kyrie were the same person, and helping guda calm down and think of seeing that blue sky with mash during the part 1 epilogue.
and augh guda you shit!!! you need therapy!! dont put mash in a pedestal!! dont treat her as if she's fragile!! dont treat her like porcelain meant to be protected while you take on everything for the sake of keeping mash safe because she is the only remnant of your past left, because she is the only "normal" person you have left!!! guda you need to understand that if ever mash gets hurt someday or dies and its out of your control, you need to understand that it wont be your fault!! you need to understand that because someday you will part ways with her as well and you need to be able to be ready to lose again. if you lose mash once and for all, what will you do!?!?!? this is not healthy guda!! gudaaa you hear me!!?? gudaaaaaaa
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nyanbinary-87 · 5 months ago
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PRINCESS TUTU ASPEC WEEK: QUEERPLATONIC & BONDS.
i think they should be weirder and more fucked up abt each other. feat a simpsons quote. what they have isnt romantic they have something much more sinister going on etc etc (its The Narrative)
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saturnniidae · 5 months ago
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I think Astrid Hofferson has a bad case of the 'my childhood was wasted, I grew up too fast for something ultimately proven pointless.' Syndrome and that she deserves to get to do silly things she missed out on and take up new hobbies, even if she's not particularly good at them–it's purely for the experience yknow, and learn to finally breathe no longer needing to be on constant high alert and get to be truly happy
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neo-zone · 20 days ago
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I think the little (funny) detail that people tend to miss is after killing Bazz B (and the regret increasing tenfold mixed with grief and sorrow), Haschwalth starts to have his screws loose one by one. He's smiling and smirking and grinning and throwing fits more frequently for someone who's supposed to be stoic and levelheaded (mind you, he's acting against everything about balance, his fucking shrift) primarily to his poor target of projection, which is none other than Uryu (why suffer in this hell alone when you could drag someone to join you in this eternal misery of choosing your god over your best friend)
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mikosocute · 2 months ago
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"whats ur lore?" my brain tends to clear storage so i forget about my problems (;^_^)
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mamawasatesttube · 10 months ago
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timcassie is so compelling to me. they were not into each other even a little bit. it was such a messy coping mechanism fuelled entirely by grief. they were making out with each other because they were both substituting each other for kon. cassie was far more aware she was doing this than tim was. unironically, dating a girl here is one of the gayest things tim has done
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kaelidascope · 5 months ago
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You're A Hot Mess Chapter 3 is LIVE
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**SHAKES DEPRESSED DOGGY BAG OF TREATS**
This time we get Yang pov 👀
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kataraavatara · 10 months ago
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“guys, the house of wind was like REHAB for nesta” THEY FUCK YOU IN REHAB??????
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faunabel · 6 months ago
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my fave form of what's basically friends to lovers is when two people meet and have all their own baggage and the connection they form together and love they have for each other forces them to unpack all that baggage if they want to make things work. the kind of relationship where you're forced to look in the mirror and stop avoiding ur own problems because that person forces u to confront all of them (and u force them to confront theirs, too) because the relationship will Not work if you keep up all these walls either from your person of interest or even from urself!!! and there's too much of something there to give up and move on because it's difficult
the kind of thing where there's romance but the real plot of it all is self transformation through loving another. like the focus is on two individuals w/ their own lives who come together and have romantic feelings for each other vs the romance itself being the plot.
and maybe in the end they don't even stay together! maybe it doesn't work out! but there's drastic change and an undeniable impact they both made in each other's lives that will live on. is changing for the better not love in its rawest form?
#( 💭 faun thinks )#this idea has been sitting in my brain for a while and i randomly got the urge to talk about it again#when i write romance this is usually how i do it <3#i love when characters are forced to deal w/ their baggage and unhealthy coping mechanisms because they love someone enough to#put in that effort#or if not that then the connection makes them realize where they're screwing themselves over so they can acknowledge and fix it#Characters. being forced to Think. to Self Reflect. to acknowledge things they're buried about themselves.#i love it#one example would be like. when someone usually runs away from deep connections but is forced to confront that fear because they get#attached enough to someone to genuinely not want to lose them or to genuinely not want to hurt them if they themselves refuse to acknowledg#how much they genuinely care for them on a personal level#stuff like that!!!!!!!! like yes bitch reflect on urself so u stop self sabotaging!!!!!!#make deep connections w/ the other characters through acknowledging ur shadow self!!!!!!!#compromise with someone u love when ur opposing baggages create conflict!!!!!!!#put in effort and grow as people together!!!!!!!!! learn and evolve with someone else!!!!!!!!#this probably says a lot about me...... and this is probably why i don't really like romance as a genre lol#i like when stuff goes deep and focuses on the characters as individuals instead of purely love interests that end up being rather shallow
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piosplayhouse · 2 years ago
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We are not wise is yet again making me sad about how shen jiu could've had SUCH a good redemption if only he didn't pick literally the WORST possible profession for himself where he'd be constantly surrounded by wealthy privileged male kids who'd make him constantly reopen his wounds and relive his childhood
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extantformoflife · 7 months ago
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haha im sure this is just a funny little joke and definitely not something that siffrin Actually Believes in a way that is just so sad. haha.
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thomothysdoodles · 3 months ago
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Leo, my troubled boy, why can’t you just get drunk, without the whole bar fight stuff?
6: NOT REALIZING THEYRE INJURED
unhealthy coping mechanism | healed wrong | “it’s not my blood”
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just-a-living-meat-thing · 5 days ago
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As much as i am 100% a thorough Silco sympathizer i do think its still worth saying that he wasn’t a good father
Like yes he did absolutely care for and love Jinx and he did what he thought was best for her (note: what HE thought was best, not what was actually right or healthy) regarding the circumstances.
However, he still was a shitty ass dad and was not actually a good, healthy, or decent father figure to her. And I actually don’t think that is super debatable. the words “Silco loved and cared for Jinx like his own daughter” can and should coexist with “Silco and Jinx’s relationship is fundamentally unhealthy and just the fact that Silco cares for Jinx does not magically make up for all the shit he pushed on to her, even if it was only an attempt to help her”
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