#when it should really be: do i think i can do this for a year

[woso-dreamzzz]

Teenage Dirtbag III

Mapi Leon x Ingrid Engen x Teen!Reader

Summary: You get a job

The mural appears on the building in the middle of the night but it's on the morning news show that moment the sun comes up.

You stubbornly ignore the screen as you stare down at your bowl of cereal, the smallest of smiles on your face as you offer a dry cornflake to little Vince, who takes it and scampers off to eat it at the other end of the table.

"I wish you wouldn't let him up there," Mapi says and you roll your eyes.

"You let Bagheera up here."

"That's different."

"Is it because he's a boy? Is that it?"

Mapi lets out a little bark of laughter for a moment before flicking you in the ear. "I'm worried he's going to fall and hurt himself."

Your kitten peers over the edge of the table after eating his cereal, little legs wiggling in preparation to leap as his half ear flicks happily.

"I think he's survived worse."

Mapi rolls her eyes, plucking Vince off the table and placing him on the floor before she makes her morning coffee.

Ingrid's the one watching the news, her brow furrowed as she listens to the report.

"Well," You say, pushing out and up from the table," I'm going to head to school. I'll see you later."

Ingrid's eyes narrow at your abrupt exit and you don't slow down enough for her to open her mouth.

The path to your school is a familiar one, a fancy private school that Ingrid probably pays an extortionate fee to send you to but is still leagues above the boarding school you used to attend in Norway.

But you've still got a blazer to wear and a shirt and tie - not even one of those clip on ones. It's a proper tie that you've got to tie everyday.

Your skateboard wheels roll over the pavement, earphones thumping with music, as you approach the building. There's a teacher at the gate and they give you a look of disapproval as you come rolling past.

"Hoodie off, Engen," They say," You know the rules."

You roll your eyes as you continue on your way, making a show of stripping off the hoodie you've got on under your blazer just as you make it through the double doors - where it goes straight back on again.

School in Spain isn't really that different to school in Norway apart from the fact that everyone's speaking Spanish.

That's not really difficult either - Spanish that is. You've already got Norwegian and English, and Spanish wasn't really too complex of a language to learn either.

Sure, you've got a bit of an accent and sometimes have to take a moment to think through your grammar but it's nothing that makes it impossible to communicate.

"Off the skateboard, Engen," Another teacher says as you ride down the corridor on your board.

"Will do," You lie through your teeth.

The speed of your skateboard is the only thing keeping you away from the gaggle of girls that follow your every move.

Back at home, Mapi thinks it's hilarious. Ingrid says it's sweet.

You think it's annoying. It's bad enough to appear in the middle of the school year and have everyone automatically know who you are. It's worse when a group of giggling girls try to follow you around all the time. You kind of just want to fade into the background.

"I thought the teacher just asked you to get off that skateboard?"

You roll to a stop in front of one of the prefects.

"I mean...they didn't exactly say when I was meant to get off the skateboard? Just that I should get off it?"

She rolls her eyes, arms crossed over her chest. "You know what they meant."

"Do you ever get tired of being so stuck up?" You ask with a cheeky grin.

"Do you ever get tired of pushing boundaries?"

You shrug. "It's part of my charm."

"Yeah, charm," She scoffs," Let's call it that. You know, I should write you up for dress code. You know you're not meant to wear hoodies to school."

"So I've been told."

"Or trainers."

"They're comfortable."

"Or leave your tie undone."

"I don't like the feeling on my neck."

"And that hairband? Black only."

"What? So I can't wear a red hair tie but you can wear pink ribbons? How's that fair?!"

"So now you're trying to fight with me about it?" She asks, the corner of her mouth twitching upwards," I really should write you up."

Your eyes narrow, nose scrunching up. "You're teasing me."

"What gave it away?"

"I hate you."

"No you don't, Engen. But I do have a note that I was meant to give you during registration. Here, you're excused after lunch. Your sisters are picking you up."

You stare down at the note from the office in your hand as she walks off with her stupid pastel pink hair ribbons.

"Hey! Mapi's not my sister!" You yell after her but she doesn't stop to argue with you about it.

You kind of wish she did.

You shake that thought away though, tucking your skateboard safely under your arm as you make your way over to registration.

School is boring like it always is, even though Ingrid's insisted on them giving you challenging work in the hope of keeping you engaged. She doesn't need to know that you're still skipping classes to hang out in the art rooms with that one eccentric art teacher that can't remember your name but does know the exact brand of spray paint that you love.

You're more than happy to sign yourself out for the day with your hood flipped up as you make your way over to Ingrid's car.

You take a glance back at the building, up to the second floor where that girl is sitting with her stupid pink ribbons, staring bored outside of the History class window.

You know she sees you and you know she sees you put your middle fingers up at her.

"Do you have to do that?" Ingrid asks as you slide into the back seat, slamming the door closed behind you. "You're going to ruin my doors."

"The club will just give you a new car," You say dismissively, plugging your phone into one of Mapi's many chargers. "So...Why am I being let out early?"

"We can't want to do something nice for you?" Ingrid hums, pulling out of the school gates and onto the road.

"Not at lunchtime on a Tuesday," You reply and Mapi snickers in the passenger seat," Don't you guys have training or something?"

"It's almost like you want to be in school," Mapi teases," We can always turn around and drive you back."

"I'm good," You say," But, you know, I haven't eaten yet. Can we grab something first?"

It's hours (and one burger) later that has Ingrid watching you from her passing exercise with Esmee.

Your white school shirt is stained with spray paint and she's ninety percent sure that it's never going to be white again. Your blazer is a heap on the floor and your hoodie sleeves are pushed up to reveal a pastel pink ribbon tied around one of your wrists.

You're totally in the zone though as you adjust your hastily made stencils and step back to review your work.

Ingrid's pretty sure someone could scream your name and you wouldn't even notice, too preoccupied with setting up base layers and a few shapes.

"How it's going?" Mapi asks," It looks..."

Well Mapi can't quite tell how it looks because it's just a bunch of colours and vague shape blobs to her.

"I think I'm going to make the focal point the Champion's League trophy," You say," And then everyone spread out around it."

Mapi tries to picture it but the vague blobs and splashes of colour look just like that to her, no hint of what you can clearly see within it. "Cool," Is all she can say in response.

"It'll look good," You reply," I promise."

"I trust you," Mapi says," I'm just a little sad that I'm clearly not seeing what you're seeing."

"Give it a few days," You promise," And it'll come together."

"I look forward to seeing it," Ingrid says as she approaches.

She's with Mapi, unable to see what you can in the splash of colour and swirls but she's seen enough of your work to know that it all starts off like this.

"Besides," Ingrid says, slipping her hand into yours," Maybe with this to work on, you won't go around tagging random buildings that make it on the news."

"You can't prove that was me," You reply, not taking your eyes off the wall in front of you," They were saying it could be Banksy or someone else trying to make a statement."

"Don't be stupid," You sister says," I can recognise your work anywhere."

[linopilled]

⟡ cw: church boy innie, talks of sinning, awful dialogue & pacing, softcore degradation, reader has a vag & is lady coded, manipulation but its softcore, male masturbation & wet dreams, dry-humping, one (1) singular spank, cum-shot, implied oral (fem receiving), jeongin Really wants to fuck y/n!

⟡ author's note: hey guys so funny story i- *pushes you and runs away*

church boy!jeongin's first experience with temptation comes in the form of his childhood best friend.

ever since experiencing his first sexual awakening and suddenly realizing how stacked his good friend is, he has purely never been the same again. in fact, he doesn't think he'll ever come back from it. he doesn't know how he can.

jeongin had been going to the same church as you for years, only seeing the picture of perfection in your form, white lacy dresses that make you look like an untouched angel causing his cock to chub up in his slacks. he hears his father in his ear warning him about how he should be lowering his gaze, and you're a lady that should be respected as such, but in the back of his mind, jeongin's just grateful he can't hear his impure thoughts.

his second experience with temptation, of course, involves you, but merely as a figment of his imagination. he wakes up in a cold sweat, dick hard in his trousers and his boxers soaked with precum. in his dreams you'd been shoved face first into his mattress and fucked like a slut. his slut. crying like you'd never taken a dick as big as his before, and as he recants the vision from before, his cock throbs dully in the confines of his bottoms.

"fuuuuck —" he groans, gripping the base of his cock, before laying back in silence. he really needs to get you out of his system. and he does so that same night by rubbing his cock raw, wishing it was your tiny cunt instead of his hand.

the third, and final instance in which jeongin faces temptation in it's most dangerous form, you're kneeling in front of him with the most innocent look on your face. like you didn't just ask him to “show you his if you show him yours.” you're alone with him in his bedroom, both of your parents under the guise that the two of you would be studying for an important test.

“innie, jeonginnie — i just want to see.” you plead with him in that stupid fucking tone — eyes sparkling in a way that's definitely getting him hard again. his father's voice is in his subconscious again, but he doesn't listen to him this time.

“y/n-ah. i can't. but we can do something else okay? do you trust me?” jeongin asks, his palms moving forward to rest on your shoulders. your eager nod almost makes him feel guilty about the way he's about to use you.

almost.

“turn around, a-away from me. hands and knees.” he says, eyes trained carefully on you as you switch your position. his eyes trail downward to your ass, noting the way your skirt hardly covers your anything. if he was bold enough, he'd shove you forward so he could see your panties without that short skirt obstructing his view. instead, his hand trails downward to his cock, palming himself through his slacks at the sight of your ass.

“what are you going to do?” you ask him, turning your head back to look at him through hooded eyes.

jeongin opts not to respond. he lets go of his hard-on, sitting up on his knees and wrapping his hands around your waist in a firm grip. “you've no fucking idea how bad i've been craving this, y/n.” the man begins, pushing his hips forward to meet your ass. a faint gasp leaves your lips, and you wriggle slightly, but jeongin's grasp doesn't let up.

he slowly begins to rock his cock against your ass, a deep growl rumbling in his throat when his cock presses up against your cunt just right. moaning weakly, you jolt forward, panties getting wetter as you let him rub carefully against your backside. “didn't you want this too?” he speaks again, rutting harder into you when he hears you gasp once more and sees your head nodding frantically.

he takes note of your hands gripping his duvet and little choked noises spilling out of your lips in a desperate attempt to stay quiet, and he removes one of his hands from your waist to give your ass a firm slap. he laughs, watching you squirm.

“trying to stay quiet now? after you sauntered your way up into my room and asked to see my dick like a shameless harlot?” jeongin scowls, losing himself a lot quicker than he would've liked to. he's now humping your ass in a tempo that rocks your body forward, and your clit throbs, the dull friction of a hard shaft nudging your cunt through soaked panties.

still with one large hand gripping your waist so tight you're sure it'll bruise, he ever so slightly maneuvers your body, making you rock your hips against his dick. “fuck, angel. you'll make me come just like this.” he moans, mirroring your soft noises. “bet if i held you down and finally fucked you like you'd been begging for, you'd love it.” jeongin smirks, looking down at where the two of you are connected, noticing the wet patch on his front getting larger as he keeps humping your cunt.

you've officially lost it, fucking yourself back into his clothed cock and practically drooling, your mouth open in a cute little "O" shape, that makes jeongin's heart swell up in his chest just like his cock. “f-fuck, ah — innie, please.”

you don't even know what you're begging for, but your core is molten hot, orgasm building rather quickly in your gut and your small noises turning into pathetic whining.

when your noises get too loud, however, his hand comes and presses against your mouth, effectively shutting you up and pressing your cunt harder on his dick. “shhh... we don't want to get caught, don't we? just lay there and take it. let me keep humping this little cunt till i come, okay? and maybe i'll let you come too.”

“innie, innie please —” you slur, but your words are muffled by his palm.

jeongin's pace is akin to one that he know's he'll uphold once he finally gets the chance to feel you squeezing his cock. your pathetic babbles spur him on, and his hips stutter. he's close, but he doesn't want to come in his pants. not like this. you're too fucked out to notice him unzipping and pulling his cock out with his other hand, but you whine at the loss of his iron grip on your tummy.

you look back at him all teary-eyed, and that's what breaks him.

“god you'll fucking — i'm coming, i'm fucking coming doll.” he hisses, pushing your skirt up and jerking his cock to a messy orgasm, tilting his head back and groaning with every spurt of his cum hitting your ass, the back of your thighs, and finally — your covered cunt.

despite coming first and edging you at the brink of your own orgasm, jeongin is ever the gentleman. he takes your cum covered panties off with gentle hands, and pushes your face into his blankets, and makes you come on his tongue, right there on his bed.

that same night, through your window he watches you pray at your bedside, reciting hail-mary's and begging for forgiveness for indulging in sin.

jeongin's cock gets hard again. he really wishes it was you begging him for forgiveness instead.

[no-144444]

prince charming- l.norris

summary: lando brings his niece to the ballet, who knew he'd find love?

pairing: lando norris x fem! ballerina! reader

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Another show finished, another day done. All you had to do was meet some children and show them around the stage. It was a thing the company had decided to do after every single show, and you were one of the only ballerinas who enjoyed it. Everyone else ran out of there as fast as they could, but you stayed around, in full costume, showing them everything. 

“Y/n! Y/n! Look!” Mila, the little girl that had been assigned to you pulled on your hand and you followed her over. “It’s your Prince Charming!” She pointed at your co-star, Richard, who was playing Prince Charming while you played Cinderella. He was lovely and one of your best friends, but Mila’s face fell when she saw him kiss another girl, aka his actual girlfriend Mia. “He’s kissing someone else!” she gasped, looking at you hurt. 

You smiled. “We’re only together in the show, remember? My name isn’t Cinderella, is it?” You chuckled and she nodded, laughing. “So, that’s Richard, and he’s Mia’s real-life Prince Charming, not mine.”

She nodded understandingly. “Do you have a Prince Charming?”

You internally cringed, why did kids always want to know about your love-life? “No,” you smiled. 

Her face lit up. “OH! Perfect! Uncle Lala!” she called for her uncle to come over as your face fell. “Uncle Lala will you be Y/n’s Prince Charming so she can be my Auntie and we can have fun forever?!” 

Mila’s excited face and the ridiculousness of her statement, reminding him she truly didn’t know how the world worked, made him giggle. And with Lando, when he starts, he doesn’t stop. It took a whole minute for him to stop laughing, while you sat there awkwardly. You knew who he was, you knew why he was laughing, but it was still rude. Just say no, dude. 

“Mila, it doesn’t work like that,” he explained. “She’s way too pretty for me,” he whispered, sitting down beside her, and in front of you. 

Your eyes widened and you looked down, confused at the entire situation. 

“I know she is,” Mila answered (subtle dig at her uncle, but alright). “But you could ask her to dance or something. Princesses like dancing.”

Lando shook his head. “I’m an awful dancer.”

“Why do you just try talking to her!” Mila scoffed, then ran off to go look at some of the set of the show. 

You looked up and met his eyes and you both started laughing. “I’m so sorry about her, she gets like this sometimes,” he admitted, a slight blush on his cheeks. 

“It’s alright, it happens sometimes,” you waved him off, an easy smile on your face. 

“You get hit on through people’s nieces a lot?” he questioned. 

You chuckled. “It’s more common than you think, people love the ballerina shtick.”

He laughed. “How old are you?”

“I’m 23,” you answered. “And I’m Y/n.”

“I’m Lando,” he held his hand out to be shaken. “Nice to meet you.”

“NIce to meet you too,” you smiled, shaking his hand. “Congratulations on the year you’ve had.”

“You watch F1?”

You nodded. “My mom has been into it since she was a kid, she gave that to me, so… yeah.”

“Who’s your favourite driver?” he smirked and you chuckled. 

“Nico Hulkenberg,” you smirked. 

He chuckled. “Understandable,” he smiled, nodding. “Mila is probably off somewhere trying to destroy your set, I should probably go grab her.”

You both got up and smiled at each other. “It was nice to meet you.”

“It was nice to meet you too, Prince Charming,” you joked, he giggled. 

And that was that. 

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For the next few days, Lando could not get you out of his head. You were funny, kind, beautiful, good with Mila, everything he wanted in a person, yet he’d let you slip away. You weren’t even on social media, but he followed the company’s instagram and some of your friends to see pictures of you. He decided, once the season ended, he’d go back and find you. Maybe he really could become your Prince Charming. 

He joined the rest of the crowd in their standing ovation as you bowed, smiling brightly. He waited around and followed a few more people backstage to finally see you again. 

“Lando?” you questioned as you looked at him from behind. “What are you doing here?”

“I wanted to see you again,” he shrugged. “Happy holidays.”

You smiled. “So it is true,” your eyes shone with a hint of mischief. “You did follow the company account.”

He screwed his face up in a half-smile-half-grimace, he’d been caught. “You don’t have a public account, thought it would be weird to follow you on your private one.”

You chuckled. “I would’ve let you follow me,” you told him. “You are my Prince Charming, right?”

He beamed. “Right,” he nodded. “Dinner?”

“Let me get out of costume,” you agreed. You started to walk off and he didn’t follow, unsure what to do. You turned back and grabbed his hand. “Come on!”

He was very happy he had brought Mila to the ballet.

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navigation for my blog :) (masterlist)

[twosides--samecoin]

Free yourself of your ego so you can put your nose to the grindstone and do the real work.

I see so many writers who seem to think that they're supposed to get it 100% right on the first try, and that's just not how storycraft works. Most of the books in publication today have several rounds of drafts where the manuscript is passed back and forth between the editing team and author. If your fave author needed an editing team, you're allowed to have a shitty first draft.

If it fails to meet your expectations, use it as a learning opportunity. Open the document side by side with a copy of itself and make changes on the new copy. Learn from what disappoints you.

& it's never about "failing to do the story justice", it's more often than not about a ton of other preconceived notions about writing or self-esteem/self-imposed limitations. It's often about protecting one's inner perfectionist and/or gifted kid who will feel an earth-shattering pain if something they put into the world reflects poorly upon them.

But you have to allow yourself to draft. You have to spend time with the work and form a relationship with it. You have to be willing to learn your bad habits and edit your own words. You must learn to wait a day to fix issues before you post. Leave your worries at the door. Turn your focus toward improving the skill of writing.

If you'd accept, "Oh, right, you can't paint a Rembrandt when you're just starting out - that's a really crazy expectation to have on a beginner painter", then that same understanding and grace can and should be applied to storycraft.

It's also just not that serious. The edit button exists for a reason - I went back and edited the first 115k of Long Time Running earlier this year and am about to go back and edit more, because my skill grew and I keep noticing little things I can improve.

This is not a zero-sum game: the story is something you build toward over time, not something that happens immediately.

The most frustrating experience as a writer is having a clear vision in your mind of the story you want to tell but being too afraid to put pen to paper for fear of failing to do the story justice. I’m so scared that my actual execution will fail to meet my expectations that I’m paralysed to even start.

[genderqueerdykes]

holy shit wait…your 32???

I…im gonna cry

I didn’t know we can live this long…

not just trans mass but…

alterhuman…and plurals..and…

I can’t…

so happy

gonna cry……..

yes i am! i was born in 1992 :)

that's exactly why i have my age in my bio- i've wanted to show people that you don't "outgrow" fundamental parts of your identity. it's natural to adopt and shed identities as we age, but i've been out as genderqueer since 19! nothing has changed, i'm still the same genderqueer person i was all those years ago!

and if anything- life has gotten better in my 30s. as a word of advice to most people out there: your teen years and your twenties FUCKING SUCK!!!!!!!! they tell you those are the "best years of your life" but they're NOT- you're growing into a world that is terrifying and doesn't understand you. you're scared. your brain and body are still developing and you're constantly facing new challenges. those are honestly i think the HARDEST years of your life, hands down

when i was a teenager, i would think to myself "phht there's literally no way i'm making it past 25 lmao" and figure that life ends after 25. well, that day came where i turned 25... and nothing changed.

and then i turned 30. still, nothing changed

now i'm 32 and... nothing has changed. maturation happens with age, yes, but it doesn't mean that you're suddenly a completely different person. people have such a shitty view on 30 year olds, like it's somehow "embarrassing" to be above the age of 25 years old. people in their 30s are constantly picked on, we're constantly told to "act our age" when... we are. i'm happier than ever realizing that I made it to my 30s, still trans, still nonhuman, still plural

i've been in treatment for DID since 2017, and while i've healed a lot, i have not integrated with my alters, and i never will. i don't want to. this is how my brain functions. the dissociation can be a nightmare for me, but my brain needs different people inside of it in order to be able to function properly. we tried to force ourselves to live as a singlet for 3 years and what ended up happening was that host at that time cracked from being under the constant pressure and still has never returned. the amount of stress it placed on us to try to live as a singlet was not worth it. at all

there hasn't been a singular moment in my adult life where i stopped being nonhuman, either. that was something that i never even tried to force myself out of. i never viewed it as weird or something that i should "outgrow"- i told my own mother that i did not identify as human as a child and that never left me. even now, i still wear dog collars, ears, tails, and take nature walks and do things to make myself feel more like my nonhuman selves. i'm still a furry, too!

i might not be a queer "elder" yet, but i'm happy as can be to be able to be an older queer person who can use their experience to help younger folks. thanks for sending this message! trust me, there really is a life after your 20s. your teens and 20s suck massively. but after i passed 30 i became more down to earth about my age. it's not a bad thing to live past 20- in fact, it's a badge of honor. i made it. i'm still breathing, i'm still here, still queer, despite all attempts to prevent me from still being here.

i'm going to continue be here for a long, long time, and you can be here with me, too.

take care of yourself! thanks for stopping by!

[copperbadge]

I wanted to thank you for running RFM for so long.

And as we wind down to the end of the year (and the era), I want to ask if there's anything the Tumblr community could do to thank you for the effort you've put into this over the years.

Is there a charity or cause that you support that we could contribute to or other action we could take?

Aw, thank you for asking!

If you want a specific place to give, there are a couple of nonprofits I support. The Anti-Cruelty Society where I got the cryptids is local to Chicago and BAGLY is a queer youth nonprofit local to Boston; you can also give to United Way either locally or nationally, to Planned Parenthood, or to the American Library Association, currently fighting the good fight against censorship. I know people working for all of these orgs and your support means a lot to them. You can also give to my Ko-Fi marked "for donation" and I will give in a lump sum to the org I work for, which funds research into terminal lung disease and outreach to patients suffering from it.

But honestly, I hope the most long-lasting legacy of RFM is that people think consciously about caring for one another and about being kind and compassionate even if you feel judgement for the person asking. Over the years I found myself judging people sometimes when they asked for help, and I had to make a policy that I would not only share their link but publicly defend their right to ask, if necessary, because I am not infallible and nobody else is either. It is not for us to determine who can ask, only who we answer.

I've been on a campaign for about a decade to persuade people that while some nonprofits are indeed not great places to give your money, you should approach giving in the spirit of trust. When we buy something -- say, a box of pasta -- we trust that what the box says is inside actually is inside. When we buy a wool sweater we trust it truly is wool unless we have reason to believe otherwise. We look at the box or the label, we do our due diligence, but we don't automatically assume we are being lied to. If you give to a nonprofit, by all means, read the website, maybe do a quick google about them, but trust that most people who work in this field, which is underpaid and full of burnout, are doing their best to help the world. Find a nonprofit you really like the look of and treat it like starting a new friendship -- get to know them, read about what they do, if they have events, especially free events, maybe go to one and have a look around.

But yeah -- that's what I hope lasts, the idea that giving is an act of community and that the spirit in which you give matters, not whether or not you did the most good in the most moral way.

[octahyde]

Ok actually one thing that really really bothers me about how widespread people are negatively reacting to the anime just for the fact that anime onlys are going to be in the fandom is like

This is going to make TWST so much more accessible

Like… not everyone can sit down for several hours and read a visual novel. It’s very time and focus intensive. Not everyone can read logs of the dialogue on wikis, either. There are several people who are unable to enjoy this story based solely on medium. A good example is my qpp; he loves TWST. He loves the story. He loves the characters. But he can’t get past Book 3 because the format is completely inaccessible to him. He’s tried. I’ve tried with him. He just… cannot do it. The novels are a godsend because it’s a way he can finally read the story in a format that works for him. The anime will also help a lot because he’ll be able to hear the voice acting, which is a very important part of TWST’s story telling.

Or even just in general, I don’t think I need to post about how I Like Horror, but I am unable to read anything longer than a short story. In particular, I am almost fully unable to read King because of how incompatible his writing style is- despite really wanting to. I have tried and failed to read Pet Sematery more times than I can count. The 80’s movie, though? I love it. It lets me experience a very important work to the genre in ways I would otherwise be completely unable to. Same with Misery.

Like… it’s super frustrating to see people advocate for story accessibility in things like video games, only to turn around and say “except for things I LIKE, they’ll get my favs wrong!!!” Especially when it’s in a fairly inaccessible medium.

I especially have a bone to pick with Idia fans I see on Twitter doing this. There’s a lot of fear “normies” will be ableist about their favorite cartoon character, while… in the process being extremely ableist to actual human beings. It’s extremely frustrating and upsetting to see people prioritize their (heavily mentally disabled, I might add) favorite fictional character over actual irl disabled people. I don’t think people, especially autistic people who can’t do VNs, should be limited from a beautiful story just because other people you can block Might Make Incel Jokes.

(My qpp? He’s autistic. And schizophrenic. And has CPTSD. He relates a LOT to Idia just from what I’ve told him about her and her arc.)

Like… get your fucking priorities straight. I was hyperfixated on Danganronpa when the DR1 anime came out. I was hyperfixated on Persona 4 when the P4 anime came out. Ace Attorney has been one of my absolute favorite series since middle school, and I was going through my obligatory hyperfixation phase I have every few years when the AA anime came out. I massively prefer the YuGiOh manga to the DM anime.

Anime onlys are EXTREMELY easy to avoid and are not the fucking end of the world.

Especially in a fandom with so many autistic people. Have some empathy for disabled people who have different symptoms than you do.

[beautifullilacsky]

"Will you overthinking this?" He asked as we were walking hand in hand in the park.

Me, fully aware I have already started overthinking the moment he mentioned that her friend broke off her relationship: "....... juuup"

"What are you overthinking about? Lets discuss it together, let me help"... I explained how, maybe, now that she is single, she might try to get over a guy by getting under another one. Or maybe, since you guys tall about problems and are pretty close, she turns to flirting now that she is single. "Okay and? Why would I get into that while I have my girlfriend at home? I would say no thank you. Also, I don't think she is the person to do that. I have met her before she was in a relationship, and she also wasn't like this then". Okay, well, .. maybe she will have heard bad things about me and will not like me or she will think I am not good enough for you, or too much, and tell you to break up with me. I mean, I'm in a relationship with you, not with her, but ja, well... He put his arms around me and stopped us from walking on, hugging me from behind. "Sometimes I forget how insecure you can be. Do you really think I'll just break up with you because someone tells me to? And besides, I think you should meet her. She is really kind and everytime I mentioned something, she was always more on the reassuring side." Well, I also thought your other friend was kind.. "..... true. ..... I don't have an argument against that."

"So... if she were to still be in a relationship, would it be okay? .. meh, I feel like that's a bad excuse. "Yeah she is in a relationship anyway" , as if that changes anything. Doesn't that sound like a bad thing to you?" Hmm. Well. Honestly, I felt better when she was in a relationship, assuming it wasn't an u know who typa relationship. It's always a 2 people's decision. And that way, I am at least sure that one side is on the no side (as I said it out loud, I realized how fuckedup it sounded.) "Shouldn't you trust me to already be on the no side?" .... I should, yes. I just don't know what to make of the fact that you told me that you can't promise me that it won't happen again. "That was a year ago" .... "back then I wasn't super sure, and before that I was def not sure. Also, I did not want to force you to trust me (def different exact words from his, buthey, u get the point.). It's been a year." Would you get back to it and say something different now then? "Yes. I am sure that it will never happen again".

And there it was. I know he is a firm believer in actions over words, but sometimes I need words to be sure. He told me that he tells me the truth, and I know he does. Thus, if he tells me, I believe him. So. Maybe this is what I needed to truly get to trusting him again. His word. It's not a signed contract, I know. I can't sue him if his words turn out to be false. Though, I needed this. I needed his faith in himself to make sure it won't happen again. Fuck damn hey. I needed him to believe in himself. If he doesn't believe he will stop it the next time, who am I to believe so? Well well well. Before he left, if our roommate wasn't sitting right next to me, I would've said after he asked me if I'm still okay (for like, the 3th time): "if you say it won't happen again, I trust you." Fuck. And I'd mean it. I feel like I have entered a new reality. One in which it is safe for me to have faith in him. In which, sure, maybe a girl will flirt with him, but I can laugh about it. I can be proud to be with that hotstuff that she can't help but talk to. I can make jokes about it and raise my eyebrows up and down. I can do it all, and enjoy the situation, knowing. Truly knowing. That it doesn't matter at all if the other party is on the "yes-boat". He isn't, and he won't get onto it either. Even if a chance presents itself, he won't even see it as one. He has the set in stone plan to come back home to me. Even if she would get him drunk and touch him all over, ... he will say no. Even if it scares me more with booze, he is still himself. He doesn't get into a crazy trans and turns into a different person with different values. He is still the same person who held my hand as we walked in the autumn colored park, and said that it would never happen again.

It feels like something in me has been freed. As if trust was a fluffy creature within me, which was tied down. His words freed it. It still can't believe that the tiny trust guy is free. That it's safe to stand up now and run and smile and truly trust. It's astonished, grasping for those words that set it free. Wanting to hold them and craving for them to invade its veins with its lightning energy and brightness. May it no longer feel the need to stay on the ground; the ties have been undone. Fuck.

[unboundprompts]

Hello! Can you help me and/or give me examples of how to write a pre-teen? Specifically a slightly mature for their age but still socially-awkward, selfless, empathetic, extroverted 10-year-old

How to Write a Pre-Teen

Voice and Language

Simple but specific vocabulary: Pre-teens might not use very complex words, but they often know and throw in some “big words” they’ve recently learned or mimic words they hear adults use. Don’t overdo it, though—they’ll often misapply or half-understand these terms, which can create natural, humorous moments.

“It’s totally, like, a catastrophe that I forgot my project.”

Expressive dialogue: Pre-teens are enthusiastic and often exaggerate. They can also shift quickly between emotions, from excitement to frustration.

“That was the best movie ever!” might turn into “Actually, I mean, it was kinda boring in some parts, but, you know, overall…”

Thoughtful yet blunt: Kids this age often haven’t fully learned the “filters” adults use. They can be direct and say things that are surprisingly insightful or unexpectedly honest.

Thoughts and Perspective

Developing identity and opinions: They’re beginning to form their own beliefs but still echo the views of family, teachers, or friends.

“Mom says people should never lie, but I wonder if little lies are okay if they help people feel better…”

Questioning and introspective moments: Pre-teens are curious about life, relationships, and “big ideas.” They may ask questions, but sometimes keep their deep thoughts to themselves, exploring them internally.

“If friends are supposed to be there for each other, why do I feel alone even when they’re around?”

Struggle with abstract concepts: At this age, they’re just beginning to understand abstract ideas like justice or friendship but often approach them in straightforward, literal ways.

Behavior and Actions

Impulsivity and energy: They might shift quickly between activities and emotions, getting distracted or excited without much control over it. They may also blurt out ideas or act before thinking, especially if they’re extroverted.

For instance, a character might immediately jump up to help someone even if they aren’t sure what to do, or they might “borrow” something without fully considering the consequences.

Physical awkwardness: Pre-teens can be a bit clumsy as they’re still growing into their bodies. This can lead to endearing, awkward moments.

They might knock something over, trip over their own feet, or feel self-conscious in ways that show they’re still figuring themselves out physically as well as socially.

Friendships and Social Dynamics

Navigating social rules: Pre-teens are very aware of social “rules” but may not fully understand them. This is an age when they care a lot about what their friends think, but they’re also just beginning to question these dynamics.

A pre-teen might want to befriend the “cool” kids but feel conflicted when they realize their values don’t align. Or they may try too hard to impress friends and feel self-conscious afterward.

Conflicted loyalties: Friendships are often intense at this age, and they might struggle with conflicting feelings if friends argue or if they feel left out.

“I really like hanging out with Sarah, but I know Emma doesn’t. Maybe if I can make them both laugh, we could all just… get along?”

Small gestures: Pre-teens often show they care in understated ways, like sharing snacks, giving a small gift, or cheering someone up when they’re down. For a socially-awkward pre-teen, these gestures may come out clumsy but sweet.

Insecurity and Self-Awareness

Self-consciousness mixed with bravery: Pre-teens often fluctuate between trying to fit in and wanting to stand out. They might do something brave but then doubt themselves or quickly retreat if things don’t go as planned.

For instance, a character might volunteer to speak in front of the class only to feel panicked once they’re in the spotlight.

Hyper-awareness of themselves and others: They’re beginning to notice how others perceive them and may get flustered easily or worry about little things, like if their clothes look okay or if they sounded silly.

“I shouldn’t have laughed like that… I bet everyone thought I sounded so weird.”

Joking as a defense: Pre-teens often use humor to cope, covering up their awkwardness or discomfort by making jokes.

Reactions to Conflict and Emotion

Quick emotional shifts: They might go from laughing to frustrated to embarrassed in just a few minutes. They feel emotions intensely and may have outbursts or react strongly to things adults might dismiss as minor.

Heroic ideals vs. real-world disappointments: Many pre-teens have an idealized view of right and wrong, fairness, and heroism, and they may be disappointed when things don’t align with these ideals. They’re just starting to understand that people aren’t all good or all bad.

“I don’t get it… why would she lie about something like that? Friends are supposed to be honest!”

[gin-juice-tonic]

There were a duo of murderers in 1800s Scotland named Burke and Hare who killed at least 16 people for the sake of selling them to anatomists for dissection. After they were caught, Burke was sentenced to be hanged, and at the time the judge said:

"Your body should be publicly dissected and anatomized. And I trust, that if it is ever customary to preserve skeletons, yours will be preserved, in order that posterity may keep in remembrance your atrocious crimes"

And indeed both of those things they did do to his corpse afterward. His corpse was dissected publicly at the University of Edinburgh. A minor riot broke out because more students wanted to get inside than tickets were available. His skeleton was preserved. You can still see it at the Edinburgh Medical School. That's not all that was done though. During the dissection, the professor performing it wrote a message with Burke's blood, and supposedly his skin was used to bind a book and create a calling card.

At the time, the bodies of murderers were actually the only ones legal to use for dissection. However, the Burke and Hare murders (and similar murders afterward) sparked a law 2 years after Burke was put to death that finally allowed the donating of bodies, but also disallowed the practice of using murderer's corpses. So Burke's big public dissection almost becomes ironic in a way.

I suppose all that happened to his body after his death was considered retribution for his crime, but can you really call it retribution when done to a dead man? He certainly is unaffected by it. His and his partner's crimes sent a shockwave of fear through everyone who heard about what they'd been doing. Could it have been considered an act of closure for a scared public? Did any of that actually make anyone feel better? I have been thinking about this a lot lately.

[zorbik-guligan]

Not really sure what incongruous means so I'll look it up after but it does feel like as i get older life gets more complex theres more things i understand now that sure i knew about them before but not in great detail but it feels like I've become so fucking complex as a person that if i tried to explain what i actually think and feel it would just overwhelm a person so i try and section myself off into pieces and just use different parts of me with different situations or people and it may just be because ive spent most of my time these past 2 almost 3 years now alone with nothing to do but think and figure myself out that when im asked what i think about something slightly personal its kinda hard to say it just got lost in my head somewhere and that whatever i think will change at a moments notice like i can bring up memories of lots of things and remember nostalgic times but i spent so long thinking about why i feel a certain way or what makes me feel a certain way in order to try and get a better hold of myself that ive kinda forgotten alot of my past like so many memories that i made are just gone because remembering them made me feel a way i dont want to feel like i remember realizing the beginning of 6th grade that i had completely forgotten 5th grade and the reason why was because that time i had was so nice yet not at the same time my brain just frogot because it didn't want a reminder of how good yet not something can be like great teachers who for the first time ever actually seemed to care as far as i could tell class mates who were generally friendly and occasionally checked on me if i seemed off yet i felt so alone cause nobody there really seemed like a real friend like the friends i had before who even when we were in deep trouble wouldn't rat me out and would stick with me who genuinely cared and missed me if i was sick getting older and not having anyone to socialize with for really formative years off my life has made understand those really old dudes who are nice and always up to make friends but just seem extra lonely for some reason despite knowing so many people i guess technically being that alone did hurt me but i kinda learned that im just not alone ever when im outside theres always some squirrels birds or plants nearby that make it more lively its why ive grown so fond of certain forested spots they are always lively and it feels like hanging out with all my friends its also why i enjoy making things like with metal or wood stone or even writing and painting those things feel alive in a way same with music and having time to think so much has made me reflect and realize that no day is the same and even when something changes something else stays the same or gos back to how it was in a weird cycle like growing but remembering where you were growing older for me anyways is like gaining more skills and more knowledge not just on the stuff around me but on myself too obviously people change sometimes pretty quickly too but getting older makes you learn more about yourself which duh that how life works but still it feels weird to be aware of it at 17 when it feels like i should still be trying to figure out my favorite youtuber or something not contemplate who i am as a person and what makes me feel the way i do but its a good kind of weird and theres always more to learn and find so i still have plenty of room to learn more about myself still not being able to really fully let a person know you kinda sucks but to be fair that is a rather special thing its also nice being able to put into words why i feel a certain way so that i can actually explain myself instead of just going quiet cause i dont know myself that well still kinda funny to know your own problems but not be able to jusy fix them when you know its a very deep problem even when it seems surface level and damn i got kinda personal there woops also just noticed that im shaking so might be overwhelmed remembering 5th grade which is probably why i frogot it or at least thought i did

anybody else feel that being human is like being a long-time syndicated cartoon character watching the world get more complex while your own design stays the same until youre incongruous with the reality around you??

[2amriize]

.ᐟ friend!RIIZE flirting with you ༉‧₊˚.

req: I js discovered your blog and im obssesedddd😭 could you do riize as friends flirting with you on party and being very bold? thank youuu

pairing: friend!riize x reader —masterlist

⭑.ᐟ shotaro

Your group of friends had decided to throw a party to celebrate the end of your first year at university. The party was pretty crowded, and although you didn’t usually enjoy these events, you were having a good time. At one point, Shotaro, one of your closest friends, came over to talk to you, and the two of you spent a long time chatting while sipping your drinks. You weren’t sure if it was because the music was so loud or because Shotaro had had a bit too much to drink, but he kept moving closer to you, leaning in to your ear every time he wanted to say something. You didn’t expect him to place his hand on your hip and whisper:

"You look too good tonight, and you smell amazing... Should we find somewhere more private?"

.ᐟ eunseok

Since you arrived at the party, you’d been hanging out with your friend, dancing and having some drinks. The moment you noticed Eunseok watching you, you couldn’t stop wondering why he was staring. When your friend stepped away, Eunseok wasted no time approaching you to start a conversation, offering you a drink while his eyes swept up and down your figure. After a few seconds of silence, he brought his hand near his lips and said:

"Wow... I've been waiting all night to come up to you, and I don’t know if I can wait any longer to get even closer."

⭑.ᐟ sungchan

One of your friends suggested playing truth or dare during a small party your group had planned. After some time drinking, you all decided to make things more exciting with the game. The questions and dares grew increasingly bold, which made the situation even more interesting. You didn’t expect that one of the dares would result in you spending five minutes alone in a closet with Sungchan. It felt strange being so close to him, and you couldn’t help but notice how he was looking down at you.

"People will probably think we’re doing something in here..."

"I mean... I wouldn’t mind giving them something to talk about if it’s with you."

⭑.ᐟ wonbin

Although you’d known Wonbin for years and were part of the same friend group, the two of you had never really talked alone, so you didn’t know much about him. One night, your group decided to go to a nightclub together. You spent a long time dancing and drinking with your friends, but gradually, they began pairing off with others or heading off with their significant others. At one point, you stepped outside for some fresh air and ran into Wonbin. You ended up talking for a while about how it seemed like everyone had someone except for the two of you. After a moment of silence, he surprised you by saying:

"If we were together, everyone would be jealous of us... Don’t you think? I think we’d make a great couple."

⭑.ᐟ seunghan

You weren’t a big fan of parties, but Seunghan had spent weeks convincing you to attend one that a classmate was hosting, so you finally agreed. You didn’t plan to stay long, but at least you could keep Seunghan company for a while. When you arrived, you went over to him, and he offered you a drink. The two of you ended up talking for a long time. You were good friends and got along really well, but something about the way he was looking at you that night felt different. Every chance he got, he’d touch your cheek or your shoulder. When Seunghan stepped away to grab some snacks, a guy approached you to ask for your number. As soon as Seunghan returned and saw what was happening, he placed his hand on your arm and said:

"Hey, back off. I saw her first, she’s mine."

⭑.ᐟ sohee

It always surprised you how much Sohee’s personality changed after a few drinks. You were at a party he’d organized at his house, and although he was usually calm and adorable, just one drink made him outgoing and energetic, chatting with everyone. But for some reason, Sohee had stuck by your side all night. At one point, you stepped out into his garden to get some fresh air, and the two of you sat on the grass. After a few seconds, you noticed Sohee was staring at you.

"Mgh? Is something wrong Sohee?"

"I don’t know if it’s the alcohol or you, but my heart’s been pounding all night when I’m around you. I can’t stop looking at you, y/n."

⭑.ᐟ anton

Your friends had decided to celebrate the end of exams with a night out at a nightclub. You were with a big group, and you’d spent hours dancing and drinking with your friends. At one point, when you went to the bar for a drink, you ran into Anton, one of your friends. You chatted for a few moments while waiting for your drinks. Once they arrived, you turned to leave, but you felt Anton grab your hand. Confused, you turned back to face him. Pulling you closer and placing his hand on your arm, he leaned in and whispered:

"I’ve been watching you all night, y/n, and I need to know if I have a chance with you or if I should just pretend I’m not obsessed with you."

masterlist // taglist: @regularsuh @gacktsa @totheseok @kkumistars @taroddori @enhacolor @ladylilith @electric-hearts @astrobymarwa @layluv123 @sunflowers1610 @nctrawberries @synkjellies @ramyeonzprincess

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[canihaveacalmtime]

"Here's your hot cocoa, have a good evening!"

You receive your drink as you bow, thanking the employee and go outside to find a seat. As you sat next to a decorated christmas tree, you look in front of you and see a giant build board printed a familiar face on it.

Should you be proud to know that your memory is very good because you could recognize your highschool bully?

Probably not, haha...

You take a sip of your cocoa, thinking about what had happened in the past between the two of you.

--------------------------

It's like any other highschool bully story that everyone always read, during your first year, you were picked on by the richest and the most handsome guy in school and he forced you to do his homework everyday for 2 years. Tormenting you in the halls, drag you out whenever his mood isn't it, making you a laughing stock for the whole school.

But why only 2 years? Because everything went upside down for him when the last year started.

His parents had enough of him and brutally cut off his bank account, told him that either he learn how to work hard or he'd never get his hands on his father company. When he thought that his long time friends would still be there to support him through this, they quickly turn their backs on him upon knowing that he has no use left to them.

During the time he was at his worst, you stepped in and offer him a helping hand, telling him that you will help him with everything for this last year and in return, he must comply with your one request and can not decline.

He was wary at first when you suddenly did that but he had no other choices as there was no one else except you that would help him anyways.

And he was not disappointed for trusting you, you supported him through every single thing, improved his grades making him in the top 50 of the school, engaged him in participating in that model contest and also fulfil the role of being a friend that he can rely on.

When the school year end came, it was also time he hear your request. You couldn't remember much about anything other than what you said, you can't remember how the scenery looked like, what the principal was saying on stage, even the look on his face because after you said it, you left immediately.

"Let's never cross paths ever again in this life, that is my request."

--------------------------

You realized that your cup is now empty just like how the streets are also beginning to be, so you throw the cup into the trash can and walk home.

You wonder back to the times when you were teaching him the subjects, you would sometime catch him staring in an obsessive way at you but you didn't really care back then because your hatred for him was too much but now that you moved on, you wonder why he was staring at you like that.

"He also said something after I left that day but I couldn't hear what it was.." You mumble as you step out of the elevator to your apartment only to be greeted with a door that is not locked at all.

Your movements were hesitant, slowly, you open the door with cautious as you also carefully step inside your home. Right after you had closed the front door, a sudden sting on your neck send you off balance, fall into someone's arms and fainted immediately.

"Come get me at the apartment now." The tall figure said through a bluetooth headphone device on his ears.

Your bully smile down at you with a creepy smile, inhaling your familiar scent as he hug you close and tightly around his arms.

"You can tell me to do anything, give you anything, to die even. Anything but letting you leave."

--------------------------

After they said those words, my world seemed like crashing down on me in seconds.

I guess I have no other choice but to fulfil a different request from them in the future then.

"I shall have you in my arms when we meet again, love."

--------------------------

(ayy pov change :D)

[leighsartworks216]

The Goddess of the Moon

Zayne x gn!Reader

I will never stop writing Zayne in domestic situations apparently. Infold said they're married and I said say less

Warnings: fluff, domestic fluff, literal sleeping together, established relationship, cuddling, kissing

Word Count: 926

Main Masterlist

Love and Deepspace Masterlist

AO3

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Zayne is the most beautiful man you have ever seen, but he is never more beautiful than when he is sleeping.

Over the years you have known the doctor, it always seems like rest is a commodity not reserved for him. He’s always pushing through exhaustion. Even when he was a student, he’d barely rest, so focused on his goals and achieving them. So on the rare chance you do get to catch him sleeping, you learn to appreciate it.

The sun isn’t up yet. It won’t be for a while. His face is highlighted by the cool blue light of the moon. The cut of his cheekbone, the tip of his ear, the bump in his nose. It’s as though a goddess of the moon took centuries crafting him until he was just right, before releasing him off into the world, only to yearn to once more know the feeling of his face under her fingers.

You can’t blame her. Not when you get this chance to see the crease in his eyelids, the dip of his cupid’s bow, the soft round of his chin. Time and time again, like this moon goddess, you are tempted to touch him. To reach out and feel him, solid beneath your fingertips, just to confirm that he’s real and not merely an illusion. You felt quite bad about it early on in your relationship. Really, back then, figuring out the boundaries of physical affection was rough.

You can recall one day in particular. You took him to an ice cream shop. They’d just announced a new flavor you thought he’d enjoy, and he deserved a break after the week he had. You’d sat outside while you ate your frozen treats, chatting. Back then, there was still a gap of space between you. Unthinkable now. Anyway, a small smudge of the ice cream made its mark just below his lip. Without thinking, you’d reached out to wipe it away while he stared at you. You’d profusely apologized, rambling on to try explaining yourself, and handed him a napkin.

Later, after insisting on dropping you off at your then-apartment, he’d brushed a thumb along your cheek, thanking you quietly for the ice cream.

Your eyes trail to that spot just under his lip, where pink meets the cream of his skin. Emboldened by the light of the moon, you slip your hand from under the covers to wipe away an invisible smear of ice cream. His skin is soft and warm, with the telltale hint of fuzz starting to come in. You’d teased him before about keeping such a close shave. He’d teased you back about how much you seemed to enjoy helping him shave.

“You should be asleep.”

Sleepy hazel eyes watch you from under half-lids, flickering lazily across your face. You wonder what he sees. You wonder if the moonlight touches your face half as reverently as his. You wonder if he’s just as tempted to reach out and touch you as you are to touch him. Perhaps you get your answer when he slips his hand from the blankets to hold yours, eyes blinking slowly shut as he tilts his head on his pillow to kiss your fingers.

“What are you doing up?” His voice holds the quiet rasp of sleep. It is the embodiment of moonlight over freshly fallen snow.

“Admiring you.”

He opens his eyes again. His pretty lips quirk up in a smile. “There’s plenty of time for that in the morning,” he says, “after you’ve had a full night’s sleep.”

You sigh with playful annoyance. “What if I can’t wait that long?” You wriggle your hand from his grasp and cup his cheek. His eyes close immediately at the contact. He turns into your palm like it’s second nature to do so, sliding his hand to rest on the back of yours in much the same way. You brush your thumb over the moonbeam kissing his skin. “What if I just have to admire you right now?”

“Then I’ll have to turn you over to save you the temptation.”

Despite his threat, he instead reaches out to you, grabbing your waist and coaxing you into him. You gladly oblige, tucking yourself against his chest like a set of puzzle pieces. His bicep acts as your pillow as he tenderly rubs your back. You stubbornly refuse to hide your face in his neck just yet, though. Face to face and closer than ever, you rub your nose against his.

“You need to go to sleep,” he insists, but it’s a weak scolding at best. “We both do.”

You hum. “Then go to sleep. I’ll just stay up for a bit longer to really take you in.”

He chuckles quietly and pulls his face from yours. He cups your cheek and guides your face down into his neck, where he rests his head on top of yours. He rubs his cheek against you until he finds a comfortable spot. “In the morning.”

His thumb brushes lightly over your cheek. You sigh, hot breath fanning across his skin. “Fine,” you relent. Though, as you wrap your arms around his lean body and inhale the crisp scent of his body wash, you can feel sleep beginning to creep back into your mind, dulling your senses and sapping your energy. You kiss his neck in a chaste peck. “I love you.”

He kisses your head. “I love you, too.”

The goddess of the moon dances her fingers across you both, slowly retreating as the sun begins its ascent. 

---

Tag List:

@the-golden-jhope @deepzombieyouth @huen1ngk41 @armycaratlover @cheesemachine44 @nyx2021 @angel-jupiter @thelittlebutton @pikachuzhc @pomegranatepip

[tortillamastersblog]

Back To You - Part 4 | Sam Carpenter

Pairing: Sam Carpenter x reader

Warnings: mentions of violence, death, blood, injuries, and swearing

Summary: When Sam left after turning eighteen, you were devastated. You’d been in love with her since you were kids and her leaving meant you never got to tell her how you truly felt.

Fast forward a couple of years, Tara gets attacked and Sam returns. . .

Previous Part | Next Part | Masterlist

_______________________________________________

Present

Billy Loomis is Sam’s real dad. . .

Tara’s words and her recount of her conversation with Sam makes all the puzzle pieces fall into place.

That’s why Sam snuck into my room all those years ago. That’s why she changed so much after, and that’s why she left.

It all makes sense now, but it doesn’t change the fact that she hurt Tara by leaving, hurt me by leaving. It also doesn’t change the fact that she wasn’t there for me when I needed her to most. When I begged her to come back and she just screamed at me to stop calling without even letting me explain why I was calling in the first place.

I’m feeling so many things right now, it’s kind of overwhelming, but I try my best to stay calm so I don’t freak Tara out.

She’s been moved to a private floor since Sam left and slept earlier while I called Liam and Paige again. Now, she’s awake once more, curled into my side while we’re watching a movie together.

I really try to focus on what’s going on, but my mind keeps drifting back to Sam.

She could have talked to me! She could have told me about her real dad. Why didn’t she? Did she think I was going to hate her for it? Did she think I would stop being her friend if I knew?

I wouldn’t have done any of that. Who her father is doesn’t change who she is. At least that’s my opinion. She must think otherwise, because if she didn’t, she wouldn’t have left.

I’m mad at her for abandoning Tara and leaving me. I’m sad she felt like she couldn’t talk to me, and I’m heartbroken thinking about how she tried to numb her pain by doing every drug imaginable and sleeping with anyone who would have her.

I still love her, that’s for sure because if I didn’t, I wouldn’t be feeling like this, but I’m just not sure love is enough for me to forgive and forget everything she’s done.

“Hey.” Tara’s voice and her finger poking my chin snaps me out of my thoughts.

I clear my throat quietly and look down at her. “Yeah?”

“You okay?” she asks, her kind brown eyes darting between my own.

“No, not really, Sprout.” Tara wrinkles her nose and I chuckle. She’s never liked that nickname. “But I will be, and so will you.“

“You sure?” she asks and I nod.

“I’m sure. Now watch the movie, or I’m changing it,” I tease, making her laugh softly.

“Okay, okay. . .” She looks me over one last time before turning her attention back to the movie, mumbling, “You’re so annoying.”

I just hum and scratch her head, settling deeper into the bed and actually focusing on the movie. Thoughts of Sam are still swirling around in the back of my mind, but I ignore them as best as I can.

About half an hour later, the movie is still playing and, much to my surprise, I’m actually invested in the story now.

Some shuffling and a grunt in the hallway outside makes me look away from the TV though. We’re on a private floor and no one but Deputy Vinson should be here. A nurse comes in every two hours or so to check on Tara, but she was just here before we started the movie.

Alarm bells almost instantly go off in the back of my head, but I don’t want to scare Tara, so I stay calm and shout, “Hello?”

There’s no answer.

“Vinson?”

Again, nothing.

My stomach drops. This is not good. This is not good, at all.

“Y/N?” Tara whispers fearfully, the beeping sound of her heart rate monitor next to the bed speeding up.

I swallow thickly and continue to stare at the open doorway, straining my ears to hear anything else. It stays quiet though, and with every second that passes, the uneasiness in the pit of my stomach grows.

“Y/N,” Tara whimpers and when our eyes meet I see the fear I’m feeling inside reflected back at me.

He’s back. It’s Ghostface. It has to be him. He’s returned to finish the job.

I can feel my own heart rate picking up speed, and after another beat of silence, I decide that we have to leave. We’re sitting ducks if we stay.

“Fuck this.” I swallow again and nod to myself before pushing the blanket to the bottom of the bed. “We’re leaving, Sprout.”

Tara’s eyes widen and she doesn’t protest when I disconnect the IV from the back of her hand. For a moment, she’s frozen, watching me disconnect her from all the machines she’s attached to, before springing into action herself.

With shaking hands, she removes the oxygen tube while I get up and pull the nearby wheelchair to the side of the bed.

I won’t be able to do anything with only one arm, so even though it hurts and I know I’m probably going to tear my stitches, I take off my sling.

I wince at the stinging pain that shoots through my neck and arm, but grit my teeth and help Tara with the rest of the wires. Then I make sure the wheelchair’s breaks are on before turning back to the bed.

“We have to get moving, c’mon. I know this is going to hurt, but we have to go,” I say, slipping my arms under Tara’s knees and under her back. I don’t lift her yet though, waiting for her to nod before hoisting her up.

The gasp she lets out makes me hurt for her, but I can’t stop now.

We have to leave.

Carefully, I lift her out of the bed and place her in the wheelchair, making sure I don’t bump her broken leg against anything.

My shoulder protests, screaming in pain even though Tara is easy to lift, but I don’t stop moving especially when the lights suddenly go out.

We have to leave, now!

Tara whimpers in fear and in pain, and I rush to turn off the breaks on the wheelchair before pushing her to the doorway.

He’s here. I know it.

I peek into the ominously dark hallway all while trying not to let panic take over my mind.

Fear is healthy, panic is deadly.

That’s what my father taught me, and I know if we’re going to get out of this alive, I have to keep a clear head.

The hallway is empty, and the only way out is by getting to the elevator at the end of the hallway, so I slowly push Tara out of the room, keeping my eyes and ears open for any movement near by.

Just get to the elevator.

The deafening sound of Tara’s phone ringing on the bedside table back in her room makes both of us jump for a moment.

Tara sobs quietly, and I tighten my grip on the wheelchair.

I glance over my shoulder, seeing the screen of the phone light up the room before turning back around. There’s no time to get it now, and even less time to answer it.

I push Tara into the hallway, slowly and quietly while letting my eyes dart around in the darkness for any sign of danger.

It still eerily quiet though and I don’t see anything, so I continue pushing her until we get to the nurses’ station.

That’s where a chocked gasp claws it’s way out of Tara and when I follow her line of sight, I freeze for a second.

Laying right there on his back on the ground, with a slit throat and a pool of blood around his head is one of the deputies Sheriff Hicks assigned to Tara’s floor. He’s still alive, even though only barely, and chokes on his own blood, his wide eyes staring unblinkingly at the ceiling.

There’s nothing we can do to help him, he’ll be dead within a minute, but still, the sight of him, so helpless and alone, makes the blood in my veins freeze.

That could be me, or worse, Tara.

Stop! Don’t think about that, Y/N. Focus.

My dad’s voice rings in my head and makes me snap out of it. He’s right, I have to focus.

I’m about to continue pushing Tara towards the elevator, but then a thought strikes me.

I pause and look around again before letting go of the wheelchair and crouching down next to the deputy. I reach for his belt, fumbling around until my hand grazes the holster of his gun.

With a gun, we’d at least stand a change against Ghostface, but as fate would have it, the holster is empty. The gun is gone.

Fuck.

Not only does that mean that we have nothing to defend ourselves with, it also means that Ghostface has the gun.

Tara sobs into her hands and watches me get back up, only to flinch and freeze a second later when we hear a door being opened somewhere down the hall.

There’s no time to ponder over the gun and its whereabouts now. I spin around and take a hold of the wheelchair again.

Getting to the elevator now is too risky. It’s too far away, so I wheel Tara into the room right next to the nurses’ station.

We need help.

Tara whimpers and cries quietly while I close the door behind us. I don’t shut it all the way, just enough to hide us from plain sight while still being able to see what’s going on outside. Then, I fumble around for my phone in my sweatpants.

Just like with the gun though, I come up empty, and the realization that it must have slipped out of my pocket while watching the movie makes my heart drop.

No, no, no, no, no. This can’t be happening.

My hands begin shaking, and it’s getting harder to keep my panic at bay.

We’re alone with a psychopathic killer, we have no way out, no help is coming, and I’m not in any shape to fight properly.

Tears well up in my eyes and I feel my bottom lip quivering. There’s no way out.

My heart starts pounding in my ears and my hands start shaking.

Please, no. Not now.

I’ve had enough panic attacks after my parents death to know what it feels like when one is about to start, and even though it sucks having them at any time, it would be especially inconvenient right now.

I force myself to calm my breaths and blink away the tears, but it doesn’t help much.

We’re trapped.

We’re alone.

I continue to focus on steadying my breathing while also keeping an ear out for any more sounds in the hallway.

That is until Tara nudges me. I clench and unclench my fists, and look at her. She has tears streaming down her face, but she’s urgently gesturing at something she can’t reach.

I follow the length of her arm with my eyes and almost start crying with relief when I spot the phone on the wall right next to the door.

I lunge for it and start dialing 911 with shaking hands only to stop a moment later when another door opens out in the hallway.

Tara clutches the back of my sweater with her uninjured hand and bites her bottom lip to prevent any more sobs from escaping her.

I flinch when another door gets opened, this time closer by, and hold my breath.

This is it. He’s here.

I lower the phone and square my shoulders, ready to fight when the door to our room suddenly swings open.

Tara yelps and I instinctively punch whoever just walked in.

“Ow!” Richie stumbles back against the doorframe and raises a hand to where my fist just connected with his jaw. “Ah, goddamn it!”

“Richie?” Tara’s pulls on the back of my sweater to get me to step out of her line of sight while I simply stare at Richie in disbelief.

I’m honestly relieved it’s just him, and that he’s here because now we’re no longer alone, but I can’t find it in myself to feel sorry for punching him.

“What are you doing here?” Tara asks as Richie continues to recover from the punch.

“Sam called,” he explains and as he continues to talk, I feel some of the tension in my body dissipate. “She said that you were in trouble.”

He doesn’t look at me when he says it, and the revelation that Sam probably only called about Tara is like a blow to the stomach.

I don’t get much time to dwell on it though because a split second later, Ghosface appears behind Richie, ready to strike with a knife in his hand.

“Look out!” I shout, stepping in front of Tara again.

Richie spins just in time to avoid getting stabbed, but the knife manages to cut his forearm. Ghostface goes in for another stab, but Richie manages to catch his wrist before he can bring the knife down on him.

He grunts and they struggle for a moment, but then Ghostface manages to grab the back of Richies head and slam him into the door frame, knocking him out.

“Shit!” I clench my jaw when Ghostface turns his attention to Tara and me, and quickly grab the IV stand next to us, flinging it at him.

Ghostface goes down because the monitor on the IV stand hits him in the head, and I rush to wheel Tara out of the room.

We’re almost back in the hallway, away from Ghostface, when he suddenly lands a punch on the back of my left knee, making my leg buckle. I stumble and manage to regain my footing without going down, but that little trip costs me a lot of precious seconds.

“Y/N!” Tara twists around in the wheelchair with wide eyes and even though I know Ghostface is now back on his feet and right behind me, it still catches me off guard when he wraps his arm around my neck from behind and punches me in the side, right below my ribs.

“Ah, fuck!” I grunt and grab his forearm, trying to pry it away from my neck, but it doesn’t budge. “Go, Tara!”

Another blow, this time to my ribs, takes my breath away, and even though I’m in pain, it fills me with an unexplainable rage.

Instead of trying to get his arm away from my neck again, I dig my heels into the ground and push backward until we hit a wall. Ghostface hisses in pain and I use the momentary distraction to get out of the headlock.

Then, I run to Tara, limping slightly and ignoring the sound of a phone ringing nearby. She’s crying and struggling to move in the wheelchair, and the sight of the blood soaked bandage around her hand makes my stomach clench.

I’m about to reach her, my arms already outstretched to grab onto the wheelchair, but then I’m tackled to the ground from behind.

My head hits the floor, making black dots dance in my vision for a moment and then my head is yanked up by my hair.

“Hold it right there, Tara,” Ghostface says, the voice changer eerily distorting his voice, “or I’ll slit Y/N’s throat.”

Tara freezes and wheels around in time to see Ghostface press the blade of his knife against my neck. He’s kneeling on my back and I know I have no way of escaping without getting my throat slit.

It stings when he pushes the knife down a little too hard, drawing some blood in the process, but I don’t dare to move.

“Y/N!” Tara cries and I try not to cough because of the weight on my back. “No, please don’t.“

“Tara, go!” I rasp, feeling the edge of the knife dig even deeper into the skin of my neck.

Tara shakes he head desperately, tears rolling down her cheeks. “No, Y/N, I—“

“Do you hear that, Sam?” Ghostface says and at the mention of Sam’s name my heart drops. He must be on the phone with her. “Your little sister and Y/N, begging for each other’s lives. Pathetic, don’t you think?”

Tara makes a move to wheel closer, but I pin her down with a stare to stop her. Go, I mouth, but Tara doesn’t move while Ghostface continues talking to Sam.

I can’t hear everything he’s saying because my ears are ringing, but when he suddenly gets off my back and approaches Tara with calculated steps, I hear him say, “So, the choice is up to you. Who is it going to be, Sam? Richie, Y/N, or Tara?”

Tara whimpers as Ghostface gets nearer, but she’s too injured to get away. She manages to turn the wheelchair around, but Ghostface is right there before she can even attempt to get away.

He grabs the handles of the chair and tips it forward forcefully, making Tara fall and land on the ground with a cry of pain.

No, not her. Not Tara. Please, anyone but her. She’s been through enough.

“Stop!” I groan, trying to get up, but slipping on something sticky on the floor. My shoulder stings and the side where Ghostface punched me burns, but I try to get back up again, and this time, I manage. On unsteady feet, I limp toward Ghostface who’s now standing over Tara.

He twirls the knife in his hand and raises his arm, getting ready to strike while Tara sobs.

“No!” I’m not going to make it. “Tara!”

Just then, the elevator dings and the doors open. Ghostface looks up, surprised, and dives out of the way when gunshots ring out.

My eyes widen at the sight of Sam and Dewey?! who dart out of the elevator.

“Tara!” Sam rushes to her sister’s side and drops to her knees, trying to help her to her feet.

“I’ll get Richie,” Dewey says, but then he freezes when his eyes land on me. “Y/N?! What are you doing here? Are you hurt?”

I wave him off and shake my head, looking around to see where Ghostface went. “Not now, I’m fine. Go get Richie, I’ll help Sam with Tara.”

“Okay.” Dewey nods and stares at me a moment longer before dashing past me to help Richie.

The last time we saw each other was at my parents’ funeral. He used to be like an uncle to me because he was friends with my dad, but after the accident, we kind of drifted apart.

Now is no time to dwell on the past though. I push through my dizziness and the pain in my side, shoulder and leg, and limp the rest of the way to Tara and Sam.

Sam’s already managed to get a crying and whimpering Tara to her feet, but Tara can’t walk with her broken leg, so as soon as I’m within reach I tug on Sam’s jacket to get her to stop dragging Tara to the elevator.

“Stop, let me help.”

Sam’s eyes widen. “Y/N, y-you’re here?”

“Of course, I’m here,” I snap, not because I’m mad but because there’s no time to talk. “Now, let’s get a move on!”

Still in disbelief, Sam doesn’t say anything else as I scoop Tara up into my arms.

“Ow,” she whines and I quickly apologize for hurting her.

I limp to the elevator with Sam hot on my heels and lean against the wall as soon as we’re inside. My legs are shaking and my entire body hurts, but I’m not letting go of Tara until we’re safe.

Sam holds the doors open while Richie and Dewey make their way to the elevator.

They’ve almost made it when, out of nowhere, Ghostface comes back, crashing into them from the side. Richie falls to the ground, and Dewey gets pushed against the wall which makes him fire his gun.

A struggle ensues between Dewey and Ghostface while Richie tries to get back up, and for a moment it looks as though Ghostface’s got the upper hand, but then Dewey headbutts him.

Ghostface stumbles back and Dewey grabs his gun off the ground, firing it at Ghostface before he can come at him again.

He stumbles back at the force of the shots hitting him in the chest until he crashes into the glass display cabinet on the opposite wall.

He sinks to the ground and stops moving, and even though I’m not convinced he’s dead, there’s no time to make sure he is. We have to get out of here as fast as possible.

Dewey must think so too because he gets to his feet and immediately pulls Richie up as well.

“Let’s get out of here,” he grunts, dragging Richie toward the elevator. “Come on, hurry up.”

They finally make it, and Richie slumps against the wall next to Sam who runs her hands over him and checks for any not-so obvious injuries.

“You okay?” she asks, her voice laced with worry.

Richie nods and exhales shakily. “Yeah, you?”

Sam nods. “Fine.” Then she turns her attention back to Tara who’s got her arms wrapped around my neck and is crying into my shoulder.

“It hurts, Sam,” she cries, and I press a kiss to her forehead while Sam takes a hold of her hand.

Dewey pushes the elevator button for the first floor, but before the doors can slide shut, he stops them with his hand and says, “The head. . .”

Richie frowns. “What?”

“You have to shoot ‘em in the head or they always come back,” Dewey explains, stepping back out of the elevator.

Sam gapes at him and asks exactly what I’m thinking. “Dewey, who gives a fuck?”

A forlorn look enters his eyes and as the doors slide shut, he says, “I do.”

“No! Dewey!” I try to step forward to stop him, but as soon as I shift my weight off the wall, my legs start trembling, so I slump back and grit my teeth.

It’s too late.

The doors close and the elevator starts descending. A tense silence settles over us for the duration of the ride, but then the doors open and Richie stumbles out first, shouting for help.

Doctors and nurses swarm us almost instantly and within seconds, a gurney is brought over and I place Tara on it.

She’s okay.

Seeing her being taken care of lifts a huge weight off my shoulders and the relief on Sam’s face makes me smile a little.

She’s going to be okay.

The dizziness I felt before suddenly returns full force now that the adrenaline is wearing off, but I can’t sit down and rest until Dewey is safe, too.

He’s up there all alone. Someone has to help him.

I stumble back to the elevator but a hand on my stomach stops me from entering it.

I look down, swaying slightly, before following the arm connect to the hand all the way up with my eyes until they land on Sam’s face.

Wait. . . Sam?

“Where are you going, Y/N?” she asks, frowning.

I blink to get rid of the irritating black dots growing in my vision and try to push past her. “D-Dewey, he needs—he needs help, Sam.”

“I know,” she says, stopping me again by grabbing a fistful of my sweater. “But you can’t go up there. The police are already on their way.”

“But. . . But Dewey,” I slur. I grasp at Sam’s hand to get her to let go of me which, much to my surprise, she actually does.

It doesn’t last long though because not even a second later my knees buckle and I fall forward, right into her arms.

“Y/N? Y/N!” Sam panics and grabs onto anything she can to stop both of us from toppling to the ground. “Oh my God, you’re hurt.”

I awkwardly slide down her body, bringing her down with me until we’re both on the floor and I’m gasping for air.

“Y/N, hey. . . Hey!” Sam grunts and manages to scramble out from underneath me before propping me up against the wall next to us. “Look at me. What’s wrong? What hurts?” she asks, but I can’t answer. My lungs suddenly feel like they’re on fire and every breath I take makes it harder to breathe.

“What happened? Did Ghostface—“ She falls silent when her eyes land on her hands and when I look down, I see why.

They’re covered in blood. My blood. But. . . how?

I think about everything that happened, and then dread settles in the pit of my stomach when the realization hits.

Ghostface wasn’t punching me. When he “hit” me all those times, he wasn’t punching me. He wasn’t punching me at all. He was stabbing me.

Welp, that explains why my side hurts so much. I thought I was going soft.

My eyes flutter shut and I cough, tasting blood in my mouth.

I guess no one noticed I was hurt until now because I didn’t feel anything until the adrenaline wore off and the blood soaking my clothes wasn’t visible because both my sweater and my sweatpants are black.

“Y/N, hey! Don’t you dare close your eyes.” Sam cups my cheeks and shakes my head slightly to get me to open my eyes again. “We need some help over here!” she shouts over her shoulder before looking back at me.

She’s frantic, more frantic than I’ve ever seen her, and her eyes are filling with tears. Her hands drop off my face and she’s quick to push my sweater up to take in the extent of my injuries.

“Oh my God.” Her voice cracks and when she presses her hands against my side to slow the bleeding, I cry out in pain.

I gasp like a fish out of water, still struggling to get enough air into my lungs, and push at her hands.

“No, stop— Stop!” she protests, desperately pressing her hands against my side again.

“Hurts,” I wheeze and Sam nods frantically with tears dripping down her cheeks.

“I know, I know,” she says, “but I’m trying to help.”

I writhe in agony, but don’t try to push her off again. I don’t think I even could if I tried because with every passing moment I feel weaker.

My eyes are also threatening to close again and when Sam notices, she presses down harder on my side and shouts for help again.

This time, a nearby nurse notices and she springs into action. She rushes over, dragging a doctor with her and tells another nurse to bring a gurney.

I don’t focus on her though. No, I keep my attention on Sam and how she’s desperately try to stop my bleeding.

She’s crying, covered in blood, and on the verge of hyperventilating, but she’s still beautiful.

So beautiful. . .

I cough again just as the nurse and doctor drop down next to me, and when Sam takes her hands away so they can examine me, I give into the urge to close my eyes.

_______________________________________________

Whew! I wrote this in one sitting, and only proofread it once, so please excuse any mistakes I may have made/overlooked.

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