#when i say it's old i mean 2 years old. which in art progress terms is quite some time | Explore Tumblr posts and blogs

54bpm · 2 years ago

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Thoughts on Maintaining Old Characters.

Don't feel like you gotta read this, I know I don't have any long term OC fans who have kept track of what I'm doing with my guys. It's more just stuff that's been rattling in my head and I feel like would be nice to jot down so people who do decide to trawl through my old art tags can see why my characters have changed in the ways they have.

I've been making characters since I was 11, which as of this post, means that some of my earliest characters are 13 years old. I still even have some of them. This blog has stuff dating back to when I was 13 (I joined tumblr a week or so after my birthday on a now deleted blog, before that I was on deviantArt and roleplaying forums almost exclusively)

I was exposed to the idea of self-inserts and mary sues (and that they were bad and nobody liked them) extremely early on, so I almost immediately swung in the opposite direction, people pleaser that I was. This first generation of characters would set up three types that I would end up remaking over and over with different coats of paint.

Prickly girls

Just so many prickly tsundere girls. Often short. Often bullies to the boys they liked. They were girlbosses who could win any fight but they also were bullied by the normies for being so weird and being outsiders. Pretty but still only liked by the one nervous guy they had chosen. The archetypal anti-sue, just a gaggle of Ebonys.

2. Tragic girls

These girls were usually innocent and silly and fun, but also haunted and sad. They were traumatized in very childishly "and then their whole family died in front of them :,,( " ways. They were never allowed to address the trauma, and everyone around them always had to baby them. Yeah, I was making those types LOL. Nooo I refuse to make progress on my healing bc then I won't have any character left!!!

3. Soft boys

I was still pretty married to the idea that I had to like boys, so the boys I made were all ones I thought I would like. This led to just a fleet of androgynous boys who wept and blushed often. I also rolled with a crowd of older tween girls who were deep in the Yaoi haze, and while I found they way they talked about the couples uncomfortable and objectionable even then, I still did my share in pumping out generic ukes to go with their bog standard semes.

I made characters in these three frameworks for like, a few years. Even after the main forum I had camped on died and I started making characters with school friends. I wasn't really pushed to change anything until a while into using tumblr.

I don't know if anyone else remembers this period of time, I had to have been like 14-15, but there was this attitude shift all the sudden that boiled down to how if you didn't have a diverse set of characters, you were a bad person.

Now I'm going to say immediately that I do think its good to have a diverse set of OCs! It's good to learn about people from other cultures and backgrounds and to put yourself in their shoes! It's also good to learn about all the ways humans can look and how charming and beautiful and different we can be!

The issue with the way this was pushed way back in pre-dashcon tumblr was that it wasn't about thoughtful diversity and exploring others lived experiences. It was about making sure you looked like you weren't racist to the other 14 year old white girls who still hadn't unpacked what watching South Park had done to their brains and were actively sending death threats to Lucy Liu for being on a Sherlock Holmes show that wasn't the one with the white men who might kiss any day now guys. When you see people mocking the Ultimate SJW Tumblr Character (you know what I'm talking about, the just caricature level mocking of disabled queer people) it's from this era of posts.

I saw this and I saw people dumping buckets of anon hate and bullying on just anyone who caught the mobs fancy and I very ungracefully slapped new ethnicities on a chunk of my characters. And it took me an embarrassingly long time to look at some of the choices I made and to go "Yikes!" Almost no one was an offensive stereotype or anything, but I definitely had picked characters that lined up with tropes without realizing it. (Important note, I did have some characters that were disrespectful to Roma culture, and an atrocious belly dancer character. I've completely gotten rid of them and I do recognize now how they were disrespectful and played into racist stereotypes.)

And this is still something I'm working on monitoring and fixing in my characters. I'm not gonna lie and say I've become the ultimate anti-racist. I'm white, I've only lived in majority white areas, specifically Oregon which has an extensively anti-black history as well as a lot of issues with orientalism, and I grew up on early 2000s media and all the baggage that came with that.

Speaking of 2000s baggage and weird yaoi culture. I am sorry mlm for the atrocities of boys I have made. It was that classic case of "I'm supposed to like boys so I'm going to make boys who are basically girls and then pair them with each other so I never actually have to deal with the anxiety of them actually being attracted to me." I only had like two characters I would say felt like they could genuinely be gay men. It was only after I was like a year deep into accepting that I was genuinely a lesbian that I looked at my gaggle of boys and went "oh shit, these are all lesbians, these are lesbian dynamics." Which like, yes I don't feel great that I used mlm pairs for my own character development. I know it's not uncommon, especially if a lot of your exposure to the idea of being queer was through tumblr, but it's still not great.

All this to say: I love my characters and I want to be more thoughtful with them. Most of my characters are 5+ years old and they all just need an overhaul. I'm taking most of them back to their prompts and rebuilding from there, I'm also turning a majority of them into lesbians. I want to explore all the fun wlw dynamics I never got to play with growing up. And girls are just more fun to design for me! Sorry!

As I put out new refs you may notice some characters look varying levels of different, some have been replaced with new characters taking over their roles, and some are gone completely. You are always welcome to reach out to ask me about any choices I've made and any concerns you have about the things I've made, past or present. And if you take anything from this it's that you should always be vigilant about how unconscious biases can slip into your creative works.

Thanks for getting to the end of this long ass post, it's one I've been thinking about for a while but had to take some time to put to paper. It's important to me to keep up my old art posts to see my growth as an artist and a person, but I also don't want to act like I still agree with every character choice I've made in the last 13 years.

I hope you can support me as I continue to grow as a person!

#livs words #long long post #if you need a tldr this is a reflection of the weird baggage i carried into my characters for a long time that im working to correct #discussions of racism and mlm fetishism #also important note #im not posting this to get good boy points and congrats #continuing to check yourself for unconscious biases is like #the barest minimum thing you can do

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gb-patch · 3 years ago

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Ask Answers: July 10th

I really let asks get away from me lately. I was super focused on working on that Patreon Moment. With that done I can finally think about doing other things, so here’s a new collection of answers!

Thank you for sending in questions everyone ^^.

For the new Patreon moment, will you be able to reference it in step 4? Or just like a tiny nod to it if you pick certain choices?

There won’t be. I’m sorry if you were hoping for that! The Patreon moment is meant to be entirely optional, it’s not something that gets you extra content in the main game.

Is the new CG artist the main one now? :0 I’ve noticed theres been a difference in the art style recently. Is the old CG artist still going to make art for the game? :0

The original artist still makes CGs for the game sometimes, but he mainly focuses on character sprites.

Are you going to put the NSFW our life moment on a website other than patreon? I would love to get it but I can't use patreon atm.

I don’t know. I'm afraid we can't release the Patreon Moment on a normal game storefront because we can't mix 18+ content with our family friendly game. If there's some other place similar to Patreon where it's not the normal type of full-scale public content releases we'd consider using that, but I’m not sure if there is another site that’s better than Patreon in that regard. I'm sorry.

Out of curiosity, in all of your games so far, which characters in each were the most fun to write? They obviously don't have to be your favorite characters!

Buffalo Seer in AFA, really everyone in XOD/XOBD is pretty equally entertaining to write, The Guide in LoV, and Cove in OL!

idk if you accept "personal" questions, but is there anything you've been watching/ listening to lately

Mostly, I’ve been watching/listening to Authortube videos as of late! It’s people who talk generally about the process of how books become traditionally published and/or share their own experience as they attempt to be published. I don’t have an interest in writing normal text based books, but it’s really interesting to hear about that world. I’m listening to a video about royalties right now as I answer these asks.

Will one of the desserts we get to pick be fudge? That'd be such a cute reference!

Haha, yeah, it should. Unless I completely blank on it and forget when trying to include the various referential food options.

I don't know if this has been asked previously but what would be the approximate heights for the presets MC can choose from Step 2 ~ 4? Are there any measurement you had in mind? Sorry if I didn't make myself clear kk I've been struggling with my English lately 💀

I don’t know, ahah. I didn’t have any numbers in mind for that. So it’s whatever you imagine it is!

I noticed a bug with the Patreon moment when it comes to what your character wears. When Jamie and Cove are kissing while my character only had dresses selected, I had both the option to remove the dress or to remove the shirt... Picking one of the options to interact with Cove, after he removed his shirt, it had Jamie remove their shirt followed by ther pants despite only having dresses picked.

Thank you for reporting ^^

I keep refreshing steam to see when the new doc for xobd will be released. I noticed you haven't posted anything about it in quite some time. Would it be possible to ask about a timeline/potential date? (If it's even this year—) I know you and your team are probably working super hard, I'm just super curious! ~Thank you!~

There are more stories done, I just haven’t gotten around to publicly releasing them. Hopefully I will have a chance to spend the time on that sooner rather than later!

hello!! i’m not sure if it’s an update but i’ve just replayed our life and at the end i can’t propose to cove anymore? :(( i’ve actually tried playing twice but the options are not there anymore, did you guys remove the options? i’m sorry if you’ve answered this before!! thank you and have a good one :)

I’m afraid things haven’t been changed or removed, so I think you might’ve accidentally picked the wrong things somewhere along the way and locked yourself out of being able to propose by mistake. Sometimes you meant to say you want to get married but instead you mis-click and have it so the MC isn’t thinking about marriage or something. All I can suggest is starting from the beginning of Step 3 and making sure to follow the steps listed in the FAQ. I’m sorry for that.

Did yall remove some of the options for when youre making out with Cove in the charity moment? I could've sworn you could grab his bonkadonk and its not there anymore

This is the same situation as the above. We didn’t remove things and you’re not wrong that there are sometimes those options. But there are various choices you have to make to get those options and it sounds like you accidentally missed something. If your relationship isn’t long-term, you can’t do it for example.

HI IM SO EXCITED I CAN FINALLY GET THE STEP 3 DLC

Thank you for getting it!

Is Shiloh super totally straight bc I’m very gay and a huge Shiloh fan, would my man make an exception?😩

Sadly, he is one of our super straight characters. I’m sorry.

Hi, I have a very dumb question. In Step 2 does Cove not wanna share his drink with us at the mall (or rather why he stops drinking it) because it's an indirect kiss? Or is it like ...weird to him to share? Because if I remember right he eats off our spoon in the birthday scene right?

Yeah, he’s awkward about it because he likes the MC and it feels very personal to share a straw with his crush.

Hi! If you don't mind me asking, who is the artist for OL2? Their style is so pretty!

Thank you for saying so! This is her Twitter- https://twitter.com/redridingheart

Do Beginnings & Always and Now & Forever exist in the same universe?

Yep! XOXO Droplets also exists in the same universe. It’s one big GB Patch world, haha.

Do Pran's parents regret the way they raised him? Do they feel ashamed of it?

No. They’re the type of people best cut out because they’re not gonna change. Which is why Pran does go very limited contact when he’s an adult.

Hi! I just wrapped up my second playthrough of Our Life, and I absolutely adore it, but I had a question. I went to the gallery and found I was missing 2 CGS (specifically Step 1-3 and 2-3) and I had no clue where they would've shown up. Which moments are those found in?

You get it by telling Cove about his dad offering you money to be his friend in Step 1 and Step 2. You can’t get both in one playthrough, since you can only tell Cove the truth once. I’m really glad you liked it!

Hi hi! Please, how tall is Baxter and Derek? Love the game so much and I can't wait to see more!

I don’t know, aha. I think Baxter was around 5′10 and Derek was like 5′8/5′9, maybe. I really am not one who has specific heights for things in mind.

is adult cove a bottom, top, or switch?

A switch, though would choose the top if he had to pick.

I was wondering if there is a way to transfer save data? Even if through the game files. I wanted to be able to transfer my save data from my desktop over to my laptop so that I could continue playing right where I left off from but I'm not entirely sure how to go about that.

If you save the save folder/persistent data of the game from your desktop and put it into the game folder on your other device, that could work.

Hi! Is it possible for us to know the date when our life: now and forever comes out on steam? Sorry if you've mentioned it before but I haven't seen it and I'm looking foward to that happening and just wanted to know :)

It’s gonna be a long time, I’m afraid. There’s no estimate right now.

I started playing Our Life with my sister a while ago, and I think you guys should know that we discovered your secret. >:)

L from death note and Cove are clearly the same person, and this whole game is just an origin story!!

I’ve never seen that show so I’m sorry to say I don’t understand the connection/reference you’re trying to make. I’m pretty out of the loop when it comes to media. I don’t watch movies or TV.

Will OL2 have options for disabled MCs?

I understand if it's too complicated, just curious

Unfortunately, it’s not really something we have a plan for. We couldn’t finish the game if we tried to include every disability and have it be meaningful. It’d just be too much content to create. But if we decide to only include a few, how would we choose which disabilities get to be represented and which are left out? I don’t know. It’ll probably have to be something we don’t include as an option again, sadly. I’m sorry.

playing our life > anything else

Haha, I’m glad you’re enjoying it.

Honestly, I would like to thank Our Life for helping me come to terms with my sexuality. Before, I never would've actually thought that it was possible to like boys romantically and still be asexual. Almost all of the BL visual novels I've read had unskippable sexual content in them and it honestly just didn't click with what I feel. I'm glad I found Our Life. I love the game, the developers, and this fandom so much. Now, I can safely come out as homoromantic AND asexual (at least anonymously here anyway; my parents are still huge homophobes 😂).

Aw, it’s great to hear you felt comfortable being yourself in the game! That’s wonderful. I’m really sorry about your parents, though.

Will the demo for OL2 be on android? Really not sure if I could wait any longer than I have to aha

Yeah, it’ll be available for Android once we eventually release a demo!

Do all these reveals perhaps mean development is progressing ahead of schedule? Please let that be the case I'm already obsessed with Qiu

No, sorry, aha. Art comes along much faster than script/programming-work for us. It’s gonna be a long time before the game is a finished thing you can actually play. But at least we can look at the beautiful images.

Hey! First of all I wanna say I reallllllyyyyy loooovvveeee Our Life and XOXO Droplets! I have over 300 hours of playtime on Our Life… Anyways, I was just wondering, are the Derek and Baxter DLCs going to come out at the same time? If not, which one do you plan to release first? :3

They will come out separately and Derek will be first! Glad you like the game.

I keep replaying Our Life to get every possible iteration and I am loving it <3 I was wondering if Cove gets locked out of his confession because MC was talking to Lee, would it be possible to confess to him in step 4?

Yeah, you can avoid the confession in Step 3 and then get it in Step 4.

Hi, my Cove wears bracelets through step 2 and 3 but I still don't get an option to give him a bracelet? I didn't even know that was possible until I seen someone else ask about it lol

Hm, did you use the Cove creator? Maybe there’s a bug where using the creator to add bracelets doesn’t fulfill the requirement to give Cove a bracelet in Step 3.

Wait, I'm dense, when does Baxter appear in step 2? Is it from big park firework? I feel so bad since i really love Baxter and waiting to buy his dlc.

It’s in the Soiree Moment. You have to be just friends with Cove, indifferent, or crushing but not ask Cove to the dance at all. Then while there you can find someone new to dance with. But if you bring Cove to the dance while crushing, the MC won’t wanna dance with anyone else so you can’t get the scene.

In step 2 when we go to the soiree I made my mc go alone and baxter chooses the mc to dance, i'm curious, why did he pick the mc? sorry if this has been asked before!

Because the MC looked to be around his age, seemed to also be searching for a partner, and had nice legs. A perfect option for him.

I read some of the FAQs, and I saw that we could tell Baxter about the condo that he rented there was previously the mean old grandparents. how do we get the mc to tell him that?

It happens in the DLC Moment “Late Shift”. If you don’t have a job you instead get a longer scene with Baxter.

I don’t know if you’ve addressed this or not, but are you planning on paying voice actors for our life: now and forever?

Yeah, we pay our VAs in all our projects.

hey can i ask how you did the moments thing in ol? im trying to get into making visual novels and while im VERY sure its out of my comfort zone and all that atm i kinda wanna know just for the future, bc im p sure it would work well for something i wanna do :O but its also fine if you cant say for other reasons :>

I’m afraid I’m not sure what you mean. Are you asking how we programmed the screen or something script related? Adding Moments like that is pretty straightforward, though. You just have buttons that open to different labels and then the scripts are essentially individual short stories/vignettes. Good luck with your VN!

Since Autumn becomes gender fluid later in the game, will there be a character who remains as he/him to romance in game?

OL1 has the he/him LIs, OL2 is all about other genders.

I don't want to impose on your creative plans, but a parrot could possibly make a good pet in an OL-type game? They're pretty long-lived and likely to still be thriving by the end even if the MC got them back in step 1.

I do appreciate the suggestion, but I’m afraid it’s not likely going to happen. I understand there are technically some animals that could theoretically live long enough to last the whole game that or we could have the MC only get a pet after some years have already passed. But the many things that would have to be considered/accommodated for makes it just something we probably can’t manage adding. I’m sorry.

As time passes will we be able to see Qiu and Tamarack's other stage arts as well?

They are both so cute i can't wait to be friends with them!

Yeah, we’ll show content from other Steps in the future. It’ll be a little while from now, though.

Can you date Cove and still have your family comfort you in the car?

You can’t get Cove’s Step 3 confession scene if you have the family comfort you in the car. But that’s not the only way to date him. You can get together with him earlier in the game or later on in Step 4.

Is Mc always going to be the one walking down the aisle or could Cove do it? Also could you choose to have one of your moms walk you?

No. Cove wouldn’t want to walk down the aisle like that and the MC automatically respects that. And the MC also gets to have their preferences respected, so it’s up to you whether they want to do an aisle walk or not. You also can pick who, if anyone, walks with you.

Once step 4 is out, will you be able to go the whole game on crush/love without either of you confessing?

Yes, as long as you tell the game you don’t want to progress the relationship. Even in Step 4 it won’t force you to officially get together.

Howdy, so in Step 4, there will be any Romance with Derek that is not part of any dlc?

He’s only a friend unless you get his romance story.

Will the step 4 in OL2 be one big step or are you considering moments?

Step 4 is just an epilogue in both games.

hi kind of a weird question but!! we know tht cliff doesn't start dating again but. wht abt flings? like does he ever do 1 night stands or anything? thank u!!!!!!!!!!!!

Nope. Cliff has a very small interest in sex. If he’s not in a real relationship with a partner he’s crazy about it simply isn’t something he feels a need for, so one night stands wouldn’t even cross his mind.

sorry if you've already answered this, but i was wondering if there were plans for there to be bonus love interests in OL2 like how we have derek and baxter in OL1.

Maybe! There are side characters who could be given romance stories, but whether or not it will happen depends on funding and how long everything else takes to finish.

I don't know if i'm allowed to ask about ol2 here yet, if not u can ignore this or answer it later. My question is can you date one of them and be good friends with the other? I don't want to be strangers with the other bcs i love them both a lot :<

Yes you can!

what patreon level do i have to be to unlock the nsfw moment? im on the $5 one right now, will that give me access to the moment, or just access to the moment progress?

That’ll give you access! Tier 2 and anything higher allows the player to download it.

#our life #ask #gb patch #gb patch games #all projects #Our Life Beginnings & Always #Our Life: Now & Forever

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09kags · 4 years ago

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Happy Haikyuu Day!

Sorry for the bad quality first off T^T I keep having to resize these so that they’re smaller for Tumblr and it ruins the quality. But more importantly, happy Haikyuu day! (at least it is Japan already!) This edit embodies some of my favorite moments within the series and below, I’ve written some of the thoughts that went into this piece/my feelings on these moments! Manga spoilers ahead (I'm pretty sure I’ve kept them to a minimum but just to be sure, please proceed with caution!), and I hope you enjoy this edit! (Overlays: accio-glow, aulia-chan on dA; PSDs: hurtears, hallyumi, yangyanggg on dA) 1. “Today might finally be the day we get the chance to let our talents bloom… it could be tomorrow. Or maybe next year. Or maybe it’ll finally come when we’re 30. I’m not sure if physique has anything to do with it but I do know for sure that if you don’t believe that day will come, it never will.” This quote is a testament to Oikawa’s growth and is a symbolic representation of Oikawa freeing himself from the shackles of “geniuses” and “prodigies.” So what if your opponent is a genius? So what if they possess more innate talent? As his mentor and inspiration Jose Blanco states, “Are you saying you know what the limits of your abilities are already? Even though you aren’t yet finished growing physically or mentally? Even though you haven’t mastered all the skills you can master? If you’re going to complain that someone with more talent than you will always be better than you… no matter how hard you work, how many tricks you learn and how many great teammates you have… do that only after you’ve given everything the very best effort you have.” There will always be someone better in the world. But to claim that you cannot hope to compare to the likes of them is to resign yourself to a predetermined defeat as well as dismiss both your own efforts and theirs. There’s no guarantee when your efforts will pay off. As Oikawa declares, it may be today, tomorrow, or even when we’re 30. But if you don’t believe in yourself first, if you don’t believe that you will bloom in your own time, “that day will never come.” The flower in the background is the iris. It is known to represent trust, faith, and hope amongst many other ideals. I chose this particular flower because of the manga cap used in this panel. I cannot emphasize how much I love the bond between Oikawa and Iwaizumi, especially this particular moment when Oikawa points at Iwaizumi with such authority and determination as if saying, “This ball, this moment, is meant for you.” Not to mention the pairing with the iconic “Talent is something you make bloom, instinct is something you hone” quote. An absolutely masterful sequence of scenes that always gets my blood rushing.

2. “Don’t look down! Volleyball is a sport where you’re always looking up!” This moment gives me chills every time. It’s something so fundamental and simple and yet, when Ukai yells this, it instills that feeling of “You can do it.” It makes my heart flutter and I feel so excited because it’s such a beautiful way of saying “Don’t give up, it’s not over yet.” And even if the ball has dropped for the last time or you have lost this match, there’s always tomorrow. There’s always the next match where you’ll have to look up. This quote gives me the same feeling as when Takeda-sensei says, “For the rest of your lives, you can do anything you set your mind to!” You only truly lose when you stop trying or you give up. 3. “It hurts. I’m tired. This is painful. I don’t want this to ever end.” / “The ball hasn’t dropped yet!” Whenever Haikyuu characters say “Just one more!” or “The ball hasn’t dropped yet!”, the tension and desperation is almost palpable. It’s so incredibly moving to see them strive to save that ball just one more time, to focus purely on what is in front of them. Even if they don’t all pursue volleyball as a professional career, the passion they all have for the sport is real. That sort of passion is beautiful to watch and admire, and I wish I could have that kind of passion for something in my life. 4. “The underhand only uses two hands. The overhand uses 10 fingers. That’s all the more to support your spikers with, which is what it means to be a setter.” / “To cut through the wall that looms before your spikers, that is the purpose of a setter.” This particular panel depicts the two ideologies of Atsumu and Kageyama respectively, two of my favorite setters and characters in general. Atsumu “may be pretty cocky at times, and overwhelm his teammates with his thirst for victory, but he treats his spikers with more sincerity and selflessness than anyone else.” He may be overbearing and an asshole at times, but his love for the sport and the art of being a setter is second to none. On the other hand, there’s Kageyama who’s so damn cool with his one-liners. Kageyama’s passion and drive to win may blind him to his surroundings and teammates but he truly believes that the setter is the one who clears the path for their spikers. When their spikers feel cornered and the walls are closing in, it is the setter who “cuts through the wall that looms” ahead. The old Kageyama who was a prisoner to speed is no longer, and his growth as a player brings me to tears every time. 5. “Someone once asked me, ‘Do you ever feel bitter over the fact that you’re not a regular on the team, and amongst your juniors there’s a genius to boot?’ I never understood the exact definition of what it was to be a genius to begin with, but upon hearing the question, I understood the general gist of what they were getting at. Every so often there will be someone who thinks that ‘people like Atsumu’ were ‘good’ from the get-go. But the thing is, if I practiced something from 1-10 every day, then people like Atsumu would have done it from 1-20. Or, they would have done the same 10 but in a more efficient or concentrated manner. They might also ask ‘Instead of doing it 1-10, how about I tried it from A-Z, what would happen then? Now doesn’t that sound interesting?’ They’re the kind of people who think about stuff like that. Even if they fail, even if they are hated and get ostracised by others, no matter whether they’re right or they’re wrong, even if they subvert something the rest of us hold in high regard, they’re the kind of people who can’t sit still without giving it a go. Even if they start coughing up blood from their lungs, they’re the kind of people who want to keep on running, no matter what. There’s going to be a lot of people in this world who make you go ‘Wow, I’ll never be able to defeat them,’ and it’s only natural that you think they’re amazing people. I think that to be able to keep charging ahead is a talent in and of itself. You can call people like them whatever you like, the term ‘genius’ isn’t exactly an insult. That said, to think they were ‘good from the get go’ is to condemn yourself to a predetermined defeat without even playing a match against them, and I also think it’s very rude.” This quote, hands down, is one of my favorite quotes of all time. It is not genius or natural talent that makes individuals truly great, but it is grit. Without a doubt, people are not born equal. There will always be someone with more innate talent or latent capabilities. We all begin at different starting lines. But those who truly stand out are those who go the extra mile, like those dubbed to be the Monster Generation (Kageyama, Atsumu, Hinata, Bokuto, Ushijima, Oikawa, etc.). To others they may seem like natural prodigies but behind their flawless technique and precise ball control lies countless hours of training. They trained harder than anyone else, sacrificed in order to hone their abilities, and ran farther than the rest of the pack. They’re the type to fixate on what lies before them without much regard to anything else.They eat, sleep, breathe, and live volleyball with every waking second. They’re always trying new things (Atsumu pulling off the freak duo quick in the middle of the Inarizaki match) and continually looking for ways to improve (“But the thing is, if I practiced something from 1-10 every day, then people like Atsumu would have done it from 1-20. Or, they would have done the same 10 but in a more efficient or concentrated manner. They might also ask ‘Instead of doing it 1-10, how about I tried it from A-Z, what would happen then? Now doesn’t that sound interesting?’ They’re the kind of people who think about stuff like that”; Kageyama keeping a volleyball journal). It is not what they were born with that makes them great; it is their overwhelming desire to win. 6. “‘Yesterday’ has already disappeared behind us. Many, many yesterdays have become a part of our muscles. What shall we do, today?” This quote, chills. There’s no point ruminating about the past or what has already passed; you can’t change it. (In retrospect, I wish I included another quote from Inarizaki in this panel: “One time is enough. We rise to the challenges of today.”) You learn from the mistakes of yesterday and use them as stepping stones for tomorrow. I wish I could eloquently phrase how much I love this quote or my interpretation of it but alas, my writing is fancy Garbage. 7. “But if… just if… that moment comes for you, that will be the moment you really get hooked on volleyball.” If you didn’t get chills when Tsukishima blocks Ushijima, I have no words for you. Tsukishima-it’s-just-a-club Kei, Tsukishima-I’m-the-normal-guy Kei — Tsukishima Kei, who always underestimates his own capabilities and relies on what he can see in front of him, blocking the Ushijima Wakatoshi, one of the top three high school aces nationally. The character development from someone who did the bare minimum (as noted by other players/coaches at one of the training camps) to someone who finally had their moment to get hooked on volleyball is one of my favorite progressions of all time. Seeing him fall in love with volleyball gradually and then all at once is truly heartwarming and beautiful to witness. 8. “No matter what other people may say, we are the protagonists of the world.” This quote is incredibly empowering to me. Even if your days consist of mundane activities, you are the protagonist of your own story every day. You may not be the main character in a shounen manga or an adolescent seeking to usurp the government in a dystopian novel, but this is your story. No one can tell it like you do and no one can replicate your story. It is yours and yours only. And that concludes my Haikyuu word vomit! I really do wish I could have properly conveyed my pure adoration and love for this series better. I truly do love Haikyuu so very, very much. It will always have a special place in my heart and I will never forget the memories and lessons it has taught me! Thank you, Furudate-sensei, for such a beautiful story. And thank you Haikyuu, for everything. For all the losses and victories we shared. For all the smiles and laughter, and for all the tears we shed. Thank you, from the bottom of my heart.

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batmansymbol · 3 years ago

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hi riley! read this recently and would love to get ur perspective on this as a YA author https://tinyletter.com/misshelved/letters/did-twitter-break-ya-misshelved-6

hi anon! yeah, i read this the day it was posted. thoughts/supplementary essay below.

firstly, i'd put a big "I AGREE" stamp across this essay. i think it's well-cited and thoughtful, and i agree with pretty much everything in it. i especially appreciate it for introducing me to the terms "context collapse" and "morally motivated networked harassment" - seeing internet sociology studied and labeled is ... odd, but useful.

i left twitter in 2017, but i keep an eye on things, which seem similar now to the way they were four years ago. the essay describes the never-ending scrutiny, the need to seem perfect, and the pressure on writers to out themselves. all of that is spot-on. twitter is an outing machine. there is so much harassment and anger on the platform that in serious conversations, good-faith engagement becomes something that must be earned, rather than something that's expected. and in order to earn good faith, strangers expect you to offer up an all-access pass to who you are. otherwise, things might take a swift left turn into verbal abuse.

obviously twitter is a cesspit of harassment from racist, homophobic, and transphobic people, but i think the most painful harassment comes from within the community. i, and most people i know, wouldn't give a single minuscule little fuck if ben shapiro's entire army of ghouls came after us and told us we were destroying the sacred values of Old America or whatever. but the community at large does care about issues of racial justice and queer liberation and economic justice. which is why it's painful to see this supposed "community" eating its own over and over again.

how cruel can we be to people and pretend that we are their friends? that's the emotional crux of the essay to me. what we're doing to ourselves - people who do share our values and want to achieve the same goals - because this one platform is built on rewarding the quickest, most brutal, and most public response.

god forbid you don't have your identity figured out. god forbid you have an invisible disability, or are writing a story about something sensitive you've personally experienced but had an off-consensus reaction to. on twitter, if you are not a paragon of absolute and immediate clarity, you may as well be lower than dirt morally, because you're unable to do what the platform requires of you: air every private corner of your identity, up to and including your trauma, to justify not only your everyday actions and opinions but also your art.

(this is all honestly incompatible with interesting art, but i'll get to that in a bit.)

it doesn't take a genius to see how troubling this environment is when combined with twitter as a marketing tool. i remember that around the time of my debut, i'd tweet out threads of private, painful, personal stuff, which felt terrible to recount, but i'd watch the like count increase with this sense of catholic, confessional satisfaction. all of this was tied to the idea of my potential salability as a writer.

i was around 21 at the time. i felt a lot of pressure as a debut. i wanted people to like me and think i was exceptionally mature and confident. i wanted to do my job and build buzz for my book. i saw that all these publishing professionals and authors spent day in, day out angry and exhausted on twitter. every few days, a new person fifteen years older than me would say, "i can't take this anymore, i'm so fucking tired of this, i'm logging off for a while." i thought, well, this must be how online activism feels: like running on a sprained ankle.

i can still remember book after book after book that inspired blow-ups, big explanations, and simmering resentment: carve the mark (whose author was forced to admit that she suffered chronic pain after relentless criticism of that element), the black witch (a book explicitly about unlearning racism that was criticized for depicting ... racism), ramona blue (a book about a bi girl who thinks she's a lesbian but winds up in an m/f relationship, because she's still discovering her identity) ... etc

each book, each incident, followed the same pattern. firestorms of anger, a decision of where to place blame, the desperate need for a single consensus opinion in the community. i think a lot of people on book twitter see these as bugs inherent to the platform, but really, in twitter's eyes, they're features. the angrier and more upset twitter's userbase is, the more reliant they are on the platform.

i wound up leaving around the time i realized that not only was twitter making me anxious - NOT being on twitter was beginning to make me anxious, because of vaguely dread-infused tweets all around like "i'm seeing an awful lot of people who are staying silent about X. ... why are so many people who are so loud about X so silent about Y?" etc.

that shit is beyond poisonous. people will not always be logged on. the absence of someone's agreement does not mean disagreement. actually, someone's absence is not inherently meaningful, because it is the internet and silence is everyone's default position; internet silence in all likelihood means that that person is out in the universe doing other things.

this is already a ridiculously long response, so i'll try to wrap up. firstly, i think that progressive writers and readers have GOT to stop thinking that a correct consensus opinion can exist on every piece of fiction, and on every issue in general, and that if someone diverges from that consensus, they're incorrectly progressive.

secondly, i think that progressive writers and readers have got to uncouple the idea of a "book with good politics" from a good book, because 1) there are books about morally grimy, despicable subjects that help us process the landscape of human behavior, and

2) if, in your fiction, there is only one set of allowed responses for your protagonist, you will write the same person over and over and over again. you see this a lot in religious fiction. the person is not a human being but an expression of the creator's moral alignment. (not entirely surprising that this similarity to religious correctness might crop up with the current state of the movement. i read this piece around the time i left twitter and it shook me really, really deeply.)

i understand that in YA, there's a sensation of immense pressure because people want to model good politics and correct behavior for kids. this is a noble idea - and maybe twitter is great for people who want to be role models. but i've become more and more staunchly against the idea of artist as role model. the role of the writer is not to be emulated but to write fiction. and the role of fiction is not to read like something delivered from a soapbox, or to display some scrubbed-clean universe where each wrong is immediately identified as a wrong, and where total morality is always glowing in the backdrop. it's to put something human on paper, and as human beings, we might aspire to total morality, but we fall short again and again. honestly, that's what being on twitter showed me more clearly than anything.

#reply #ya lit #personal #the discourse tm #essay

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corpsentry · 4 years ago

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january: an art retrospective

i did some stuff last month (but it’s a lot of stuff and there’s a photodump + some Serious Fucking Reflection, so it’s all below the cut)

so ok, let’s start with this. here are some heads. each head has a red arrow. that red arrow is what i call the red line of the devil. it’s the slope of the face from the side of the eye to the cheekbone and then down towards the chin. up until like 2 weeks ago, i couldn’t draw it. i couldn’t fucking draw it. i would edit over that part of the face over and over again until i was frustrated and tired and i had a raging homosexual headache and it still never looked right. notice that each head is different. notice that each head looks wrong.

at the start of 2021 i finally admitted to myself, as per the image above, that i was deeply, deeply unhappy with my art. what was the problem? i dunno. but i decided i was going to fix it and i was going to do so via another one scribble a day event wherein for every day of january i would find a photo of a human head, and i would draw it.

january 1st, 2021. i was embarrassed to tweet this even on my private account where like 5 friends and a rock would see it. in retrospect, you can also see all of my bad habits emerging like dicks from a hole in the ground. it’s disproportionate. the brows look flat. the eyes are slanting upwards. the entire drawing looks flat, like this isn’t a 3d person but a caricature of one.

january 2nd, 3rd, 4th:

on the 2nd i decided to start a separate thread for doodles and applied learning. here’s the first set of tests

the rest of the week is kind of uneventful so we’re going to skip those. fast forward to january 11th

this one is especially bad. i am acutely aware, suddenly, that i am not changing anything at all. i’m stressed and miserable about it because i’m still trying to see people as people and trying to draw people that look attractive and proportionate and hot. my friend, leny, reminds me that i need to think about faces in terms of planes. i have a moment. my other friend masha sends me some links to anatomy tutorials. i have another moment.

january 11th. applied sketch

january 13th is when i start the troubleshooting process. the link above drives me mad because i’m pretty happy with the face but then i realize that there’s something very fucking wrong with the shape of the head LOL and then i realize that i’ve never had any idea what the proportion of the face to the rest of the skull is so i grit my teeth and i open a new canvas and i

bald studies. it seemed like the right thing to do. can’t draw heads? ok draw some heads. look at some photographs. i traced each photo but tried to stick to straight lines so that i could replicate the shapes more easily. i broke each face down into shapes. i thought about airplanes

i got really excited. i started doing studies, then applied studies, then stylized studies.

sketches. i’m not sure what’s going on (as always) and it’s very rough, but they look different from the sketches i did on january 2nd. that’s a start

january 16th’s daily study. looks more like a person now. juuuuuust a bit

more applied studies

on the 18th i take a break and go stare at some lips because i don’t understand how the fuck they work. again, i focus on shapes, on volume, on the fact that these things exist in 3d. holy fuck lips exist in 3d. holy fuck we are real

january 19th. i’m working on it.

january 22nd. some sketches + a daily study. it has finally occurred to me that heads can tilt up and down and that things look different accordingly. yes i was not aware of this before. yes i have been drawing for over a decade.

january 23rd. by this point after doing my daily sketch i almost always go back and do an applied study which is basically to say i drew a lot of fucking links. this one looks kind of okay. i’m kind of proud

january 25th. links. trying to make sense of everything i’ve learned

26th, 27th, 28th. daily studies

january 1st. january 31st

The End Of The Photo Dump (dab)

ok NOW i get to talk about what i discovered while studying the shit out of human beings

FIRST OF ALL, there is something precious and magical about drawing shit without the explicit knowledge that you’re going to tweet that shit out to 45 people later. it takes the burden of perception off your shoulders and that does something to you, or at least that’s my theory. i told myself i wouldn’t post any of this stuff until the end of the month (if i wanted to post it at all) and kept everything off my public social media accounts and that meant i could draw ugly as hell without worrying about who would point and laugh, which i absolutely fucking did. a lot of these are fucking trainwrecks. most of these are fucking trainwrecks. why do they look like that?? why??? this doesn’t look like the work of someone who’s allegedly been drawing since they were in kindergarten, does it?????

here’s why: because that person took a huge motherfucking swing at everything they’d ever known about art and spent a month building something new in its place. the abstract explanation is that i grew up on shoujo and weird old anime and my understanding of anatomy was unironically kamichama karin and while i love kamichama karin, when kamichama karin is your rule even if you try to break it, you’re going to end up going nowhere. “you have to know the rules to break them”, yeah? well i didn’t know shit. the abstract explanation is i’ve been miserable about my art for a few years now because i saw other people doing things effortlessly which i couldn’t and instead of going back to the basics, i tried to do what they did (not plagiarism, mind you, i mean i literally tried to copy the red line of the devil i mentioned above because i couldn’t even make that happen) and then i fucking failed.

the simple explanation is this. i had to unlearn everything, and relearn it again (like some kind of new renaissance clown, what the fuck is this?)

take this for example. all my life i’ve drawn faces in the order: eyes, nose, mouth, face shape, head. this works for some people, im aware, but it was something central to how i had always drawn, so i decentralized it. i said fuck you to the old me and changed the order up. now i start with the nose, then the eyes, mouth, the chin line, and the sides of the face. now i force myself to think about the human head as a series of parts interacting with each other instead of a bunch of disparate features which i want to look pretty.

or let’s use this zelda from last year. something about this looked wrong last october, the way something about all of my drawings looked wrong, but i couldn’t pinpoint it for hell the way i couldn’t articulate Any of my feelings about the visual arts. now, looking back, here’s what i see. that nose is sticking out far too much given how she’s not really facing very far away from the camera. that ear at the back shouldn’t be there. her forehead is too big. she doesn’t have a forehead. what the fuck is up with the shape of her head?

so apparently reject modernity embrace tradition has its roots in alt-right terminology and i’m not very horny for the alt-right (you understand), but the spirit survives here. you know sometimes you have to admit that you have no idea what the fuck you’re doing and draw people for 31 days. i’ve spent my whole life drawing stylized people and while again there are artists who have no issue with this, i veered off the track of the Good and the Holy and couldn’t get back on. i had no point of reference because i’d never thought about what an actual human being looks like, so i had no way to fix what i knew in my gut looked wrong but wouldn’t come out better.

this was hard. this was like oikawa tooru swallowing his worthless pride and admitting that ushijima wakatoshi had gotten the best of him for the last time in his high school career, but in haikyuu!! by furudate haruichi oikawa tooru fucks off to argentina and then joins the argentinean national team, and you know what, i think i’ve made it to argentina (not the team just the country). as per the golden rule of dont fucking move until you’re at least two thirds of the way through the month, i only started trying to draw Shit shit on like the 22nd or something, but i was happy with that i created. i am happy with what i’ve done. i’ve posted like 2 things this month that involve people with what i now call ~applied Knowledge~~ and they’re, like, not perfect obviously (perfection is an unattainable ideal), but i’m fucking proud of them. i didn’t spend 5 hours hunched over my laptop adjusting the red line of the devil because it’s not a devil’s line anymore. because i finally sorta get how people work. because i sat down and i said ‘we are not going to fuck with this misery shit anymore’ and then i did that. it’s just a line now.

here are 2 collages tracking my painstakingly carved out progress from january 2nd to february 2nd because i’m a slut for collages

and here’s what i’ve done to my art! the same person drew these but also Not Really! you know! for the first time in a year i don’t immediately hate what i’ve drawn. you know what guys? art is fucking fun. zelda’s forehead doesn’t scare me anymore because i know how foreheads fucking work now, and i don’t know everything, and i’m going to keep troubleshooting stuff as i go (i want to draw a skeleton. like a. i want to draw a goddamn skeleton guys) but i’m honestly and genuinely proud of what i’ve done in the span of a month, and i’m also in disbelief. i started this month-long challenge out as a last ditch effort to make peace with my art because i’ve been tired for a long time and i was ready to kick the bucket on drawing people altogether. i didn’t think anything would happen. nothing’s happened for years. i’ve been miserable for years.

this was the caption for january 1st, 2021. i was super, super fucking embarrassed and it looks like super fucking shit, but you know what, i think i did in fact triumph over the bullshit. surprisingly enough, when you put in consistent effort into something, You Will See Results. didn’t see that coming, did you? i know i didn’t.

this isn’t a success story. it’s a happiness story. i never gave a shit damn about the institute of art or whatever, i was just mad at myself because what i saw in my head didn’t match up with what was on the canvas. and now it’s getting better. now i’m calibrating the compass. now drawing not just backgrounds but also people is exciting to me, and i can stick my links in your face and tell you ‘they hot’. i’m going to keep doing that. i’m going to keep going until i drop off the side of the earth and then spiral towards mars like some kind of fairy, and then i’m going to create something beautiful.

thanks for reading. here’s a pr department link for sticking around until the end

#my stuff

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freckledbodty · 4 years ago

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Stripping Away The Bloat - The Umibe No Etranger Movie Did The Manga Dirty

I finally got around to watching the movie of Umibe no Etranger - a movie I didn’t know existed based on one of my old favourite BL mangas. And oh boy, does this adaptation reflect a painful trend in manga to anime/movie adaptations overall. Allow me a moment to rant, if you will...

TL;DR: READ THE MANGA BY THE LOVE OF GOD IT’S WONDERFUL. Also the movie is super pretty, but here’s a semi-detailed look at why it still really didn’t do the manga justice. You bet I came with receipts.

A few important notes before you start:

1. Remember this is just my opinion, and I’d love to hear other people’s point of view on the matter, whether you agree or disagree!

2. I am not fluent enough in Japanese to read the original without a translation, so my thoughts on the manga are coming from fan translations, which 100% might have affected how I view this! The anime I’m a little more sure on as I can generally tell when the subtitles have deviated, but that does mean I may have missed something/something was lost in translation that means something I say here is incorrect. I’m very sorry for this, so remember this is my view based on the media types I’ve consumed.

3. Also the manga cuttings I use are not the best quality because of tumblr’s sizing, so even more of a reason to go read the books yourself!

I’m aware I’m very late to this party, but when I saw the other day that this movie had been made, I was horrified that I hadn’t known about it sooner. I read the manga years ago, and adored it - it’s genuinely a sweet and beautifully drawn romance, and I’d highly recommend it to anyone. With that, however, the movie was a huge disappointment to me and I just need to have a moment to gush in a less than positive way.

The Pros:

Let’s get this out of the way, I’d still probably recommend this movie to anyone who likes romance anime-style movies. It’s beautifully animated. Seriously, this movie is stunning, with wonderful expressions, bright colours, and a pretty well suited soundtrack too. The animation tries to match the original art style of the manga, and frankly, I think it captures it perfectly. 10/10. Gorgeous. Watch it just for the prettiness.

I’m also a big fan of any BL/GL adaptations that get a little more into the mainstream. This movie is definitely a huge win in terms of representation, especially when the manga (on the whole) avoided the more negative tropes that the BL/GL genres have historically been known for. (More on that later...) So that’s a win, and I will take it.

The Bloat Cut:

To put it simply, this movie fell into the trap of what I call (in my head) ‘cutting out the bloat’. As a long-time anime and manga fan, who has seen countless adaptations over the years, it’s a common theme that tends to make or break an anime.

‘Cutting out the bloat’ to me means that the adaptors cut out a lot of the ‘smaller’ moments and panels that are seen in a manga. This movie was thankfully very good at following the original plot and took us through the same beats that the manga did (many adaptations don’t bother doing that at all), but they left out a lot of the extra stuff - the aforementioned ‘bloat’.

The bloat isn’t really bloat in that it is pointless, however: the problem is that these little moments and scenes are seen to be pointless by the adaptors. Again, understandable: they have a limited run time, and it’s hard to include every little tiny moment, especially when they are ones that are easily scanned passed. Some bloat cutting is necessary to make an adaptation viable at all, but sometimes, it can be hugely detrimental to the piece. Umibe no Etranger is a key example of this.

Setting:

I watched this movie without rereading the manga, and as such, I was quickly thrown off by how bad the movie was. This was one of my favourite mangas, wasn’t it? Had I really had such terrible taste? (Yes, let’s not go there, but this manga was not one of my high-school bad decisions).

The characters felt strange. Personalities did complete 180s after the time skip and did some questionable things that I couldn’t recall finding issue with when I read the manga. The two main characters felt so hot and cold that it didn’t feel like the story I remembered. Even the pacing felt off and janky at times.

After watching, I went back and reread the manga, and this is where I saw all the ‘bloat’, the little intricate moments and minor panels that were easy to overlook but made the story what it was. Here’s a few of the biggest examples I could find.

Shun:

Oh, Shun. What did they do to you?

Shun’s character was bizarre. In the first 15 minutes of the movie, he was bubbly, friendly, and even bold enough to flirt with Mio. After the time skip, he was sour, cold, and completely withdrawn from the world. I understood Mio’s confusion because after the time jump he was a completely different character.

The manga is often focused on Shun and his inner thoughts, and he’s the one who is hurt the most by the bloat cutting. For starters, he wasn’t as over-the-top friendly at the start of the manga as he was in the anime, and we’re able to see his inner thoughts and worries that cause his reservations from the first few pages we meet him. We also get more hints earlier on as to Shun’s past that explain a lot of his behaviour as a whole, as well as getting little hints as to why he’s even more negative and exhausted after the time jump.

Mio:

The biggest bloat cut out in terms of Mio is the big plot point of the phone call. For context, before leaving for the time skip, Mio promises to call Shun once he’s gotten to his new home. In the movie, this is never really brought up again, focusing on the relationship in the present, but this was a huge point to leave out. I think it was cut out because it was explained in one short scene in the manga, and therefore easily mistaken for bloat.

In the manga, it’s explained that Mio does call, but it’s Eri who answers, and there’s a very important conversation that sets up Mio’s whole character development and explains why he returns to the island set on having a relationship with Shun. Eri warns him that calling Shun, despite knowing that Shun has feelings for him, is cruel and unfair, and tells Mio he shouldn’t contact him unless he’s worked out his feelings. It’s a great scene, and a real shame to leave out when it explains firstly why Mio never called back, and secondly why he is so adamant about his feelings and love for Shun when he does finally return: because he saw Eri’s warning to mean ‘don’t come back unless you are serious’.

Relationship:

In the movie, Mio and Shun didn’t really seem to have a relationship until the drama kicked up and then it quickly seem to disappear again. Shun was extremely held back and reserved, and barely ever seemed to return Mio’s feelings (even in the scenes he was instigating) - he even totally avoided anything resembling physical contact at first.

Compare this to the manga, where there are little hints of their relationship progressing throughout the chapters. For one, Shun is never as cold and blank as he seems in the film, and when he does seem that way, the manga quickly shows a glimpse of his thoughts to explain how he’s exhausted or distracted - without those little bloated thought bubbles, he just seems... a little cruel frankly.

A really good example of this is the beach kiss scene. In the movie, as Mio is about to kiss him, Shun suddenly announces that he’s hungry and avoids the kiss altogether, leaving Mio confused.

In the manga, they actually do kiss - it’s their first kiss, in fact. Shun seems embarrassed and his ‘I’m hungry’ feels like more of a way to distract them both. He explains he’s exhausted (which is fair enough, this is a big thing for him to process on little sleep that his inner thoughts earlier in the chapter already set up) rather than just outright shunning him. (Ha. Shun. shun. Get it?)

A more *noted* bloat they cut out is that Shun and Mio get physical in the manga way earlier than the movie, the touches just not quite being everything Mio wanted. Without those more tender moments, where they actually seem like a couple, it seems like Mio is chasing after Shun desperately, whilst Shun couldn’t care less about him. It detracts from the whole relationship. Below are some examples of the two of them actually seeming like a couple that were cut from the movie, including longing looks from Shun, Shun hugging Mio whilst he’s asleep, and Shun asking to kiss and touch Mio.

The Issue:

Bloat cutting always annoys me, but usually, if it’s not hindering the story, I don’t mind. What bothers me most of all in this movie, is that without these subtle little panels and moments, the relationship between Shun and Mio seems... forced, frankly. In the movie, Shun seems to be the instigator of the flirting, and then after the time skip he acts practically disgusted, avoiding a lot of Mio’s advances, and we don’t get to hear his inner thoughts like we do in the manga to explain why he’s feeling this way.

In the manga, during these ‘bloat’ pieces, Shun is an actual willing participant in the relationship, and Mio isn’t just forcing his advances onto Shun. It’s natural. It’s not flipping between hot and cold, or suddenly ramping up after a big moment of drama, it’s slow and careful and a real relationship.

This would be a bad change in any adaptation, but it’s especially so in this one. Anyone who is a fan of BL specifically is probably aware of the genre’s bad rep historically for having some... questionable consent issues. This manga didn’t have them. The movie? I’m not so sure, and that’s why it’s rubbed me the wrong way. I could spend another 1000 words talking about this issue as a whole, but I’ll leave it there, you get the idea.

Expected? Yes. Okay? Meh.

There’s no real point to this post aside from to complain a little and point out just how much more the source material gives us. Cutting the bloat always happens, and I don’t want it to stop happening per say, that would be impossible, but I’d kill for adaptors to just take a little more time to work out what is unnecessary and cutable bloat, and what is something they should really keep in.

The movie is still cute and beautifully made, so please go watch and see for yourself! Mostly, I’d highly recommend the manga: it’s got the same gorgeous art style, only about 5 chapters long, and the story and relationship is that little bit more firmly built.

I’ll stop ranting now, and I hope this actually made sense? Anyway, congrats on making it all this way.

#umibe no etranger #bl manga #bl anime #yaoi manga #anime discussion #please note the important points #this does not mean its a bad movie by any means #just was a disappointment

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pokedash55 · 4 years ago

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Ninjobservation #2

Analyzing the Elemental Alliance as a group and uncovering the real reason the Time twins (Twims for short) were "traitors"

So I have rewatched Hands of Time for the 3rd time this past year and Me and my sister Purplefern (She has a ton of good Twims fics on Ao3 ^^) have learned a lot about the old elemental alliance (EA).

THE CLAIM

The EA were a strong clique that did not appreciate the Twim's general attitudes and personalities. Chen saw the growing discourse and manipulated both sides into turning on each other.

[[They be judgin' (””art”” by me) ]]

To start let’s look at all the Leaders of this Alliance

Wu back before his eventual growth with the ninja was a strict teacher. Morro ran away due to his inability to understand his problems (problems he may have caused with his teachings). He is generally harsh towards the Ninja in season 1, forcing them to train all day because they simply talked during his lesson ("Never trust a snake").

Due to being the son of the FSM he put pressure on himself to always be virtuous and leaderlike (believes he has to uphold order) and he takes this believed expectation of authority to heart. He is no nonsense, yelling at Libber (the Master of Lightning) for simply talking slightly off topic before an important battle. He has a strong sense of right and wrong, according to his own moral standards and does not waver on what he believes is in/appropriate.

Garmadon

Although less righteous than Wu, joining the alliance after the war began, he has also been seen as a strict and serious teacher. Because of the growing venom in his blood I'd argue he was even more strict, less in attitude but more in general rules of law and order. We see in Rebooted that Garmadon set strict rules for himself like "no weapons" to keep his destructive side in check and we know that Young Garmadon is so sensitive to rules as he claims that even reading another's mail is a crime. He joined as a leader and most likely upheld rules not just for the alliance but for his own sake.

Ray and Maya

We see little of them but they are both good friends- and Ray appears to be the right hand man-- of Wu They are such good friends that Ray is the one trusted with the Map to the Golden Weapons. From his tone and diction he seems very dogmatic and if he's anything like Kai, he's quick to assumptions and to attack people who he perceives as bad according to his own strict principles. He just feels like a stuffy guy. I don't have much on Maya but she's a good people person so she gets along with the others really well. Also she married Ray, so that has to say something. They both went along with the Time Blade plan.

Other Elemental observations

Except for Libber (Lighting), all the Masters are older than the Time twins. (Krux can fight in S7 so he's not older than 70. They are most likely mid to late twenty's during the war)

The EA is a pre-established group (Garmadon refers to them like they are a pre-existing entity in ToE flashbacks). They were two confident and arrogent twenty year olds strolling into a pre-established clique of old honorable fighters during a war. Not the best time for bonding.

Ice feels very much like Wu and Garmadon, considering he gave his powers to an analytical robot like Zane is saying a lot about him. He most likely does not tolerate "shenanigans", especially during a war.

They battle in a tight group

Krux and Acronix

These two act like they don't belong in the group. During the party celebrating the end of the war they are seen standing away from the rest and are genuinely happy to be recognized by Wu for their efforts. Although retcon, the two are not seen battling with the rest of the group. They instead most likely are so powerful (and impulsive and difficult to work with) that they are sent on duo missions to protect villages (They are also not the best followers).

It's also a nice parallel to our ninja in ToE. They stuck together like a family and were disliked and excluded from the rest of the EM's. The same could be said for The Twims since they always fought together and were similarly excluded.

Krux

Krux is a planner and a sassy dude. He’s stubborn and will tell people they are wrong to their face. The 16 personalities that matches him best is INTJ (the Architect). This analytical type hates people who are who they consider idiotic, do not participate in formalities, and are aggravated by heavy rules and restrictions made by someone else, especially someone they do not respect (which is most people).

Although we do not see him much as a young man we know that he is prone to grudges and will resort to less kind methods in sake for the means to an end. Definitely not someone Wu and Garmadon would like since they are trying to uphold order and keep a chain of command. But Krux believes in his own plans and his own chain of command. He is not good at small talk and would mostly stick with his brother during group events like meetings and parties, so in general his terrible social skills probably made him pretty unliked.

Acronix

Acronix is quick witted and heavily proud of himself. He won’t admit he is wrong and is very loud in general. This may be a side tangent but Acronix may have ADHD, which would not be understood back in the day and people would regard him as annoying or rude.

EVIDENCE FOR ADHD

-He is shown to stand in a position that suggests hand fidgeting (A LOT)

-Quick to anger over minuscule details

-yeah he's distractible but he's also quick to move through ideas/activities

-impulsive

- During their important battle back in time his attention is on the pretty fusion dragon flying around instead of listening to Kruxs plan of attack.

-His attention shifts to the destiny's bounty and he toys with the ninja despite saying right before he couldn't stay and fight Wu cause he had to meet up with Krux.

- in general he is constantly shifting from idea to idea, oftentimes leaving his original plans completely un-finished

He could have trouble paying attention to meetings and with his bond with Krux and tendency to quick action he would choose his brother's plan and strike independently rather than following whatever Wu is doing. This leads them to fight beside each other alone instead of with the main group, making the elemental alliance think they believe to be better than them.

In terms of Personality types he’s a hardcore ESTP (Entrepreneur). Like his brother, they are free analytical thinkers who do not respect higher authority simply because they claim to be the leaders and hate rules and regulations getting in the way of their progress. He says what's on his minds regardless of feelings and will defend his opinions despite others sensitivities. He is perceptive enough to pick up on small changes and habits but he is quick to share that knowledge (usually in a snarky remark). I doubt the alliance appreciates what he has to say when he’s blabbering about everything in such a rude tone.

MOE

Now this all may start to look like a silly “Hands of time did nothing wrong” theory. But there is a key factor in this that not many people talk about. The previous Master of Earth (or Moe for short).

We know that Chen manipulated Moe into turning against the alliance so it was not technically his fault. Chen could’ve said that because the serpentine rose from the earth he was entitled to fight for them. Heck he could’ve been 100% hypnotized by Clouse’s dark magic (His eyes were not swirly so it was not hypnobrai like is suggested in WOTD). He is most likely some lovable dummy who was easily swayed and a kind person to apologize once the truth about Chen is revealed (considering that he’s Cole’s grandfather). Moe as a person is fine. What is sketchy is Moe being easily forgiven and allowed into the alliance despite turning on all of HUMANITY. What he did could’ve hurt way more people. He fought with the snakes and attacked innocent people and powerless soldiers (like the rice farmers) and was off scott free! The Twims only fought the elemental alliance and Wu and Garmadon at the monastery. Not nearly as destructive.

They figured out that Chen made the alliance turn on each other after the war and forgave Moe for that, but isn't it strange that they never gave the Time Twins that same benefit of the doubt? We know from “Way of the departed” and general logic that Chen and Clouse helped tip them over the edge. Whether you believe this to be canon or not is irrelevant because if the EA knew that Chen was involved once why would they not assume he was with the time twins too? Seems like they already disliked the two and were just ready for a reason to punish them. All flashbacks we get are told from unreliable sources like Wu and Ray (who both were enthusiastically the ones planning to strip them of their powers.) Speaking of, let’s analyze this example of their “betrayal” shall we?

THE BATTLE IN QUESTION

This is the flashback we get of them fighting against the alliance. The first time you watch it all you really know is that they are fighting against the EA, when Wu is describing their arrogance and the danger of their powers. How evil right? To attack their companions like that? But there is a lot wrong with how Wu phrases the fight and how it actually goes down.

They have Bamboo staffs.

A weapon that is primarily defensive and not a good weapon of choice for a planned ambush or assault. They are non lethal weapons. And Acronix is said on LEGO.com to be quick to learn any weapon so someone as adaptable as he is would not intentionally bring something so weak to a fight unless he had been forced to improvise.

Always on the defensive.

Someone as tactical as Krux and skilled as Acronix would never let themselves be on the defensive like this if they had the first blow. We see that Ray has the first attack in the flashback. Although Acronix is known to jump in without thinking he has his brother who would not just go into a fight just to lose. And even if they did end up on the defensive after having the first strike Acronix has his powers. He would’ve brought both of them out of a situation if things got too hard (which he is known to do in battles HE starts). But they clearly did not start this battle.

They are surrounded.

These two guys with nothing but staffs are encircled? Krux as a planner and Acronix as a quick witted warrior would never let themsleves get into that position if it had been a battle that they had started and had been planning to win. This framing makes it feel like they are being ganged up on.

In a remote location.

The battle takes place on a gravel road no where near a major city. If they wanted to take over wouldn’t they strike somewhere more populated? And if they were attacking the EA...they would have attacked the EA directly. They were probably just walking and talking and got ambushed.

Chen?

Very possible that Chen sent an “anonymous” note to the EA telling them of the Twims plans to attack. They are arrogant, have openly hated Wu’s leadership, and don’t gel with the group so of course they would take a tip like that and attack someone they don’t like. It’s possible they had ideas of taking over the EA but the world seems a bit out of their morality range until provoked.

Now that they have been attacked the two form a real plan to overthrow these fools who don’t like them and have unfairly attacked them (just like Chen had been telling them they were likely to do). They bring real weapons (swords) to an important location (the Monastery) to fight the specific people they do not like (Wu and Garmadon).

The Punishment

Ok so these powerful elemental masters are going to attack the EA. They were once allies and they are too powerful to defeat with their powers. If only there was a way to temporarily suspend their powers so they could talk this out and have an understanding of each other and perhaps uncover Master Chen's involvement-- since the Hands of Time were semi-sensible war heroes who were the sons of a previous master of time who presumably responsibly used the element without issue (and was most likely a samurai since Krux says their helmets are samurai helmets)... sigh too bad there is not such a material… oh wait.

WHAT ABOUT VENGESTONE???

These fools really decided that destroying an important element forever, and violently ripping it out of its users was the only option? There were generations of time elementals before them that had the element. They could throw vengestone nets at them or fight until they get knocked out and then vengestone cage them. But they don’t want to know why they betrayed the alliance. It was not because the element was too dangerous. It was not because they had to strip them of their powers (cause there are less lethal ways of doing so). They just did not give these two any mercy.

CONCLUSION

The Time twins are hard to work with and stuck together no matter what. The alliance is very strict and dogmatic which both Krux and Acronix would hate being trapped in their day to day alliance meetings and group mentality. Chen used their egos and their exclusion to his benefit to keep the fight going after he was banished and sent a letter to start up conflict with the EA. The EA did not like the Twims so they were ruthless and did not give them the same mercy they did for Moe (They also are not Elements of Creation. Wu would do anything to protect the main 4 but he’ll punish these punks).

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nibeul · 4 years ago

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Saberstaffs: A Guide for People Creating Jedi/Sith OCs

I posted this on Instagram a while ago but I figured I should post it here too! This is basically my analysis of saberstaffs paired with some history and extra info. I’m by no means an expert, just a SW weapons nerd who enjoys rambling about things, bonus if people find it helpful :) most of the general info is backed by the wookiee for anyone curious to give it a look

The History

Saberstaffs are rare among the Order, and while a decent amount of it has to do with how hard it is to master, its origins also play a part in this fact. Originally known as the “Sith Lightsaber”, saberstaffs were created by the Old Sith Empire (as the name suggests), serving as weapons of aggression with the ability to easily overwhelm and overpower. The design had been pretty much unheard of until it was wielded by Exar Kun during the Great Sith War, the fallen Jedi having modified his original lightsaber using schematics from Sith Holocrons he had found. It was forgotten shortly after, trading off from hand to hand before eventually making its way to the Order for safe keeping (this is obviously a very simple explanation since I don’t want to dwell on it too much). The design became popularized among the Sith during the Jedi Civil War, and was even wielded by some skilled Jedi, though the Council frowned upon its use as the staff was a weapon of aggression purely designed to kill more effectively than the standard saber. The Order’s prejudice against the weapon remained a constant even into the waning days of the Republic, and as a result, very few Jedi utilized it. By the time the Invasion of Naboo rolled around, they’d faded into almost complete obscurity, so you can imagine the surprise of Qui Gon and Obi Wan when Maul pulled one out.

Schematics

The original saber staffs were much more complicated than the ones seen during the Clone Wars, consisting of a singular lightsaber mechanism that had two emitters, Exar Kun’s modified staff fitting this design. The more modern staffs, such as Maul’s, were made up of two, standard lightsabers that were melded together at the pommel in order to form one, elongated hilt. I’m actually not sure what the exact reasoning for the simplification was since the original was more effective, though I assume it has to do with the loss of the original holocrons and a change in wielding styles as the years progressed. The Council was right though in the fact that they were made for better effectiveness in combat; two ends meant faster attacks, and rapid assaults could be dealt out by the wielding with minimum movement. On the flipside, it was also good for defense—specifically in dueling, I’ll get to combat against blasters later—because it covered more area with less effort. There was also a psychological impact that comes with most unorthodox weapons, as tracking two blades is obviously a lot harder than one, and either end was often thought of as separate weapons instead of one.

Of course, there were still weaknesses, and with great killing power came debilitating flaws if put in the wrong hands. Wielding a staff without training was fatal in most cases, and it was likely that an inexperienced user would slash or bisect themselves trying to utilize one. A prime example of this comes from Antos Wyrick who accidentally impaled both himself and his daughter when trying to kill her. The minimum movement needed also came at a cost when it came to attacking and parrying because it’s impossible to simply adjust positions, as someone using a standard blade might. The sun djem contact mark could be employed by an opponent with little experience, and due to the length of the hilt, it’s hard to defend against. The best comparison to a saberstaff in terms of modern weapons would be the quarterstaff, though it’s not completely adequate because there’s only so much area for the user to put their hands whereas a quarterstaff, you have the entire length. The weight is also different as the weight of any lightsaber is condensed at the hilt while a quarterstaff’s weight would be evenly spread throughout it. Because the user’s hands have to be positioned at the general center of the weapon at all times (the hilt), power that would be possible with a quarterstaff is lost with the saberstaff.

Wielding Styles/Forms

Next, we have a breakdown of wielding styles, and to do this I’m going to be using Maul and Krell.

Maul

There’s apparently some controversy over what lightsaber Form Maul uses, though based on what I’ve seen from the show and the movie, I think that Juyo is the closest form to compare his fighting style too. Maul’s lightsaber is an extension of his body; he was raised for one thing, and that was to kill Jedi. He is, in the simplest sense, a killing machine, and his fighting style is reflective of that, martial arts interwoven with his strikes and parries, etc. etc. Maul, while obviously capable of defense, is a very aggressive, offensive fighter, and this is abundantly clear in his duels against Ahsoka, Obi Wan, Qui Gon… I’m sure there are videos floating around for each of the duels, I recommend giving them a rewatch if you’re curious. His power comes from his hips, and he relies on straight up striking power and prowess in combat in order to overwhelm his opponents. His style is pretty similar to how one would wield a quarterstaff, which is incredibly effective when it comes to melee combat against one or multiple opponents, but an open battlefield is a different story.

The biggest problem for Maul’s fighting style when applied to an open battlefield is the lack of maneuverability and the uncovered area that makes up the hilt of the staff. In a lightsaber duel, he has full coverage of his body since the blades are pretty one dimensional (I’m not sure if that’s the right word to use, but I’m using it anyways) while against blasters, there’s more open, uncovered area that he’s not going to be able to defend. I don’t recall seeing a lot of blaster vs lightsaber action with Maul, not when it came to his staff anyways, so it’s hard to determine what he’s capable of when it comes to that. I’m just applying what I’ve seen to a hypothetical situation—the bottomline is that Maul is likely a more effective duelist than anything else, and his use of the saberstaff plays into that strength.

Krell

Krell—who I know you all love—uses Jar’kai and I want to say hints of Form V based on his aggressive way of fighting while also on the defensive against dozens of clones. We unfortunately didn’t see a lot of fighting from Krell until he was slaughtering the 501st and 212th, so I don’t have a whole lot to work with here, but I do know that he used the Force in tandem with his staffs which was something that was made easier by the fact that he had four arms. Unlike Maul, Krell doesn’t face the problem of lack of coverage when it comes to fighting on the battlefield—because of his anatomy, he’s able to fully rotate the blades in a manner that covers him entirely, though something important to note about that is the change in power. The power from his strikes come almost entirely from his arms, which is clearest when he’s fighting the clones up in the tower. He’s able to cut through men without putting a huge focus on power, 1) because he’s already naturally strong and 2) because of the reach of his lightsabers. He’s outnumbered, but his sheer combative prowess with his lightsabers allows him to keep an edge during the entirety of the fight until he’s ultimately taken down by Tup.

I think the most important thing to note about Krell is that he constantly makes space, which is a tactic commonly used by staff users specifically (it’s also used when handling other weapons of course, though that’s when it comes to multiple opponents; with a staff, you constantly want space so you can strike from afar). He makes space to prevent himself from getting overrun even when severely outnumbered, and this tactic allows him to employ the deadliness of his lightsabers on an open battlefield, whereas Maul would have more trouble doing so thanks to the differences in their fighting style. Because I haven’t seen Krell in a duel, it’s hard to say how he would combat someone else with a melee weapon, though I want to say it’s likely similar to Grievous’s way of fighting. The sheer amount of blades he holds makes it easy to overwhelm an opponent, and because of his stature, he doesn’t have a need for extreme power behind each swing, which allows better maneuverability (as we see when he’s spinning his lightsabers).

General Pros and Cons

So, I’ll just finish this off with the main pros and cons after breaking everything down and giving my input.

Strengths:

• Offensive and defensive capabilities

• Faster attack rate

• Bigger surface area for deflecting/parrying

• Unorthodox/Uncommon

Weaknesses:

• Hard to store

• Exposed hilt

• Dangerous to user

• Often requires both hands to wield

In general, staffs are best for characters who are older with more than a couple years of training under their belt due to how hard it is to master and the dangers of inexperience. These characters tend to be heavily combat focused since the staff was pretty much made for killing. However, this is just a general breakdown I did for fun, so don’t let that stop you from giving your characters whatever weapons you see fit :)

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meruz · 4 years ago

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Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.

Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.

1. When did you get into art?

Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.

2. What art-related sites have you ever signed up for?

LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.

In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.

3. Show us your oldest piece of art you have on hand.

Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.

4. What defines your artistic style?

You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...

Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.

5. Do you practice other styles/have you tried other styles in the past?

I like to think I switch it up a bunch! I mean, these are pretty different, right?

I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.

One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.

6. What levels of artistic education have you had?

I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.

7. Show us at least one picture you drew or sketched recently that you did not put on a public site.

heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...

assorted valentines prep doodles

8. What is your favourite piece that you have done?

Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.

10. What do you like most about your art?

I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:

So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.

14. What do you like drawing the most?

Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.

oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.

15. What do you like drawing the least?

mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.

18. What is your purpose for drawing?

This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha.

20. How would you rank your art? (poor, mediocre, good, etc.)

Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL

In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.

22. List at least one of your “artspirations.”

This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.

And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.

24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)

I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look

25. Draw a picture!

Man I’m so tired now but here.

I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.

OK MEME DONE. onto the rest.

I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!

I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!

That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.

Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:

from top > bottom

- kuretake no.55 doublesided brush pen

- tombow fudenosuke

- muji 0.38 ballpoint

- medium size poscas

- grey tombow double brush pens

- good ol bic mechanical pencil

not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.

You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3

Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...

uh yeah lol I agree actually. I think yolei is great.

I assume these asks are related? LOL

1) Yeah totally true. I love David.

2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].

<33333333333333333333333333

#ask #anonymous

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annetteblog · 4 years ago

Note

The photo you posted earlier got me thinking about Jikook and the Red Bullet Tour in 2015. The performances from then were spellbinding. The energy! The youthful rebellion! The HEART! Bangtan did that! However, there is one little part of it that beautifully highlights the way Bangtan have evolved as queer allies since 2015. It's the part with the bed and the pushing. The song 'Blanket Kick' (also known as 'Embarassed') featured staging with a bed. There was some awkward pairing off between members and sometimes some of them would suggestively push one another onto the bed. What I see in some footage looks to be nothing more or less than classic kpop appropriation if BL vernacular. Neither 'bad' or ill intentioned, the gay undertones were likely meant as a playful capitulation to their fans fantasies. It was what it was.

Despite South Korea being a technologically advanced and globalized nation, it's progress in LGBTQ+ issues is stalled (as you have discussed in many of your amazing blog posts). In the face of this, homoeroticism performed by ostensibly cis het pop stars has long held commercial/selling appeal in Kpop. Traditionally, this pseudo gayness has NOT been a tool of defiance against prevailing homophobic attitudes. It did not support actual LGBTQ people when, say, GDragon and TOP kissed on a variety show, but rather, functioned at their expense (I love GD and literally SO MANY second gen kpop guys did the same thing so I don't want to seem like I am picking on them). Traditonal homoeroticism in kpop reframed lgbtq markers as existing only for the profit and entertainment of cis het audiences. LGBTQ people do not have a public place in South Korean Society. They are excluded from representation in the media, yet their identity was (and is, hello Irene and Seulgi's 'Monster') being sold and packaged to titilate.

2015's 'Blacket Kick' was an extremely light version of this. The tone was playful and not actually erotic. But there is no doubt in my mind that if BTS were performing this song today, it would not be like this at all. This is what growth and enlightenment means. They course corrected.

The ability to delineate 'queer coding' and 'queer baiting' is an essential part of Jikook appreciation and discourse, in my opinion. Jikook appear to include queer coding in their personal and artistic expression. Their queer toned art is full of love, beauty, domesticity and subjectivity. It is never cynical or objectifying. There isn't a hint of fetishization. They read, instead, as 2 *potentially* queer artists who self produce queer toned content. GCFT and GCFS vibrate with love. The Swan duet was as transcendently beautiful as it was casually subversive. From cozy bedtimes in the blue room, to mornings in LGO, Jikook are communicating the sweetness and ordinariness of lgbt+ love. They have come so far 💜👏

Dear Anon,

I honestly don’t know what I should add to your ask, because it’s so beautifully written :) Thank you 💜

So I guess I make a bit of a side rant 😄

I always support people’s growth in terms of thinking patterns, values, morals, etc. For me the important thing is not being totally utterly flawless, but the ability to admit your wrongs, reflect on them and move forward. Because it’s not possible to be perfect all the time and never ever make mistakes. We are all just people. So in case of BTS I really respect their courage to change. Like NJ, who admitted the wrongs of some old low-key sexist lyrics.

As for “queer baiting”. Years ago, I was very glad to realize that BTS didn’t do this extremely cringe (for me) stuff, which some others did, because for me it was (and still is) just really awkward to watch. I remember a moment in some K-show where they appeared (but I actually don’t remember what show it was or when, something from 2016 probably??), and there was supposed to be a game with transmitting a piece of paper from member to member using only lips. So, you know, it would look like a kiss. The first person holding the paper was YG, who just coughed so it fell and said something like “did we lose?” And I was like omg I love him so muchhhh 😄

As for Jikook. Again, I am very glad to realize, that they are not creating a “cool” fetish to be sold, but their art is something way more personal and deep. For me it’s something honest, pure and sincere.

I don’t know what else to add, so I’ll just say once again that I really love their Black Swan duo 😄 Seriously, mesmerizing!!!

And thank you again for such detailed ask :)

#annetteasks #jikook #kookmin

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craniumhurricane · 4 years ago

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call me, baby, if you need a friend

Cleaning up some old WIPs. This has been in my drafts since end of season 2/around season 3.

Basically 4 times Clarke calls Bellamy and 1 time that Bellamy calls Clarke.

Thank you @casleyislove and @sushigirlali for always reading things before I post them!

[ On AO3! ]

___

(i)

It's a quiet night in at the Blake apartment. Or, at least, for Bellamy it is. He's having a nice Friday night by himself after surviving a truly grueling week of finals. Octavia tried to convince him to go out and celebrate the end of the semester the "right way," but he turned her down… he's still not quite sure how he managed to do that.

His feet are currently propped up on the coffee table with a large bowl of store brand cocoa puffs in his lap. Bellamy may be an adult but damn if he isn’t going to celebrate the end of the term with sugary cereal… nevermind that he didn’t actually make time to grocery shop this week. The TV was queued and ready for the marathon of Ancient Aliens episodes he’d missed due to studying, and he was just about to press play when he hears a short but insistent buzzing sound.

Glancing around, his eyes land on Octavia’s phone sitting on the corner of the coffee table. She must have left it in her hurry to leave since she was running late to meet up with her boyfriend.

Bellamy keeps his eyes on it for a second before deciding to ignore it, and once again his finger hovers over the play button on the remote. Then the phone lights up again, this time with a phone call; a picture of Octavia and a curly haired blonde that he recognizes, the name CLARKE THE GRIFFIN flashing across the screen. He considers ignoring it for a second time but... if she’s resorting to actually calling instead of texting again then something could be seriously wrong.

Bellamy swipes his thumb across the screen to answer and brings the phone to his ear but before he can even say anything a voice on the other side interjects immediately.

“Men are dicks,” the woman says without preamble. “No! Worse than that. They're weird tumors that grow on dicks," she pauses, seems to think about it, and then adds, "Preferably life threatening.”

Bellamy blinks a few times before he answers, “I'm sure you're right, but don't you think that's a bit harsh?”

The line is quiet. He can hear her shifting the phone, no doubt checking the screen to make sure she called the right person.

“Octavia?”

“Bellamy.”

Clarke huffs. “Where's Octavia?” she snaps. He can hear the annoyance seeping into her tone, which in turn just makes him feel his own frustrations start to rise.

He tamps it down though. “On a date,” he answers.

She deflates at that, “Oh right. One month anniversary with Lincoln.”

He hums a confirmation and then they’re silent for a few minutes. So long that it’s Bellamy’s turn to look at the phone and make sure she’s still there. “Did you need something?” he asks once he sees that the call is still, in fact, in progress.

She takes a deep breath before answering, “I ended things with Finn tonight.”

Bellamy had only met Finn Collins a handful of times; the guy was fine except for a little cocky… and he always seemed to want to show off in front of pretty girls. His hair was too long and always styled like he was some kind of frat boy that came from big money even though Bellamy's 100% sure he never so much as pledged.

And then there was that one time he flirted with Octavia.

Ok, so Bellamy didn’t like the guy. But a break up is still a shitty thing to go through which is why he says, “I’m sorry,” and finds that he means it.

“Not your fault,” Clarke says immediately, “But I was kind of looking for someone to watch me binge drink and listen to me vent.”

He understands that, having gone through the same thing when he broke up with Roma at the start of the term. If you could really call them “hooking up occasionally” the same thing as dating, but still, getting drunk with Miller had been essential in the whole moving on process.

“You want to come over here anyway?” he offers carefully, casually. He doesn’t mind Clarke. She’s younger than him, around Octavia’s age. They aren’t exactly friends, but he would consider them a little more than acquaintances. Enough that it shouldn’t be too weird for him to invite her over even without his sister present. Plus, her getting drunk here is a better alternative than her getting drunk by herself in some bar.

“You don’t mind?” she asks and he thinks he hears relief in her voice, “I was kind of already on my way over to your guy’s place... I don’t really feel like going out and I really don't feel like being depressed and alone in my dorm right now.”

“Nah,” he says and then tries a joke to brighten her spirits, “Sounds like something fun to watch. I’ll order food.”

“Chinese would be great,” and he swears he can hear a smile in her voice so he’ll count his dumb joke as a victory. “Thanks, Bellamy, see you soon.”

He's not even a little bit mad about dumping out his now soggy cereal.

(ii)

“So, you’ve been in school for basically forever. Is it normal for a person to experience this amount of stress?”

Bellamy’s lips twitch as he holds his phone to his ear. After Clarke crashed his Friday night in, and spilled on the whole cheating Finn debacle while they did shots, Bellamy figured he should give her his own cell phone number. As much as he hated to admit it, and honestly he never will, his sister and her boyfriend were getting serious, so who knows how much Octavia would be available for late night bitchfests about significant others, fellow students, and the human population in general. Which were just a few of the topics they discussed that night. Hanging out with Clarke ended up being kind of fun, a better night than he originally planned. She even let him watch a little of his marathon and offered her own commentary. Bellamy would do it again… which is something else he would never admit.

It's not like they suddenly talk every day, but it’s a near thing. They would send each other the occasional text when one of them sees something that the other absolutely has to know about. Mostly, he gets pictures of old dogs she sees at the park, asking if this will be him in 20 years. Bellamy responds in kind with memes about college life and rubbing it in her face that they no longer apply to him since he graduated last semester.

But sometimes she reaches out to him if there is something particularly bothering her. Such as dealing with egotistical dickwads that consider themselves professors and shutting down female students in a male dominated class.

Clarke’s probably the only person that ever calls him and can never start the conversation with a simple ‘Hello’. Actually, she’s probably the only person that actually still calls him.

“I just got a job teaching so that insult isn't going to work anymore since I literally will be in a school as part of my job,” is his first response before he turns to one of concern, “Midterms got ya down?”

“It’s just,” she gives an exasperated sigh before continuing, “I want to do something that helps people, I know I want to help people… But maybe I don't want to help people the way my mom wants me to help people...ya know?”

“You’re going to have to give me more to go on here, Princess-”

“I’m thinking about switching my major,” she says abruptly, like she’s ripping off a band aid.

He’s silent, waiting to see if she’s going to say anything else. When it becomes clear she’s waiting for him to say something he responds honestly, “If being a doctor isn’t something you want to do, then you shouldn’t do it.”

“But-”

“What your mom wants you to do shouldn’t overrule what you want to do, Clarke,” he interrupts her. Due to the increasing amount of time he’s been spending with Clarke, he’s learned that the Griffins have always had a capital “P” Plan and he knows that Clarke has a hard time knowing when she can push the boundaries of said Plan.

She’s silent again and Bellamy’s starting to think he’s going to have to prod her a second time. He’s got the beginnings of his big speech all prepared when finally she speaks up. “I’m thinking about going into Art Therapy,” She says thoughtfully, “Or maybe teaching? Helping out underprivileged kids...or hell, even underprivileged adults. Or maybe something for the community?”

His lips twitch on another smile at hearing the beginnings of a hint of passion in her voice. “Teaching can be very rewarding,” he says magnanimously.

She snorts and it turns into a full laugh, “You haven't even started yet! It could be the worst thing you’ve ever done and a total waste of your degree.”

“Your confidence in me really is touching,” he deadpans and then adds simply, “You’re an amazing artist, Clarke. I think doing something with that could be something you'd enjoy and be really really good at.”

She’s quiet when she asks, “You think I’m amazing? You’ve never told me that.” And Bellamy swears he can hear that smile in her voice again. The one he always looks forward to. The one he tries to coax out of her without realizing he’s doing it.

He feels his cheeks start to heat up and even though she can't see him, he feels the need to brush it off. “Yeah, well, I generally try to be as dickish as possible so…”

She snorts again and damn if he didn’t feel a slight flutter in his chest.

“For the record, I think you’re going to be an amazing teacher,” she says it so matter-of-factly but he’ll have to dwell on it later because she sobers and then asks softly, “So, you think I should do it?”

It’s not hard for him to build her up. She spends so much time being there for the rest of their slowly merging friend groups that she rarely takes time to see the greatness in herself. He doesn’t mind helping.

“I think you should do whatever the hell you want.”

(iii)

“Women are worse than men.”

Bellamy rubs the sleep from his eyes and glances at the clock; it was almost 3 in the morning. “I thought men were tumors?” he asks around a yawn.

“Yeah, well, women can be tumors too,” Clarke huffs, but she just sounds tired, “Comparing people to tumors is equal opportunity. Strides in feminism are being made, didn’t you know?”

Bellamy pushes himself into a sitting position, suddenly more alert as he picks up the trace of tears in her voice. “You ok?” he asks.

Clarke is silent at first, but he waits her out, he knows that she’ll tell him. “Lexa broke up with me,” she says quietly and then adds in confusion, “Or we broke up with each other? I’m a little unsure. We spent the whole night arguing and then suddenly she was packing up her stuff.” She pauses before taking a shaky breath, “It’s over. We’re over.”

“I’m so sorry, Clarke.”

“She was leaving anyway,” she continues, bitterly, “Some new job. She was leaving in a few weeks and didn’t even bother to tell me. I told her we could make it work long distance, I was willing to try and make it work. That’s when the arguing started. Not just about that but about-,” Clarke abruptly cuts herself off and hesitates, “about... other things. Things I didn’t even know were an issue.” She’s quiet again before she adds, “She didn’t say it but I think she was disappointed that I never suggested going with her...”

The thought makes a quick flash of irritation run through him. “She wanted you to uproot your entire life and go with her,” he summarizes as he tries to adjust the pillows on his bed by beating them, maybe a little too roughly at the thought of her doing just that, before leaning back against them.

“Which is completely crazy, I know,” she hurries to say, “but I wish we could have talked about it.”

“I am sorry, Clarke,” he says again, “I know Lexa seemed like she was it for you.”

“But maybe she wasn’t?” Clarke counters as if trying to reason with herself. “I don’t know. We were both committed to each other, but maybe this was a sign that we weren’t going to be able to make it work long term?” She pauses and Bellamy can hear the gears in her head turning as she processes a way for her to handle this, too explain it to herself. “When we were together,” she hesitates before continuing, and he can imagine her biting her lip, “I was happy... but I felt like a separate version of myself, ya know? Still me, but not completely me?”

Bellamy chews on the words he wants to say and goes with, “Sometimes the person you're with can change you; it's not always a bad thing.” He gets quiet as he adds thoughtfully, “I like to think Gina made me a better person...and she probably did,” he pauses, this time unsure if he should keep going, but Clarke hasn't said anything, so she must be waiting for him to continue, “We tried, tried really hard, to make it work, but eventually you just realize that maybe the relationship isn't going anywhere and what’s best for everyone is just to call it.”

“Wait, you and Gina broke up?” Clarke asks in surprise, “When did that happen!?”

“That's what you got from that?” He rubs a hand over his face as he thinks about it, “About two weeks ago?”

“Shit,” she says and is quiet before asking in a small voice, “Why didn't you tell me?”

“Honestly, I haven't seen a whole lot of you these last few months,” he hears what he said and corrects himself, “We haven’t seen a whole lot of you.” He’s surprised at his ability to keep the bite out of his voice; because the truth was this last year has sucked since Clarke started dating Lexa.

They met at one of Clarke's art gigs. Lexa was cool; fun when she wanted to be, but also a little hard to be around. Most of the time, she seemed to prefer doing things without any of Clarke’s friends.

“I’m sorry,” Clarke says.

“It’s fine,” he answers her and means it. “Gina and I are still good friends.”

“I wasn’t talking about you and Gina,” she says, voice soft.

He realizes what she’s actually apologizing for and he doesn’t know what to say. Because of course he forgives her, he will always forgive her.

The silence lasts too long so he clears his throat and prompts, “Want to come over and get drunk?”

Her laugh through the phone breaks the tension, “It’s like 3 o'clock in the morning.”

“My bar is always open.”

She chuckles. “I really want to hit something,” she says with a determined edge to her voice, “Then maybe get drunk.”

“How about this, we get a few more hours of sleep, wake up at a normal time, and go hit something,” he offers and then adds as if it's an afterthought, “And then get drunk, of course.”

She laughs again, “Oh, of course.” There’s that smile. “I forgot what being single with you was like.”

Bellamy sobers at the thought. It has been awhile since the two of them were single at the same time. “Always here to help, Princess.”

(iv)

“Why did I agree to this trip again?”

He’s packing up the essays that are scattered across his desk when she calls, 4 o’clock on the dot. Bellamy tries to suppress a laugh but he’s pretty sure she can at least hear the teasing smile in his voice.

“Just getting back to the hotel?” he asks in lieu of his own greeting.

“Yes!” she exclaims in exasperation. “And if it were up to Josephine, we probably would have walked all of damn Paris tonight,” her voice gets muffled at the end and he can only assume she’s thrown herself face first onto the nearest bed. “I cannot wait for a shower- No! A bath, definitely taking a long, hot bath.”

And now the image of Clarke Griffin in the bath, with just enough bubbles to cover up to her chest, has entered his mind. He shoves it away before anymore thoughts can accompany it.

This used to never be a problem. Sure, he’s always known that Clarke is attractive, but he has never been attracted to her. But ever since he broke up with Gina and she broke up with Lexa, Bellamy has been exceedingly aware of the fact that they have both remained single.

The last time this happened was right after Finn.

Bellamy shakes his head for good measure before responding. “You’re going to fall asleep in the tub and your roommate will find your prune-y, wrinkled body in the morning.” He cringes. Apparently he wasn’t able to get the image of her completely out of his head.

Clarke scoffs, but he can tell that it’s in an exasperated but fond kind of way. “How is it that you manage to be a buzzkill from over 4,000 miles away?” she asks drily and then pauses before adding, “Actually, Josie would probably just leave me in there for the entire trip and never let on that something was up.”

He turns the key to lock his office behind him and heads for the staff lot. “Don’t worry, if you don’t call to check in, I’ll call the National Guard,” he teases.

“I know you would,” she says simply, like it’s a known fact.

Things have been a little weird after he became aware that they were both single. Mostly because, he’s pretty sure that Clarke has also come to realize it. When he turns to look at her, he often finds her already looking. Their innocent touches are now more frequent and linger just a bit longer.

Bellamy has come to realize that he doesn’t want to be single and the reason he doesn’t want to be single is because he wants his best friend to not be single with him.

There’s just never a right time to tell her.

“So, what did you do today?” he asks.

Despite the exhaustion and jetlag that’s surly setting in, Clarke jumps into an animated retelling of the flight and arriving at their hotel room just in time to change clothes and head back out to walk the streets of Paris to get their bearings before their tours officially start tomorrow.

“I’m a little disappointed that we’re doing the Louvre first thing tomorrow. I was hoping to be a little more alert for that.”

“Your coffee addiction hasn’t stopped just because you’re in another country,” he points out as he gets in his car.

She laughs, “Jeez, you are such an ass.”

He starts the car but doesn’t leave just yet; afraid the long distance call will drop out.

“What are you doing now?” he asks into the comfortable silence.

“Admiring the view,” she admits softly. “It really is gorgeous all lit up. Makes me want to dig out my sketchbook.”

“You have a week, Princess,” he chuckles. “Don’t screw up your jetlag even more by losing track of time in your drawings on the first night.”

She’s quiet again before confessing softer somehow, “It also makes me wish you were here.”

His heart clenches in his chest and he wills himself to sound normal. “Maybe next time,” he tries for teasing but it comes out almost wistful.

“Next time, hmmm?” Clarke hums. “You’d come to Paris with me?” And he’s sure she’s flirting with him.

“Well, maybe not for our first date,” he says, “But maybe, like, our fifth or something.”

Clarke’s quiet for a long time and he’s afraid he’s overstepped, misread the room. He’s about to take it back, play it off as a joke when she finally speaks.

“And what would a first date look like?” she asks with what he thinks is hope in her voice.

He swallows a couple of times. “Well,” he starts, “Since you’re already getting some of the best museum experiences, I’d probably settle for dinner and a movie. Something cheesy that’s playing at the dollar theater; where we’re the only ones there and can yell at the screen.”

She chuckles and his heart flutters, “We already do that, Bell. Quite frequently, actually.”

“Yeah, but if it’s a date then I’d get to kiss you at the end of it.”

“What? No making out during the movie?” she asks and he can picture how cute her face gets when she pouts.

A grin spreads across his face and he’s grateful no one can see how goofy he must look.

“We’ll have to make sure it’s a really bad movie.”

(+i)

Clarke rubs some moisturizer on her face before capping the tube and tossing it into her bag on the bed. After ensuring that everything she’s going to need for tomorrow is packed, she zips it up and grabs one of Bellamy’s hoodies to slip on over her clothes.

Ever since he picked her up from the airport when she got back from her trip to Paris, and she ran directly into his arms, giving the other people waiting quite a show, there always seems to be one laying around, waiting for her to find it. She assumes that he gets as much of a thrill out of her wearing them as she does.

She heads down the stairs of their townhouse, passing various pictures and artwork, and shoots Raven one more text not to forget to bring her dress to the venue tomorrow. She’s supposed to help her get ready in the morning along with her mother. In the meantime, Abby has sent a car to pick her up and take her to the hotel. Easier to get ready if she’s already there for the stylist… something else her mother insisted on paying for. No matter how many times Clarke told her she didn’t care what her hair looked like because she was marrying the love of her life.

Clarke locks up the house and greets the driver, slipping into the backseat. She intends to spend the ride lost in thought, going through the checklists that were running through her head.

Their engagement had been on the short side but she didn’t mind. They were both ready to get on with this next chapter in their lives.

Her phone is resting loosely in her hand, face down on her knee, when it starts to vibrate with an incoming call. She holds her breath for a second, praying it isn’t the florist or the caterers. But when she sees the photo of her and Bellamy from New Year’s flash on the screen, she can’t help but smile.

She taps the button and greets him with a sultry, “Hi, handsome.”

“Hey,” he says and she can tell he has a soft smile on his face, the one just for her. “You just leave the house?”

“Yep. On my way to the hotel now, so hopefully you haven’t forgotten anything because it’s too late now.”

“The most important thing is already on its way,” he responds with a teasing lilt.

Clarke can’t help the sharp laugh that escapes her lips, “Oh my god! You are such a sap!”

“I was referring to the ring, obviously, Princess.”

“Oh, obviously,” she says, mock serious.

They chuckle to themselves for a few minutes and she honestly can’t tell if the driver is rolling his eyes or thinks they’re being cute from hearing one side of the conversation.

Bellamy sobers up first only to let out a groan. “I hate whose ever idea this is,” he whines.

“Aren’t you the history professor? Shouldn’t you know where common traditions and such come from?”

He scoffs, “No, I mean I hate whichever of our friends is making us do this.”

The two of them haven’t seen each other since yesterday morning, him having been spirited off by his groomsmen while she was left to spend last night alone in their bed. And now they’re meant to go one more night without seeing each other.

To Bellamy’s point, Clarke isn’t altogether sure why this is a tradition anymore, nor why they are choosing to follow this particular one. She and Bellamy aren’t even that superstitious! And yet somehow they were talked into spending the days leading up to their wedding apart.

“Ah,” she answers him now, “That would be Raven and Miller. Although, I’m pretty sure it had nothing to do with marriage traditions and has everything to do with getting back at us for making out in front of them so much.”

Bellamy scoffs again, “Well, jokes on them, because after tomorrow, I don’t ever have to stop kissing you.”

“Don’t be ridiculous,” she says, “We’ll have to come up to eat at some point.”

The driver pulls up under the awning of the hotel and Clarke gets out and grabs her bag before he’s able to get out and grab it for her. She gives him a wave and a simple thank you before heading through the sliding doors.

“How’s your room?” she asks into the phone as she bypasses the check in desk, her mother having already checked her in and given her the key card to her room this morning when they were getting their nails done.

He heaves a deep sigh. “Lonely,” he answers as she steps into the elevator. From what Clarke knows from his texts, Miller dropped him off here last night and left him to his own devices. Apparently, the best man gets to sleep next to his husband but Bellamy wasn’t allowed to sleep next to his soon-to-be wife.

She makes a split second decision and presses a different button, jolting the elevator to stop sooner than intended. When she steps off she casually offers, “I could help with that.”

“Oh yeah?” He chuckles. “You going to describe for me what you’re wearing?”

“Hmm,” she hums as if she’s considering it. “I could do that… but I was more thinking that I could show you.”

Clarke stops in front of a door and gives it a nice rhythmic knock.

She doesn’t have to wait long before it’s opening and Bellamy is standing in front of her with his phone against his ear and a huge grin on his face.

She lowers her own phone from her ear, pressing the end button without looking.

“Hi, handsome,” she manages before he’s pulling her into his room.

#no one cares ashleigh #bellarke fanfiction #bellamy blake x clarke griffin #my fanfiction #i'm going to post this and run away because omg #i feel like this is long and i rambled #and i had some unresolved issues regarding clarke's relationships #anyway #enjoy!

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thatgamefromthatad · 3 years ago

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3 more games like Merge Mansion - the genre is evolving!

More and more games like Merge Mansion (two-item merge games) are being released and I can hardly keep up, but I’m glad because I find this genre so satisfying! Here I’ll review three more relatively new games, which are all unique in that they break off quite a bit from the original Merge Mansion, and include their own mechanics not seen in the other Merge Mansion-esque games I’ve covered!

You can see my original Games like Merge Mansion review here, although it’s quite outdated as many of those games have made significant changes since I wrote that in early March. I’ll try to add some updates to the original post sometime in the near future to better reflect that current status of each of those games. You can also find links to the other two-item merge games I’ve previously reviewed in my final ranking at the end!

Read my full reviews of Plantopia, Merge Adventure and City Boom below:

***

Plantopia: Merge Garden (Early Access)

Developer: Voodoo

Release Date: May 7, 2020 (Early Access)

This game is an interesting one because I only found it recently and started seeing ads for it recently although it’s apparently been around for about a year. I’m thinking it was soft launched and only recently made available in my region. The title screen indicates it’s still early access so that would make sense.

An initial release/soft launch date of May 2020 would actually make it older than Merge Mansion, which I believe was released in Sept. 2020. However I’m not sure about the exact timeline as they could have been in development/soft launched around the same time and the games are actually quite different overall so the basic similarities could be a coincidence.

This game truly amazed me because although it has the basic elements of what I would consider a Merge Mansion-like game, that being the two-item merge mechanic on a two-dimensional grid-like board viewed from the top, with item generators and item collection objectives, it’s otherwise very different from the other two-item merge games I’ve played. There are at least three separate boards, possibly more considering the tool shed and flower lab unlock a bit later in the game, and instead of completing objectives by getting items right off the board, you use items from the greenhouse and tool shed boards to start growing plants and then harvest the resources. The flower lab adds an additional step, as you can take the plants you’ve harvested to that board and merge them further to create bouquets and oils etc.

This game is probably the most complex and challenging out of all the two-item merge games I’ve played, which I think makes it more fun but less relaxing. Basically if I want something to play mindlessly while chilling out and watching YouTube videos I would play Merge Mansion or Merge Friends, but when I want to play something more advanced and for a longer period of time I play Plantopia.

🌼 Art: 3/3 (although I mostly prefer all 2D art, this game does the 3D/2D mixture better than some other games and I just love the colors and style of the different plants, boards and products. It all feels very “cottagecore” as the kids these days would say lol. The 2D character designs are also OK and pretty cute)

🌼 Story: 2/3 (it’s definitely a step above the “moving into this old mansion with my grandparents” story, I did get to know the characters a little better and some of the objectives are plot-related, such as growing aloe to help another character with his sunburn, or growing a special flower that reminds another character of her late husband etc. But I wasn’t really feeling like I wanted to learn more, and the storyline didn’t have a huge influence on my overall experience)

🌼 Gameplay: 5/5 (definitely the strongest game in terms of gameplay in my opinion, like I said it is more challenging and there’s more to think about but it makes for a really fun and varied experience!)

🌼 Variety: 2/3 (although there are three whole boards and you unlock different plants as you go along, there isn’t as much variety in the merging part since you basically just merge seeds into sprouts, sprouts into younger plants etc. until you have the full plant to place in a plot. You know exactly what you’re merging up to and there’s no thrill of discovering a new item by merging up. The items also come from boxes or from preset, unmovable generators so there’s no fun in discovering new generators either. But it is cool that each plant has its own planting requirements like more water, more fertilizer, more light etc.)

🌼 Playtime vs. Wait Time: 4/4 (another huge advantage of this game, there’s no energy system so you can play for very long, the only time constraint is waiting for plants to grow)

🌼 Overall Enjoyment: 4/5 (I’m definitely very impressed with this game but the things I mentioned in the Variety section are probably the biggest thing that prevents me from giving it a 5/5 overall. It is exciting when you unlock something new by progressing through the game but I especially enjoy moving up item ranks and discovering new generators, so in that area this game didn’t really do it for me. But otherwise it’s really a great game and a very unique entry within this genre!)

🌼 Total: 20/23

Merge Adventure - Dragons!

Developer: Ludigames

Release Date: March 25, 2021

First of all, even though the full name of this game includes the word dragons, I haven’t seen a single dragon unless one was mentioned in the written adventure logs, which I don’t usually read.

With that out of the way, this is another very unique game in terms of merge games as it is also an RPG. Some of the items you merge on the board are used to equip your hero, while others are used to unlock new adventures that yield different loot upon completion. You don’t actually get to engage in battles since the adventures themselves run on an idle system where you just get an adventure log to read to how your hero is doing and then collect the loot after a certain period of time. It is definitely something new for two-item merge games and deserves credit for the unique concept, but execution-wise it unfortunately fell short in a lot of ways.

🗡 Art: 1/3 (the art here isn’t necessarily awful but it is on the uglier side compared to a lot of the other games in this genre, specifically the board pieces. Maybe I’m biased because I prefer fun and colorful items, and these items involve a lot of wood and metal and such, but the board often seems so monochrome I can’t even tell certain items apart or remember which item track they belong to. Some of the level 1 items are just differently-shaped scraps of metal. The hero design isn’t bad but I only have one character to base that opinion on. We’ll get to that later)

🗡 Story: 2/3 (I honestly can’t remember if there’s an overarching plot but I will give it a point for the adventure logs, even though I usually don’t read them, it is cool that you can read what your character’s doing and how they obtained the loot they ultimately bring back)

🗡 Gameplay: 2/5 (I want to give it more points for being unique but despite the interesting concept I did have trouble with the gameplay. First of all, it has one of the smallest boards out of all the games I’ve played and a lot of different generators, which guarantees your board will become clogged very quickly. The numbers in the corners of each tile are supposed to help you keep track of what level items you have I presume, but they only make an already cluttered board look more cluttered, and the fact that I already couldn’t tell some of the item designs apart means having all the items crowded and jumbled makes for a very confusing and frustrating experience. Getting new items through loot from adventures seemed cool but then led to more frustration with more items to squeeze onto my fully packed board. Also I have no clue how to get more heroes, I’ve only had one this whole time playing so far, so there’s not much more to the RPG experience other than equipping more powerful items)

🗡 Variety: 2/3 (technically there’s a wide variety of items but as mentioned previously the very monochrome nature of the items makes the experience feel less varied and you can barely enjoy discovering new items when you’re just trying to find space on the board 90% of the time. Also, most of the item tracks just go: item, bigger item, bigger fancier item, biggest fanciest item, or, piece of item, more pieces of item, mostly put-together item, fully assembled item)

🗡 Playtime vs. Wait Time: 1/4 (your time is limited by the energy system, generators needing to refill AND waiting for your hero to return from an adventure)

🗡 Overall Enjoyment: 2/5 (sadly I didn’t really enjoy this game, although I guess my favorite part would be merging up weapons and other equippable items to make my hero more powerful, which isn’t something I could really do in any of these other games)

🗡 Total: 10/23

City Boom

Developer: Playwind Ltd.

Release Date: April 9, 2021

This game is very interesting as it’s the only merge game I’ve personally played that has you compete against other players. This game actually works pretty much exactly like a game I played loooooong ago called Coin Masters, where you gain coins by attacking or raiding other people’s bases while spending coins to build up your own base. The main difference here of course is that the other way to get coins is to merge items and complete requests, while in Coin Masters it was like a slot machine thing. I checked and they are not made by the same developer.

Anywho, the multiplayer aspect of this game was exciting since I definitely have a competitive streak, and I’ve been playing every day to try and climb up the leaderboard (I’m in the top 1,000 so far lol!) However this game is still new and pretty wonky, and it aggressively tries to get you to buy things, much more than any of the other two-item merge games. Also, this game is one of those games that’s very reliant on a constant internet connection so if you don’t have great internet (which I don’t) you will have a lot of issues with the game freezing, just a heads up.

💰 Art: 3/3 (I got to admit I’m a sucker for the cute, colorful and cartoony, and I just can’t get enough of the silly little cats in this game 😂 I appreciate that the 3D art style in this game is very consistent in all parts of the game, and this game also has 3D animated sections: for example, when you go to attack another player a cat rolls up in a little tank and rockets fly around)

💰 Story: 2/3 (there isn’t really a linear story but I give it a point for the different themed areas you progress through as you grow your town, plus the personality put into the cat characters)

💰 Gameplay: 3/5 (I do enjoy this game, especially the fact that I get to compete against other players, but there are a few issues. This game has a lot of limited time events, there’s seriously like 2 or 3 running at a time and seem to change every day, which does add some fun and variety, but creates a unique problem of having event-specific items on the board that I don’t know what to do with when the event ends. I don’t know if that event will come back again or if those items are just completely useless and should be sold now. Currently they’re just keeping my board very clogged. Also, this game really aggressively pushes overpriced microtransactions, which can get very annoying, but I will say that I was still able to play and enjoy the game a fair amount without paying anything. Lastly, the items make a really off putting clunk sound when they merge. May not seem important but it makes the merges less satisfying for me personally)

💰 Variety: 2/3 (There is a variety of event items but as far as the main items there’s very little variety, basically just four categories of items, so I put this in the middle)

💰 Playtime vs. Wait Time: 2/4 (what I like is that there are a lot of chances to get extra energy but what I don’t like is that rather than having energy refresh one at a time every few minutes, you have to wait like half an hour for all the energy to refill at once)

💰 Overall Enjoyment: 4/5 (honestly despite all my criticisms of it I kept coming back to this game, I really enjoy the competitive aspect and none of the problems with it are to the point where it seriously impedes my ability to play. That’s why I kind of have a separate category for overall enjoyment to begin with, because even if a game scores well or poorly in specific categories that won’t necessarily reflect my overall experience)

💰 Total: 16/23

Rankings

Plantopia (scored the same as Travel Town but after playing Travel Town for a while I’ve gotten more bored with it. Plantopia is the new reigning champion! 🎉)

Travel Town

Merge Design

Mergedom: Home Design

Merge Friends

Miss Merge

Merge Mansion

City Boom (scored the same as Merge Mansion but I preferred it less)

Merge Life (note: the linked review is outdated as the game has undergone a lot of updates since I wrote it, I will update it at some point but take the current version with a grain of salt)

Merge Matters

Merge Villa

Merge Adventure (scores the same as Merge Villa but I think I was a little harsh on Merge Villa to begin with, this game is much less playable)

Thank you so much for reading!!! I hope these reviews helped you if you enjoy merge games as much as I do! 💖 You can find more of my full game reviews here and follow me for more stuff about mobile games. Have a great day 🥳

#mobile games #merge games #plantopia #gardening games #merge mansion #merge adventure #city boom #rpg #mass multiplayer games #cat games #full review #casual games #weapons tw #image descriptions in alt text

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kittyanonymity · 5 years ago

Text

Marinette is the daughter of Wonder Woman X Superman

Hey have this!!!! I was inspired by @eve-valution and their wonderful art!

Also like.... It’s really just an excuse for Mari to be ridiculously overpowered tbh; plus.... the aesthetic of this tiny adorable girl accidentally breaking things all the time, and getting super flustered over it. >.> It’s cute, ok? lol

Honestly, my original plan for this was Daminette, and this version is; but I might also make some adjustments for a Timinette version (I love them, they’re adorkable together ok)? I haven’t decided yet. ALSO this is just a basic outline; not the fic itself. I haven’t started the fic yet. Feel free to ask things though!! ALSO THIS AU IS CLASS FRIENDLY!!!

~ DAMINETTE VERSION~

So in the latest DC animated movies, they’ve been pushing Diana/Clark pretty heavily while implying that despite Clark’s attraction to Diana, he’s still in love with Lois; this is seen pretty obviously when Diana and Clark go on a date, and Lois shows up. Clark immediately puts space between him and Diana and honestly, it’s a little telling. (this is all in stark contrast to the Justice League cartoon from the 90’s/early 2000’s, where Diana and Bruce ((Wonder Woman and Batman)) were shipped pretty heavily) Talk about baby’s first OTP, am I right? XD

ANYWAY THE POINT IS THIS.

Lois and Clark are together, like they’re getting married. (somewhere in the world, Damian is turning one; this is relevant later.) One night, Superman has a ‘moment of weakness’, and him and Wonder woman bang. BOOM! Pregnant.

Diana is rightfully upset, as Clark immediately tells her this was a mistake, they never should’ve done that. He goes back to Lois, and they don’t speak outside of the Watchtower anymore. Diana does not tell him when she finds out she’s pregnant. She goes to Bruce, tells him she’ll be out of commission for up to 3 years.

Bruce is rightfully concerned, but Diana doesn’t tell him what’s wrong. He assures her she can leave; they’ll keep it together out here while she rests in Themyscira. She feels bad for not telling him, but resolves to do it later. Home she goes, to see her mom and the rest of the Amazons!

Her mother is disgusted by Clark’s conduct, but Diana has always wanted to have a child. They know it will be a daughter: it always is, Hippolyta says conspiratorially. The pregnancy is interesting, and many of the Amazons are startled at how quickly their princess can finish her projects. Hippolyta watches on in concern; her daughter has become startlingly creative during these months, and as a previous Ladybug that can mean only one thing.

Tikki will be back in the family soon.

Hippolyta says nothing about this to Diana, not wanting to alarm her daughter.

When Marinette is born with dark hair, and blue eyes there is no surprise. Diana stares at her daughter as if she is the most beautiful thing to have ever existed, and to her, she is. Marinette spends 3 years on Themyscira, learning from her mother, grandmother, and all of her many sisters. She’s an excitable child, with a penchant for marking walls with whatever she can draw. She grasps language easily, and much quicker than anyone would think possible.

But Diana has a duty. She must return to the outside world to assist the league. She thinks of the outside world, how it has taught her, hurt her, but ultimately made her stronger; and she knows that she wants Marinette to have all of that and more. So she contacts an old friend in Paris.

Sabine had left Themyscira many years prior, once Diana had cleared the way for the other Amazons to venture out. She’d fallen in love with a baker, and though the 2 couldn’t have children of their own, they were excellent people. People Diana knew she could entrust Marinette with. Sabine agreed after they discussed it extensively.

Diana would come see Marinette regularly once she was 10, giving the girl some years to mature, and come to terms with her mother’s identity. Diana assured Sabine she’d send any and all support requested, along with letters and gifts for Marinette as she grew. Diana hated to leave her daughter, but seeing as she would constantly be in danger once again, she couldn’t bear to put Marinette through that. Diana tells Sabine who Marinette’s father is, so they can be ready.

Sabine threatens to cut his dick off, which Diana laughs at. Diana and Marinette live with Sabine and Tom for a year, letting Marinette get to know and love them; and then Diana tells Marinette she has to go, the world needs her.

And Marinette just nods, giving her mother a smile.

“I know mommy.”

Good byes and I love you’s are exchanged, and after many tears, Diana finally manages to tear herself away, and she leaves. There is a hole in her heart the size of the Earth, but Diana has a job to do.

This is the world where Marinette lives now too, and she must do all she can to keep her daughter’s world safe.

Clark and Lois get married while Diana is away, and Jonathan is born; he’s only a year younger than Marinette, and 2 years younger than Damian like in canon. Clark is curious as to where Diana disappeared to, asking around, but the only one who knows is Bruce. And when Clark asks, Bruce simply shrugs.

“She told me she’d be gone for a few years. I didn’t press her for details. Everyone needs a break, Superman.”

Clark didn’t like it; he was worried. For her to disappear so abruptly… Surely she hadn’t truly loved him? Clark hates himself as he thinks about it, regret permeating him. He does his best to not think about it.

At least until Diana shows back up, 4 years later, and a little more jaded than she used to be. Bruce welcomes her back with a small smile, and a nod. Diana doesn’t even look at Clark.

And for Clark, it’s enough to just know that she’s safe. He doesn’t blame her for hating him; he kinda hates him too.

Literally none of the League know about Marinette; Diana doesn’t tell fucking anyone.

Miraculous canon happens as normal, only difference is that Lila is fucking gone after the Volpina incident. She’s gone after that, no return, nothing. I hate that girl, and honestly, I just wanna write something where Marinette’s friends love her, without the class drama. I can’t forgive the Miraculous writers for doing that to the students. Chat is still pretty pushy in his pursuit of Ladybug, but not in an exaggerated way. However, it does still cause some eventual complications that he needs to learn and grow from. Minimum bashing should be involved, and it will be centered around pointing out the toxic things he does, and him correcting those behaviors. Adrien is my boi and I love him.

ANYWAY.

When Marinette is 10, Diana shows up to see her. Marinette has known that Sabine wasn’t her real mother; Mari still calls Sabine Maman though cause like… the woman raised her, duh. Marinette loves Diana, even though she doesn’t remember what her mother looks like. Diana always remembers her birthday, and all of the holidays; Marinette has saved every letter, and gift her mother has ever sent her. She doesn’t realize her mother is Wonder Woman yet. Well, at least until she shows up on her 10th birthday. Marinette recognizes her as the heroine instantly, but says nothing; she’s seen movies, she knows secret identities are important!

Over the years, Sabine has kept Diana informed on the progression of Marinette’s… abilities. Look, the girl is a split between the Amazonian princess, and a Kryptonian. God only knows what she’ll be able to do. So far, Marinette has displayed signs of super strength and speed, and most recently flight; she’s got the enhanced senses as well, and she carries ear plugs with her when they go out. Diana is happy to know though, that Marinette has a strong sense of right and wrong. She owes Sabine a great debt of gratitude, and knows she’ll never be able to thank the woman enough for raising their (because yeah, Marinette is theirs now) daughter.

(Marinette goes to school, excited to tell everyone about her 2 mommies and her daddy. Despite Diana not being romantically involved with them…. Yet???? Maybe????? HMMMM)

After Marinette turns 10, Diana makes a point to visit every spring for her daughter’s birthday, and to check in on things. The day of Marinette’s 14th birthday, Diana steps off of the plane, and on her way to the Dupain-Cheng bakery, she witnesses her first akuma. Preparing to step in, Diana freezes when Ladybug and Chat Noir appear on the scene.

Diana recognizes Marinette on sight, and the spots are familiar. She remembers her mother, the stories of Tikki, and the adventures they had, the evils they stopped. She remembers how anxious her mother was during her pregnancy, when Diana could not stop drawing, writing, whatever she could be doing.

Marinette is a pure soul of creation, born of Tikki’s essence, and she is Diana’s daughter, an Amazon, and half kryptonian.

Diana watches her daughter fight, hands clenched at her sides. The Amazon in her demanding she see this through, watch her daughter be the fierce warrior she is meant to be; the mother in her is clawing at her throat, preventing her from speaking with the force of her panic.

And Marinette is an excellent fighter. Diana recognizes many of the moves she used to practice while they were still on the island, and they’ve been refined, polished, and put on display to show the world. It had to be Sabine’s handiwork, teaching her this. Did Sabine know she was Ladybug? No, she would’ve told Diana first thing.

Diana does not intervene, watching Ladybug win, and undo the damage.

Once the akuma is dealt with, Diana follows her daughter as she swings away and finds a quiet place to de-transform.

“My little light, you have exactly 2 minutes to tell me what is going on.”

Marinette jumps a mile, whipping around to see her mother, and then Tikki is smiling, hugging Diana’s cheek.

“Diana! It’s been too long!” Diana gives the kwami a smile.

“Hello, Tikki, mother misses you.”

Marinette is dumbfounded.

Diana explains everything, about how she knows, and why; tells her about Hippolyta, and her connection to the Miraculous. It was the most exciting and stressful birthday yet.

Diana starts making more regular trips to Paris to assist her daughter when she needs the extra help; since Diana is generally fairly good at keeping her emotions in check, it works out. Marinette works extra hard to make sure she keeps her extra abilities in check.

She uses her powers in small subtle ways; using her flight to get a better distance out of a yo-yo swing, but doing it in a way where it’s unnoticeable to the standard eye. Or using her x ray vision to avoid people she doesn’t want to see. She lets herself be clumsy, and careless with her movements in her daily life, making sure none of her friends can ever make the connection between her and Ladybug later on; before Ladybug, she’s clumsy so she doesn’t draw attention to her powers. The only one who knows she has powers is Nino.

It’s hard to explain to your childhood friend why you’re flying after all; he had been there the first time she’d accidentally used this new power. OOPS

All abilities/side effects Mari has:

-Super strength

-super senses (hearing, sight, smell, etc ((is taste usually included in this???? hm)))

-Enhanced vision (x-ray, thermal)

-Flight

-Super speed (bout as fast as Superman if she tries hard enough)

-Ladybug luck

-Martial arts/various fighting styles

-Amazon swordfighting & archery

Side effects:

-Sluggish in Winter thanks to Ladybug things; will hibernate if she gets too cold

-Has bursts of creative energy that keep her up far longer than she should be; usually crashes afterwards; these will stop as she gets older, and gets a better handle on her Ladybug powers.

-Gets sick easily during the cold months

-Kryptonite hurts her, obviously; she gets a wicked migraine, and nausea; usually her vision gets bad too.

Marinette’s personality doesn’t change all that much, really. She’s still undeniably kind, and selfless, always going out of the way for her friends. She’s a bit more vocal about her sense of justice, not putting up with bullies. Chloe gets her redemption a bit early because of this. Marinette is also not afraid to just absolutely throw down and brawl if you’re being a violent asshole. Like, damn. She is tiny, but she will miss you up.

ANYWHO.

With Diana making frequent trips to Paris, it catches Bruce’s eye, and he of course gets suspicious. The French government has been keeping the situation with the Akumas under wraps for about 3 years now, no news escaping the country. Marinette is currently 16, Diana has been helping her deal with hard to handle akumas for 2 years; Damian is 17, and Jon is 15.

So when Bruce looks into Diana’s activity in Paris, he’s startled to find little to nothing about Wonder Woman. An article briefly mentions something called an ‘akuma’ but then there’s no further mention. Instead he finds records of Diana Prince shacking up with a married couple and their daughter.

When Bruce finds a picture of Diana standing with the Dupain-Chengs, his breath leaves him. She is staring at the girl in the picture with such a proud adoring gaze, and he would have to be blind to miss the resemblance. The girl’s age lines up with when Diana left, and Bruce remembers how unusually concerned Clark had been about her location.

He’s the world’s greatest detective, and the pieces are too easy to put together.

SO Bruce Wayne does what Bruce Wayne always does.

Finds a way to get information.

He invites Francois-Dupont to his yearly student seminar, meant to help students get a jump start on their careers. They must prove why they deserve to attend, like all the schools invited, in the form of an essay, accompanied by a video of their school.

Mlle. Bustier’s class is selected as the class to make the video representing the school; Marinette and Alya volunteer to head the project with audio assistance from Nino, while Adrien offers to help with the budget. The class comes together to offer some kind of assistance or another, even Chloe, who goes out of her way to help the class plan. Marinette writes the basic video out, how it should look, what it should say.

But they need a narrator.

The class unanimously votes for Marinette.

“You know us better than anyone, Nette. It’s gotta be you.”

“Everyone knows you here, Mari; you’re the sweetest girl in the school.”

“A WELCOME VIDEO!”

It’s Alya who shouts it, grinning at the class.

“It’ll be a welcome video with Marinette showing a ‘new kid’ around!”

Marinette’s gotta admit, it’s genius; the class agrees, and planning begins in earnest now that they have a better idea for it.

All of their carefully laid plans fall to pieces when their high end camera breaks the day they need to film. Everyone is shouting, stress is high, and Rose is crying. Marinette knows she needs to do something before an akuma shows up, but then she hears a yelp, and she looks over to see a first year stumble back as Kim knocks into her. Marinette’s there in an instant, steadying the girl on her feet, and giving her a smile.

“Are you ok?”

She’s unaware of Adrien watching her with a fond smile, while he elbows Alya; Alya stops yelling at Chloe long enough to look over, and quickly take her phone out, and press record. The classes attention immediately shifts, the tension all but disappearing.

The first year nods hesitantly.

“Y-yes I’m ok. It’s just my first day here, a-and I’m…” The dark haired girl bit her lip, looking at the floor, “I’m really scared.” Marinette frowned for a moment before she smiled, and took the girls’ hand.

“I’m Marinette, what’s your name?” The girl sniffled, rubbing at her eyes.

“My name’s Bridgette.” Marinette nodded, her smile growing.

“It’s nice to meet you. Sorry about my friend Kim over there. He gets a little excitable sometimes.” Bridgette offered her a smile.

“It’s ok. It looked interesting so I wanted to get closer, but I wasn’t paying much attention.” Her eyes fell, and she looked off to the side, but Marinette gripped her hand gently, causing her to look up.

“I can show you around the school if you like. Everyone here is really nice, I promise. We look after each other the best we can, and you can always ask one of us for help.” Marinette gestures to her classmates, who offer Bridgette encouraging smiles. It’d been awhile since they’d seen Marinette work her particular brand of magic. Bridgette’s smile grew, and she finally nodded.

“I’d really appreciate that, Marinette thank you.” Marinette simply waved her off.

“It’s fine! We’ll make it fun!” She turned to her class, missing Alya hiding behind Adrien, still recording.

“I’ll be back in a bit guys. Come find me when you get the camera replaced.”

The camera panned around Adrien’s back as Marinette turned away, and began leading Bridgette further into the school. Alya hurried to catch up, the class following shortly after.

Marinette showed the young girl all around the building, from her homeroom class, and to each individual classroom so the girl would never be lost. And she talked to her, learning that Bridgette had just recently moved there from Italy, escaping her old school and the torment she’d endured there. It burned Marinette to know that someone had been so cruel to such a sweet girl, but Bridgette assured her it was fine since she wasn’t there anymore. Marinette in turn, assured her that no one at Dupont would ever treat her so cruelly. And if anyone did happen to do so, she should come find her immediately.

Bridgette laughed, flushing pink.

“Thanks, Mari!” Bridgette’s gaze grew wistful, “It’s been awhile since I’ve laughed with a friend.”

And Marinette was resplendent in her joy, pulling the girl into a gentle hug.

“We’ll look out for you, Bridgette. You can count on us.” The girl returned the embrace, nodding. After a moment, the two girls pulled back, and Bridgette smiled.

“Thanks for caring, Mari.” Marinette shrugged, giving her a smile.

“You’re worth it, Bridgette, remember that.” She nodded her head towards a classroom, “But you should probably get to class now. I think you’re really late. I’ll have a talk with Mr. Beaumont about why right after my class and I finish this project, ok? Just tell him Marinette will explain, and he should understand.” Bridgette nodded, thanking her again, before kissing her cheek, and heading to her classroom. Marinette watched her go with a smile, and sighed, before turning to head back to her class.

Only to promptly freeze at the sight of them behind her, grinning in glee, Alya at the front, phone held high.

Marinette flushed bright red.

“Guys, what’re you doing?” Alya clicked end on the recording and grinned at her best friend.

“Getting our video of course!”

Marinette was certain she was going to die. Or combust on the spot. God, what if she actually did though, and it was just another damn power to worry about???

Needless to say, she’s embarrassed. But once the class reviews the video, they find it to be perfect. They were able to stay close enough to hear Bridgette’s and Marinette’s conversation, and hear Marinette explaining things to her. Nino took the audio and boosted it in certain parts, and making sure to edit out any personal information the girls discussed during the tour.

The video coupled with the 15 page essay Marinette submits secures their spot in the seminar.

Meanwhile, when Diana hears Marinette gushing about their school being invited to the annual Wayne Seminar, she is immediately suspicious. She finds Bruce within the day, appearing in the Batcave with no preamble; Bruce is waiting for her.

He offers her a drink. And Diana sighs, because he definitely already knows; so she accepts his drink, and they sit.

And they talk.

He asks why she didn’t tell him, he would’ve helped her. And Diana laughs, and it’s surprisingly good natured.

“Bruce, you would’ve killed him back then. Don’t think I don’t know how much you two hated each other back then.” She sighed, “You idiots were finally about to be friends, and if I’d told you what he’d said, what we’d done…” She snorted, “I was quite sure you would’ve killed him.” Bruce didn’t deny her accusations, nor did he accept them.

“What’s she like?” And Bruce watched Diana’s whole body relax, a small smile on her face as she swirled the liquor in her glass.

“She is the best thing that has ever existed for me in this world. She’s my little light, and I will see that this world is safe for her.” Bruce thought of his sons, his daughters, and he nodded.

“And her powers?” Diana’s grin grew broad, and she raised her fist.

“She is strong, Bruce. The strongest.” Again, Bruce nodded, having a drink from his glass as Diana stared him down, “If you hurt her while she is in your care, Bruce, we will have problems. You know this?” Bruce sat his glass down, reaching for the bottle to refill his cup.

“I know, Diana. My intentions are purely curious, I promise you.” He smiled, a small upturn of his lips, “She was the star of their video, you know.”

He shows her the video the class submitted, edited to include the class singing the praises of their class president as an intro, before it cut to some footage taken on a cell phone. It followed Marinette around as she guided a younger student around the school, offering advice, and going out of her way to help the girl. The footage ended with the girl’s blushing face before it cut to an outro featuring the Journalist of the class, Alya Cesaire. Alya had said that since Marinette was writing the essay, she knew her friend wouldn’t include her own good deeds, and since Alya was in charge of the video, she’d take care of it here.

And Diana watched her daughter’s best friend proudly declare Marinette’s achievements, and her aspirations; the good she’d done, and the bad she’d prevented, or outright ended.

Bruce pretended not to notice Diana’s tears.

OOF I DID NOT MEAN TO WRITE THAT MUCH OF THAT WOW

Ok so anyway, trip to Gotham gets secured cause of all that. Master Fu will send Kaalki with Marinette as an assured countermeasure against akumas, and Diana promises she will stay in Paris while Marinette is in Gotham. This assures Marinette that between her mom, Viperion, and Ryuuko they could hold their own until she could get there.

To Gotham! YAY!

They land mid afternoon, check into the hotel, and fucking sleep. That’s it.

Next day, they have a guided tour of the Gotham Natural History museum, which is super dope, and everyone is excited; except for Chloe, because even redeemed she’s kind of a brat. I love her. Marinette meets Tim first in this one. Tim is at the Museum because as CEO of Wayne Enterprises he is donating something to the museum. They bump into each other, and she knocks him down.

Tim is kind of stunned cause this tiny pixie like girl just knocked right into him and didn’t even budge, holy shit. And Marinette is stumbling over her words as she apologizes, and helps Tim up, and wow, that is one hell of a grip for someone that size, what the fUCK. Tim is properly dismayed, but waves off her concern good naturedly, saying he shouldn’t have been standing in the middle of the hallway like an idiot; Marinette flushes brighter, insisting she should’ve been paying more attention.

And then Jason shows up, cause like damn Tim, what the hell is taking you so long?

Looks at Marinette.

Hey isn’t she a bit young for you, Drake?

(in another timeline this would probably be a fun Timinette AU, I won’t lie. hmmmmmmm…..)

Tim rolls his eyes at Jason’s antics, offering Marinette a grimace.

‘Sorry about him, he’s deplorable. Again I’m sorry for running into you’

Marinette laughs it off, shaking her head

‘I’m so sorry for knocking you down. I’ll make sure to pay more attention.’

Tim and Jason leave, Jason offering her a wide grin and a little wave; Marinette just shakes her head in amusement, and catches up with the class.

MEANWHILE, SOMEWHERE ELSE IN THE MUSEUM

Damian and Jon are hanging out; Jon has decided to come and pester him since his school, Metropolis Prep, is also invited to the seminar, and Damian likes his friend, he really does, but *god* he is suffering right now. Jon is making comments left and right, and Damian is about to lose it.

‘Ooh, am I making you mad, Wayne?’

Damian glares at his friend.

‘Stop talking. My head is killing me, and I am *this* close to killing *you*.’

Jon just laughs, and Damian rolls his eyes.

After awhile of wandering around, looking at things, they go get some lunch in the cafeteria. There’s a large group of French students taking up one of the tables, one dark haired girl standing while the others are sitting; there’s a map and a notebook spread out in front of her. Damian watches as she smiles at her classmates, writing things in the notebook, while marking things on the map.

‘Oh, that’s cool!’

Damian looks at Jon, ‘What?’ Jon grins.

‘They’re planning on what they want to see while in Gotham.’

‘How do you know?’ Jon rolls his eyes as they get some food.

‘Damian. I have super powers, idiot.’ Damian snorts.

‘Doesn’t explain your incompetence though.’

Both boys miss the wide eyed stare Marinette is giving Jon from her table.

She hadn’t MEANT to hear him, but when you can hear pretty much everything, eavesdropping is inevitable; doesn’t mean she has to like it though.

Also, wow that boy looks so much like her?? How weird.

She and the class finish planning other places they’d like to go, while Marinette turns the list of locations into Miss Bustier for her to review. They had a basic schedule set up, but their teacher had allowed them to see Gotham for what it was before finalizing things.

After lunch, their tour resumes, and Jon and Damian find themselves along the same path as Marinette’s class. They’ve moved past some of the older cultural items, and are entering the room of heroes and villains. Wax replicas of Batman, all of the Robins’, Black Bat, Batgirl, and various big name villains line the walls. Damian was on edge the entire time, not quite listening to Jon’s rambling.

And well OF COURSE something goes wrong, because you can’t have the Dupont kids go anywhere with no problems.

Two Face steps down from where his figure used to be, unloading his gun into the ceiling. He thinks he’ll have an easy time taking this French class hostage.

He is not prepared for these kids.

Alix and Kim tag team a couple of his henchmen with support from Max who has outfitted Markov with some new tech as well. Juleka (who has been tapped for the Lion Miraculous before) and Rose (who’s used the Mouse) take one down, while Ivan smashes two more henchmen together, shielding Mylene. Alya takes the knees out another one while Nino comes across his jaw with a hard left cross. Nathaniel is in front of Sabrina, shielding her when Chloe comes down hard on the henchman in front of them.

Adrien and Marinette go for Two Face, each of them a bit surprised at how the other moved.

And Damian is shocked stupid, watching this French class absolutely decimate one of Gotham’s finest rogues.

Meanwhile Jon is stuck staring at the duo. Between looking at the cute blonde boy, or the dark haired girl who is *WAY* stronger than she looks; especially if she can throw Two Face around one handed, damn.

And Marinette is more concerned with keeping her friends safe than hiding her abilities, and she probably moves too fast, and uses too much strength; her classmates buy her excuse of her extra martial arts classes outside of class.

Damian however does not.

And then the police show up, shocked to find this group of criminals subdued by a group of foreign teenagers.

The second Damian is out of the museum, losing Jon for a moment in the chaos, he calls his father.

“Why didn’t you tell me there was a meta among that French class you invited?”

Damian can practically his father shrug.

“It’s not my business to tell, Damian. Just talk to her.”

He growled as his father ended the call; the man knew something, he knew it.

And thus begins the chronicles of Damian trying to figure out WTH is going on with Marinette; which leads to friendship. Damnit.

This is where the typical getting to know you Daminette stuff will happen.. Including dates, and identity reveals.

The biggest conflict of this is honestly dealing with Superman when he finds out. Marinette has known who her father was since she was 10 years old, when she learned her mother’s identity; but Diana didn’t officially tell her until her 14th birthday, after the akuma incident.

“No more secrets, little light; I will tell you everything.” Diana had said; and she had.

Marinette is glad to have Tom, because wow her real father sounds like a dickhead.

When she officially meets Jon (Damian introduces them), she immediately realizes ‘well fuck, I have a little brother???? And he’s best friends with the boy I have a crush on, shit.’

Anyway, Superman finds out Diana had a daughter, their daughter, after the trip to Gotham concludes, and he immediately heads for Paris as Superman. He finds Diana as Wonder Woman talking to a young girl in Red with black spots, but Superman is set on speaking to Diana as he lands, and starts striding up to her.

“We need to talk.” Diana stares at him dispassionately as he walks up.

“I have nothing to say to you. Leave.”

Clark reaches out for Diana’s hand, only to have his wrist grabbed by the girl in red; who is glaring up at him fiercely. Wow her grip is tight…

“If you touch my mother, I will decimate you.”

And Clark is reeling, because holy shit, this is his daughter; his and Diana’s blood. And Clark just looks at Diana, conflicted.

“Why didn’t you tell me, Diana?” Diana shrugged.

“Telling you would not have changed the outcome. I have always wanted a child, and she is everything I need of this world. Why would I tell you?”

“Because she’s my blood too! She’s kryptonian!” And the girl growls, and then she is hovering in front of his face, blocking his view of Diana. Her eyes are a blazing blue behind her mask, and Clark realizes: she can fly.

“I may share your blood, Superman, but I am not Kryptonian; I am an Amazon. I am Ladybug. And I will not listen to you berate my mother for her choices. She told you to leave, and I can assure you, I won’t be as nice when I demand your absence.”

And Clark is just. Stunned. Because yeah, that was definitely an Amazonian level threat she just gave him; but he’s Superman, and yeah, she’s his daughter, but how strong could she be? Should he push the matter?

Clark watches as other heroes slowly appear behind the girl; One clad in orange, one in green; A fox and turtle respectively. Then there’s the one in black, green eyes narrowed at him; a feral cat, it looks like. Then there’s the one in yellow and rusty orange, a snarl marring her lips; a Bee?? Or a Hornet?? The final two are teal and red, a boy and a girl; a snake, and a… dragon?

What has his daughter been up to in Paris?

Grief swells within him, and he sighs.

“Ok, I’ll-”

Ladybug screams.

“Hello Superman, I am Hawkmoth.”

And that’ll be the final fight of this fic I think! They’ll beat akumatized Superman (batfam Zetas in to help, and so does Jon and Connor), and then Clark leads them to Hawkmoth’s base, and Gabriel is dealt with, along with Nathalie. Marinette and Adrien will both do university in America, with Adrien learning under Bruce about business along with Damian (the 2 become surprisingly good friends after a point), and Marinette accepted Audrey’s internship while she goes to school in New York. She frequently pops over to the manor to see the Batfam.

I’m gonna work on the Timinette version of this next; that ship is so adorkable and I *LOVE* it

There may also end up being a Jasonette version?? I haven’t decided yet tbh

#maribat #daminette #mlb x dc #WonderSuper AU #that'll be the tag for this #will I actually write it??#WHO KNOWS!#NOT *ME*!#:D #¯\_(ツ)_/¯#this AU isn't entirely Superman friendly #but it IS class friendly!!! :D #here have this!

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empty-dream · 3 years ago

Text

So I read 86 LN vol 1

S1 anime covers the entire Vol 1 except for the latter's epilogue, so full anime spoiler here.

And as of this writing, I'm still on Vol 2 so the things I mention here are solely those that happen in Vol 1. Idk if a thing happens in the latter volume, gotta dodge spoiler so I don't browse about it.

There was an interview with a person inside the anime industry that basically said "The point of an anime adaptation is not to be an exact replica of the original material, but to shine as its own medium for a story." I forgot who it was and I can't find the interview anywhere for the life of me, but that statement opened my eyes. I agree with it, that's why I can appreciate the differences between LN/manga and anime, especially if they turn out good and/or interesting.

And that's exactly what happens in 86. I'll start with this: I watched the anime first, and after I read the Vol1 novel, I actually like the anime more. Because there are a lot of meaningful original scenes in it

And because the Vol1 novel turns out exactly what I fear when I first watched the anime: that I won't care much about the squadron aside from the main 5. (Look, the anime promotional materials mostly only have Lena and those 5 only. As shocked as I was in the anime, I did have an idea where the story would go from those alone). The rest are barely mentioned. Not even the girls are named in the novel, even though they do talk and Lecca is even prominent in anime.

For example, the second half of the first episode, the one that shows Spearhead squadron's daily life right before Lena contacts them, is anime original scenes. Kujo already dies the moment the novel starts focusing on the squadron. Simply put, a lot of the squadron members that aren't the main 5 or Kaie get a *lot* more focus in the anime, like Daiya, Haruto (For characters who appear on the introduction page, their novel screen time is less than I'd expect), Kujo and Lecca. While the other members often appear in the background and actually behave like equal members instead of glue-them-on figurines.

(Idk if those other members are named and/or designed in the light novel before the anime is a thing or when the anime becomes a thing.)

The anime also adds relevant information in the Raiden's talk with Lena in EP7, like Kaie receiving racial abuse from 86 (in fact in both versions, she is the first one to get highlighted about this) and Haruto also having prominent Giadian Empire blood like Anju and Shin. These weren't in the novel.

I might be just nitpicking here because I love Kaie and Haruto, but see, this scene is amazing on its own. This is where Raiden and the squad reveal the weight of their motivation all along, that they *each* have different backgrounds and different kinds of sufferings, yet they are all sentenced to die, and they all choose to fight because they know no side is saintly but some things are still worth fighting for.

The prominent characters' deaths (besides Kaie's) are often mentioned with only one or two dry lines. I expected at least Daiya's to be detailed more, but it's just that so matter-of-fact-ly. Well I came from the anime, so I guess it's normal if I expected something as heartbreaking.

I broke down HARD at the last half of EP10 and that is nowhere in the Vol 1 novel. (Having Hands Up to the Sky playing in the background is also an advantage for being an anime. Fuck that song, I now play it 24/7 in despair)

Having a lot of original anime scenes really complement the story's nature. That there are two different sides of life here, it's not just Lena's or 86's only. And those couldn't have intertwined if not for their willingness to listen and communicate.

I know I mentioned this some days ago but really, I can't get over how many of the merch are Lena (and Annette) being cute doing cute stuff while the story itself is actually depressing. Merch staffs know the market lol.

- Novel side -

That said, the novel does have an advantage that the anime/visual media doesn't: Internal explorations and explanations.

It's obvious from the get-go, but Asato confirms that the inspiration of Republic of San Magnolia and its racial discrimination and genocide is taken from Nazi Germany in WW2. The Republic who favors the white/silver haired-eyed Alba drives Colorata out of the 85 sectors, overtakes their properties, and forcibly sends the now-called-86 to either fight their war and die, or work on the wall and die.

The life inside the Republic is also elaborated on. Class always exists, even inside one race only. The center of the republic is for the elites, Lena and Annette's families included. The farther a sector is from the center, the lower the education and economy there is. Most of the military come from these areas, which explains why Lena herself is in difficult situation. Since no one in the military is either capable or willing to bring change.

It's *insane* how easily the Republic could create such vile lies, and how easily the majority of the citizens go along with it.

Gotta admit, Asato does a good job at foreshadowing the fate of the 86, the truth that we can only see after Ep7 of anime. It is mentioned that supposedly, 86 soldiers will be welcomed back once their 5-years term is up. Lena once wonders about it, but ultimately she buys it thinking that surely they must have come back to another sector. She only realizes it's utter bullshit after Annette points out how, 9 years later, they have never seen even one Colorata inside the Republic when they should have seen at least some. This also shows that Lena has never ventured to the other sectors to find out more, probably due to work or maybe she's still a sheltered noblewoman in the end.

And the mentality of the majority of Alba is shown differently. Whereas the anime uses the academy classroom to show how deeply rooted the racism against 86 is, the novel uses Lena's mother who a) more or less does the same as the classroom, and b) presses Lena to get married and preserve their pure noble bloodline. This, when the nobility doesn't actually mean anything anymore. This version shows not only Alba's racism but also Lena's strained family life.

There is a scene of an Alba high school valedictorian who, during his graduating speech, says “My friends died fighting the Legion.” I’m not sure this will make it to the anime, and it’s just a minor scene in the novel, but the weight of that scene is heavy.

The science of Para-Raid is explained, which has something to do with tapping the collective consciousness of humanity and connecting it to one another. A bit far-etched but I guess that works, science fiction and all. But I like the part where despite (or maybe because?) of connecting via hearing only, the other senses are faintly receptive as well. For example, one can sense that the other side is biting their lips in frustration, something like that. Of course, actual real life things like sensing the hidden bitterness or elation in a talking partner's words are present, this being a story where listening matters.

The novel elaborates on Raiden's stay with the Alba old woman. He calls her Old Hag, but it's clear he greatly respects her. The part where she screams and curses in the middle of the road at the Republic soldiers who take Raiden and the other children away stays in Raiden's mind forever, and so it does to me. Ngl it is quite a chilling scene.

Same with the story of the previous Laughing Fox, Theo's Alba commander. It turns out, the entirety of Theo's first squadron didn't like him at all and bet on how fast he'd tuck tail and run back to the Republic. When he faced his death the way Theo explained, he sent a message to Theo revealing he knew about it and knew his place to not ask for acknowledgment or forgiveness. This made Theo regret why he didn't try to talk more with his commander and he keeps thinking about it forever. Now it makes even more sense why Theo, blunt as he is, is willing to listen to Lena and when he snaps, he wonders if his late commander would do the same.

What actually happens in Kurena's backstory is also touched upon. While in the anime some viewers could think "Man, I get where you're coming from but chill out." The novel graphically shows her parents being toyed on by the Alba soldiers while her sister protected her, the two could only watch, and then the same sister got sent to the battlefield to die. Now at that, anyone would think "Man, no wonder she can't chill out. Not with all that trauma."

I also like the addition that Lena can sense Kurena is the one who dislikes her the most.

The novel describes greatly that it isn't just Alba and Non-Alba. Essentially speaking, Non-Alba is called Colorata, and they consist of different race groups as well. Just as Alba is associated with the color silver/white, the other race have their associated colors as well. Asato assigns races to the named members in Vol1 and what their distinguished color features are. This also explains why Anju is exiled despite looking like an Alba.

It's a question that I pondered on when I first saw Shin's armor plates, and that I pondered harder on when Chise died: What happens if there is no armor plate to carve its processor's name's on? So it turns out Shin would substitute it with anything; piece of wood or some random piece of metal. For Chise's case, Raiden, Chise's leader, suggested using the wing of Chise's in-progress airplane model. Which did my heart so bad because I'm strangely fond of Chise and finding out that in his spare time in his limited lifespan, he was working on an airplane model made me sob.

I'm not particularly into mecha, and could care less about how it moves. But Asato did a good job describing the fight between a glorified suicide car and a line of brand-new solid A-grade tanks. Special mention to I-IV because wow the concept arts for all the mechas are so cool, even though I don't really understand. (Asato even said to I-IV "Go draw a tank so horrible it's stupid for the Juggernaut" and I-IV came up with the current Juggernaut)

You know how the Republic greeting is "Glory to San Magnolia and the five-colored flag"? I won't disclose who says this in what situation, but there is someone of Colorata saying "If you hate colors so much, you should have just colored your flag white" AND OOOH THE BURN SO HOT HOT HOT

Tl;dr: Bottom line is, I personally enjoy Vol 1 because I already watched the anime and got attached to it. If I were to read the vol 1 first, most likely I wouldn't fall this hard for the series. Hell, maybe I wouldn't even pick it up in the first place because I knew it'd be depressing. But this is not to say that the LN is bad. It’s very good, it just does not really touch the lives of other soldiers whereas that’s the very thing that I love from the anime.

#86 #eighty six #random saying #not sure if i have put all my thoughts here so maybe ill edit sometime later

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