#when i can't make my mind up about a book that tends to put me in a slump (bc i can't dnf but i also don't feel motivated to continue)

[pinkmirth]

thinking about s/o who likes to dress up their vampire bf (yes i'm talking about adrian) and they always make sure that he likes the outfit too. he's just so pretty i can't 🥺

𝜗𝜚 ࣪ ˖ 𓈒 “DOTE” FT. ADRIÁN ‘ALUCARD’ ȚEPEȘ! ⸻ ( 2k+ ) words of ⨾ fluff + suggestive/nsfw, alucard x fem!reader ( black-coded ), canon-divergent, set in the set in the 15th century (1400s), established relationship, lowercase intended, explicit language, minors shoo!

my love letter! ౨ৎ ₊ ⊹ oh my goodness luna, i adore this!!! doting on adrian and clothing him sounds like a dream! it’s moving enough for me to want to put it into words . . . i ended up writing this out to be a teensy bit sentimental, if that’s okay! i feel like he’d be hesitant to receive affection but eventually ends up reveling in it because it’s just what he needed! adrian truly deserves some loveee, and i’m here to give it to him >.< please enjoy, and thank you so much for reading! ❤︎

there’s something you and your lover like to call the ‘ echoes, ’ simply put, for any noise that bounces off the walls resounds throughout the entire castle. it’s a reliable system, and adrian’s able to use it to call your attention from anywhere within it.

“darling,” there goes his soothingly silken voice, ringing out all the way from the east wing. at times, you’re amused at how it can reach you from this far. “would you come over and give this a look, please?”

at his plea, you’ll be there. so you settle down the leatherback-book you’d been reading, slinking the pad of your finger beneath a page to fold it by the crisp outer corner.

“coming!”

you’re sure he feels you nearing, courtesy of your shallow-heeled footsteps thudding upon the wine-red shag of his home’s romanian rugs. he acknowledges your presence by swinging open the door to the primary bedroom.

you didn’t think you’d have to tiptoe around mountain-sized heaps of clothing upon entering adrian’s chamber— his closet’s practically ravaged. although, living with a dhampir was never known to be an experience short of surprises.

in the midst of all the madness is where he stands, still adorned in his cream nightgown. he’s got a garment clutched in one hand and a pullover tunic in the other. the subtle veins running along his slender hands makes his grip look exasperated. alucard appears to be having one of those days— where nothing feels just right.

“what’s all this, dear? thought you’d have been dressed by now,” you call out, making your way around a stockpile of trousers to approach him. gently, your delicate hands come to settle upon the broad expanse of his clothed chest. just as he figured it would, your touch immediately soothes him.

the man sighs before he speaks. “i apologize,” adrian peers down at you from where he stands, dropping both items to rest his hands on either side of your hips, “i’ll make sure to clean up afterwards.”

“no worries,” you hum, offering him a warm, sweet smile. when he tends to grow reckless, you know what he needs most is a dash of affection. “you wanted me to take a look at something, yes?”

“i did,” he mumbles, sunny eyes flitting over to his plundered closet, “though now i’m seriously reconsidering every single piece that i own.”

you don’t make a point to say it, but you know it isn’t about the blouses or the pants or any of those things. it’s his mind that tends to run rampant on all that’s been and all he’s lost. at tines, it manifests into agitation, a period of overstimulation where one thing makes him shirk and another gets him withdrawn. despite it all, he’s consoled that you’re here to reel him back in and distract him from himself in that dreamy little way that you do.

“show me the one you were last contemplating on, adrian.” you do it with such ease, pulling him out of his own head and bringing him back into the moment. for a good second, he thinks of just how lucky one man could possibly be.

“go on,” you pat his chest, and his lips flit up into a subtle grin. now more content, adrian scours for it and eventually plucks it off an embroidered chair situated in the corner; only God knows how it got there.

pinched between his index and thumbs, alucard holds up the top, exaggerated sleeves and all, presenting it to you; a simple chestnut colored option that shares the same wood-like hue as the bedpost.

“my twelfth option of the day,” he snidely notes. his sarcasm pries giggle from you. “what do you think, love?”

“it’s quite pretty,” you tilt your head, inspecting the piece with sparkly, concentrated eyes. he admires the way a wispy strand of hair falls along to drape against your face. just precious, he believes.

“it’s a little puffy at the sleeves, though.”

“i knew it,” adrian attests, “this is too . . . flouncy.”

“oh, forget what i said! it’s the perfect amount of flouce.”

“no no, it’s far too much. it’s practically screaming at me.” to that, you chuckle a bit. he can be ever so keen to such minute details.

theatrically, adrian mounts the nearby bed and flops atop the tousled sheets, an exhale leaving the depths of his chest upon impact. “i suppose this is just an ‘only-underwear’ sort of day.” you nearly add that he might as well free himself as a whole and go naked, but the poor man would flush so badly that you choose to refrain.

“you know, adrian,” you scan over his collection, eyeing the finest of silks, puffed shirts and ruffles. his wardrobe practically looks fitting for that of wallachian royalty. “i could make it easy, choose an outfit for you.”

its sudden, how he sits upright and turns to you. his eyes blink just a bit wider, a little slower. alucard’s mouth strikingly quirks upwards in a way that makes you believe he hadn’t been comfortable with the idea— almost as though you’d been meaning to treat him like a child.

“you’d . . . dress me up?”

you retract in the slightest, “only if you’d like. it isn’t a must—”

“please,” he ultimately responds, tone soft and low, “by all means.” it had just been the thought of the sheer intimacy that dazed him. you selecting what would fit him best through your eyes, pulling himself free of his clothes, revealed unto you as you’re dolling him up . . . it all sounds so touching and right now, he wants nothing more.

he can feel palpable relief roll off of you in waves as you beam, “sounds perfect, then.” he calms himself and fixes his countenance, gracing you with a sincere smile. rosy pigment scatters itself upon his face. you catch onto that hopeful glimmer in his eye, one that shows he’s pleased though you can’t quite place it. he’s too softened to say that gratitude has overcome him.

your back is facing him as you rummage around and take your pick, “undress while i put something together, alright?”

“bold request,” adrian characteristically quips. you merely laugh, “you should be bare once i turn around, you hear?”

he hums in acknowledgment, although he opts for tidying up the room first. you can’t see him with your back turned, yet you know he made use of his vampirian speed to grab and fold all his clothes that’d been thrown-askew, including the night attire he’d already been wearing. it amazes you that it only took him a solid eight seconds to complete it all.

“i’m sure that’s convenient,” you muse, turning his way with your selections in hand. alucard’s bare now, adorned in nothing other than his undergarments. a plain and skimpy pair of beige-white breeches shouldn’t excite you so— but god, they hang so low on his hips it’s like they’re barely even there. and how could you possibly ignore the way the cloth clings to his thighs? his arms look strong and coiled like wire, and the chiseled lining of his lean torso is embellished by the fleshy-pink scar that runs past his abdomen all the way up the center of his firm chest.

adrian can only hold your gaze for so long before realizing that you’re drinking him in. consciously, he pivots his head the other way as though to escape it, allowing his lengthy hair to drape down and cover the flushing of his fair cheeks.

you inch up to him, setting the clothes on his bedside. you find his larger hand to interlace with your own, and he only grows redder. there’s an indescribable pride that comes with being capable of riling him up.

“oh, don’t tell me you’re shy,” your hum is sugary like marmalade, “i’ve seen you before . . . you’re beautiful.”

“oh my god,” he whispers, pressing a palm to his heated face. sometimes adrian finds you to be too sweet. he isn’t sure how you haven’t yet succeeded at killing him with all your flattery. he bashfully smiles, cheeks warm as you stand high on your toes to peck them. “you and that mouth of yours.”

“i’ll leave you alone before you overheat,” you tease, halting your affections to return to the task at hand. “you love to toy with me,” he breathes out, and your giggle confirms it. you then display your choices; fitted pants of black leather paired with a warm-tan blouse, one that brings out the shine of his sharp eyes and adds a flush of vitality to his fair skin. interestingly enough, it resembles the color of his golden hair. you’d gone with something similar to his typical style so that he’d feel comfortable wearing it; though you know he’s been rather picky today.

“is it okay?” the way you await his approval makes his heart throb right within his chest. if only you knew that you handpicking anything for him was enough to make him fall in absolute love with it. it had never really been the outfit— he’s sure he just needed you all along.

“more than okay.” he smiles up at you, lips soft and pale-pink. you wonder if you’d end up altering the mood if you leaned down to kiss him. “well chosen, dear.”

“i know just what you like, don’t i?” you sound quite delighted, and it warms him up inside. “but of course. it’s my closet, after all.” the both of you share a knowing laugh that makes you feel so wholesome, so bound. you’ll be sure to commit the feeling to memory.

he then rises to his feet, standing a solid foot above you as he works his way into the bottoms you chose. a pout overtakes you, pretty lips pursed as you whine, “i could’ve done that!”

“you’ll get to fix the blouse. sounds fair, yes?” adrian knows if you were to have worn his pants for him, the hard-on he’d sport would’ve been more than embarrassing. you’ve seen each other vulnerable a good amount of times, and made love even more than what could be counted, but during a moment like this would only sully the mood, he’s sure.

with a hum, you give in. “fine,” your fingers trace against the threading of his shirt, “sit back down for me. you’re too tall for me to dress you from here,” alucard’s always found the contrast in size between the both of you to be endearing, especially whenever you go on to mention it. you’re surprised he decides to choose obedience instead of poking fun. he takes his place upon the bed and makes room for you to settle atop his lap. it’s instinctive, how quickly his hands reach for your waist. he rubs them along the patterning of your corset.

“arms out,” you’re a little less content when his touch leaves you, though you adore how well he listens. you ease the top over his head, onto his arms and finally onto the rest of his frame, tucking away the mussed locks of wavy blonde hair that fall array.

“i’ll brush it out for you later, adri,” you murmur, smoothing down the frizz before bringing your hands to cradle his cheeks. his face looks simply ethereal this close; flawlessly structured, handsome yet elegant. once again, his hands find their rightful place upon your sides. you watch him melt in your very hold when you coo, “my pretty boy.”

he whimpers a lowly call of your name. “thank you . . for all of it.” you know these sort of pocketed moments mean so much to him. his gentle pitch wavers with the subtlest hint of desire; you’d know the sound of it anywhere. still soft-spoken, though the slightest bit deeper. raspier, even. he only reserves such a tone for you.

your response is hushed, just about breathless, “always, adrian.” the pair of you are so close that the straightened tip of his nose grazes against your own. when the tension grows too thick and you can no longer escape his lips reeling you in like magnets, you finally lean into him and let your mouths slot, warmth blooming between you. his lithe fingers roam and you suckle at his bottom lip, prying a soft groan out of him.

alucard kisses you with longing, the span of his fangs subtly clashing against the pearly white of your teeth as he works at prodding his tongue inside, nipping at your lips and tasting of you. he frees out soft, little ‘ i love you’ amongst all the licking and sucking.

you both wind up toppling down onto the bed, with his back to the mattress and your squished breasts to his heart. making out with a man such as adrian always gets so heavy; you’re panting into each other's mouths, swallowing up the other one’s sounds, and you just can’t seem to help but slowly roll your hips into the stiffness of his crotch. a handful of minutes with him already has you entirely soiled.

“this is becoming something else,” alucard breaks away with a huff, fighting himself not to rip off the clothes you just adorned him in.

but fuck, you aren’t helping. “allow it, then . . .” is your solution, bringing the plush surface of your lips to suckle along his jaw, against the column of his throat, right down his neck . . . no point in refraining now. you eased him of his worries, and he only wants nothing more than to repay you.

“quite a shame, dear.” it truly is— especially considering that you put together such a stylish assortment for him. “now everything must be undone.”

© 𝒫𝐼𝑁𝐾ℳ𝐼𝑅𝑇𝐻! ⸻ all rights reserved! do not steal, plagiarize or repost any of my works. please and thank you! ❤︎

[jeanmoreaux]

Have you read ACOTAR? I’m reading them currently and can’t decide if I like them or not

nope, i started it a couple of years ago but didn't like it, so i dnf pretty early into the book. sjm and i simply don't click. her stories and her writing just aren't really for me, i guess. i heard that the second book in that series is pretty good, so maybe that will sway your opinion?

[minarinnn]

“notice me”

luke castellan x aphrodite!reader (pt2 here)

content/trigger warnings: fem! reader, doesn’t follow the plot of tlt!, mentions of smut, sexual tension, manipulation?, groping, reader making luke jealous

a/n: the show has once again sparked up my love for the percy jackson book saga and charlie bushnell has me weakkk ughhh.. i normally don’t write for pjo characters but oh well, lmk if y’all want a continuation of this or just more luke castellan in general ;)

you had always been so used to being the center of attention. as a daughter of aphrodite, you had always been the most popular girl in school, and there was no shortage of boys falling for your charms

arriving at camp half-blood didn change that, nothing was different. except that, for the first time in your life, you found yourself chasing after the attention of a certain boy. luke castellan, the son of hermes and the head counselor of his cabin, he just wouldn’t fawn over you like the others would. despite your best efforts, luke had always remained indifferent to your constant flirting, leaving you feeling frustrated and determined to change his mind

you found yourself spending every waking moment trying to get his attention, trying to find some way to charm him and make him see you the way the other boys did. but no matter how hard you tried, luke remained distant and unimpressed

this week you were extremely busy, you were helping out in the infirmary, one of the apollo kids who usually worked in the infirmary had been sent on a quest and you were asked to fill in until they came back. juggling that with all your other responsibilities as counselor had you beyond occupied

during that week, annabeth barged in with two other guys; percy and luke. apparently their sparring session had gone a little out of hand and they were both injured

luke was already aware of how you’ve been trying to get his attention these past few years. he actually seems to quite like having you, the most fawned over girl at camp, fawning over him instead. he liked the attention you gave him, though he knew that if he ever gave in to your charms you would stop, so he didn’t

he was fully prepared and expected you to be the one to tend to him, so when he sees you head to percy and tend to him while an apollo girl tended to him he was confused

what happened? why would you choose percy over him? we’re you tired of him? did you give up on trying to win him over? luke’s confusion quickly turned to frustration, and he couldn't help but feel a twinge of jealousy as he watched you tend to percy’s wounds

"how are you feeling, percy?" you asked, giving him a warm smile, one that always had the boys weak in the knees. "n-not great, but i’ll manage" he laughed awkwardly, suddenly nervous. you put your hand on his shoulder, giving it a small squeeze "oh, i’m sure you’ll live”

out of the corner of your eye, you saw luke. he was watching you, watching the way you cared for percy. this was the first time you had ever caught him staring at you with such intensity

so you’re plan was working. you had tried everything to get his attention and you had only one trick left in your arsenal; jealosy. no boy is immune to jealousy, and that was exactly how you were gonna get him

in the end, all you had to do was throw some water at percy and he was good to go. luke though, he had to spend the night in the infirmary

the other apollo kid had left a few minutes ago, something about ‘having other things to do’. so it was just luke and you in the infirmary. you walk over to luke's bed and start tending to his wounds

“oh so now you wanna take care of me? how nice of you” he speaks, sarcasm dripping from his words. “you can tough it out, can't you?" you tease, dabbing away at his cuts with an alcohol-soaked cotton ball. luke is watching you intently and you can feel the tension in the room increasing, his eyes fixated on your hands as you work

luke’s eyes narrow, and you can see the rage boiling beneath the surface. he’s frustrated, jealous, and he doesn't know what to do with all these emotions. you’ve never seen him like this before, and it's a thrill to know that you have the power to make him feel this way

you try to ignore the tense atmosphere in the room, focusing instead on luke's wounds. you finish cleaning and bandaging the cut on his wrist, holding it up to your face to land a soft kiss on the bandages. “all done” you whisper. he tenses at the feeling of your soft lips, and you can see the anger in his eyes. however, you can also see a hint of something else— desire

you look up at him with a smile, knowing that you've got him right where you want him. his eyes are locked on your every movement. you know that you have him wrapped around your finger, and it's a delicious feeling of power

luke’s expression is one of confusion, a mix of rage and desire. he wants you, and he wants to hate you at the same time. it’s a weird combo, but it's working for you.

you lean closer to him, your lips inches away from each other. you can feel his breath on your skin, the heat of his body as he's lying there

"you’re not stopping me" you state, breaking the silence. it’s a quiet, soft whisper, filled with a tiny bit of amusement

"maybe.. maybe i don’t want you to stop" he says, his eyes locked on yours, voice low and husky. you can see the desire building in him, how his gaze trails down to your lips

luke’s breathing quickened, and he could feel his heart pounding in his chest. he knew that this was a game for you, a game where you would always be determined to win him over, but now, in this very moment, he felt like he was losing

he lets out a hiss of frustration, of desire, of... something. he’s sure knows that you're proud of it, but he’s not quite sure what to do about it

you leaned in for the kiss, your lips pressing gently against his, your hand running through his hair. you could feel his body tensing, his hands gripping your waist as he attempted to pull you on top of him

you pull away from the kiss slowly, your lips still pressed to his. luke is still trying to catch his breath, his eyes fixed on yours, searching for any hint of what your next move will be

"not bad" you whisper. "you’re playing a dangerous game here” he chuckles lowly, making your lower regions throb. you smirk softly and brush his hair out of his face “i’ll take my chances”

despite being injured, he pulls you on top of him, making you realize just how hard he’s been this whole time. his eyes are dark, and you can see the lust burning within them

you lean in for another kiss, this one soft and gentle. luke groans when he feels you grind against him, his hands moving down to grab hold of your ass

“i need you s’bad” he mutters out. you smirk as you slide off him, making him furrow his brows in confusion. you land a soft kiss on his cheek. “let’s do this when you’re not injured” you whisper in his ear. now he was alone and hard in the infirmary, how nice

© MINARINNN 2024 - please do not plagiarize or upload my content on any social media platform.

[mingoooossii]

ATEEZ comforting you after you have a rough week.

Ot8 x reader

Warnings: hurt/comfort, lots of hugs, reader is overwhelmed in most of these, mentions of exams(scary ik), kinda corny tbh, also not proofread so there might be some mistakes.

A/n: i used most of my braincells 4 this 🫠 yea also this purely depended upon my mood so that's why some of them are just thoughts while the others are full blown conversations. will most likely rewrite this is in the future I think. Also I'm planning on opening taglists so if you want to be included just lmk!! (for ateez or any other group)

Words: 3.1k

Requested ♡ Ateez masterlist.

"When you feel like you're nowhere, Let it go 'cause I'll be there for you..."

⋆˚࿔ Hongjoong

• whenever things get a little too much, you'd usually suck it up

• it wasn't healthy, you know that yet you couldn't afford to fall back now so you did it anyway

• him, who's very sensitive to your every little changes in mood, of course, noticed it too

• you tend to sort of shut down whenever you get overwhelmed, causing you to get moody and quiet, often leading to minor arguments with him

• but he understands (being prone to overworking himself, he was never too fond of the after effects)

• but that doesn't mean he's not going to do anything about it

• ”you're taking a break.” “But I need to finish this-”

• he cut you off by closing your book, making sure to bookmark it before picking you up from the chair

• ”have you looked at yourself yet? you're about to collapse.”

• you fell silent at that, letting him carry you over to the bed, feeling your irritation dissolve at the stern tone, yet you could pick up on the hint of worry.

• ”but I need to finish it, or else I won't catch up on my work. I'm already behind in-”

• your worried ramblings was silenced by his lips pressing against yours for a brief moment

• ”i vaguely remember someone pulling me out of my studio, by my ear, when I was overworking myself.”

• he muttered, sitting beside you once he put you down on the bed, his hand reaching up to tuck a strand of your hair behind your ear

• ”you should listen to your own advice, you know?”

• you could feel the tears pricking your eyes at his words, making you feel helpless and frustrated

• ”there's just…so much. i don't know if I'll ever finish it…what am I gonna do?”

• you mumbled, your lips trembling as you tried to bite back your sobs

• his expression softened at your words, pulling you into his embrace, stroking your hair

• ”i know. but exhausting yourself is only going to make it harder for you to catch up.”

• ”let's take a break, okay? you need to rest, let your mind calm down first.”

• you felt him pull away from you, his hand wiping your tears away

• ”how about we go for a walk outside? some fresh air would help, i think.”

• you thought for a bit before nodding. you definitely wouldn't be able to get anything done while you were in this state.

• he finally let a small smile break free, standing up, moving to get your shoes for you

“An ice cream could help too, i've heard. and there's a parlour that just opened up, down the street. i think it's fate.”

⋆˚࿔ Seonghwa

• "are you okay?"

• he asked softly, worry lacing his tone as he watched your sullen figure drop down onto the couch.

• "I'm okay."

• your curt response came out as if it was clockwork, removing your bag before burying your face into the comforter

• you obviously weren't. Well, it'd been like that for a while now

• he sighed before coming over to you on the couch. He knelt down and reached out to take off your shoes which you forgot to

• you tried to sit up, suddenly feeling guilty

• "i got it...-" "Let me."

• you paused before laying back down, feeling a bit nervous at his tone of voice. Was he mad?

• "I'm sorry... it's just lately everything's been going downhill..."

• you mumbled, tears pricking your eyes as you let your emotions of the past week finally weigh you down

• "i c-can't seem to do anything right and...i can't muster up energy for anything...i.."

• you sniffled, waiting for a response. He didn’t reply, instead placing your shoes neatly to the side before standing up and sitting down next to you on the couch.

• "Hwa..."

• a tear rolled down your face as he wrapped his arms around you, resting your head beneath his chin.

• it was incredible how the warmth of his embrace contrasted the gloominess you've been feeling all week.

• "I'm not mad. Why would I be?"

• he spoke quietly, his eyes shutting for a moment, his hand tracing patterns on your back

• "and you know... people don't always have to be okay..."

• "if that were the case then, i think we'd be superhumans..."

• you let out a laugh at his words, feeling your heart lighten slightly

• "i guess..."

• he smiled at the pleasant sound, leaning back slightly to look at you, his hand moving to wipe your tears away.

• "so don't put yourself down, i won't let you."

• he whispered, his expression gentle yet firm before pulling you close again, pressing a kiss to the top of your head.

• "I'm still gonna worry though. Because I'm a human, a human who happened to be really really really in love with you."

• you chuckled, feeling exasperated yet so so light hearted

"Well, then...this human loves you too, a lot."

⋆˚࿔ Yunho.

• exams were coming up.

• and with exams came all nighters.

• you knew it wasn't healthy at all but your brain refused to listen to you, conjuring up various 'what ifs' each one, bleak.

• yes, exam seasons usually had you stressed.

• he knew it too.

• don't get him wrong, he knew you'd do well (with you being one of the most hardworking people he knows, there was no doubt about that)

• but he knew you couldn't help it. Despite all the assurances, a small part of you always doubted if your efforts were enough

• and he was worried. Of course, he was but he couldn't push you to take breaks even when he knew you needed it

• because he thought it'd be better to be distant than to have you completely shut him out

• but he wasn't sure anymore.

• even more so when he came upon you staring down at your books with teary eyes. You couldn't take it anymore.

• "I'm just so tired"

• you sobbed, burying your face into his chest. He had carried you to the bed from your desk, despite your protests but now you were glad that he did.

• "i know, love."

• he whispered, his hand rubbing your back soothingly, his heart clenching at the sound of your sobs. How could he have let it get this bad?

• but one thing was sure, he wasn't about to let you go through this alone.

• "Take a break, hm?" "But i...-"

• "No buts."

• he replied firmly, his expression showing his worry

• "Baby, it's admirable, it really is...you work so hard and I'm so proud of you..."

• "but I'm worried."

• he mumbled, his voice soft and low, tightening his hold on you

• your words faltered as you sensed the genuine concern in his voice, a twinge of guilt washing over you.

• "You always seem so tired and i...i can't help but feel frustrated for not being able to do anything..."

• his tone was soft, holding you close as if he feared losing you.

• "i don't want anything to happen to you..."

• you heart clenched at the tone of fear in his voice. you felt him lean back, taking your face into his hands carefully

• ”no matter how important it is, pushing yourself beyond the point of breaking will never do you any good.”

•he whispered, his voice quiet as he stroked your face gently

•you stayed silent for a moment, his words going through your mind. you could feel the toll these last few days had on your body. crashing out wouldn't be far at this point.

•so you nodded, reluctantly agreeing, not wanting to worry him any longer and also because you knew you needed this.

•he smiled, seeing you agree (although reluctant) relief coursing through him finally.

“Good. Now, how about some tea? I'll…let you get back to it after a break and this time, I'll help you.”

⋆˚࿔ Yeosang.

• something was wrong.

• he wasn't used to seeing you so...pensive.

• that slight slumping of your shoulders, the way you zone out mid-convos and the quiet sighs that escapes you whenever you think no one's looking

• no, he definitely noticed. It was so unlike you and...he wasn't sure how to react.

• would you be mad if he were to bring this up?

• or would you pretend like there was

nothing wrong?

• he knows that you value your independence very much, often preferring to deal with things on your own

• he respects that and doesn't push in anyway, not wanting to make you uncomfortable

• but he'd also feel a bit guilty (thought it was never his fault) feeling like he was failing as a boyfriend for just watching from the sidelines while you struggled

• though initially, he'd be a bit hesitant and cautious when approaching the matter

• he wouldn't directly confront you but lets you know that he's there for you

• "I'm here, if you want to talk."

• he'll also try to distract you with other activities, whether if it's like a walk in the park or a simply game

• he'll try his best to keep the atmosphere quiet and positive so you'll be able to relax your mind even if it's just a little

• and when you finally open up to him, he listens.

• he doesn't really respond in between and just lets you rant while listening intently

• and you know he is from the way his hand gently squeezes yours in assurance whenever you come to a pause, letting you know that whatever you were feeling was valid

• he isn't that big on physical affection but won't hesitate to shower you in it if you were to ask

• he's just a green flag over all

"I'll be here if you need me. I'll always be here."

⋆˚࿔ San.

• "come here."

• you hesitantly glanced at him before immediately looking away once you met his eyes. How does he know you so well?

• "choi y/n, come. here."

• he repeated, his tone a bit more firm now, spreading his arms wide and looking at you expectantly

• "what's with the choi?"

• you sighed, half-laughing, but you walked towards him, your emotions bubbling up again.

• "you own my heart, so you might as well take my last name too."

• he said softly with a small smile as you finally stepped into his arms.

• "seriously..."

• you mumbled, your voice breaking towards the end as you pressed your face into his chest, tears starting to flow again

• "there we go..."

• he guided you to the couch before sitting beside you. He wrapped his arms around you again, pulling you into him and gently ran his fingers through your hair, whispering.

• "you did a good job, hm? I'm so proud of you."

• "it doesn't feel like that though..."

• you laughed. his words, though comforting, stung a bit, reminding you of your failures yet again

• he frowned, picking upon on the hint of self depreciation in your tone

• "how dare you say that about the love of my life? Do you have any idea how much they mean to me?"

• he spoke, leaning back slightly to look at you, his hand reaching up to pinch your cheeks

• "what're you on about?"

• you chuckled, avoiding his hand, not knowing whether to be amused or exasperated at his sudden burst out

• "I'm serious, my love's the best, the smartest, the kindest, the most hardworking, the prettiest...the list goes on..."

• he continued, his voice firm as he made you face him, wiping your tears away

• "but you know what i like the most about them?"

• he asked, his expression softening considerably

• "they never give up. no matter how hard it gets, no matter what anyone else says, they never give up, because they know that they can get through it..."

• he stroked your face, his eyes never leaving yours, the genuineness in them halting your breath for a moment

• "I know you can..."

• you felt your heart tighten at his words, feeling a wave of emotion wash over you. You hugged him again, tears forming again.

• "why do you always have to be so nice? I hate you..."

• you sobbed, though there was no real heat behind your words

• he chuckled, rubbing your back soothingly

"It's okay, in return, I have lots of love to give you..."

⋆˚࿔ Mingi.

�� he knew that things have been rough for you lately

• while he was worried, he wasn't sure to how to bring it up without making you feel even worse

• so he had hoped you'd come to him first

• though nothing prepared him for the sight of you sobbing into your hands infront of him, when you did

• initially he was at a loss as to what to do (it's that T in him)

• but he could feel his heart breaking as he watched you desperately trying to wipe your tears away which seemed to be flowing endlessly at that moment

• instantly he pulled you into his embrace, his arms wrapping around you so tightly like he wanted to shield you from whatever that was hurting you

• "I'm sorry..."

• you weren't sure what he was apologising for and neither was he

• though he wasn't good with words in this situation, he was there for you

• and he hoped you'd know it too

"don't hold back your tears, just let it all out. I'm here."

⋆˚࿔ Wooyoung

• he’s been walking on eggshells the entire week and he wasn't sure how long he could he take it

• your obvious avoidance of him, the curt texts, (hell, he'd prefer it more if you argued with him than this) it was all getting ridiculous

• so, what was the next step? obviously, confronting you.

• though it wasn't going like how he expected it to go.

• ”I'm sorry, i thought it'd be better to avoid you than to let you get affected too”

• you mumbled, your voice a bit hoarse as you brought your blanket covering you, closer

• your face was red, a sheen of sweat covering your forehead as you supported yourself on the wall.

• these past few weeks had taken a toll on you, worse than you thought and before you knew it, you had a fever.

• ”Affect me-...are you serious?”

• he spoke before he could stop himself. really? that's what you've been worried about?

• “I've been worried sick! you think I'd care about some damn germs?”

• you fell silent, feeling a bit guilty now.

• he huffed as if he was in disbelief. he wanted to say more but paused, his eyes falling on your pale face

• he sighed before stepping in, his hands reaching for your face.

• “you're burning up…”

• he muttered, worry lacing his tone as he supported you, making sure to close the door before leading you to your living room, sitting you down on the couch

• you sniffled, rubbing your nose as you watched him bustle around your apartment

• it was weird, seeing him so serious like this, different from his usual playful self

• and it only made you more guilty for worrying him

• ”I'm sorry…”

• he paused, hearing your words, his movements slowing down as he closed the door to your shelf after retrieving the medicine

• “you know? these past few days, I was wondering whether I did something. I couldn't figure it out.”

• he spoke up, returning to the couch, kneeling infront of you, placing a hand on your lap

• “besides, what if you were in your death bed? of course i need to be here.”

• he added, a small smirk forming on his face

• “Hey!”

• you countered, your eyes wide, hitting his shoulder making him laugh out a small ‘sorry!’, lightening the mood slightly

• “no but seriously, you should've told me you were sick. i would've came running.”

• “you always take care of me when I'm sick. I want to do the same…”

• he muttered, his playfulness dissolving into softness, his hand squeezing yours gently

• you felt your heart melt at his words, warmth coursing through you, the pleasant kind this time.

• “Alright then, can you…make me your special chicken soup?”

• you asked, a hopeful glint in your eyes. you’ve been craving it actually.

• his smile returned even more brightly as he stood up, turning to make his way to your kitchen

“I'll make you the damn best chicken soup you're gonna ever have! You won't even need medicine cause it's gonna heal you up right away.”

⋆˚࿔ Jongho

• he knew you were having a rough week

• considering how moody you've seemed lately and you also didn't talk much

• and you were usually the 'affectionate' one in your relationship so the lack of it made him pause

• he was concerned, obviously, but didn't voice it directly or push you to open up

• he trusted that you'd come to him if there was something

• however, it seems like you finally reached your breaking point

• he regretted not talking to you sooner when he came home to you crying one day

• he immediately engulfs you into his embrace.

• you seemed a bit surprised to see him, not expecting him to come back so early

• and you felt bad to burden him with your emotions, surely he had a lot on his plate as well-

• "stupid, you should be worrying about yourself."

• he mumbled, his voice annoyed yet... concerned, pulling you closer when you tried to move away.

• he won't respond with words when you start to pour your worries out

• but you know he's listening with the gentle but assuring squeezes he gave your hand whenever you come to a pause

• well, it wasn't like he really had to talk when his embrace spoke volumes more than any words ever could.

“Don't feel bad for feeling bad, you don't always have to be okay, it's completely normal.”

[mariasont]

aaron hotchner masterlist

smut = ✧ clean (ish) = ♡ angst = ✩

this list goes oldest to newest! (idk why i did it like that but im too lazy to change it now)

fics:

✧ our minds entwined WIP paused!

one shots:

♡ marked territory: you are not happy about a consultant trying to make a move on your man

✧ negotiation with mr. h pt 1 pt 2: hotch doesn't know what to do when his nanny flirts with him out of the blue

♡ bumper to bumper: you can't seem to park your car and hotch is the man to help

♡ office sleepover: you get put on a hit list and have to stay over at the office pt 1, pt 2, pt 3

✩ the manuscript: you find a series of letters aaron wrote you in college

✩♡ talking to a brick wall: you overheard aaron’s not so nice words about you

✧ spoiled: in which hotch overhears your conversation with penelope and decides to do something about it

♡ some profiler you are: in which hotch insists you stay with him after you get shot

✧ ideas from a book: in which hotch catches you reading smut and finds out you have a gun kink

♡ give this old man a heart attack: you almost get yourself killed on a case and hotch has some choice words about it

♡ they think i'm pregnant: the team thinks you're pregnant and you decide to have a little fun with it

✩ please, don't prove 'em right: aaron hotchner is a busy man and he tends to disappoint you by missing important events pt 1, pt 2

♡ stupid crush: being the youngest member of the bau you think you have no shot with your hot boss

♡ late night podcast: hotch finds you fast asleep to the soothing sound of a seriel killer podcast

✩♡ too emotional: you and hotch are taken hostage, hotch makes some comments, but is it part of the plan or did he mean that?

♡ dangerous: you get hit with some laughing gas and become much more bold and flirty with your boss

♡ schoolboy-esque: spencer and hotch spend the day competing for your attention

♡ secret nicknames: hotch accidentally calls you your middle name at work causing suspicion in the team

✧ let me take care of you: you had a rough day at work and hotch decides to draw you a bath and help you relax with a couple creative methods

✩♡ softly, slowly: you have a hard time opening up because of a past of your mom being dismissive with your feelings but hotch is slowly helping you overcome that

✧ short skirt, long day: on paperwork days you tend to wear short skirts, one day perv!aaron decides to take advantage of that

nanny!reader

♡ laundry day: hotch notices a difference in how his clothes smell and realizes his nanny might have something to do with that

♡ parent-teacher conference: nanny!reader isn't too happy about a teacher trying to flirt with her boss

♡ date night: nanny!reader comes home after the worst date

♡ career day: mr. hotchner can't make jack's career day so nanny!reader steps in and maybe embellishes just a smidge about how the fbi works

bimbo!assistant!reader

♡ my assistant: bimbo!assistant!reader can't reach a book so hotch helps you out

♡ my boss won’t be happy about this: bimbo!assistant!reader is wrongfully arrested and hotch is not happy about it

♡ strawberry wine: hotch is a lot more flirty when he's got some alcohol in him (bimbo!assistant!reader)

♡ semantics: bimbo!assistant!reader flirts with an officer that has been driving hotch mad all day

♡ jealousy, jealousy: a witness flirts with hotch and bimbo!assistant!reader thinks that hotch is reciprocating

♡ good luck charm: bimbo!assistant!reader is gone for the morning and leaves hotch a couple sticky notes

♡ training day: bimbo!assistant!reader doesn't understand why hotch is giving her training lessons, but apparently he thinks she needs it

♡ talk about a bad date: bimbo!assistant!reader went on a shitty ass date and calls hotch to her rescue

♡ rainy with a chance of hotch: bimbo!assistant!reader gets caught in the rain

♡ business of making babies: bimbo!assistant!reader gets hotch worked up at the casual mention of kids

♡ smiling like a fool: hotch is the one making bimbo!assistant!reader flustered for once

♡ lovely menace: hotch and bimbo!assistant!reader are in an established relationship and reader lovessss to be a menace at work

[rinawantstosleep]

𖹭༉‧°𓂃 𓈒𓏸‪‪

rafayel x fem reader

wc: 560

— a little tipsy and very much in love, rafayel's having some difficulties discerning what's what.

"Baby, are you drunk?"

"No." Yes. If the reeking smell of alcohol emitting from the man's mouth or his clumsily bovine stupor wasn't enough of an answer, he's gone ahead and bumped into a wall just for confirmation. "Owww. Watch where you're going, man."

With a roll of your eyes, you have to put down the book you were engrossed in to aid the poor thing. If not, he'll probably initiate a fight with the inanimate entity. Oh, but don't underestimate Rafayel. Never underestimate Rafayel because he's already shoving at the wall and mumbling out (what he believes to be) threatening curses to it. There's even the repeated jabs of his index finger to the presumed 'chest' of the sturdy, upright structure. 

"Okay, that's enough, Raf. Come on, we're going to the kitchen to get you a glass of water to sober up." 

The man clings to you almost immediately, nuzzling his face into your hair. Ah, sweet paradise. Forget about boring, old water. This is all he needs to sober up; ahem, not that he was even 'drunk' in the first place. "Just a second, baby. 'm gonna... mess this guy up real bad for bumping into me. And then... then you can cuddle me on the couch. No water."

What other response are you supposed to give to that, aside from a sigh? A laugh, maybe, but Rafayel tends to get all sulky and pouty when you poke fun at him during one of these inebriated states. Don't bite off more adorableness than you can chew. You're better off letting the tides ease themselves down on their own. 

"He said he was sorry, baby."

"Really?" It comes out in a slur. Surprise, surprise. The alcohol's kicking in more than ever. Booze behind the wheel, running the vehicle. 

"Mhm. Look, he's on his knees, apologizing right now."

You don't expect him to actually fall for that. As stupidly (and also endearingly) gullible as the guy is when he's drunk, there's no way you'd be able to convince him that a literal wall is kneeling at his feet in atonement. That'd just be sill-

"Oh, yeah. Guess - mm - guess I was too tough for him. Smart guy; knew when to... back out."

- Never mind. What was that thing about never underestimating your boyfriend, again?

"Alright. Come on, to the kitchen."

"I don't want water, though."

"And I don't want to deal with a drunk in my apartment. Guess what? We can't always have things go our way."

"But 'm not drunk."

"No, of course not." 

There's no time to make further assessments, though, because Rafayel swoops you up into his arms with no prior notice, sauntering over to the couch. "Swear I'm not drunk, baby. Only... had a few glasses of wine because I couldn't focus on my paintings."

If that isn't him fessing up to his crimes, you don't know what is. The cat's (don't mention it aloud or else he'll get jittery) been let out of the bag. It's safe to say that Rafayel probably isn't paying attention either way, with how he's already got you on his lap.

Gentle kisses to your neck, hands on your midriff. God, he could get lost in this. You're too good to him. It's something Rafayel knows he'll never take for granted. "Mm... swear I only had... a bottle... or two."

with 𖹭, rina!

[fizzie-frog]

You know, the Stolitz scene was a trainwreck as a whole (they usually are), but what honestly got me most was the way Blitz started pleading when he thought his livelihood was going to be taken away.

THIS IS NOT A STOLAS SLANDER POST. I'm coming from a place where I've seen Blitz being mostly, if not entirely blamed for their lack of communication most of the time.

Moving on...

People keep going like "Well if imps are so low in the hierarchy..." - Let's take a break to think. Blitz isn't rich, he's just getting by really. And how is he getting by?

By prostituting himself. To the upper class.

That's what it is, he's a certified whxre. Things may have evolved in the meantime, but that's how it started. Blitz got asked for the deal while being chased by a crazy lady and him, wanting to keep his business and livelihood, said yes, obviously.

Now Stolas was suddenly taking the book back with no apparent explanation (until they got to the crystal), so of course Blitz thought he was doomed. On a side note, why couldn't Stolas say "You won't need the book, I have an alternative" instead of the ominous "I'll need the book back, permanently. I have made up my mind." I would be scared out of my mind.

He teared up immediately and started pleading, you could already see what was going through his head. He won't have the means to support his business anymore, to pay his employees, to afford a home, he'll be homeless and have no means to take care of Loona. Everyone will leave him again and he will starve on the streets all alone.

He'd do anything to be able to live a life a bit better than miserable, of course he would.

And this brings me to Stolas's treatment of Blitz. I see that everything tends to fall on Blitz, and I'm not saying he has no fault (in fact I didn't even like him at the beginning of the series too much), but Stolas treated him like a peasant. Just the episode before Ozzie's he's called him his "impish little plaything" and asked for a reward for the rescue. He put out cigarettes on his horns, he ignored his "stop" most times, he addressed him in this little baby voice with babying diminutives. "Itty bitty" imp.

And I am sure Stolas is socially clueless. He was brought up alone and sheltered, taught to be a prince first and foremost.

Stolas probably saw this as playful banter, as something that is inoffensive, silly. It was only in the Ozzie's episode that he finally saw that actually, his silly play served to make Blitz feel smaller.

And of course in this scenario, Blitz would see this coming out of the nether. He reacted quite badly, but why would this prince be actually in love with him? As he said, he needed to have a minute (or several) to think about everything. They needed to talk this out, and Blitz was about to apologize when Stolas cast him out.

They were both emotionally charged. They fucked up. But I can see Blitz's side. And the power imbalance is so evident, that hierarchy that everyone keeps saying is irrelevant - in a moment's notice, he could have his life swept from underneath him. Just like he thought it happened in that split moment; it worried him so much that he cried and pleaded (and that's not in Blitz's character to do).

And then he was so scared of not being enough too, ugh, his little "I can always do better!". He's so used to everyone just seeing him as a lost cause, better to be discarded. With this amalgamation of things, no wonder he can't believe Stolas would have feelings for him.

So uh, I don't know what the conclusion to this is. Normalize getting imps some actual comfort? So far the only really privileged imp in Helluva Boss is Fizz after getting rid of Mammon. And when I say priviledged, I'm referring to wealth and upper class, not taking into account personal issues such as disability and so forth.

Anyway, this was my two cents on Stolitz. I honestly haven't thought too much on them, I'm riding on the Fizzarolli high. I'm chill over here in my Fizzmodeus bubble, but doesn't mean I have no thoughts on Stolitz.

[pomefioredove]

My brain is kinda sluggish plus I'm indecisive but also i did like several of these (also if i need to divide up this post let me know)

I have no clue which i like best so i simply made a list but let me know if i need to chunk it up

For Riddle Rosehearts

"If you obey all the rules, you miss all the fun." Or "I'm putting you on my to-do list."

For Vil Schoenheit

"Don't bite your lip, I want to do that."

For Ruggie

"You like me because I'm a scoundrel."

vil done here!

summary: "if you obey all the rules, you miss all the fun." type of post: short fic characters: riddle additional info: romantic, reader is gender neutral, reader is yuu, maybe ooc, post book 1

You think it's a pretty pathetic sight, but you make no mention of it. Their egos are bruised enough as it is.

"How long?" you ask, sitting across from the shackled duo.

Ace knocks against the solid collar around his neck. "Not long... But we can't present like this,"

You were hoping he wouldn't say that.

And just a day after you told them not to do anything stupid this week, too...

Deuce says nothing; he's been sulking at the end of the table like a puppy with its tail between its legs for the entire lunch period.

"Have you tried reasoning?" you ask. "Maybe he can take them off for the presentation, then put them back on?"

Ace scoffs. "Reason? With Riddle?"

"I thought he was trying to be more lenient?"

"He is," Deuce mutters, hanging his head. "But that just means he only dishes out punishments when someone really deserves it..."

"It was just a stupid painting!" Ace says.

"That we set on fire!"

You look between the two as they bicker over the accident, bewildered by their lack of concern about where this puts you.

Ace and Deuce were supposed to perform the magical component of your defense project, while you and Grim presented. Now...?

You stand. "I'll talk to Riddle,"

Your friends share a pitiful look, but do nothing to stop you as you hurry out of the room.

Surely, Riddle will understand. He wouldn't let you suffer from Ace and Deuce's mistake!

"No," he says.

"But-"

Riddle beheads the wilting flower of a rose with a sharp snap of his shears. It tumbles into the underbrush.

"They destroyed a priceless piece of art. It was hundreds of years old!" he snaps, leaving no room for disagreement. "They should be thankful it's only a week."

He moves on to the next browning rose, inspecting its petals before decapitating it, too.

"But I didn't do anything. I told them not to do anything dumb, I tried to reason with them,"

"Reason? With Ace and Deuce?" he scoffs.

"I would recommend asking for an extension on your assignment until they've carried out their sentence,"

It's too late to ask for another week; he must know that. And you're not giving up so easily.

There must be something you can say...

"But it was an accident,"

Riddle scoffs. "Of course it was. And the rules clearly state that accidental arson of a painting more than three hundred years old must be punished by losing their heads,"

Rules. Great. This is quickly becoming a lost cause.

"There has to be some other way they can be punished," you say. "You said you weren't going to lose your head about these things anymore."

He sighs, rolling his eyes as if frustrated with you. "The rules-"

"Come on, Riddle- If you obey all the rules, you miss all the fun!"

Riddle stops. For a moment, it's almost like... he's actually considering your offer.

"...What exactly did you have in mind?"

-

"This is what you call a compromise?!"

Ace's head of fiery hair pops up, the color a striking contrast against the green of the hedge maze.

You shrug. Riddle, sitting across from you as you watch the two tend to the shrubbery, almost giggles.

"The Prefect has been more than fair. If anything, you should be thanking them for the opportunity to end your punishment early," he says, pouring you another cup of tea.

Ace grumbles, scratching his neck under his collar.

Deuce nudges him, and the two get back to work on trimming the hedges, a puny pair of shears in each hand.

Riddle smiles. "I must say, I'm rather impressed by your persuasion skills. It's not often that I change the terms of a punishment after it's dealt,"

"Well, I didn't want to fail on their account,"

"I heard that!" Ace yells. Riddle grins again.

"Perhaps your ingenuity will inspire them, then," he hums, cupping his tea in his palms.

"In the meantime, I believe another tea party is in order for tomorrow afternoon- they have a lot of ground to cover. Care to join?"

[the-east-art]

hello!! I hope you don’t mind me asking this, but do you have any good gf fic recs? I really like your sister’s one so maybe ones with similar vibes to that? :D

heck yeah! *to the tune of Stunkle Bunkle* East gives Gravity Falls Fic Recs!

idk if i can say for sure what does or doesn't have similar vibes to Pines Paradox, but I can tell you fics I like! Although legally if you like a fic I recommended you have to tell me 'I read that one and liked it' so I can feel like I'm getting a good grade in fics recs. One last thing: I'm not really a shipper so these should all if not mostly be gen. (if you want to see my entire list of bookmarks fics you can check out my ao3

Pines Paradox - BrownieFox

Ford's research is interrupted by his estranged brother showing up on his doorstep with a kid who claims to be time traveller. Meanwhile in the present, Stan and Mabel try to figure out how to get Dipper back to the right time. There will be secrets revealed, old wounds readdressed, and above it all a one-eyed demon watches with interest.

East: the primer. the blueprint. The one I do all the fanart for. Obv you have already read it, but in case this list gets around to other circles outside of my own, I want to put this one up first. Dipper gets stuck in the past BEFORE Not What He Seems.

Adrift - Jamesneatojourney

Stanford wakes up on the deck of the Stan O'War, concussed and alone

East: intense and dramatic - I'm kind of a sucker for Stan whump and that's what it is paired with REALLY good Ford POV

Pines! Pines! Pines! - hellmandraws

A collection of my various Gravity Falls fan comics, previously posted on Tumblr. The main focus tends to be on the Stan twins.

East: MUST READ COMICS. Hops all over the timeline, mostly focusing on Stan and Ford. Explores a bunch of aspects of their relationship, of the years they spend alone. It's the beast stuff out there.

putting the dog to sleep - parsnipit

ford can’t stop thinking about old yeller that night, staring up at the glow-in-the-dark stars on their ceiling. he couldn’t do it, he thinks. he couldn’t ever shoot his own dog, no matter what. “well,” stanley says pragmatically the next morning, pretending like he doesn’t care as much as ford knows he does, “since he was sufferin’ and all, it was really better for him to be dead, wasn’t it? not much point in being alive if your whole life is terrible and you’re a danger to everybody you ever loved.” something cold and sharp takes up residence in ford’s stomach. he doesn’t like hearing stanley say stuff like that. he doesn’t like it at all. “i wouldn’t do it,” ford insists. “no matter what, i wouldn’t. there’s always another way.” “heh. yeah, i bet you’d find another way, brainiac,” stanley teases, reaching over to muss ford’s hair. ford swats him away. stanley can make fun all he wants—ford still spends all night thinking about cures for rabies.

East: OUTRHGDSGD the old yeller analogy that runs through this one shot absolutely kills me - I'm such a sucker for these types of metaphors. It uses quotes from the book to set the stage the the different sections and it drives me crazy in the best ways.

Things You Can't Take Back - thesnadger

It's Nineteen Seventy-Something. Stan is running from his mistakes, when he suddenly encounters the last person he ever thought he'd run into out here. What is he doing in Columbia, so far from Glass Shard Beach?

East: dare I spoil the twist? I won't. Read it. One of my all time faves.

Persist and Dwell - fencesit

Wendy pauses with her hand on the door and then says, "Hey, Soos—you ever notice Stan doesn't really...touch things?" He probably should have seen this coming, but the problem with deliberately not looking at things is that they have lots of chances to blindside you. In hopes of avoiding this conversation, Soos says, "I haven't noticed that." "Okay," Wendy says. "So. I'm going crazy, right?" "Dude, you're too smart to be crazy," Soos says, "but he totally touches things. He handed you money like five minutes ago."

East: What if Stan was lowkey-highkey haunting the shack?! THIS IS SUCH A GREAT IDEA. I really wish that there was more for this au or this idea

Deja Vu - interlude

Stan and Ford get stuck in a time loop on the day of the portal incident and are forced to work through some things.

East: Through the lense of a timeloop, watch the brothers have their struggles, and find that with infinite time on their hands there is nothing else for them to do but to eventually work things out (and maybe deal with how to get out of the loop). ITS GOOD SHIT

The Sacrifice of Stanford Pines - Jugare

Instead of sending Stan a postcard, Ford leaves Gravity Falls to find his brother. But to his shock, Stan is not nearly as willing to help as Ford thought. Everything goes south quickly.

East: I love this fic. The act of Ford going and finding Stan rather than having him send a letter gives these characters more time to interact before they arrive at the Shack, changing the course of fate. A top tier fic.

Under The Ice - castielrisingabove

What if that phone call the Bill-possessed Ford made to Stan actually went through?

East: short but to the point. A fun thought experiment and I think does a good job portraying both Stanley and Ford.

Sleight of Hand - impish_nature

Stan the magician!

East: Stan, post weirdmageddon, shows off his sleight of hand and his magic tricks. Ford POV. If you like the idea of the things lost in the cracks of memory after the series finale, or at least while Stan recuperates, you'll like this.

Unexpected but not Unwanted - impish_nature

Ford struggles as Stan remembers.

East: the tentative movements towards being a family, being brothers again, post weirdmageddon. shamelessly soft.

I Am A Selkie On The Sea - scribefindegil

The twins may be able to use the same sealskin, but only the one born with it is the true selkie. At least, that's what Ford's been telling himself for the past 40-odd years.

East: This series in general is really good. I like how the selkie skin is used to unit and to tear apart. My one gripe is I wish we never found out whether the skin belonged to Mabel or Dipper, and it was left for the reader to decide (and to decide if that even matters)

Too Late, Too Soon, Not Enough - IncomingAlbatross

(Another take on the missing scene in the Fearamid, featuring protectiveness, promises, and some long-overdue emotional progress. Also Stan being annoying on purpose.)

East: one of my favorite depictions of this scene. Does a good job with Fords POV and writing Stanley

why can't we just teach kids swears? - untrustworthyglitch

“Anyway, what’s in my kitchen that needs kid proofed? I keep the liquor in the high cabinets, where the kids won’t be able to reach,” Stan says. “Plus, the gun in the breadbox isn’t even loaded. Probably. I think.” Soos sighs. “I have my work cut out for me.” Or, in which Stan's niece and nephew are coming, and it's up to Wendy and Soos to fix Stan's life and habits.

East: A good fic, but more than that I really love this idea of how Soos and Wendy helped Stan get the shack ready for the kids.

Protective Instincts - ShyEye

Stanford decides to do some out of house research one late full moon night. He returns home only to almost instantly be attacked by an unfamiliar monster that maybe isn't as unfamiliar as initially thought.

East: I just love werewolf Stan au okay?

The Other Portal - Haberdasher

AU where, when items are lost in the Bottomless Pit, they come to Ford… regardless of his current location in the multiverse.

East: A good fic, but more than that it's a really fun idea! I wish they had pushed the implications of this even more (especially with the bottomless pit episode)

Off-Season - anistarrose

Winters running the Mystery Shack are difficult, but two unexpected guests improve Stan’s day.

East: cute oneshot. I'm a big fan of timetravel oneshots that are from the pov of the person who ISNT the timetraveler. Dramatic (or in this case tbh just very cute) irony.

In the Shadow of Death - A_Zap

It all started with the grim. Now it seems like every time he turns around, Ford finds yet another death omen hanging around his brother. Seriously, what exactly is going on with his brother that death constantly seems to follow his footsteps? A 5+1 fic of the death omens that adopted Stan and he adopted back.

East: It all comes together in the final chapter, trust me.

Changing Tides - Ariasune

When their dæmons settle, they'll be grown up. At least, that's the general idea.

and

Post-script - Ariasune

Poindexter, your deed is in the safe -- Wendy can open it for you -- don't worry about the mortgage, that's been paid off. Sorry about messing your life up again. Bye. PS - the milk is about to go bad, so you should use that up.

East: DAEMON AU DAEMON AU I'm such a sucker for these kinds of aus. Changing Tides focuses on canon, flipping between when the Stans were kids and the time of the show. Post Script naturally happens after the show. They're both good and dramatic.

Raising Stakes - Mary P Sue

East: heck, my copy and paste stopped working for some reason, so no summary for you. This is a vampire au and it's good! Create characterization, pretty clearly written either while Mystery Trio was a big thing or inspired by it. Carla fans get your juice.

[greeniegirl23]

Alastor As A Father (Son Version)

- 10 hours. You had been in labor for the second time in your life and it lasted 10 fucking hours...

-As the doctors tended to your newborn son, you quickly grabbed Alastor by his throat and growled in his ear. "If you ever put me in this position again I promise I'll throw you out of the hotel so the Angels can erase you during the next extermination!! Are we clear?!"

He gulped, dangerously aware of your seriousness. "Crystal.."

- Back to your newborn. He was similar to his sister when she was a baby. Your son wasn't a crybaby., not even in the slightest. Only whimpering or whining when he wanted something. It took a lot to make him actually cry and when he did you both knew he was hurt or you'd probably have to kill somebody.

- This time around, Alastor had decided to step up his parenting game and started doing some research. Starting out with some baby books that Charlie lent him from her Dad. He became very invested in your child's development and even tried to convince you that your daughter might have been a 'slow' baby in her toddler years.

"Al, for the hundredth time our daughter turned out fine!" You groaned, rinsing off a plate and handing it too him to dry. "You can't believe everything those books say, especially when they're so.. statistic based."

Alastor huffed. "Darling, according to the book she should have started walking earlier than when she did. Assuming that it's true, I don't want the same for our boy. They will have to protect each other when we're no longer around. Which means he's going to have to be a strapping young gentleman and there's no better time to start than now."

- Unfortunately, this started a somewhat heated argument between you. Alastor was frustrated that you couldn't see how important it was to get an early start, while you were pissed at the fact that he thought your very intelligent, very capable 13 year old was slow and that he was putting too much pressure on your 4 month old who still enjoyed chewing on his own feet.

- As much as you fought for him to understand your point, Alastor became an immovable boulder and you were too dull of an axe to crack him open.

- This stressed you out for two reasons. One, the potential for your son to grow up underneath insane amounts of pressure at such a young age was high. Two, you knew Alastor would sneak behind your back to mold this boy into who he believed he should be and unfortunately, there wasn't much you could do about it.

- You had to trust that in time Alastor would learn from mistakes he made. Until he did though, you promised to be there emotionally for your son and to stop your husband from going too far.

-As your boy grew, the fears you had for him began to come to light. Alastor was just as harsh as an old master. Despite your son's grades, physical strength, and domestic skills for a boy, it still was never enough for his father. It was bad enough the point where your son exclaimed that he hated his father.

"He's never happy with me!" Your now six-year-old child cried in your chest after another incident of Alastor's cold hearted nature. "I drew a picture of him today in class, got all A's on my assignments and he just brushed it off! I don't understand.." He sniffled. "Did I..-Did I do something bad?"

"Of course not Sweetie," You said, trying to comfort him. He's tears soaked your shirt as you tried to come up with a plan to put a stop to this madness.

"Then why doesn't he love me..?"

- The sharp pang in your heart that you felt in that moment brought you and your husband back to a pretty foul argument that went unfinished years prior. Giving that man a piece of your mind once again felt good and this time he was going to listen regardless of if he wanted to or not. How dare he make your child feel that way?! Much less make him cry!

"The boy is too sensitive." Alastor groaned, flipping through his news paper. "He's crying over absolute nonsense."

"He's been crying because you've been on his ass like white on rice since he was three months old!" You exclaimed. "All he's trying to do is impress you but you shoot him down and strap him with more work and expectations. He's six, Alastor!"

Alastor growled. "If he's so obsessed with feelings like love and acceptance, then clearly I'm failing at my job as a parent. Do you think the people of Hell care about utter gutter trash like that? I'm making him strong so can protect himself and his sister, to protect you if I should meet my second demise. Why don't you seem to understand that?!"

Sadness took over your features as you realized that Alastor had blinded himself by his own worries. "Your job as a parent is to feed them, cloth them, give them shelter, and to be there for them. That counts being there emotionally!"

Finally Alastor had enough, "He'll be fine, this conversation is over." He grumbled, preparing to walk off to dismiss you again.

"No, it's not!" You yelled, getting right in his face to show you weren't backing down. You knew he'd never lay a hand on you or anything of the sort, but the tensions were high and you needed his full acknowledgement.

"Our jobs as parents are to protect our children, but your so worried about preparing them for this godforsaken place until you can't even save your son from yourself!" You backed away for a second, pinching the bridge of your nose in frustration.

"Do you realize what he could become from your neglect? He could be the next fuckin' Jeffery Dahmer or Ted Bundy all because of your efforts to make him "strong"." You sighed, shaking your head in confusion and disappointment as your eyes grew glossy. "Alastor you weren't ever like this with our daughter. Sure you were a bit overprotective of her but you still allowed her to be a child. So why do things have to be different for our son?.."

- Alastor looked at you for what seemed like an eternity. The moment lasts so long as your tongue grows thick in your mouth. With an angry huff after what seems like forever, he just, walked right by you. Grabbing his tail coat and heading out the door.

- To say you were shocked was an understatement. Immediately you fell to your knees and started to cry. Weeping for yourself, for your son, because your husband was too damn stubborn sometimes, and because you weren't strong enough to stop him.

- You came to the conclusion that you needed some space. Quickly you gathered your children and their belongings, made a call, and went back to the place where it all started.

- Charlie welcomed you with open arms, happy to see you once again and offering you a shoulder to cry on if needed.

-You took her up on that offer, as well as Vaggie while the other patrons enjoyed the company of your kids. Angel Dust even recommended a shopping day with everyone, for old times sake. Your daughter agreed happily in her monotoned voice while your baby boy seemed quiet.

- As you ran back the events of the night to your friends, they both seemed equally as concerned as you were for your son's well-being.

-Speaking of which. You hadn't seen or heard from him in a while now. Last you checked, he had gone in the kitchen to get a drink. You asked if anyone had seen him since, only to get a sound of reverberating "No's"

- You panicked. Running to the kitchen only to find the window open and one of the knives on the counter was missing. A note hung on the curtain, quickly you read it.

"Daddy made me cry and he made you cry too. I think it's his turn to cry now. I'm sorry Mama.."

A disturbing chill crawled quickly up your spine as you ran back out into the lobby screaming in fear.

-You gave Husker the note as Charlie demanded the car to be brought around so you could stop your son's psychotic break.

"Don't you think we're overreacting a bit? He's six and like 4'3 he can't have gotten far." The grumpy cat said.

"This is Alastor's kid we're talking about, do you really think he's your typical elementary school boy? She sliced someone's arm off when she was eight!" Vaggie exclaimed, referring to your daughter who was now trying to console you.

"Our Dad was gone before we left home, maybe he's not back yet?" She inquired hopefully.

"Sweetie, I didn't tell him we were leaving. If he's gone out he always comes back around 10:30 to say good night to you and your brother. It's 11:00, so I'm sure he's home by now."

-As you, Charlie, Vaggie, and Husker hopped in the car to speed off to your home. You couldn't help but pray to God that something would stop your son from going through with something so cruel.

- Alastor sighed as he walked back into his home. It was wrong for him to talk out like that and his reprimand from Rosie was finally what helped him understand that.

-He was ready to apologize to you and to his son. Expecting you to appreciate his change of heart and maybe even earn his son's forgiveness.

-What he didn't expect, was an empty house. Nor the note on the fridge explaining where you were. It has a few tear stains on it and he cursed himself for making you cry. As he read it, part of him wanted to go to the hotel and apologize to you there. The other part of him realized he had pushed you away too far and maybe, just maybe you needed some time alone to reel in your thoughts.

- Slowly, he made his way up the stairs into your shared bedroom. Smelling like whiskey and feeling slightly depressed. His smile was maintained of course, though it was small and forced to whoever might see it.

- He flopped into bed. Rather ungracefully but he didn't care, there was no one around. No one to scold him or ask him if he had a hard day.

- The house creaked as the night wind blew through his window. His face was stuffed in a pillow as he smelled the faint scent of your shampoo. Flowery, like his Mother used to wear.

-She was always there for him. Kind of like you were always there for your family as well. Both him and your children looked to you for inspiration, love, and affection. Which made him feel even worse for putting you in such a position earlier. Here you are, giving him children, making time for them and him, while also trying to make time for yourself. Fighting against your own husband just so he could see what was important to you, only for him to brush it all off in a hissy fit because he couldn't handle being told he was doing a bad job at being a good father.

-Now, when you asked him about this at a later time. He told you he's unsure of how it happened. He can't remember if he was so wrapped up in his thoughts to the point he wasn't aware of his surroundings, or if your son may be part snake instead of part deer.

-But what he does remember is turning on his back just in time to stop the butcher knife from impaling him straight through the heart. How the hell this person got into the house and into his bedroom without making a sound is something Alastor would never know.

-Whoever the hell had lost their mind to do such a thing was about to become a stain on the wall because if their was one thing for certain and two things for sure Alastor wasn't in the fucking mood until he realized the familiar figure in the darkness was his own flesh and blood.

-His son. His own son was straddling his waist, struggling against his Dad's 137 year old strength at just six and a half years of existence. Alastor didn't understand what was going on, why was he doing this and where were you?!

"What are you doing?!" Alastor yelled. Trying to figure out what on earth was happening.

The boy stayed silent and screamed out something close to a war cry as he used his entire body weight to push the knife closer to Alastor's chest.

"I'm talking to you boy and you'd better answer me this instant!"

"Shut UP!" He shouted. "You don't get to talk to me! Not after what you did earlier today!"

Alastor's heart stopped a bit after he realized that his son had overheard the argument between the two of you.

"That was a misunderstanding! Your mother and I may have exchanged words but everything will be alright, now put the knife down!"

The child growled something feral. "It's not going to be okay, things between us were never okay! From the moment I started training under you, you've been nothing but a big bully. I'd go crying to Mom when you weren't around because all you ever saw me for was worthless! You never loved me and I was willing to accept that because Mom promised me that you'd change in time, but after today I don't believe that anymore!"

With a swift move, the boy had broken the arm lock he was in and lifted the knife over his head to plunge into the man he called Father. Tears weld in his eyes as he swung forward, his pupils changed similar to Alastor's and his voice became distorted with anger and malice. For the first time, Alastor swore he knew how his victims felt as his own smile grinned mercilessly back at him.

"YOu MaDE my MoTHeR CrY AnD FOR thAT, I'LL mAKE SuRE YoU NEvEr MaKE EIthER oF US cRY AgAIN!!"

- It was like a switch in his head had been flicked on. Alastor watched as his son swung his blade forward in slow motion. Memories of himself and what he had done to his own father came whirling back.

- The past seemed to have repeated itself. What a sick and twisted universe. He remembered the arguments between his parents. The sounds of glass shattering and his mother's begging for the pain to stop. He remembered peaking into her room to see her covering her face with makeup to hide the bruses. The fake smiles she'd give him in the morning while she cleaned up the mess from the night before. The deep silence between him and his Dad when he stabbed him to death in the very same way. He tried to hide the body on his own, he didn't want mother to be mad at him or find out. But she did and may have indirectly set his path down a dark road by justifying his actions at 14 years of age.

"Murder ain't good Alastor," She said, sitting him on her lap as she rocked with him in her rocking chair. Her sweet Southern drawl was like music to his ears. "You shouldn't have killed that man, n' I won't try to pretend what you did was right."

"Yes ma'am..." He replied sadly, on the verge of tears until she spoke again.

"Listen Allie. Anyone who kills another person, just for the sake of making someone else smile, is alright with me. I know the only reason you did what you did, is because you felt like you had to and you couldn't stand to see me gettin hurt no more." she sighed. "I just wish I was strong enough to leave when I had the chance, n maybe' you're lil would have stayed clean from the blood of my mistakes.."

"M'Sorry Mama.."

She smiled. "No Baby, I'm sorry. For makin' you live through that when you shouldn't have. My sins are now yours to bare. N' sadly there ain't much I can do to fix that." Fixing his glasses on his face, she gave him a hug and kissed his forehead. "Promise me you'll stay strong Alastor, bare these sins with a smile and don't add on to them unless you absolutely have to."

"I promise." He replied. Swearing silently to make her proud and for her to keep smiling, no matter what.

-Everything made sense now. Truly it did. Why you were so concerned. How he became so blind. What he buried deep within and how he manifested into the situation he was in now.

-But unlike his father, Alastor had a choice and a chance to do better before it was too late. Quickly, the Radio Demon sat up and snatched the knife out of his son's grip mid swipe. The blade clattered to the ground and gave his child the loving embrace he so desperately needed.

"I'm sorry." He said with sincerity. "I should have never made your Mother cry, nor should I have ever made you feel less than appreciated. I am proud of what you've done, who you've become, and who you're going to be."

He felt the small body go rigid. Freezing in confusion as his Dad actually told him how he felt for once. Alastor continued. " I'm sorry for making you think I never loved you. In fact, I love you so much that I wanted you to be perfect. To be strong, to protect your sister, and your mother when I'm not here anymore. But I put far too much on you too soon, which was unfair to you in a number of ways. I only wanted the best for you, but I couldn't see that I was harming you in the process and I never, ever wanted that..."

Pulling away from his son, one of the biggest pride and joys he had down in this disgusting cesspool. He wiped the child's tears away and gave him a genuine smile.

"You are my son and I love you, I apologize that it took me so long to say it, but it is true. I'm proud of you for being willing to protect your mother, even from me. I had to do the same thing around your age to the man that would have been your grandpa, but he was terrible to us and deserved to be slaughtered. You're already further ahead than I am, so please. Forgive me and I promise our relationship from here on will be much, much different than what it's been."

- Alastor watched as his son hiccuped and sobbed. Nodding his head and mumbling out a meek "Okay.." He dove in for another hug and Alastor allowed him to stay there and cry tears of relief for as long as he needed to.

- Not too long afterwards, you came barreling into the house and raced up stairs. Calling Alastor's name and for your son until you literally kicked down the door to your bedroom, stopping at what you found and thanking God for hearing your prayers.

-The others came after you in a frenzy but quickly let out breathes of relief at the sight of your smile. Quietly you 'shhhed' them and stepped aside to see the same beautiful sight you did.

-There on your king sized bed, sat your husband and his son. Alastor was propped upwards against the headboard, using pillows to support is back while his head was supported by your son. The six year old was snuggled up against his father's chest, sleeping soundly underneath his throat while Alastor's arms seemed to form a somewhat protective cage around him.

- Smiling happily, you closed the door to the room and headed downstairs with everyone else. Heading back to the hotel and leaving a note for Alastor in the morning that encouraged him to catch up on lost time with your second-born. Satisfied that their bond was finally forming into something beautiful.

(Wow, I did not plan to get as invested in this as I did. I just let the story flow and got this, honestly I love it and would like to see some of my theories between Alastor and his Mom come to fruition. Anyways, I'll see y'all in the next post! Don't forget to comment something you might want to see me write next :D P.S Why the fuck did I post this without editing it..?)

[h0neysp1ce]

Hii

Sorry if this is weird but please can I request some headcanons with Kaveh, Alhaitham and Diluc (Also if you don't write Diluc, Tighnari is good instead) where the Reader has extremely painful period cramps, like to the point where they need to vomit and can't move 🙏

Not at all! here you go 💚🫶

˚୨୧⋆｡˚  Summary: ↑ How does he take care of his s/o when they have very bad cramps?

Characters: Kaveh, Alhaitham, Diluc, Tighnari Tags: Established Relationship (all Separate) Fluff?? Constellation: Head canons Warning(s): Mentions of Period symptoms, nothing graphic reader can be read as gender neutral or Female (Had no clue which one to put so I put both) ˚୨୧⋆｡˚ 

A/N: I tried my best, apologies if Diluc's and Tighnari's Parts are shorter, and hopefully I went into enough detail as you asked , also I hope I titled it in the most un akward way possible, This was my first time writing something like this so I hope its not to bad ^^"

sorta Proof read (will edit later)

Word Count: 1243

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Kαʋҽԋ 🎨

This man is worried about you the moment you start not feeling great.

There's no need to feel embarrassed or ashamed; he understands that this is something you go through.

It’s nothing new, really. You've been open with him about your cramps being bad, and he understands that.

The first time this happened, it freaked him out because he thought something was wrong with you until you told him what it was, and he calmed down.

Kaveh: "Alright, I'm back with the heating pad and snacks."

You: "Kaveh, aren’t you supposed to be out working with a client today?"

Kaveh: "Oh no, I canceled all my work for today. I’m not leaving you alone and unattended."

You: "KAVEH!!? No, don’t worry about me. You should worry about your work. I know it's stressful and—"

Kaveh: "No, you're more important right now. Please, let me take care of you."

If you end up getting sick, like feeling like you’re about to vomit at any moment, he’ll be there with you, holding your hair back if you're actively getting sick, rubbing circles into your back, and staying with you in the bathroom until you feel better and can get back to bed.

Knowing that you can’t move much in this state, he'll take it upon himself to get you things. Want food? He’ll make you some. Want cuddles? He’ll gladly cuddle you.

He’ll have medicine ready for you along with a glass of water and a heating pad.

This man pampers you 100%.

It pains him to see you hurting and not feeling your best. You won’t see it, but he tends to have a frown on his face when you're hurting. He’s doing everything he can, but he can’t take your pain away completely, and it makes him sad.

He’d take away the pain and discomfort from you if he could.

Most of the time is spent cuddling. It doesn’t matter to him; whatever makes you most comfortable and relieves at least some of your pain is what matters to him.

He’ll kiss your face all over, along with some hand kisses, giving positive affirmations that you’re going to get through it, that it’s going to be okay, that you’re very strong, and that it’s only temporary.

His voice goes soft when talking to you, running a hand gently through your hair. He’ll be looking at you often, always asking if you're alright or if you need anything.

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Aʅԋαιƚԋαɱ 📚

He’s read plenty of books to know what you’re going through and the best treatments for it.

He knows what it is without even having to ask you, as you’re wrapped around the toilet suffering.

He’ll sit with you and wait until you feel slightly well enough to get back to resting.

He will be honest with you and say that he doesn’t mind or care; there’s no shame or embarrassment. It’s a normal thing you go through.

If you let him, he’ll use his hands to place them on your abdomen. He has warm hands, and he’ll keep them there if it helps relieve the pain and discomfort, even just a little bit.

He’ll pull off his cape and put it on you if that helps comfort you in some way.

If you’re lying down, he’ll make sure to pull you closer. Usually, he doesn’t like being so close, but he’s doing this for you because he cares.

You: "Alhaitham, am I burdening you?"

Alhaitham: "I've told you multiple times already that you’re not a burden. You just need help and assistance right now, and there’s nothing wrong with that. Now go back to sleep." (says this while reading a book)

He’ll carry you or pick you up and take you places since moving by yourself is a no-go.

He’ll be reading a book while you lay with him. In reality, he’s keeping an eye on you, not reading a page of that book, just pretending.

This man would take the pain away from you in a heartbeat if he could.

He’ll be with you the entire time through this tough period.

He’ll make sure you take your medicine every few hours as directed.

In a modern AU, he’d likely turn on a movie or something for you, and you two would stay in bed mostly. He’ll also get you anything you need, don’t worry.

He’s still able to do his job remotely from home as the Akademiya's Grand Scribe. What, did you think this man was going to work while you weren’t feeling your best? Nope! He’s going to take care of you because that’s what partners do.

Even if he shows little affection normally, he’ll make sure to give you some during this time.

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Dιʅυƈ 🍷

He’s more than aware when he wakes up and finds you not up, as you’re usually up before him.

He’ll ask you, and when you confirm his suspicions, he’ll grab some things (food, whatever you want if you just ask him).

He’ll also make a quick trip to the Tavern and have someone take over for him for a couple of days since he’s going to focus on you right now.

If you allow him, he’ll heat up his hands with his Pryo Vision and place them on your abdomen to ease your cramps slightly. If you’re feeling sick at any point, just tap on him or signal him, and he’ll make sure you get to the bathroom.

He’ll always take one of your hands, pepper kisses all over, and look at you while the two of you are in bed as you relax.

This man is a gentleman (all the men are gentlemen).

Your well-being is a main priority for him.

He’ll shower you with affection and pamper you lots.

He’ll always talk with you and explain that if you need anything at all, just tell him. It’s no bother nor burden. He’ll always assure you that you’re his partner and that he cares about you, giving plenty of reassurance if you need it.

All his duties will be resumed once you’re feeling better completely, so don’t worry about him being behind or anything. He still manages things remotely from Dawn Winery.

Diluc: "Please do tell me if you need anything, anything at all."

You: "Of course I will, Diluc. I love you."

Diluc: "Love you too."

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

Tιɠԋɳαɾι 🌻

He’ll brew up some tea or have you drink a glass of water first when you confirm with him that it’s that time.

He has plenty of medicine and herbs on hand to ease your cramps and maybe the nausea caused by them.

He’ll let you have snacks but will also make sure you have balanced meals, going for the healthy approach.

Don’t be afraid of your mood changes or swings; he understands. He’s not going to be mad if you end up snapping at him.

He’ll try to limit his job as a Forest Ranger so he can keep an eye on you and take care of you.

The first time it happened, he thought you’d come down with some sort of sickness until you told him what was happening. He understood and went out of his way to help you (though he did end up going on a ten-minute ramble about what you already knew and didn’t need to hear).

If you have back pain, he’ll rub your back for you. If you’re feeling any other discomfort, he’ll do whatever he can to help.

He also tends to give you face kisses and affection. He’s a cuddle person and doesn’t mind you being clingy (none of the men mind you being clingy).

Tighnari: "Now remember what I told you, [Name]?"

You: "Tighnari, we’ve been over this five times already." sigh

Tighnari: "I just need to make sure you’re retaining the information."

You: "This is going to take a while."

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ﾟ ｡ﾟ•┈｡ﾟ•┈꒰ა

[dr-spectre]

Rambling about Marina and Relatability...

I've said in the past that i relate heavily to Marie, but as i think about it further.... I think i relate more to Marina... I just read through this incredible twitter thread by @ _CSenpai_ which i shall leave at the end, but it got me to really think... "huh... Marina is kinda me fr." (Also I'm gonna get pretty personal in this post so keep that in mind too.)

Marina has very serious special interests and clearly spends a lot of time researching and engaging in these interests. She gets VERY excited when someone mentions anything remotely about her interests and takes them seriously. Which is something i do as if someone even remotely mentions Splatoon out of the blue, my chest will go "BZZZTTTT" and i get the tingles and i wanna run around my room.

She's very into machinery, video games, music and manga/comic books. Marina stays up and overworks herself when it comes to music and her interests, which is shown in the dev diaries and chat logs in Side Order and Octo Expansion. This is something i tend to do as well as I consume my special interests way into the night and i can't go to bed because I'm so damn energized. Sometimes i become so focused that i don't even notice that time has passed by for so long and before i even realise it... It's 2pm and now i want lunch.

She corrects Pearl on wizards which reminds me of the kind of stuff i say during my rambles about Callie and her arc in Splatoon 2... I get VERY picky when it comes to people using ahem.... certain words when describing the events that took place.

In the Hero vs. Villain Splatfest, she is the only one who is taking it very seriously while everyone else is smiling or expressing anger.

She's using a god damn GAMECUBE CONTROLLER AND A HEADSET! She's literally me oh my god. When i go over for parties and celebrations and someone brings out a Switch and we play Smash Bros or Mario Kart? I take that shit seriously and i can't tone back my skill level and just have fun.

Also Marina is known to have sensitivity to certain food textures including mayo and pulp in orange juice. Now i LOVE mayo personally but i HATEEEE stuff in my drinks. I am a massive texture eater and i will avoid stuff in food that ruins the texture. When i get pumpkin soup for example, if i see vegetable bits in that shit i will actually feel sick and flick the bits off of my spoon.

Marina is also seen stimming and pacing back and forth when excited. When i tend to get overly excited by myself, i will literally violently shake for a brief moment and then squeal. I'm not joking.

Marina also tends to bottle up her emotions and often lashes out onto others when it's too much for her. Which is something i tend to do... I don't often say how i feel when someone asks how am i and i often wanna scream and break something when the anger is just too much for me to contain. I end up yelling by myself and cuss like no tomorrow. I can find solace in a character who does a similar thing i do, minus the cussing lmao.

I think one of the bigger reasons on why i relate to Marina is gonna be a weird one but... She is almost always seen with her headphones. No matter what situation she is in, she always wears her headphones.

Even when she's Marina Agitando and Overlorder has taken over her body, the Controller VM acts like headphones as it covers her ears!

Now this detail about her wearing her headphones almost often might seem minor, but to me it makes me love Marina even more. I always constantly wear headphones and it's due to various different reasons. First is because i love listening to music and enjoying background noise, second, it dampens the sounds around me as i can be pretty sensitive to certain sounds. And third... well... let's just say that i live with a uh.... loud parent who... gets pretty angry, NOT AT ME! THANKFULLY! BUT... when they scream... and swear... i put on my headphones and wait for the noise to go by. It's a comfort thing for me and helps get through those... rough periods... Marina wearing those headphones often and not being judged for it, makes me feel, happy...

...uh... yeah.

ANYWAYS! Another big thing i relate with Marina on is her want for order and balance in her life. She doesn't like massive changes in her routine and wants to maintain the balance in her life.

i do not like it when my routine suddenly changes and i get upset and angry. I have a strict routine and when it gets fucked over oh MAN OH MANNNN!!!!!!!!!!!

And that last point about feeling safe and secure, as i mentioned earlier with the third point about wearing headphones... I wanna feel safe and secure... I want to feel calm... I don't want someone to suddenly shout or get upset or for my routine to change and i can't do anything about it...

The only thing i don't relate with Marina on is well... Looks. Listen, i ain't no tall black octopus woman with a noticeable figure and a pretty face HAHAHAHA! I find it kind of funny that I'm able to relate SO MUCH to someone like her when I'm some 20 year old dude who looks nowhere NEAR like her. Except for maybe height i don't know.

However, i will say, i actually don't act this excited in person, i tend to be very shy and reserved in person compared to my online behaviour. I say words in a dry manner and i don't have the best social skills. So i guess that's where the relatability for Marie comes in as well. I'm a heavy introvert and despite my need for wanting to connect to others, i would rather stay indoors than go out and meet new people to start friendships or potentially a romantic relationship... like that's ever gonna happen anyways...................

I got two brain cells. It's them.

So anyways, that was all i wanted to say! I love Marina and she's my second favourite Idol, you can probably guess who's number 1 but i ain't talking about... her... well not today anyways.

Thanks for reading!!!

The thread that inspired this blog post: https://x.com/_CSenpai_/status/1367219374948376579

[yuri-is-online]

Was Lilia more “Oh my thorn fairy I have another child?! I can barely cast a spell as of now and future me wants a fucking KID?! AT THAT AGE?!”

Or more of a

I HAVE ANOTHER SON?! AND IT’S FROM ME!?

If his Yutu tells him he comes from the future? Because it could imply he does regain his remaining years and magic. Idk how you wrote that problem that even rn it’s giving talk about Lilia surviving book 7 or not.

If it’s the second I already see him passing by Silver’s room really excited and saying “YOU HAVE A BROTHER!” And zooming off, leaving a very confused Silver and thinking he refers to either Malleus or Sebek.

technically anon asked first but this ask is much longer so it was awkward to screenshot for an answer. Here is the link the anon used for reference, I obligated as an elderly hater to let you know it's from SAO. Anon's idea is extremely good and we're going to roll with it for this Yutu's Uniqe Magic because you know he was always going to be a little shit.

notes: they/them used for Yuu, context on the fyuuture kid au can be found here and here. SPOILERS FOR: Book 7, Lilia's back story, and Silver's unique magic. Please engage with this in mind. For more fyuutre kid au, please check out the series section of my masterlist.

I have a bit of difficult time writing for Lilia given how much older he is than the rest of the cast, so I tend to write his Yuu as being a bit older themselves. Maybe they had an extremely difficult childhood and connected with Lilia over their shared sense of robbed innocence. Whatever it was I think this Yuu has a bit of a fascination with creatures of the night and a lot of their weirdo reputation within their community comes from kids telling each other that Yuu and Yutu are vampires. That makes me tempted to say Lilia! Yutu's real name is Alucard or Sebastian, something vaguely vampire themed.

None of those rumors are helped by Yutu finding himself very lethargic when out in the sunlight or his preference for colder temperatures. From his perspective he can't exactly help being who he is, people should really just get over themselves and let him do his thing. It's not his fault that bats really seem to like him for some reason, the neighbors are exaggerating Mr. Animal Control officer he swears.

Because he prefers to spend his awake hours in the dark, he is waaaaay too comfortable doing things and going places he shouldn't. He's real familiar with all the abandoned buildings and sketchy alleys of your town and has tagged quite a few of them. I like the idea of Lilia! Yutu being really interested in street art and Graffiti. I could see him putting up a bunch of bats everywhere and getting in a bunch of trouble for it. He has very fond memories of Yuu letting him paint murals on portions of their house in an effort to meet him halfway. He might like a good prank but unlike his father Yutu is always pulling his punches with Yuu.

Lilia didn't exactly have a supportive parent while he was growing up, something I feel like Yuu remembers and is very conscious of in their parenting of Yutu. Unfortunately for Lilia they also remember that he had another child and was a lot older than them, something Yutu raises several eyebrows at and causes him to ignore the things Yuu tries to tell him about his "great sense of humor" and "desire for different peoples to learn and grow with one another-" yeah that's great can you back up a bit to where you said he had another family? Yutu goes through life thinking he was the product of an affair Yuu had with a much older, married man who was just trying to feel young again. The amnesia stuff... sometimes he wonders if his dad tried to have Yuu killed. He never says it out loud because something tells him he's wrong, but gut feelings aren't as trustworthy as statistics...

So you can imagine his surprise when he tumbles out of a coffin and is told that his dad was a faerie general bound in service to a family of dragons, veteran of an ancient war, and technically the adoptive father of the Prince of the children of the night and the Prince of the rival human kingdom that killed his best friends. One of which is alive and overwhelmed with joy to meet him. Silver wanted Yutu almost as badly as Lilia and Yuu did so to see him alive and awkwardly squirming in his arms? Silver hasn't cried this much since they lost Lilia and Malleus.

Having a proper older brother, not just the concept, is an extreme change for Yutu. He's used to it just being him and Yuu, and he was sort of expecting Silver to hate him just for existing. Nothing could be further from the truth, Silver wants his younger brother to have the same freedoms he did while attending school but he also respectfully requests that Yutu spend at least some of his free time with him. He tried desperately to find his dreams over the years and was never able to make firm contact, but he doesn't want to pressure Yutu into caring about him. Yutu is didn't realize how badly he wanted other family members until he got to have Silver, he's even willing to take up sword fighting so they can get closer.

Sebek is also overwhelmed with tears upon seeing Lilia! Yutu. He is a bit harsh on him for "not living up to Master Lilia's legacy" because he doesn't know anything about fighting. He does applaud him for his willingness to learn. Yutu thinks Sebek is hilarious and messes with him just as much as Lilia does. Something Sebek is completely willing to let him do because it makes him feel like Lilia never left.

All of the Yutus get to see some of the photographs Yuu left behind, but Lilia! Yutu is especially interested in them. He makes a small photo album of all the ones he can find of his dad, especially ones where he's with Yuu and Silver. He's partially driven by guilt for thinking his father was a terrible person, but really he just wants to feel closer to him. He's half fae, and sure he has Sebek to talk about that with but what he really needs is a connection with his father. Yutu doesn't really care about being a faerie. He just cares about his dad's acceptance, everything else can go hang.

I don't have a name for his unique magic, but going off of anon's idea it allows him to overwhelm his target's mind, forcing them to think about their greatest fears to the point they are convinced they are really going through it. Someone hates spider? All over their face and in their clothes. Crippling fear of failure? Suddenly that emotion is all they can focus on. And if it's a mindless creature like a blot phantom or a monster they become overwhelmed with the sensation that they are unable to breathe and about to die. Yutu can't control the illusion the person experiences so usually he tries not to use it on his classmates.

That changes when he goes into the past. Some rando want to shit talk Yuu? Nightmare. Macho NRC guy wants to rumble? Nightmare. Some random guy jumped out from behind him and yells "BOO!" Nightma-

If Yutu had been just a hair slower he would have been in extreme pain, the dangerous glint in those familiar ruby eyes scream that. The short fae smiles almost cruelly, advancing on him clearly upset even though Yutu has dropped the spell.

"Well now, that's no way to great a senior." Lilia's voice is strangely soothing, it occurs to Yutu that this is probably the first time his father has ever been angry at him and he can't help himself. He laughs,

"Yeah sorry about that." He makes sure to try and be cute about it, which helps to diffuse the tension some what. "You really scared me so it was all I could think to do."

Lilia is very impressed by Yutu's reflexes and control over his unique magic. He is even further impressed by how eager Yutu is to train with Silver. The kid has some real promise and fits into Silver and Sebek's dynamic better than Lilia could have dreamed of. He really hopes the two will benefit from having a relatively normal human friend their age to train with. Maybe he and Yuu will stick around and give him some piece of mind about the kids being in good hands when he's gone.

Yutu hanging around Diasomnia gives him an excuse to chat with Yuu more, not that he exactly needed it. Lilia sort of hates the way he's drawn to you, it feels unfair. Unfair to you to give you hope there could be something more and toy with your affections; unfair to him for life to finally allow him to realize what romantic love is like just in time to have to let it go. There is a bittersweet tone to all of your interactions that his housemates are a bit too socially awkward to pick up on but Cater does.

Yutu is surprised how much he likes Cater, he associates him with a terrifying monster he's had to fight multiple times, not a fun guy who is really determined to help his parents get together. And what's even better he's really chill when Yutu asks for stories about Lilia, he has a lot of them and a completely different perspective than his older brother allowing Yutu to glean some more insight to what his parents might have been thinking in the future.

He finds himself spending a lot of time with the pop music club, not as an official member though he's not great at carrying a tune. Kalim, Cater, and Lilia are glad to have another person to chill with, sometimes they'll play music and Yutu will draw something based off whatever noise they made. Cater wants to talk him into doing album art for them... you know if they ever get around to making a recording.

I think Yutu will only tell Lilia who he is if he has no choice. He wants to mess with the timeline as little as possible, but should a monster from his timeline appear in this one, say like an overblotted Yuu another asker was so nice as to bring up, well it's not like he says who he is. He just addresses the monster as his parent and has a very loud meltdown not wanting to fight them again. Something Malleus is more than willing to assist him with.

"Think nothing of it." Malleus's power is truly terrifying, Yutu is torn between sorrow that he wasn't on their side and relief he didn't overblot a second time. "You are Lilia's son yes? That makes you my subject, and a most precious one at that." Not that Yutu has avoided interacting with Malleus exactly, he's just found talking to him exceptionally awkward because well. He's not Yuu, he's very aware of how important Malleus is supposed to be. But the way he's looking at him now makes him think that maybe he was missing out on interacting with another older brother.

Something that's confirmed when he turns to see how big his father's eyes have gotten, the man is shaking as he stares at his face and flicks between him, Malleus, and Silver like he's staring at the most precious pieces of art in the whole universe.

As you brought up Lilia's survival isn't guaranteed, I did not solve that problem at all. I sort of just... wrote that Lilia would age more or less like a normal human and not really be able to use magic on par with what a fae would consider normal but would still be impressive to a human... so while Lilia might be a bit reluctant to show his face in Briar Valley he would still have enough years to have and raise Yutu. He might have actually died around the same time as Yuu if they had lived a normal life.

He is overwhelmingly excited at the thought of having another baby. Lilia might not know what to do with them but he does really like kids. What's harder for him to accept is his relationship with Yuu. Raising a child is something he's done before, being someone's long term partner is not. He is unused to feeling desirable, and unfamiliar with acting on his own desires. Sure Lilia might seem very free spirited, but much of his life has been dictated by a sense of duty. The thought of having something precious to him that chose him specifically of their own free will is... disarming. He's overwhelmed with how helpless you make him feel and how little he despises it.

Yutu's need to be accepted by his father is met and exceeded almost immediately. Lilia wants to cook a big family dinner for Yuu and all of his boys, something that Malleus politely rejects asking if he can instead show his Culinary Crucible skills off to Yutu (it's really so he can make babiest brother promise to never eat anything Paw Paw makes EVER) and it's all so normal Yutu almost forgets that he's listening to a practical god smugly tell him he knows all about edible weeds as his father flies around him cracking jokes and pinching his cheeks. His older brother is asleep on the couch waiting for the food to be done and his precious parent is helping his Uncle Sebek set the table, listening to him sniffle about how beautiful Master Lilia's family is.

Lilia might be practically retired, but his mind is still sharp. The information Yutu is able to pass on to him lands in good hands. When he tucks Yutu into bed that night, long after the boy has gone to sleep so as not to embarrass him he makes sure to take a good long look at the little miracle. He is beyond grateful Yutu exists, not even the Thorn Fairy could have given him a finer blessing (he'll have to make sure to tease you about that later, that's got to be a good pick up line) He will make sure that this risk his son has taken pays off, Lilia Vanrouge wasn't feared for no reason. Something it seems some foolish mortals need reminding of.

[tyrantisterror]

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[atalana]

so i finally got the chance to read the book of bill! and man those journal 3 pages, i could write a million essays on those, but the principle one that i can't get out my head is the new insight on ford's whole fucked up paradigm of what love is

like, neither of the stan twins really know how to experience unconditional love, because they never really had it. their dad was constantly comparing the two of them and really just stamping down stanley's self worth at any given moment. and even for ford who was praised, he's not an idiot, he saw how stan got treated all the time, and their dad was very explicit as to why. ford's praise and attention hinged on him being the family genius who could make them all a lot of money, and he knew very well if he failed to live up to that, he would also lose his father's love

and you see this in stan in his desperate need for everyone to like him, but also how he doesn't really believe anyone ever truly could love him, so whenever he gets the chance with anyone he clings onto that relationship as tight as he can, terrified it's going to disappear at any second

ford, meanwhile. the more direct threat to him was the bullies and the people that made him feel lesser for being abnormal. and no kid likes feeling like that, we know it's a spike buried deep in his psyche, which gave him a reason for the dichotomy he ends up forming.

when he was a kid, people tended to fall into two categories - those who were really impressed with him and his potential, and those who saw him as a freak and wanted to drag him down for it. the love he got and the hate he got are directly related to both.

and as a result ford is constantly looking for people who will give him intellectual gratification (what he thinks love is), and he categorises everyone else as "unimportant obstacles in my way" (because that's how he thinks about those bullies, so their words won't hurt anymore)

stanley was the first category, until he sharply became the second

and splitting the world into those two categories makes him an absolutely horrible person! like, one hand yeah, you do have sympathy for ford bc that is straight up torture bill put him through and no one should have to experience it (and i do wanna make clear this is not a ford hate post, he does have good qualities im just interested in the bad rn)

on the other hand though, god, i'm always struck by just how hateful he is towards so many unimportant things (just one of many examples, christmas songs are fake and stupid bc rudolph didn't burn santa's workshop to the ground as revenge for ostracizing him like jesus christ dude)

or the bit where he sees one of stan's shitty product ads and considers calling him and pretending to be a cop just to scare him, because in ford's mind that's a punishment he deserves for daring to look so stupid while sharing ford's face

and it just drills in how much ford is not willing to see stan's side of this in any way, because what do you think would happen if you went through with that plan? don't you know stan's already scared enough? you saw him get kicked out, you saw the ultimatum that came with it, and hell thanks to the book of bill we know you were also scared to go home until you had something to show for it. he's trying his best, and you understood that once. but then stan throws your journal back in your face and you yell that you're giving him the chance to do the first worthwhile thing in his life.

everything he did to try and make something of himself, to try and prove himself worthy of literally any love at all, you didn't care about that. now he's in a position to help you, so of course he should just drop everything and obey your orders to the letter without question. that's the only way to redeem himself for getting in your way, why won't he take it?

by the time bill shows up ford felt fully justified in going "this isn't about me, and therefore it's stupid and unimportant and should be destroyed". and i know exactly why, it's because again you think intellectual gratification and love are the same thing and you're running low on both right now so you're trying to make up the difference by affirming how right you are in your goddamn diary, but right does not make you good or kind or wise

and that makes it kind of a self fulfilling prophecy, because loving you is hard, and the one person genuinely willing to do so unconditionally you're keeping at a very aggressive arms length. but you fall for bill so easily, because he understands how important you are, which must be love, and all of these other people worried about you just aren't smart enough to get it

and not even realising bill's lies could cure him of that one. hell, 30 years spent dimension hopping didn't cure it. when ford gets back he is still just as self righteous, and still willing to categorise dipper as "will give me intellectual gratification" and the rest of them as intrinsically less valuable

which is why dipper can't take the deal ford offered him. if he had, he would have turned out exactly like ford, stuck in his own echo chamber unable to tell the difference between love and praise

mabel says at one point in the comics that the reason the two grunkles are bad at looking after kids is because they still are kids, and that's a really accurate insight. that old wound cut so deep neither of them had the chance to actually move past their childhood, and discover what it was they were missing

stan never stopped wanting his brother back, but ford didn't realise that was what he needed too, until he saw mabel and dipper working as a team against bill. he's acknowledged his mistake in trusting bill before now, but "we used to be like that" is his first time acknowledging that his whole approach to people is wrong.

you've always had one source of unconditional love. you didn't need to be better than him to be worthy of it. and now you've got an entire new family, hopefully you'll realise that can come from multiple fronts

(and it's okay stan shall have his revenge for how you treated him by commiting just. so much tax fraud in your name)

[draculasfavoritewife]

Idle Hands

Summary: Whenever Tony forgets to go to bed, it's always been up to you to bring him back to your side.

Pairing: Tony Stark x fem!Reader

Warnings: Heavy on the softness compared to most of my other stuff; I was in a very sentimental (read: sad and touch-starved) mood back when I wrote this lol. Tony Stark is a TEASE both in word and deed -- I have said it is canon therefore it is now. The feral way he makes me feel should be illegal. Also you can read the...implications of my vague wordings towards the end as tame or as smutty as you wish ;)

I feel the need to mention here that Tony Stark has been my most favorite comic book character since I was but a mere 11 years old. He holds the distinction of being my longest-running fictional crush/object of my obsessions and I love him so deeply and for so many little reasons that I could write a PhD dissertation on him. So please enjoy my little love letter to the man that has held my heart for nearly a decade and a half <3

It's that point of the night where you really can't decide if it should be counted as ungodly late or ungodly early. 4:00 am does tend to scramble the thoughts.

You've been drifting in and out of an uneasy sleep for what feels like forever, and as you roll away from the digital clock display on the wall with an annoyed sigh, you suddenly see why.

The other side of the bed is utterly untouched.

He hasn't been here with you at all.

You sit up, trying to remember if he had plans tonight. The calendar app on your phone has no record of a gala, awards ceremony, board meeting, or anything else that might have taken up his time.

Which means he's probably down in the lab again.

Briefly, you contemplate trying to call him, but you know from experience that he probably isn't taking calls right now, even if FRIDAY tried to put one through for you. He's in that zone that only designing and building can put him in, the one mindset where his too-busy brain is crystal clear and the world at last makes sense to him.

So you pull yourself out of bed, throw one of his old sweatshirts on over your cami and pajama shorts (he keeps the AC cranked all the way whenever it's warm outside) and pad out of the bedroom and on your way downstairs.

His lab is awe-inspiring as always, no matter how many times you see it. The purring thrum of the generators and the comforting pulse of dimmed lights, the heavy, electric feeling of the air itself -- he's described his workspace to you as having a life of its own before, and you can understand so well why time escapes him down here.

You just hope he's not using it to escape from other things as well.

He's deeply absorbed in his work on something at a station opposite the door, and your heart skips a beat even as you smile fondly at the familiar sight. Clad in sweatpants and a black tank through which you can just barely see the blue glow of his arc reactor, he looks all at once more human than usual and like some being from another world entirely.

It's the Stark curse, he told you once, and you recall the wry slant of his lips as he said so. To know you're a god trapped in a mortal body, an infinite mind with a finite number of years to use it. It's the reason behind all his greatest triumphs -- and all his harshest falls from grace.

And somehow, you were lucky enough to be the one he fell in love with.

It still feels like a dream sometimes.

Realizing he isn't going to look up on his own anytime soon, you stifle a yawn and knock sharply on the doorframe.

"Tony?"

He stiffens as if he's been shocked (always a possibility, when he's rewiring) and shoves the safety glasses high up on his forehead. "That would be yours truly. Everything alright?"

With a laugh, you cross the room, warmth rising in your chest as he immediately sets down his tools and steps out from behind the table to meet you. And damn, he always looks good -- he is Tony Stark, after all -- but there's always something about him when his hair gets all unruly and he has THAT look of intense concentration on his face that really drives home to you all over again just how gorgeous he is.

You cuddle up to him, and he kisses the top of your head.

"Asked you a question, Honey."

"Do you know what time it is, Tony?"

There's a prolonged moment of answering silence as he glances up at one of his nearby monitors. "Crap. Well, why are you up?"

Pulling back slightly so you can tease the protective eyewear off his head, you give him a look. "Can't sleep."

An eyebrow tilts; he's playing dumb.

"And that's my problem why?"

"Jerk." You take your time playing with his glossy dark hair, neatening it back up before raking your fingers through it to mess it up again. "Maybe because you love me...?"

"Oh, so you're down here looking for sympathy, got it." He smirks at you, a well-practiced and infuriatingly handsome look. "In that case, sorry about your insomnia, Beautiful. There's melatonin in the drug cabinet upstairs." He snares the safety glasses from your fingers once more and makes as if to return to his work. "Sympathetic enough for you?"

You wrap your arms around his waist from behind, stopping him from going any further, though the smug son of a bitch starts tinkering with his new designs again even through your persistent clinging. It mesmerizes you for a couple seconds, always has, the way his hands work with such delicate precision and dexterity, and you can't help selfishly wishing he would turn them towards other, less...mechanical endeavors at this moment.

He probably would, in all honesty, but Tony Stark is the king of making you work for it. Philanthropic he may be, but some things even you have to earn from him when he's feeling particularly devilish.

"I don't want your pity," you hum, pressing a sleepy kiss to his shoulder. "I was lonely without you."

"Perfectly understandable. I've been told by many that I'm scintillating company. You can, by all means, stay and watch me work, you know. Feeds my humble ego."

You roll your eyes and impatiently reach up under his shirt, feeling his muscles tense at the unexpected coldness of your hands.

That finally gets his attention and makes him turn around. Before you can even fully comprehend it, he's swept his work out of the way and lifted you up onto the worktable instead, restless fingers drawing intricate patterns on your inner thighs, though his eyes never leave yours, crystalline blue pinning your attention to his amused face instead of his very distracting hands.

"That," he grins, "was adorable. Sleepy version of you is so much more demanding. Maybe I should stay down here too long more often."

You try to frown at him, though his sparkling gaze and mischievous touch make that impossible. "How dare you."

"I do a lot of dumb things to see where they get me. You know that." He nods at the thick gray sweatshirt still keeping you warm. "Why don't you take that off for me, Sweetness. You make me cold, I get to return the favor."

Unable to come up with something snarky to say in return with the way his hands are making you shiver now, you do as he suggests with little resistance, the exposed skin of your arms and chest prickling at the much cooler air.

He leans in to tenderly kiss your neck, and your breath leaves in a sigh at the way his facial hair scratches at your throat. He's always been a helluva kisser and the meticulously maintained goatee is just the icing on the cake. Making out on his worktable was not the original plan when you first came down here, but even by his own admission Tony's best plans are usually improvised.

And you're certainly not complaining.

"What did you want from me again?" he murmurs, close to your ear.

The absolute audacity of him.

"Mmmmmmm," seems to be about all you can manage at the moment, and you know very well what's coming next.

He pulls you closer to him, the movements of his fingers turning agonizingly slow and prompting a slight gasp from you.

The smile that gradually spreads its way across his mouth is absolutely wicked.

"What was that, Sweetheart? I didn't quite catch it."

You try to reclaim some semblance of coherence, but his firm hold on you prevents you from escaping his delightfully systematic torture, so instead you grab on to his well-defined shoulders, your forehead resting against his chest. The mechanically-stabilized beat of his heart echoing beneath his skin a brief reminder that he's alive, despite everything he's been through, and he is yours. There's no one else on his mind, no one else he's let this far into his messy and often painful world.

The world may know him as Iron Man, the one who has saved them more times than they could ever count, but how many people really know the Tony that you know?

That same Tony who now raises one hand to tip your head back, whose sharp eyes soften with affection for the slightest of seconds before the anticipated words fall from his tongue, the words he knows will always unravel you.

"You just have to tell me what you want. Come on, Princess. Use your words."

You shudder and lean in to beg for another kiss.

"You, Tony. Always you. Please."

He kisses you back with renewed intensity, leaving you completely breathless.

"There we go...was that so hard?"