#when he can do anything he wants to them

[spookyboywhump]

Nicholas still keeps Eli as an offering once he has Cathal? Bastard man. Evil

YEAH in a way this is the nicer option. He could’ve just killed him once he got sick of him, he doesn’t have to put up with this but he finds his defiance amusing. But it doesn’t make up for the fact he wants someone a lot sweeter and a lot more obedient too :)

[hinamie]

to moving forward

[sunshikilo]

wanderer's adventures in sumeru

THANK YOU FOR 70 FOLLOWERS BY THE WAY!! some news, i made an offical art twitter account! 🥳 its @/marsunshi and i linked it, right now im focused on genshin there and will be a lot more active, but im still going to try and post mcsm content here because i have Many wips ^^ i also have my ao3 linked there and i have a few drafts of mcsm works that i might post at some point..who knows

[spicyvampire]

Great and Tyme being worried about each other

4MINUTES (2024) EP. 5

[poorly-drawn-mdzs]

He was just being a silly little guy!

[First] Prev <–-> Next

[eerna]

me explaining why Will/Elizabeth/Jack love triangle was a perfect little one-movie arc that wasn't present in the final movie because it was never about choosing and instead just about dynamics and character development so they all outgrew it by then

[pixlokita]

Aight 😔

[daily-hanamura]

[casualavocados]

#he doesn't want to fight with you ai di, he wants to Kiss🙄💘🥺

Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)

[ruporas]

honeymoon phase! (ID in alt)

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[ganondoodle]

the company i work for decided that its switching from the german formal "You"(Sie) to the informal "you" (Du) in all of our websites so now we have to scour the entire database to change it and i quite frankly hate that, not just bc the unecessary extra work but especially bc its such a weird and unecessary change

i bet its bc everything here is getting englishfied (both literally and culturally it feels like, when my new boss talks its half in english bc every second german word is just replaced by an english one despite there being perfectly fine words for it in german too, its so annoying) and bc they want to sound more personal in hopes of getting more clients bc 'company is your fwiend uwu!!', i know this here is the amercian tm site so you wouldnt understand really but i do not want to be greeted with 'du' by companies, no, thats too personal, you dont know me and im not giving you my data, stay away!!

i guess thats how i would describe it .. the formal you is like a polite distance, like someone you dont know staying outside your personal space, but when its the informal 'you' it feels invasive unless i told you you can call me that, and that goes double for companies

maybe its a small thing that doesnt seem important but i cant stand it, im just a little part time worker doing data work so i got no say in it but the companies founder also announced hes giving his post to his kids some time ago so ...... since then theres been alot of changes and new projects that solely aim to imitate whats popular and whats done by other companies, despite ours being one that is, or used to be, intentionally different, like, that was the POINT, but i guess chasing trends is just too appealing for CEOs

[doctor-cunt-phd]

Currently considering how the first time Daniel is presumed dead Jack broke a window because of how helpless he felt. The way he remembered Daniel screaming for his help, not being able to do anything before it was too late. That really got to him. I think being helpless to the death in his life is a constant theme for Jack that he's always had to accept and sit with and try not to break windows over every day.

So I think it's really fitting and touching that when Daniel really died (ascended, but for all intents and purposes, was dying), when he was dying painfully, hopelessly, in front of all his loved ones- He asked Jack for help, he gave Jack the honor of helping him pass on, trusted him, gave him the opportunity to say goodbye that Jack never, Never seems to be allowed.

[kevindavidday]

neil's brain short-circuited the first time matt boyd said 'i love you man'

[callsthefaithful]

b4 death B) - angel w a little hat below cut <3

tried to stick to their death dates a bit but. idk i only googled for like 5 mins. also i wanted those old news print colours 😌

[politemagic]

everyone say congratulations to the first time homeowners!

edit: i may or may not have been inspired to write some headcanons based on this, if you're interested